ARCHITECTURE, LANDSCAPE & CRAFTSMANSHIP COME TOGETHER AS ONE
NIAGARA'S BEST SIDE
Destinations & Talent Shaping Niagara’s Creative Spirit
A Trailblazer in Canadian Media Interviews with Rick Campanelli
Find your inspiration at cedarsprings.net
Georgian Custom Homes reimagines the boundary between home and garden — creating outdoor sanctuaries of rare beauty, where architecture, water, and landscape become a single, seamless composition.
Your outdoor oasis begins with a conversation.
info@georgiancustomhomes.ca 289.212.8564
Established in 2009, Ecnomus Construction is a detail-driven construction firm known for its refined, design-forward approach. With a portfolio rooted in Scandinavian, midcentury, and contemporary aesthetics, the team creates spaces that feel both modern and enduring. Committed to simplifying complex projects, Ecnomus delivers a seamless experience from concept to completion—built on collaboration, transparency, and trust.
AG JEANS
AGOLDE
ALOHAS
ANTONELLI
APIECE APART
AUTUMN CASHMERE
AVENUE MONTAIGNE
BA&SH
BARBIERI
BARBOUR
BLAZÉ MILANO
BROCHU WALKER
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CARA CARA
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CITIZENS OF HUMANITY
DEAN DAVIDSON
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ESSENTIEL ANTWERP
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ILSE JACOBSEN
JENNY BIRD
JOSEPH
KERRI ROSENTHAL
KUJTEN
LA CANADIENNE
LINE
LISA YANG
MACKAGE
MAJESTIC FILATURES
MANSUR GAVRIEL
MARINE LAYER
MAX MARA
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MOTHER
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PATRICK ASSARAF
PDPAOLA
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We let the land decide what our communities should look like. We create simple yet remarkable amenities to bring families together. That sense of place helps to determine the design and character of each community’s Master Plan.
Ask yourself if you’re looking for a place to live – or a place to Live Remarkably.
$6,595,000
Set on the prestigious shores of Upper Lake Muskoka, this private retreat showcases breathtaking sunsets and effortless waterfront living. The cottage offers four bedrooms and five designer baths, a gourmet kitchen, Muskoka Room, and a lakeside family room with a walkout. At the water’s edge, a boathouse with a sun-drenched deck provides the ultimate summer gathering place. A one-bedroom, one-bath bunkie and a three-car garage with a versatile loft complete this offering. Ideally located minutes from Oviinbyrd Golf Club and the boutiques and restaurants of Port Carling and Bala.
This custom-built 6-bedroom, 6-bath lake house features over 6,000 sq ft of sumptuous interiors that flow from the awe-inspiring great room with soaring ceilings to the chef’s kitchen, the Muskoka Room, and the family room. The lower level offers a bright recreation area with a walkout. And for convenience, there’s an attached double-car garage. At the water’s edge, you’ll discover a striking two-slip boathouse with a guest suite. This spectacular retreat delivers sweeping lake views, prized western exposure, and unforgettable sunsets. The shops and services of Bracebridge are a short drive away. Come see this compelling opportunity to experience the very best of Muskoka luxury waterfront living.
SUE BARTHOLOMEW
Co-Founder / Sales Director
LAUREN LOWE
Co-Founder / Publisher
Creative Director / Editor
ay arrives with a certain clarity, inviting us outside, opening the windows wider, and reminding us how lucky we are to live where we do. In communities like ours, there’s a quiet strength in connection—a shared sense of pride, support, and lifting one another up that defines the true character of this place.
This issue is rooted in that spirit. Our cover story brings it home with a striking Beverley Midcentury custom build where architecture, craftsmanship, and landscape design come together with intention and ease, reflecting not just a beautiful space, but a way of living.
Creativity carries through these pages. Artists Carolyn Dover and Jason Carter offer distinct perspectives, while Rick Campanelli’s conversation with Erica Ehm
reflects on a career shaped by curiosity and reinvention. In the kitchen, Chef Massimo Capra shares his thoughts on culture, craft, and the Canadian table.
We escape, too. Niagara-on-the-Lake draws us in with stays at 124 on Queen and The Scotsman Hotel, and a table worth lingering at at Revé. Further afield, Lima, Peru unfolds in colour, flavour, and rhythm.
From Gregory Fast’s resort-inspired entertaining to Eric Sana’s refined take on fashion, this issue is about living well thoughtfully, beautifully, and together.
The Best Side Team
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MAY | JUNE 2026
Co-Founders
SUE BARTHOLOMEW
LAUREN LOWE
Creative Director
KELSEY ADDISON
Graphic Designer
CATHRYN HAYNES
Sales Director
SUE BARTHOLOMEW
Sales Representative
RAY SPEERS
Contributors
LINDA BARNARD
GOLI BASIRI
MACKENZIE BEST MARTHA UNIACKE BREEN
DAVID BURNS
RICK CAMPANELLI
KEN DIXON
GREGORY FAST
GREG MACK
KIRSTEN GORDON
Photographers
EVELYN BARKEY
NORTHERN SPRUCE MEDIA INC.
JAMES MORLEY
LISA MARIE PHOTOGRAPHY
KIRSTEN SCHOLLIG
SIMON TINGLE
Publisher
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RICK CAMPANELLI Canadian TV Personality & Radio Host
A trailblazer in Canadian media reflects on MuchMusic, motherhood, and a life built on storytelling and bold reinvention.
By Rick Campanelli
There are people you work with, and then there are people who shape how you see the job — and yourself. Erica Ehm was that for me.
Since her days at MuchMusic, she did things her way. No playbook. No waiting for permission. Just instinct, curiosity, and a willingness to figure it out in real time. Watching her back then, and seeing who she is now, I’d say one thing hasn’t changed: Erica has always trusted her own voice.
Now, as she puts the finishing touches on her memoir, I wanted to sit down with her and get a preview not just of the stories we think we know, but the ones we don’t. Because if there’s one thing I’ve learned about Erica Ehm, it’s this: the real story is always deeper.
RICK: When you look back at your time at MuchMusic in the ’80s and ’90s, what stands out as the highlight?
ERICA EHM: For me, the highlights were the learnings.
You and I are a lot alike, Rick. When we started at Much, we were beginners, real fans, figuring out how to be broadcasters. When an interview worked, when the
flow clicked or when questions landed, those were the best times. Like when I interviewed Kurt Cobain, Aerosmith, Tina Turner, Crowded House, Duran Duran, and INXS.
RICK: Was your time as Much as much fun as it looked from the outside?
ERICA: The job was hard. We made it look easy. Writing the memoir sent me back into my box of Much memorabilia I hadn’t opened in over 30 years. I became an archaeologist digging through my past. What I found confirmed I had to fight for respect in a way that the men doing the same job didn’t. Being a woman in the music business back then was not for the faint of heart. When I left Much, I had a bit of a chip on my shoulder. I had been told, repeatedly, that I was lucky to have the job, that MuchMusic made me. But the truth is, I had to do it all myself. No director, or writer, or stylist.
RICK: You were part of a moment that changed Canadian music culture. Did you appreciate that at the time?
ERICA: Not fully, but we felt something happening. MuchMusic was the only game in town back then. Kids across the country were watching the same videos at the same time. There was a shared cultural experience that doesn’t exist anymore.
RICK: That’s so true. The next day, every kid in Canada was talking about the same thing. You can’t recreate that kind of connection now.
ERICA: And we weren’t just playing music; we were helping build careers. Canadian artists now had a platform where fans could discover them and connect with them. That visibility built a Canadian music ecosystem that still exists today. I’m proud to have played a small part in that.
RICK: You’ve reinvented yourself many times — TV host, entrepreneur, digital pioneer. Looking back, what’s guided those transitions?
ERICA: I do what I love, then figure out how to monetize it. I like building things and connecting people. It’s all rooted in storytelling and community.
After Much, when I had kids, I created the Yummy Mummy TV show, which was broadcast globally on Discovery Health.
That led to the website YummyMummyClub.ca, which became a digital marketing agency, long before remote work or online communities were mainstream. At one point, I had a staff of 60 women working from their kitchens across Canada, building a seven-figure business.
RICK: And that’s the thing — you didn’t follow a path, you created one. I don’t think enough people realize how ahead of the curve that was.
ERICA: I didn’t set out to “disrupt” anything. I built what I needed.
RICK: You were also an early adopter of influencer marketing before it had a name. What did you see that brands didn’t?
ERICA: I saw the power of mom. Brands would talk to moms like they’d suddenly lost their intelligence. But moms are doctors, lawyers, and entrepreneurs. They’re decision-makers. I leveraged these brilliant women’s skills to become the voice of moms in Canada for a decade.
RICK: Now you’re reinventing again. You recently stepped back onto the stage in a completely new way, and I was lucky enough to see it. What was that experience like for you?
ERICA: Yes, I was invited to open for Glass Tiger on their Canadian tour. I created a one-woman show, telling stories, engaging the audience. It was terrifying and exhilarating. People loved it. I was shocked to get standing ovations at every one of the 22 shows.
RICK: I saw it firsthand — you had that audience from the second you walked out. That connection you’ve always had? It’s still there. Maybe even stronger now.
ERICA: It reminded me that I’m still evolving. I’m still putting myself in uncomfortable situations, and that’s where the magic happens. I love being on stage.
RICK: You’re finishing your memoir now, which is exciting for all of us who grew up with you. What will we learn about you?
ERICA: That my life wasn’t a rock ’n’ roll fantasy. My memoir is about what really happened behind the scenes, what it takes to build a career, to lose it, to rebuild it, to redefine yourself over and over again. People think they know who we are because they saw us on TV. But that’s just one version. The real stories, the ones that shaped me, those are the ones I’m finally ready to tell.
RICK: If you could give advice to the young VJ walking into MuchMusic, what would it be?
ERICA: Have more fun. I was so serious back then. So focused on getting it right, proving myself, earning respect. And I wish I had let myself enjoy it more, because it was such a magical time, even in the chaos. When you’re young, especially as a woman trying to be taken seriously, you feel like you have to be perfect. You work harder than everyone else just to be seen as good enough. But I could have laughed and relaxed into it a bit more.
That said… I also understand why I was the way I was. Because I was trying to become something. And what I became — what I’ve always been, really — is Erica Ehm. The one and only!
Through every stage of her life and career, Erica Ehm has never been stuck.
From MuchMusic to motherhood to media innovation, and now to the stage and the page, she has built a career defined not by a single role, but by reinvention itself. And from where I sit, having watched it from the beginning, one thing is certain: She’s still doing it her way.
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A thoughtfully designed home in Ancaster balances midcentury influence with modern living, where architecture, landscape, and craftsmanship come together as one.
Written by Mackenzie Best
by Simon Tingle (Craft Architecture Photography & Video)
Set on a pie-shaped lot in Ancaster, Ontario, Beverley Midcentury reveals itself gradually. From the street, the home is quiet and composed, its presence defined more by proportion than by gesture. It’s only once you move inside that its intent becomes fully apparent.
The project began as a homecoming. After years in Ottawa, the homeowners came back to Ancaster to build what would become their forever home. Their brief was grounded and clear: main floor living, strong natural light, and spaces that could support both everyday routines and larger gatherings. Just as important was a close relationship to the outdoors, with the backyard and pool envisioned as an extension of daily life.
As Hayden Duench, Senior Designer and Project Lead at SMPL Design Studio notes, “The clients came to us with very specific needs for their new lifestyle… all their dayto-day needs on the main floor, lots of natural light, and a strong connection to the outdoor swimming pool.”
From the beginning, the idea was to design a midcentury-inspired bungalow, shaped by the site itself. The plan naturally organized itself into distinct zones, with a private primary suite set slightly apart, and shared spaces opening toward the rear landscape. Even transitional moments were considered, including a three-season room designed to extend living well beyond summer months, anchored by a wood-burning fireplace that carries the space into cooler seasons.
SMPL Design Studio responded to the contrasts inherent in the site: the rear opens generously, while the front narrows and becomes more contained. Rather than force a single architectural resolution, the home shifts in tone depending on orientation.
At the back, the architecture opens fully to the landscape. Low rooflines and broad glazing draw the outdoors in, while brick provides a grounded sense of permanence. The effect is open yet settled, with a quiet emphasis on horizontal flow and a natural connection to the yard and pool.
At the front, the expression becomes more reserved. The composition tightens, with attention placed on entry and proportion. “From day one we had a strong vision of what the rear of the house might look like,” Hayden explains, “but the front required a more contemporary solution — reducing elements and focusing attention on the entry.”
