Portrait of Seattle Volume 48

PORTRAIT OF SEATTLE H O M E

G A R D E N

T R A V E L

A N D

L I F E S T Y L E

M A G A Z I N E

®

LAKESIDE TO URBAN OASIS

Architect Inspired Homes that Embrace Location

PortraitMagazine.com

DISPLAY UNTIL 8/15/2021

$5.95 US

Kitchens + Baths

Blooms on the Bay

Juice Bars to Modern Spaces

A Lopez Island Woodland Garden

Color Splash Seattle Design Center

PNWFRAMING.COM

Your kitchen.

Your style.

SUMMERS STUDIO AT SIEMATIC SEATTLE | 2030 1ST AVENUE | TEL: 206.443.8620

| www.siematic-seattle.com

PORTLAND - 1025 SW Washington Street - Tel. (503) 459-0020 SEATTLE - 1922 Fourth Avenue - Tel. (206) 332-9744

In-store interior design & 3D modeling services.*

Envergure. 5-seat sofa in solid leather, designed by Philippe Bouix.

Sira. Armchair, designed by O&M. Shark. Cocktail table and end table, designed by Studio Juam.

Negresco. Floor lamps, designed by Pierre Dubois & Aimé Cécil.

Chott Merouane. Rug, reproduction of a photo by Yann Arthus-Bertrand.

French Art de Vivre Photo by Flavien Carlod and Baptiste Le Quiniou, for advertising purposes only. *Conditions apply, contact store for details.

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| VOLUME 48

Home + Garden

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Looking for fresh ideas for your kitchen and bathroom? Consider natural materials with pops of persimmon and lush greens as accents, or go classic with a happy shade of blueberry blue paired with brass hardware and white marble.

Answering her clients’ request for a modern kitchen redo with a “wow factor that would cause discussion,” Seattle designer Allison Lind delivered high contrasts of black and white for surfaces, cabinetry, backsplashes and flooring - accented with pops of red.

We look to the Seattle Design Center and local Seattle shops for interior trends to refresh your home for the year ahead. Carefully curated sculptural, modern furnishings in luxe materials take center stage creating intrigue in neutral spaces.

Aegean teals and tropical-hued wall coverings and fabrics in lively summer patterns add depth and balance to your space.

KITCHEN + BATH DESIGN

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ISLAND RETREAT NB Design Group, DeForest Architects and contractor Krekow Jennings teamed to design and rebuild an Orcas Island family’s home to accommodate needs for privacy and large gatherings for several generations to come.

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WHERE THE TREES MEET THE WATER Paul Moon of Paul Moon Design partnered with DME Construction to design and build an ultra-modern home on Mike Geri’s prime forested Bellevue property overlooking downtown Seattle and Lake Washington.

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HIGH-CONTRAST MODERN

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A LIGHTER LOOK Sourcing marble from the same quarry in Italy as Michelangelo, Seattle interior designer Molly Brown partnered with Prem Gnanarajah of Venetian Stone Works on a dramatic makeover for Molly’s own kitchen.

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PALETTE PLAY Tasked with designing the common living area for a family of five, Kat Lawton Interiors transformed a Laurelhurst home into a cohesive blend of sophistication and function, sourcing many key design elements from Seattle Design Center.

EYE ON DESIGN

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BAYVIEW MODERN Seattle Architect David Coleman partnered with SBI Construction to transform a single-story Mid-Century Modern home overlooking Elliott Bay into a two-story, light-filled home with Danish modern style and ambiance.

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FARM TO TABLE Juice bars, courtyard raised beds, she sheds and more - all inspirations from Renaissance Homes’ cleverly designed multi-use spaces for urban living and entertaining.

2 0 2 9 2 N D AV E. SE AT T L E, WA 98121 T. 206. 448. 3309 E. i n fo @ a l c h e myco llec ti ons. com W W W. A LC H E M YCO L L E C TIO NS . COM W W W. C AM E R I C H S EAT TL E. CO M

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| VOLUME 48

Travel + Lifestyle

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A Salem couple’s newly remodeled kitchen is now the center for all things cooking, casual dining and entertaining, thanks to the team at C&R Design Remodel.

Excellent habit and showy flowers are a great addition to any foliage lineup. We’ve collected a stunning collection of perennial gems with rich plum-purple blooms with dark chocolatey foliage to add dramatic color to sunny borders and tree understories alike.

A KITCHEN TO FLIP OVER

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MODERN LINES Click Architects and LDB Homes collaborated to create an innovative modern home whose dramatic corrugated metal exterior with perforated metal detailing creates a dynamic architectural statement.

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BLOOMS ON THE BAY Landscape designer Paul R. Broadhurst masterfully created a woodland garden and Eden of sorts atop a rocky bluff on Lopez Island, delighting both his clients and local wildlife.

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PERENNIAL GEMS

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GOODFOOT FARM Biodynamic farming is a way of life at Goodfoot Farm. Owner Beth Hoinacki and family raise horses, sheep, geese, chickens and pigs, along with fruit and vegetable crops for local CSA members and the farmers’ market.

RECIPE INDEX 16 BULLARD SHRIMP & GRITS Executive Chef Doug Adams shares his favorite recipe for Bullard Shrimp & Grits, an homage to classic Texas cooking coupled with Northwest influences. His modern approach to crave-worthy comfort food can be found at Bullard, located in the historic Woodlark hotel in Portland.

on the cover Designed by Paul Moon of Paul Moon Design and built by Dave Elwell and the team at DME Construction, this home is located in forested property in Bellevue with views overlooking Lake Washington and downtown Seattle.

Photography © by John Granen

publisher’s

| LETTER

PUBLISHER Claudia M. Brown EDITOR/SENIOR ART DIRECTOR Kiki Meletis ASSISTANT TO THE PUBLISHER Karla Prater SALES REPRESENTATIVE Nicole Rummel CONTRIBUTING WRITERS Stephanie Boyle Mays Donna Pizzi Margarett Waterbury

I CAN DEFINITELY SEE THE MERITS OF LIVING ON AN ISLAND, especially if it had a garden like Paul Broadhurst designed atop Lopez Island, including a woodland garden, sun garden, shade garden, a charming greenhouse, and magnificent views of the bay. As he inevitably does, the plantings are heavy on native species and natural habitat, so they’ll love their new home.

Like a lot of my friends, I’ve been swept into escapes like Gardeners’ World on BBC, hosted

by Monty Don. Week after week, with his golden retrievers in tow, I’ve been treated to him digging and puttering in his own garden and potting shed, as well as taking us to meet home garden enthusiasts who share their passions for collecting plants. Actually, I believe gardens are good for our spirits as they hold great promise for the future. I’ll happily listen to Monty Don and Paul Broadhurst, both with their delightful British accents, because they make the world a better place.

Architect, designer, and landscaper Paul Moon designed every facet of Mike Geri’s ultra-modern home nestled in a forest in Bellevue overlooking Lake Washington and downtown Seattle. This is a home built for entertaining and summer pool soirees, and his home office is spectacular – definitely one to inspire creativity. Mostly, what’s apparent is the level of attention paid in Paul’s thoughtful design and the craftsmanship executed by the many crafts people and team at DME Construction. This home will surely be a proud addition to their portfolios.

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It’s time for more color in our lives! The latest releases of fabrics, wallcoverings and home furnishings - indoors and out, are filled with vibrant patterns, much of which can be sourced locally from the Seattle Design Center and leading shops around town. Check out this season’s latest finds in our Eye On Design section.

Biodynamic farming is a way of life at Goodfoot Farm, located in the coastal range of Kings Valley, near Corvallis, Oregon. Owner Beth Hoinacki and her family raise horses, sheep, geese, chickens and pigs, along with fruit and vegetable crops for local CSA members and the farmers’ market.

Executive Chef Doug Adams shares his favorite recipe for Bullard Shrimp & Grits, an homage to classic Texas cooking coupled with Northwest influences. His modern approach to crave-worthy comfort food.

If a new kitchen, home or remodel is your priority, this issue is filled with pages of ideas and noteworthy projects. For local resources, go online to www.portraitmagazine.com/local-resources Our website also hosts leading Northwest design professional portfolios, or go online to www.portraitmagazine.com/portfolios

PHOTOGRAPHERS Dina Avila Tim Bies Steve Dubinsky Wynne H. Earle John Granen Shawn Linehan Amaryllis Lockhart David Papazian Diana Sell Rafael Soldi Paul Warchol PREPRESS PRODUCTION William Campbell PUBLISHED BY Portrait Magazine SUBSCRIBE Online www.portraitmagazine.com

Or mail check payable to Portrait Magazine PO Box 9097 Portland, Oregon 97207-9097 503.203.1373 $10 $18 $24

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Claudia M. Brown Publisher claudia@PortraitMagazine.com

© Copyright 2021 Portrait Magazine, Claudia Brown + Company, Inc. All rights reserved. No part of this magazine may be reproduced in any form without written permission. Every effort has been made to ensure the information published is current and correct. However, conditions beyond our control may change the accuracy over time.

THE H COLLECTION

By Toan Nguyen

AVAILABLE EXCLUSIVELY AT TERRIS DRAHEIM OUTDOOR 5616 Sixth Avenue South, Seattle, WA 98108 outdoor.terrisdraheim.com | Mon-Thurs 9am-5pm 206.763.4100 | outdoor@terrisdraheim.com

OPPOSITES ATTRACT

DeWils’ Shaker cabinets in Just White provide a timeless, yet modern look. The cabinets’ smooth, clean lines pair seamlessly with marble and metallic touches, then contrast with black framed windows for a striking finish. Since Shaker cabinets balance bold designs and complement calm styles, they are outstanding in any space. Through DeWils Fine Cabinetry, www.dewils.com Designed by: Jackson Design and Remodeling, San Diego, CA

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surface + home 2

MARBLE • CLASSIC MIX • WARMTH

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The epitome of modern elegance, the Arteriors Helia Pendant is simple but striking. A bronze pipe suspends a unique glass shade, which features a curved indentation on the bottom.

Available through jgarnerhome.com

(top) 7.5" Flynn Bar Pull (right) 1-1/8" round knobs from the Grayson Collection, both in Satin Brass, from Sumner Street Home Hardware

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1. SEASONAL FOOD Eating healthy with local food prepared from scratch is at the heart of Cooking from Scratch from PCC Community Markets, 120 recipes organized for every meal of the day including many of their most popular dishes, such as their treasured Emerald City Salad. powells.com

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A bold spin on traditional barrel chairs in wicker, the Dunley Bar Stool from Made Goods, available as a bar stool or counter stool. Available through

jgarnerhome.com

2. CALACATTA GOLD Add classic style to your kitchen (left) Calacatta Gold Honed / Polished in a Chevron pattern Calacatta Gold Polished / Honed / Sandblasted in GIO pattern.

Thorugh Z Tile ztilestone.com 3. ADORNED TEA TOWEL Voyage Au Kerala Rapsberry Tea Towel 24"X31", 100% woven in high-quality fibre. Through le-jacquard-francais.com 4. MODERN TO CLASSIC Waldorf Lacquer Dining Table with Sycamore Veneer from J.Alexnader available through jgarnerhome.com 5. HI-FI STYLE COOKING The stylish AGA MERCURY 48" induction range embodies contemporary details, a sleek zero-clearance façade, and hi-fi style cooking controls. 7-Mode Multi-Function Oven, as well as a second extra-large, true European convection oven. The Glide Out Broiler System with Full Broil and Half Broil. Shown in Oyster. agarangeusa.com

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For the Shrimp and Sauce 10 medium to large shrimp 3 ea. Guajillo chile, toasted lightly 4 cloves garlic ½ cup white wine 1 lemon ½ pound butter, room temperature 6 ea. scallions sliced thinly

BULLARD SHRIMP & GRITS recipe by Exceutive Chef Doug Adams, Bullard photography by DINA AVILA

For the Polenta 3 tablespoons unsalted butter 1 teaspoon kosher salt 2 cups corn grits-polenta 6 cups water ¼ cup grated Parmesan Instructions (serves 2) In a small saucepan, add the toasted chiles, garlic, white wine, and a splash of water. Season lightly with kosher salt. Bring the liquid to a boil, reduce by half, cover, and remove from heat.

Wait about 15 minutes and then put the mixture into a food processor. Process the mixture, adding a little water, if needed, to make a thick but smooth paste. Add the butter to the blender and process until smooth. Reserve this, it is your sauce.

In a large, deep pan over high heat, bring water and sea salt to a boil; gradually stir in polenta. Reduce heat and simmer gently, stirring frequently to prevent sticking, until mixture is very thick (about 30 minutes); use a long-handled spoon because mixture pops and bubbles and can burn.

Stir in butter and cheese; add more salt, if needed.

Line a small rectangular baking dish with plastic wrap, with enough room off the edges to be able to pull and pop out the polenta, after it is fully cooled and set. Spoon the polenta into the lined dish and refrigerate for 2 hours, or until it is totally cooled, firm and set.

Pull the plastic wrap at the edges and pop out the square of set polenta, cut into large rectangles.

Put two sauté pans on the stove and add some oil to both. In one pan, sear the polenta squares on high heat and flip until all sides are golden brown. Remove from heat and season with salt and pepper. Put in a warm oven to hold the temperature.

Bring the other pan to high heat and sear the shrimp on one side, seasoning with salt and pepper. Flip the shrimp and add the butter sauce previously set aside. When the butter melts and begins to bubble, add a large squirt of lemon to the sauce and taste for seasoning.

Plate the dish with the polenta and shrimp centered and add sauce as shown. Garnish the dish with the sliced scallions.

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Bullard worships at the pedestal of smoke and fire in homage to classic Texas cooking, coupled with Northwest influences and Chef Doug Adams’ signature light-handed and modern approach to crave-worthy comfort food.

