September 2003

Even small weightlossesdeliver BIG SAVINGS

WATCHERS NEW PROGRAMFLEXPOINTS MAKES IT EASIERTO LOSE WEIGHT INTHE REALWORLD. Deadlinecrunches.Clientdinners.Workingthroughlunch. FlexPoints,WeightWatchersmostpowerfulplanever,makesthesuccessful POINTS*Weight-LossSystemeasierbygivingYOUtheflexibilitytohandlethe realworldandstillloseweight.FlexPointscanhelpyoutoenjoybetterhealth.

“Mercedes-Benzvehiclesmaintainthebestresidualvalue among luxury brands!"

-AutomotiveLeaseGuide

“Mercedes-Benzvehicleshavethebestoverallbrandvalue among luxury brands!”

-IntetliChoice Onetestdriveandyou’llprobablyrave,too.

Sometimes, words can tell only half of the story. The rewards of owning a Mercedes-Benz begin the moment you get behind the wheel. Visit your local Mercedes-Benzdealertodayandexperienceforyourselfthequalityandperformance theexpertsaresowildabout.Clearly,you’llbegladyoudid. Value.Unlikeanyother. Mercedes-Benz

Helikescityscapes,youlikerollinghills.Whateveryourinspiration,asWood-Modedesignprofessionals weunderstandhowimportantthefeelingofyournewkitchenistoyou.Which

iswhywe’lldoeverythingpossibletohelpyouachievethelookyouwant. cab^^y

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For All Walks of Life

Stylesfrombusinesstocasual,sizes6-16andwidthsAAA-EEE.Trulythewidest selectionavailable.AndwithourexclusiveRecrafting'process,youcanaddnew lifetoyourloafersoranyAllen-Edmondsshoes.Stopinandseethelateststyles.

Shoesfromtoptobottom:Hillcrest.Kingsley.Danbury

.MountainBicvcling

BvAlisonBulman

SELECT AREA RESTAURANTS

CongressStreet'snew555

BvDiane1hidson

FEATURES

GUERRILLA ARTISTS

HvervmorninginMaineisaguerrilla worldpremiere. ByRobertBlechl

HARMONY OF SPIRIT: WILL BARNET BvStephenMax

EMOTIONAL LANDSCAPES

ArtistsLisaPixley,AlanBray,Natasha Mayers,andEmilyNelligan. ByLanceTapley

STARS OF SCREEN & PORTLAND STAGE

SarahJessicaParker(Sex67 heCity), JenniferGrev IDirtvDancing). I,ecv Goranson( Roseanne), andahostolothers ontheirexperiencesatPortlandStage InterviewsbvCathvNelson

Price.AndrewColvin.ConFox,CThris Johnson,andJohnSchoen

FROM THE BALCONY Dazzlingviewshighlightasurging condoandapartmentmarket.

BvChristopherJohnson PhotosbvDannsLonten

INSIDE STORY: FEAST FOR YOUR EYES BvScottSimons

ARTNEWS 200

nineishometoacouplelistedamongthetop200artcollectorsin theworld,accordingtoARTnewsmagazine’sSummer2003issue.

ListedamongaStudio54-1ikemoshpitofartcollectorsthat includescomputersoftwareguruPeterNortonofNortonUtilities; entertainmentsupcragentMichaelOvitz;SharonandJayRocke-

feller;twoRothschilds;/AndrewLloydWebber; CharlesSaatchiofadfirmSaatchiandSaatchi; investmentbrokerCharlesSchwab;Sheikh Saudal-Thani.SultanofQatar;LasVegascasi¬ noownerStephenWynn;andEltonJohnisa quietandunassumingcouplenamedPeter andPaidaLunderofWatenilleand Scarborough,Maine.

ARTnewsliststheLunders'passionas“19th-

Edward Hopper,PemaquidLight, 14"x20",1929,watercoloronpaper

and20th-centuryAmericanad,"andtheirsourceofwealthas“manufacturing."

Alocalgalleryownertellsus,“IfyouweretogotoColbyMuseumofArt,you’llseethat theI,undcrshavedonatedanumberofworks.”Infact,PeterI.underisa1956Colbygrad, andbothheandPaulawereawardedhonoraryadvanceddegreesfromthecollege.The telephonedirectorylistsoneoftheiraddressesasAtlanticDrive,Scarborough,onthe groundsoftheformerAtlanticIlouse.ButtheirrealstompinggroundisWaterville.

“1IeownsDexterShoe.”aColbvCollegestafferwhispers.

PaulaanswersthephoneinacharmingvoicewhenIcallher."I’vejustseenyour nameinARTnewsforbeingvenprominentcollectors,"Ibegin.

“Oh.weretheyexaggerating!"shelaughs.

“Actually,weliketokeepavervlowprofilesowecandomoregoodworkforthestate ofMaine.Peterwasthatwavwithhisbusiness,too."

Ibinderretiredafewyearsagoaspresidentandco-ownerofDexterShoe.In2001the couplecreatedTheLunderEducationChairattheSmithsonianInstitution.TheLun¬ dcrswerekevsponsorsofthelandmarkEdwardIlopper:TheWatcreolorsshowatthe Smithsonian’sAmericanArtMuseuminlate1999,thefirstshowofsuchscopein40 years.T'heirgraciousgiftofthe$1.3-million,9,000-squarc-footLunderW'ingtoColby Collegehouses13galleries,includingtheJohnMarinCollection.Internationally renownedarchitectErcdericklusherdesignedthebrick,glass,andslatewing.

COLIN SARGENT editor & publisher

PORTLAND

^HELDOR

iWyeth's New Wyeths 1Justwanttoexpressmvdelightwith jyourpieceonWyeth[“Wyeth’sNew IWyeths.”byColinSargent,JulvAugust 2003].Thanksforbringinghisnewwork

tomyattention;I'msure1wouldn'thave learnedaboutithadInotreaditinthe magazine.AnvchanceIcansecsomeof thesepaintingswhenIvisit?

BarbaraLefcowitz Bethesda,Manland

ArabianNights

1LChrisBarrow'saccountofthe USCCCWrangell"sdeplonnentinthe PersianGulf[“ArabianNights:z\Peace DiaryFromIlieFrontLines,”Sum¬ merguide2003]hasbeentheonkaccount ofthis"war”P\cbeenabletostomach reading,dealingasitdocswithrealpeople doingrealthings-asopposedtospin doctorsspinningorpoliticianspoliticking.

Gwen Thompson Portland

What A Woman Wants

Doyourealkthinkanvnormal Mainepersongivesaflyinghootwhat

SLATE is a family owned businesswithfourgenerationsofex¬ perience. We mine and manufacture ourownslateproductsfromourown quarries.Therangeofourcolorswill complimentanykitchenorbath.Our slateisheatresistant,non-porousand non-fading.Ithasapolished/honed finishandisverylowmaintenance.Let

ushelpyoudesignandbuildacustom sink,countertoporvanity.Custom inquiries are handled through the Monson,Mainedivision.

Sinksandcountertopscanbecraftedina varietyofways.Useyourimagination,or wecanassistyouinyourdesign.

The Portland Players

Maine'slongestrunningCommunityTheater

2003-2004 Season Grease (Sept.19-Oct.5) Cat on a Hot Tin Roof (Nov.7-23) Anything Goes (Jan.23-Feb.8)

TheTaleoftheAllergist’sWife (Mar.19-Apr.4)

1 Love You, You’re Perfect, NowChange (May7-30)

420 Cottage Road SouthPortland,Maine

Tickets: $14/$17 Season:$60 / $65

BoxOffice:(207)799-7337

Business/Fax:(207)767-6208

Web:www.portlandplayers.org

E-Mail:portlandplay@gwi.net

SHELDON

Saturday, September 27, 2003 10:00 AM-3:00 PM

RiverbankPark,WestbrookMaine ContactWestbrookCityHallFMIat (207)854-9105or westbrookmaine.com foryourapplication

someself-importantHollywoodstar andstarletwholiveinahousewith20 bedroomsdowiththeirtimeor[if they]thinkaboutMaineandblueberry jam[“KellvPreston:WhatAWoman Wants,”interview,byLouisB.Hob¬ son]?Perhapsyoushouldsendyour reportertodosomethingworthwhile withhisorhertime...say,visitthe RonaldMcDonaldHouseorinterview someofthelostkidsattheMaine YouthFarm,orwhatevertheState callsitnow./Xmericaissohungupon richpeopleandIlollywoodtypeswho donothingbutpushupthepropertv valuesfortherestofus.Ifvonhaveto interviewKellvPreston,askherabout thespecificsofthecharitiesshe supportsandlinkthatinformationto everydayMainelives.JohnTravolta andKellyPrestonmayhonestlybevery nice,kind,engagingpeople...butthis kindoffawningreporting,giventhe realproblemsintheworld(AIDSworldwide.Bushimperialistic presidency,environmentalrapeand ruin,etc.),isawasteofimportant brainpowerandisprettvbrainless.I betJohnTravoltaandKellyPreston,if theyarehalfassociallyawareasIthink theyare,wouldagree.

bsanford@mainc.rr.com

MovingStories

Yourmagazine-andPortland-areso great,weremovingtothearea!

Lmn McDonald Hathaway Formerly:Stamford,Connecticut Now:Falmouth.Maine

Good Service

Manx-thanksforyourexcellentcus¬ tomerservice.Afewdavsagowecmailed,tellingyouourFlorida postmasterwasnotforwardingour PORTI.WD AIaGMIXE toourRichmond address.Yourcontroller,JohnGerdes, sentusthemostrecenttwoissuesalong withaverynicenote.

Thankyouforrestoringourfaithin goodoldcustomerservice.Wewill continuetobesubscriberstoyourwon¬ derfulmagazine.

Sands-andFrankDennis Richmond,Virginia

LetterstotheEditor:edttor@porttandmonthly.cotn

Eoi'sdisg Editor &• Publisher COLIN SARGENT

Ari & Prodi ci ios NancV SaRGEX T AnD,r«n>,

Jesse Stenbak ProductionManagerttaff-fiportlandmonthlv.com

DAXN^ LjOUT EX GraphicDesigner

A !)\ E R I ISI N G LAURA B E I H O RA X I AdvertisingDirectorlg(nportlandmonthlycor: SI EVE LUTTRELL Advertising

Colin S. Sargent Advertising&Production

Editoriai J aSOX HjORT PahM,,, Anm^r

Amy Louise Barnett cop.

DIAN!'. HUDSON CalendarPhotographer R<»iew

JOHN XICNIsIL Photographer

accoumtsc John Gerdes compter

Interns CHRISTOPHER M. JOHNSON

Cory Fox ■ John C. Schoen

Andrew Colvin ■ Morgan Shepard Rihanna Daniels

Editorialoffices:Addresslettersandquestionsto:IlieEditor, PORTLANDMAGAZINE, 722CongressStreet,Portland,Maine04102

Phone207-775-4339Fax207-775-2334

Emailnsatstaff@portlandnionthly.com

Tosubscribepleasesendyouraddressandacheckfor $29(1yr.),$45(2yr.),or$55(3yrs.)to PORTLANDMAGAZINE

722CongressStreet,Portland,ME04102

PORTLAND MAGAZINEispublishedbySargentPublishing.Inc.,722CongressStreet.Portland. ME 04102.Allcorrespondenceshouldbeaddressedto722CongressStreet.Portland,ME04102. AdvertisingOffice:722CongressStreet,Portland.ME04102(207)775-4339.Repeatinternetrights areunderstoodtobepurchasedwithallstoriesandartwork.Ifyouhavequestionsregarding advertisinginvoicingandpayments,callJohnGerdesat7/5-4339.

NewsstandCoverDate:September2003,publishedinAugust2003,Vol.IS,X'o.6.copyright2003. PORTLAND MAGAZINEismailedatthird-classmailratesinPortland.ME04101(ISSN':1073-1857). Opinionsexpressedinarticlesarethoseofauthorsanddonotrepresenteditorialpositionsof PORTLAND MAGAZINE.Letterstotheeditorarcwelcomeandwillbetreatedasunconditionallyassignedfor publicationandcopsrightpurposesandassubjectto PORTLAND MAGAZINE’Sunrestrictedrighttoedit andcommenteditorially.Responsibleonhforthatportionofanyadvertisementwhichisprinted incorrectlyAdvertisersarcresponsibleforcopyrightsofmaterialstheysubmit.Nothinginthisissue masbereprintedinwholeorinpartwithoutwrittenpermissionfromthepublishers.Submissions welcome,butwetakenoresponsibilityforunsolicitedmaterials.

PORTLAND MAGAZINEispublished10timesannuallybySargentPublishing.Inc.,“22Congress Street,Portland,Maine,withnewsstandcoverdatesofWinterguide,February/March.April.May. Summerguide,Juh/August,September,October.November,andDecember.

^^TheArtofFine RentalLivingHasArrived

LocatedonPortlan HarborinSouth Portland,RiverPlat offersspectacularsunsetsoverthew; anddramaticviewi ofthePortlandsky Inaddition,the13(1 waterfrontapartmt offerthemostattrat featuresandameni ofanyrentalcomm: inMaine.

RiverPlacefeaturesinclude:

•Centralairconditioning

•Elevators

•Highceilings

•Privatedecks&patios

•In-homelaundrywithfullsizewasheF&dryerl

•Highspeedinternetconnections

•Optionalcoveredparking

•StateoftheartFitnessCenter

•WaterfrontClubhouse,Pool&TennisCourt

•Residents'MediaRoom&BusinessCenter

•BoatdockforKayaks&Canoes

Tenspaciousfloor plansfrom943to1| squarefeetoflivin spacetosatisfythe mostdiscerningof individualneedsa: lifestyles.

