Mixed Artist Catalogue - December 2012

goldmark december 2012

S IM ON QUAD R AT ARTISTS INDEX Clarke, Brian

27

Cragg, Tony

26

Creffield, Dennis

10,11

Davie, Alan

3

Davison, Francis

2

Dignan, Paul

9

Epstein, Jacob

19

Frost, Sir Terry

30

Gross, Anthony

7

Hayter, Stanley William Houthuesen, Albert John, Augustus Jones, Allen Nash, John

25 1 4,5 31 6

Paolozzi, Eduardo

28

Pasmore, Victor

24

Phillips, Tom

29

Piper, John

12,13

Pooley, Vivienne

back cover

Quadrat, Simon

this page

Quinn, Marc

22

Reyntiens, Patrick

18

Richards, Ceri

23

Steel, George Hammond

16

Sutherland, Graham 14,15,20,21,32,33 Wilson, Scottie Youngman, Nan

8 17

1. Untitled oil on canvas, 1963, 46 x 35.5 cm,

ÂŁ1250

For thirty years, Simon Quadrat (b1946) was a criminal barrister in London and Bristol. When not at work, he spent many hours painting and playing the piano.

Since 2000 he has been painting his still lifes, urban landscapes, and imaginary narrative compositions fulltime. His work has been exhibited in one-man shows in London, Bristol, Bath, and Cambridge, and also in numerous group exhibitions. In 2004, he was elected an Academician of the Royal West of England Academy and in 2010 was elected the Academy’s President.

AL B E RT H OUT H UE S E N | 1

2. People in a Boat, Moonlight oil on board, 1967, signed, 39 x 49.5 cm,

ÂŁ1450

Houthuesen (1903-1979) was born in Amsterdam; his father was Jean Charles Pierre Houthuesen, a painter and musician. He moved to London in 1912 and studied at the Royal College of Art with contemporaries Henry Moore, Barbara Hepworth, Edward Burra, Ceri Richards and Cecil Collins.

His work is held in many major collections including The Ashmolean, The British Museum, The Tate and the V&A.

To order phone 01572 821424 most prices include framing, vat and uk delivery

2 | F R AN CIS DAV IS ON

3. Yellow, Green & Grey collage, 1965-71, 85 x 86 cm,

£9750

AL AN DAV IE | 3

4. Ball Game for Birds oil on paper, 1958, signed, 25 x 58.5 cm,

ÂŁ12,450

An early Davie.

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4 | AUG US T US J OH N

5. The Onlookers pencil, c1898, 11.5 x 10 cm,

ÂŁ1950

Listed in the Mercury Gallery Augustus John Drawings catalogue, entry no 57.

Pages from a Sketchbook, Mercury Gallery label on reverse.

There is also a portrait on reverse of this image.

AUG US T US J OH N | 5

John studied at the Slade School of Art where he won the Slade Prize, becoming the star pupil of drawing teacher Henry Tonks and, even before his graduation, was recognized as the most talented draughtsman of his generation.

6. Head of a Girl pencil, c1898, 15.5 x 10 cm,

ÂŁ2250

Listed in the Mercury Gallery Augustus John Drawings catalogue, entry no 45.

Pages from a Sketchbook, Mercury Gallery label on reverse.

6 | J OH N N AS H

7. Steventon

8. The Pond

watercolour, 22 x 29 cm,

£1450

watercolour, 22 x 29 cm,

£1450

10. 26/2/II, Norfolk

9. Cornwall watercolour, 22 x 29 cm,

£1450

watercolour, 22 x 29 cm,

£1450

A Nash watercolour of similar size to these recently fetched over £3000 in auction. The examples offered here were acquired from the Nash Estate and bear the Estate stamp.

AN T H ON Y G ROS S | 7

11. Stones of the Church at Le BoulvĂŠ ink and watercolour, c1970, signed, 26 x 32.5 cm,

ÂŁ2750

To order phone 01572 821424 most prices include framing, vat and uk delivery

8 | S COT T IE WIL S ON

12. Head I

13. Head III

felt pen, signed, 39.5 x 23 cm, was

£1950,

now

£1450

felt pen, signed, 36.5 x 18.5 cm was

£1950,

now

£1450

Scottie Wilson (born Louis Freeman in 1888) was one of the most celebrated Outsider artists of the 20th century. After exhibitions in Paris, Switzerland and New York, his work became coveted by the likes of Picasso and Jean Dubuffet – great champions of Outsider art. His stylised imagery incorporates birds, fishes, flowers and totem heads and, according to Wilson himself, is born out of his imagination and internal visualisations.