BULLARD is located in the Woodlark hotel, 813 SW Alder Street, Portland, OR, bullardpdx.com

Beautiful Design Crafted for Living

venetianstoneworks.com (425) 486-1234

Kitchen Design by Molly Brown Creative

Denali Slab Studio 1766 128th Place NE Woodinville, WA 98072 Monday - Friday 8:30am - 5:30pm Saturday - Sunday Closed CCB. #VENETSW92OLL

surface + home

NEW FROM SIEMATIC: SLX COLLECTION (above) With the novel SLX design, SieMatic redefines handleless cabinetry. By indirectly illuminating the recessed grip, the SLX makes light seem tangible and sets a luminous visual accent. With individually controlled color, temperature and brightness, the LED illumination influences the atmosphere of the room - and your mood. Design in every detail: the floating pull-outs are more than just eye-catching; when opened, they reveal a multi-faceted interior with exceptionally impressive design freedom.

SieMatic SLX is available through their exclusive showroom in Seattle. siematic-seattle.com

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1. A PARISIAN BISTRO Discover glorious recipes, such as Cassoulet, Porcini Mushroom Pâté, and Strawberry-Pistachio Sabayon, and see the colorful history of La Fontaine de Mars unfold before your eyes. powells.com 2. MODERN IN DESIGN The Paoli pendant from Hudson Valley Lighting is a sophisticated contemporary piece with a surprising sense of proportion and a delightful use of perforation. hvlgroup.com

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3. FIREPOWER Thermador Dual Fuel Professional 48” Range with steam & convection oven. WiFi smart. thermador.com 4. COCKTAIL CENTRAL Black powder coated aluminum is weighted down with a veined marbled base of the Marquina Coffee Table. We love the detail of the rimmed edge on the surface. Through Kasala kasala.com

PHOTO CREDIT: GENEFAULKER.COM

CONTINENTAL HARDWARE AND SUMNER STREET HOME HARDWARE PORTLAND, OREGON & HIGH POINT, NORTH CAROLINA sumnerstreethardware.com · contact@sumnerstreethardware.com

SHOP THE LOOK Drawers: Martin 5" Finger Pulls Cabinets: Martin 1-1/4" Finger Pulls

sumnerstreethardware.com

WHITE BLUE & BRASS IN THE BATH Pairing the white marble with classic navy and brass brings a modern classic look to the bath. The contrast between the light and dark colors and the pop of gold is simply beautiful. Striking Martin 5" Finger Pulls in Satin Brass shown on the drawes with matching Martin 1-1/4" Finger Pulls on the center cabinets complete the look. All from Sumner Street Home Hardware, www.sumnerstreethardware.com

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Color Crush BRIGHTEN UP WITH BLUEBERRY

Try a piece of blueberry-blue furniture or add a pop of this gorgeous blue with an accessory. Easily go classic or coastal—start with a clean, white backdrop and then pepper in hits of strong blue. To make the space more coastal, add textures with jute, rattan and ocean motifs.

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Satin Brass Coat hooks from Sumner Street Home Hardware’s Minted Collection. sumnerstreethardware.com

1. SEA ISLAND SCONCE Recalling the birdcage architecture of a wicker basket the Sea Island Sconce has a rattan structure and an ivory linen-wrapped interior. Available through curreyandcompany.com

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2. ALPACA THROW With a vibrant stripe of denim shades mixed with a pale gray stripe, this accessory will effortlessly blend in at any setting. kasala.com

Simple Serenity 0614 roddapaint.com

3. TREASURE CHEST Faux Bamboo dresser grounds a room in style with smooth blue and textured accents. jgarnerhome.com

Uniquely large-scale jute rope tightly wraps around the Iberis Mirror to create a seaside look; a brushed-brass iron detail gives additional flare. jgarnerhome.com

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4. ELEVATED COASTAL Made Goods Okeanos tray set plays natural woven cotton detailing and handles, against piles of tufted full-grain navy leather, in a luxe interior tray. jgarnerhome.com 5. ADRIATIC SETTING Vietri’s Maccarello collection illustrates a school of blue mackerel, commonly found along the Mediterranean and Adriatic Sea, handpainted by maestro artisan, Gianluca Fabbro. jgarnerhome.com 6. BLUEBERRY+ WHITE Blueberry base pairs with crisp White Wash top in the 84" Beatrice dining table.Through jgarnerhome.com

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BOOKSHELF l Waterwise & Habitat

Gardenlust

by Christopher Woods www.workman.com A steep hillside oasis in Singapore, a garden distinguished by shape and light in Marrakech, a haunting tree museum in Switzerland—these are just a few of the extraordinary outdoor havens visited in Gardenlust.

In this sumptuous global tour of modern gardens, intrepid plant expert Christopher Woods spotlights 50 gardens that push boundaries and define natural beauty in significant ways. Featuring both private and public gardens, this journey makes its way from the Americas and Europe to Australia and New Zealand, with stops in Asia, Africa, and the Arabian Peninsula.

Hot Color, Dry Garden

Inspiring Designs and Vibrant Plants for the Waterwise Gardener

by Nan Sterman www.workman.com Dry weather defines the Southwest, and it’s getting drier. As water becomes more precious, our gardens suffer. If we want to keep gardening, we must revolutionize our plant choices and garden practices. Hot Color, Dry Garden provides a joyful, color-filled 22

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way to exuberantly garden in low-water conditions. Garden expert Nan Sterman highlights inspiring examples of brilliant gardens filled with water-smart plants. You’ll find information about designing for color using plants, architecture, and accessories, along with a plant directory that features drought-tolerant plants that dazzle.

Butterflies of the Pacific Northwest

by Robert Michael & Pyle Caitlin C. LaBar www.workman.com Butterflies of the Pacific Northwest is an easy-to-use and beautifully illustrated field guide to more than 200 of the region’s most common and distinctive butterflies. Profiles include preferred common name for both genus and species, conservation status, the look and distinguishing traits of each butterfly, habitat and range, and much more. Additional information includes a brief introduction to how butterflies work and details on ecology and conservation.

ENTERTAINING l Outdoor Style

CREATE A SLEEK OASIS

New from Brown Jordan, the H collection by Toan Nguyen takes a classic mix of materials for a new spin by adding enticing curves and finishes, for a completely fresh look. Its 3-inch diameter rope create a dramatic, sculptural effect against the collection’s streamlined aluminum frames. Shown: Arm Chair in Loden finish with Dune cushions and Adapt 36" x 120" Rectangle Dining Table in Loden finish with Fossil top. Exclusively through Terris Draheim www.terrisdraheim.com

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CONNECT TO THE OUTDOORS

Whether you have a small covered balcony or an expansive backyard, thoughtful, comfortable furniture selections add charm and beauty to your outdoor spaces. Shown: Nadie Outdoor Rug, Ledger Outdoor coffee and end tables in Washed Brown, Dade Outdoor sofa in Stone Grey, Portia Occassional chair in Vintage. All from Four Hands, available through www.jgarnerhome.com

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MIKE FISHER CONSTRUCTION

Building Fine Custom Homes on Bainbridge Island since 1980 We are more than a construction company, we are people who can help you turn your vision into reality. From remodeling to new construction, concept to completion General Contractor, Mike Fisher, and his team offer a level of excellence you can see and feel.

“Even after 32 years in the business, I am passionate about building and thrive on the challenge of turning design ideas into the places where people live and work.” —Mike Fisher General Contractor,

© Nick Felkey

Community Member and builder of dreams since 1980

mikefisherconstruction.com 206.794.1892 | mike@mikefisherconstruction.com | 10462 Secretariat Ln NE, Bainbridge Island, WA 98110 ccb# MIKEFCI044NM

Color Crush

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EMERALD CITY

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Always stunning, emerald green creates both daring and sophisticated designer spaces. Emerald’s complex layered undertones give a lush velvety appearance to walls and surfaces. Accessories or designer fabrics are an easy way to embrace this gorgeous color. Green with envy over emerald?

Then a big statement piece is the way to go.

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1. GEM EFFECT The Dumfries Table Lamp has a clean-lined beaker profile made of green glass with a slight ombre effect. curreyandcompany.com

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3. ROLLING HILLS Charming animals gambol within a naïve landscape in Rolling Hills whimsical full-coverage print.

Schumacher through thedixongroup.net

Camaleonda sofa by designer Mario Bellini offers unlimited modularity from B&B Italia, bebitalia.com (pillow front) Take the plunge into this flora filled textile design Jungle Party. (pillow back) Modern lines of the Sari Pillow shown in emerald, annmccullochstudio.com

2. EXUBERANT BLOOMS A lively botanical print, Anna French in 100% linen, available through The Dixon Group thedixongroup.net

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4. STYLE SETTER Buffalo Jump Cocktail Table with a cast resin tabletop. in multiple resin colours and available with a wood textured or smooth top option. Powell & Bonnell through thedixongroup.net 5. LOUNGE AROUND A versatile element Saba Italia’s Geo Pouf adds color and personality to any environment, while creating easy extra seating. alchemycollections.com 6. CAVIAR FINISH Made of mahogany with a black caviar finish, the pattern on Bramford Black Cabinet doors is made of interwoven black and ivory leather, and the ferrules on the legs are made of brass in a brushed brass finish. Currey & Company available through curreyandcompany.com

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CRAFTED NUMEROUS RESID ENTIAL STRUCTURES WITH FU LLY OP ER AB L E AND OPENING ROOFS OR WALLS OR BOTH.

MO VED 12,0 00 C U B IC YARD S O F D IRT FOR A SING LE PRO JEC T.

BUILT AN UNDERGROUND, C AST-IN-PLAC E CONCRETE 24-CAR GARAGE IN THE SHAPE OF A CYCLOID.

BUILT OUT THE INTERIORS OF TWO CUSTOM PENTHOUSE CONDOMINIUMS CONCURRENTLY, IN A TOWER THAT HAD NO FREIGHT ELEVATOR.

WE ACTUALLY PREFER JOBS WITH A HIGH DEGREE OF DIFFICULTY. OVER THE YEARS, WE’VE BEEN TASKED WITH BUILDING A 50,000-SQUARE-FOOT SINGLEFAMILY RESIDENCE, REROUTING A SALMON HABITAT UNDER A LAKESIDE HOUSE, REPLACING 10,000 SF OF GLAZING IN A CLIENT’S RESIDENCE—WORKING ONLY WHEN SAID CLIENT WASN’T HOME, AND BUILDING A 2-STORY POWDER ROOM IN THE SHAPE OF A BEEHIVE, CONSTRUCTED OF STONE. TRUTH? WE LOVE THE WORD “UNBUILDABLE.” GENERAL CO N T R ACTOR KR EKOWJ E N N I N G S.C O M 206 625 0 5 0 5

OPPOSITE The new home, built to fit the vernacular of the historic compound, is situated on a knoll above great lawn looking toward Salish Sea through Quantum aluminum clad lift and slide doors.

Custom dining table with stackable DWR profile chairs. THIS PAGE Mudroom entry features chandelier with 12 vintage glass floats lighting the painted staircase. Rustic plywood ceiling upstairs contrasts with refined lower. Custom banquette has steel magnetic message board above.

Black Tusk Basalt flooring inside and out.

WHEN A YOUNG COUPLE PURCHASED A HISTORIC FAMILY COMPOUND ON ORCAS ISLAND THAT INCLUDED 10 OUTBUILDINGS AND AN ODDLY MODIFIED CENTRAL HOUSE THAT NEEDED TO BE RAZED, THEY CHOSE DEFOREST ARCHITECTS AND NB DESIGN GROUP OF SEATTLE TO DESIGN A COMMON SPACE FOR MULTIPLE FRIENDS AND FAMILY TO COME TOGETHER TO SHARE.

ISLAND RETREAT

written by DONNA PIZZI photography by TIM BIES

Architects designed the kitchen to flow outdoors through lift and slide Quantum doors to BBQ. Fung specified finishes/detailing. Pioneer Millworks snow fencing trims easy-to-clean painted cabinets – Briarwood (Benjamin Moore). Appliances move forward on custom rolling trays. Absolute Black granite island countertop. Sturdy end grain hemlock flooring from Oregon Lumber & Co. provides texture. Cabinetry and custom dining table with inlaid metal by William Walter Woodworking points to homeowners’ favorite places.

Pizza oven doors crafted from marine buoy.

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WHEN THE CURRENT OWNERS OF THIS HISTORIC ORCAS ISLAND COMPOUND approached John DeForest, AIA, and Rosie Donovan of DeForest Architects of Seattle eight years ago, they had one overarching goal: to restore the soul of the land. To that end, the architects introduced the idea of a series of weekend design workshops to better acquaint them with the property, the beauty of its landscape, its history and the different perspectives belonging to a young couple planning a family, but also to those family and friends who would be sharing the compound with them. Key among them was the family’s project manager, Alison Kartiganer of Lumberjill LLC, who became the go-between for the group and the architects.

“It was a long process,” admits DeForest, “with different structures in different states of disrepair. The original main house had some unfortunate additions and modifications dating from the 1970s-90s executed by a previous owner.”

“It resembled a big wedding cake,” recalls Donovan. “We considered an extensive remodel but ultimately recommended razing it to create a common space where everyone could gather.

We saw it as an organizing element that created a better relationship to the existing cabins.” Sustainability was another key goal, which included removing a large, ugly creosote-infused retaining wall to create better habitat for salmon and installing a geothermal system beneath the great lawn.

James Fung of NB Design Group Interiors of Seattle, with whom DeForest Architects often collaborates, was brought in on the project in 2013, when work on the main house was at its inception. “Our design aesthetic,” says Fung, who visited the site and its owners with DeForest Architects to work through the architecture, type of materials, furnishings, and fabrics, “takes its inspiration from the sense of place. Not only the landscape and location – the big knoll looking out to the water – but how the clients live on the island.”