Models now avails Callforaperso] showing toda\<

1RiverPlaceDn SouthPortland,M 207.767.0900 www.riverplacebyrar

1chowder atastyblendoftheintriguing&absurd

It'sNotYourImagination,They'reEverywhere

The Mini Cooper may beasmallcar,butit'sgrowinghereinAlainc.InJanuary,there wereonly19registeredinthewholestate,butinthelasteightmonthsthenumberhasmore thantripled,to65.Nowadays,it'snotuncommontoseeany numberofMiniCoopersmotoringdownthestreetsof theWestEnd(one.\liniparkedonthecomerof VaughanandDanforthStreetcarriesthe\anity plate“Westic,"anothergoesby“Winnie”) orstoppedatthelightinMonument -$■.Square.Orexenscreamingdown thesidewalksoftheOldPort, jumpingfromwharftowharfala yi’heItalianJob.

'lirestartingpriceisaboutSI”,000. withtheclosestdealerinPeabody,Massachusetts.“IlieVohoused tobethecarofchoiceintheWestEnd,”anobsenersays.“Sixh-fixeMiniCoopers?Imust haxcseenall65ofthemintheWestEndthisweekend.” -AndrewColvin

EmpireBuilt On Sand

Powering29.25feetintothefirma¬ ment,whatmaxbetheworld'slargest sandcastlewasbuiltbyagroupof EalmouthresidentsinEalmouthCom¬ munityParkon\\innRoad.Using 900,000poundsofsand,engineerJohn Northrop,sculptorEdJarrett,and approximately100palsbuiltthecastlein justoverthreeweeks.Well,whatdidyou

dothisslimmer?

DiminuendoInBlack&White

Secthebluesinblackandwhite.ThephotographsofthelateLouOuzerarefeatured thismonthatGalcwrieLine/ArtinTheShopsatEalmouthVillage.Amongthe70 photographsinthecollectionarethoseofpianistsRudolphSerkin,\ladimirHorowitz, JoseIturbi.andGlennGould;yiolinistsEritz.Kreisler,RobertCasadesus,Yehudi Menuhin,ItzakPerlman.IsaacStern,andOaxidOistrakh;cellistYo-YoMa;singers MarionAnderson.JoanSutherland,JanPecrcc,LeontynePrice.LiuritzMelchior,and BexcrlySills;composersAramKhachaturian,IgorStraxinskwAaronCopland,andAlec Wilder;andconductorsLeopoldStokowski,DimitriMitropoulos,PierreMontcux,and MitchMiller.JazzgreatsincludeDukeEllington,LouisArmstrong,CountBasie,DaxeBrubeck,OscarPeterson.MarianMcPartland, VoodyIlerman.DizzyGillespie.StanGetz,GemMulligan.EllaEitzgerald,MelTorme,Lena1lorne,andPouxBennett.Ouzer's workhasappearedinLife.'lime.Xewsweek.BusinessWeek.U.S.News<5WorldReportandThe NewYork'Limes.Theresultisa symphonxfortheexes."Sl-3555.

CHRIS JOHNSON

LeafingYou Breathless jl

RangerDickBeedysaysthe mostastonishingfoliagevistainMaine J is“intheCenterIlillPicnicArea, lookingdowntowardWebbI,ake.It’s rightatthefootofMt.Blue.”Wlienthe otherleasesaregreen,thefirstearlv explosionsofcolorlooklikegunshots.

MaineGuideRichardAspinall disagrees."YouhavetogotoBaxter StatePark.Youcandriverightby Grand Lake Matagamon on the BaxterParkPerimeter Road.Youwillnever forgetthewaythe bircheslookthere.”

GloriaIIcwey, ownerof Enchanted Outfitters,sassthe bestspotisan, outlookcalled“AttcanView, onRoute201,betweenWestPorksand Jackman.ItoverlooksAttcanLake.The reflectionsareabsolutelygorgeous."

BrettDamm,anotherMaine Guide,prefers“theheightofland offRoute17betweenRumford andOquossuc.Ithasa tremendousviewof Mooselookmegunnic Lake.

Sandy Thompson of Moxie Outdoor Adventuresrevealshersecretin“Moxie Falls.Itsa90-footwaterfall.Ithasbright, fantasticcolorsasthemosschangesalong withthefernsandtrees."

There’sfiveforvou.If\ourestill readingandnotrushingtovourcar...

Westbrook's Graceland

z\coupledrivesdownMonroe/Venue, aquiet,tree-linedstreetinsuburban W'estbrook,andslowstoacrawlasthev approachXo.36,awhite,two-storv homewithascreencd-inbreezewav, greenshutters,andredbrickstairs. Iheystopandturnofftheignition,asif thevcanstillhearthesoft,ethereal crooningofRudyVallee.

“Occasionalkfansdrivebv,"sawsJane Barnes,whopurchasedRudyVallee's bovhoodhome1”vearsago. "Sometimes,”shesaws,“thevevencome tothedoor."

Inside,athree-scar-oldboxerwagshis

tailandthenaffectionatelyshoveshis noseintomvcrotch.“That’sRudv,” Barneschuckles.

Shetakesapaintingoffthewall.“It'sa paintingoftheValleefamilydrugstore,” arelicfromtheformerowners,shesass. “Rudyleftsomerecordshere,too.It’sall hisownmusic...They’reallrecordings ofhimself.”

Upstairs,adoorknockerengraved YAIT,[Rndv’salmamater]guardshis oldbedroom.Theroom,smalland neat,revealsnofurthersecretsofthe /highest-paidsingerinAmericaduring the1930s. i'wenbodv.IIcighIlo. Still,thereis somethinghere thatis distinctly Vallee, thoughVallee himselfwouldn’t care.1Ieonce saidtowriterMax Millard[PORTL.WD AlAGAZIXi:, November 2000],‘Aonarcso predictableinsour cornyadmirationfor nostalgiaandthe past,howthe Helldovonever expecttorise abovevourlowly stateoffinance? ■..Jesus!!!"

forhertempestuousseascapesin softpastels,drenchedinvibranthues which quenches the most discriminating visualpalette. Originals/one-of-a-kindonly.Noprints. (Italian-madeframes,realrawsilkmattes. I '

JohnC.Schoen

GotMilkman?

“Doyourememberyourneighborhood milkman?”askstheweirpageofArtJones. Dovouremembertheglassvmusicof milkbottlesbeingdeliveredtoyourback porch,inthebluehoursofmorning? Whethervoudoornot,Jonesand ToddNuttingarepreparedtodeliver memoriestoyourdoor.

1Ionicmilkdeliveryismakinga comebackinsouthern.Maine.Jones, eponvmousproprietorofJonesy’sHome Delivery,independentlydistributes OakhurstDairyproducts.Nutting deliversforIlarrisbarm,inDayton, whichprovidescustomerswithglassbottledmilk.Bothmendelivervear roundandlovewhattheydo.

“Peoplecanscheduletheirwatchesby me;1thinkthattheylikeknowingthat themilkanddairvwillgetthere,exactlv asordered,”saysJones.

AccordingtoNutting,“1getcustomers bvword-of-mouth.Thequalityofthe milkandtheconveniencearcwhatkeeps themcomingback.”

ToddNuttingisavailableforhome deliveryfromSacotoKittcrv.Ilecanbe contactedbycalling985-7768.ArtJones senesCapeElizabeth,Falmouth,Gor¬ ham,OldOrchardBeach,Portland, Scarborough,SouthPortland,West¬ brook,andWindhamandcanbe reachedat.99-5381.- Chrisjohnson

MaineSkiing HallOfFame

Maineskierswhohaveleftmoreof amarkontheslopesthanjust theirskitrackswillsoonbe recognizedwiththecreationofthe MaineSkiIkilloffame.

Inchidedonthelistofhonoreesare world-classathletesandcoaches,in¬ cludingOlvmpianW'endall“Chummv” Broomhall.aswellasothersnow pioneerslikeOttoWallingford,who revolutionizedsnowgrooming.A banquettohonortherecipientswillbe heldOctober24atI,ostValleyin Auburn.Newmemberswillbeinducted eachyear,andacollectionoftheir biographiesandphotographswillbe archivedattheSkiMuseumofMaine.

Ihefirst10honoreesareRobertBass. AureleLegere,AlMerrill,W'endall Broomhall,OttoWallingford,z\mos Winter,JohnBower.RalphDesRoches. W'esMarco,andRussIlaggett.Organ¬ izerDaveIronssavs,"bindingnew membersforthevearstocomeisnot goingtobeaproblem.”Cheatslike JulieParisienandKirstenClarkaresure tofollow.- AndrewColvin

BY ROBERT E

PHOTOGRAPHY

JOHN MCNEIL

U-HaulclatterstoahaltatCongressSquare.Uprolls thebackdoor,andouttumblesaSWATteamoffilm¬ makers,painters,photographers,musicians,anddancers trailedbyathrongofotherwiseinnocentpedestriansattractedby thesoundandthefury.Faze0.1,aSuper8filmwithoutaname, flickersontothenearestwall.Why?

“Becausewewantitto,”saysPortlandartistEliCayer.

“Fazeispartofasix-locationinstallationovertime.Location ZeroreferstoCongressSquare.The“.1”attheendofFaze 0.1denotesaguerrillaworldpremiere.”

Arthappens.Withoutanyone’spermissionandwithoutany advancenotice.InspiredbytheprojectedimagesofFaze0.1, thelivebandkicksintogear.

“Guerrillaartisanythingthatwillcatchyouoffguardand

takeyououtofyournormalsetting,”Cayersays.“It’sanything thattakessomeskillandhappensinarandomspot.Artinyour face,essentially.We’reherenow,wewon’tbeherelater.Alot hastodowithpent-upenergy.It’simpulsive:‘I’vegottodo this,I’vegottodothat,anddoitnow.’”

AsurprisingnumberofPortlandcivicorganizations,reeling fromgraffitiproblems,wouldratherhediditlaterornotatall,

all,atleastnotwith.spravcansonprivate property.Madawaskanativeand MassachusettsSchoolofArtgraduate Caver,29,ownerofRapid.Inc.,the Portlandbicvclcmessengerservice, acknowledgeshehasspenttimeinjail forspravpaintinginthepast.

"Withacanofspravpaintfreezingvour thumb,you’realwayslookingandafraid ofbeingcaught.Theadrcnelineis pumping.Youareinaheightenedstate ofexcitement.You’respravpaintingvour exteriorworldandvourinteriorworldas well.Yougetfreakedoutwithallthe chemicalsdumpingintovourblood.It’s addictive,”hesays.

“IwasusedtotagginginBostonwhere itwasn’tasnoticeable.[InPortland]I hadtopax'somefinesandwasinjail sevendays.OnereasonImovedherewas todealwithit.IpaidwhatIcould,did somecommunitvservice,andwason probationforayear.Igotoffprettyeasy.”

Thatwasadecadeago.Today,sixoEhis Fazeeventshavetranspiredthusfar, includingoneatLongfellowBooksand oneatThe1lub,Caycr'snow-defunct bicvclcrepairshop.liedescribeshisstop atCongressSquareas“themostguerrilla ofanyofourshows.”

Healsodescribesabroadmindedness onthepartofcitvofficialsthathas resultedinasurprisingpartnership. BecausePortlandrequiresparkevents tobeinsured,Cavertookhisunorthodox U-Ilaul“mobiles”throughthemostortho¬ doxroutepossible:“Wediditlegit.Itwas semi-guerrilla,butwewentthroughthecity. 'Iheyputusona$100,000policy.Idon't knowtooman}'citiesthatwoulddothat."

FazeisacollaborationofForbidden Artists,comprisedofCaver;Boston-born BobSmith,28,whoCavermetatMassArtinRoxbury,Massachusetts;andMaine CollegeofArtgraduateTimClorius,27, anativeof1leidclberg.Germany.

"Idrawinspirationfromthestreetart weallhadbeendoing,”saysClorius, whohasastudioonCongressStreet. “Bobisthedesigner,thedetailfreak.Eli istheonewhosetscvcivthingup.Graffiti isthethingthatconnectsusall.”

PHILSCHIRMER

September4-27,2003

OpeningReceptionThursday,September4,5-7p.m.

GREENHUT GALLERIES

HISSING CANS

Cloriuspoppedopenhisfirstspravcan 11tearsago.“Alienyoudosomething illegalandfast,conroll[spray]thewhole wallthenallyouneedtodoisfillinthe blocksquickly.Yousavepaintandtime thatway.”

Timeandpaintmaybe,butnotnec¬ essarilyyourhide.Cloriussoonclashed withthe1leidelbergauthorities.Not longafter,hepackedupforthissideof theAtlantic.

IIe'ssincemoyedbeyondtheillegal scenebutsaysliestillgetsthejonesforit. “Alienyouhaverootsingraffitilikewe baseit’shardtoletgo.”

Fortunatelyhedoesn'thaveto. Portlandofficialshaseapprovedtwo legalsitesforgraffiti:Thefourwallsbe¬ hindthc.AsvlumnightclubonCenter iStreetandthelengthywallbvthe EasternProm'ssewagetreatmentplant. AVecomeoutheretodohigh-quality graffiti,"Cloriussass.

Othersthinkso,too.

Asatestament.Clonus'scharacter piece"Time"hasremainedonthe EasternPromenadesinceearlyspring... andinthegraffitiworldthat’s,well,a longtime.

“Thegraffitisceneisanartscenewhere ifsomeonedoesn'tlikeyourworkthey crossitout,"Cloriussays.

Cloriusdrawsadistinctionbetween tagginggraffiti-“dogspissing,wccallit"andurbanart.“Urbanarthasanagenda, apoliticalorsocialstatement.Graffitihas noagenda,it'sforitself.”

Toteachmychildrenabout history,Iwouldbeginin... Myscorewouldn'tmatterifI spentadaygolfingin... ThenextpostcardIsendwill befrom...

WhenIfeeloverwhelmed,I imagine... IwishIcouldstrollthevine¬ yardsof...

Whatdifferentiatesthetwoisa“burner.” '\burnerbvdefinition,”explains Clorius,“isapiecewhereyouinvestalot oftimeandcleannesstomakeitstandout. Ithasabackgroundofsonicsort,some landscape,nicefills,allthedesigns,and lettersthathavegoodflow.Youhavea pieceandthenacharactertogoalongwith it.Background,character,piece-ifyou don’thavethosevondon'thaveaburner." IIecallsPortland’sstreetcanvas“an honestartworld."

