MAGAT_4AR2_AD8 PORTFOLIO

Architectural Design 8

June 2022

JORIEL MAGAT

UST- College of Architecture

PORTFOLIO

about the artist Joriel Vincent T. Magat is an architecture student in the University of Santo Tomas College of Architecture. He graduated high school at Wellspring High School, Inc., Capas, Tarlac. He pursued his dream in the city of Manila and left his provincial life.

He may be new to the environment but he has always believed that adventure is out there. He is known to be very dynamic and always comes with fresh new ideas. He is very open to something new and outside the box but he is more into modern industrial, modern asian zen, and parametric design styles. He strives to learn for he believes learning will improve himself and his skills. He also look into details and believes art is a long and gradual process. He also likes to turn little things into something extravagant and unique . This is seen with his architectural designs and his design philosophy. He is also into layouting, photography, graphic design and other forms of art. He is indeed an artist by heart.

personal Birthday: July 24, 1999 Status: Single Nationality: Filipino Language: Filipino, English

CONTACTS +63 9956675203 magatjoriel2624@yahoo.com St. Jude, Concepcion, Tarlac, Philippines

CONNECT facebook.com/vincent.magat.1675 instagram.com/jvmagat

Architectural Design 8

PORTFOLIO JORIEL MAGAT

Submitted by:

Joriel Vincent T. Magat 4AR-2 Submitted to:

Ar. Gener Flancia AD8 Instructor

contents

INSIDE CHECK OUT: https://issuu.com/potpot26/docs/ad8_portfolio

PLATE 1: Philippine Pavilion of the Future

PLATE 2: Cinema and Theatre Complex

ESQUISSE 1: Stage Design

ESQUISSE 2: Cinema-Theatre Signage

ESQUISSE 3: Theatre Box Office

REFLECTION What have I learned in AD8?

5 21 37 38 39 40

THE PHILIPPINE PAVILION OF OUTER SPACE AND INNER SPACE

PLATE

01 PHILIPPINE PAVILION OF THE FUTURE

Architectural Design 8

5

PORTFOLIO JORIEL MAGAT

DESIGN PHILOSOPHY

“ Look Beyond the World You See ” People tend to just focus in what is in front of them when there so much more to see if we only look further and beyond the world we see. Just like in Architecture and designing, we still have much to discover especially with styles, concepts, and structural designs with the help of Science and of course our imagination.

DESIGN CONCEPT “ Architecture as Reflection of Space and Culture ” The Bakunawa Pavilion is inspired with a serpent-like dragon of the same name, who is believed to be the Guardian of the Sea and Underworld or the Deep Sea and also known as the Eater of the Moon, hence the creator of eclipses. Its movement also served as a geomathic calendar system of ancient Filipinos. It is also a symbol of power, strength and strong will which are some of the characteristics Filipinos possess.

The concept of the Bakunawa Pavilion aims to not just showcase Filipinos’ legacy on explorng the Outer Space and Inner Space, but also showcase a part of the Philippine Mythology.

The pavilion also highlights a play with the water element since this element plays a big role for us Filipinos since we live in a archipelagic country. It is used an articulation of the design and its reflective property was also maximized in line of the concept of the space and the sea as endless and as a reflection of one another.

Known as the dragon that have eaten the six moons among the seven that Bathala created, the Bakunawa Pavilion now shows the moment the Bakunawa is trying to bring the last moon closer to the people rather than eating it, giving them the chance to immerse themselves and experience the wonders of both the outer space and inner space.

EVOLUTION OF FORMS How the form evolved from the Bakunawa and the Moon

DESIGN INNOVATIONS Futuristic design comes with Futuristic Innovations

MAGNET POWERED FUTURISTIC ELEVATOR

SOLAR SCALLOP GLASS WINDOWS

HOLOGRAPHIC DISPLAYS

ENERGY-GENERATING KINETIC FLOATING STEPS

INTERACTIVE LED FLOORS

STORY BOARD & ISO PLANS What’s the flow inside the Bakunawa Pavilion?