The homeowners were adamant. They did not want the house to look brand new, but rather a part of the landscape and its history. This led the architect/design team to search for materials that would express a sense of time-wornness. One solution was to vary the use of materials for visual contrast. Finding snow fencing from Idaho and Montana that had weathered countless winters and various temperatures was a bonanza.

“Pioneer Millworks of Portland which has some really cool reclaimed wood,” says Fung, “supplied the snow fencing, which we used throughout to tell a story relating to the windows, stone and some salvaged fir beams found throughout the property.”

The architects blended the vernacular of the existing structures they had repaired with their design. “Traditional casement windows upstairs,” says DeForest, “contrast with modern lift and slide aluminum clad/wood doors downstairs.”

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Creating a central gathering space that would answer the needs of the various friends and family visiting the property became a multi-layered task for the architect/design team. “The homeowners are wonderfully outgoing people,” explains DeForest. “They also recognized that some friends needed a little more private space. So, working with NB Design Group, we designed a variety of different places for people to gather in the living room. The sectional is for big boisterous conversations, the club chairs for more intimate ones and the cozy seating nook for quieter moments – reading a story to a child, for example.”

Fung’s custom-built large sectional is upholstered with indoor outdoor Holly Hunt chenille fabric that is fabricated to withstand heavy light exposure, and yet remain comfortable and easy-to-clean. Although the homeowners were enamored with an antique rug to ground the design, it was too small to suit the room’s furnishings. “Turabi Rug Gallery,” says Fung, “was able to replicate the antique rug using 100% wool for durability and in the required size for the room.”

Here again, contrasting finishes underscore the historic character of the home’s vernacular references. Donovan points to the Bedrock Natural Stone Whistler Basalt - a volcanic rock found in British Columbia - for the fireplace. The mixture of gray and warm tones reiterates the snow fencing that runs through the living room back to the adjacent kitchen and up a central staircase. Blackened steel shelving and backing at left adds dramatic contrast with the adjacent stone fireplace.

With multiple guests for dining at any one time, a storage closet tucked into the reading nook wall houses stackable Design Within Reach Profile dining chairs that roll out when needed. The adjacent mudroom that doubles as a type of hotel lobby is distinguishable by its Black Tusk Basalt flooring that begins where the end grain hemlock flooring - a historic reference to its frequent use in period Northwest warehouses - ends. Overhead braced beams hug the hemlock tongue and groove ceiling that define the central living areas.

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THIS PAGE Darker walls (Sherwin Williams Urbane Bronze) reinforce coziness of reading nook with twin bed-size seating. Adjustable flush mount O’Lampia wall sconce. Custom metal pocket door closes off living area from mudroom. Pair of Restoration Hardware cast tables with bronze finish resemble tree trunk. OPPOSITE Old conveyor belt turned glass-topped console table by Cisco Home. Canvas ottomans with nautical rope detailing give nod to the sea. Restoration Hardware leather club chairs. Circular coffee table features inlaid metal constellation of the night the couple was married.

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When DeForest Architects began working with the family, their children weren’t born yet, but it was important to them to create a place where their family would make memories for generations. Out of that discussion came the suggestion for a bunkroom with eight bunkbeds, each with its own personality, a book nook, shared closet, and linen storage.

“Every decision we made,” says Fung, “had to be long-lasting and durable, able to grow with the homeowners. The bunkroom was a place you could host lots of people, primarily kids, yet comfortable enough for an adult retreat as well.” Downstairs, the choice of contrasting woods was darker than those found upstairs, where Revere Pewter (Benjamin Moore) paint created a brighter ambiance with more durable surfaces and a softer, quieter feel that would wear well.

Outdoors a built-in firepit and wall in the same stone as the fireplace provides a gathering place with the same Black Tusk Basalt flooring found in the entry for continuity. The indoor/outdoor custom bench fabric blends with the tones found in the home’s vertical grain Western red cedar siding.

The subtlety of the exterior material choices was aimed at making the gathering place blend well with the existing cabins.

Kudos go to the contractor as well says DeForest. “Working with a full-service contractor like Krekow Jennings enabled us to focus on the big picture from the outset, including mapping out a budget and schedule for multiple phases of work. From project management to craftsmanship, their expertise was key to pulling off a high-quality project with so many moving parts.” Additionally, having worked with this family over a long period of time enabled the architects to get to know them extremely well. “They are really wonderful,” says Donovan. “Generous, thoughtful, adventurous and fun. What we’re proudest of is that our design reflects that spirit.”

“It truly feels like them,” adds DeForest. “There’s a rustic simplicity. It’s not important to be elegant when you’re relaxed and on vacation. Things feel easy, low maintenance, not too busy visually, just beautifully crafted.”

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THIS PAGE Sierra Pacific windows and Quantum aluminum clad doors add contrast to vertical grain Western red cedar siding, continuing the well-worn look featured in the interior materials giving the illusion the building matches the historic outbuildings that surround it. OPPOSITE Artwork depicting animals wearing human clothing delights guests young and old. Ceiling hatches open to playroom in attic. Restoration Hardware leather bean bag chair; Serena & Lily rattan side table with nautical stripe.

PROJECT SOURCES CONTRACTOR Krekow Jennings www.krekowjennings.com ARCHITECT DeForest Architects www.deforestarchitects.com INTERIOR DESIGN NB Design Group www.nbdesigngroup.net LANDSCAPE ARCHITECT Allworth Design www.allworthdesign.com RECLAIMED WOOD/ SNOW FENCING Pioneer Millworks www.pioneermillworks.com

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MAGIC HAPPENED WHEN THE OWNER OF THIS PRIME REAL ESTATE OVERLOOKING LAKE WASHINGTON AND DOWNTOWN SEATTLE HIRED ARCHITECT, DESIGNER, LANDSCAPER PAUL MOON OF PAUL MOON DESIGN AND DME CONSTRUCTION TO RAZE HIS 1970S BELLEVUE HOME AND DESIGN/BUILD AN ULTRA-MODERN HOUSE NESTLED AMONGST A FOREST OF STATELY DOUGLAS FIRS.

WHERE THE TREES

MEET THE WATER written by DONNA PIZZI photography by JOHN GRANEN

LEFT Architect Paul Moon embraced the existing forest with floor-to-ceiling windows that open both on view and towering firs. RIGHT Moon’s floating staircase masterfully executed by DME Construction and fabricator. Homeowner’s own flag artwork features Hamilton $10 bills.

Moon captures forest and lake views from corner home office across wraparound terraces with custom steel railings, firepit, seating and staircase down to newly landscaped yard and reconfigured pool.

Restoration Hardware 72" reclaimed V-form wood and glass dining table turned desk reminded homeowner of his alma mater “UW.” Ivory Hexa Hide rug and polished nickel Arc task floor lamp also by RH. Rug design repeats a “hive” theme found throughout the home.

Soffit lighting when dimmed makes night-time view of lake sparkle.

SOMETIMES THE PERFECT STORM BECOMES a moment of synchronicity as opposing forces come together to create a magical, breathtaking whole. That’s a road Mike Geri travelled when the sale of his 1977 home fell through. Luckily, the team he had hired to build his next home - architect/designer/landscaper Paul Moon of Paul Moon Design and builder David Elwell of DME Construction – intervened by suggesting Geri rebuild on the home’s existing footprint. After all, the location was outstanding, and ripe for redevelopment with the right permitting. Smartly, Geri took their advice and never looked back.

Although this was a first-time collaboration between Moon and Elwell, Geri had known and respected them and their work individually for some time.

“It was hard to tear down an older contemporary, usable house,” recalls Geri, “but it was dark with cut off rooms. And yet, I loved the lot, which is totally private on all sides, bordering on a quiet 14-acre spirituality center in a park-like setting.”

“Mike was clear,” recalls Moon. “He did not want to remodel the existing house, because it didn’t fully take advantage of the views or let in natural light. It was such a dynamic site with mature trees, a healthy forest, and spectacular sunsets. I envisioned building a big tree house with private rooms, big windows and floor-toceiling glass.”

Elwell praises Moon’s key structural feature – an oversized moment frame made of blackened steel to prevent twisting and shifting in an earthquake - which became an integral part of the home’s interior aesthetic as well. He reveals the eye-catching blackened steel in the kitchen, where it pops against the stunningly sleek SieMatic kitchen cabinetry, reiterating the black Miele appliances.

A signature element in Moon’s interlacing of architecture, landscape, and interior design is his dramatic staircase flanked by glass walls. Seen from the kitchen, its steel landing appears to float freely alongside views of the landscape, surrounding forest, and a reflection of the lake.

Every critical detail was discussed between Moon, Elwell, his Vice President, Eric Ulfwengren, and their fabricator until it was perfect. “To answer the challenge of making it appear as if it’s floating,” says Elwell, “Paul used glass panels instead of walls. We then supported it from the upper flanges going into the unseen structural beam. We also wrapped wood around a portion of the steel landing to streamline some of the steel. That’s how impressive Paul’s talent is and why it was so fun to work with him.”

Moon started by photographing the existing home and site. “Our core approach,” he says, “is clarity in scope and budget first. If the homeowner, designer, and builder all feel the scope matches the budget, then we will have a successful project. When we lead a project, we can build a cohesive design, fully integrating architecture, interiors, and landscape design. By performing these items in-house, we also limit different communication styles and personalities.”

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Blackened steel structural moment frame for seismic resilience draws eye to sleek, handleless SieMatic upper cabinetry. SieMatic’s streamlined profile perfectly frames the dramatic Calacatta Statuario honed marble backsplash from Meta Marble and Granite. Moon raises the Thermador exhaust hood to showcase it. Same marble island features waterfall bookends. Waterstone faucet paired with Julien sink. Trio of Tech Lighting pendants. A pair of Electrolux refrigerators/freezers are joined for larger storage opportunities. Lengo Bastone wide plank ROMA European Elegance, European White Oak flooring.

LEFT Opens at a touch Titan white gloss SieMatic cabinetry tucks neatly beneath beautifully crafted waterfall edged Calacatta Statuario island. Stainless Bosch dishwasher echoes stainless trimmed Tech Lighting pendants. Moon’s floating staircase landing set against Sierra Pacific windows. Joined Electrolux refrigerator/ freezers. RIGHT RH Crystal Halo chandelier brightens RH Keane stainless steel and glass square coffee table below. Moon reveals blackened steel moment structural frame separating kitchen from formal dining area. Box beamed dining room ceiling element continues the visual delineation.

Never having built a home before, Geri knew it was crucial to find a team he trusted. “The number of decisions I needed to make during the design meetings with Paul and his in-house designer, Karin De Young, were astonishing.”

Work with the topography and foundation followed: “The bottom floor would be for entertaining around the pool,” explains Moon.

“The second floor became the main interior with exterior deck, kitchen, central staircase and an opportunity for an office overlooking the trees. At the top, are two rooms for Mike’s teenage boys that include a lounge resembling a college dorm. A long hallway at the top of the staircase looks straight out to the water.”

When the idea for a wine cellar was discussed, Moon tucked another architectural surprise beneath the staircase. The glassed-in cellar features walnut flooring, and pegs Geri found on his travels.

Mike fell in love with the SieMatic kitchen cabinetry he’d seen at a warehouse. “It is so cool,” says Geri. “The drawer system alone is spectacular, and the clean lines are gorgeous.” After choosing marble slabs at Meta Marble, he met with Skyline Tile and Marble’s stone fabricator.

“The guy’s eyes lit up when we let him decide how to cut it,” says Geri. “It’s truly a masterpiece and matches the tub we had imported.”

Elwell will never forget craning the 1200 lb. custom carved marble tub up three flights before the building was completed. “We had to get it inside during the framing stage, then keep moving it from place to place depending on where we were working. ‘Where’s the tub?’ got to be a nightly refrain when Mike dropped by each night.”

After DME Construction completed Moon’s home design, they paused before carrying out his landscaping and pool redesign. “There was an existing saltwater pool,” says Elwell. “We replastered the whole pool in white concrete and integrated Paul’s spa design. He softened the pavers using artificial turf, added palm trees, a cabana, and landscape lighting.”

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THIS PAGE Nestled in the master bath between shower and double vanity is the custom carved 1200 lb. imported tub.

Ann Sacks floor tile. EQLight Cloud Pendant. OPPOSITE ABOVE Master bedroom features energy efficient Sierra Pacific windows and doors opening onto Moon’s desired treehouse effect.

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“Paul is great,” says Geri. “I loved working with him, his collaborative nature, expertise of what’s possible, and super cool designs. Loved the pride Dave took in creating the house. He was fair, honest, and professional. He stopped in on a regular basis, his entire team was there all the time, his foremen were very responsive to us and any concerns we had.”

Moon’s ritual when a project ends is to stand first in the yard, then inside to touch hard surfaces and watch natural light working in harmony with spaces. “I’m grateful for everyone on this project,” he says. “Mike had a lot of healthy, personal input, great taste in design and constant traveling from which he’d come back with ideas to try. For my team, Dave and his team, and all the trades people who worked so hard to turn those hand-scribbled ideas into something tangible. The finished product is a gift and an amazing opportunity for which I am thankful.”

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ABOVE Sentient handcrafted live edge dining table from Brooklyn, New York, art studio glows beneath Cityscape Hubbardton Forge chandelier reiterating Seattle skyline beyond. Sierra Pacific accordion door. ABOVE RIGHT Paneled glassed-in wine cellar nestles beneath entry staircase, with raised walnut floor and imported pegs. BELOW RIGHT Modular Arts blocks and tiles entry wall echoes home’s hive theme as does the five-glass-slotted custom entry doors. RH Aquitaine entry chandelier highlighted within box beam ceiling.