PAUL D IG N AN | 9

14. Candy 1 acrylic on board, 1994, signed verso, 29 x 59 cm,

ÂŁ1450

Paul Dignan, born Dundee 1962, is an abstract painter employing bright, narrow bands of vertical and horizontal colour. He was at the Slade, 1985-87, and has exhibited widely.

He is also a favourite of the designer, Paul Smith.

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10 | D E N N IS CR E F F IE L D

15. Ripon, West Front charcoal, 1987, signed, 100 x 93 cm,

ÂŁ2250

In 1987 Goldmark Gallery was the sole sponsor for Creffield’s South Bank Centre touring exhibition English Cathedrals. The show opened to great critical acclaim which included a Channel 4 television documentary. These two examples are from the Arthur Anderson collection.

D E N N IS CR E F F IE L D | 11

16. St Albans charcoal, 1987, signed, 100 x 93 cm,

ÂŁ1950

12 | J OH N P IP E R

17. Warkton wash, ink, crayon and collage, 1964, signed, 65.5 x 48 cm,

ÂŁ8750

J OH N P IP E R | 13

18. Connemara watercolour and gouache, 1962, signed, 41 x 58.5 cm,

ÂŁ16,000

To order phone 01572 821424 most prices include framing, vat and uk delivery

14 | G R AH AM S UT H E R L AN D

19. Study for Thorncross watercolour, 1971, initialled, 37 x 27 cm, was

£11,500,

now

£6500

Detail

G R AH AM S UT H E R L AN D | 15

20. Diverging Roads Study II (from a Pembrokeshire sketchbook) biro and pencil, c1970, 16.5 x 16.5 cm, ÂŁ2500

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16 | G E ORG E H AM M ON D S T E E L

21. St Ives oil on board, c1950s, signed, 18 x 24 cm,

ÂŁ8500

George Hammond Steel (1900-1960) was born in Sheffield the son of the artist G.T. Steel. He studied at Sheffield School of Art and later in Birmingham and London. His work was exhibited at several institutions such as the Royal Academy, the Royal Institute of Watercolour Painters and the Paris Salon and is represented in public collections including Sheffield.

Hammond Steel painted in this style from 1950 to his death in 1960. This is as nice an example as we have seen.

N AN YOUN G M AN | 17

Nan Youngman (1906-1995) was an artist and educationalist. She studied at the Slade in the 1920s and subsequently took over Mark Gertler's studio. In the 1930s she became an important member of the Artists' International Association, a group of socially conscious painters, sculptors and designers. She was also an influential figure in art education, as a teacher, an author and an organiser of exhibitions.

22. Aphelandra Squarrosa oil on canvas, 1959, signed, 89 x 38 cm,

ÂŁ2450

18 | PAT R IC K R E Y N T IE N S

23. Horrible Dreams 25 x 33 cm, £495

29.5 x 36 cm,

25. This Land Has Never Produced Food!

28 x 33 cm, £695

26. We Go to the South!

24 x 28 cm, £695

24. So lovely; relaxing in the Summer! £595

These stained glass panels were created by Patrick Reyntiens especially for Goldmark. Each numbered panel is unique, the hand-blown antique glass selected and painted by Patrick. Each tells a small story.

JACOB E P S T E IN | 19

27. Peter Laughing bronze, 1948, ed 3, signed, height 30.5 cm,

ÂŁ8375

To order phone 01572 821424 most prices include framing, vat and uk delivery

20 | G R AH AM S UT H E R L AN D

28. Head I lithograph and gouache, 1970, signed, 70 x 54.5 cm,

ÂŁ5000

This is a unique print comprising a lithograph which has been handcoloured in gouache by the artist. A trial colour proof signed by Sutherland in pencil over the paint.

G R AH AM S UT H E R L AN D | 21

29. Articulated Forms (pink background) lithograph, 1950, ed 60, signed, 29.5 x 57.5 cm,

ÂŁ1550

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22 | M ARC QUIN N

30. Untitled, From the Winter Garden Series pigment print on watercolour paper, coated with UV filtering varnish 2004, ed 100, signed verso, 36 x 55 cm,

ÂŁ550

CE R I R IC H AR D S | 23

31. Origin of a Rose screenprint, 1967, artist’s proof aside from ed 70, signed, 52 x 64.5 cm,

£850

24 | V ICTOR PAS M OR E

32. Word and Image 'Deep inside I looked'

33. Points of Contact - Variations

etching, aquatint and screenprint, 1974, ed 60, signed

screenprint, 1972, ed 60, signed, 69.5 x 47.5 cm,

36.5 x 37.5 cm,

£1500

£1950

S TAN L E Y WIL L IAM H AY T E R | 25

Two early important and scarce Hayter engravings from the suite Paysages Urbains.