“It’snotabout'whosellsthemostisthe best,’or‘whoattendsartschool'sthebest.’ Youdosomethingandwithinanhour peoplewillknow.Thecityisessentially thegallon-andevenone’sinthegallery allthetime.”

Thethingis,thatmeansCeleryisin thegallon-,too.

Inhisownwords

Celeryspeaksout

INTERVIEW BY ROBERT

BLECHL

I’ORUAXD MAGAZIXE passedtheworddownthe graffitigrapevine: w wantedtochatwithanactive tagger.Seedlesstosay.noonejumpedatouroffer. UntilonenightTimCloriusrangusup.Iim handedhiscellphonetosomeonewho-forobvious reasons-willonlyspeakanonymously.1Iegoes underoffbeathandle CELERY.

Ilowoldwerevonwhenvonsprayed vourfirstlag?

C:13.

Why?

C: When I was vounger it w as a i vengeancetowardthepower,the government,thepolice.I'dgooutanddo

ANNUAL ART AUCTION

ahundredtagsanight.Wasitforaccc|> tance,too?Ican’thonestlysaw1still don’tknow.1knowIenjovedit.1lived foritcvervsingledaw

Doyouhaveanyregrets?

'C:I’vedefinitelydonemvfairshareof damage.Ican’tsayImorallybelievein whatIdid,butitkeptmeawayfrom othernegativethings.Ithelpedturnme awayfromalifestyleofdrugs.Itstilldoes, eventoday.WlienIcan’trelaxI’llgotoa secludedwall-legalorillegal-and spendeightorninehourspainting.It’s IoneofthethingsIdotomellowout.It’s Irewardingforalongtime.I’llgoback andlookatitandrememberhowIwas feelingthenandthinkofthetimeand workIputintoit.

ThelasttimeIwentoutanddida hardcorebombingcampaignwasa fewyearsagowhenmycarwas towedoffCumberlandAvenue.Ithad carpentrytoolsinit,athousanddollars worth.Itputmeoutofwork.Iwas pissed.1wenttothepolicestationjustto getmvtoolsback.'Ilievwouldn’tlisten. FridasnightrolledaroundandIbombed theshitoutofthecity.Bridges,under¬ passes,everything.

ArePortlandtaggerssendingapolitical orsocialmessage?

C:Venrarclvisthatthemotivation. Nowadaysit’sacompetitionamong writers-whocanwritethemostandstav upthemostandgetrecognized.That’s whereaclean,consistenthandshle comesintoplawThegoalistoget recognizedasagraffitiwriter.It’savery small,closesubculture.

Cantaggingevolveintoart?

C:It’sevolvedintomvstickersand paintings.Imdoingastickercampaign now.agraffiti-influencedart.Theyreup onCongressStreet...onlightpostsand anabandonedstore.Iguessit’sborder¬ lineillegal.Withtagsand[vinvl]stickers thedriveistoberecognizedasagraffiti artist.Icansitandworkonadrawingfor threeandahalfweeks.Imakeascreenof itandIdon’thavetosellit.Icouldsellit. butit’sgone.They’reveryinvolved drawings,vervprecise.

Doyoufeelguiltyforthepeoplewho havecleanitup?

C:Fvcnbodvneedsajob.Ifitweren’t formethevwouldn’thaveajob.It’slike ifeveryonestoppedlitteringwhowould pavtheguvsthatpickuptrashallnight? Iftherewasnocrimewhatwouldcops ido?There’sapurposeforeventhing.

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Ifyou’veeverglimpsedamansand¬ blastingadowntownwall,erasinggraffiti asifblankwallsweregoingoutofstyle, chancesareitwas'loinKane.

Kaneistherecruitmentandaftercare managerforPortlandWest,thecon¬ tractorpaidto“unhappen’’someof Portland’s“happenings."1lehitsthe streetsonceaweek,aidedbvfourorfive southsearningouttheircommunitv scnice.

There'snomagicbalmtocounter graffiti,butKane'sgameplanissimplesheerpersistence.“Ifsoudon'tkeepafter it,itjustbegetsitself.It’satig,andifone answers,anotheranswersthat,andifyou’re notaggressiveit’llcoveresenthing.”

1Iesassthejun’sstilloutonwhether morelegalwallswillmakeitstop.“My guessisthatthere'salwaysgoingtobe graffiti,butitallboilsdossntothe communits’sattitude.Iliefastersoucan getitoff,thebetteryou’regoingtobe.You takeawavthejoyofit.Thegoodthing aboutPortlandisthatit’smanageable.”

PortlandWesthasheadedupremoval sinceautumn1994.Nineyearslater(as ofJune30),ithasvisited3,732sitesand wipedoutsome208,000squarefeetof graffiti.Soundsalittleabstract?ThenIrv visualizingthreeandahalffootballfields.

"Ihere’snotanvoneplacethcs’llsingle out,”sassKane,thoughnoting“itsmore in-townthansuburban.Thcvdon’tseem tocarewhosepropertyitisaslongasit’s highlyvisible.They’llhitpublicand privatepropertv.mailboxes,sidesof businesses,sidesofhomes.Youcansee theirrationale.They’retrsingtoputtheir signaturewherethesthinkpeoplexsillsee it,andthcvseemtoknowallthespots.”

AddsTomPortier.Portland’sisland¬ neighborhoodadministrator:“Street signsandbrickbuildingsareaprefer¬ ence.'PliesliketohitthejPostOffice]

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mailboxesoncorners,thegreenones particularly.Groundlevelgraffitiispar forthecourse,butiftheycanget somethinguphighthatseemstobea bonus."IIesavsthegraffitiasoflate“has beenalittlehardertokeepupwith,”but doubtsifitstemsfromdrugsorgangs.“It seemstobepurelycompetition."

AlthoughKanesayshe’llrunacross occasionalartwork-“inthealicv-tvpc areas,likeunderbridgeswheretheycan spendsometimeonit”-hesaysthe overwhelmingbulk“istrulyjusttags.”

“1wasinXorthcrnIrelandtwoorthree yearsago,”recountsKane,"andoxerthere it’smurals;they’reexpressingpolitical statements.Ilercit’sdifferent.Exceptfor thatlittlestintwiththeIraqWar,there’s ven-littlepoliticalexpression.[.Andhere] inthe1960s,withpeoplemakingpolitical statements,therewassomewittoit.1sec vervlittleofthatnow."

Kaneestimates25to>0complaints filterineachweek.“WTicnthe‘fwordis outtherevougetcallsimmediately, fortunatelywedon’tgetalotofnastv wordsandthankGodnoracism."

Ofcoursehe’sspeakingfrompersonal

experienceandnotfromthecity’s conscience.Considertheswastikas paintedoverthemonumentsintireMt. SinaicemetervonouterCongressStreet inMay2001.'

CREATING AN 'uni-iappening’

Removalisacombinedeffortofthe city,PortlandWest,andthe PortlandDowntownDistrict.'Pom Portier,whoworksoutofthecity manager’soffice,cameonboardafew monthsback,afterPortlandWest requestedmanagingassistance.1lisroleis tocoordinatethethree.Theroleofthe downtowndistrictistocommunicate withbusinessesandidentifythesites.

PortiersavsPortlandW'estspent S34.000incleanuplastvear,themonev flowinginfromfederal,state,andcity grants.Theeihfurnishestheequipment, materials,andcover-uppaints,which totalabout55.000avear.

Sooncevouhavetheammo,howdoyou uncrcatethegraffiti?TTaatdependsonthe

ThePortlandMuseumofArt gratefullyacknowledgesPierceAtwood foritgeneroussupportofthisexhibition. MediasupporthasbeenprovidedbyMainebiz.

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surface.Kaneelaborates:“Ifit'sonahighglossmetalwehavechemicalsthatwilltake itoff.Ifitsonpaintedwoodwegetachip tomatchitandpaintoverit.Wedoalotof painting.Ifit’sonbrickorconcretetheonly w;wtodoitissandblasting.”

Thepaintingcrew,whichbreaksout thebrushesafewtimeseachweek,com¬ prisesthreetofixexolunteersalongwith anadultsupervisor.Kaneobtainshis' apprenticesandblastersfromYouth BuildingAlternatixes.

“Wethoughtitwouldbegoodworkfor kidswhohadtodocommunitx'servicefor thepolice.W'calsohaveanalternative schoolforhighschooldro|X)uts.'Iliesand¬ blastingisago<xlskillforthemtolearn.It seemsgtxxlforwhatwewanttoaccomplish.”

PortlandWestmightappearanodd candidateforgraffitierasure.Afterall.it startedasagrassrootsaggregateofWest Endneighborsseekingtoalleviatepoxertxandbolstercommunitybonds.One ofMainesoldestlow-incomehousing adxocates,itevolvedtoemphasizesouth programs.Todax,>5xcarslater,it’san inclusivesocialservicesagencywhich notonkprovidescommunitx'servicefor juvenileoffendersbutafamilyliteracy program,acommunitx'outreachcenter, andanafter-schoollearningcenter.It promotessclf-improxement,selfempowerment,anddixersitx'.Iteven sponsorsaneighborhoodartsprogram.

Sowhyintheworldwouldasocial servicesagenew-espcciallxonesteeped infreedomofexpression-getbusy blottingoutgraffiti?

RepliesKane:“Wehaxen’tforgotten whatourrootsareallabout-the communitx'andmakingPortlandagood placetoIkeforallpeople.EorJohnand JanePublicwalkingaround,[graffiti] doesn'tmakesoufeelsafe.Itmakesyou thinkofgangs.Youfindalotofrubbish atthesites,too."

Portierconcurs:“Unremovedgraffitiis notjustaneyesore,itsendsamessage thatnoonecaresandinvitesdisorder.”

Bothmenaddthatremovaltopped MavorRudolphGiuliani’slisttorev¬ italizeNewYorkCity.

“It’smorethanaprank,"addsKane. “It'scostlvtohomeownersandbusiness owners.Someoftheprolificoneshavecost thepublictensofthousandsofdollars.” baggers,however,areelusiveanimals. Rarelvaretheysnared.Andwhenthex are,sawsPortier,throwingthebookat them“doesn’tseemtostick.”

That’swhyFortierisspearheadingthe movementforstifferpenalties.“Once voubecomeinvokedvoubecome emotionallyinvolved.Voufindyourself lookingtoseeifit’sbeenhitagain.Ifit hasbeenhitit’sdevastating.”

AlthoughFortier'spresenteffortis removal-“24to48hoursisthe ultimategoal”-he’salsoIrvingto formulateamorecomprehensive approach.“I’dliketoconcentrateon educationpreventionandtalktoproperty ownersonhowtheycanreducegraffiti withincreasedlightingandbarriersto rooftops.I’mtryingtogetmorepeoplein thecommunitvtohelpout.Butoneof themostimportantgoalsformeis helpingpasslawsthatmakeiteasierto prosecutetaggers-itsendsthemessage it’savervseriousoffense.

“Weallworkhardtomaintainaqualitv oflifeinPortland.Portland'smottoisa lixablccits-andgraffitiisanactof vandalismthatthreatensthatwayoflife.”

Whenisitartandwhenisitvandalism?

Fortier:“It’sartwhenit'swanted,ac¬ cepted,andaskedforbvthecommunitv. Il’sgraffitiwhenit’sunsolicitedonsome¬ one’sproperty.It’sartwhenyouhave permissiontodemonstratetovourtalents. Ithinkrandomactsofartworkaregraffiti.”

Portierdoesacknowledgethe“beautiful art”atthetwolegalwalls,butsayssimilar artisunlawfulonanvunsanctionedwall.

"Justrandomlvbeingabletodisplay yourworkonprivateorpublicpropertv doesn’tconstituteart,butiscloserto disorderlyconductandchaos.”

Clorius:“Somepeoplethinkifvouuse aspraycanit’sautomaticallvvandalism. 4here’sanimmediateassociationwith crime.Butstreetartneedstobethereto enrichthecommunitv.Itbreakspeople outoftheirtunnelvisionandsleepwalk. Acommunityisdeadifitsartdoesn’t comefromitsvouth.”

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HARMONY OF SPIRIT: WBL BARNET

WillBarnet,TheBlueRobe,1971

Overthecourseofa productivecareerspanning moretitansevendecades, WillBarnethasmadehis markasasaninnovative painter,pioneering printmaker,andrespectedteacher.Still goingstrongatage92,thispart-time Maineris rHicGrandOldManof Americanart.

BorninMassachusettsbutalong-time residentofNewYorkCitv,Barnetstres¬ sesthatNewEnglandisclosetohis heart.Eordecadeshehassummeredin

Maine,firstinChamberlainandmore recentlyinPhippsburg.“Mainehasbeen veryexcitingforme,”hesays.“We've cometolovetheplace.It’shome,al¬ thoughwealsoliveonGramercvPark,” inManhattan.

Gentleandgenerous,Barnetisadmired forhisqualitiesasahumanbeingaswell asanartist.1leisacclaimedbygenera¬ tionsofstudentsandartobserversforhis adherencetoclassicaltraditionsoforder, harmom;andstability,aswellashiscom¬ mitmenttoexperimentalformsofpor¬ traitureandgenre.

Drawingonawiderangeofinfluences includingElGreco.Picasso,Ilartlyc, Dove,andStuartDavis,plusByzantine andNativeAmericanart,oxertheyears hisoutputhasrangedfromtheSocialReal¬ ismofthe1930stoIndianSpaceandother abstractionsinthe‘40sandbeyondtothe domesticfigurationofrecentdecades.

Oneof/America’smostimportantlixing artists,Barnethascollectedboatloadsof honorsandawards.1IeisanAcademician oftheNationalAcadenwofDesignanda memberoftheAmericanAcademyof ArtsandLetters.lieisrepresentedin

prestigiousmuseumsalloverthecountry, includingtheFarnsworthArtMuseum andPortlandMuseumof/\rtinMaine, eachofwhichhashostedBarnet exhibitionsinrecentyears,lieis representedbvtheesteemedAlexandre CallervinNewYork.