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Seen from the second-floor deck seating area with individually precast concrete pavers and custom steel railings, the newly resurfaced pool features new, gradual stepped down entrance alongside spa that gleams in the sunlight. RH Marbella and Aegean outdoor furnishings.

Privacy hedge runs length of pool backed by higher shrubs. Retractable canvas roof to capture pine needles protects cabana. Artificial turf looks anything but, with variegated colored blades of “grass.” Turf surrounding individual pavers creates a Greek Key motif.

PROJECT SOURCES CONTRACTOR DME Construction, Inc. www.dmeconstruction.com ARCHITECTURE/INTERIOR DESIGN/ LANDSCAPE DESIGN Paul Moon Design www.paulmoondesign.com CABINETRY SieMatic www.siematic.com

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Shoptalk l Paul Moon What were your goals when you founded your firm and how have they evolved?

I founded my firm by necessity. At age 30, I’d left architecture for a few years to start a digital event photography company, Photozone.com.

We were successful and grew quickly. It folded when the stock market crashed in 2000. I started my design business in my basement with a used fax machine from St. Vincent de Paul. My goal was to do excellent residential design, so I also got my contractor’s license. I built days and designed evenings. Eventually, as I was able to secure more design work, I realized I liked designing better, and left the building to the professionals. Our team has grown, but our goals have stayed true – to do great architecture and integrate it with interiors and landscape.

What is your design style?

Some designers have a distinct signature or style. When you hire a designer like that, you’re asking them to express that style uniquely in your home. We are more contextual and respond to homeowners’ tastes and style, then express them on a specific site. I enjoy the challenge of many different styles and climates. It keeps me energized. We have done everything from Tudor to Contemporary from Alaska to Australia.

How is working on a remote job different than one in Seattle?

The Digital Age allows a designer to work almost anywhere. Every job starts with visiting the site – learning the exposure, the slope, the zoning requirements. Teaming with the best is critical. We need a builder who knows the jurisdiction and has contacts for consultants and vendors. The team must use technology to communicate so we can get drawings and specifications to the building site efficiently. Video calls are for team meetings, as well as with the builder, who walks me through the site.

Beyond Seattle, your firm also has an office in Bend. How does the natural environment in Central Oregon influence your design?

Much of our drafting occurs in Bend. I grew up in Oregon, and know Central Oregon is a special place. There is nothing like smelling the Juniper and that crisp, fresh air. The High Desert humbles you. The work needs to respect and complement it. We’ve done work in Tetherow and Northwest Crossing and are equipped to expand our presence there as the region grows.

How do you feel when you’re standing in front of a finished project?

Typically, I’m standing in a garden having selected every hardscape, fixture and even the individual plants and pots. Then I walk inside and feel all the hard surfaces and watch the natural light working in harmony with the spaces and think back to the original site visit with owners and initial hand scribbles that were just ideas. I then have gratitude for everyone from owners, to my team, the builder, and trades people that have put this together. It all starts with an idea and ends up in something tangible - a gift to all who worked on it.

Beyond architecture what inspires you?

Fortunately, many of our projects give me the opportunity to travel, which I love. My wife and I use those opportunities to explore. I’m also a history buff and garden mornings and evenings to wind down. My Seattle garden is tropical with everything from palms to pomegranate.

When not gardening, I often ride my electric bicycle through Seattle, dropping in on friends, exploring streetscapes or looking for incredible architecture or gardens.

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Paul Moon, Paul Moon Design

SEA, SAND, SUN, AND SALT SPRAY. THE PERFECT QUALITIES FOR A SECOND HOME SITE ARE, PARADOXICALLY, ALSO THE THINGS THAT ENDANGER IT. BUT ON THE WINDSWEPT SOUTHERN END OF WHIDBEY ISLAND, THIS FAMILY RETREAT COMBINES NAUTICAL THEMES, INDUSTRIAL DESIGN, AND A CASUAL VIBE WITH SOME SERIOUS DURABILITY FEATURES TO ENSURE MANY MULTIGENERATIONAL GATHERINGS TO COME.

After being taken down to a shell, the kitchen was refitted and refreshed in a modern black-and-white design. Copious storage is available in the custom Bellmont cabinetry and island. The space is divided so that the chef’s zone holds all appliances, plumbing, and counter and serving spaces in a diamond-shaped arrangement; while stools from Restoration Hardware provide visiting and an informal eating area in another area. The separate but connected spaces ensure conversation between everyone in the kitchen.

HIGH-CONTRAST

MODERN written by STEPHANIE BOYLE MAYS photography by WYNNE EARLE

THE DESIGN BRIEF FOR THE KITCHEN AND BATH REMODELS OF A SEATTLE HOME WAS MAKE IT ALL MEMORABLE, MAKE IT ALL MODERN AND MAKE IT ALL SOMETHING THAT THE HOMEOWNERS’ FRIENDS AND FAMILY WILL DEFINITELY TALK ABOUT.

“THE HOMEOWNERS’ SON FOUND ME ONLINE” said designer Allison Lind. “Their son said they wanted a wow factor and to avoid the feeling of a spec house. ‘Boring is the enemy’ is what I was told; for a designer, that’s a dream come true.” Tired of their Seattle home’s design, the couple wanted a designer to give them a modern redo that would result in spaces that people would definitely talk about.

The homeowners, who look forward to entertaining their large network of family and friends and hosting parties whenever possible, asked for a kitchen space where everyone could gather, and there would still be ample room for preparing, cooking, serving and enjoying food. “I like to make fresh food every day,” remarked the wife, and “I like to eat it,” added her husband.

Fulfilling their wishes for a neutral palette with sharp lines, Lind created a high-contrast color scheme of black-and-white with touches of red in the kitchen. Grain patterns highlighted in the black-stained oak cabinets by Bellmont and black striations in the Cambria countertop and waterfall sides of the island bring pattern and warmth into the streamlined space. Elsewhere in the kitchen, counters are covered in white Silestone that is also run up the walls in the backsplash to end in open shelving. More oak is in the wide plank floors, while touches of brass – in the swing arm lamps, counter stools, and stove-hood trim–lend metallic shine.

Around the corner from the kitchen and on the other side of the oven wall, a powder room takes a spin on the black-and-white color scheme by adding a vibrant cobalt blue to the mix. “The homeowner was a little wary of the proposed design,” recalled Lind. The room is intentionally asymmetrical, the wall tile is bold and not everyone has a ceiling color that matches the offset blue Rubinet faucet. “She explained that some people would love it, others would hate it, but either way it would be memorable,”’ said the husband, “and that’s when I said ‘Okay, go for it.’”

Included in the design scope was a redo of the master bath where again black and white were used. Here a large soaker tub was positioned in the shower room to take advantage of the views of Lake Union. The home’s placement on the lot and the angle of the tub in the room assure privacy.

“It is all a beautiful design. Allison did a very good job,” said the husband. “We gave her the input and she came up with the designs. It is very comfortable and very convenient, and we love the comments we get. This is like a dream house. It’s all about company and having fun. Life is good.”

PROJECT SOURCES | INTERIOR DESIGN Allison Lind Interiors, www.allisonlind.com

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In other areas of the home, the black-and-white color scheme was carried into a master bath and a powder room. ABOVE LEFT A long shower room in the master bath is anchored at one end by a white, freestanding soaker tub from which bathers can enjoy views of Lake Union. Black penny marble tiles cover the floor and the brass light fixture is approved for a damp location. ABOVE RIGHT Adjoining the kitchen, the powder room generates talk with its blue ceiling, blue faucet and zebra-like black-and-white wall tile.

A LIGHTER LOOK written by STEPHANIE BOYLE MAYS photography by AMARYLLIS LOCKHART

Homeowner and designer Molly Brown demolished her existing kitchen, and in its place installed a workable space in a transitional style that better suited family life. The improvements included Thermador appliances and Bellmont cabinets, which are topped by counters and backsplashes of Calcutta marble. White oak accents such as the open shelves from Stusser Woodworks near the stovetop and the flooring from Pravada provide warmth and textural interest.

INTERIOR DESIGNER MOLLY BROWN OF MOLLY BROWN CREATIVE TEAMED WITH VENETIAN STONE WORKS TO TRANSFORM HER HOME’S MUCH-OUTDATED KITCHEN, SOURCING CALCUTTA MARBLE FROM THE SAME QUARRY OUTSIDE VERONA, ITALY THAT MICHELANGELO USED. THE RESULT – A BRIGHT, EXPANSIVE AND FULLY FUNCTIONAL FAMILY-FRIENDLY SPACE PERFECT FOR ENTERTAINING.

WHEN YOU HAVE YOURSELF AS A CLIENT, IS REMODELING A KITCHEN EASIER OR MORE DIFFICULT? For interior designer Molly Brown of Molly Brown Creative it was the former; she knew what was wrong and how to fix it. “It was awful,” she said of her kitchen in Woodinville, Washington. “There was a lot of Spanish style with mixed arches that did not go with the rest of the house, which is traditional American architecture. Such a big beautiful house, but there was no cohesion.” Built in the late 1980s, the 4,300-square foot home in the Hollywood Hill area of Woodinville needed an update and to be made more user friendly, particularly for Brown’s three children.

“We got rid of the arches, took everything down to the studs and even replaced the windows,” said Brown whose design philosophy is a timeless look that will not fade. “It needed to be in a more contemporary and transitional style. I wanted classic black-and-white with a clean feel.”

PROJECT SOURCES INTERIOR DESIGN Molly Brown Creative www.mollybrowncreative.com COUNTERTOPS & STONEWORK Venetian Stone Works www.venetianstoneworks.com APPLIANCES Thermador www.thermador.com

In the now empty space, Brown placed a large pantry, new cabinets, panel-ready appliances and even new windows.

A large island holds two refrigerator drawers for the kids and a spot for four stools. Countertops and backsplashes of Calcutta marble were installed. “The slabs are hand selected in a quarry outside of Verona, Italy and then shipped here,” explained Prem Gnanarajah, owner of Venetian Stone Works who ordered and installed the marble. “Michelangelo used the same quarry. Each piece is unique. It takes hundreds of years to get the texture that is created by minerals and water.”

In an exacting process, the counters and backsplash areas are measured, the marble is photographed, and the dimensions and photographs are entered into an AutoCAD program. Using the software, the marble is measured and “cut” to ensure veins and miters align and all will fit together perfectly like a giant jigsaw puzzle. Once the design is final, the marble is cut with a waterjet saw and the heavy stone is carefully installed. “It is a lot of work but you feel very satisfied in terms of accomplishments,” Gnanarajah added.

To unite the kitchen with an adjoining casual eating area, which overlooks the family room, white oak flooring from Pravada was used throughout both spaces. Touches of black from the kitchen were also repeated in the window, light fixture and metal railing. “I paid a lot attention to detail to ensure the flow and cohesiveness,” said Brown. Not only does the finished project work well on a daily basis but it is also a magnet for friends and family during the holidays and for the annual Super Bowl party.

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ABOVE The mixed use of metals in the Thermador stovetop and hood, and brass pot-filler faucet and cabinet hardware work to add some sparkle to the room’s other surfaces. Open shelving provides convenient storage for plates, bowls and other dishes.

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Lawton provides panache and comfort to the underused large living area with a pair of Moss Studio ottomans on brass bases. Upholstered in Pierre Frey bouclé fabric, the ottomans are not only beautiful, but kid-friendly as well. United Carpets Ltd. textured sisal rug adds ballast to existing plush rug. Sofa pillows provide texture and dynamic visuals to homeowners’ existing sofas and chairs.

PALETTE PLAY written by DONNA PIZZI photography by JOHN GRANEN

PERPLEXED ABOUT HOW TO TAKE FULL ADVANTAGE OF THE SPACIOUS LIVING AREA IN THE 1930s LAURELHURST HOME THEY JUST PURCHASED, THIS YOUNG FAMILY DISCOVERED A KINDRED SPIRIT IN SEATTLE INTERIOR DESIGNER KAT LAWTON OF KAT LAWTON INTERIORS TO WHOM THEY TURNED FOR ADVICE.

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IT WAS WITH GREAT TREPIDATION that Ashley and Vik Rajagopal decided to leave their traditional, but compact Tudor home in Queen Anne for this spacious 1930s home in Laurelhurst. “We almost didn’t buy the house,” says Ashley, “after seeing how the previous owners’ English furnishings looked so tiny in the cavernous rooms.”

When the family of five, with three rambunctious young boys, first moved into the house, their furnishings also looked “Lost in Space,” so to speak.

Ashley knew she needed help. After Ashley saw Kat Lawton’s interior design work online and thought her design aesthetic matched her own, she hired her to redesign the enormous entry. Looking back today, she’s amazed at how little the inspirational images she first shared with Lawton resemble the beautifully layered look Lawton has since created. “Her work is so much better! She presented us with some recommendations that I simply never thought of before.”

Vik’s Indian heritage had instilled a love of vibrant colors, whereas Ashley was tending toward grays and whites. Lawton pulled together their divergent tastes to create a very layered, yet dramatic entry that leaves guests in awe as they step inside. Sherwin Williams Grays Harbor adds drama to the existing entry wainscoting, especially when drenched in light. The S. Harris Indigo Ubuntu wallpaper crowns the dramatic paint color while simultaneously echoing the West Elm bench fabric below. “It’s my favorite room in the house,” admits Ashley.

Lawton also transformed the big, unused area behind the staircase. Ashley imagined a reading nook. Lawton created a built-in bench with storage and added an iconic Knoll Saarinen Tulip Table with chairs for the boys’ homework station while attending “Mommy’s Academy” during Covid restrictions. Family photos that floated awkwardly on an empty wall became a focal point when Lawton designed graphic wainscoting to ground the collection.