At the centre of the home, the courtyard and pool become the organizing element. Visible from key interior spaces, it creates a constant visual thread that shifts with light and season. Rather than acting as a feature, it becomes a reference point for daily life.
“We knew the pool would be there from day one,” Hayden continues. “It gave us a strong outdoor focal point to position our views.”
The three-season room extends this relationship, softening the boundary between inside and out and allowing the home to function comfortably through changing conditions. It is a space that feels equally connected to both house and landscape, rather than belonging exclusively to either.
Within the primary suite, this connection becomes more private and reflective. The courtyard offers both outlook and separation, shaping a sense of calm without isolation. Across the rear of the home, each room engages the landscape in a slightly different way, contributing to a sequence of lived experiences rather than formal composition.
Material choices throughout are intentionally restrained. Light brick, vertical wood slats, black metal, and cedar appear consistently, creating continuity without repetition. The palette is quiet and enduring, allowing light, proportion, and space to lead.
As Hayden describes it simply, “Timeless and simple materials [were chosen] that would stand the test of time and accentuate the form of the house.”
Inside, that restraint is carried through with warmth and cohesion. Walnut cabinetry,
pale oak flooring, and soft neutral tones create a seamless dialogue between architecture and interiors.
For Nicole Jacobs, Creative Director, Interior Design at SMPL, that integration is essential. “Our architectural and interior
design teams work closely together from the earliest stages. The result is a cohesive, unified language throughout.”
That sense of restraint is balanced by a high level of craft in execution.
Built by Ecnomus Construction, led by Andrew Wood, Mark Reicheld and Craig Spivey, the home reflects a process rooted in precision and close collaboration from the earliest stages. Working alongside SMPL and the homeowners, the build evolved through a hands-on approach where decisions were refined together and intent was carried carefully through each phase of construction.
“The client was very hands-on during final design and material selection,” Andrew notes, “working with us and SMPL to realize the result.”
That care is most evident in the detailing. Subtle shifts in ceiling lines introduce movement without distraction, while concealed elements — such as a hidden pivot door to the primary suite — reflect the level of thought behind the architecture. Throughout the home, millwork is handled with precision, from flush transitions to integrated details that create a continuous and quiet visual language.
“[We focused on] complete high-end detailing: flush trim, hidden doors, and features that required a lot of thought to translate from a picture to reality,” Andrew explains.
Even the masonry contributes to this sense of craft. The brickwork deploys variations and cuts that were considered as part of the overall composition, rather than standard repetition. The result is a surface that feels assembled rather than applied, reinforcing the character of the home in a subtle but lasting way.
These details do not announce themselves immediately, but they shape how the home is experienced over time. Nothing feels overworked, yet nothing feels incidental.
The success of Beverley Midcentury lies in this alignment between design intent and execution. Architecture, construction, and lived experience move in the same direction, allowing the home to feel resolved without feeling rigid.
Beyond the architecture, the landscape carries the same sense of intention. Designed and executed by McNally Landscape Construction, under the direction of Sean McNally, the exterior spaces extend the language of the home rather than sitting beside it.
Rather than treating the landscape as a separate layer, the approach follows the architecture closely, echoing its lines, proportions, and material restraint. Planting is used sparingly and deliberately, softening edges without interrupting clarity. The result is a landscape that feels settled into the architecture, as if it has always belonged there.
Outdoor spaces are organized around how the homeowners live. Areas for gathering, dining, and quiet retreat unfold naturally from the interior, connected through clear sightlines and gentle transitions. Movement across the property feels intuitive, shaped less by separation and more by flow.
Across the site, detail is kept subtle. Hardscape transitions are carefully handled, lighting is integrated rather than featured, and built elements sit quietly within the overall composition. Nothing calls attention to itself, yet everything feels considered.
In the end, the landscape does not compete with the architecture. It completes it, extending the experience of the home outward and reinforcing its calm, cohesive presence.
What defines Beverley Midcentury is not a single idea, but the consistency of intent across every layer. The architecture responds to the site, the construction carries that vision with precision, and the landscape completes the experience.
It is a home that avoids excess, choosing instead clarity, proportion, and light. More than anything, it reflects a shared understanding between architect, builder, and homeowner that good design is not about adding more, but about knowing what belongs — and letting everything else fall away.
As Nicole reflects, “This project captures that sensibility… a home that feels both enduring and thoughtfully considered.”
In that sense, Beverley Midcentury feels less designed than considered — and more importantly, lived in from the moment it begins.
smpldesignstudio.com | ecnomus.ca mcnallylandscaping.ca
“Every detail matters.It’s how lasting landscapes are built.”
Rooted in craftsmanship and driven by detail, McNally Landscape Construction brings outdoor spaces to life through thoughtful design and expert execution.
Specializing in both structural landscape builds and refined planting, their team transforms properties into cohesive, functional environments that feel as good as they look.
From initial concept through to completion, McNally is known for a hands-on, client-focused approach—prioritizing quality materials, precision workmanship, and long-term performance.
Whether you're shaping a modern outdoor retreat or enhancing a timeless estate, we're committed to elevated outdoor living— and enduring results.
By Ken Dixon
or today’s homeowners, luxury is no longer defined solely by what exists within four walls. It is found in the ability to move effortlessly between indoors and out, where architecture, landscape, and lifestyle converge. In one recent project, Georgian Custom Homes has brought this vision to life, transforming a private property into a fully integrated outdoor sanctuary that feels as intentional as it is inviting.
Designed for busy professionals with a young family, the brief was clear yet ambitious. The clients sought the essence of a cottage escape without leaving the city. What emerged is a retreat that blends everyday functionality with resortinspired living, allowing the family to relax, entertain, and reconnect year-round in a space tailored entirely to their lifestyle.
At the centre of the design is a striking pool, one of the largest Georgian has constructed. More than a visual statement, it was conceived for genuine use, with ample space for swimming and a waterfall feature that introduces both movement and sound to the environment. It anchors the outdoor experience, drawing the eye while setting a tone of calm and understated luxury.
Surrounding this focal point is a carefully composed series of spaces that work in quiet harmony. A fully appointed cabana offers remarkable versatility, functioning as an indooroutdoor lounge, guest suite, and private workspace. Its design reflects a growing demand for flexibility, where spaces adapt seamlessly to the rhythms of modern life.
The clients sought the essence of a cottage escape without leaving the city. What emerged is a retreat that blends everyday functionality with resortinspired living.
“The design process was collaborative and seamless,” share homeowners Natalie and Victor. “The team provided expert direction while remaining deeply committed to our original vision.”
That vision extended beyond individual elements to encompass the entire property. Georgian approached the project as a unified composition rather than a collection of features, ensuring that each component contributes to a cohesive whole. The result is what the team describes as an “inside-out” living experience, where boundaries dissolve and movement feels intuitive.
This philosophy is most evident in the architectural connections between the home and its exterior. Large folding glass openings extend the main living areas outward, establishing uninterrupted sightlines across the pool to the cabana beyond. The interior kitchen flows directly into an outdoor culinary space, each with its own dining area, allowing for effortless hosting in any setting.
“Their transparent project mapping kept us on schedule and within budget,” the clients note. “Most importantly, they gave us complete peace of mind in our investment.”
Materiality plays a critical role in reinforcing this sense of continuity. A restrained palette of stone, wood, and concrete is carried throughout the project, balancing durability with warmth. Large-format paving stones define the pool surround, offering both visual clarity and practical performance in high-traffic areas. A natural travertine stone fireplace introduces a grounding element, connecting the design to its local context while providing a striking focal point for evening gatherings.
Fire, water, and air are thoughtfully layered to create a multisensory environment. The sound of cascading water softens the space, while open sightlines invite natural light to move freely across surfaces. Subtle lighting and curated plantings further enhance the atmosphere, ensuring the space evolves beautifully from day to night and season to season.
“We were impressed by the team’s technical proficiency,” the clients add. “They navigated building codes and material selection with ease, ensuring the project added significant value to our home.”
Behind the elegance lies a highly considered approach to planning and execution. Georgian’s design-build methodology emphasizes collaboration at every stage, bringing together client, designer, builder, and landscape specialists to refine each detail. Challenges encountered along the way are treated not as obstacles, but as opportunities to enhance the outcome.
This level of integration is particularly evident in the outdoor kitchen concept, which moves far beyond the traditional barbecue setup. Here, multiple cooking zones support a range of experiences, from casual grilling beneath the pergola
“We highly recommend Michelle, Gene, and their talented team to anyone seeking professional, high-quality work and an exquisite eye for detail,” say Natalie and Victor.
What ultimately defines this project is not any single feature, but the experience it creates. It is a space designed to be lived in fully, where mornings begin with quiet moments by the water and evenings unfold around firelight and conversation. It offers the luxury of escape without the need to travel, delivering a sense of retreat that is both immediate and enduring.
For Georgian Custom Homes, this approach reflects a broader philosophy. Outdoor environments are treated with the same level of intention as interiors, shaped by careful planning, refined material choices, and a deep understanding of how people live. The result is a seamless extension of the
True luxury lies not only in how a space looks, but in how it feels to inhabit it.
to fully equipped meal preparation within the cabana. The proximity to the indoor kitchen ensures that everything remains within reach, allowing entertaining to unfold naturally and without interruption.
Equally important is the sense of flow. Pathways, seating areas, and gathering zones are positioned to feel organic rather than prescribed, encouraging movement and interaction. Whether hosting a large group or enjoying a quiet family evening, the space adapts with ease.
home, one that supports both everyday rituals and extraordinary moments.
As outdoor living continues to evolve, projects like this set a new standard. They remind us that true luxury lies not only in how a space looks, but in how it feels to inhabit it. In this seamless sanctuary, that feeling is one of balance, connection, and effortless living.
GeorgianCustomHomes.ca
Written
Offered for the first time in a generation, Ravenscliffe Castle represents one of Hamilton’s most distinguished and architecturally significant estate residences. Set within the prestigious Durand neighbourhood—long regarded as one of the city’s most coveted enclaves—this landmark property offers a rare opportunity to own a piece of Canadian architectural history.
Built in 1881 and designed by acclaimed architect James Balfour, the residence stands as a testament to the craftsmanship and ambition of the late Victorian era. Constructed from stone imported from Scotland, Ravenscliffe Castle was conceived with permanence in mind—an enduring home meant to reflect stature, legacy, and refined living. Today, more than a century later, it remains one of Hamilton’s most iconic private estates.
Approached along a tree-lined avenue, the home reveals itself with quiet drama. Its stately façade is defined by Gothic and Romanesque influences, including turrets, arched detailing, and a commanding stone presence that sets it apart from any other residence in the city. The architectural composition is both romantic and powerful, offering a sense of arrival that is unmistakably grand.
Inside, the home unfolds across more than 12,000 square feet of living space, where scale and craftsmanship are immediately evident. Soaring ceilings, intricate plasterwork, original hardwood flooring, and hand-carved millwork define the principal rooms. Period fireplaces anchor the living spaces, while expansive windows allow natural light to filter softly throughout, highlighting the depth and texture of the home’s historic detailing.
The central staircase serves as a defining architectural feature—elegant in proportion and sculptural in form— connecting the residence across multiple levels. Each room has been thoughtfully proportioned, offering both formal entertaining spaces and more intimate family areas. With over twenty rooms and numerous bedrooms, the home
reflects a time when estates were designed for gracious living and largescale entertaining.
While rich in heritage, Ravenscliffe Castle also offers remarkable potential for modern interpretation. Its generous floor plan and structural integrity provide an exceptional canvas for those seeking to restore, enhance, or reimagine a historic estate while preserving its architectural integrity. The residence seamlessly accommodates both preservation and contemporary vision, making it equally suited to a refined private residence or a legacy restoration project.
The surrounding grounds further enhance the property’s appeal, offering privacy and a sense of separation from the city while remaining moments from Hamilton’s urban core. Mature trees frame the estate, creating a natural buffer that enhances its exclusivity and quiet elegance.
Ravenscliffe Avenue itself is one of Hamilton’s most historically significant streets, home to a collection of grand heritage residences that reflect the city’s Gilded Age prosperity. Today, it remains a highly regarded address defined by architectural distinction, privacy, and enduring prestige.
Rarely does a property of this scale, provenance, and architectural significance become available on the market. Ravenscliffe Castle is more than a home—it is a landmark estate, offering an extraordinary opportunity to own a defining piece of Hamilton’s architectural heritage.