BornincoastalBeverly,Massachusetts, in1911,thesonofRussianimmigrant parents,hegrewupabsorbingthepatri¬ oticheritageandmaritimetraditionsof thatregion.Ilewasavoraciousreaderasa voungstcr,begancreatingartinthecellar ofthefamilyhome,andreveledina householdfilledwithdogs,cats,andtalk¬ ingparrots,whooftenappearinhiswork. Afteracademictrainingatthe SchooloftheMuseumofFine ArtsinBoston,heconcludedthat "Bostonwastoosmall”and.atage18,set outforNewYorkbentonacareerasan artist.11cstudiedalongwithJackson PollockunderThomasIlartBentonand StuartDavisatthez\rtStudents’League. Becomingalargelyself-taughtmaster printerbyage23,Barnettaughtforsome 40vearsattheArtStudents’League.Bv

ThePurpleBottle.1989-1990 allaccountsaneffective,demanding, humane,andunfailinglyhelpfulinstruc¬ tor,hebecame,accordingtoGailStavisky,curatorattheMontclairArtMuse¬ um,"oneofthebestandmostinfluential teachersinAmerica.”Amonghis prominentpupilswereAudreyblack, Eva1lose.DonaldJudd,JamesRoscnquist,MarkRothko,CvTwomblv,and 'lornWesselman.

Beyondhisachievementsasanartist andteacher,Barnetiswidehadmiredfor hisinterestinpeopleingeneralandin

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PAINTINGS & DRAWINGS

August 20 - September 20, 2003 reception, August 20, 6-8 pm

ARCHIE'S

helpingtoungcrartistsgetahead."IIeis oneoftheartworld’sgreathumanitar¬ ians,"savsChristopherB.Crosman,. directoroftheFarnsworth,“mentor, exemplar,helpinghand,andwisefriend tonearlyevenpersonconnectedtoartin NewYork,NewEnglandand,indeed, throughoutthecountry.”

AfterhisSocialRealistperiodinthelate 1940sand1950s,Barnetwasassociated withtheIndianSpacePainters,/Amer¬ icanmodernistswhocombinedavantgardetechniqueswithtwo-dimensional motifsfromNativeAmericanart,with someSurrealisttouches.1lealsoessayed ascriesofgreatlyadmiredpaintingsof biomorphicandgeometricforms.

Divorcedfromhisfirstwife,in1953 BarnetmarriedLithuanian-bornElena Ciurlvs,whobecamehisdevotedmuse andpartner,intheearly1970stheBarnetfamilybegansummeringinCham¬ berlain.Maine,nearNewIlarbor,rent¬ ingahouseperchedonarockyprom¬ ontorywithawideporchcommandinga clearviewoftheocean.Inspiredbvthis renewedexposuretoNewEnglandand thesea,theartisttookupnewsubjects.

“Maine,”Barnethaswritten,“withits monumentalprimordialrockycoastlincitstallpinetreessilhouettedagainstavast luminousskyandocean-itsdeep harborsandancientpiers,caughtmy visualimagination.Addedtothisis Maine’stranscendentalhistonandits manymUhs,whichstirredwithmea depthofdramaticfeelingandtension.”

OnenightinChamberlain,here¬ called,“1sawmvwifestandingaloneon

ourporch...Itwasduskandherfigure wassilhouettedagainstthesea.Itwasa momenttoremember."liepromptly beganagroupofenigmatic“Woman andtheSea"paintingsthatimmortalized asolitarywomanorgroupsofwomen standingbeforemorningandevening skiesandgazingsilentlyouttosea.

SuchfigurativeworksasDawn (1975)andWomanandTallTrees (1977),bothownedbvtheEarnsworth,andMaine(1977,Alexandre Gallen)arepaintedincoolgrawblue, andblacknocturnaltones,withthe addedinspirationofthearchitectureof earlycolonialNewEngland.Spring Morning(1985),acolorlithographinthe Eamsworthcollection,showsagroupof slimwomenincharacteristicallylong blackgowns,amidtall,leaflesstrees, framedagainstagrayskwWinterSky (1985),anoilpaintingownedbythe PortlandMuseum,combinessuchfavorite themesasblack-garbedfemalesandblack crowsstandingonsnowvground.

Lyricalandhauntinglymemorable,the “WomanandtheSea”scriesconvevsina modernidiomthetraditionaldepen¬ denceofMainewomenontheseaand thestrengthofsolitaryfemalesasthev awaitthereturnoffisherfolk.Barnetsecs theseriesas"myfinestwork,"andin¬ deed,itmavwellconstitutethemost enduringachievementofhiscareer.That wouldfulfilltheartist’sself-professedgoal ofcreating“avisualepicof/America,one rootedinsymbolismratherthanrealism." 1heseworksepitomizewhatEarnsworthdirectorGrosmanhadinmind whenhenotedthatBarnet’sart“strikes

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deep,resonantchordsofwhatwein MaineliketothinkofasNewEngland virtueshut,intruth,arevirtuesthat belongonlytotheartist-hestripsaway thesuperfluoustorevealtheverystruc¬ tureofstillness,silenceandclarity... [Thcv]alsoseemtosoundthatlow, solemnnotewehearalongtheMaine coastwhenfog-shroudedimagesbecome suddenlymysteriousandsomehownew.” z\relatedthemeisreflectedin Barnet’saffinityforthegraceandform ofcats,whosecurvesheseesas echoingthoseofwomen,asdocu¬ mentedinAprilNight,Maine(197275)fromtheFarnsworthcollection. 1Iealsoadmirescrows,another favoritesubject."CrowsinMainearc themostbeautifulintheworld,"

Qi/ aftt y isremembered',longafterpriceisforgotten Showroom focatecf at rOOStroudwaterStreetll’cstbroobjM‘aine207-S56-‘i{PC‘K. www.stoneconcepts2000. com

TheTerrace,1994-2000 Barnetobserves,and"the}'arcthe mostintelligentofallbirds." ImagesofBarnet’shandsomewife, withherdistinctivealmond-shaped eves,hiscomelvbrunettedaughter Ona,andeventuallyhisgrowing grandchildrenhaveplayedmajorroles intheartist'soeuvreoverthelasthalf century.Manyofthesehavebeen translatedintowidelyadmiredprints. InrecentyearsBarnethasspentat leastpartofhissummersatdaughter Ona'sscenicwaterfrontproperty.Roc GardensInn,adjacenttoSebasco IlarborResortnearPhippsburg.There heentertainsadmiringvisitors,talking insightfullyabouthisartandthose whoinfluencedit,andrecallinghis contactswithsuchartistsasDavis. MarsdenHartley.andPollock.He glidesaroundthegroundsonagolf cartandstudiesviewsouttosea. Inthissettinghehasrecordedthe growthofhistwograndchildrenand theirrelationshipswiththeirmother andgrandmother.ThreeGenerations (1990)offersvignettesofBarnet’swife ElenawiththeirdaughterOnaasa

from the Eastland Park Hotel Free Parking in the Eastland Garage.

WillBarnet,MyDaughter,HerDaughter.1990 child,alongwithOnaasamotherwith oneofherinfantsandacontemporary viewofElenareadinginthefore¬ ground.Allthreegenerations,along withassortedanimals,aredepictedin theEgyptianfrieze-1ikeThreeChairs (1991-92).'Thesearesizeablecanvases, measuring x 54 inches and 4s x 53 IH inches,respectively.InMy Daughter.HerDaughter(1990)Barnet showsdaughterOnawithherdaughter Ellieposingforapaintinginprogress.

Inapaintingwithinapainting,'Ihe PurpleHottie(1989-90),Barnetboth paintsandhasanarmaroundhiswife

Elena.Sheholdsavividpurple decanter,whichaddstotheSurrealistic feelofthisdoublelikeness.InThe Terrace(1994-2000),theartistworksat aneaselonwhatlookslikethe Chamberlainhouseporch, accompaniedbvanumberofhis favoritehumanandanimalmodels.It isasplendidimage.

The Closed Window(2001),painted whenBarnetwas90,showshimfondly embracingawhitecat.whoewesacrowinflightoutsidethewindow.Theartist explainedthatliedidnothavea windowinmindwhenhestartedthe

painting,buteventuallyaddeditto givethepictureformandstructure. Barnet's clean-edged forms, flattenedperspectives,andadept useofcolorhelpthese affectionatecompositionscomesa universalscuseoftheimportanceof family.“WhatIwantedtocreate,"he declaredafewscarsago,"were paintingsthatwouldlast."Accessible setmssterious,ofteninfusedwiththe ambienceofcoastalMaine,hisworks castaspellthatlingerslongalterone siewsthem,suggestingthattheswill standthetestoftime.

Itisimpressivethatinhisnineties Barnetcontinuestoturnoutsomeof thefinestworkofhislongcareer.Asart criticLindaS.Pricesaidafewsears ago,“iftheUnitedStatesnamedits elderartistsNationalLisingTreasures, asthesdoinJapan,WillBarnetwould certainlsbeon[thelist|.”Ilisinspiring toanticipatefurtherrewardingart portrasingthespare,elegiacworldof thispart-timeMainer-avenerable iconofcontcmporars-art.

Stephen\kn 1writesfor.\RInews,Art&.\ntiques.andSmithsonianHelivesinWashington,O.C.,andIhiion.Maine.

BY LANCE TAPLEY

Whydothosesimplelittledrawingstouchmeandsomany ofthosepaintingswe’veseenleavemecold?”mywife asksaswefinishadayofgalleryhopping^nPortland. WearewalkingfromJuneFitzpatrick’sexhibitopening-ofEmil) Nelligan’scharcoalsketchesofGreatCranberryIsland.

Thequietyouneed Thelocationyouprefer WalkthroughourVictoriandoors, enjoycomfortableeleganceand warmhospitality.Locatedstepsaway fromhistoricalDockSquare.

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Atseveralothergalleries,big.ironic, postmoderndosesofoilandacrylichad beensquirtedinourexes-globsof fancifullydistortedarthistoryas perceivedbv...ironic,postmodern studentsofarthistory.

Themostmasterful,lastingart,onthe otherhand,isnotjustreferential andsardonicbutthoroughly originalandseriouslyemotional.Wlrile it’softenRmandilluminatingtoseeart thatpokesfunatart,theviewingofironic arttendstobeanintellectualexercise. Attheriskofsoundingemotional,give mesomethingthatpunchesmeinthe gut.IrememberstrollingintotheYale artmuseumasayoungmanandbeing flooredbvthehugeblackblotchesof severalofRobertMotherwell’sElegiesto theSpanishRepublic.Ifeltlikecrying. z\ndthiswaspureabstractart.

WanderingaroundPortlandandafew otherMainelocales,Idon’texperience suchadramaticreactiontotheemo-

tionalartthatIfind.Nevertheless,Ican reportthatemotionalart-Imeansome¬ thingbroaderthanexpressionism-fixes andbreathesand,ofcourse,sometimes pantsandslobbersrighthereinourfair state./\nd,quiteoften,itsells.

Li^dPixley1 :

Forareadyexampleofemotionalart, there’s1,isaPixley,the24-year-old wunderkindofPortland’s1lay(fal¬ len.Whatemotion?IIcrcarcsome clues:theunboundphysicalityofthe nudesofherrecentcanvases;theextrax'agant,thicklyapplied,brightoils;thethe¬ atricalityof-totakeoneworkasanex¬ ample-fixingacomposition'sfocalpoint onapudendum;andthepredominance ofthesensationaloxerthepsychological. AnotherclueisthatPixleyisstillastu¬ dent.Althoughshehadaone-woman showattheIlaythisspring,shehasspent onlvayearatAlaincCollegeofArtanda vearatUSM.Sheisanemergingtalent. Sheistryingoutx’arioussubjectsandtech¬ niques-inquiring,exploring,grasping.

ApaintingattheIlay,6:47 Monday Morning-thesubject:twopeopleasleep inbed,coxcredinlightfromafanwindowismoresubtleincolorandapplicationof paintthanthenudes.Shehasgraspedhere atechnicalsubtlctx'thatfitsthedelicate andunusualintimacxofthesubject.

Pixlcw,ahigh-schooldropoutfroma rough-knuckledfamilx’inruralCon¬ necticut,hasalreadx’comealongway fromherteenagejobasawaitressinan all-niglitdiner.“1didn’thaxcmuchelse besidescreativity,”shesays.“Paintingfor meisaluxury.”

Above:AlanBray

Sheshowsit.Shedescribesherthick layersofoilasdrippinglikerichcakes andfruitpies.Shelikes"tousegrotesquenesstocreatelusciousness,”shesays. She’shungry.She’sambitious.She’s hopingtostudx-inFrance.

AXTiatword,then,describestheemotion

Above:NatashaMayerspaintingfeaturedinherrecentshowatAucocisoGalleries conxcwcdinherpaintings?Byauxchance,isit...desire?

“1’11gowiththatone,”shereplies. Desireistheappropriateemotionfora xoung,promisingartist.

AlanB^aV:

Didyouknoxx-thatoneofMaine’smost celebratedpainters,AlanBrax;a57-ycarold,down-homeMainenatixewhofixes onafirminSangcrxillc,isaphenomcnologist?ThathereadsFrenchphilosoph¬ icalauthorswithnameslikeBachclard andMcrleau-Ponty?Andthathegoes intothewoodsandjustsits,Zcn-likc,for hoursuntil"thelayersbegintopeel away”fromreality?

“’Ilieideaistotrytoforgetwhatyouknow aboutsomething,togotothesimplest fonns,"Braxsavsofphcnomcnologw"It

gavemeawax'tothinkaboutlandscape.” Perhapsabstrusephilosophyshould beexpectedfromamanknownfor his“mysticalrealism,”amanwho createssomeofthestrangestpaintings around.SuchasColdWarSky,with ominouscontrailsofjetscrisscrossingthe surreal,greenishspaceaboxcasolitary, giantBoarstoneMountainrisingoxera peculiarlyregular,orange-brownforest. Or AnAerie,anemptyhawk’snestina birchtreeamongotherbaretrees.The branchesreachupwardinasnakyman¬ ner,andthemouth-likeholesonthe trunksgixethetreesanalmostcartoonish, hauntedlook.