LEFT Brass accents add pizzazz to the dramatic entry, with sconces and a geometric chandelier, both from Visual Comfort Lighting. CB2 marble accent table; William Sonoma cashmere throw. Grays Harbor Sherwin Williams paint highlights wainscoting. S. Harris Ubuntu wallpaper from The Dixon Group adds more geometric influences. ABOVE Lawton transformed the area behind staircase by adding a built-in bench, upholstering it with Perennials fabric. Custom wainscoting by Lawton. Six-arm brass Visual Comfort chandelier crowns Pottery Barn frame collection.

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“I love the collaboration between client and designer. Part of our job is to read between the lines to extract little details not necessarily talked about. It’s especially helpful when clients can explain how they anticipate living in a space and what’s currently lacking. Ashley’s perspective on how her boys could use the stair corner was tremendously helpful!”

Called back to transform the dining room, Lawton faced the triple task of working on a tight budget, creating drama, and finding dining room furnishings to fit the needs of both Vik’s 6'4" height and three young boys. Ashley sent Kat a photo of Le Coucou restaurant in New York City as an inspirational vibe. Remarkably, Kat delivered on all three challenges, including adding drama to a daily dining area, starting with Sherwin Williams Cyberspace paint. Lawton met budgetary concerns with a black and white wool weave rug from RugsUSA.com. Splurges included Four Hands chairs from J Garner Home and “splashtacular” artwork from same. The Restoration Hardware table answered Vik’s comfort.

Lawton praises Ashley as a reliable collaborator in the process. “She was super trusting, which makes a designer’s job so much easier. And, despite working full-time and raising three boys, she was always motivated to do her part and get things done.” Perhaps it’s Vik who gives Lawton the greatest praise. Ashley says he can be found in the early morning hours, sitting in the living room, cup of coffee in hand, enjoying a moment of peace before the children arise – something he never did before Lawton transformed their home. Working with Kat was a fun experience for Vik and Ashley. “She brought together our unique differences in a creative and cohesive vision,” says Ashley.

ABOVE LEFT A blackened Hepplewhite chest grounds the scene. ABOVE RIGHT Mr. Brown concrete console table adds graphic appeal to staircase wall. Lawton creates “flex” furniture opportunities with another West Elm bench easy to pull into living area. Pair of console lamps echo brass accents found elsewhere. OPPOSITE Dramatic dining room transformation includes bold artwork from J Garner Home set against Cyberspace Sherwin Williams walls and Visual Comfort Lighting gilt gold sconces.

Dining room showcases gilt gold Visual Comfort sconces. and matte black and brass Hudson Valley Lighting chandelier. Four Hands J Garner Home chairs pair with Restoration Hardware table.

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PROJECT SOURCES INTERIOR DESIGN Kat Lawton Interiors www.katlawton.com FURNISHINGS J Garner Home / Four Hands www.jgarnerhome.com The Dixon Group / S. Harris www.thedixongroup.net Seattle Design Center www.seattledesigncenter.com Seattle Design Center Furnishings: J Garner Home: Four Hands; The Dixon Group: S. Harris; Kravet; Kelly Forslund: Glant, Zak + Fox, Samuel Sons; DFG: J. Redmond & Pearson; Susan Mills Showroom: Perennials

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The Pacific Northwest’s premier destination for modern home furnishings.

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EYE ON DESIGN

Elegance meets modern in Cattelan Italia’s sleek Reef dining table and will make Tuesday take-out that much better. Striking a modern appearance with its white Carrara (BCO) marble tabletop perched on a matte white cristalplant base. Optional central swiveling tray lazy susan paired with Wanda leather chairs. Design perfection. Cattelan Italia, available through Kasala, www.kasala.com

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SEATTLE DESIGN CENTER | luxe finds

(above) Robert James Seychelles Mirror with solid wood frame and hand-carved intertwining design. (right) Ironies Jaeger Chandelier in agate brings in the subtle variations of the natural world.

Both available through www.michaelfolks.com 2

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(right) Baker Furniture’s Lucca Chair is a jewelry-inspired piece with a bronze frame featureing a triptych of floating bolsters. www.bakerfurniture.com 3

Worsted No.284 farrow-ball.com

A LAVISH ARRAY OF SUBDUED WHITES & GENTLE GREYS HIGHLIGHT SOME OF THE LATEST FINDS FROM THE SEATTLE DESIGN CENTER 1) New from Baker’s Luxe Collection: The

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Pierced Bangle Table made from hand-carved marble and Enzo Lounge Chair with bronze arms. Through www.bakerfurniture.com 2) Stanton Credenza from J.Alexander in acid washed stainless steel with a ceramic on glass top. Through www.jgarnerhome.com 3) Robert James Seascape dining table with cast stone base and round wood top, www.michaelfolks. com 4) A J. Alexander favorite, the Gloria Lounge Chair in tufted upholstery with brass base. Through www.jgarnerhome. com 5) Made from nickel plated brass and crystal, the Menlo Accent Table. Through www.bakerfurniture.com

The Kara Mann Collection for McGuire has a distinctly 1970s West Coast feel.

Handcrafted by McGuire artisans, the collection features a relaxed, earthy and cozy aesthetic. The Ellipse Dining Table has a simple, soothing form and an earthy color palette. Its sandblasted oak blends the beauty of refined textures with the romance of raw materials. Available through Baker Furniture at the Seattle Design Center showroom, www.bakerfurniture.com

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|

eye on design AWASH IN LIGHT

From designer Barclay Butera for Lexington, the Selfridge pedestal table features a top of radial matched white oak highlighting the natural grain with caramel undertones, finished in winter white Monterey. The decorative metal frame at the base of the wooden pedestal is Calais brass, a theme throughout the Carmel collection. Available through J. Garner Home, www.jgarnerhome.com

CHRISTOPHER FARR | CLOTH Makoto Kagoshima x Chariots on Fire for Christopher Farr Cloth

SEATTLE DESIGN CENTER

5701 6th Ave S. Suite #232

206.767.4454

©Michael Sinclair

The Al Fresco Experience

thedixongroup.net

Kingsley Bate | J Garner Home www.jgarnerhome.com 206.762.0597

eye on design | SUMMER HOUSE

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BRIGHTEN UP A ROOM WITH WALLPAPER THAT WOWS OR EYE-CATCHING PLAYFUL PRINTS. 1) Christopher Farr | cloth Crochet Wallpaper in Cobalt, from the archive of the late designer Raoul Dufy, known for geometric patterns in fresh colors.

2) Christopher Farr | cloth Cactus Flower Performance Print by L.A. based Commune, in Prato. 3) Christopher Farr | cloth BelleDe-Nuit wallpaper by Raoul Dufy, in Fuchsia. 4) Christopher Farr | cloth Eden by Makoto Kagoshima, botanicals in cheerful shapes; 100% linen in Green. 5) Christopher Farr | cloth La Jungle Wallpaper in Grass. 6) Thibaut Central Park fabric with striking pops of color; in Navy & Pink, best for upholstery. 7) Thibaut Honshu Wallpaper in Navy, from the Dynasty collection, a detailed print sure to please. 8) Christopher Farr | cloth Carnival by the late Michael Szell, these late mid-century prints are revamped with fresh colorways; in blueberry, 100% linen. 9) Thibaut Wavelet fabric in Navy, resembles calm ocean currents; best for upholstery with its Linen-Viscose blend. All available through The Dixon Group located in the Seattle Design Center, www.thedixongroup.net 72

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eye on design OUTDOOR MODERNIST

Bring luxury living outdoors with inspired designs from Roche Bobois. Designed by Hans Hopfer, the contemporary INFORMEL OUTDOOR sofa anchors the space with shared comfort, while its companion, the INFORMEL OUTDOOR armchair provides solo seating to tie the space together. Central to the space are ROCKET cocktail tables by Nathanaël Désormeaux & Damien Carrette; industrially designed to be moved easily in its space, while still a holding a beautiful aesthetic. As the sun sets, illuminate the space with the PEKIN outdoor floor lamp. All available through www.roche-bobois.com

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LOUNGE WORTHY

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(above) Intricate gold woven wire creates this striking Comb Pendant.

The design is both industrial and organic. A single base light adds to its fanciful charm. www.kasala.com

1) Italian-inspired Nirvana sectional brings comfort with sophisticated structure, through Kasala www.kasala.com 2) Smoke tempered glass and solid black metal frame come together for a fresh take on modern cabinetry, through Alchemy Collections www.alechmycollections.com 3) The artful Bend Chandelier suspends five rippled & curved smoke glass shades, supported on a vertical steel frame, and adjusted to desired angles, Arteriors Home, through www.jgarnerhome.com 4) The Avant-Après sofa, from Saba Italia is easily reconfigured to fit any space, through www.alechmycollections.com 5) The Voyager sideboard with bronze mirrored frosted glass with relief in glossy black is both chic and functional. Available through www.kasala.com

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Pixel Light, the new seating system design from Saba Italia

by Sergio Bicego, embraces the concept of form flexibility with multiple configurations to allow for fluidity of spaces.

Pixel Light indoor adds glamour and lightness to any space with a varnished iron aerial base available in champagne or noir finish and comfortable back pillows. Also shown: The versatile small Geo Table featuring a mobile top, allowing it to become a tray if needed. The Hexa table is reminiscent of 1950’s furniture design with a painted finished metallic wire drawn and top in marble. All from Saba Italia, available through Alchemy Collections, www.alchemycollections.com

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eye on design NEW WAVE

Designed by Antoine Fritsch & Vivient Durisotti, the innovative and unparalleled CORAIL dining table is fully customizable. Its concrete base is 3D printed into the shape, size, and braiding effects desired by the client. CHISTERA bridge chairs complement the table; sleek with a beautiful cast aluminum shell in a polished or lacquered finish. The PARBOLA delicately suspends above the table. All available through www.roche-bobois.com

LANE WILLIAMS ARCHITECTS 206.284.8355 LANEWILLIAMS.COM

DAVID COLEMAN ARCHITECTURE TRANSFORMED A SINGLE-STORY MID-CENTURY MODERN HOME OVERLOOKING ELLIOTT BAY INTO A TWO-STORY, LIGHT-FILLED HOME WITH DANISH MODERN STYLE AND AMBIANCE TIED TO MULTIPLE OUTDOOR SPACES. MARK SCHILPEROORT OF SBI CONSTRUCTION BROUGHT THE COMPLEX DESIGN TO LIFE, INCLUDING CRANING IN THE HEFTY STEEL PACKAGE, AND SKILLFULLY BURYING IT.

BAYVIEW MODERN written by DONNA PIZZI photography by PAUL WARCHOL

DECADES BEFORE AMERICANS BECAME WILD ABOUT THE DANISH CONCEPT OF HYGGE

(hooga), architect David Coleman of Seattle, who attended the Royal Danish Academy of Fine Arts School of Architecture in Copenhagen, began employing it in his architectural designs. “The concept of creating calming, comforting, cozy spaces that nurture the soul and warm the heart,” says Coleman, “lends itself well to our rainy, dark, Northwest climate.”

His first encounter with the owners of this former Mid-Century Modern home was at an event held at a Cascade Mountains resort in the Methow Valley in his newly built cabin that reflects those very elements. That conversation about architecture set the stage for what was to come a few years later when they hired him to renovate their home.

Chief among the existing elements the homeowners wished to save were the footprint of the existing building, and the Wilkinson sandstone used in various locations in and outside the home.

“The site is rooted in views of Elliott Bay, with Mount Rainier in the distance,” says Coleman, “so we saved the footprint and repurposed the stone, but we also wanted to open up the roofline toward the view.”

Working to capture the view, Coleman set the ceiling height low upon entering on the street side, and slowly opened it up toward the bay. To bring in Western light, he added a two-story Shou Sugi Ban tower housing a study on the upper floor that opens to a large clerestory window that floods the space with Western light.

Light, says Coleman, bathes the house throughout the entire day, thus contributing to the Hygge concept of cozy spaces nurturing the soul. “These qualities combined with the understated elegance of Scandinavian modernism known for its clean lines, warm materials, and innovative expressions - contribute to an architecture that makes people feel good.”

The work of Elizabeth Stretch of Stretch Design, Coleman’s frequent collaborator, enhances his Danish modern concept. “The mostly neutral furnishings serve to anchor and define the living spaces,” says Stretch, “both indoor and out, while a few bold moments of brilliant color add a dynamic element to the space.”

Mark Schilperoort of SBI Construction, a talented builder, had the challenging job of constructing the floating staircase that ties the study to the main floor. “In modern architecture,” says Schilperoort, “everything is about alignment and function. That staircase has a lot of structural steel you can’t see that had to be connected to the solid oak floating treads. The treads had to able to withstand a 300 lb. person without deflection.”

Another important goal, says Coleman, was to merge the landscape and buildings with more inside/outside spaces.

By collaborating with landscape architect Bruce D. Hinckley of Alchemie, Coleman created two new outdoor rooms, one on the entry side of the building, which is furnished with a firepit and surrounded by a yew hedge for privacy.

“Initially we had designed the front area as a water garden,” recalls Hinckley, “then, to honor the homeowner’s request for a less expensive solution, surrounded it with Algerian ivy groundcover that will resemble a ‘sea’.”

A second new space is a terrace that cantilevers over the car court, which features outdoor seating, a dining area and another firepit. Attention is paid to seasons, with the shady part of the building reserved for hot summer days, and outdoor spaces facing the view at other times. Coleman regulates the light indoors using a glass that reduces the amount of UV radiation, as well as a shade system with external shades on upper level and some internal solar shades on the main level.

