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Palabras clave: escritura musical guitarristica, formalismo, dimensiones instrumental y corporal. Download Free PDF View PDF See Full PDF Download PDF Loading Preview Sorry, preview is currently unavailable. Save to Library Download Edit Compare Citation Rank Readers Related Papers Mentions View Impact. Influenced by formalist thinking, it's in the musical score where form and inner coherence of the autonomous and self-sufficient musical work materialize. Save to Library Edit Compare Citation Rank Readers Related Papers Mentions View Impact. By ways of an historical analysis of guitar music notation from the Renaissance to the Twentieth Century, it is demonstrated how the score itself displays this dialogue between different dimensions which, in their totality, conform what we define as music. Based on assumptions from the field of performance studies, the article's objective is to show how the human body and the physical conditions of the musical instrument itself reflect directly in musical writing. The essay starts with a short presentation of aesthetical and philosophical ideas as well as cultural movements which had an impact on the dance scene’s self-definition. The peculiarities of their differential specialization, and most severely, the pathogenic influence of traumatic and contradictory recording, induce a functional deconnection between both hemispheres, preventing the access to consciousness of mental constructs which are nevertheless operative over emotions and behavior. Addressed to their religious and monarchical authorities in Europe, these texts were written and published in the 17th and 18th century and widely read by contemporaries. Palabras clave: escritura musical guitarristica, formalismo, dimensiones instrumental y corporal. Musicology, in its historical perspective, commonly proposes the score as its primary referent. You can download the paper by clicking the button above. The intended holistic approach was often inspired by so-called primitive cultures which became an important frame of reference. Save to Library Edit Compare Citation Rank Readers Related Papers Mentions View Impact. Palabras clave: cine, espectador, internet, streaming, cinefilia 2.0. Save to Library Download Edit Compare Citation Rank Readers Related Papers Mentions View Impact. From our point of view, these reflections give rise to one of the most productive dialogues between both disciplines. Regarding the situation in Mexico, I further include information obtained while interviewing two Zumba instructors in Hermosillo. And yes, that its really a good new name for what I love to do. You can download the paper by clicking the button above. Palabras clave: cuerpo, musica, historia natural, practicas performativas, Ignaz Pfe-fferkorn. This substantially influenced the further development of Western modern dance, as well as the traditional Indian dance in India. Save to Library Download Edit Compare Citation Rank Readers Related Papers Mentions View Impact. DAAD-scholarship for graduate study in musicology at the University of Chicago. In a final step, referring to Foucault, the contribution focuses on the specific role of music and related performative practices, closely associated with the body, in disciplining bodies, thus pointing out music’s specific place within the codified system of cultural contact in the mission. Both processes are regulated and coordinated by the relationship between the ergotropic and trophotropic hypothalamic regions, with their corresponding neurovegetative sympathetic and parasympathetic systems. The different mode of recording and processing information by each hemisphere determines different constructions of inner reality. Save to Library Download Edit Compare Citation Rank Readers Related Papers Mentions View Impact. Save to Library Download Edit Compare Citation Rank Readers Related Papers Mentions View Impact. We focus on a series of reflections, formulated in one field or the other, about images and performativity, since these have proved fertile ground for the consideration of ritual, the relations between ritual and art, and ritual and theater (as postdramatic, peformative or a-formative theater).
And yes, that its really a good new name for what I love to do. Research stay in India (New Delhi, Kolkata) as part of the German DFG-project “India and Europe. You can download the paper by clicking the button above. Opposing classical ballet, modern dance was regarded to overcome the Cartesian separation of body and mind, link humanity back with nature and, furthermore, have a moralizing effect. Save to Library Download Edit Compare Citation Rank Readers Related Papers Mentions View Impact Uday Shankar’s Company of Hindu Dancers and Musicians in Europe and the United States, 1931-38, Berlin 2011. This rights affect to the presentation summary of the thesis as well as to its contents. Keywords: art, ritual, image, performance, performativity. Save to Library
Download Edit Compare Citation Rank Readers Related Papers Mentions View Impact. Palabras clave: cuerpo, musica, historia natural, practicas performativas, Ignaz Pfe-fferkorn. Save to Library