Braxismostfamousforhislandscapesof timberclcarcutsandofnaturedamaged inotherwavs,suchasb\fire.Therearc newerhumansinsight,justtheireffects.

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Uisworksrevealan“insistentmalig¬ nancy,”accordingtotheMaine Sunday Telegram’sPhilipIsaacson.Malignancyis popular.Braypullsinupto$15,000each forthe15orsopaintingshegenerates eachvear.1Iepaints“obsessively”-his word-intheancientmediumofcasein onwoodpanel,whichhelearnedin graduatestudyinItaly.

Sorrow?"Itstartedattheend ofAugust,1991.Ourneighborand dearfriend'sdaughterwaskilledin abusaccidentinCalifornia.In Marchof1992mynephewwas killed,andmysonwasinjured,ina hikingaccident.Thenmyfather-inlawdied.Duringthattimemy brotherwasdiagnosedwithAIDS. Iwaspreparingformyfirst showinNewYork,inJune,three monthslater.Itwasastretchof things.Itsnotsomuchthework wasadirectresponsetoit,butitall sortofgetsintherethroughtime andmemory."

Alan Bray's painting of a tree weighed down by snowisaproductotthatperiod.

TheunansweredquestionaboutAlan Brav’sominousnessis:Ilowdoeshedo it?Phenomenologyprovidesaclue. 'Tminterestedinthestructureofphen¬ omena,”hesavs.Wlienhepaintsrain,he trusts“thatitwilllooklikerain.”buthe’s notinterestedinimitatingrain.1Iewants topaintdeeprain,andtheresultisfamil¬ iarvetunfamiliar.

Atthesametime,hecapturesadeep relationshipbetweenhumansandna¬ ture.It's“thesenseofbeingaloneinna¬ ture,"claimsCynthia1lydeofRockland's CaklbcckCallery,whereBravhasasolo showuntilSeptember20.Manypeople findhispaintingssad,shesays.IIeadmits thereis"asenseofloss”inhispaintings. Loss.Sadness.Iloneliness,Mt'ssumit upwith...sorrow.Often,itissorrowover whathumanshavedonetotheworld. Morebroadly,hepaintsthedeepstruc¬ ture-unfamiliaryetfamiliar-ofthe mostsorrowfulphenomenon:oures¬ trangementfromnature.

IntheMaineArtCallen inWiscasset,inawallofNatasha Mavers’ssadandangivinkdrawings calledtheBurqaSeries(burqasorburkas arctheenvelopinggarmentswornbv manyconservativeMuslimwomen), thereisapieceentitledTwin Burqa Towers.Lincsfallfromtwoeweslike tears,likeveils,likethefallingtwin towers.Itisanextremelyoriginalartistic memorialtothe9/11tragedy.It recognizesthatthisearth-shakingdisaster istheMuslimworld’saswellasours. Onecanimaginethisimageachieving aniconicstatuslikethehorse’sheadin Picasso’santiwarGuernica.

Except...politicalconservativeswon’t liketheconflatingofAmericanand Muslimtragedy.Asaleft-wing activist-muralist-paintcr,.Mavershaslong hadapoliticalproblem.Manyofthe well-to-dowhobin’originalartarenot turnedonbycriticalvisionsofAmerican imperialism,tosavtheleast.“Slowsales," reports/VndresVerzosaofPortlands Aucociscogallery-aboutMayers’slast showthere.MTiilcGuernicaisoneofthe greatestpaintingsevercreated,anumber ofpeoplewouldn’tputitontheirliving¬ roomwall.

Becauseofherpolitical'problem,' Mayers,at57,isperhapsMaine’smost underratedartist,thoughshehasreceived anumberofawards.Shegetsonlyafew hundreddollarsforadrawing,acouple thousandforabigpainting.LisaPixlev alreadyispaidasmuch.

Mayershasevidentlytriedtoresolveher problemwiththemixturefoundinher recentStateofWarSeries.'Hiesearc

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large,acrvlic-on-clothpaintingsofMaine symbolssuchaslobstersandwhitechurch¬ esintowhichareintnidedfighterjets, targets,andtanks.Someofthesealsowere ondisplayinWiscassetthissummer.

“SomethingiswrunginVacationland,’' herartist’sstatementwarns.“Toexpress mysadnessandfrustration,outrageand

uneasinessintheseuncertaintimes,Iam paintingaworldinchaos.”

Butthesepaintingsarcbright,color¬ ful,playful,andbalanceri.Tor yearsIpaintedvictims,"sheex¬ plains.Xowshewantstotreatviolence andinjusticedifferently.“Paradoxically.1 thoughtifI...leftoutthehorrorsofwar

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andpaintedwarinsomethinglikeacol¬ orfulpinballAidcogameversionIcould getacrosstheimpactofwaronallofu.s,” shewrites.

Withtheseunusualpaintings,itlooks likeshehascombinedherpoliticaland non-poiiticalwork.1lernon-politica] workhpicallycelebratesMaineinan

AlanBray,WisdomofWaiting,1991,16"x20" originalmanner.Threepiecesofthissort havebeenshownthissummerinthe PortlandMuseumofArt. rlliebiggest,in theMappingMaineexhibit,isatourde force.Composedofthreerowsoffive acnlic-on-papcrpaintings,eachamulti¬

SeeBrayquote,page44 lined,partiallyabstractedroadorinter¬ section,thisworkpicksupahitchhiking viewerandtakeshimorheronaMaine roadtripinwhichredstopsigns signallook.

WithStateofWar.shewantstheviewer

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AlanBray,Winter'sAttrition.1998,24"x30' totakeanotherlook-andfeelangeras wellasjov.

EmilyJN\...y:r

“It’sfuzzy,butitisn’tsentimental,”says ms'wife-thebluntartcriticinourfam¬ ily-aboutXelligan’squietdepictionsof theMainecoast.

Nelligan,79,hassummeredfor55 searsonfog-soakedGreatCran¬ berry,thefishingcommunits'and artists’colons'offMountDesert.For closetoallthattime,shehassketched theshoreincharcoaloninexpensise paper.Sheissoinsouciantaboutcom¬ mercethatshedoesn’tputfixativeonthe papertostabilizethecharcoal.There¬ sultisas'ulncrable,minimalist,semi¬ abstractoeusrc,asingularsisualdiary (thetitlesaredates)detailingherassarenessofnature.

"Winter'sAttrition [above] isthe mostbalefulofthelot.In1998 Ihadasmallheartattack.A wakeupcall.Intheemergency roomthatnightIhadapowerful visionburninginmyhead.Iwas floatingoverawinterforest.I hadneverseenanythingso lonely.Ipainteditimmediately uponreturninghome.That'sthe closestI'veevercometo respondingtoaprivate, tragicevent." -AlanBray

Thissummer,b'itzpatrick’sCongress Streetgallerywasquickhsellingoutits smallshareofthisworkat$2,200per petitepieceofpaper.AfterXelligan's LittoralAbstractionsshowatBowdoin threeyearsagoandtheNewYorkTimes articleaboutit,thisshv,fragile-looking woman,inherreclusiveoldage,has becomehot.

Ilerdrawingsareostensiblyaboutlight or,moreexactly,aboutitsabsence. Manyarequitedark,andinthis darknesssky-sea-shorebecomefused. Ilersishabituallythesubtlelightof eveningshimmeringonaninletbeneath thesilhouettedspruceamidtheswirlof ledge.Iheremax'becorresponding gleamsintheswirisofsomberclouds.

inspirationseneseelerrares ofus.inourdailylife,reachobstaclesandchasmsthatcanonlybebridgedbyGod’smiraculousloveInthefirstpaintingofthescries.IstrovetoportrayanImagexifsolidityinthecontextofthedelicacyof nature.The Bridgeofhope isasstableasthemassivegraniteflagstonesthatformitsarchandwill standforaslongasthequicksilverbrookndlsdownfromthehlttsbeneathit.Amagnificentwhitedug' woul.symbolofthepurityofGod^gracesshadesrhebridge.Itsover-archinghoughsremindusthat, whilewestandOnthe Bridge OFHoiT:,wearc.enshroudedbythelovingembraceofourcreator

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SPACE is a nonprofit, artist run organizationintheheartoftheartsdistrict inPortland,Maine.SPACEprovidesan alternative to the many formalized exhibition venues, showcasing unconventionalandnon-commercialworks inallmedia.SPACEencouragesgreater participationintheartsbyprovidinga flexibleandaccessibleenvironmentforall toparticipate.

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EmilyNelligancurrentlyshowing atTheJuneFitzpatrick

aninBilcck,S3,Nclligan’semeritus-art-historianhusband,explains herworkbest.11isequallycalm. forest-and-shorcpencildrawingsandetch¬ ingswerealsointheP'itzpatrickshow.

“W’cgoouttogether,”hesays.“The charcoalandtheerasuresmakeforbig masses.There’sven'littleland.Mostly, what'sthereisseaandskv.1workwith lines,withtheformofatree.1lerwork withmassesisdonewithgreat,great vigor.Ithasthesamepowerasexpres¬ sionism.It’ssen’emotional,theemo¬ tionaltruthofaform.Themostpro¬ foundemotionforherisaweforwhat theearthandtheskyhavegivenus.

“Becauseofherfocusonform.”this white-bearded,animatedoldmancon¬ tinueswithenormousmodesty,“the profoundspiritualitythatKmilycan obtainisnotobtainablebyme.I’dliketo makemvlinesingthatwav,I’dliketo... Onh’amaninlovecouldsavthatabout hisclosestcompetitor.(And..."Could souwritesomethingaboutmyhus¬ band?"sheaskswhenItalkwithher.)

Attheopening,IaskRoseMarasco,the photographerandUniversityofSouthern Maineartprofessor:WhyisNclligan’s worksoaffecting?

“There'snofakingitwithher."sheans¬ wers.“Thisisaplacesheloses.Itgoesto thatotherlevel.”

Inasense,NelliganislikeAlanBras, whopeersdeeplsintonatureandhasa

darkvision.ButBray’sworkusualhlias hintsofhumanactivity;withNelligan’s, thereisnotahumansuggested.Brav portraysdivisionbetweenhumansand Nelliganisawe-struckby themassiveunityofnature, thoughthegodsappeartobe indifferenttous.

"There'sverylittleland. Mostly,what'sthereissea andsky."

nature.Nelliganisawe-struckbvthe massiveunityofnature,thoughthegods appeartobeindifferenttous.

Withherrepetitionofpatterns,she portraystherecursivenessofnatureas proofofitsunity.Thisinsight-that eventhingisonething-isthemost profoundwisdom,attainedbyParmen¬ ides,theZenBuddha,Thoreau,and mostofusatephemeral,disquieting,and awe-inspiringmoments.

Adictionarydefinitionofphenomen¬ ologyis"ascienceofthesubjective.” AlanBraymaybetheself-conscious phenomenologistinthisvariedlotof Maineartistsofcmotion.Butthcvall vividlydemonstrate,inaheartfelt manner,howthevsubjectivelyseethe world.And(lies'permitustosharetheir worlds.Ifwe.too.openourhearts. MAKERS OF

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Portland Stage Company, at25Aforest/Venue,holds thatdistinction.Someoftoday’shotteststarsarealumsof PortlandStageproductions,andtoaperson,theyallavow they’dcomebackwhenpossible.Thoughwemightnot haverecognizedthemthefirsttimethrough,thelistofstars we’veseenpartingthecurtainsatPortlandStageincludes

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SJP: Iwas15whenIcametoPortland Stageandtremendouslyexcitedtokeep working,havingjustfinishedAnnie.It doesn’tseemlike20yearsago!Thattime oflifecanbechallengingforayoung actress;you'refeelingphysicallyawkward andunsureof\ourselfgenerally.Iwasso luckytobeapartofthatcompany,in¬ cludingCotterSmith,AlarvAIcDonncll. andDavidFlorek.withBarbaraRosoff directing.Theywatchedoverme,andit gavemeasafeplacetolearnaboutthecraft. Itdoesn'tseemlike

20yearsago!Iwas15. Itwas1982.Itwasa veryspecialtime,being onmyown.Iplayeda coalminer'sdaughter inPaulaCizmar's DeathOfaMiner...

-Sex&TheCitystarSarahJessicaParker onherroleatPortlandStage Irecallstavinginanapartmenthouse withCotterSmithandAIanAlcDonnell.IthinkIwaspaidwhateverscalewas atthattime(aminimumofS282)./AndI can’trememberwhat1wore,exceptthat 1wasplayingacoalminer’sdaughter! WTenwetooktheshowtoNewYork,I gottheoffertodoSquarePegsand1had todropout.Iwasreallyconflicted,be¬ causeatelevisionshowisven’different fromstagework.Strangeasthissounds, thestageismoreintimatebutmorepriv¬ ateatthesametime.1didn’tknowifI wantedtobeexposedtothepressures[of networktelevision]andthescrutinythat’s basedonvourlooksratherthanvourwork.

That’swhyIgobacktostagework whenever1can;it’sreallytheactor’s mediumasopposedtotelevisionand film,whereoncevoufinishyourworkit canturnintoanything[inpost-produc¬ tion].It’sincumbentonseriousactors totrvanddostagework,although1 i certainlyunderstandwhymanyshv 1 awav.Themonevisterrifving.forfl onething;theaterisgettingtobethefl richman’shobbv.Thenthere’sthefl fearofliveperforming,becauseyou SH cantrelvonanvbodvbutvourself.

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it'sKodcralfundingorrecognizable faces.I’dlosetocomebackandperform atPortlandStageagain,especiallyifthere isanewplavtoworkon.Ilovedthecitv thenandstilldo;eventhoughitwascold. Itwasasen-specialtime,beingonmy own.Thehouses,thestreets,therestau¬ rants,themuffins.