The third-floor tower is clad in Shou Sugi Ban siding as a maintenance-free way to both keep the sun out and hold up against intense, severe winter weather. “The Shou Sugi Ban was also a nice accent that ties to the blackened steel,” adds Coleman. “The homeowners loved the material so much, we also used it on the interior fireplace with cantilevered blackened steel hearth.”

PREVIOUS PAGE Elizabeth Stretch of Stretch Design chose vital colors to enliven the living space: burgundy rug; fuchsia furnishings pop against Shou Sugi Ban fireplace. ABOVE RIGHT SBI Construction built 2-story Shou Sugi Ban tower, a Japanese tradition of burnt wood. Cantilevered balcony off study. Heavy glass panel on floating staircase brought in by crane. “Measure 12 times; cut once!” says Schilperoort of the glass acting as safety rail with pre-drilled holes for anchor fasteners. LOWER LEFT Minimally designed master bedroom features Bensen bench. LOWER RIGHT Dramatic entrance with Wilkinson sandstone. Black perforated metal screens obscure roof supports cleverly upheld by rare earth magnets. A Sunburst Honey Locust tree framed by concrete obscures neighboring driveway.

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Outdoor living spaces beneath Shou Sugi Ban tower and cantilevered study balcony.

Cantilevered staircase floats amidst living area. Master bedroom beyond.

The salvaged Wilkinson sandstone, which was used in such abundance during the 1950s that it is in short supply, dramatizes the new entrance. Luckily, says Schilperoort, mason Mike Schroeder had stashed a supply that enabled them to complete the design. Fabricating a floating bench that bifurcates the wall alongside the 5' wide pivot entry door, was, says Schilperoort, one of the most challenging aspects of Coleman’s design. “How do you waterproof a concrete bench that goes through the wall of the house?

That’s hidden magic in the same way that Coleman cleverly buries all that massive structural steel package that supports the cantilevers and big steel beams in the house.”

That’s precisely why Coleman often collaborates with SBI Construction. “We like to use them because they know our architectural language and do a great job translating that to a real building,” says Coleman.

In the end, it is the timeless quality of Coleman’s Danish modern architectural influences - merging landscape, courtyards, beautiful entryways, and outdoor spaces with the interiors - that sets his work apart.

PROJECT SOURCES CONTRACTOR SBI Construction, Inc. www.sbiconstruction.com ARCHITECT David Coleman / Architecture www.davidcoleman.com INTERIOR DESIGN Stretch Design www.elizabethstretch.com LANDSCAPE ARCHITECT Alchemie www.alchemiesites.com

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Shoptalk l David Coleman

You completed your studies at the Royal Danish Academy of Fine Arts, School of Architecture, focusing on residential and community design; can you tell us about your introduction to architecture and how your studies influenced your modern aesthetic?

I was first introduced to ‘architecture’ as a kid growing up in New York.

I loved to build tree houses and go-carts, and take excursions to Manhattan and the Statue of Liberty. In high school I visited a Frank Lloyd Wright house – the only one in the City - and fell in love. I discovered Denmark while traveling around Europe on a Eurail Pass when I was a teen. That was the start of a lifelong romance with Scandinavia that informed many of my career and life choices, and continues to inspire me.

What was it about Denmark that attracted you?

When I first arrived in Denmark I was struck by the quality and thoughtfulness of everything I saw – the streetscapes, plazas, buildings, furniture, lighting and household objects were so well designed. The Danes seemed to have a natural talent and appreciation for everything.

They managed to take a flat, cold, dark part of the world and fill it with light, joy and magic. I wanted to learn how to do that, so eventually I moved there, first as an exchange student, and later for graduate school.

Having received numerous awards on a national level for your significant contribution to architecture and society, are there any recognitions that have stood out in your career?

Three stand out as particularly sweet: my first award, from the European Union, for a sustainable community that I designed in Herfolge, Denmark; being named to the AD100 list of residential architects by Architectural Digest magazine; and being inducted into the College of Fellows by the American Institute of Architects for my contributions to design excellence.

Do you have a dream project, or location where you’d like to work?

Every project that allows me to connect with my clients, further develop my passion for merging building and landscape, and explore new ideas is a “dream” project, and I’ve had many. In terms of location, most of my projects are in cities, but I also love designing homes in rural areas – there’s a casual freedom there that can’t be found in a city, and an opportunity to design with nature as a partner.

If you were magically given three more hours per day, what would you do with them?

I’d spend more time painting, playing guitar, traveling and hanging out with family and friends.

Favorite way to spend a weekend in the Northwest?

Hiking to Blue Lake on Washington Pass or Goat Peak in the Methow Valley; taking the ferry to the San Juan Islands; walking around Green Lake with a mocha in hand.

Outside of architecture, what are you currently interested in and how is it influencing your design thinking?

I love to explore the Pacific Northwest landscape, and play the guitar.

Both have had a profound impact on my work. The soft light, seasonal changes, and boldness of our wild landscape inspires me to bring more of the outside in and inside out. And the rhythm, texture and dynamic quality of fine music inspires me to design buildings in lyrical terms.

Some years ago a client asked me to design a building inspired solely by “Music from the Hearts of Space,” a popular program on National Public Radio at that time. It was a challenging and inspiring process that resulted in a spirited, ethereal building.

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© JESSE PRENTICE

FARM TO TABLE written by DONNA PIZZI photography by DIANA SELL

A COMBINATION OF UNIQUE ENTERTAINING AREAS, RAISED GARDEN BEDS, AND A RELAXING SHE SHED WERE CREATED TO BRING THE OUTSIDE IN IN A WAY THAT RELATES INTIMATELY TO ONE ANOTHER DESPITE THEIR JUXTAPOSITION TO THE OTHERWISE EXPANSIVE SPACES FOUND IN THIS 4,311 SQ. FT. HOME.

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PREVIOUS PAGE The kitchen, conveniently located off the main living area, features a custom range hood with metal strappings, Wolf range, steam oven, convection oven, 48" Sub-Zero refrigerator, Quoizel pendants, and Four Hands Diaw bar stools in Havana.

THIS PAGE Entertaining center/juice bar’s handsome black cabinets joined by custom metal fabricated glass shelves; Bedrosian Remy floor tile ties to Z Collection Stow Olive mix backsplash tile.

Rift cut oak-stained cabinetry; Emtek black pulls.

EARLY IN THE INITIAL DESIGN STAGES, Lynnette Sandgren, Director of Design at Renaissance Homes, knew she wanted to create a spacious residence that also answered today’s needs of at-home living that is both intimate and welcoming.

As a well-honed space planner and certified kitchen designer with over 20 years of experience, Sandgren envisioned bringing home-grown vegetables, fruits, and herbs directly to the table from a handy area just steps away from the main kitchen and its adjoining entertaining area.

The latter ties to those dreamed-of raised beds, fashioned in Coal Creek Mutual Materials black brick. A custom, black-painted tip-up pass-through window brings in fresh air to the space and encourages indoor-outdoor living and entertaining.

“We call this area the juice bar, which I designed as a multifunctional space,” explains Sandgren. “It connects to the kitchen, BBQ, and raised beds. As a beverage-centric space, it is meant to be used daily for coffee, juice, or smoothies, as well as a fun place to hang out, entertain, or while catching a cooking show or game.”

The pop-up window opens to a Pental quartz countertop where Uttermost Kairu stools are located both inside and out, thus keeping the conversation going even as homeowners work. At hand is a glassed-front Sub-Zero for fruits and vegetables harvested from the raised beds. A Cove dishwasher, from the recent Sub-Zero and Wolf line, makes clean-up fast and functional.

Easy-to-clean quartz countertops are task lit by Globe Lighting white-ribbed pendants.

Carrying through her striking black and white theme found throughout the house, Sandgren fashioned black painted hanging cabinets against crackle glazed white subway tile with Dove Grey grout for contrast.

© DIANA SELL

“The cabinets are joined by glass-trimmed shelves suspended on a metal frame,” explains Sandgren. “It took considerable coordination to have the glass trimmed in blackened steel with integrated lighting channels in the metal.”

One of her favorite encaustic floor tiles, Bedrosian Remy, is alive with bursts of graphic daisy-like flowers with a dot of green at their centers. “I always have one of the tiles floating on my desk,” says Sandgren, with a chuckle. “That dot of green is so lovely, and it relates perfectly to the green backsplash Z Collection Stow Olive Mix I chose for the backsplash in the beverage area.”

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© DIANA SELL

The home, adds Sandgren, was designed and built to promote a balanced and healthful living, including its emphasis on Farm to Table healthy cooking. One of the reasons, Sandgren and the team at Renaissance chose James Hardie siding was to give this unique home a standout exterior finish. The ability to paint the Artisan plank fiber cement product in contrasting Sherman Williams colors of Pure White and Iron Ore was a plus.

An unseen combination craft, laundry, study area is located behind the Iron Ore painted board and batten to the left of the brick-backed BBQ. This is just one of the many areas Sandgren incorporated presciently that now make the home adaptable for today’s stay-at-home needs, whether for work, hobbies, fitness, or entertainment. Tucked just to the right of the main kitchen’s refrigerator is a fully functioning pantry done in handsome black finishes with plenty of space for food stuffs and small appliances.

Beyond the adjacent living room is a covered living area with fireplace and heaters that opens onto a side yard and runs the entire length of the lot. At one end of the yard is a grassed-in area with swing alongside the property’s horizontal cedar fencing. To integrate the various areas of this linear area, Sandgren introduced an al fresco dining patio accompanied by a blackened fountain whose waters add to the peaceful ambiance while THIS PAGE Covered outdoor dining area right faces garden area framed by triple-faucet fountain and horizontal cedar fencing for privacy. Outdoor furniture form KEY Home Furnishings. OPPOSITE ABOVE Three ergonomically designed raised brick planting beds with broad brick lips for lounging; located between BBQ, juice bar and she shed. OPPOSITE BELOW LEFT James Hardie board and batten siding frames hydraulic-raised pass-through window by Wisconsin Parrett. Heated covered living area above BBQ with non-combustible painted brick reiterating home’s façade.

OPPOSITE BELOW RIGHT Rejuvenation outdoor sink flanked by madrone wood shelves alongside the she shed Dutch door.

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© DIANA SELL

© DIANA SELL

© DIANA SELL

© DIANA SELL

Designed as a she shed with glass garage door, the space opens onto raised beds and BBQ to further the garden party theme. Northwest Finishes hand stenciled floor. White-painted James Hardie board and batten exterior plays off shiplap Hardie siding on residence. Classic Home Element Club chair, Bassett Riley Cube Ottoman, and Noir Wine Table from KEY Home furnishings.

BUILDER Renaissance Homes www.renaissance-homes.com

simultaneously dampening any neighboring sounds. At far end is the she shed situated just beyond a sizeable fire pit with comfy seating, thus acting as a buffer between the shed and the al fresco dining area.

ARCHITECT & INTERIOR DESIGN Renaissance Homes www.renaissance-homes.com

Although the she shed was designed as a space for feminine retreat, it could easily be re-designed as a home office, located apart from the main residence.

APPLIANCES Eastbank Contractor Appliances www.eastbankappliance.com

“Since we already had designed a wellness exercise area upstairs in the home for fitness,” says Sandgren, “we created it for more fun, a place for Mom to read a book, keep an eye on the backyard or just drink wine with girlfriends. The clear glass garage door was an easy way to keep the area visually open.”

SIDING James Hardie www.jameshardie.com

Just steps away are sanded concrete custom charcoal brown/gray pavers with a soft, new finish whose texture grounds the very contemporary, but organically natural texture of the raised black brick beds filled with fresh vegetables and herbs just waiting to be picked.

When all was said and done, Renaissance Homes owner Randy Sebastian gave Sandgren and the entire Renaissance team high praise, stating that in his 36-years in the business, it was the most balanced home he had ever built.

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PROJECT SOURCES

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HOME FURNISHINGS KEY Home Furnishings www.keyhomefurnishings.com

Bring your dream home to life with James Hardie® fiber cement exterior solutions.

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Visit AspyreDesign.com © 2021 James Hardie Building Products Inc. All Rights Reserved. TM, SM, and ® denote trademarks or registered trademarks of James Hardie Technology Limited. AD2105 03/21

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Distinctive Architectural Design www.SturmanArchitects.com | 425.451.7003

A SALEM COUPLE FLIPS THEIR KITCHEN FROM FRONT TO BACK AND IS REWARDED WITH AN OPEN, WELCOMING WORKSPACE, A NEW CASUAL EATING AREA AND BETTER FLOW TO THE BACKYARD AT ONE END AND LIVING AREAS AT THE OTHER.

A KITCHEN TO FLIP OVER written by STEPHANIE BOYLE MAYS photography by DAVID PAPAZIAN

A rustic ceramic subway tile reaches from the countertop to the ceiling and echoes the tones used in both the revamped kitchen and casual eating area. Counters throughout are Cambria Torquay quartz. One window grew to a larger window and French doors to allow access to the large backyard and to let the light stream in. The couple, who are not fans of upper cabinets, limited their use to one corner, which provides a coffee station.

PROJECT SOURCES CONTRACTOR / ARCHITECT C&R Design Remodel www.crdesignremodel.com INTERIOR DESIGN Chrysalis Interior Designs www.chrysalisinteriordesigns.com CABINETRY DeWils Fine Cabinetry www.dewils.com

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WHEN JULIE MEIER AND HER HUSBAND DECIDED TO DOWNSIZE TO A SMALLER HOUSE, they knew they did not want to stray far from their Salem location.

And, in the end they didn’t, they bought the smaller 1970s-era home two doors down. “Now,” said Meier, “my aunt and uncle are a block away instead of across the street.”

