Mixed Artist Catalogue - October 2015

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october 2015

claude flight

Born in London in 1881, Walter Claude Flight was the most influential figure in the development of the colour linocut as a key element of the Modernist aesthetic.

He had tried various careers – including engineering and beekeeping – before he entered Heatherley’s School of Fine Art in 1913. Although his time at Heatherley’s was cut short by the outbreak of WWI, the relationships he forged there were crucial to the development of Flight’s art. One notable fellow-student was C. R. W. Nevinson, who introduced Flight to the work of the Futurists.

Flight founded the Grosvenor School of Modern Art in London with Iain MacNab, Cyril Power and Sybil Andrews, and taught there from 1926-1930. After that, he taught informally at summer schools in his neolithic chalk cave at Chantemesle on the banks of the Seine, which he had bought while serving in France in WWI. S. C. Kaines-Smith called Flight ‘the only true futurist that this country has produced’.

claude flight

1 Cornfield, £1,750

oil on board, 40.5 x 48 cm

While Flight’s linocuts often make tens of thousands of pounds, his paintings are still comparatively inexpensive.

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james found

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2 Surrealist Study, ÂŁ850

watercolour and gouache, 1942, signed, 28 x 36.5 cm

eileen agar

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Eileen Agar (1899 – 1991) was a prominent British Surrealist who took part in the International Surrealist Exhibition in London in 1936. Often humorous, examples of her work are held in many public collections including the Tate Gallery.

3 Horse and Rider, £975

felt pen, 1980, signed, 41.5 x 29.5 cm

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4 Reclining Nude, £2,250 pencil, c1930, 36 x 52 cm

5 Barns and Tumbrils, Suffolk, £2,500 pencil, c1930, 36 x 48.5 cm

john nash

john nash

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Interest in the work of John Nash has increased significantly following the acclaimed Bristol exhibition.

6 Seated Nude - Leg Bent, £2,250 ink and pencil, c1930, 48 x 36 cm

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gordon house

7 Drawing for Chair with Red Cushion, £800 pencil, 1976, initialled, 24 x 15 cm

graham sutherland

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Two original studies from Graham Sutherland's 1970s Pembrokeshire sketchbooks.

8 Boulders and Flame, £1,950 pencil, c1970, 11.5 x 17 cm

9 Swimmer, £2,500

pencil, c1970, 10 x 24 cm

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edward bawden

An original illustration by Bawden, with a redrawn section inserted bottom left.

10 Masks, ÂŁ650

pen and ink, signed, 21.5 x 19.5 cm

les gibbard

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Les Gibbard (1945 – 2010) was a New Zealand born British political cartoonist, journalist, illustrator and animator. As a political cartoonist at The Guardian newspaper for 25 years, Gibbard became the longestserving artist of his type in the publication’s history. Gibbard’s work also featured in the Daily Mirror, Daily Sketch, The Daily Telegraph, The Sunday Mirror, The London Evening Standard, Time Out and Melody Maker.

11 Mickey Mouse and Mr Milko, £850 gouache, 22.5 x 25.5 cm

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chris wood

Inspired by early Roman paintings on copper, Wood has for sometime been working on etched zinc. The process involves creating an indelible image on the surface of the metal before the whole plate is covered by several carefully applied layers of black gesso. By rubbing back the gesso episodes from the original, images are revealed and act as a trigger for the subsequent oil painted images which follow. The paintings become objects, tableaux replete with mystery and hidden meanings.

Born in Leeds in 1961, Christopher P. Wood is a painter and printmaker of atmospheric and enigmatic imagery. He gained a master’s degree in Fine Art from Chelsea College of Art in 1986 and has consistently had successful exhibitions in the UK and abroad. His work is held in numerous public and private collections.

Wood has recently been shortlisted for the 'Newlight' painting prize.

12 Night in the Jungle, ÂŁ1250

oil on zinc plate, 2015, signed verso, 20 x 25 cm

chris wood

13 Travellers, £1250

oil on zinc plate, 2015, signed verso, 25 x 20 cm

14 Angel Chromatic, £1250

oil on zinc plate, 2015, signed verso, 20 x 25 cm

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francis davison

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Interest in Davison’s work continues to grow. This is a fabulous example of a smaller, late work with original frame and back board.

15 Pink Square, Brown, Red and Black Zig-Zag, £8,500 collage, 1975, 65 x 66 cm

dennis creffield

16 St Albans, £2,250

charcoal, 1987, 100 x 93 cm

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jenny grevatte

17 After Bruegel’s ‘Hunters in the Snow’, £2,500 mixed media, 2015, 61 x 91.5 cm

jenny grevatte

18 Head of a Sunflower, £1,400 mixed media, 2015, 76 x 56 cm

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brendan neiland

Brendan Neiland, born in 1941, is a British artist and Professor of Art best known for his architectural paintings and his depictions of building reflections which make use of a distinctive spray-gun technique originally developed at the Royal College of Art. His work has garnered him a great reputation amongst British painters and printmakers and he was elected Royal Academician in 1992.

As well as regularly producing work and exhibiting, Neiland has also taught art and is accredited with the recovery of the struggling Royal Academy Schools, where he was appointed Director in 1998. Despite controversy surrounding his resignation from the post (and expulsion from the Academy, prompting the resignation of fellow academician Peter Blake) he is greatly admired for his teaching work and paintings alike.

Neiland worked on a series of car bonnet reflections in the 1970s and this painting originally hung in the Board Room of Mazda cars.