1hadn'theardaboutBarbaraRosoffand ofcourseI’msosorrvtolearnofherac¬ cident[atragic,career-endingfallwhile climbingattheSundancefilmfestival, Utah],Shewasremarkable,Noualways holdthedirectoraccountableforwhat goeson;thcv’rcatthetopandeverything elsecomesdownfromthere.I'msureshe wasthemainreasonwhvthatexperience wassofulfillingforme.Otherwise,I wouldn’thavebeensosorrytolease.

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Ironically,anearlierflameofMatthew Broderick’s,JenniferGrey,appeared inaPortlandStageproductionayear afterSarahJessicaParker’sperformance. JenniferGreycameheretoPortlandto foraturninPSG's1983productionof Ecco,justweeksbeforelandingastringof supportingrolesinthe1984movies'Ihe CottonChib,Reckless,andRed

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BeckyfromRoseanneatPortland Stage?Didn’tsonbringvouropera glasses?As1IcnryJamesmightsay, "Endeavortobethekindofpersonon whomnothingislost.”Alicia(1,ec\) Goransoncreatedtheroleofthebrainy runawayteenagebrideBeckyConner Ileak'in1988ontelevision’sRoseanne. Shelefttheshowafterafewseasons, returned,andthenleftforgoodasthe serieswounddowntopursueadegreein EnglishatVassar.In1997,sheappeared intheallegoricaldramaIphigeniaand IlerDaughtersatPSC.

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Withshootingjustbeginningforher currentfilm.DeathdTold,withMargot Kidder,LccvchatsfromherBrooklyn, NewYork.home.

AG: Itwasmvven'firstplavoutofcol¬ lege,and1diditbecausethedirector, ChristopherGrabowski,wasmvprofessor andfriendatVassar,andhehadfriends atPortlandStage.I'vedoneabout10 plavssince,butI’llneverforgetthatone.

Itwasmvfirststagejob, andIhadtojoinEquitv, sothevtookmvduesout ofthat.I’mnotsurehow muchIwasactuallypaid, mavbe$400[aweek]?

IstayedattheEastland. Weusedtohavesome greattimesatthe'lopOf theEast.RonBolting [notinthecastbutAnita Stewart’shusband]andI tooklongwalksalongthe beachanddroppedinat acoupleofseafood places.1don’teveneat seafoodandIlovedit! W'eweresuchagreat group.1think1slipped ontheiceonceandit didn’tevenmatter.

Mvfavoriteindividual 30secondscameatthe endofthefirstact,when thelightswentoutandthe audiencegasped.'Ibcplay itselfwassothrilling,so lyricalandpoetic.

OnecriticwrotethatIwasshakinglike aleaf,andI’llbetIwas.Iworeasimple whitehigh-waisteddress.Ihadtoper-

BeckyfromRoseanneat PortlandStage?Didn't youbringyouropera glasses?In1997,Lecy Goransonappearedin IphigeniaantiHer DaughtersatPSC.

formthislongmonologueperchedona swinghighabovethestage-Iwasalamb beingledtotheslaughter-andthe tremblinghasn’tsubsidedyet!Itkicked offaseriesofvictimroles,althoughinthe horrorflickI’mdoingthistimeI’mbe¬ hindthegun.OneofthesedaysIwantto doaplaywhereI’matstagelevel,with menfeedingmegrapes.

Butthankstothatexperience,the stagerealkhasbecomemvpassion. Asayoungster,Iwastrainedin improvisationbvteachersfromSecond City.There’sabigdifferenceinthe physicalityyoucanuseintheater,where youdon’thavefourcamerasbetweenvon

Winslow Homer.Gathering Herries. 1X74, (detail); photo by Martinet Multimedia

andtheaudience.Youcanplavdifferent rolesandthecaliberofwritingoverallis somuchhigher.Audiencescometoseea fullstorv;there’sawonderfulflowthat voudon'tgelanywhereelse.Evenwith thepressureofearningmonev,mvcareer isinamuchdifferentplacethankstothat experience.

Andvcs.I’dlovetocomebacktoPort¬ landStage,anvtime,justaskme!It’sagreat citv,andmvtimethereisoneoftherea¬ sonsI’vegotmoreaspirationsintheater.

IdidanotherplavwithmvPortland Stageco-starIlamishI.inklater.Good Things,abouttwovearsago.Sogood thingstendtohappenoncevou’ve appearedatPortlandStage."

CLAUDIASHEAR

ClaudiaSheargotherstartintheater atPSCin1993,writingathenunknown monologue,Blown SidewaysThroughLife.I.ittledidanvone know,includingShear,thatthisonewomanshowwouldfinditswavbackto theNewYorkTheatreWorkshop |birthplaceofRc/P]andrakeinanOhio AwardandaDramaDeskAward

nomination,nottomentionravereviews acrossthecountry.

Shearwentontowriteandperformin Dirt)'Blonde,aplavaboutdivaMae West,whichearnedTonvandDrama DeskAwardnominations.

"IdidnothingbeforePortland,"savs Shear.‘“Iherewasahazeofuncertaintyand discoverv.Ihadnoconnectiontotheater; therewasascuseollegitimacyatPSC.Jim Xicola|artisticdirectoratXYIM']said, ‘Writeaplav,’soIwroteaplav

Shearhassincemadeaguest appearanceonthesitcomErlends,played RuthAnnonEarthlyPossessions,the drunkenfaninthefilmLivingOutLoud, andisnowintheprocessofwritinga BritishIAscries.

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POLLYPEN

"Iwassuq^risedathowbeautifulPort¬ landwas.Itwasn’tascoldasIthoughtit wouldbe.”PollvPensavsabouther wintervisitsIoPortlandStagefromXew York,oncein1987toactinTheIlostage,

andagainin1988,forIlardTitnes. “IfirstcametoMainewhenIwasin college,doingShakespeareinMonmouth jal'The’TheateratMonmouth],Whata greatatmospherefordoingShakespeare.”

IlerfirstexperienceatPSCwasan auditionfor/lostage.“Irememberthe auditionbeingfairlyhilarious.Richard Ilamburgcrwasthedirector.IIewentto BarnumandBailee’sschoolforclowns, soyoucanimaginehowfunnvhewas.1 camebackbecausetheworkwas interesting.Thevweren’tdoingthings everyregionaltheaterwasdoing."

Inlatervears,Penfocusedonwriting musicforthestage,butthatdidn’tend herinvolvementwithPSC.Shesawthe company produceGoblinMarket,oneof herownworks(basedontheChristina Rossettepoem)in1992.PenputsGoblin Marketintothatcategoryofthingsevery regionaltheaterdoesn’tdo.

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“I’niwishingIwasthererightnow insteadofrainyupstateNewYork.IsThe GoodF.ggstillthere?d'hatplacehadthe bestbreakfastinAmerica.”

-AndrewColvin

DON HARVEY

Don1laney countsDie Hard,Die HardII,andDie HardWithAVen¬ geance-asvvellas EightMenOut (withfellowPSC alumDavidStrath¬ aim),IheUntouchables,andCasualtiesof War(withMichaelJ.Fox,whohastagged alongtoPSCeventstowatchbuddies]x?rfomi)-amonghiscredits.

I,ikcfellowPSCalumTonyShalhoub. DonstartedattheUniversityofMich¬ iganandwentontoYaleDramaSchool. 1Ie'sjustfinishedshootingPlainsong,a IlalhnarkfilmwithAidanQuinn,dueon CBSthisfall.

dhispastFebruary,hetookabreakfrom movies,returnedtoPortland,andstarred inPSC'sproductionofTn/eWestbySam Shepard.Fromhishomein Ids Angeles, hetellsuswhy.

DH: d’hank(kxlforPortlandStageand theworktheydo.Inanidealworld,there wouldbeaminimumof20to25newplays everyyearandtheaterslikePSCwould introducethem.It’snoteasytogetgcxxl theateropportunities.

InNewYork,itseemstobeeitherDisnevorVegas,andit’sfillingtoregional theaterstodowhatNewdorkusedtodo. PortlandStageCompanyisthebestI've everseen.Theaudiencesherearereally receptive,notatalljaded,dheygetit. Andthatwonderfulrakedspace.

MvrecentTrueWestexperiencewas thefirstperformanceI’veeverdone whereIwascompletelysatisfiedeven lime1cameoffstage.1feltlike1leftmy wholeperformanceoutthere.

Formvpart,1wasdressedsortoflikea homelessperson-shinyblackdress pantsturninggreen,andanoldshirtthat wasreallytoobigandhungloose.

ThedirectorwasPaulMullins,who’s alsoanactor.1leplayedIagoinPSC’s productionofOthello.Paulisacrafts¬ manwhoreallywantstheactortoget involvedinwhathe’sdoing.Somedir¬ ectorsdon’twanttotalkwiththeactors: Paultalksabouteven-thingandIappre-

Early Evening. Hailey Island by John Bowdren

Lobsterman byKoIkh Steinmetz

WithTrueWest,youstartoffwithan immaculatekitchenandbvthetimethe plavends,thewholesetistrashed.Itwas hardtorehearsebecausetherearealotof props.Westartedoffrehearsingslowly andthengotuptospeed.Onceyougot allthewaythrough,itwasexhilarating. '1hat’snottosaytherewereno sttqjriscs.Wccouldalwayscountonthe toasterpoppingouttoastatoddmoments, andthechampagnebottlecork occasionallypoppedoutatthewrongtime. Withsomanypropsgettingthrownand smashed,I’mstillamazednoonegothurt! z\sforPortland,life[elsewhere]doesn’t comparetoMainelobstersandJ’sOyster Bar.SomedayI’dliketobuyahouse there.Butit’scold!Thewalkfrom PortlandStagetotheEastlandPark Hotel-itwasicy./\ndI’moriginally fromMichigan.

Ilowmuchwerevoupaid?

OH: Idon’trememberexactlywhatIwas paid,butitwasinthehundreds. Hareyoukeptupwithyourfellow playersfromTrueWest?

DH: 1sawRon[Botting]andBarbara .Mather]afewmonthsagowhenIwas back.1justsentToddacheckforthe triathlonhe’sdoinginNewYorktoraise moneyforleukemiaresearch.

FirstDieHard,nowTrueWest.Doyou simplyenjoydestroyingthingsonstage?

DH: MyfavoritemomentswerewhenI gottosmashthetypewriter,orperhaps whenBarbaramadeherentranceasthe motherandsawthedestructionofher kitchen.Nobodycouldgetalineout becausetheaudiencewasreactingfor suchalongtime.

ROSEMARY PRINZ

Roseman'PrinzdazzledPortlanders in1998withherperformanceas operadivaMariaCallasinTer¬ renceMcNally’sMasterClass./\ndtodav she’sdoingjustfine,thankyouvery much!Prinzfirstearneddaytimedrama fameinthelate1950s-whensoapswere broadcastlive-astheoriginalteen queen.PennyIlughes,onCBS’sstillrunningz\.sTheWorldTunis.

RP: PortlandStageCompanywasanice launchforMasterClass.Iwoundup playingitinthreeothervenuesoverthe nexttwoyears.

ButPortlandStageCompanyreallydid •tupright,withgoodproductionvalues. 1heshowrequiredscreenprojectionsof

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14ScalainMilan,andaudiotapesof Callasactuallysinging,andtheyweren’t afraidtotackleit.Thathasn’talwaysbeen |trueintheproductionsI'vedonesince!

1hadawonderfulcast[including MaineStateMusicTheater’sRd ReichertasManin]andIlearnedso muchthathelpedmeinsubsequent productions.Weneedmoretheaterslike PortlandStagewhereactorscanworkon qualityplavsinfrontofknowledgeable audiences.I’dlovetocomebackif I’masked.

HAMISHLINKLATER

amishI.inklatcrtellsyouthatyou've neverheardhimplaytheguitar."It wastheSidViciousversionofRom¬ eomidJuliet"Linklatersavsaboutthetime heplavedRomeoatPSC."Veryrockand roll.Vervloud.Verysexv.”Well,tonethat lastonedownabitforwhenthekidsare around.“Iwasnudeinthebedroomscene, butfortheCatholicschoolboyversion.1 wassuddenlywcaringboxershorts.”

Outofalltheplaceslie'sworked,what makesPSCstickoutmostfor1Punishis thetheater'srelationshipwithkids, especiallythediscussionsthev'dhave withstudentsafterperformingforthem. “Itwasgreatthatthetheaterwentoutto theschoolsIotalkaboutthings,hard thingslikesuicide.Veryresponsible ofthem.''

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SincehistwoappearancesatPSC. oncein1996forIphigeniamidIler Daughters.andin199“forRomeo mid lidiet.Linklaterhasbeenkeepingbusy. 1Ie'sappearedintheatricalproductions onbothcoasts,inABCSGideons Crossing,andinseveralmovies, includingtheacclaimedindyfilm ;Groove,astoryofSanFrancisco's undergroundravescene.Nodoubt Linklatergothisgrooveonrightherein Portland.“Whatwasthatplacewiththe funnvname?TheCreatLostBear!The castwentthereonenight...Idon'tthink wewereallowedback."

-AndrewColvin

ISRAELHOROVITZ

“I'llneverforgetit.Itwasamazinglv tragic."isthefirstthingplawright Israel HOPOVitZ hadtosayabouthistimespent workingwithPortlandStageCompany. 1lorovitzismostrecognizedastheplay¬ wrightfromGloucester,Massachusetts, whohasproducedmorethan50plavs. andwontheOB1K[twice]andthe il\mm\.1lowcwr.fewareawareof

2O7.2.55-13II•••info@fishkov.com 505 Fore Street Portland ME 04-101

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Horositz’sticstoNewI'.nglaucl.

“WlicnIdidYearoftheDuckinPortkind,thecitvremindedmealotof Gloucester,butwithoutalltheurbanncss."

Withthatsaid,1lorovitzstillremembers thetragicincidentthatoccurredafter YearoftheDuck’sPortlandproduction.