For the discerning buyer, this is a oncein-a-lifetime offering: a residence where history, craftsmanship, and legacy converge in one of Ontario’s most storied neighbourhoods.
PHIL GOLFI Sales Representative, The Golfi Team
(289) 778-3105
phil@golfiteam.com
Sales Representative, The Golfi Team
Phil Golfi, 32, brings a modern lens to legacy. Raised in a prominent real estate family, he has spent the past decade honing his craft and now represents some of the region’s most coveted properties— o ering discerning clients a youthful edge on the billion-dollar real estate team shaping the future of elite living.
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The Inflatable Candy Striped Cabana Bar brings playful luxury to any summer gathering. Nearly six feet long, it features a shaded canopy, builtin cup holders, and compartments for ice and drinks—perfect for poolside entertaining or floating cocktail hour fun. HauserStores.com
6) Timeless Frames
The #L Sunglasses by IZIPIZI bring effortless style to sunny days with a lightweight frame, flexible arms, and softly textured finish. Featuring 100% UV protection and category 3 lenses, they strike the perfect balance of fashion and function for poolside or city wear. AndrewsCo.com
7) Seaside Ease
The Penny Beach Chair by Business & Pleasure Co. is lightweight and compact. With a durable sling canvas seat, multiple recline positions, and padded backpack straps, it blends comfort and portability—complete with smart storage for all your beachside essentials. Anthropologie.com
8) Effortless Carryall
The Wish You Were Here Large Tote by The Jacksons blends style and function with ease. Crafted from natural jute, this lightweight yet durable tote is perfect for beach days or city strolls, adding a relaxed, elevated touch to any summer look. AndrewsCo.com
A beautifully edited home is not an absence of personality. It is personality distilled.
GOLI BASIRI Principal Designer, Harmen Design HarmenDesign.com
There is a particular kind of confidence in a room that doesn't try too hard. There’s no statement piece demanding your attention, no trend-driven flourish announcing the year it was designed. It’s simply about space, material, light and an almost imperceptible sense that everything belongs exactly where it is.
This is what restraint looks like, when it is executed well. And in 2026, it is the most radical design choice you can make.
We are living through a moment of aesthetic oversaturation. Social media has made it possible to layer every surface, chase every microtrend, and refresh a space the moment it stops feeling current. The result is homes that photograph beautifully and live uncomfortably — that feel like mood boards rather than sanctuaries.
Clients come to me exhausted by the noise, asking for something that will simply last. What they are really asking for is restraint.
Restraint is not minimalism, nor is it emptiness or austerity. It is the discipline of knowing what to remove, so that what remains carries full weight. In practice, this means fewer materials used with greater intention. It means spaces where a limited palette, such as warm oak set against deeply honed stone, creates enough calm that a single sculptural element becomes the room's only punctuation: a bathroom where one slab of dramatically veined marble does all the talking, and nothing else needs to.
RESTRAINT IS NOT MINIMALISM, NOR IS IT EMPTINESS OR AUSTERITY. IT IS THE DISCIPLINE OF KNOWING WHAT TO REMOVE, SO THAT WHAT REMAINS CARRIES FULL WEIGHT.
This is the approach at the heart of every Harmen Design project. On a recent custom home, this philosophy played out across every level of the house. The staircase, a bold geometric sculpture in rich dark wood against white walls, was designed to be the home's architectural centrepiece, visible from the living spaces and powerful enough that the rooms around it needed only to breathe.
The double-height dining volume, clad in vertical oak slats with a bespoke linear light installation overhead, required nothing more. The restraint of the furniture, clean-lined and quietly upholstered, gave the architecture room to speak.
Not all trends are noise. In some cases, they are early expressions of a broader cultural shift worth paying attention to. Right now, several movements feel less like trends and more like corrections, and they align with how we have always approached design.
The return to natural, tactile materials — stone that develops a patina with daily use, wood that breathes, plaster that holds light differently at every hour — reflects a hunger for authenticity after years of high-gloss perfection. Architectural built-ins are replacing freestanding furniture, creating spaces that feel considered from the bones outward. Art is being integrated rather than installed: chosen to complement the architecture and scaled to the wall, given silence around it rather than having to compete for attention. And warm, complex neutrals are displacing the cold greys that dominated the last decade, bringing a sense of groundedness and human scale back into the home.
These are not moments; they are directions. And they point toward a way of living that values permanence over novelty, craft over trend, and meaning over accumulation.
If you take one thing from this, let it be this: start with one surface and commit to it fully. Choose your stone, your wood, your plaster and let that single decision become the anchor that makes every other choice easier and more intentional. That is how a home stops feeling assembled, and starts feeling inevitable.
THE RETURN TO NATURAL, TACTILE MATERIALS — STONE THAT DEVELOPS A PATINA WITH DAILY USE, WOOD THAT BREATHES, PLASTER THAT HOLDS LIGHT DIFFERENTLY AT EVERY HOUR — REFLECTS A HUNGER FOR AUTHENTICITY AFTER YEARS OF HIGH-GLOSS PERFECTION.
When I work with a client, the first conversation is rarely about finishes or fixtures; it is about how they want to feel in their home, what they want to stop noticing, and what they want to last. The answers always point in the same direction: toward the confidence to do less, better.
A beautifully edited home is not an absence of personality. It is personality distilled. It is the understanding that luxury, at its highest expression, is not more of everything; it is exactly enough of the right things. That has always been the foundation of how we work at Harmen Design — and it is what we believe makes a home not just beautiful today, but enduring for decades to come.
Carlos Jardino, the founder of PCM and the architect of the VULPIN Industrial System challenge tradition — is subtle density the new way to preserve Oakville’s streetscapes?
By Mackenzie Best
For decades, Oakville’s most prestigious homes have faced a quiet but growing tension: soaring costs are redefining what it means to live on these iconic streets.
The word “density” often lands like a warning. People picture towers, crowded streets, and the loss of neighbourhood character. These fears are understandable. Badly planned projects in other cities have changed local streetscapes.
But in southeast Oakville, a project at 52 Chartwell Road shows that there’s a different approach. A single legacy property is being thoughtfully reimagined into three full-scale luxury dwellings — without adding a public lobby, shared corridors, or a roofline that disrupts the street’s rhythm. From the sidewalk, it retains the estate’s original presence: limestone façades, harmonious proportions, mature trees, and a quiet corner lot where Chartwell meets Carson Lane.
Inside, the property has been re-engineered with care. Three independent households are separated by commercial-grade firewalls and concrete floors designed to maintain privacy. A standard double garage has been reconfigured into two vertical parking vaults — each with its own entrance — using hydraulic stackers to maximize space. Detached cabanas at the lot perimeter create private outdoor living areas, minimizing social noise near the pool and preserving calm within the property’s core.
A single legacy property is being thoughtfully reimagined into three full-scale luxury dwellings .
From the street, it appears to be a grand single-family home. The density is subtle — not hidden, but carefully designed from the earliest plans.
This is not simply a renovation; it represents a new way to think about luxury residential property.
Ontario’s Bill 23 allows homeowners up to three units on residential lots, while Bill 60 reduces procedural delays that previously stalled such projects. The province has also provided incentives for gentle density through development-charge exemptions, supporting homeowners who choose to innovate responsibly.
Even with these measures, the project faced expected resistance. Years ago, when the owner explored the lot, 23 neighbours sent concern letters to the city. At the March 2026 hearing for the Corner Enclave, the committee asked about roof structure, zoning, and how the project differed from apartments. The Town Planner addressed each one.
Formal opposition this time came from one neighbouring household, raising concerns that indoor parking would affect the street’s character. Their letter also asked whether the units could
This is not simply a renovation; it represents a new way to think about luxury residential property.
Every design change the city asked for was made. Two minor variances remain: a slight change in roof height and turning the garage into two bays. These exist only because other concerns have been resolved. If questions remain, the Ontario Land Tribunal will decide.
For Oakville homeowners managing high carrying costs, the takeaway is clear: the era of the single-family mansion as a pure consumption item is shifting. Homes that
drain resources without generating income are no longer purely aspirational — they are financial burdens.
The Corner Enclave offers a third path. Owners keep the address, pool, and cars, while changing the economics. Rental income from extra dwellings offsets property tax, insurance, utilities, and maintenance. Any surplus is retained. Future heirs inherit a cash-flowing, not costly, property.
Sceptics may ask if this works locally. The neighbouring home at 533 Carson Lane has been leased for over $18,000 per month for nearly four years—despite lacking a pool and sun exposure. If that is possible for a single-tenant home, then a three-dwelling enclave with privacy, solar independence, and cabanas is achievable—based on planning, not wishful thinking.
Scarcity plays a role, too. Ontario recently ranked last among provinces for housing delivery. Corner lots in southeast Oakville are finite, and a three-dwelling luxury compound of this quality cannot be mass-produced. With constrained supply, value increasingly reflects both desirability and income potential.
52 Chartwell demonstrates that thoughtful design can preserve the streetscape while adapting to modern realities.
52 Chartwell demonstrates that thoughtful design can preserve the streetscape while adapting to modern realities. From the street, it appears as Oakville has always known it: quiet, elegant, and cohesive. Inside, it meets today’s homeowners' demands with precision and discretion. Now is the time to embrace the bridge to a sustainable future for luxury homes—take an active role or be left behind.
Carlos Jardino is the founder of PCM and the architect of the VULPIN Industrial System. His track record exceeds $1 billion in completed construction value, including 17 Princess Margaret Grand Prize Homes in Oakville. The Corner Enclave — The 52 Chartwell Blueprint is available at PCMnow.com
Cash First. Pride Later.
Set amongst a 5.2-acre paradise estate with 1/3-acre pond is a sprawling contemporary bungalow with lofted nanny’s quarters and over 32,000 square feet of spectacular luxury living including a 5,210-square-foot detached garage with a lounge, wash bay and private gas pump. This state-of-the-art home features the latest technologies including whole-home automation with Control4 and a masterpiece 24-seat Dolby Atmos theater with a 24-foot ceiling, 254-inch screen, and a Kaleidescape movie server. Sensational outdoor amenities are surrounded by peaceful countryside, yet only 5 minutes from the heart of Ancaster including the Hamilton Golf & Country Club, as well as the Hamilton International Airport.
LISTED AT $19,888,000 | 6 BEDS | 13 BATHS | 22,387 SQFT | 5.2 ACRES
fine jewellery by carrie lamb
FRIDA is an independent Canadian luxury brand. The world of FRIDA is more than stunning custom jewels made with the finest gems, diamonds and pearls; it is a brand governed by an unwavering passion for the creative process. Pieces are handmade, dedicated to the celebration of individuality, beauty and empowerment.
The Sleep Shirt is a Vancouver-based, made-in-Canada label known for its signature cotton and linen sleep shirts. Designed for sleep-to-street wear, the collection now includes dresses and caftans in breathable fabrics with timeless, polished style. TheSleepShirt.com
Rayna is redefining beauty discovery with a social, peer-driven platform to rank, review, and share products. Often compared to Goodreads for beauty, it replaces sponsored noise and anonymous reviews with real opinions, helping people track favourites, build collections, and discover what others genuinely love. Rayna.world
Golftini at Open Court offers vibrant, performance-driven styles. The Augusta Performance Skort features a flattering pleated silhouette, stretch fabric, and a polished green, white, and navy print—blending comfort, mobility, and on-course elegance. ShopOpenCourt.com
Ffern introduces Spring 26, an organic eau de parfum inspired by the wild meadows of Knepp Wildland. Blending petitgrain, timut pepper, broom, tuberose, and other natural ingredients, the seasonal scent captures the freshness and bloom of spring. Ffern.co
FRIDA is an independent luxury Canadian brand. Pieces are custom designed and handmade, using the finest quality of precious metals, exquisite ethically sourced gemstones, diamonds and pearls. Designer Carrie Lamb also offers a highly personalized bespoke jewellery design service that transforms your vision into reality. Frida.ca
“We are not designing clothes, we are designing a way to live!”
–
Eric Sana
Eric Sana creates clothing where timeless intention meets comfort and expert design.
it is the heart of his brand philosophy: presence, intention, and self-expression. He views himself not simply as a designer, but as an observer of human behaviour, fascinated by how clothing reveals identity before words. Central to his brand are the values of authenticity, purpose, and meaning. His guiding message, “Substance in Style,” asserts that elegance must be paired with values—otherwise, it becomes mere costume. Every piece he creates integrates both function and meaning, expressing his devotion to these core principles.
has always held a place in his
resilience matters more than momentum.