A current exhibition of later and smaller work by Neiland has paintings between £5k and £12k.

This, at £5k, represents fantastic value.

19 Reflections, £5,000

acrylic on canvas, c1970, 138.5 x 214.5 cm

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john piper

The original from which Stanley Jones produced the Nude I etching printed at the Kelpra Studio in 1986.

It has excellent provenance with extensive labels from previous exhibitions (Marlborough and Bohun) and has been in a private collection in New Zealand for many years.

20 Nude Study IV, ÂŁ9,450

charcoal, ink, pen and pencil, 1985, signed, 49.8 x 33 cm

graham sutherland

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This exquisite sketch is for a design taken by Courtaulds to be printed on silk for head squares. Sutherland's initials are incised into the pastel in the right hand corner.

21 Rose, ÂŁ6,000

oil pastel and pencil, 1944, initialled, 12.5 x 10 cm

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22 The Swimmer, £1,450

graham sutherland

lithograph, 1973-74, proof copy aside from ed 75 67.5 x 47.5 cm

23 The Rock, £1,450

lithograph, 1973-74, proof copy aside from ed 75, initialled 67.5 x 48 cm

john piper

24 Abbeville, St Wolfrun, £2,650

screenprint, 1972, ed 70, signed, 80.5 x 60 cm

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john piper

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25 Moreton Corbet, £2,650

screenprint, 1976, ed 70, signed, 45.6 x 99 cm

26 Arundel Fabric, £1,250

screenprint on fabric, 1960s, 39 x 120 cm

john piper

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27 Avoncroft Museum, £1,950

lithograph, 1976, ed 75, signed, 42 x 58.5 cm We have only ever seen one other copy of this print

28 St Germain-de-l'Ivret, £2,750

screenprint, 1983, ed 75, signed, 45.7 x 66.8 cm

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norman stevens

norman ackroyd

29 Gate, £350

etching, 1976, artist’s proof, signed, 9.8 x 14.9 cm

30 River Dove, Farndale, £425 etching, 1993, ed 60, signed, 12.8 x 23.2 cm

anthony gross

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31 La Soupe, £1,500

etching, 1923, ed 60, signed, 20 x 30.5 cm

Anthony Gross was the doyen of British etchers.

32 Landscape with Dog and Pigeons, £1,050 etching, 1937, ed 50, signed, 21 x 31.5 cm

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henri matisse

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34 Seascape with Woman Seen from the Back, £550 linocut, 1938, ed 1200, signed in plate, 31 x 23 cm

35 Femme, £650

linocut, 1938, ed 1200, signed in plate, 30.5 x 23 cm

36 Constellations, £450 33 Le Cirque, £345

lithograph, 2014, ed 250, 45 x 69 cm

linocut, 1938, ed 1200, 30.5 x 23 cm

37 Variation 13, £450

lithograph, 1938, ed 1200, 31 x 23 cm

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34 Giorgio de Chirico

35 Joan Mirรณ

36 Jean Arp

37 Max Bill

eduardo chillida

Two scarce, signed Chillidas from a tiny edition.

38 Untitled, Adoraci贸n, 拢3,950

etching, 1977, ed 35, signed, 11 x 10 cm

eduardo chillida

39 Untitled, Adoración, £3,950

etching, 1977, ed 35, signed, 9 x 10 cm

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david hockney

40 Santa Fe Festival Theatre, £350

41 Fiesta '88, £450

43 1st British International Print Biennale, £350

44 Tate Gallery, £450

offset lithograph, 1981, 79.5 x 62 cm

offset lithograph, 1968, 76 x 51 cm

offset lithograph, 1988, 63 x 42.5 cm

offset lithograph, 76.5 x 50.5 cm

42 The Singer, £750

offset lithograph, 1963, signed in plate, 76 x 59.5 cm

45 Ninth British International Print Biennale, £350

offset lithograph, 1986, 76.5 x 51 cm

david hockney

46 He Tore Himself in Two, £350 offset lithograph, 1971, 91 x 64 cm

49 Hockney Paints the Stage, £350 offset lithograph, 1985, 70.8 x 51 cm

47 Igor Stravinsky, £1750

screenprint, 1981, 96 x 43 cm

50 Hockney’s Photographs, £350 offset lithograph, 1984, 76 x 51 cm 2 folds

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48 The Boy Hidden in an Egg, £850 offset lithograph, 1969, 85 x 64 cm

51 From Bradford to Hollywood, £450 offset lithograph, 2006, 59.5 x 42 cm

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52 Family Butcher, £450 17 x 12.5 cm

eric ravilious

53 Wedding Cakes, £450 17.5 x 13 cm

54 Restaurant and Grill Room, £450 17.5 x 12.4 cm

55 Fireworks, £450 13.5 x 14.2 cm

High Street, £450 each

lithographs, c1938

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56 Saddler & Harness Maker, £450 21 x 12 cm

57 Baker and Confectioner, £450 21 x 14 cm

*Not to be confused with later reproductions

eric ravilious

58 Pharmaceutical Chemist, £450 21 x 14 cm

61 Model Ships and Railways, £450 19.2 x 14.5 cm

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59 Cheesemonger, £450

60 Oyster Bar, £450

62 Public-house, £450

63 Knife Grinder, £450

21.5 x 13.4 cm

18.5 x 14.8 cm

20 x 10.5 cm

16.5 x 13 cm

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