Mixed Artist Catalogue - January 2016

goldmark

january 2016

More and more of you are

letting us know what you are looking for. Here are two

items that we sold last week that never made it to a

Elizabeth Frink, Wild Boar

catalogue or the web. If you

have any particular wants or, indeed, if you are looking to sell something, do let us

know. We always look forward John Piper, St Davids, Tretio

to hearing from you.

contact 01572 821424 or info@goldmarkart.com

JANKEL ADLER | 1

Provenance - Redfern label verso 1957.

This piece was painted before Adler came to the UK and was more than likely brought by him as canvas and then laid on board.

01 Still Life with Fruit and Candlestick, ÂŁ45,000 oil on canvas laid on board, c1935, signed, 52 x 63 cm

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2 | RAoUL DUFy

These drawings were extra illustrations to accompany a unique Exemplaire copy of Dufy’s Les Centaures et Les Jeux.

It was probably the publisher’s own copy.

02 At the Race Course, £2500 pencil, c1950, 10.5 x 16 cm

03 At the Station, £4000 pencil, c1950, 13.5 x 20 cm

RoDERIC BARRETT | 3

04 (Street Scene with Cyclist), ÂŁ12,500

oil on board, 1950s, initialled, 89.5 x 120 cm

4 | PAUL HogARTH

05 Ship Launching, £950

pen, ink & watercolour wash, 1972, signed, 34 x 44 cm

06 San Francisco, £950

watercolour, initialled, 35 x 35.5 cm

JoHN BELLANy | 5

Self portrait possibly showing the artist as a Christ in the wilderness ďŹ gure. over his head a casement for a catholic relic and around his neck a vestment bearing the chi rho insignia/christogram XP (Christ).

07 Self Portrait with Cat, ÂŁ1250 watercolour & ink, 29.7 x 20.5 cm

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6 | BLAIR HUgHES-STANToN

08 Kneeling Nude, £850

crayon and wash, 1927, initialled, 32 x 23 cm

09 Seated Nude, £750

crayon, 1926, initialled, 31 x 31 cm

BLAIR HUgHES-STANToN | 7

Blair Hughes-Stanton was a friend and disciple of D.H. Lawrence, and winner of the International Prize for Engraving at Venice in 1938. He co-directed the gregynog Press from 1930 to 1933 with his wife, gertrude Hermes.

10 Nude, Lying on her Front, ÂŁ850

charcoal laid on board, 1925, signed, 31 x 53.5 cm

8 | EDWARD BAWDEN

original illustrations for Pedro Carolino's English as She is Spoke.

The New Guide of the Conversation in Portuguese and English (1960), published by the Lion and Unicorn Press in an edition of 200.

11 Hermitage of S. Brás, Portugal, £1500 pen & ink, 1960, signed, 23 x 32 cm

12 Sao Martinho do Porto, £1500 pen & ink, 1960, signed, 23 x 32 cm

HoRACE BRoDzKy | 9

Brodzky was an Australian-born artist and writer most of whose work was created in London and New york.

His work included paintings, drawings and linocuts, of which he was an early pioneer. An associate in his early career of many leading artists working in Britain of this period, including Henri gaudier-Brzeska, Mark gertler, and members of the Vorticism movement. There is a bust of him in the Tate by gaudier-Brzeska.

13 old Kent Road, ÂŁ650

pen & ink, 1930, signed, 26 x 21 cm

14 Two Nudes, ÂŁ750

pen & ink, 1935, signed, 22 x 38 cm

10 | JACoB EPSTEIN

The ancient woodland of Epping Forest in Essex, a large tract of uncultivated land to the north east of London, had long held a fascination for Epstein. Since 1922 he had rented a number of properties in the area, as a retreat from the bustle and diversions of London. Epping Forest was completed during a frenetic summer of painting in 1933 in which Epstein completed nearly a hundred watercolours.

15 Epping Forest, ÂŁ6500

gouache & watercolour, signed, 44.5 x 56 cm

JACoB EPSTEIN | 11

Lovely example of an Epstein flower painting. The artist was commissioned to do many of these by a Dutch art dealer who sent him flower varieties to paint.

16 Rhododendrons, £5750

gouache & watercolour, 1936, signed, 56 x 43.5 cm

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12 | LEoNARD RoSoMAN

17 Dark Figures at Knossos, ÂŁ2750 watercolour, signed, 21.5 x 32 cm

LEoNARD RoSoMAN | 13

This is the original design for a Shell County Poster.

18 Midlothian, ÂŁ3450

ink, watercolour & gouache, 1960, signed, 35 x 45 cm

14 | gEoRgE HAMMoND-STEEL

19 Cottages, £5500

oil on board, signed, 23 x 29 cm

20 Sailing Boats, £4000

oil on board, 16.5 x 38.5 cm

BATESoN MASoN | 15

Bateson Mason was born in Thackley, Bradford and studied under Henry Butler at Bradford College of Art, and then with the encouragement of William Rothenstein, the Royal College of Art.