34. Rue de la Villette engraving and drypoint, 1930, ed 50, signed, 20.5 x 26.5 cm,

£1950

35. Place Falguière engraving and drypoint, 1930, ed 50, signed, 20.5 x 26.5 cm,

£1950

26 | TON Y CR AG G

36. Untitled screenprint, 1995, ed 50, signed, 57 x 79 cm,

An English sculptor, born 1949. His work is notable for its exploration of different materials, including found objects and raw matter of various kinds. Cragg's method of dispassionate ordering and composing seeks to make evident the vast array of objects and images that surround us, but with which he feels modern man has only a superficial relationship, based on function alone. In order to enhance our imaginative and emotional relationship with the world at large, Cragg proposed beginning with physical matter as

ÂŁ750

the fundamental basis of experience. To this end, in the early 1980s, he began to work with objects arranged on the floor or wall in simple configurations, such as Postcard Union Jack (1981; Leeds, C.A.G.), made from sherds of plastic, or an axehead composed of various real and fake wooden elements. By 1985 he had extended his range to include carved and machine-cut stone and cast bronze and iron to make sculpture of simple, generic images or standardised prototypes, such as a house or a test-tube.

B R IAN CL AR KE | 27

Brian Clarke, b1953, is one of the world's greatest stained glass artists.

He studied art and design in Britain and went on to study art and architecture in Rome, Paris, New York Los Angeles and Germany.

He has worked with many prominent architects and his paintings, stained glass, mosaic and tapestry works can be found in architectural settings and private and public collections internationally.

Clarke is sole executor of the estate of Francis Bacon and chairman of the Bacon Trust.

The Tate holds one of these prints.

37. Untitled, From The Two Cultures screenprint, 1981, ed 75, signed, 75 x 50 cm,

ÂŁ850

To order phone 01572 821424 most prices include framing, vat and uk delivery

28 | E D UAR D O PAOLOZZI

38. Largo to Presto, Calcium Light Night screenprint, 1974, ed 200, signed printer’s proof, 78.5 x 51.5 cm

£1250

TOM P H IL L IP S | 29

39. Ballet of the Unhatched Chickens screenprint, 2005, ed 200, signed, 26 x 31 cm,

ÂŁ350

30 | S IR T E R RY F ROS T

40. At Five O'Clock in the Afternoon II* etching, 1990, ed 30, signed, 55 x 37 cm, ÂŁ1750 *A reference to Lorca.

AL L E N J ON E S | 31

41. Untitled, from A Fleet of Buses lithograph, 1966, ed 20, signed, 63 x 56.5 cm,

£4500

An extremely scarce, early Allen Jones lithograph. Printed by Tamarind Workshop in Los Angeles and published by Editions Alecto.

We note that a 1962 Allen Jones painting, 24” x 20”, made over half a million pounds at a Christie’s evening sale last week.

32 | G R AH AM S UT H E R L AN D

42. Chained Beast from A Bestiary and Some Correspondences lithograph, 1967, ed 70, signed, 60.5 x 49 cm

ÂŁ1750

A scarce Sutherland print.

G R AH AM S UT H E R L AN D | 33

43. Ram's Head (full face) from A Bestiary and Some Correspondences lithograph, 1968, artist’s proof aside from ed 70, signed, 66.5 x 49.5 cm

ÂŁ1750

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V IV IE N N E P OOL E Y

44. Loch Coruisk from Stron Na Stri, Skye watercolour, signed, 34 x 49.5 cm, ÂŁ850

Born in 1944, Vivienne Pooley gained an art degree in printed textile design at Manchester Polytechnic. As well as painting in the Lake District, she has also spent time in the Alps and in Nepal. She is a member of The Lake Artists Society.

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Goldmark Gallery, Uppingham, Rutland, LE15 9SQ, 01572 821424 Open Monday to Saturday 9.30-5.30, Sunday 2.30-5.30 and Bank Holidays www.goldmarkart.com info@goldmarkart.com