His return is not a new beginning but an extension. It is a space to bring his plan to life. This city matters to him.
The focus is on timeless structure, not passing trends. The brand values enduring quality, authenticity, and collaboration. He works closely with multi-generational Italian artisans to craft pieces that feel effortless yet precise. He blends tailoring with modern comfort—structured hoodies, refined casualwear, and limited-run items. Each piece is designed to feel natural and intentional. “You don’t wear Eric Sana,” he says. “You become it.”
His downtown Oakville store reflects the same philosophy. It is more than retail. It is a space for conversation, connection, and discovery. Eric often welcomes clients personally. He sees his role as helping people recognize themselves again. He notices the shift in posture, the confidence, and the change that come when style and substance meet.
With the Spring/Summer 2026 collection, Eric Sana invites you inside a space where clothing is not just worn, but experienced. This is a brand built on the belief that true elegance is inseparable from intention. Style must always reflect substance. Every choice in the collection is designed to express who you are and echo the brand's core message.
ericsana.com 125 Lakeshore Rd E, Oakville 905.338.0999
A charming new way to arrive has rolled into The Scotsman Hotel. A classic London-style cab now awaits guests, adding a touch of British whimsy to its refined Scottish elegance. Perfect for stylish arrivals, scenic spins, and unforgettable, photo-worthy moments in Niagara-on-the-Lake. TheScotsmanHotel.ca
Antigua Sailing Week returned April 22–26, 2026, bringing world-class racing to the turquoise waters of Antigua and Barbuda. The 57th edition blended elite competition with vibrant dockside celebrations and Caribbean energy. SailingWeek.com
Hotel X Toronto is offering a limited-time Spa Retreat Package for stays May 1–31, 2026. Enjoy a $400 credit to the Guerlain Spa, a luxe bedtime ritual gift, and complimentary parking—an elevated escape designed for rest, renewal, and thoughtful gifting. HotelXToronto.com
Escape to Aux Box Muskoka by Unique Stays, a boutique luxury cabin set in the Muskoka woods. Enjoy river views and a private Nordic spa with sauna, hot tub, and cold plunge—just minutes from the charm of Huntsville. UniqueStays.ca
Niagara-on-the-Lake In Bloom returns May 8–11, 2026, celebrating food, flowers, and community. Explore stunning floral installations, garden events, workshops, and gourmet experiences throughout NOTL—all inspired by the theme All Creatures BIG and Small. Vintage-Hotels.com
Wolegib Retreat and the all-season charm of Huntsville.
Written
There is something about Muskoka that makes it easy to slow down. From the moment we arrived at Wolegib Retreat, hosted by Garth and Rebecca of Unique
it felt like a true escape from the pace of everyday life.
We were a group of six, and the cottage offered more than enough space to settle in comfortably. With three bedrooms, two bathrooms, and a bright open concept layout, it was designed in a way that made it easy to spend time together while still having room to unwind. The kitchen, dining, and living areas flow seamlessly, creating a natural gathering place throughout the day.
Book your getaway at UniqueStays.ca
The indoor fireplace quickly became a favourite spot, especially in the evenings, while the large windows bring in beautiful natural light and views of the surrounding landscape. One feature we especially loved was the automated blinds, which added an extra level of comfort and ease to the space. Even the small details stood out, like the locally roasted coffee beans that kept us all well caffeinated each morning.
The lower level is just as inviting, with a fully finished basement that includes a ping pong table and a variety of games and toys, making it a great setup for both adults and families.
Outside, the property is just as impressive. Set along the water and surrounded by trees, it feels incredibly private and peaceful. The hot tub just off the deck was a highlight, and we made full use of both the indoor and outdoor fire setups. The cottage also features a private beach and dock, complete with two boat slips, along with calm, clear water that is ideal for swimming in the warmer months. There is even an outdoor playground, making it a great option for families. With canoes and kayaks available on site, it is easy to imagine how enjoyable long summer days here would be.
While the cottage itself is reason enough to visit, the surrounding area offers endless opportunities to explore. Huntsville is truly a year-round destination, with activities for every season. From hiking trails like Lions Lookout to nearby spots such as Arrowhead Provincial Park and Hidden Valley Ski Resort, there is always something to do, whether it is skiing, skating, golfing, paddling, or simply taking in the scenery.
One of the most memorable parts of our stay was visiting Muskoka Goat Away, where we each had the chance to walk a goat along forest trails. It was a unique and surprisingly calming experience, and a great example of the kind of local activities that make the area so special.
Huntsville also has a strong food scene, with options ranging from casual to refined. Standouts include Tall Trees for its elevated, globally inspired menu, and Allora for a warm and inviting Italian dining experience.
What makes Wolegib Retreat stand out is the balance it offers. You can fully relax and enjoy the property, while still being close to so many experiences nearby. It is the kind of place you will find yourself wanting to return to.
A unique and elegant setting for weddings and celebrations. Surrounded by contemporary art and bright, open spaces, our creative atmosphere and waterfront location make any event truly special.
agb.life/venue | 1333 Lakeshore Road, Burlington | 905.632.7796 | @artgallburl
In the gastronomic heart of the Americas, Peru’s lively oceanfront capital blends modern city life with history.
By Linda Barnard
Best Side travel writer Linda Barnard is an award-winning journalist based in Victoria, British Columbia. A National Newspaper Award recipient and passionate traveller, she hopes her stories inspire your next trip. Follow Linda on Instagram @BarnardWrites
On a sunny winter morning in Lima, Peru, start the day like a local with a promenade along the ocean-facing Malecón de Miraflores.
The wide ocean-facing clifftop boardwalk is a magnificent seaside stroll and was steps from my hotel in the capital’s upscale Miraflores neighbourhood. I covered a small slice of the curving, 10-km route before the urge for a cup of Peruvian-grown coffee made me detour two blocks to Puku Puku Café, which made the top 20 in The World’s 100 Best Coffee Shops 2025.
With a cortado to go, I circled back to enjoy the malecón’s greenery, gardens and palm trees. Paragliders are as common as birds here, catching the thermals above the coast-hugging Costa Verde highway and Parque del Amor, the city’s famous Love Park. Couples and groups meet in the park each evening to watch the sun set over the Pacific, while the embracing lovers of Víctor Delfín’s self-portrait landmark sculpture El Beso (The Kiss) only have eyes for each other.
Many travellers see Lima as a landing point on the way to Machu Picchu or the Amazon, but the city is worth more than a quick stop.
Direct flights from Toronto get to Lima in eight hours, roughly the same time as it takes to fly to Paris. The seasons are reversed here in the Southern Hemisphere and the rain-free winter weather is ideal. You won’t need an umbrella in this in arty and historic city of more than 11.5 million people, but you may want to pack some stretchy pants. Peru’s capital earns its accolades as the country’s capital of gastronomy.
Whether dining at Maido, recently crowned the best restaurant in the world, or from a vendor at a market stall, I can’t recall the last time I consistently ate so well as I did in Lima.
Using ingredients from the ocean to the Andes and rainforest, Peruvian recipes come from Indigenous peoples as well as those who arrived from Spain, China, Japan and Africa. In this hotbed of fusion cuisine, chefs have bountiful inspiration. More than 4,000 potatoes and tubers in a variety of colours and sizes grow in Peru. There are 160 kinds of fruit, 450 varieties of chilis and more than 50 colourful types of corn. Coffee and cacao thrive in the country, inspiring the many artisanal roasters and makers in Lima.
In one memorable day I ate at two restaurants helmed by celebrated Lima-born chef Mitsuharu “Micha” Tsumura. The first, Maido, recently took top spot on the World’s 50 Best Restaurants for Tsumura’s approach to Nikkei cuisine, a blend of Japanese culinary styles and Peruvian ingredients.
The 12-course Maido Experience menu included Chilean seabass with citrusy Amazonian cocona fruit and rich veal cheeks served with a sauce made from nutty macambo beans and pleasantly sour tucupi (fermented casava root).
“Many travellers pass through Lima on their way to Machu Picchu, but Peru’s vibrant capital deserves far more than a quick stop.”
Several hours later, I shared a plate of crispy-skinned pollo a la brasa rotisserie chicken at Tsumura’s Tori Polleria restaurant. While ceviche — raw fish marinated in chili-spiked lime and served with giant corn kernels and onions — is often named Peru’s national dish, Tsumura thinks pollo a la brasa should have the honours.
Dive into Peru’s bounty with a morning tour of busy local food market Mercado de Surquillo 2 with Haku Tours. Guide César Contreras and chef Marco Viena showed us the huge diversity of Peru’s natural larder.
Contreras introduced us to vendors and sliced exotic and unfamiliar fruit to sample. “That’s the idea, to make you feel like a local, to be in contact with the people here,” he said.
Later, we slurped a restorative bowl of steaming ginger-spiked chilcano fish soup, said to be a sure hangover cure.
“Guys, imagine eating this way every day,” Contreras said. “You’re eating healthy, fresh, tasty and cheap. What more do you need?”
How about learning how to make some of Peru’s signature dishes?
We learned a variety of recipes in a cooking class in Haku Tours’ kitchen studios. By the end we were expert ceviche makers.
The Huaca Pucllana historic site in Miraflores was closed the day we visited, but we had the next best thing with a table overlooking the ruins from the covered terrace at Restaurant Huaca Pucllana. We were within a few feet of the fifth-century adobe and clay pyramid complex and enjoyed an excellent lunch of succulent paiche Amazon river fish topped with grilled hearts of palm.
BEAUTIFUL BOHO BARRANCO
The leafy Barranco neighbourhood is next door to Miraflores. It’s known for quiet streets lined with Belle Époque mansions, many of which have been reborn as chic hotels and restaurants. It was my favourite part of Lima, with boutiques, galleries, murals and chic cafés. At the romantic wooden Bridge of Sighs pedestrian overpass, teen girls in frothy ballgowns posed for quinceañera portraits to mark their 15th birthday.
You don’t have to be a guest at Relais & Châteaux property Hotel B in Barranco to learn the secrets of making Peru’s national cocktail. We were taught how to make the frothy-tangy pisco sour at a class in the former 19th-century mansion. The secret is in dry shaking the egg whites first.
Peru is known for coffee and cacao, the key ingredient in chocolate. Get the best of both with a tasting class at Ciclos Café and El Cacaotal, a husband-and-wife-owned boutique coffee roastery and chocolate shop in Barranco.
Stop at Mundo Alpaca in Miraflores to pick up a wearable souvenir. Learn about traditional weaving and how the wool is shorn from domesticated alpaca and wild vicuña, dyed and turned into soft sweaters, scarves and wraps.
Kennedy Park is a 15-minute walk from the malecón, where a sizable resident colony of homeless cats are treated like visiting royalty. They lounge in flower beds and nap in artful cat shelters, with plenty to eat and drink when they wake. People can even adopt one of the pampered felines.
AC Marriot Miraflores has large rooms and faces the picturesque Miraflores Malecón. It has complimentary bike rentals.
There are seasonal direct flights from Toronto and Montreal to Lima on Air Transat and Air Canada.
Linda Barnard was hosted by PROMPERU. For more information, visit promperucanada.com
Niagara has long been celebrated for its natural beauty, but look closer and you’ll find something deeper—a strong sense of artistry and an enduring commitment to craft. Here, we spotlight a curated selection of destinations and talents that reflect the region’s creative spirit.
From the striking work of Carolyn Dover to memorable stays and dining at The Scotsman Hotel, 124 on Queen Hotel & Spa, Treadwell Cuisine, and Revé, each captures a more intimate, refined side of Niagara.
By Kirsten Gordon
Scotland has always held a meaningful place in my life. My mother, who is from Edinburgh and raised in Aberdeen, grew up surrounded by dramatic landscapes, rugged coastlines and rolling countryside. My father was born in Glasgow and grew up in a world of Victorian and Edwardian architecture. With family spanning the country, I grew up with a deep appreciation for its history, culture, and artistic identity.
Naturally, I was excited about our visit to The Scotsman Hotel, described as a sensational, ultra-luxurious addition to Niagara-on-the-Lake
Along with its authentic Scottish-inspired luxury aesthetic, I was eager to find out more about some of the hotel’s unique features for its guests. These include a private jet, helicopter and even a traditional English cab, to ferry guests around Niagara-on-the-Lake’s storied
Housed in a beautifully restored 19th-century building
destinations in style; and the hotel’s new Manager, Clientele Experience, who specializes in making your visit to the hotel, and the region, especially memorable — with insider-only perks like exclusive access to the Shaw Festival.