21 Dome and Flowers - Venice, ÂŁ3750 oil on board, c1968, signed, 91.5 x 91 cm

Mason exhibited at the New English Art Club, the Storran gallery, the Redfern gallery and the Royal Academy. He travelled widely and his paintings often depicted the scenes from his travels.

16 | JoHN PIPER

22 Nude, £4000

gouache, c1970s, initialled, 49.5 x 36 cm from the collection of orde Levinson

23 Portrait of Myfanwy, £2950

pen, ink & wash, c 1950, signed, 36.5 x 26.5 cm

JoHN PIPER | 17

24 Reclining Nude (Myfanwy), £7950 charcoal & watercolour, 1972, 51 x 38 cm

25 Myfanwy - Seated Nude, £3500 pen & ink, 1971, signed, 54 x 35 cm from the collection of orde Levinson

18 | gWyNETH JoHNSToNE

gwyneth Johnstone was the daughter of celebrated artist Augustus John and a gifted artist in her own right. She studied initially at the Slade School in London, then in Paris. Her career was

26 girl in a Landscape, ÂŁ2750 oil on board, signed, 30 x 51 cm

long and varied and her work is held in several public collections. Her obituary in the Independent described her as a ‘painter whose dreamlike pastoral idylls eschewed fashionability.

JoSEF HERMAN | 19

27 Nude II, ÂŁ950

pen, ink & wash, 22.5 x 17 cm

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20 | MUIRHEAD BoNE

Muirhead Bone qualified as an architect, before turning to art and studying at the glasgow School of Art, originally at evening classes. He began printmaking in 1898, and although his first known print was a lithograph, he is better

28 Cypress Trees and Farm Buildings, £650 watercolour & pencil, signed, 14.5 x 25 cm

known for his etchings and drypoints.

His subject matter was principally related to landscapes and architecture, which included urban construction and demolition sites, gothic cathedrals and Norman buildings.

gRAHAM SUTHERLAND | 21

Comes with a letter from Susan Molesworth (nee Penn) who lived next to the Sutherlands in Sturminster Newton . She said Sutherland gave her the sketch when she was 12 in 1944 for

29 Rose, was ÂŁ6000, now ÂŁ4500

oil pastel and pencil, 1944, initialled, 12.5 x 10 cm

her autograph book. The sketch is for a design taken by Courtaulds to be printed on silk for head squares.

His initials are incised into the pastel in the right hand corner.

22 | gEoRgE CHAPMAN

30 Rhondda, £12,000

oil on board, 63 x 58 cm

gEoRgE CHAPMAN | 23

31 Children going Home From School, ÂŁ12,000 oil on board, 37 x 52 cm

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24 | EDWARD MIDDLEDITCH

32 The River, £14,500

oil on canvas, 103 x 123 cm

MATTHEW SMITH | 25

From the collection of the late Richard Attenborough.

Exhibited: Royal Academy of Arts, Matthew Smith Exhibition, 1960, no:178 RA label verso.

33 Seated Nude, ÂŁ2750

pencil, 1928, 54 x 35.5 cm

Sir Matthew Smith was a British painter of nudes, still-life and landscape. He studied design at the Manchester School of Art and art at the Slade School of Art. Smith studied under Henri Matisse in Paris and acquired an interest in Fauvism.

34 Nude, ÂŁ2750

pencil, signed, 55 x 37 cm

26 | STANLEy SPENCER

Two pages from a sketchbook.

Provenance: the artist’s family.

Anthony d’offay label verso.

35 Study for a Painting, £10,000 pencil & wash, 18 x 46 cm

JoHN NASH | 27

Pencil sketch. Provenance: the John Nash estate.

A working drawing, unsigned but notated throughout with colour notes for a painting or a print.

36 Barns and Tumbrils, Suolk, £2500 pencil, c1930, 36 x 48.5 cm

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28 | PATRICK PRoCKToR

37 Pas de Deux (Margot Fonteyn and (?)), ÂŁ950 watercolour, 1974, signed, 25.5 x 20.5 cm

CERI RICHARDS | 29

Two mixed media preparatory drawings for Ceri Richards’ last suite of prints Journey Toward The North from the collection of gino Cerastico of Milan who published the portfolio.

38 Journey Toward The North, £1950

watercolour, gouache, pastel & crayon, 1970/1, 34.5 x 26 cm

38 The Story Lost in the Snow, £3500

crayon, pastel and gouache, 1970/1, 42 x 31 cm

30 | FELIKS ToPoLSKI

40 Ploughing, £750

pen & ink, 16 x 26.5 cm

41 Man in a Hat, £750 pencil, 25 x 18.5 cm

KIRILL zDANEVICH | 31

Born in georgia in 1862, zdanevich studied art in St. Petersburg in 1911 and in 1913 visited Paris and the studios of Picasso and Matisse, returning to Russia in 1914. zdanevich created designs for some of the finest Futurist books of the period, such as the Treatise on Total Indecency, written by Terentyev and published in Tiflis in 1920. During this period zdanevich, who had signed the Rayonist and Futurist manifestos, painted a series of small watercolours but few oil paintings. His Cubo-Futurist style was characterized by a strong sense of colour.