Download Edit Compare Citation Rank Readers Related Papers Mentions View Impact. The examination of selected writings of modern dance pioneers and critics will then show the wide prevalence in their approaches of the vision to renew humanity through dance. To browse Academia.edu and the wider internet faster and more securely, please take a few seconds to upgrade your browser. My research focuses on the history of music, dance and the body in transcultural contexts, performance studies, and lately sound studies. Musicology, in its historical perspective, commonly proposes the score as its primary referent. In a final step that includes references to Foucault, the essay focuses on the specific role that music and related performative practices closelyassociated with the body play in disciplining bodies, thus emphasizing the specific place of music in the codified system of cultural contact on colonial missions. Save to Library Edit Compare Citation Rank Readers Related Papers Mentions View Impact. Palabras clave: cine, espectador, internet, streaming, cinefilia 2.0. Save to Library Download Edit Compare Citation Rank Readers Related Papers Mentions View Impact. Written within the formal scheme of a natural history, the text serves as a reference for the investigation of descriptions and categorizations of the body and, in a next step, embodied or performative musical practices among indigenous habitants of Northwestern New Spain. Save to Library Download Edit Compare Citation Rank Readers Related Papers Mentions
View Impact. The essay starts with a short presentation of aesthetical and philosophical ideas as well as cultural movements which had an impact on the dance scene’s self-definition. Palabras clave: escritura musical guitarristica, formalismo, dimensiones instrumental y corporal. Musicology, in its historical perspective, commonly proposes the score as its primary referent. This article adopts an interdisciplinary approach, setting out from the analysis of a Jesuit text published in the 18th century: Ignaz Pfefferkorn's Description of the province of Sonora. The examination of selected writings of modern dance pioneers and critics will then show the wide prevalence in their approaches of the vision to renew humanity through dance. The peculiarities of their differential specialization, and most severely, the pathogenic influence of traumatic and contradictory recording, induce a functional deconnection between both hemispheres, preventing the access to consciousness of mental constructs which are nevertheless operative over emotions and behavior. Regarding the situation in Mexico, I further include information obtained while interviewing two Zumba instructors in Hermosillo. Download Free PDF View PDF See Full PDF Download PDF Loading Preview Sorry, preview is currently unavailable. DAAD-scholarship for graduate study in musicology at the University of Chicago. Save to Library Download Edit Compare Citation Rank Readers Related Papers Mentions View Impact.
Both processes are regulated and coordinated by the relationship between the ergotropic and trophotropic hypothalamic regions, with their corresponding neurovegetative sympathetic and parasympathetic systems. The different mode of recording and processing information by each hemisphere determines different constructions of inner reality. The intended holistic approach was often inspired by so-called primitive cultures which became an important frame of reference. Musicology, in its historical perspective, commonly proposes the score as its primary referent. A Description of the Province' (1794-95) Journal of the Southwest, vol. 63, no. 4, 2021 Taking an interdisciplinary approach, this article parts from the analysis of a Jesuit text publi. The Myth of India in Western Culture, 1808-2017. E. Schenini, ed. Milano: Skira, 2017 The Indian subcontinent, with its culture, art, mythology and spirituality, have long been a sour. In close alliance with contemporary culture critique, many of its practitioners established a vision of dance as being able to bring to life a new human being. This contribution aims to demonstrate the interrelation (as well as the conflict and interference) between national and regional discourses as reflected onstage and their respective competitive frameworks. Reproduction with lucrative aims is not authorized neither its spreading and availability from a site foreign to the TDX service. It is a lovely conversation where I came to the idea that I am a story and book delivering midwife. My research focuses on the history of music, dance and the body in transcultural contexts, performance studies, and lately sound studies. The Myth of India in Western Culture, 1808-2017. E. Schenini, ed. Milano: Skira, 2017 The Indian subcontinent, with its culture, art, mythology and spirituality, have long been a sour. As shown, Pfefferkorn’s, generally benevolent, observations of indigenous bodies must be seen in close reference to 18th-century discourses on the body as a changeable category influenced by humoral and hygienic thinking, thus somehow preceding racial classification emerging during the 18th and early 19th century. Since 2015, I am a full-time professor at the Institute of Fine Arts, University of Sonora, Mexico and member of the Mexican National System of Investigation (SNI, CONACyT). The essay starts with a short presentation of aesthetical and philosophical ideas as well as cultural movements which had an impact on the dance scene’s self-definition. Save to Library Download
Edit Compare Citation Rank Readers Related Papers Mentions View Impact. Save to Library
Download Edit Compare Citation Rank Readers Related Papers Mentions View Impact. Opposing classical ballet, modern dance was regarded to overcome the Cartesian separation of body and mind, link humanity back with nature and, furthermore, have a moralizing effect. In a final step that includes references to Foucault, the essay focuses on the specific role that music and related performative practices closely-associated with the body play in disciplining bodies, thus emphasizing the specific place of music in the codified system of cultural contact on colonial missions. Regarding the situation in Mexico, I further include information obtained while interviewing two Zumba instructors in Hermosillo. Written within the formal scheme of a natural history, the text serves as a reference for the investigation of descriptions and categorizations of the body and, in a next step, embodied or performative musical practices among indigenous habitants of Northwestern New Spain. To browse Academia.edu and the wider internet faster and more