Still, nothing quite prepares you for the experience itself. From the moment we arrived, it was clear: this was something exceptional.
Housed in a beautifully restored 19th-century building with roots dating back to 1805, the Hotel is quietly set within the architectural fabric of Niagara-on-the-Lake’s heritage district. It blends seamlessly with the surrounding Georgian and Victorian homes and treelined streets that define the area. The ornamental wrought iron planters and an inviting entrance enhance its presence without overwhelming the streetscape, maintaining a quiet residential elegance.
Fully renovated and opened in February 2024 by owners Blair and Brenda McArthur, The Scotsman Hotel reveals its luxury not through excess, but through intention. Designed by renowned Canadian interior designer Lori Morris, the interiors are richly layered, bold yet intimate, curated yet deeply inviting.
The Champagne lounge was our first experience upon check-in, where we enjoyed a welcome glass of “Tiny Bubbles” Ontario VQA Sparkling Wine by Peninsula Ridge with our hosts. From there, the hotel unfolds in a series of experiences: the moody whisky lounge, the effervescent champagne salon, the Highland lounge, and the softly lit breakfast room. Each space carries its own identity, yet together they create a seamless narrative, one that feels both transportive and grounded.
The communal dining and drinking spaces feel less like traditional hotel facilities and more like a series of intimate, beautifully styled landing spots among which guests will naturally move over the course of the day, whether enjoying a quiet glass of sparkling wine, settling into a fireside conversation, or simply pausing to relax.
A modern interpretation of Scottish heritage—layered in tartan, velvet, and unapologetic opulence.
As we moved through the Hotel, we noticed how fireplaces anchor every room, a nod to traditional Scottish homes where warmth and social gatherings are central. The artwork and décor feature beautifully framed photographs and prints that reinforce a strong connection to Scotland and offer a subtle nod to Scottish clans. These include castles, Highland landscapes, thistles, wildlife such as ducks, deer, and Highland cattle, as well as antiques and heritage-style furnishings and tartan and plaid patterns woven throughout.
Dark, moody colour palettes, deep greens, burgundy, navy, black and warm neutrals inspired by the Highlands and natural surroundings, helped to create a cozy, cocooned atmosphere. Rich, layered textiles — wool, tweed, and velvet — on sofas, cushions, and throws added texture and warmth, the perfect warmup in Scotland’s cooler climate.
The bedrooms at The Scotsman Hotel feel like private sanctuaries, each one uniquely composed, richly layered in texture and detail, and designed with a sense of intimate, understated luxury.
With only six luxury suites, the Hotel feels deeply personal. Each was named after one of the owners’ favourite hotels in Scotland: The Prestonfield Suite, The Glamis Suite, The Balmoral Suite, The Inverness Suite, The Stirling Suite, and The Edinburgh Suite.
The Prestonfield Suite, where we stayed, was unforgettable. A palette of soft blush tones, warm neutrals, and gilded accents create a romantic, cocooned atmosphere. Tartan touches ground the space, for a quiet nod to tradition within an otherwise elevated aesthetic.
The seating area, centred around a fireplace, became the heart of the room — a place to pause, reflect, and simply be.
The bathroom felt less like an amenity and more like a private spa. A clawfoot tub, rainfall shower, and double vanity were complemented by small, thoughtful luxuries — a fragrant bath bomb, plush robes, and beautifully presented linens. It invited a slower pace, one that encouraged lingering.
Each suite, in its own way, offers this same sense of retreat: intimate, layered, and deeply restorative.
Breakfast at The Scotsman Hotel is not simply served; it is composed.
The curated Scottish-style menu by Chef Chris blends hearty tradition with delicate refinement. Potato scones, baked beans,
flat sausage, and grilled tomatoes are balanced by raspberry scones, housemade jams, and buttery croissants. Tea and coffee are presented on fine bone china and porcelain from Tiffany & Co., elevating even the simplest moments.
Natural light filters through large windows, while soft lighting creates a warm, unhurried atmosphere. It’s a space designed not for efficiency, but for enjoyment, a place where mornings stretch gently into the day.
At the rear of the property, the courtyard gardens extend the experience outdoors.
Intimate seating areas are thoughtfully arranged to offer both connection and privacy. Fireplaces glow softly beneath the open sky, while greenery and seasonal plantings soften the space. Wrapped in a tartan blanket, seated fireside, it becomes easy to lose track of time.
Like the interiors, the garden feels curated yet effortless — a continuation of the Hotel’s quiet luxury.
What defines The Scotsman Hotel is not a single feature, but a feeling.
Throughout the property, I encountered works that reference heritage, landscape, and local culture, offering quiet moments of reflection and connection. The Hotel itself holds a graceful architectural presence that feels both authentic to Niagara-on-the-Lake and distinctly elevated in its execution.
These artistic details are not imposed upon the space, but integrated into it, enhancing the feeling that the Scotsman Hotel is a living expression of its history, and a wonderful tribute to Scotland.
I will be back.
TheScotsmanHotel.ca
Carolyn Dover shares her approach to painting en plein air and the landscapes that inspire her
By Mackenzie Best
For artist Carolyn Dover, the landscape is not simply a subject. It is a lifelong dialogue shaped by memory, place, and an intuitive response to the natural world. Based in Grimsby and working out of her studio at Hamilton’s Cotton Factory, Dover has spent decades refining a practice rooted in en plein air painting. Her work balances direct observation with a deeper transformation, where experience and emotion quietly reshape what is seen.
“I always understood, from a very young age, that sketching and painting outside was as natural as studio work,” she says. Influenced early on by the Impressionists, Post Impressionists, and Canadian painters such as Emily Carr, Tom Thomson and The Group of Seven, Dover developed a lasting connection to working outdoors. What continues to draw her back is not just the subject itself, but the immersive nature of the process. “You are surrounded by your subject, the landscape, using all your skills to tame and interpret one small part of it.”
That immersion brings both challenge and clarity. Changing light, shifting weather, and the physicality of working on site demand a heightened awareness and decisiveness. “When I am faced with the adverse conditions outdoors, my execution becomes decisive and more visually insightful,” she explains. These smaller outdoor studies often become the foundation for larger studio works, where she expands her exploration of colour and form. In this transition, her compositions move beyond representation, becoming more distilled and expressive.
The Niagara and Hamilton region has been a constant source of inspiration throughout Dover’s life. Her connection to the landscape began in childhood, exploring the escarpment near her family home in Hamilton, and continues today from her vantage point in Grimsby. “The escarpment and bench
lands of Niagara have enveloped my life. It is a comforting landscape of home with endless visual interpretations waiting to be discovered many times over.”
From the ordered lines of vineyard rows to the dramatic rise of the escarpment, the region offers both structure and movement. These elements reveal themselves differently with each return. “The vineyards of Niagara provide unlimited, fascinating material for me. The orderly rows of grapevines reveal the subtle contours of the land.” While she continues to paint in places such as the Algonquin Highlands and the Maritimes, this landscape remains central to her identity as an artist.
Dover’s career has also been shaped by years of teaching, including her time
“I always understood, from a very young age, that sketching and painting outside was as natural as studio work. You are surrounded by your subject, the landscape, using all your skills to tame and interpret one small part of it.”
– Carolyn Dover
at the Dundas Valley School of Art and the Art Gallery of Burlington. For her, teaching reinforced the principles that guide her own work. “Through teaching I was constantly reminded of the guiding principles of authentic artistic execution,” she says. At the heart of that philosophy is a commitment to individual voice.
“I believe in always using your own voice, and embracing your own esthetic inclinations.”
There is a particular satisfaction in witnessing creative breakthroughs in others. “I would delight in that moment of recognition for a student, when all the instructions would fall into place and the light of creation would turn on.” These experiences, along with her work as a juror and workshop facilitator, have deepened
her appreciation for how art connects to everyday life, offering new ways of seeing and understanding.
While landscape painting remains central to her practice, Dover has also explored still life and figurative work, often with symbolic undertones. Rather than separate pursuits, these disciplines are united by a shared approach. “They both contain a strong and essential element of authentic artistic vision,” she explains. Working from a physical subject allows her to capture a personal impression of a specific time and place, grounded in observation yet shaped by interpretation.
Her still life work, informed in part by an interest in Northern Renaissance painting, has provided a space to
explore feminist themes, both historical and contemporary. Yet even within her landscapes, there is a continuity of expression. “There is an unapologetically feminine energy in my landscapes,” she notes, pointing to a sensibility that extends across her work.
At its core, Dover’s practice is about connection. Standing before a landscape, brush in hand, she is not seeking to capture a single element, but a convergence of experience. “It is light, emotion, and memory that I hope to capture,” she says. Light may first draw her in, but it is the emotional response that guides the painting forward. Memory also plays a role, both personal and collective, embedded in the land itself.
Beyond these elements lies something less defined. “That there may be something else entirely at play is that element to strive for,” she reflects. “It’s there when you can’t quite put your finger on why a painting speaks to you or moves you emotionally.”
In Dover’s work, the landscape becomes more than a representation. It is a reflection of inner experience and a quiet invitation to reconnect with the natural world. Through her paintings, she reminds us that the land is not only something we observe, but something we carry with us, shaping how we see and understand our place within it.
CarolynDover.com
By Greg Mack
Revé was created with a clear concept: to deliver a fine dining experience that feels rooted in Niagara while drawing inspiration from Sicily and broader European culinary traditions. The name “Revé,” a twist on the French word meaning “dream,” reflects
the intention to create an immersive, thoughtful experience that is neither overly formal nor traditional.
Rather than following a standard winecountry format, Revé integrates food and wine into a cohesive experience. Niagara wines are featured alongside international selections, and the menu highlights both local agriculture and broader culinary influences. The focus
is on showcasing the quality of ingredients available in Niagara and across Canada in a way that feels contemporary and intentional.
Chef Adriano’s Sicilian background plays a central role in shaping the restaurant’s identity. The concept draws natural parallels between Niagara-on-the-Lake and Sicily, both of which are highly focused on local ingredients and seasonal
cooking. One of the strongest influences from Sicilian cuisine is the use of open-fire cooking, reflected in Revé’s open kitchen. While ingredients are sourced locally, the flavours often reference Sicilian techniques and culinary memories, creating a bridge between the two regions.
Seasonality is at the core of the menu. Revé operates a blind 10-course tasting format, allowing the kitchen to adapt frequently based on what is available and at its peak. Because Niagara has a short and intense growing season, the team works closely with local farmers to plan and harvest ingredients at the right time. A key partnership is with Always June Organic Farm, where the team is actively involved in both harvesting and crop planning. This close collaboration allows the restaurant to be involved in the process well before ingredients reach the kitchen, shaping dishes around what will be available months in advance.
The service approach is built around collaboration and consistency. The team operates under the philosophy of “One Team, One Dream,” bringing together staff from different backgrounds who share a strong focus on hospitality. The goal
is to create an environment that feels welcoming and comfortable while still delivering a refined dining experience. Service is designed to feel personal and engaged, rather than formal or distant.
Revé also places strong emphasis on the overall guest experience beyond the food itself. The intention is for each evening to feel cohesive, from the first course to the last, with attention paid to pacing, atmosphere, and interaction. Guests are encouraged to experience the restaurant as a complete journey rather than a series of individual courses.
Ultimately, Revé is built on seasonality, local sourcing, and collaboration, with a focus on creating a dining experience that is both grounded in place and influenced
guests to leave with a lasting impression shaped not only by what they ate, but by
A Stay at 124 on Queen, Niagara-on-the-Lake
“It delivered a curated sense of place — modern hospitality rooted in comfort, design, and atmosphere.”
By Sue Bartholomew & Lauren Lowe
An invitation to stay at 124 on Queen in Niagaraon-the-Lake offered us a beautifully balanced escape, combining luxury, historic charm, and a chance to restore and reset, within one of Ontario’s most picturesque and culturally rich destinations.
Our visit was centred around a visit to the renowned Spa at the Q — we looked forward with real anticipation to the Spa’s signature 12,000-square-foot hydrotherapy circuit.