While the smaller size appealed to the couple, the existing kitchen and flow to the dining and living areas did not. The home’s kitchen was small and dark and located in a long narrow hallway-like room sandwiched between a rarely used family room and a formal dining room.

Identifying themselves as eaters and cooks who frequently entertain family and friends, the Meiers recruited the Salem remodeling firm, C&R Remodeling, with whom they had worked on their previous home, to put a new kitchen plan in action. A family business since the early 1960s, Beth Rhoades is now president of the company started by her grandfather.

To reach the couple’s goal of a functional space for cooking, eating and entertaining that connected at one end with the home’s dining and living rooms and at the other end with the lush backyard, the space was reconfigured. The family room was demolished to make way for a new larger, brighter and more user-friendly kitchen, and the old kitchen was removed to make room for additional storage, a casual eating area and a pass through to the back yard.

Rhoades and her team installed custom DeWils cabinetry and island to provide abundant storage. The kitchen’s perimeter cabinets were painted a soft gray while the island is in walnut. “The homeowners didn’t want upper cabinets, and they don’t like corner cabinets,” said Rhoades. To meet storage needs a wall of drawers and cabinets surrounds the Sub-Zero refrigerator.

In the kitchen’s center, the unusual and practical L-shaped island holds the sink, dishwasher and microwave on its working side and provides a spot for stools on its visiting side. The DeWils cabinets extend into the new casual eating area, which is distinguished by a coffered ceiling to separate it from the kitchen and help camouflage the difference in ceilings between the two rooms. More storage is below the bank of windows, which open to the backyard and an outside counter.

The project was not without its challenges; it started shortly after the pandemic arrived, which affected the schedule (as it did everything else). C&R was quick to establish and careful to use safety protocols. “Their communication was very open,” said Meier of Rhoades and her crew.

“They were here every day and kept us involved. And, now we have a super functional kitchen where everything is so welcoming and beautiful.”

The focal centerpiece of the kitchen is an L-shaped island that serves multiple roles. Floorto-ceiling DeWils cabinets and drawers provide the storage space that in a more traditional design would be supplied by upper cabinets. The counter-height casual eating area is the segue between the kitchen and formal dining room. Windows above the buffet open to access an exterior bar made from weather-resistant Dekton by Cosentino.

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ARCHITECTS STEVE AND CHERYL CLICK OF CLICK ARCHITECTS TEAMED WITH DONALD BAPTISTE OF LDB HOMES, ARCHITECTS STEVE AND CHERYL CLICK OF CLICK ARCHITECTS TEAMED WITH DONALD BAPTISTE OF LDB HOMES, LLC, OF SEATTLE TO CREATE THIS INNOVATIVE MODERN HOME WHOSE DRAMATIC CORRUGATED METAL EXTERIOR WITH PERFORATED METAL DETAILING CREATES A VERY DYNAMIC, YET PURPOSEFUL ARCHITECTURAL STATEMENT.

MODERN LINES written by DONNA PIZZI photography by RAFAEL SOLDI

THIS PAGE LDB Homes furred out wall to install a pair of deep-set Ply Gem windows trimmed in handsome walnut that rise over 20' to meet the stunning angled ceiling. Cozy reading nook at left is tucked within wall thickness. OPPOSITE The home’s corrugated metal exterior creates its architectural splendor. Window above entry features perforated metal screen reiterating interior staircase design. Entry walkway adds unexpected diagonal angle to save existing tree’s roots.

Evergreen tree provides year-round privacy.

IF THERE IS ONE THING THAT BROUGHT Donald Baptiste of LDB Homes, LLC, together with Cheryl and Steve Click of Click Architects, who offer the total turnkey operation of home design, architecture, and interior design, it was their shared desire to create homes that had never been done before. In this instance, razing the previous home that once occupied this lot – a very dilapidated single-story rambler suffering from decades of neglect and dry rot – meant not only designing a very unique façade, but also answering the needs for privacy on a busy street that bordered a mixeduse development neighborhood.

Typically, Cheryl and Steve Click present themselves as a team, but one of them will take over the project as the lead, a role which Steve took on this project. “We chose corrugated metal for the exterior for a number of reasons,” he says. “It’s visually dramatic, cost effective, low maintenance and easyto-install. It also addresses city streets with a hard edge, and fewer windows on the street to filter out noise.” As the developer, Baptiste also notes that his desire to save an existing, but not designated special tree, also dampens traffic sounds, and provides more privacy. “A large tree helps filter street noise,” he says. “We also designed our way around it by turning the walkway on a diagonal to keep the tree’s roots intact.”

Metal is Click’s recurring design detail found both inside and out, whether it’s from the metal-lined entryway or the perforated metal screen above the entry, or the stunning, white-painted perforated metal staircase that introduces the expansive living area and bifurcates the living from kitchen.

“Western sunlight floods the main space,” adds Click, “making the staircase glow.”

Baptiste praises CnB Iron Works for the difficult-to-install staircase. “I’m so glad I found CnB,” he says. “They are so innovative, willing, and never say no to any design or various iterations. Like us, they’re tired of working on cookie cutter designs!” CnB also fabricated the steel that encases the

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ABOVE LEFT CnB Iron Works brought perforated metal staircase panels upstairs in sections to weld in place.

Complex 3-step paint. “It’s a work of art,” says Baptiste. Caesarstone island countertop. Belmont matte laminate cabinetry. Charcoal pendants echo kitchen hardware. ABOVE RIGHT Kardiel Fern velvet Davenport with inlaid walnut side table adds Century Modern flair with pair of Barcelona chairs and metal coffee table reiterating black palette. BELOW RIGHT LDB individually laid Ann Sacks Savoy Mosaic backsplash. ADM Flooring wide plank white oak. Nelson Saucer Bubble Pendant. Custom pocket door delineates owner’s bedroom suite.

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Valor fireplace and crowns the walnut cabinetry below. “All walnut boxes would have been monotonous,” explains Baptiste. Click designed the layout of the main level with the kitchen as the heart of the home and other spaces radiating off it. “We wanted the owner’s suite on the same level. To create a sense of mystery between the public and private spaces, we had Donald’s carpenters build a custom, oversized pocket door.” While looking for a fireplace tile that would resemble CMU without its rough edges, the Clicks discovered Pacific Gray Terrazzo tile at Cement Tile Shop, which Baptiste loves.

Baptiste also loves collaborating with the Clicks. “We’re on the same page,” he says. “More importantly, they also listen to me about what I want.” After working on 10 homes together, Baptiste and Click Architects have created a dynamic working relationship.

ABOVE Baptiste does his own staging, including choosing artwork. CB2 painting echoes verticality of adjacent living area’s metal stove pipe and steel-topped cabinetry. Pacific Gray Terrazzo tile fireplace features steel ledge mantel. Cressy Door & Fireplace Co. fireplace. Rug from Kasala. Ply Gem window repositioned to reveal Space Needle. RIGHT For privacy, walk-in shower and soaking tub lit by massive skylight. Kelly Wearstler Lighting Node pendant.

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DEVELOPER LDB Homes LLC www.ldbhomes.com

CUSTOM IRON WORK CnB Iron Works www.cnbironworks.com

APPLIANCES Thermador www.thermador.com

ARCHITECT Click Architects www.click-architects.com

SIDING James Hardie www.jameshardie.com

RUG Kasala www.kasala.com

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Shoptalk l Click Architects Can you recall the first time you were amazed by architecture?

Cheryl–From a young age, I was interested in drawing.

Specifically, house plans. I’ve always had a fascination with space planning and scale fluctuation. That said, the first time I was truly amazed and emotionally moved by architecture, was upon my first step inside the Pantheon. I can vividly remember the flood of emotions as I took in the space, the lighting, the scale, the sounds. I stared up at the domed ceiling and oculus for what seemed like hours. To this day, the Pantheon remains at the top of my favorite spaces.

Steve–Absolutely! The first time I remember being amazed by architecture has to be when I was very young. Probably around 7 or 8 years old. I’d visit my grandmother who lived next door to a home designed by the late Fay Jones, a prominent Arkansas architect who was an apprentice to Frank Lloyd Wright. I was drawn to how this home was rooted to the site as if it had grown there. The use of natural materials, deep overhangs, and large glazed areas stood out from all other homes. I still get excited when I see one of these homes.

What aspects of your background and upbringing have shaped your design principles and philosophies?

Cheryl– Having grown up in Arkansas, I have a strong interest in vernacular/regional materials and how they are used for a particular structure or purpose. Arkansas is home to a lot of farm land, rolling hills, and wooded forest where individuals have embraced materials found in and around their property. I like to pay homage to this when possible and appropriate by focusing on the use of simple forms and materials that age gracefully over time.

Steve–I’ve always been a “hands-on” type of person possessing a drive to figure out how things are constructed. Early in my studies, that drive directed me to the design/build program in school and eventually a full-time position at a local design/build firm. The experience of building what I designed forwarded my practical construction knowledge and provided a certain level of sensibility to design details.

What’s the most unusual place you pull inspiration from?

Each project we design pulls inspiration from multiple sources.

Usually, our inspiration manifests from the client, the site, the wildlife, and the context. Sometimes something as small as a butterfly or leaf can lead to very interesting outcomes.

Outside of architecture, what are you currently interested in and how is it influencing your design thinking?

Cheryl–I truly enjoy all kinds of walks: city walks, nature walks, hiking, and family walks. Walking and hiking provide a time for solitude and the chance to un-plug. I look forward to connecting to nature, my thoughts, and experiencing the world at my own pace while engaging the land, buildings, and spaces in between.

Oftentimes, some of my best problem solving occurs during these walks.

Shoptalk continued on page 102 >

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WHEN STYLE MATTERS Custom fabricated stairs, railings, gates, awnings, fireplaces and more.

Residential + Commercial

Special interlocking pavers add striking visual contrast to entry 2-car garage. Second story bedroom windows at right repositioned to take in mountain view. Covered outdoor kitchen nestled below dining room window at center. Stained cedar fence screens backyard space.

LED accent lighting by Lighting Supply, Inc. James Hardie siding.

Shoptalk continued from page 101 >

Steve–I’m always in search of the next DIY project around the house.

Working on our own residence provides a perfect gateway to experiment using new materials and design theories. I also look for any opportunity to learn about new construction methods and love learning to use new tools.

When I’m not working on our house, you’ll likely find me fishing.

Favorite travel destination?

Cheryl–One of my favorite travel adventures was a four day hike along the Cotswolds Way in the United Kingdom through 17th century villages, old churches, ruins, historic monuments, sheep fields, cow fields, forest, farm land, gravel roads, and kissing gates. My love for long walks and culture made this the perfect destination and I look forward to many more opportunities like this one.

Steve–We recently took a trip to England where we made a stop in Stratford Upon Avon. I was completely taken by the canal system and the narrowboats. I hope to make a return visit to spend time navigating the canals and experience the narrowboat life style. Thailand is a close second.

Specifically, Chang Mai, where I’d like to volunteer at the Elephant Nature Park. ©Lei Mali’o Photography

Do you have a dream project, or location where would you like to work?

Honestly, we don’t really think a lot about the dream project. I suppose some might say the dream project exists when you have the perfect balance between client, budget, site, schedule, program, etc. This perfect balance is often elusive. Instead, we focus on what makes each project a dream project in its own unique way. It becomes more about how we make this a dream project for our clients. We’re happy when our client’s expectations are exceeded.

What’s next for you?

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BLOOMS ON THE BAY written by DONNA PIZZI photography by STEVE DUBINSKY

FOR BRITISH BORN LANDSCAPE DESIGNER PAUL R. BROADHURST,

of Broadhurst + Associates in Seattle, creating a woodland garden on Lopez Island was an odyssey of sorts, combining the site’s history with the women who once cultivated it, the wildlife that flies over and meanders through it, along with the sound of the gentle waves that perpetually lap against the horseshoe bay that borders it.

The odyssey began with an invitation from Jim Addington and his newly wedded wife, Lynne, to view - first from the air - the property they had just purchased. It was breathtaking, says Broadhurst, to see the perfectly remote bay surrounded by rocky bluffs and a forest of evergreens.

For five nights, Broadhurst inhabited the spartan house the elderly women had made their home, as he acquainted himself with what they had done to protect their garden spaces from the deer that grazed hungrily through it.

“I’d just seen ‘The Whales of August’ about two aging sisters, played by Lillian Gish and Bette Davis, and their lives spent living in an old saltbox cottage off the Coast of Maine,” recalls Broadhurst, “so I was thinking of them as I romanticized about how these two women on Lopez had lived, growing their own food, bringing their supplies in by boat and hauling them up with a large winch still embedded in a tree.”

Teaming with architect Jodie Carrol, Broadhurst developed the site around the “remodeled” home Carrol designed. “We retained one of walls of the original house so we could grandfather in its footprint,” explains Broadhurst, “which is wonderfully close to the view.”

Broadhurst artfully suspends the “crème de la crème” moment of viewing the spectacular horseshoe bay by moving the car park to a distant part of the land. “I wanted to do something unusual for Lynne, who loves to garden,” he says. “Because the surroundings are so spectacular, I installed a Pacific Northwest forest of Doug firs and lovely vine maples to walk through first to block the view.”

A type of porte cochere acts as a welcoming area, taking you down a set of switch-back concrete tile stairs, prolonging the beauty of the spectacular bay view that awaits once you’ve entered the home’s front door.

Forever cognizant of the bedrock upon which the property sits, the limited well water and possible saltwater intrusion, Broadhurst introduced 25 native species that could weather the droughty conditions often found in the San Juan Islands.

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The bay is visible from the pathway of locally quarried alger granite steppingstones that lead past the sunken spa to the original reconstituted staircase to the beach. Lynne suggested salvaging the women’s pebble mosaics which Broadhurst fashioned into a pathway down the cliff face.