“Idecidedtoruntheshowinthe constructofthreesmallertheatersin ordertohawabiggerappeal.1startedat PortlandStage,continuedtoGloucester Stage,andwouldfinishatasmalltheater inNewYork.1wantedtostartinPortland becauseitwasawryprofessionaltheatre, whichissounusualforatheaterthatfar fromNewYork.1wasalsodrawntothe can-doattitudePortlandStagepossessed. 1rememberagreatboardofdirectors therewhositaroundwithpizzaandsoda, andjustmakecallsfordonations.That’s howtheybuilttheirendowment...The seedswentinthegroundinthe1980s. Butthen,inbetweenPortlandand Gloucester,thedirectorofourshow, BarbaraRosoff,wenttoSundance,where shedecidedtogorockclimbing.Shehad anaccident;shefellfromacliffandtum¬ bledintoacoma.Itwassuchalossforus, andPortlandStage."

Horoxitz.hasn’tbeenbacksince,but whenhedocsreturn,masbchecandrag alongsonAdam1lorovitzandtherestof theBeastieBovs.

- Cory I’m

MILOCRUZ

Thepoeticalandmagicalplaywright NllO Cruz isthe2003recipientofthe PulitzerPrizeinDramaforhisscript AnnaintheTropics.And,sup,sou missedthechancetoseehimatPortland Stage.Cruz,thefirst1lispanictoreccisc thisprestigiousawardinplasxsriting,had hisscriptABicycleCountryperformedat PSCinthe9thAnnualLittleb'estisalof theUnexpected. -(.'on'I'm

TheAtlanticOakesBy-The-Sea

150Oceanviewroomswithpatioorbalconyonoceanside.Tenniscourtsonw premise.Indoor&outdoorpools.Openallyear.Offseasonrateineffectexcept July1throughLaborDayExtensivemeetingfacilities.ClosetoAcadiaNational Park.WeareinBarHarborbesidetheCatwhichisthecarferrytoCanada.

P.O.Box3BarHarbor,ME04609.1-800-33MAINE-207-288-5801 Fax207.288-8402•www.barharbor.com•email:reservations@barharbor.com

A Y f Ik ¥

cratchthesurfaceofanyMainer

I J /% If f I \ / andyou’llfindaconnoisseurof I I"% II I II I beautifulviews.1lercaresomethat I B / % I t j J I | aluckyfewofusgettoenjoyeveryday.

J This page: 'Ihisistheviewfromhotelier

BY CHRISTOPER JOHNSON

PHOTOGRAPHY BY DANNY LOUTEN

RobertDunfey'sdouble-sizedpenthouse highatopthePortland1louseinthe city’sHastHud.

“Ihissumptuouscondoencompasses thewholesouthsideoftheIOthfloor,so ithasadoublebalconyandspectacular viewsofCascoBayandtheIslands,"says

PORTLAND HOUSE

listingagentKenILillofMaineCoast Properties."Intheearkfall,whenthe QE2comesintoport,there'snohotter placeinthework!tobe."

UnitsatthePortlandIlooseinclude heated,coveredparkingforoneor twocars,dependingontheunit. Condofeesare$400andop,which includeshotwateranda24-honrsecurity stafferatthelobbv/fover.IliePortland Ilousewasbuiltin1968,with approximately104unitsinitiallybuiltas apartments.In1987,BobDunfcvbought andconvertedthebuildingto condominiumsandbegantosellthemas such,savingthechoicestforhimself.“Most ofthecondoshererunfrom$250,000to $600,000.withvaluesofsomeunlisted

BelOW&Right: It’salmostasifyouare fixinginahangglideroverKennebunk's Gooch’sBeachwhenyoulookoutfrom balconiesfromCondominium403of theNarraaanscttBvTheSea,whichis onthefourthandfifthfloors.Withclear viewsofGooch'sBeachtothenorth, andMiddleBeachtothesouth,“living thedream"isthefirstthoughtthat entersvourmindasvonopenyourglass doors.Lookingtotheeastovertheopen ocean(below).it'snextstop,Portugal. TheNarraganscttoffersanin-ground poolandtenniscourt.Thelistpricefor thisunit,presentlyforsalethrough KennebunkBeachRealty,is$459,000. CondofeesareS5”8permonth. unitsapproaching$1million.”

Viewfromunit403oftheNarragansettbytheSea,Gooch'sBeach,Kennebunk

Designer-at-HomeService

Whetherit'sjustalittleguidanceto get you started, or comprehensive project management, we can custom-tailor your bath remodeling project from concept to completion.

Therehasneverbeenabettertimetothinkaboutsellingyour propertyinMaine.

Ifyourecognizethatthetimeisrighttocapitalizeontoday’s unprecedenteddemandforrealestate,startwithathorough, professionalevaluationofitsworth fromMaineCoastProperties, specialistsinsellinghomes incoastalandsouthernMaine since1985.

condominiumsinthestate," saysHall,"andprobablythe mostpricey,too,starting at$700,000."

ThisPage: Viewfromacondominium balconyatAtlanticPlaceinProutsNeck, developedby1towardColdenfarbfrom thelegendaryAtlanticIlousesummer hotelandgroundsin1987.

Gatheredinaregalsemicircle openingtotheocean,thecondo layoutsalloweveryoneabreath¬ takingpanorama.

“Thesearcprobablythemostprestigi¬ ouscondominiumsinthestate,"savs Ilall,“andprobablythemostprices,too, startingat$700,000.Residentsenjova swimmingpool,tenniscourts,andaccess tothencarbvProutsNeckgolfcourseand BlackPointInn.It’sagatedcommunitv whereyousharethequintessentialMaine viewsthatinspiredsomamofthe seascapesthatWinslow1lomerpainted inhisstudio,juststeps awav.Condofeesare $600andup."

Above&BelOW: RivcrPlaceisa$17-milIion projectgracinganenviablespitofland besidetheCoastGuardstationinSouth Portland,featuring136apartments.The viewsfromthesebalconiesshimmerwith thelightsofthePortlandskvlinc.

“Ouramenitiesanddesignwillset RivcrPlaceapartfromotherrental complexesinMaine,"sawsIloward Goldcnfarb.Thesitealsooffersgated accessandcoveredparkingforthe residents,aswimmingpool,tennis,boat moorings,andawaterfrontclubhouse. MonthkratesvarvfromSI,100to $1,900.www.riveqrlacebvTam.com.

Above: InCamden.loinYoung'stwobedroomtownhousecombinesCabotCovecharmwithafabulouslocationon Camden1larborand1larborPark.'1lie 'lewsfromthebalconyareabsolutely breathtaking.Theapartmentlistsfor SI,400perweek,withoff-seasonrates available.Amenitiesincludelaundnand linensprovided.TheYoungscanbe contactedatfish4@adelphia.net.

Thefinestcustom cabinetryavailable, honestlyconstructed byhandandmade tolastalifetime.

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ANNIE ROSE

Maine Bay Canvas

Above&Right: “TheBreakwaterCondo¬ miniumsoverlookSouthPortland's BreakwaterMarinawithintheshipchan¬ nel,"saysIkill.“Promthisvantage,vou canviewalltheactivihinPortland Ikirbor.Theeasterlyviewgivesvou moonrise,sunrise,andafullservice marinaatvourdoorstep.Joe’sBoathouse restaurantisrightnextdoor.

Co.,Inc

TheMicuccifamilyhasbeen supplyingtheNortheastwiththe

MicucciGroceryCo.,

Mamstage Performances

(withfamilyHalloweenactivities)J?

Franco Fry (aPoolylecomedy)

Guitar Summit (JayGeils,GerryBeaudoin^^। andDukeRobillard) v

Hannaford Family Series at Lewiston Middle School

NationalMarionetteTheatreis Alice in Wonderland

Underground Railway Theatre tn How Do You Spell Hope?

Cabaret Series at Lewiston Ramada Inn

DaveMallet w/ Kenny White

OtisTaylor w/ Raycharles Lamontagne/ TigerOkoshi/ Mark Kleinhut Quartet

Four Shadow Modern Man

of31Hiringunitsandboat slipsofChandlerlsWharf, someunitssoldforaslowas $108,000.Thoseunitsare nowpushing$400,000."

Above: Developedin1987byMichael LibertyandDavidCope.Chandler’s Wharfwasbothlovedandhatedfromthe minuteitwasproposed.Somecredit Chandler'sWharfforcreatingtheneed fortheW'aterfrontReferendum.

Butthere’snodenyingitsappeal.

“Severalboatslipsrangingfrom20 feetto60feetareforrentandfor sale,’’savsIlall,“inanareawhereits almostimpossibletofindberthing.

“CondostvpicallvlistfromS3 -5.000to $450,000;otherendunitswouldsellven easilyrightnowforpricesinthe $800,000toSImillionrange.

“Thereiscoveredparkingand24-hour security.Youareimmediatelyconnected totheromanceofOldPortshoppingand entertainment.Youhavetheworking waterfrontononesidewiththelobster trapsandlobsterboats,andyouhave viewsofCascoBay.PortGorges,andthe islandsontheothersides.z\tChandlers Wharf,voudon'tjustseethewaterfrontvou’rcpartofit."

Ralph Waldo Emerson

FEAST fortheeyes

BY SCOTT SIMONS

Theroleofthekitehenina househasehanged.The kitehenhasbecomethe centerofgravityforthe modcrn-davhouse.Ioday’s kitchenislarger,moreopen, andmoreconnectedtotheotherroomsof thehouse.Moretimeisspentinthe kitchennowthaneverbefore.Itisnot uncommontohavekitchensaslargeas Iivingrooms.Withcomfortablenooksto eat,work,andrelax-televisions,internet access,andwindowseats—there’sreallyno reasontogoanwhereelseduringtheday. SowhenafamilyfromOhioaskedtheir architectsinMainetodesignakitchen andfamilyroomadditiontotheiroceanfronthouseinCapeElizabeth.thefirst sketchesenvisionedalarge,continuous spaceseparatedonlybyalow,double¬ tiered(.liningcounter.Coveredwitha broad,slopingroofandsurroundedbya coveredporchwithstrikingviewsofthe oceanandmeadows,thefamilyroom andkitchenworkasone.Asoaring paintedwoodceilingextendsoverboth rooms,makingthespacefeelmuch largerthanitssquarefootage.Abovethe familyroom,alargeclerestorywindow opensthespacetobigviewsofthesky. Visitingthishouse,itishardtotell wherethenewadditionstartsandtheold

houseends.Thedramaticroofofthe additionwascleverlydesignedtoextend overthetopoftheexistinghouse, includingbothwithasingle,bold gesture.Whatwasonceaffectionately nicknamedtheIceCubehouse,a landmarkforsailorsinCascoBay,has beentransformedintosomethingtotally new.Expansesofglassandsweepingroof linesblendwithweatheredshinglesand whitetrimtocreateanewlook,onethat combinesthebestoftheoldwiththebest ofthenewfortheowners.

Inside,thehouseisadelight.The familyroomswirlsaroundacentral fireplace.Windowseatsanchorboth corners,andslidingfrenchdoorsopen outontotheporchthatwrapsaroundon allthreesides.Thewindowsonthe oceansideextendallthewavtothe ceiling,fillingtheroomwithnatural light.Theroofslopesupdramatically fromthefireplacetoitshighpointabove thekitchen.Ontheoceansideitcon¬ tinuesuninterruptedabovethewall, extending12feetoutovertheporch.At night,lightsilluminatetheundersideof

KitchenAsOasis

Viewsincludegranite cliffsandPortlandHead_ Light.Expansesoflight” andclerestorywindows inviteseaandskyinto familyactivities. Thehouse,onceknown tosailorsastheIce Cube,isontheCape Elizabethoceanfrontoff OldOceanHouseRoad. Atnight,lightsilluminate theundersideofthe roof,makingitappear., tofloatabovetheglass.

theroof,makingitappeartofloatabove

owner’sloseofeoloranddesign.'Ihe fireplacesurroundismadeintoablack andwhitemarbletilecheckerboard. Paintedheadboard,brightcolors,and mapleflooringgivetheroomarich paletteofmaterialsandtextures. Thekitchenalsohassomeunusual features.Lirgeenoughforthe wholefamily,ithasmultiple countersforeating,foodpreparation,and thedisplayofcolorfulobjects.Several peoplecancookatonceandotherscan participateinthefunfromthefamily roomsideoftheeatingcounter. Windowsabovethemainsinkcome rightdowntothecountertop,openingup theviewtotherocks-coastlinebeyond. Thecentralislandhasaninternallvlit glasscabinetononeend,highlighting theowner’scollectionofcoloredglass. Everywhereyoulooksomethingcatches youreye:anangledstackofopenshelves abovethesink;colorfulglasslights hangingfromthehighceiling;tall, slenderpaintedwoodcolumns supportingtheroofandpointingtothe clerestoryandskvviewabove.

Theadditionhasbeenconsideredright downtothelastdetail.Everyintersection andsurfaceisthoughtfullydesignedbvthearchitect.JesseThompson.Evers detailismasterfulkexecutedbvthe builder,JohnRousseauofRousseau Builders inPownal.Thebrightcolors andwonderfulsenseofhumorcome courtesyoftheowners.Thehand-painted cabinetknobsandmanyoftheplayful paintedwoodobjectsonthewallswere desigiredandcreatedby Barn- Ix-ader fromElizabethtown,Pennsylvania.

'77o/>')///(//'/a/ </o/y(7.ffc. 'c/y

OiialiK Clothes h>u Live in al a Price You Can Live W ith

_

jAdventure

Imagineglidingthroughexplosionsof colorwiththeexhilaratingbileoffall intheair(andathermosof"cocoa”in vonrbackpack).Nowvoucanmountain bikethroughavast,hiddenforestright nextdoorinSouthernMainethatup untilfivemonthsagowaslosttousall.

Inagenerousefforttoprotect Parsonsficld’s8.600-acrcI>cavitt Plantationfromdevelopment,andto

preserveitsfragilewildlifehabitatsand rareplants,landpreservationistgroups boughtthe$2.8millioncasementthis pastApril.

Bvmountainbike,voullcovermuch moreofthevastwildernessandexper¬ iencemoreautumnaldelightsthanyou evercouldbvfoot.