The hydrotherapy circuit is designed as a sequence of heat, cold, and rest that works with the body’s natural responses to temperature change. Rather than focusing on a single treatment, it is an immersive experience that moved us through different environments, to stimulate circulation, release tension, and promote deep relaxation.
We began our circuit with heat exposure in the cedar sauna. The dry heat gently warmed our bodies, encouraging our muscles to soften and helping to ease built-up tension. From there, we moved into my favourite scent, the eucalyptus steam room. The experience felt less intense than the sauna, yet equally restorative — wrapping us in warm, aromatic steam that felt deeply calming and cleansing.
After heat and steam sessions, we stepped into a chilled, immersive space for an entirely new experience: the cold therapy within the snow room, described as Canada’s only experience of its kind. It truly felt like we had landed in a midwinter landscape, complete with imagery of snow-covered trees and mountains.
Rather than focusing on a single treatment, it’s an immersive experience that moved us through different environments to stimulate circulation, release tension, and promote deep relaxation.
The sudden temperature change was designed to be deeply invigorating — it stimulated circulation, awakened the nervous system, and created a refreshing sense of clarity and alertness.
The final experience was the Himalayan salt scrub sensory shower, where fine mineral-rich salt was used to exfoliate the skin, helping to remove dead skin cells, stimulate circulation, and leave the skin feeling noticeably smoother and refreshed. The natural minerals in the salt — often including magnesium and trace elements
— are also associated with a cleansing, detoxifying effect.
After our very relaxing spa experience, we retreated to our garden suites located on the lower level. These gave us the luxury of opening our doors directly onto the property’s Zen-style landscaped gardens. From our suite, we stepped into a semiprivate seating area and a quiet outdoor space filled with pathways, greenery, and water features — creating a sense of calm and complete separation from the street just steps away.
The suite felt more like a private residence than a traditional hotel room with spacious living areas, a king-size bed, a fireplace and a spa-inspired bathroom, all grounded in comfort and understated luxury.
The inclusion of thoughtful amenities, including a kitchenette, allowed us to settle in and enjoy a greatly anticipated, perfectly chilled glass of local VQA wine. Available by the glass or bottle, the selection can be enjoyed at the onsite restaurants and bar, or added as an in-room wine amenity when booking, further enhancing the experience of staying in Niagara-on-the-Lake.
The property also offers its own branded 124Q wines — both red and white — which can be purchased as an add-on or enjoyed during the visit, further connecting the experience to the surrounding wine country.
Before dinner at Treadwell’s, we decided to indulge in a little gathering at the “social hub,” NOTL Bar & Restaurant within
124 on Queen. The restaurant regularly hosts happy hour with wine and cocktail specials, live music and locals’ evenings, curated date-night experiences, and weekend afternoon tea — adding a softer, more classic touch to the offering.
The concept is rooted in the same philosophy as Treadwell Cuisine, focusing on seasonal, locally sourced ingredients. But the menu here is more relaxed and shareable. Think elevated comfort dishes like steak frites, lobster dip, fresh salads, and house-made burgers, alongside a strong selection of Niagara VQA wines, craft beers, and handcrafted cocktails.
Dinner at Treadwell Cuisine was another exceptional highlight of our stay. Treadwell Cuisine is an award-winning farm-to-table restaurant located inside 124 on Queen, while also welcoming outside guests visiting Niagara-on-the-Lake, making it a true dining destination within the heart of Old Town NOTL.
The experience is deeply rooted in local, seasonal ingredients, and that focus is evident in every detail of the menu. Each dish is beautifully balanced and reflects the region’s best producers.
After an incredible dinner at Treadwell, we arrived back at our room and settled into our outdoor fireplace, which added a warm and inviting focal point to the terrace and allowed us to extend the experience outdoors well into the evening, stargazing in the quiet comfort of the garden setting.
Morning could not have come soon enough, knowing we were about to indulge in the famous Lobster Eggs Benedict at Treadwell Cuisine — one of the restaurant’s most indulgent and sought-after brunch dishes, and a perfect example of how Treadwell elevates classic comfort food with a luxurious, local twist.
It featured perfectly poached eggs set atop a toasted English muffin, layered with butter-poached lobster, and finished with a rich, silky hollandaise. The lobster was warm, tender, and generously portioned, giving the dish a refined, coastal-luxury feel that fit beautifully within Niagara-onthe-Lake’s culinary identity.
Ultimately, 124 on Queen offered us more than accommodation. It delivered a curated sense of place — modern hospitality rooted in comfort, design, and atmosphere. For a refined escape in Niagara-on-the-Lake, it felt both effortlessly considered and deeply restorative.
It was not a dream — and we couldn’t help but feel that part two was already calling.
124Queen.com
Wine Fest Toronto returns May 15–17, 2026 to Heritage Court at Exhibition Place. Guests can sample wines, spirits, and drinks from around the world with a new flexible token-based tasting system, plus food trucks, music, and seminars throughout the weekend. WineFestToronto.com
Praise Wine is now available in 200 LCBO stores. Offering organic, vegan French red and white wines at an accessible price, each bottle also provides one year of clean water access for someone in need. PraiseWines.com
Peach Coffee Company is opening two new Burlington locations at 3505 Upper Middle Rd and 5291 Lakeshore Rd. Known for specialty coffee, baked goods, and a warm community atmosphere, the brand continues to grow its local following. PeachCoffeeCo.com
Bar Origin brings acclaimed chef Claudio Aprile’s signature style to downtown Burlington. Expect bold, globally inspired flavours in a refined yet approachable setting—one of the city’s most anticipated new openings. BarOrigin.ca
Taco Fest Mississauga returns June 27–28 for a two-day fiesta celebrating Mexican cuisine. Enjoy 150+ taco creations from top chefs, handcrafted margaritas and cocktails, plus mariachi bands, salsa dancers, and lively entertainment. TheTacoFest.com
There is something undeniably joyful about entertaining outdoors in late spring. The light lingers, gardens begin to wake up, and guests arrive ready to shed the heaviness of winter.
By Gregory Fast
At-Home Entertaining Expert
Photos:
Lisa Marie Photography
Tenting & Rentals:
Special Event Rentals
Bar Selections:
The Bell General Store & Bottle Shop
Bites: The Platter Company
Content Creation: Momenti Media
Print Material: Aykay Group
Plants: Terra Greenhouses
Coming off our winter travels, it’s hard not to want to live with a certain level of hospitality every day, so for my guests I am creating a resort-inspired garden party. It’s perfect for a warm spring afternoon, creating an atmosphere that feels like a boutique escape — relaxed, polished, and designed to make people instantly exhale the moment they arrive.
My secret to a successful garden party is balancing ease with intention. It should feel breezy and effortless to your guests, while every detail quietly works together behind the scenes. From colour palette to seating flow, shade coverage to menu presentation, it is those thoughtful layers that transform a backyard or outdoor space into something transportive.
One of the simplest ways to make an event feel cohesive and elevated is to begin with a cohesive palette. Resorts often choose a signature colour identity and carry it through everything from pool towels to menus to lounge cushions. That same concept works beautifully at home. When a palette is repeated with purpose, the result feels curated rather than chaotic.
For this gathering, we built everything around what I call the Sunshine & Seafoam palette. Sunshine yellow brought energy, warmth, and optimism, perfect for spring entertaining. Seafoam softened the look, with a breezy coastal quality that instantly felt fresh. Together, the pairing created something playful yet sophisticated. We echoed these tones throughout the details: umbrellas, napkins, florals, printed menus, bar accents, and tabletop styling. Repetition creates rhythm, and rhythm creates atmosphere.
One of the biggest mistakes hosts make is not considering the flow of an event and focusing only on the dining table. Great entertaining considers movement, and it’s important to design spaces for how guests actually gather. Guests rarely stay in one place for an entire event, especially outdoors. They mingle, graze, sip, and circulate naturally. We want it to feel exploratory.
To create that resort-like flow, we created several distinct but connected spaces:
● A lounge area for arrival drinks and relaxed conversation;
● A central bar that acted as a social anchor;
● Cruiser tables for standing with a glass in hand;
● Styled dining tables for the meal itself.
This layering of spaces allows guests to move comfortably through the party and creates visual interest. It also helps an event feel larger and more dynamic, even in a modest footprint. Think of it the way a hotel would: a poolside lounge, a shaded terrace, a bar, and a dining deck. When you bring those experiences into a private gathering, guests instantly feel transported.
Layering of spaces allows guests to move comfortably through the party and creates visual interest. It also helps an event feel larger and more dynamic, even in a modest footprint.
Outdoor entertaining in Canada requires beauty and practicality in equal measure. Even in late spring, weather can shift quickly. Sunshine can become intense, winds can rise, or a cool breeze can roll in by late afternoon. Thoughtful hosts plan for this before guests arrive.
For this garden party, I used three highpeak 10x10 tents positioned side by side to create a dramatic backdrop that felt like private cabanas. They added architectural height, a sense of destination, and most importantly, functional coverage if guests needed shade or shelter. Rather than treating tents as a last-minute necessity, I like to incorporate them into the design from the beginning. We complemented the tents with seafoam striped umbrellas, adding softness, colour, and that unmistakable resort mood, instantly suggesting leisure and luxury.
For an afternoon garden party, food should feel easy, vibrant, and visually inviting. This is not the time for anything too heavy or formal. Think abundance, freshness, and items guests can enjoy while standing or mingling.
For this event, we featured a bright grazing board from The Platter Company, beautifully layered with seasonal produce, cheeses, fruit, and artisan accompaniments. Grazing boards are ideal for spring entertaining because they feel generous without being rigid. Guests can snack at their own pace while the event unfolds naturally.
I also love carrying design details into servingware. One of my favourite touches was a tray of hors d’oeuvres finished with a tassel edge, a playful nod to the tassels found on the resort-inspired umbrellas and textiles. Those small moments matter. They make guests smile, spark conversation, and create a sense of immersion.
At almost every gathering, the bar becomes a natural focal point. If you design it well, it can become one of the most memorable features of the event. For this party, bright yellow glassware glowed against a crisp white bar and open shelving, creating a clean, cheerful statement. Glassware is an easy way to inject colour without overwhelming a space.
For daytime entertaining, I like to keep beverage service simple and refined: wine, beer, sparkling beverages, and maybe an infused water. Too many choices can slow the flow and overcomplicate hosting. We sourced beverages locally from Bell General Store & Bottle Shop, featuring wine selections from Lost Vineyard. Supporting local producers adds personality to a gathering and gives guests something to discover. It also feels especially fitting for Canadian spring entertaining — celebrating local makers is part of the charm.
Even in a casual setting, personalized paper goods bring polish and intention. Menus at each place setting instantly elevate the table and build anticipation for the meal to come. Whether you are serving plated courses or a family-style spread, menus help guests understand the experience you have thoughtfully planned. They also become part of the décor, especially when colour and typography tie back to the overall palette. At this event, printed menus echoed the Seafoam story and added another layer of cohesion to the tablescape.
Long after the flowers fade and the glasses are cleared, guests remember how an event made them feel. Our hope with this resort-inspired garden party was to leave people feeling lighter, sunnier, and well cared for.
A confident colour palette, comfortable flow, beautiful shade, fresh food, thoughtful drinks, and details that delight — when those elements come together, your backyard becomes more than a garden party; it becomes an escape.
Fennel Sausage, Smoked Pancetta, Sage Rose Sauce and Pecorino
Prosciutto Mushrooms, Peas and Parmigiano
Homemade pappardelle, wild mushrooms, pine nuts, white truffle oil
Roasted Peppers, Sausage and Rapini
Homemade tagliatelle, tiger shrimp, cherry tomatoes, arugula, white wine lemon sauce
Homemade rigatoni, veal, vegetables, red wine, San Marzano tomato sauce
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By David Burns, Maisy’s Pearl Oyster Bar
AS HAMILTON DINERS ARE DISCOVERING, THERE’S NOTHING QUITE LIKE A PLATE OF FRESH OYSTERS, PERFECTLY PREPARED AND PRESENTED, AT MAISY’S PEARL. AND WORD IS SPREADING.
When we moved to Hamilton, I assumed I’d land on my feet quickly — somewhere with oysters on the menu, somewhere I could continue doing what I love. But the reality was different. There simply weren’t many opportunities that matched the scale, energy, or standard I had come from at Rodney’s Oyster House.
For the first time in my career, I felt disconnected from my craft. So instead of waiting for the right opportunity, we created our own.