Big Blue Sea Holly (Eryngium zabelii), foxglove, mullein, libertia, Johnson’s Blue geraniums and allium flourish alongside one another. The main terrace is at right. Broadhurst’s newly designed Sun Garden left.

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THIS PAGE Built on axis to new house is another alger granite pathway constructed by the late stone mason/hard surface contractor Michael Scharnberg. An arbor overflowing with clematis Montana wilsonii leads to Sun Garden bench and greenhouse left. Amelanchier proliferates on picket fence. ABOVE RIGHT Porte Cochere entrance to property descends through forest of PNW vine maples. BELOW RIGHT For visual contrast, custom concrete pavers line dining area. White allium volunteers amidst native kinnickinnick ground cover.

To keep the wildlife out of the various gardening areas designed for Lynne’s pleasure, Broadhurst created a walled Sun Garden separated from the wilder woodland areas he installed that harken back to the existing forest.

“It is a wild place,” says Broadhurst, “and we did not want it gussied-up with all kinds of non-local plants and flowers. So, we limited our ornamental planting to two walled garden enclosures - mimicking the ‘ladies’ original stacked rock and chicken wire deer-proof garden. It was in these spaces - the Sun and Shade Gardens - that we felt comfortable in building ‘gardens’. Outside of these spaces, we accentuated the local, native wild plants. But because we wanted to be playful and create the sense of a fecundity, some of these ornamental flowers have escaped their allotted corral and bloom just outside. This adds charm and whimsy and domesticates these wild edges.”

Indeed, Broadhurst always tries to tap into the history of a place. Here, by honoring the wildness and the ‘ladies’, as he calls them, along with the gentleness of their intent, gave his design a better kind of resonance. “What sets this project apart,” he says, “is its hoped-for respect for the natural context and a gentle tipping of the hat to two people that lovingly tried to work in harmony with it.”

PROJECT SOURCES | LANDSCAPE DESIGNER Broadhurst + Associates, www.broadhurstassociates.com

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Bayside Garden PLANT LIST

Allium, Amelanchier, Johnson’s Blue geraniums, fox glove, native mullein, libertia, native vine maples, vancouveria, sword fern, eryngium zabelii, native myrica, salah, kinnickinnick, santolina, milkweed, clematis Montana wilsonii, hostas

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Shoptalk l Paul R. Broadhurst You mention being raised in a small town south of London.

How did growing up near the English countryside influence your future work in landscape design?

There is a tremendous coziness to the English countryside—it is a domesticated wilderness. You can always find a way to insert yourself into it in a pleasing way. A footpath across fields that may have been a public right-of-way for 500 years could lead to a pub for lunch. Along the way, birds and wildlife might cross your path. At dusk a badger might amble by on its own established trail that leads to its sett. I love that, as a human, I can uniquely flex my creativity to design spaces which can encourage a diversity of connections.

You describe yourself as a humanist and an environmentalist.

How does that translate into your landscapes?

We are an unusual animal, arguably unique. I try to understand the human condition at a simple level, say, what gives pleasure and then by designing outside space I blur the margin between built and unbuilt and provide opportunities to re-engage with nature’s rhythms.

Can you share a few of your favorite gardens, worldwide?

Denmans Garden in West Sussex, England, and the Donnell Garden in Sonoma, California, were both influential. The countless “gardens” that comprise Versailles. The Generalife at the Alhambra, Granada, Spain.

All these places are tangled up with associated memories with friends and the nearby countrysides.

Do you have a specific plant or a particular flower that you love?

Manzanita ‘Howard McMinn.’ Here is an “improved” plant cultivar that has not lost touch with its innate wildness. It is a gnarly thing in a good way. Nicotiana Aztec Jasmine. My summers would be bereft without it.

The scent evokes a lifetime full of fond memories.

How did you start your career as a landscape designer?

Formally, as soon as I wrapped up my master’s degree in landscape architecture, in the early 90s. But informally, I have been refining my skills for many years before this. I can’t remember not designing.

Describe your personal garden.

I live in a very high-density neighborhood, so we have terraces with everything in oversized pots. A very old elm tree just collapsed on our street corner and it shaded 60% of our space. The tree supported an entire urban ecosystem. I will miss the associated comings and goings of wildlife. I like aromatics and fragrance, so our pots are stuffed with artimisia, lippia and scented-leaf geraniums, to name a few—anything that I can brush past, pinch and grab, as I head out to start my day.

I smell my fingers as I am driving. In the evening, I return to star jasmine, honeysuckle and scented nicotiana. I am guilty of terrorizing our local squirrels, but they always seem to have the upper hand.

Many of your landscapes create or restore the connections between plants, wildlife, and people. Why is this important?

We are increasingly divorced from the natural world—its rhythms and natural processes. My work is all about having a mindfulness to our connection with it. It’s about building relationships. But then, isn’t everything, really? If a design facilitates a wider perspective, all kinds of things can then start to open up.

A crevice fern thriving in cool gritty soil, softening the outlines of a large sun-warmed rock; a flower that attracts hummingbirds; a seat to share with a friend under the canopy of a small tree. All these things can exist within a 15-foot radius..

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garden | PERENNIAL GEMS

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From dark chocolatey foliage to stunning garnet-laced flowers, these perennials will add dramatic beauty to your garden. 1) Helleborus North Star™ Garnet Frills Gorgeous white petals laced with garnet and red veins, a winter classic. 2) Heuchera ‘Black Forest Cake’ Resembling its namesake, bright cherry-red flowers top smooth, dark chocolatey foliage. 3) Helleborus North Star™ Pink Plant in spring for cheerful, pink blooms during winter.

4) Heucherella ‘Solar Eclipse’ Eye-catching with its red-brown leaves with a spectacular lime green border. 5) Anemone Satin Doll™ Blush An early, elegant bloomer with large, pink petals over glossy foliage, enjoyed in the garden or in pots. 6) Bunnera ‘Alexandria’ A beautiful contrast to dark foliage with its mirror-silver leaves. 7) Tiarella ‘Sugar and Spice’ Enjoy all year with its dramatic leaves and lightly fragrant spring flowers. 8) Echinacea ‘Ruby Giant’ Known for strong stems and considerable 5" fragrant blooms. 9) Geum Tempo™ Rose With its dark, rose-pink flowers, these are enjoyed from early spring through summer. All available through Terra Nova Nurseries, Inc. www.terranovanurseries.com

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BETH HOINACKI HAS WORKED ON FARMS FOR AS LONG AS SHE CAN REMEMBER. Growing up in southern Illinois, she helped her family with their subsistence garden, pitched in at a neighbor’s farmer’s market booth, and spent college summers working on a farm on Martha’s Vineyard. Yet she never considered agriculture as a career until college was nearly over–and even then, her vision was, at first, an academic one.

“When I realized I did want some kind of career in agriculture, because of my background, I assumed that meant going back to school,” said Hoinacki. So, drawn by her fascination with how plants interact with the complex ecosystem of microbial soil life, she enrolled in a doctoral program in plant pathology at Oregon State University. “Halfway through my graduate program, I figured out that actually I wanted to be a farmer,” said Hoinacki. “I joke that I’m a totally overeducated farmer. But thankfully my major professor was very supportive of me veering off the traditional course.”

That wasn’t her first departure from tradition. Hoinacki and her husband purchased a 10-acre parcel along the Luckiamute River in Kings Valley to the west of Corvallis. It contained a single wide trailer, an acre and a half of blueberries, and little else. “It was essentially bare land,” said Hoinacki. “Everything was built from scratch.” Hoinacki describes the first couple of years working the property as “intensive gardening” rather than true farming. But in 2008, she took a job working in organic and biodynamic certification. That experience opened her eyes to the holistic and spiritual insights of biodynamics, which focuses not just on productivity, but includes the relationships between all the different elements on the farm.

“Biodynamics is fundamentally different from organics, in the sense that it considers the farm as a holistic organism,” explains Hoinacki. That insight transformed the way she thought about her farm, as well as her relationship to it. “In 2010, I had this aha moment when I figured out that my job as the farmer was to facilitate my farm’s expression of itself,” said Hoinacki, “and that expression, of course, was related to what I would call the natural resources of the farm, everything from the aspect of the slope, to

Goodfoot Farm

written by MARGARETT WATERBURY photography by SHAWN LINEHAN

Goodfoot Farm is in Kings Valley, a coastal foothill valley to the west of Corvallis, Oregon.

“It’s definitely a different microclimate than the greater valley area,” said Hoinacki. Wetter winters and cooler overnight temperatures are limiting factors, but the isolated location surrounded by forest limits the risk of disease spreading from another farmer’s plot.

TRAINED AS A PLANT PATHOLOGIST AT OREGON STATE UNIVERSITY, FARMER BETH HOINACKI FOUND THE APPLIED SCIENCE OF FARMING FAR MORE REWARDING THAN THE ACADEMIC CAREER SHE’D PREPARED FOR. SO SHE FOUNDED GOODFOOT FARM, A BIODYNAMIC HAVEN IN THE FOOTHILLS OF OREGON’S COAST RANGE, WHERE HOINACKI AND HER FAMILY MAKE THEIR HOME ALONGSIDE A THRIVING COMMUNITY OF VEGETABLES, FRUIT, FOREST, AND LIVESTOCK.

soil types, climate, river, how water moved, what our last frost date was.” Farming, in other words, was more than a job; it was nothing less than entering into a complex relationship between human beings, plants, animals, and a very specific place–a larger mirror of the intricate relationships between plants and soil life that had drawn her to agriculture in the first place.

Hoinacki loves interacting with customers at the Corvallis Farmers’ Market and CSA pickup events, because it gives her an opportunity to talk about what agricultural terms like organic, biodynamic, and no-spray mean–and don’t mean. “The spiritual component of biodynamics, which I found really attractive, has to do with the implicit and explicit relationship with the land, the farm, your animals, the earth, and the cosmos. That’s not what organics is about,” said Hoinacki. “Organics is the same as conventional agriculture in that it’s a linear production system, and the only thing that differs is how toxic the chemicals are and how they’re manufactured.” Hoinacki says customers are often surprised to learn that the organic standard can include industrial-scale farms that rely heavily on chemical inputs, as long as they’re made from natural raw materials.

Hoinacki says one of her favorite parts about farming biodynamically is figuring out how to piece together the different jigsaw-like puzzle pieces of crop succession and livestock rotation. At Goodfoot Farm, some of the most important puzzle pieces are animals, including horses, sheep, geese, chickens, and pigs. Biodynamics emphasizes limiting off-farm inputs as much as possible, so the horses provide fertility, supercharging the farm’s onsite compost program. Poultry and sheep are rotated through perennial crops like blueberries and orchards, where they munch down the grass and snack on old berries that might harbor pathogens from one season to the next. “We call them our little sanitation workers,” says Hoinacki.

As part of the biodynamic standard, about 10% of the land base is also kept in a biodiversity reserve, which helps to support birds and wildlife as well as beneficial insects like predatory wasps, ladybugs, and pollinators. Flowering annuals and native plants interplanted with vegetables create additional insect habitat. “The biodynamic method recognizes that biologically diverse systems are in balance, and in balance systems are productive systems,” said Hoinacki. It’s perhaps the most fundamental insight of biodynamics–that everything is connected, that strength lies in diversity, and that resilient relationships between individuals, populations, and systems are the key to sustaining life on earth.

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OPPOSITE Hoinacki’s husband and children also live and work on the farm.

THIS PAGE (clockwise from upper left) Vegetable crops like cabbage grow in soil made fertile by composted animal manures and biodynamic preparations, which are made with herbs, minerals, and other natural materials and applied as sprays or added to compost. Rows of flowers provide valuable habitat for pollinators and other beneficial insects.

A half-acre orchard, including apples and pears, supplies fruit for the family and CSA members. Plants get a strong start in seedling hoop houses. Kings Valley’s relative isolation keeps disease pressure low so plants can thrive.

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Blooms on the Bay

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ARCHITECTURAL MATERIALS CNB IRON WORKS www.cnbironworks.com

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BULLARD www.bullardpdx.com

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HOME FURNISHINGS, RUGS & LIGHTING ALCHEMY COLLECTIONS www.alchemycollections.com

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ADVERTISER INDEX Alchemy Collections .................................... 9 Cambium Landscape .................................11 CnB Iron Works ........................................102 DME Construction......................................51 J Garner Home ..........................................71 James Hardie ............................................91 Kasala ........................................................66 Krekow Jennings .......................................27 Lane Williams Architects ............................77 LDB Homes LLC........................................103 Mike Fisher Construction ...........................25 Museum Quality Framing ........................ IFC Parr Cabinet Design Center ......................... 6 Pioneer Millworks......................................77 Roche Bobois ............................................... 4 Seattle Design Center ................................BC SieMatic Seattle ........................................... 3 Sturman Architects ....................................91 Sumner Street Home Hardware ................19 Terris Draheim ...........................................13 The Dixon Group ........................................71 Thermador .................................................59

FEATURED ARCHITECTS & DESIGNERS PAUL R. BROADHURST .............................108 Broadhurst + Associates www.broadhurstassociates.com STEVE & CHERYL CLICK ............................101 Click Architects www.click-architects.com DAVID COLEMAN .......................................83 David Coleman / Architecture www.davidcoleman.com PAUL MOON ..............................................50 Paul Moon Design www.paulmoondesign.com

BROADHURST + ASSOCIATES www.broadhurstassociates.com CAMBIUM LANDSCAPE www.cambiumlandscape.com PAUL MOON DESIGN www.paulmoondesign.com

PAINT

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RODDA PAINT www.roddapaint.com

SHERWIN-WILLIAMS www.sherwin-williams.com

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