The Quilters of Gee’s Bend

—The New York Times

In March of 2021, during a national ACTEC meeting, Odom and Johnson came up with the idea of funding reparations for slavery through the estate tax. They started their research to better understand the history of slavery, post-slavery, reparations, and the wealth gap. Through their research, the duo learned that the racial wealth gap exists, partly, because of the way the federal tax code is set up.

Task force member Sen. Steven Bradford (D-Gardena) stated that the tax attorney’s recommendations provided a “clear road map” to reparations.

“All that said, I think it’s comforting, informative and powerful,” Bradford said after the tax attorneys’ presentation. “As a legislator, the takeaway is, we can afford it. This is a debt that’s owed.”

Dorothy A. Brown addressed the task force by teleconference and shared her views about reparations and the tax code. She is a tax professor at Georgetown Law and the author of the book, “The Whiteness of Wealth: How the Tax System Impoverishes Black Americans and How We Can Fix It.”

Brown’s literature goes to the core of how the complex federal tax system disadvantages the Black community and how it has helped white households secure more solid financial standing.

“Our tax laws as written have a racially disparate impact. Black Americans are less likely to gain access to their tax breaks than their white peers receive,” Brown said. “Therefore, (Black Americans) are more likely to pay higher taxes than their white peers.”

Brown told the task force that she supports a “wealth tax credit applicable to all taxpayers and households,” which would serve the majority of Black people and be available to all “regardless of race and ethnicity.”

“I want to be clear that I’m not providing tax advice or guidance for providing a possible analysis of any reparations payments,” Brown said. “I leave it to your tax council (economic experts) to make a final determination that you would rely upon moving forward.”

South African Play...

Continued from page 2 shed tears as white Christian missionaries locked them up, thus destroying their ability to provide spiritual guidance to their tribesmen and women.

In his signature style, the first scene becomes the final scene as well, but for nearly two hours, Moroke takes the audience through the events that led to the kings’ capture.

“There are three things which control the world: economics, politics and religion,” said Moroke. “When a nation is ruling well within these three sectors, that nation becomes the most powerful nation in the world. So, white Christian missionaries took charge in Africa in these three sectors and used religion through the Bible to destroy and rule us.

“Every generation has its mandate and the last generation had politics as its mandate,” Moroke said. “As someone representing the current generation, the mandate is to revisit indigenous and spiritual history and go back to the core problems which led to apartheid. I am trying to answer a question of this generation in terms of what went wrong, and why are we here after all the struggles and voting in 1994.”

Although I could not piece it all together due to language barriers and lack of context, as I sat in the audience, I knew what I was watching was very moving and powerful.

There were some audience members crying because the play resonated with their backgrounds as African people. And, for others, the play resonated in terms of family whether it was family disfunction or affection.

Two Xhosa people said that when the ‘king’ was coming onto the stage, they had a vision of that actual king coming. Another sangoma said she learned many things from Moroke’s character about the discipline of a sangoma.

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