STORYBOARD OF THE EXHIBIT

LOWER GROUND FLOOR: This floor is designated for the Deep Sea or Inner Space Exhibits. These includes the Tubbataha Reef Inspired Open Aquarium, the Discoveries of Submarine PAGI (modern Filipino subamrine), Dark Aquarium with holograms showcasing the wonders of the Philippine Trench and the Space Jellies Exhibit, a indoor neon jellyfish exhibit.

UPPER GROUND FLOOR: This floor is designated for the main hall which is an open space for performances and for booths of Philippine made souvenirs. The loft found in the upper ground could be a place to watch the performances from above. The Six Lost Moons Art installation is also showcased in the atrium.

It is also in this floor you can access the The Bakunawa Cafe and the water falls. Toilets are also provided on this floor.

SECOND FLOOR: This floor is designated for the Kabibes, booths were people have collaboration and small meetings. Sleeping pods are also provided on this floor so users could a place to rest. The aministration office is also situated on this floor.

THIRD FLOOR: This floor is designated for the exhibits where the outer space and inner space meets. Among these exhibits are the Habagat, a indoor waterfall exhibit and the Luna Exhibit, an immersive starry exhibit where it shows the moon meeting the sea.

FOURTH FLOOR: This floor is designated for main exhibits of the outer space exploration of the Filipinos. One of them is the Kalawan, an exhibit of the discoveries and inventions of Filipino astronauts, scientists and engineers.

The next one is the Into the Black Hole which serves as a waiting area of the special room of this floor knwon as The Orb, a zero-gravity immersive space.

STORY BOARD & ISO PLANS What’s the flow inside the Bakunawa Pavilion?

ORCA IN SPACE EXHIBIT

5F

THE ORB (ZERO-GRAVITY)

4F

3F THE BAKUNAWA CAFE

2F

THE SIX LOST MOONS

UG

TUBBATAHA REEF AQUARIUM

LG

ARCHITECTURAL DRAWINGS SDP, Architectural Plans, Elevations, and Sections

SITE DEVELOPMENT PLAN

ARCHITECTURAL DRAWINGS SDP, Architectural Plans, Elevations, and Sections

LOWER GROUND FLOOR PLAN

UPPER GROUND FLOOR PLAN

1

LG LOBBY AND RECEPTION

2

DEEP SEA EXHIBIT 1 (SUBMARINE PAGI)

7

UG LOBBY AND RECEPTION

3

DEEP SEA EXHIBIT 2 (DARK AQUARIUM AND HOLO EXHIBIT)

8

MAIN OPEN HALL (FOR PERFORMANCES AND SOUVENIR BOOTHS)

4

DEEP SEA EXHIBIT 3 (SPACE JELLIES)

9

THE BAKUNAWA CAFE

5

ELEVATOR LOBBY

6

VERTICAL CIRCULATION (ELEVATORS AND FIRE EXITS)

A

OCEANARIUM

10 LOFT (TOILETS UNDER IT) 6

CROSS SECTION ROOF DECK

4TH FLOOR FFL

3RD FLOOR FFL

2ND FLOOR FFL

LOFT FFL UPPER GROUND FFL

LOWER GROUND FFL

MALE’S TOILET

FEMALE’S TOILET

VERTICAL CIRCULATION (ELEVATORS AND FIRE EXITS)

ARCHITECTURAL DRAWINGS SDP, Architectural Plans, Elevations, and Sections

SECOND FLOOR PLAN

THIRD FLOOR PLAN

11 ADMIN OFFICE 12

COLLABORATION BOOTHS AND SLEEPING PODS

13

OPEN TO BELOW (SPACE JELLIES)

5

ELEVATOR LOBBY

6

VERTICAL CIRCULATION (ELEVATORS AND FIRE EXITS)