42 Still life with Bottle, £1450

pen, ink and wash, 1921, signed, 22 x 17.7 cm

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32 | PAUL NASH

Number 7 in the first series of Contemporary Lithographs Ltd., London.

43 Landscape of the Megaliths, £3750

lithograph, 1937, signed in plate, 50.2 x 75 cm

DAME ELISABETH FRINK | 33

44 Petit Cheval Couché, £2500

medium, 1972, ed 70, signed, 34.5 x 47 cm

34 | PABLo PICASSo

Very rare, in an edition of 190 only, an original linocut poster designed entirely by Picasso. Numbered and signed by the artist.

Published by Arnera, Vallauris.

45 Toros En Vallauris 59, ÂŁ16,500

linocut, 1959, ed 190, signed, 65.5 x 53.3 cm

PABLo PICASSo | 35

46 Vallauris 1951 Exposition, £2000

linocut, 1951, ed 400, signed in plate, 75.5 x 55.5 cm

47 Picasso oeuvre gravé, £7500

lithograph, 1960, ed 625, signed, 65 x 50 cm

36 | JoHN PIPER

48 Caernarvon Castle II, £3650

lithograph, 1971, artist’s proof, signed, 48.5 x 75 cm

JoHN PIPER | 37

Signed copies of this, Piper’s first lithograph, are very rare.

49 Abstract Composition, £4000

autolithograph, 1936, ed 500, signed, 61 x 45.8 cm

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38 | JoHN PIPER

Published by Blenheim Palace for the exhibition in 2012 to commemorate the 20th anniversary of John Piper’s death, by kind permission of the Piper estate and His grace, The Duke of Marlborough.

We have been fortunate to secure a number of proof copies of this print. They are from a small edition of 14 only and are marked as Palace Proofs.

Alternatively we have some copies from the main edition of 100 for £600 each†.

50 Blenheim Bridge Triptych, £850†

lithograph, 2012, palace proof, 54 x 36 cm

JoHN PIPER | 39

75 yEARS AFTER THE CoVENTRy BLITz, TWo NEW LIMITED EDITIoN PIPER SCREENPRINTS To RAISE £100,000 FoR CoVENTRy CATHEDRAL

£200 from the sale of each print goes to support Coventry Cathedral

Piper’s lifetime prints now sell for many thousands of pounds. This is a rare chance to acquire his work while supporting Coventry Cathedral − a cause that mattered greatly to him.

The edition size is strictly limited to 250 copies. Each print bears Piper’s

signature in the plate and is numbered in pencil. When these have been sold no further copies will be made.

The prints are offered unframed, and will be accompanied by a certificate of authentication and a free documentary dvd on Piper.

We can also provide handmade framing using museum-quality archival materials and cast acrylic glazing. Framing and delivery will be an extra £150 per print. *Prices are for unframed prints

Buy the pair at the concessionary price of £875* 51 Interior of Coventry Cathedral, 15 Nov 1940, £495* screenprint, 2015, ed 250, signed in plate, 41 x 48 cm

52 Coventry Cathedral, 15 Nov 1940, £495*

screenprint, 2015, ed 250, signed in plate, 51 x 43 cm

40 | gRAHAM SUTHERLAND

Two scarce prints from Sutherland’s 1967/8 Bestiary.

53 Toad (III), £1750

lithograph, 1967, ed 70, signed, 66 x 50 cm

54 Bird About To Take Flight, £2750

lithograph, 1968, ed 70, signed, 65.5 x 50 cm

JULIAN TREVELyAN | 41

55 The Plough, £1250

etching, 1976, ed 150, signed, 32.2 x 44.7 cm

56 Troubadours at Les Baux, £1450

etching & aquatint, 1961, ed 50, signed, 36.4 x 54.8 cm

42 | KEN MATSUzAKI

We always carry in stock a large selection of pots by some of the world’s leading potters. you can see many more on our website goldmarkart.com.

57 yohen Vase, £1740

Natural ash glaze, 2015, 30 x 20 cm

58 Vase, £1480

oribe, 2015, 21.5 x 21 cm

KEN MATSUzAKI | 43

59 Big Dish, ÂŁ6850

yohen Shino, 2015, 9.5 x 84 cm

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44 | LEE KANg-Hyo

60 The Sky, ÂŁ4180

large jar, Punch'ong, 2014, 32 x 33 cm

LEE KANg-Hyo | 45

61 From the Tree, ÂŁ4180

large jar, Punch'ong, 2012, 37 x 39 cm

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JoHN TUNNARD

This painting is listed in the Tunnard monograph. Tunnard was one of the most individual abstract painters working in Britain.

Peggy guggenheim called him a 'genius' and thought his paintings were 'as musical as Kandinsky's, as delicate as Klee's and as gay as Miró's’.

62 Nimbus, £6500

gouache & watercolour, 1967, signed, 38 x 27.2 cm

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