securely, please take a few seconds to upgrade your browser. Ces anti-utopies, il les nomme les futurs anterieurs. I argue that Pfefferkorn's, generally benevolent observations of indigenous bodies must be seen in light of 18thcentury discourses on the body as a changeable category influenced by humoral and hygienic, as well as civilizational thinking. By ways of an historical analysis of guitar music notation from the Renaissance to the Twentieth Century, it is demonstrated how the score itself displays this dialogue between different dimensions which, in their totality, conform what we define as music. By analyzing differences and adaptations in corporal disposition, clothing and style, the article emphasizes the continuous negotiation between a homogenizing national discourse and the various regional identity discourses mainly questioning it. Palabras-clave: coreografia, aparato, imagen, signos-gesto. Introducing its content in a window or frame foreign to the TDX service is not authorized (framing). Based on assumptions from the field of performance studies, the article's objective is to show how the human body and the physical conditions of the musical instrument itself reflect directly in musical writing. Save to Library Download Edit Compare Citation Rank Readers
The Myth of India in Western Culture, 1808-2017. E. Schenini, ed. Milano: Skira, 2017 The Indian subcontinent, with its culture, art, mythology and spirituality, have long been a sour. A Description of the Province' (1794-95) Journal of the Southwest, vol. 63, no. 4, 2021 Taking an interdisciplinary approach, this article parts from the analysis of a Jesuit text publi. Your current browser isn't compatible with SoundCloud. Examining the link between Zumba's global and local appeal, its international Latin American image and regional success in Mexico, my work strongly builds on the analysis of international media sources (mainly from the United States, Britain, and Mexico) including Zumba Fitness's own homepage. Written within the formal scheme of a natural history, the text serves as a reference for the investigation of descriptions and categorizations of the body and, in a next step, embodied or performative musical practices among indigenous habitants of Northwestern New Spain. Introducing its content in a window or frame foreign to the TDX service is not authorized (framing). Autogenic Psychotherapy corrects the functional deconnection between the hemispheres, and facilitates the progressive unification of consciousness of great therapeutic and creativity mobilization value. The intended holistic approach was often inspired by so-called primitive cultures which became an important frame of reference. Addressed to their religious and monarchical authorities in Europe, these texts were written and published in the 17th and 18th century and widely read by contemporaries. He realizado contribuciones en congresos nacionales e internacionales. Keywords: art, ritual, image, performance, performativity. I argue that Pfefferkorn's, generally benevolent observations of indigenous bodies must be seen in light of 18th-century discourses on the body as a changeable category influenced by humoral and hygienic, as well as civilizational thinking. The examination of selected writings of modern dance pioneers and critics will then show the wide prevalence in their approaches of the vision to renew humanity through dance. The intended holistic approach was often inspired by so-called primitive cultures which became an important frame of reference. Palabras clave: cuerpo, musica, historia natural, practicas performativas, Ignaz Pfe-fferkorn. In a final step, referring to Foucault, the contribution focuses on the specific role of music and related performative practices, closely associated with the body, in disciplining bodies, thus pointing out music’s specific place within the codified system of cultural contact in the mission. By ways of an historical analysis of guitar music notation from the Renaissance to the Twentieth Century, it is demonstrated how the score itself displays this dialogue between different dimensions which, in their totality, conform what we define as music. Save to Library Download Edit Compare Citation Rank Readers Related Papers Mentions View Impact. Palabras clave: escritura musical guitarristica, formalismo, dimensiones instrumental y corporal. Coined by Roland Robertson (1995) drawing on Japanese business theory, the reference to processes of glocalization will help to describe the simultaneous appearance of globalization and localizing aspects in the current worldwide spread of Zumba. Regarding the situation in Mexico, I further include information obtained while interviewing two Zumba instructors in Hermosillo. Addressed to their religious and monarchical authorities in Europe, these texts were written and published in the 17th and 18th century and widely read by contemporaries. Examining the link between Zumba's global and local appeal, its international Latin American image and regional success in Mexico, my work strongly builds on the analysis of international media sources (mainly from the United States, Britain, and Mexico) including Zumba Fitness's own homepage. Opposing classical ballet, modern dance was regarded to overcome the Cartesian separation of body and mind, link humanity back with nature and, furthermore, have a moralizing effect. And yes, that its really a good new name for what I love to do. Save to Library Download Edit Compare Citation Rank Readers Related Papers Mentions View Impact Uday Shankar’s Company of Hindu Dancers and Musicians in Europe and the United States, 1931-38, Berlin 2011. Save to Library Download Edit Compare Citation Rank Readers Related Papers Mentions View Impact. Influenced by formalist thinking, it's in the musical score where form and inner coherence of the autonomous and self-sufficient musical work materialize.