THE LUNA EXHIBIT (MOON 14 AND STARS MEETS THE SEA) 15

HABAGAT EXHIBIT (INDOOR WATER FALLS)

16 OPEN DECK 1 5

ELEVATOR LOBBY

6

VERTICAL CIRCULATION (ELEVATORS AND FIRE EXITS)

MATERIALS

SOLAR SCALLOP GLASS WINDOWS

GROOVED METAL CLADDING

ILLUMINATING FIBER GLASS

CORALSTONE

SITE ELEVATIONS

FRONT

RIGHT

ARCHITECTURAL DRAWINGS SDP, Architectural Plans, Elevations, and Sections

FOURTH FLOOR PLAN

FIFTH FLOOR PLAN

17

THE ORB (ZERO-GRAVITY IMMERSIVE ROOM) 21

18 INTO THE BLACK HOLE EXHIBIT AND BRIDGE TO THE ORB 19

22 OPEN DECK 3

KALAWAKAN (MAIN OUTER SPACE EXHIBIT)

6

20 OPEN DECK 2

MARBLE

REAR

5

ELEVATOR LOBBY

6

VERTICAL CIRCULATION (ELEVATORS AND FIRE EXITS)

CONCRETE

ORCA IN SPACE (OUTER SPACE HOLOGRAM EXHIBIT)

ACRYLIC GLASS

VERTICAL CIRCULATION (ELEVATORS AND FIRE EXITS)

MIRROR PANELS

LEFT

EXTERIOR PERSPECTIVES Final Form and Facade of the Bakunawa Pavilion

EXTERIOR PERSPECTIVE AT SUNRISE

EXTERIOR PERSPECTIVE AT SUNSET

HABAGAT EXHIBIT (INDOOR RAINFALL)

INTERIOR AND SPOT PERSPECTIVES

MAIN OPEN HALL AND SOUVENIR BOOTHS

SPACE JELLIES EXHIBIT

THE DISCOVERIES OF SUBMANRINE PAGI EXHIBIT

THE LUNA EXHIBIT (MOON AND STARS MEET THE SEA)

KABIBE COLLAB BOOTHS & SLEEPING PODS

INTO THE BLACK HOLE EXHIBIT

INTERIOR AND SPOT PERSPECTIVES

KALWAKAN EXHIBIT (MAIN OUTER SPACE EXHIBIT)

THE PHILIPPINE TRENCH DARK AQUARIUM

BAKUNAWA RECEPTION AREA

ELEVATOR LOBBY

ELEVATOR LOBBY AT THE DEEP SEA EXHIBITS

THE

SH ot LUISITA CINEMA AND THEATRE COMPLEX

PLATE

02 CINEMA AND THEATRE COMPLEX

Architectural Design 8

21

PORTFOLIO JORIEL MAGAT

DESIGN CONCEPT Known as the most multicultural province in Central Luzon, Tarlac has a mixture of four distinct groups – the Pampangos, Ilocanos, Pangasinenses and Tagalogs, sharing and living together in a single province. This is due to the different provinces boarding it which includes Bulacan, Nueva Ecija, Zambales, Pangasinan and the Ilocos Region.

Tarlac is also best known for its fine foods and vast sugar and rice plantations hence my main inspirations for my design. Sugarcane is a grass known to be the main source of the sugar. Just like cinemas, this is one of our sources of entertainment which makes us satisfy like, how sugar satisfy are sweetooth craving. This could be seen on the main massing of the structure where segmentation as an articulation of the segmented characteristic of a sugar cane. Moreover, how the rice field reflects the sky was also integrated in the design by putting water features around the structure, maximizing the potential of reflection and cooling. This is a metaphor how movies and plays reflect our culture.

“THE SHOOT” is a cinema and theatre complex located at Luisita Tarlac. Its name was derived from the same word which means - to capture a moment into photo / film and the initial growth of a sugarcane, the mian inspiration for this project, just like bamboo.