We started small, hosting oyster pop-ups at local breweries like Grain & Grit Beer Co., and the response
was immediate. What began as a way to stay connected to my passion quickly turned into something much bigger. The community was curious, engaged, and hungry — not just for oysters, but for the full experience that comes with them.
Those early days were about more than serving food; they were about education. We wanted to show people that oysters aren’t intimidating or exclusive — they’re approachable, expressive, and deeply tied to place.
After a few years of pop-ups, private catering, wholesaling and retail, it became clear: it was time to take the next step.
We source the highest-quality seafood, keep the menu focused without unnecessary fillers, and ensure pricing remains accessible. At the heart of it all is variety — an ever-changing selection of oysters that invites guests to explore and discover their own preferences.
I’ve been fortunate to travel to coastal regions where seafood is presented with honesty and authenticity, and that philosophy shapes everything we do. We wanted to bring those experiences home, to create something that feels both elevated and welcoming.
And somehow, word spread.
Today, our guests don’t just come from Hamilton and the surrounding areas; we regularly welcome visitors from places like Milwaukee, Pittsburgh, Buffalo, California, and even Mexico. It’s humbling, and it reinforces that what we’re building resonates far beyond our city.
Hospitality is at the core of everything. We take the time to walk guests through the menu, explaining where each oyster comes from, how it’s grown, and what to expect in terms of flavour. Like wine, each variety tells a story, defined by its region, salinity, texture, and finish.
There’s no right or wrong way to enjoy oysters. Our role is simply to guide.
We ask questions, listen carefully, and tailor each experience, sometimes even pairing oysters with the perfect beverage to enhance their natural characteristics. For those who are hesitant, we help break down common misconceptions and create a comfortable, approachable introduction.
Because at the end of the day, we’re not just serving food; we’re welcoming people into our space as if it were our home.
That philosophy is rooted in the people who shaped me. I was incredibly fortunate to be mentored by Rodney Clark, along with Eamon Clark and Bronwyn Clark. They taught me everything: from oyster regions and sustainability, to the finer details of seafood and service. More importantly, they instilled a deep respect for the craft and the community around it.
Their passion left a lasting mark, and it’s something I carry forward every day. What we’re doing now is simple: we’re spreading the good oyster cheer. We want every guest to feel like they belong; from the moment they walk in, the formality disappears. There’s a sense of ease, familiarity, and connection.
Oysters aren’t reserved for special occasions or the so-called high class. They’re for everyone.
Visit our Designer Showroom 1800 Ironstone Dr, Burlington Event Tenting, Fabulous Furnishings, Designer Tablewares and more
Find out more at www.specialevents.ca @special_event_rentals
An intimate conversation on authenticity, evolution, and a lifetime devoted to the art of Italian cuisine | By
Ken Dixon
QYour culinary journey began in Italy before bringing you to Canada in the early 1980s. What first drew you to the kitchen, and how did those early experiences shape your philosophy?
AI started working at 15 in Mestre, near Venice, drawn by curiosity more than ambition. The team there quickly noticed my instinct for flavour and presence in the kitchen.
The demanding environment taught me resilience and respect for quality, seasonal ingredients. Great cuisine starts with great products— an idea central to my philosophy.
QItalian cuisine is celebrated worldwide for its simplicity. What, in your view, defines truly authentic Italian cooking?
AAuthentic Italian cooking begins long before the kitchen. It starts with the land—the quality of the soil—and extends to how animals are raised, how ingredients are handled, and how they are brought to market.
Food in Italy is life, not just sustenance. That respect for the process—from field to chef—defines authenticity for me and grounds my approach.
QYou’ve been part of many successful restaurant ventures. Which moments stand out as especially meaningful?
AMy focus has always been on creating restaurants that people can enjoy regularly—places that feel approachable and welcoming.
Two milestones: opening at Toronto Pearson Airport and running Soprafino in Qatar for 9 years. Both challenged me and expanded my reach to new audiences.
QYou’ve also become a familiar face on television. How did that experience shape the way you connect with people?
ATelevision changed me in ways people might not expect. I was naturally quite shy and not particularly confident early on.
TV changed me. With great support behind the scenes, I became more open and connected with a wider audience, sharing my passion in an approachable way.
QThe GTA has evolved into one of the most diverse food scenes in the world. How have you seen it change since you first arrived?
AWhen I arrived, most menus were similar across restaurants. I quickly learned to adapt to local tastes.
By the mid-1980s, the GTA began to change. Today, it offers global cuisines and a deeper appreciation for regional Italian cooking. Seeing this understanding grow is rewarding.
AQAfter such an accomplished career, what continues to inspire you today?
There’s always something new. Currently, I’m planning a full renovation of my Pearson restaurants—new design, menus, and an enhanced bar.
Travel continues to inspire me, exposing me to new flavours and ideas. The evolving food scene here also lets me revisit traditional recipes and reinterpret them for today’s audience. Ultimately, what keeps me motivated is simple: seeing guests leave happy and satisfied.
CAMPANELLI
Tempted: My Story by Rick Campanelli releases September 1, 2026. The candid memoir offers an honest look at the life of the former MuchMusic VJ known as “Rick the Temp,” revealing the personal struggles behind his public success. Available for pre-order now! Indigo.ca
Lakeshore Music & Arts Festival launches June 20–21, 2026 at Spencer Smith Park. The free two-day waterfront event will feature three stages, Canadian performers, food trucks, artisan vendors, a downtown street festival on Brant Street, and family programming. TourismBurlington.ca
The Nashville Takeover arrives in Burlington June 12–14, 2026. Burlington was selected as one of just 13 Canadian cities to host the tour, featuring intimate, surprise performances by emerging songwriters from Nashville and Canada. TheNashvilleTakeover.ca
The 13th Street Winery Summer Concert Series returns July 4, August 1, and September 5, 2026. Enjoy live music, wine, and a relaxed outdoor setting—bring a chair or blanket for these rain-or-shine evenings featuring local bands and a special bistro menu. 13thStreetWinery.com
FIFA WORLD CUP 26™ IN TORONTO
Toronto will host six matches of the FIFA World Cup 26™, including Canada’s first-ever men’s World Cup match on home soil. Beginning on June 12th, fans can experience the thrill of world-class soccer right in the heart of the city, as Toronto welcomes teams and supporters from around the globe. TorontoFWC26.ca
A Q&A with the artist behind the stone, the brush, and the stories
By Ken Dixon
Q: Your work spans both painting and stone carving. How do these two mediums differ in the way they allow you to express your ideas, and how do they inform one another?
A: I started out as a soapstone carver, and it all began quite organically. In 2000, my sister gifted me a “rock in a box,” which at the time I thought was the worst gift ever. After years of using it as a doorstop, I finally picked it up. With only a butter knife and a screwdriver, I began carving—and within hours, a bird emerged from the stone. That first sculpture left an impression I’ll never forget: the thrill of discovering what the stone would reveal.
In 2000, my sister gifted me a “rock in a box,” which at the time I thought was the worst gift ever. After years of using it as a doorstop, I finally picked it up. With only a butter knife and a screwdriver, I began carving.
I carved exclusively for the first four or five years. At one of my first shows, I was asked to provide paintings for the walls. Without hesitation, I painted versions of my sculptures against solid backgrounds— minimal, clean, crisp lines, leaving interpretation open. Unlike carving, painting allowed me to control colour, scale, and composition entirely. Yet the two practices inform each other: a fissure in stone might transform a
Humour has carried me through challenges, and it naturally flows into my work. I paint light, bright, bold colours, creating worlds where bears canoodle, wolves talk to the moon, moose are joyful, and prairie dogs reign supreme.
rabbit into a prairie dog, while every painting retains a sculptor’s eye. I’m lucky to create in both mediums.
Q: You’ve spoken about approaching your work with humour and optimism. How do those qualities shape the stories you tell through your art, and why are they important to you?
A:
Humour is optimism, and optimism is humour. It’s a lens through which I view life—a way to remain curious and keep my head up. Humour has carried me through challenges, and it naturally flows into my work. I paint light, bright, bold colours, creating worlds where bears canoodle, wolves talk to the moon, moose are joyful, and prairie dogs reign supreme. It may seem whimsical, but for me, it’s serious business: sharing what has helped me navigate hardship and celebrating life with optimism.
Q: As an artist from Little Red River Cree Nation, storytelling appears central to your practice. How do traditional stories and teachings influence your contemporary work?
A: The stories of my community, passed down by my elders, have profoundly shaped me. They surrounded me as a youth, inspiring me to continue these narratives while creating new ones. I’m proud to come from a family of storytellers, and carrying that forward is central to my practice.
Q: Your pieces often feel both rooted in tradition and boldly modern. How do you balance honouring cultural heritage while creating something entirely new?
A: I don’t approach my work with “modernization” in mind. I draw inspiration from past Indigenous artists—Norval Morrisseau, Alex Janvier, Daphne Odjig—whose creations were deeply personal and transformative. I hope to contribute my own voice to that legacy. When asked how I’d describe my paintings, I say, “It's Jason Carter—a contemporary Indigenous landscape painter.”
I draw inspiration from past Indigenous artists—Norval Morrisseau, Alex Janvier, Daphne Odjig—whose creations were deeply personal and transformative. I hope to contribute my own voice to that legacy.
Q: Much of your work has been exhibited in public spaces and large-scale installations. How does creating for a broad, public audience differ from more intimate works?
A: I love large-scale installations. When Edmonton International Airport commissioned a 100-foot mural, I couldn’t imagine it at first—but millions now see Mother Bear, 8' by 8', and I love it. Calgary International Airport chose my work with the smallest canvas at 80" x 60", teaching me that bigger can be better. Recent large sculptures for Calgary Stampede, Banff, Montreal, and Canada Goose pushed me to scale maquettes up to 12–16 feet, often in bold colours. Immersing the public in my work is exhilarating.
Travelling across the country fuels my desire to capture its landscapes through an Indigenous lens. I look forward to creating a body of work celebrating Canada’s beauty in new and meaningful ways.
Every project has meaning, each pushing me forward. Large-scale paintings for YEG and YYC airports, massive sculptures for Canada Goose, and installations from Banff to Montreal all challenged me in unique ways.
Q: As you continue to evolve as an artist, what themes or ideas excite you most?
A: Having painted prairies and mountains extensively, I’m now inspired by Canada's diversity. Travelling across the country fuels my desire to capture its landscapes through an Indigenous lens. I look forward to creating a body of work celebrating Canada’s beauty in new and meaningful ways.
We are honoured to be the exclusive gallery representing Jason Carter outside of Alberta.
Jason is truly one of Canada’s most exciting contemporary Indigenous visual artists, renowned for his mastery of both painting and sculpture.
His distinctive style, vibrant paintings and modern carvings have made his work a celebrated fixture in the Canadian art landscape, instantly recognizable and loved by collectors.
It has been a privilege and joy to host Jason for two solo exhibitions in Oakville. He isn’t just a successful artist; he’s an amazing individual with a fantastic sense of humour and a deep heart for his heritage and community. We truly value his immense talent and the energy his art brings to our gallery. We are proud to call him a friend.”
– Joanna Tomal
Towne Square Gallery, opened in 2007 in the heart of downtown Oakville, features an exceptional collection of original works of art by both established and emerging Canadian and International artists in an impressive variety of subject and media. The sister gallery, Native Art Gallery, features collection of Canada Inuit and First Nations sculpture and prints.
94 George St. at Lakeshore, Oakville 905.618.0277
townesquaregallery.com
WHAT ARE THE MOST COMMON SECURITY VULNERABILITIES HOMEOWNERS NOTICE IN THE SPRING?
Spring brings a false sense of ease. Windows open, routines relax, and security often slips. The most common issues are unsecured ground-floor windows, weak side or rear door access, and overgrown landscaping that reduces visibility. Garages are another frequent vulnerability, especially when left open or used as a secondary entry point.
There’s also a seasonal mindset shift. People are outside more, distracted more, and less focused on security. Opportunistic intruders take advantage of this—they’re not looking for the toughest home, just the easiest one.
HOW CAN HOMEOWNERS PROTECT THEIR PROPERTY WHILE AWAY ON SUMMER VACATIONS OR LONG WEEKENDS?
Security starts with perception. An empty home—piled-up mail, dark windows, no activity—signals opportunity. The goal is to eliminate those cues. Timed lighting, regular upkeep, and being mindful of what you share online help create the impression that someone is home.
But appearance is only one layer. Reinforced doors, secured windows, and systems like intrusion fog add real protection. If someone attempts entry, they’re met with resistance and delay—often enough to deter them.