DESIGN INSPIRATIONS

RICE FIELD

SUGARCANE

VIDEO CAMERA

ARCHITECTURAL DRAWINGS SDP, Architectural Plans, Elevations, and Sections

FRONT SITE ELEVATION along Lusita Access Road

ARCHITECTURAL DRAWINGS SDP, Architectural Plans, Elevations, and Sections

ARCHITECTURAL DRAWINGS SDP, Architectural Plans, Elevations, and Sections

DRESSING ROOM 1

GREEN ROOM1

UPPER GROUND FLOOR PLAN

ELEC. RM

AHU ROOM

MALE'S TOILET

FEMALE'S TOILET

DRESSING ROOM 2

MINI LOUNGE

GREEN ROOM 2

MALE'S TOILET

PASALUBONG SHOP (FOOD)

THEATRE SOUNDBLOCK

SOUVENIR SHOP (ARTS & CRAFTS)

THEATRE SOUNDBLOCK

FEMALE'S TOILET

AHU ROOM

AHU ROOM

ELEC RM

CENTRAL LOBBY PERFORMING THEATRE (UG ACCESS) MAIN THEATRE LOBBY CINEMA BOX OFFICE THEATRE BOX OFFICE CINEMA THEATRES CINEMA LOBBY AND EXHIBIT AREA SNACK BAR PASALUBONG SHOP (FOOD) SOUVENIR SHOP (ARTS AND CRAFTS) RENTABLE SPACES (W/ ALFRESCO DINING) UPPER GROUND LOBBY (TO DANCING FOUNTAIN)

ELEC RM

MAIN THEATRE LOBBY

SMART THEATRE BOX OFFICE

THEATRE BOX OFFICE

CENTRAL LOBBY (ATRIUM) SMART CINEMA BOX OFFICE

CINEMA BOX OFFICE

AHU ROOM

NOW SHO WIN LED G SCR EEN MOVIE S WA LL

MALE'S TOILET

VIE G MO WIN WALL SHO S NOW SCREEN LED

ALE'S FEM TOILET

FEM ALE TOILET 'S

SNA

CK BAR

1

NIC AME NUOS LBD

F AME S'EL OT TELI

FEM ALE TOILET 'S

RENT AB (RES LE SPAC TAUR E ANT)

NIC AME S T EGA

AM S'EL T O TELI

K

CIN SOU EMA NDB LOC

NIC AME NUOS LBD KCO

MALE'S TOILET

AM S'EL T O TELI

F AME S'EL OT TELI

CINEMA LOBBY AND EXHIBIT AREA

FEM ALE TOILET 'S

AHU ROOM

2

SNA

MALE'S TOILET

K

CIN SOU EMA NDB LOC

CINEM STA A GE

ELEC RM

AHU ROOM

KCO

CK BAR

ELEC RM

E'S MAL TOILET

NIC AME S T EGA

ELEC RM

CINEMA STA GE

• • • • • • • • • • • •

ELEC RM

E

CO DIN

ING

UPPER GROUND LOBBY (TO DANCING FOUNTAIN)

AHU ROOM

SPAC ABLE RENT (CAFE)

ALFRES

REAR SITE ELEVATION

AHU ROOM

MALE'S TOILET

FEMALE'S TOILET

Facilities on this level:

ELEC. RM

MINI LOUNGE

ING

CO DIN

ALFRES

ARCHITECTURAL DRAWINGS SDP, Architectural Plans, Elevations, and Sections

DRESSING ROOM 1

DIRECTOR'S LOUNGE 1

MALE'S TOILET

FEMALE'S TOILET

DRESSING ROOM 2

DIRECTOR'S LOUNGE 2

TAGALOG MUSEUM STORAGE ROOM

KAPAMPANGAN MUSEUM STORAGE ROOM

MEZZANINE FLOOR PLAN

AHU AHU ROOM ROOM

ELEC. ELEC. RM RM

ELEC. RM

MINI LOUNGE

MINI LOUNGE

MALE'S TOILET

MALE'S TOILET

KAPAMPANGAN MUSEUM

TAGALOG MUSEUM

FEMALE'S TOILET

FEMALE'S TOILET

THEATRE SOUNDBLOCK

THEATRE SOUNDBLOCK CONTROL ROOM

Facilities on this level:

AHU ROO M

AHU M ROO

ELEC RM

ELEC RM

• FOOD KIOSKS (FOOD COURT) • PERFORMING THEATRE (MEZZANINE ACCESS) • THEATRE CONTROL ROOM • SNACK BARS • CINEMA EXHIBIT AREA (HALL OF FAME OF MOVIES) • 4D CINEMAS • KAPAMPANGAN MUSUEM • TAGALOG MUSEUM

AHU ROOM

KIOSK 1

KIOSK 5

KIOSK 2

KIOSK 6

KIOSK 3

KIOSK 7

KIOSK 4

KIOSK 8

ELEC RM

ELEC RM

AHU ROO M

MALE'S TOILET

ALE'S FEM TOILET

FEM ALE TOILET 'S

SNA

CK BAR

CK BAR

1

E'S MAL TOILET

AHU ROOM

2

SNA

CINEMA EXHIBIT AREA (HALL OF FAME)

ELEC RM

ELEC RM AHU ROO M

4D CI

NEM A 1

4D CINEMA WAITING LOBBY

A

NEM 2

4D CI

AHU M ROO

ARCHITECTURAL DRAWINGS SDP, Architectural Plans, Elevations, and Sections

STORAGE ROOM

STORAGE ROOM

PANGASINENSE MUSEUM STORAGE ROOM

ILOCANO MUSEUM STORAGE ROOM

SECOND FLOOR PLAN

AHU ROOM

ELEC. RM

MINI LOUNGE

ELEC. RM

MINI LOUNGE

MALE'S TOILET

MALE'S TOILET

ILOCANO MUSEUM

PANGASINENSE MUSEUM

FEMALE'S TOILET

FEMALE'S TOILET

THEATRE SOUNDBLOCK

THEATRE SOUNDBLOCK

AHU ROO M

AHU M ROO

ELEC RM

ELEC RM

Facilities on this level: • • THEATRE (BALCONY ACCESS) • ILOCANO MUSEUM • PANGASINENSE MUSEUM • SKY GARDEN • ROOFTOP CAFE • ROOFTOP BAR

SKYLIGHT

ROOFTOP GARDEN

ELEC RM

ELEC RM

AHU ROO M MAL E'S TOIL ET

AHU M ROO

FEM ALE TOIL 'S ET

ALE'S FEM ET TOIL

ROO

P

FTO ROO E CAF

FTO BAR P

ROOFTOP GARDEN

SKYLIGHT

ELEC RM

AHU ROO M

RIGHT SITE ELEVATION

LEFT SITE ELEVATION

ROOFTOP GARDEN

E'S MAL ET TOIL

AHU ROOM

ARCHITECTURAL DRAWINGS SDP, Architectural Plans, Elevations, and Sections

LEGEND:

LONGITUDINAL SECTION

THEATRE LOBBIES AND LOUNGES ELEVATOR ACCESS COMMERCIAL AREAS AND SNACKK BARS CINEMA THEATRES ATRIUM (VERTICAL ACCESS) HALLWAY TO UTILITIES AND FE

EXTERIOR PERSPECTIVES

Final Form and Facade of the Cinema and Theatre Complex

THE

SH ot LUISITA CINEMA AND THEATRE COMPLEX

AERIAL PERSPECTIVES AT NIGHT

CINEMA SEATS (WITH ENTOURAGE)

INTERIOR AND SPOT PERSPECTIVES

DROP-OFF AREA AT NIGHT

REAR VIEW (RESERVED PARKING)