HOW DOES WINDOW SECURITY FILM ENHANCE PROTECTION WITHOUT ALTERING A HOME'S APPEARANCE?
Glass is a common entry point because it’s quick to break. Security film removes that advantage. While the glass may crack, it stays intact, making entry significantly harder and more time-consuming.
Its key benefit is that it’s invisible. There’s no change to the home’s appearance, but it transforms how windows perform under pressure—turning a weakness into a strength.
ARE REINFORCED DOORS AND LOCKS NECESSARY IF A HOME ALREADY HAS A STANDARD ALARM SYSTEM?
Alarm systems notify you after a breach begins—they don’t prevent it. Most break-ins happen quickly, and standard doors can fail in seconds. If the entry point gives way immediately, the alarm becomes reactive.
Reinforced doors and quality locks create resistance, buying time and often stopping the attempt. Real security is layered: detection, delay, and deterrence working together.
WHAT’S ONE SIMPLE STEP EVERY HOMEOWNER CAN TAKE THIS SEASON TO IMPROVE SECURITY?
Shift your perspective. Walk your property as if you were trying to break in. Look for low windows, weak doors, hidden areas, and poor lighting.
This simple exercise reveals vulnerabilities many overlook—and once you see them, you can fix them.
If you’re unsure where your home stands, a professional assessment can quickly identify gaps and solutions, giving you peace of mind before the season gets underway.
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Indoor
How a daughter’s diagnosis turned one Oakville family’s challenge into a half-century of giving.
By Greg Mack
one diagnosis changed everything for Bonnie and Terry Jackson. Their eldest daughter, Joanna, just five years old, was diagnosed with Type 1 diabetes.
With two younger daughters, Heidi and Holly, at home, the Jacksons were suddenly faced with insulin injections, blood sugar testing, carb counting, and the daily unpredictability of a disease they barely understood. Their first reaction was disbelief — diabetes, at five?
Their next question became their life’s direction: how do we make this better?
That resolve began a journey that would evolve into nearly five decades of advocacy, fundraising, and deep community involvement. In those early years, the Jacksons immersed themselves in the diabetes community, through Breakthrough T1D (formerly JDRF) and Diabetes Canada. What began as a personal mission quickly became a broader commitment to raising awareness, building community, and supporting research in any way they could.
Bonnie played a key role in the Toronto Chapter of JDRF, leading public relations and helping connect media to hundreds of fundraising events throughout the 1980s and beyond. From large-scale initiatives like the Rolls-Royce raffle at the Metro Toronto Convention Centre, to fashion shows, Blue Jays game activations, and early rides, walks, and golf tournaments, the family was deeply embedded in
building awareness and momentum for Type 1 diabetes research. Joanna herself often served as a young ambassador and poster child during these formative years.
What began as a personal mission quickly became a broader commitment to raising awareness, building community, and supporting research in any way they could.
Diabetes Canada also became an important part of their journey — particularly through Camp Huronda, a medically supported camp for children living with Type 1 diabetes. Today, the Jacksons are nearing completion of a $2 million initiative to rebuild essential washroom facilities at the camp. This project will support generations of children who attend.
In 1980, the family moved from Montreal to Oakville, where their philanthropic footprint would continue to grow. It was in Oakville that they were introduced to the Oakville Community Foundation (OCF), when they established their Family Fund. Through
the Foundation, they gained a deeper understanding of local need and the transformative power of structured giving.
Both Bonnie and Terry took on active leadership roles — serving on committees, becoming Directors, and continually saying yes to causes that resonated with them. Terry brought his corporate leadership experience to the sector, serving as Chair of both the OCF and the Community Foundations of Canada, as well as Chair of Breakthrough T1D Canada and a member of its international board.
Bonnie focused her energy locally, supporting and championing organizations such as Kerr Street Mission, Oakville Hospital Foundation, United Way, Wellspring, Dog Guides, Acclaim Health, Home Suite Hope, and many others — all chosen for their strong governance and meaningful impact in the community.
grandchildren. Rather than simply telling the next generation about philanthropy, they invited them into it.
Then just this past Christmas, something deeply meaningful unfolded. Around one table, each of their daughters and grandchildren shared how they intended to allocate their charitable funds — the causes they personally chose, and the reasons behind them. It was not only a moment of pride, but a moment of connection across generations.
Both Bonnie and Terry took on active leadership roles — serving on committees, becoming Directors, and continually saying yes to causes that resonated with them.
While their individual roles have been significant, what matters most is the collective impact — the tangible results from giving and the relationships built along the way.
More recently, their focus has turned to legacy and generational giving. The Jacksons established Family Funds at the OCF for their three daughters and eight
“Our hearts were bursting with pride,” Bonnie recalls. “We are especially proud of our daughters, who have each embraced the value of giving back in their own way.”
Holly will soon assume the role of Chair of Breakthrough T1D Canada, continuing a family connection that began with her sister Joanna’s early involvement in camps and advocacy. The three girls have all served on committees over the years, contributing their time and energy to advancing the cause. Their leadership reflects the next generation carrying forward a legacy of service — not as an obligation, but as a choice.
For the Jacksons, philanthropy has never been an abstract concept. It is personal, practical, and deeply relational. It is rooted in experience, strengthened by community and sustained by purpose.
After nearly fifty years of involvement, they have received many honours, including the Governor General’s Caring Canadian Award and the Adrian Coote Award for volunteer engagement with the OCF. But for them, recognition is not the measure of success.
The real reward lies in impact: in seeing lives changed, needs met, and communities strengthened. It is in the friendships formed through shared purpose, and the quiet gratitude exchanged between those who give and those who receive.
If there is one message they hope to pass on, it is simple: BEGIN.
As the Dalai Lama once said, responsibility does not rest only with leaders, but with each of us individually. And as Martin Luther King Jr. reminded us, greatness is measured through service.
The Jacksons have lived those words for nearly five decades. And they are not finished yet.
“When you stop giving or offering something to the rest of the world, it’s time to turn out the lights,” George Burns once said.
For Bonnie and Terry Jackson, the lights are still very much on.
Not everyone chooses to be remembered in the same way. Some folks have genuinely unique ideas about what it means to leave a legacy. And, when it comes to celebrities and notable historical figures there have been a few truly memorable solutions.
Here are the top 5 “interesting” ways people have actually chosen to be remembered.
Before English Philosopher Jeremy Bentham died, he made careful plans for the preservation of his body. In his Will, he wrote that he wished to be preserved seated in a chair so that he could continue to attend meetings.
To this day his preserved body is stored in a cabinet at University College of London so he can be present for important conversations.
American comic book writer and editor Mark Gruenwald, known for Marvel’s Captain America and Iron Man, included in his Will his desire to be cremated and have his ashes be part of a comic book. After his death, his ashes were mixed with the ink in the first printing of Squadron Supreme.
Gene Roddenberry, the creator of Star Trek, requested that his remains be sent to space.
Because, of course he did.
So in 1992, some of his ashes were on the space shuttle Columbia, and some more went on another spacecraft in 1997.
Over the years, a number of celebrities have chosen to leave a portion of their wealth to their pets in their Will. Hotelier Leona Helmsley left a $12 million trust fund to her dog, Trouble. Fashion designer Karl Lagerfeld’s “little heiress”, his cat Choupette, was left with $1.2 million, while Alexander McQueen also left a trust for his dogs.
Frederic Baur, inventor of the world famous Pringles chip, requested that his ashes be placed in one of his ubiquitous chip tubes for permanent storage.
And, while his children initially struggled with which flavour to use, they ultimately opted for Original.
As if there was ever a choice.
If none of these ideas sound right for you, don’t worry, there’s an easier way to leave a legacy, with the Oakville Community Foundation. You can create a Bequest Fund today to be carried out later, through your estate.
This ensures that, like the Jackson’s (pg 128), you are creating a legacy that supports the causes you care about, for generations to come.
Town + County Collective is helping small businesses across South Georgian Bay build stronger brands through thoughtful visual storytelling and a deeply rooted sense of community.
By Mackenzie Best
In South Georgian Bay, where independent businesses help define the character of the region, storytelling has become essential to standing out. Town + County Collective, a community-focused media agency founded by photographer Kirsten Schollig (aka Captured By Kirsten), is reshaping how local entrepreneurs approach their visual presence.
The Collective was born from years spent working closely with small business owners in Collingwood and beyond. Through her experience, Kirsten saw both the creativity that fuels these businesses and the challenges they face in keeping up with the demands of modern marketing.
“As a photographer and studio owner, I had a front-row seat to the passion, creativity, and resilience that local entrepreneurs bring to their work,” she says. “What I also saw was how difficult it can be for small businesses to access high-quality marketing and media support without the budget of a larger company.”
Town + County Collective was created to bridge that gap. Rather than focusing on one-time projects, the agency offers an ongoing model that provides consistent photo and video support, helping businesses build a cohesive and current visual identity.
“The idea was simple,” Kirsten explains. “Create a collective model where small businesses could access professional photo, video, and media support in an ongoing and affordable way.”
At the core of the Collective is a relationship-driven approach. The team works closely with each client, taking time to understand their story and their role within the community.
“Being community-focused means that our work is rooted in relationships, not transactions,” Kirsten says.
This approach has led to a broader network of connected businesses across the region. As brands grow their presence, they also become part of a larger ecosystem that encourages collaboration and shared visibility.
“The goal is not just better marketing,” she adds. “It’s a stronger, more connected local economy.”
Through quarterly photo and video sessions, businesses are able to maintain a steady stream of content. In a digital-first world, where first impressions are often made online, this consistency is key.
“Consistent visual storytelling helps build trust and recognition,” Kirsten notes.
Looking ahead, the vision for Town + County Collective continues to expand beyond content creation. Kirsten sees it as a platform that will further connect and elevate local businesses across South Georgian Bay.
“What excites me most is the potential to continue building a stronger platform for local businesses,” she says.
At its heart, the Collective remains grounded in a clear purpose: supporting small businesses while telling the story of the communities that make the region so distinct.
“In
– Jim Anderson
Runway to Resilience was an unforgettable evening where fashion met purpose on Thursday, April 2nd at The Pearle Hotel & Spa. Raising $100,000 for Halton Women’s Place, the event brought together community members, local retailers, and numerous supporters I Photos by Northern Spruce Media & Charlene Arianna Photography I Instagram: @runway_to_resilience I Runway Champion: TD Bank I Runway Ambassadors: Argo Development Corp, Dermetics and D2 MedSpa, Home Equity Bank, NRG Lites, Northern Spruce Media, The Pearle Hotel & Spa, Special Events Rentals, RE/MAX Escarpment & Niagara, Skeates Contracting, Winning and Associates IG Private Wealth Management I Retailers on the Runway: Bocana Boutique, Specs on Pearl, Roam, Jeff’s Guyshop, Wish Boutique, Revolution Her, Denise, Joelle’s by Ally, Woven, The Pearle Hotel & Spa, Mave & Chez I Fundraising Activations: Christy’s Gourmet Gifts, Saskia de Vries Jewelry, Loft Financial, Premiere Mortgage Centre I Committee (top left): Amanda Prudhomme, Julie Folch, Scotia Hamilton, Joelle Cooling, Kailla Jones, Dareen Kuchma, Whitney Hartshorn, Carm Bozzo I Hosts: Anna Iacobelli & Conrad Zurini I DJ: Brock Stacey - Beaux Florals (also designed dress worn by Sarah Blackwood of Walk off the Earth) I Best Side Magazine and Andersons Interiors are proud to support the inaugural Runway to Resilience, with heartfelt thanks to Halton Women’s Place for their extraordinary impact in our community. Congratulations to the winner of the Best Side photo booth contest and recipient of the $1,000 gift card to Andersons Interiors—Laura Tedesco (top right)
Party of Seven “Wear To Next” Fashion Show with Tocca Finita and Burrows Clothiers of Oakville at The Oakville Golf Club in support of the Food4kids Backpack Program. Left to Right: Christine Selim, Kathy Mundy, Anna Rea, Julie Forte, Kelly Galloway, Sandra McAughey & Hilary Maile | Yasmin Visram, Jim McAughey, Jennifer Sully-Ferraro, Sandra McAughey & Jennifer Hughes | Sasha Buzbuzian (Knar Jewellery), Anna Rea (Tocca Finita) & Vicky Brotto (Knar Jewellery) | Fashion Models | Photo credit:
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