BALCONY VIEW AT THEATRE

PERFORMING ARTS THEATRE (VIEW FROM STAGE)

PUJ DROP-OFF BAY NEAR THE OPEN THEATRE PARK

STREETVIEW

INTERIOR AND SPOT PERSPECTIVES

VIEW OF THE CINEMA SCREEN

AMPHITHEATRE AND PLAY GROUND AT OPEN THEATRE PARK

DROP-OFF AREA AT DAY

SIDEVIEW OF THEATRE

GRAND STAIRCASE WITH SEATING (FOR DANCING FOUNTAIN)

SIDE VIEW OF THE CINEMA THEATRE

DANCING FOUNT GRAND

REAR VIEW OF THE LED SCREEN AND PARKING AREA

THEATRE STAGE

AERIAL PERSPECTIVE AT DAY

INTERIOR AND SPOT PERSPECTIVES

TAIN AT THE D STAIRCASE

SEATING AT THE THEATRE (WITH ENTOURAGE)

ESQUISSE

01 STAGE DESIGN

Architectural Design 8

37

PORTFOLIO JORIEL MAGAT

ESQUISSE

02

CINEMA-THEATRE SIGNAGE

Architectural Design 8

PORTFOLIO JORIEL MAGAT

38

ESQUISSE

03 THEATRE BOX OFFICE

Architectural Design 8

39

PORTFOLIO JORIEL MAGAT

In designing, there are so many things to considerate. Designing doesn’t simply end on planning, you must also take in consideration the utilities and facilities needed to the specific structure you are designing, the users and their needs and of course design solutions in order to solve the design problem you are facing. Yes, creating functional and efficient architectural solutions within a specific context is very challenging but I can say that I have manage to apply it well to my designs. I can say it is best seen in my design concept and considerations which later on were translated through the drawings. Moreover, it is also during this sem that I was pushed to do better in translating my concept into architecture with the help of my professor, Ar. Gene Flancia, who believes that I can still do better and better.

Though I'm still not at my best, I also believe I have improved in translating my ideas and concept to my perspectives and other drawings, reflecting what I have really envision them to look like. This became possible because I have enhanced my skills in digital presentation which I believe helped me translate more my ideas into drawings than manual presentation.

Another semester has passed, the last design course before thesis. It is still unfortunate to have classes in an online setting but this situation really developed our coping skills. Nevertheless, I have still managed to learn a lot this semester though maybe not as effected of that in face-to-face.

Though truly challenging, I am very glad that I have managed to survive this semester.

Just like after my previous design classes, I would like to advice the future students to always remember that you should be creative and think out of the box. Also, if you are struggling, don’t be afraid to seek help from your seniors or your block mates, for they are always ready to extend their helping hand. With the help of your peers and seniors, you could improve your skills and your designs better. Moreover, do not be afraid to ask especially to your instructors because when you ask, you gain something from them. They are just waiting you to approach them. The most important advice I could give you is to not forget to give yourself some time also. It is good to be productive and on time but if you are already stressing and exhausting yourself too much, it is also you who will suffer in the end.

Everything comes to an end, as we always say, but an end always come with a new beginning. Indeed, Architectural Design 8 showed me how difficult yet how fun architecture is, especially when you are learning it with the right people and right instructor. I can never be more grateful to belong to this class and not just simply being able survive the entire semester but surviving it, bringing all the lessons and experiences that this class taught me. You may face different challenges and mistakes along the way, but you should always learn from these mistakes and the not-so-good outcomes in your life. Lastly, you can finish everything you want to get finish as long as you word hard and enjoy what you are doing.

REFLECTION

After a whole semester of taking Architectural Design 8, I gain a lot of knowledge, ideas, and experience in designing cultural and entertainment structures. From designing a pavilion of the future to designing a theatre and cinema complex, and even designing a stage, marque and box office, I was able to push myself more and bring out more creativity to these plates.

Architectural Design 8

PORTFOLIO JORIEL MAGAT