CliffKrolick,55.hasrelishedthewild splendorhereforvears.waitingforevenoncelsetocatchon.TheNewAorkState nativesavs,“Iwasoneoftheback-to-the|landhippieswhocamehereinthe1970s.” In1975heboughthiscurrent15acresat thefoothillsofthe\\1iitcMountains, rightinthemiddleofl^avittPlantation. Ilopingtosharetheexhilarationof mountainbikingthearea,hestartedBack 1CountnExcursions12vearsago,the onlvcross-countnmountainbiketouring centerinNewEngland.In1995, \l<)t\/\/\ Bikt: AcnoxA1 \g\z/\e namedBackCountnoneofthegreatest mountainbikingtoursinNorthAmerica.

“Theareawouldnotbeknown nationallvorlocallvifnotformv companvpromotingit,"Krolicksavs. "Weretheonlvorganizationtomaintain andbuildtrailssothevreintopshapefor

BY ALISON BULMAN

peopleandsafe."

LeavittPlantationisopentothepublic, althoughtogetthemostoutofyourvisit, KrolicksBackCountnExcursionsoffers weekend,overnight,day,orhalf-day guidedrideswithmeals,orforasmallfee (someofitforpresenation)willhandvou amap,offersuggestions,andreleasevou inthewild,lodgingincludescampsites,a groupyurt,orprivateroomsinthelodge.

Thelodge'scedarhottubsootheswean mountainbikersaftertraversingsomeof the60milesofthePlantation’s"double tracktrails,”wideenoughforridingsidcbv-side.These,Krolickexplains,areold, deterioratedtownroads.

1liddenfromAIAsandsnovvmobilers are10to15additionalmilesofmuch narrowertrailsthatKrolickcalls“classic NewEnglandsingletracks.”Manyof themtakevoutovanishedloggingcamps. Othersareoldhikingtrails.

Eorthemoreadvancedrider,Crolick hasdesignedstuntslike“TheTwister,” and“’I’heCollarboner,”allonhisprop ertvandfeaturingrampedboulders,see¬ saws,chutesandladders,andnarrow, high-archingbridges.

Riderssecbear,moose,deer,fox,and birdsfromhawkstogrouse.

“Parsonsfieldissohillvandwooded withlotsoflakesandrivers,”Krolicksays. “It'samazingtorealizethisisin SouthernMaine.”

BackCountnExcursionsrentsequip mentorwillfityourbiketoyoucorrectly fortheterrain.Theyrecommendyou haveatleastfrontshockabsorbers.Bike shopsinandaroundPortlandofferafree 45-minuteclinicatBackCountn Excursionswiththepurchaseofabike.

BackCountryExcursionsEvents

homeofthemostsignificantgemdiscoveryinNorthAmerica.

MaineTourmaline..

October1972.twomensearchinganabandonedminingsiteinwestern Mainefoundovertwomillioncaratsofgemtourmaline,aquantitysovastwearestillcuttinggemstoday.

WearcprivilegedtohavetheopportunitytoworkwithMaine'sgemminers,ourstate’sfinestcutters,andsomeofthemost exquisitegemtourmalineeverdiscoveredinlusciouspinks,livelygreen,andrichrareblues.Eachmonthourcraftsmen completedozensofdelightfulnewdesignstoaddtoourcollectionofoverfivehundredpiecesofMainetourmalinejewelry. We'dlovetohaveyouvisitusintheheartofPortland'sartdistrict.OpenMondaythroughFriday.9amto4:30pm.Thursdaytill 8:30pm...seeyousoon.

[omedy of ErrorS

By William Shakespeare

September 23 " October 19

Mistakenidentitiesnearlyfoilthe successfulfamilyreunionafteradramatic separationinashipwreckthirty-three yearsearlier.Notone...huttwo!...setsof twins confuse everyone they meet, much tothedelightofaudiencesofallages, makingthisoneofShakespeare’smost popular comic romps.

diningguide

ArmoryRestaurant

TheArmoryRestaurantinthePortlandRegencyHotel.Spectacularcuisine. Old Pon charm, & impeccable service in an etegant yet casual atmosphere w.freshdinnerspecialsfromland&sea.Unforgettablehousespecialties— Seafood Fettuccine w lobster,shrimp,crab.&mussels;SteakDiane,&Black AngusSirloin.Alsoopenforbreakfast&lunch.Reservationsrecommended. 774-4200.

TheAudubonRoom

The Audubon Room at the Inn by the Sea on Route 77 in Cape Elizabeth. BreathtakingviewsoftheAtlanticOcean&culinarymasterpiecesfeaturing freshlocalproduce,naiveseafoodspecialties.&exceptionalhandmade breads A desserts. Grilied crab 8 macadamta encrusted swordfish w orange pepperbasilcoulis&sautdofMainelobster&vealonfreshangelhairw roastedtomatobeurreWane.Patiodining&offpremisecatenngavailable. Servingbreakfast,lunch&dinnerdaily.767-0888.

Barbara’sKitchen

Barbara's Kitchen and Cafe. 388 Cottage Road. South Portland, across fromthePortlandPlayersTheater,headingtoFortWilliams.Casual, creative,&modestlypricedcuisineforintimatediningbysunlightfor breakfast,candlelightfordinner.VegetarianscansavorourEggplantRavioli with a Roasted Red Pepper Cream Sauce. NY strip steak w- Portobello Mushrooms&demi-giazeisafavoriteofcarnivores.Therosemaryfocaccia isreasonabnetopayavisit.'—Downeast.Fullbaravailable.Reservations 767-6313. www.barbaraskitchen.com

BealeStreetBarbeque&Grille

BeateStreetBarbeque&Gri8-UnderthebridgeinKnightviUe,So.Portland. Featureshickorysmokedandgrilledmeats,poultry,fish&seafoodaswellas creativedailylunchanddinnerspecials.FullbarfeaturingMainemicrobrews ontap.Reservationsarenotaccepted.Childrenarewelcome.Openallday. seven days a week 90 Waterman Dr. So. Portland 767-0130

CharlieBeigg’s

Locatedjust20minutesfromPortlandrightonRoute302inWindham. CharlieBeigg'sistheplacetogoforcasualfmedining.Stowovenroasted Pnme Rb is available 7 days a week Fresh seafood, mouth watering steaks, deliciouspastadishesandmuchmore,fillourmenu.Oursoups,salad dressingsanddessertsareallhomemade.Joinusforeartybirdsorhappy hour.OrtakeadvantageofourseniorcitizendiscounteveryWednesdayand SundayVegetariandishesandchildrensmenuavailableaswell.Havinga party,useoneofourbanquetroomsandleavetheworktous 1Justrecently, the PortlandPressHerald foodcriticwrote,“Quitefrankly,ifIcouldaward ChartieBeigg's10stars,IwouW r Stopbyandseewhy!We'relocatedat754 Roosevelt Trail (Route 302) Windham. Were open from 11 am-9pm every day andourphonenumberis892-8595.We'dlovetoseeyou!

CafeShroudwater

Takeadvantageof5-starchefCariAnderson'screativetouchesatCafe Stroudwater at the Embassy Suites Hotel. With an emphasis on Maine nativeseafood&primecutsofbeef,CafeStroudwaterofferseclecticbistro¬ stylecuisine&avarietyofsetectfinewines.Foramostuniquedining expenence.reserveaplaceatPortland'sonlychefstable,whereyou& yourguestswinbepamperedoyChefAnderson&hisstaffwhiteenjoyinga 6-coursemealpreparedesp.foryou.Breakfast,lunch,&dinnerdaily.Call forinformationregardingHolidayGrandBuffets.Majorcreditcards, reservationssuggested.775-0032.

DiMillolsFloatingRestaurant

Youcan'tbeatthelocationofDiMillo’sFloatingRestaurantat25LongWharf offCommercialStreetforfabulouswaterviewsofPortlandHarbor.Escape fromthehustle&bustieoftheaty.Watchtheboatsgoby.EnjoyfreshMame lobsteryear-round,steak,seafooddishes,&more.Open7daysaweekfrom tlam-11pm.Children'smenuavailable.Fordnnks&alightermenu,tryour Portside Lounge. 772-2216.

FlatbreadCompany

Ratbread Company voted Portland's ’Best New Restaurant’ is serving awardwinningallnaturalflatbreadpizza.bakedinawood-firedearthen oven. Relax and enjoy the show as the Ratbread crew prepares, bakes and servesyourflatbreadfromanopenkitcnen,placedinthemiddleofthe dningroomLocatedintheOWPort.onthewater,inabeautifulwharf building overlooking the Casco Bay Ferry dock. Open Mon thru Sun 11:30 to dose. MC. Visa. AMEX

FrenchMemory

ComevisitourcountryviSagecafemtheheartofFalmouth,offeringaunique casual doing expenence. Dinner ts served Wednesday through Saturday beginningat5.FavontecasualFrenchentrees,steakanofries,chicken cordonbleu,dinnercrepesandsalmonprovencalareofferedalongwih croissantancbaguettesandwiches.supersaladsandAmericasfavorite hamburgers,petiteorgrandeportionsareavailable.Breakfastandlunch serveddailyfrom8until2Designyourownomelette,quehe.crepesand

soufleealongwithfrenchtoastbelgianwafflesandPancakesareall homemadeandservedbeautifullywithcareinourcolorfulcafeatmosphere. Fullbarandwinelistavailable.Visa.Mastercard.DinersClubandAMEX accepted. 190 US Route One. Falmouth Telephone 207-347-5631

GreatLostBear

Deep in the heart of the mysterious Woodfords area at 540 Forest Avenue istheGreatLostBear,whereyou'llfindafullbarfeaturingover50draught beers, predominantly from local micro-breweries. Accompanying them is an enormous menu w- everything from soups, salads. & sandwiches to vegetarianitems&steaks,aswellasalargevegetarianselection&the best nachos & buffalo wings in town. Discover where the natives go when they're restless' Serving 11 ;30am-11:30pm 7 daysweek. 772-0300. Visit uson-lineat:wwwgreatlostbear.com

JamesonTavern

JamesonTavernconsistsoftwowelcomingparts,acasualbar&lounge&a moreformaldmingroomeachofferingacomfortableplacetoreasydining. ThebuildingisthesiteofthesigningoftheconstitutionforthestateofMaire whenitbrokeawayfromMassachusetts.Classicpreparationsservedina graceful&elegantsettingmaketheJamesonTavernafineretreatfrom frenziedoutletshopping.115MainStFreeport,865-4196.Creditcards accepted; reservations recommended.

MargaritasMexicanRestaurants&WateringHole! It's‘MextotheMax r at Margantas Mexican Restaurants & Watering Hole TwogreatlocationsinPortland,othersinLewiston,Augusta.Orono& Portsmouth,Margaritasservesup ’oversized*meals&cotossal-szeddrinks! There'salwaysfreenotchips&saisa.&downrightlegendarymargantas.& thehousespecialtyisthesizzlingfajita!HappyhourM-F,4-7pm,freehot appetizers.InPortlandat242StJohnStUnionStationPlaza,874-6444&11 BrownStneartheCivicCenter,774-9398.LunchatBrownStFridaysonly.

Maria’sRistorante

Maria'sRistorante,est.1960byowner/chefAnthonyNapolitano,offers Portland'sfinestItaliancuisinewithaverygoodItalianwineselection. Spacious,beautiful.Italiandecorateddiningrooms.Privateroomsavailable forlargegroups.Vealsafembocca,fecucinitoscano.zuppadepesce.Classc Italiandesserts,Anthony'sownpistachiogelato.Lunch:$5-$8.Tu-F, 11:30am-2 pm. Dinner: S9-$18. Tues.-Sat. from 5pm, 337 Cumberland Avefreeparkingavailable.Pleasecall772-9232.

ThePepperclub

ThePepperclubisaprize-winningrestaurant(‘BestVegetarian’&"Best Value’inFrommer'sGuidetoNewEngland)featunngcreativeworldcuisine. Itsblackboardmenutypicallylistsfivevegetarian,threefish.&threemeat' entries,includingasuperborganicbeefburger.Peppercluboffersrelaxed, colorful,unusuallyaffordablediningontheedgeoftheOldPortweasy,free parking&goodwines&beers.Opennightlyat5pm.;creditcaresaccepted 78MiddleStreet,nearFranklinArtery.772-0531.

SnowSquall

SnowSquallrestaurantvotedafavoritebythelocals;’Yougottatrythe restaurant'.SucculentDucktwoways.LargeLobsters,GrilledAtlantic salmonwithfrizzledleeks.BakedHaddock,andMaineCrabcakeswith GrainmustardAioli,arestandoutsonourwiderangingmenu.Dinneris servednightlyLunchMondaytoFridayandSundaybrunch11a.m.to1ot SundayDinnerfrom12noonto8p.m.Enjoyourcozyfiresidelounge, featunngalightermenuorthefulldinnermenuforcasualdining.Private rooms to accommodate 100. Reservation are always welcome at www.snowsquall.com or 799-2232

Wok Inn Szechuan, Hunan, Cantonese & Thai. Excellent food, fast and affordable.Choosefrommoreban130deliciousmenuitems.Eatinortake outDeliverytoCapeEl.zabeth,Cumberland..Falmouth.Gorham.Portianc. Scarborough, South Portland. Westbrook. Yarmouth Hours: Sun-M 11:30 an* -9:30pm.Th11am•11pm.F-Sa11am•2am.1209ForestAve., Portland 797-9052 or 797-9053

Woody'sBarandGnU43MiddleSt.Portland.Servingcreative,fastfood cuisine.Featuringfocalnaturalbeefandchicken,andafocusonfreshtoes ingredients.Makesuretotrythealreadyfamous'WoodyBurgerf.andthe soontobefamousFishTacos.Dailyspecials,includingnaturalsteaks, vegetarianandvegandishes,soups,andseafood.Thereisagreatsateen offoodfnendlyoeerandwine.There'salsogelatoandotherfreshdeserts. Woody'sservesthisallupinarelaxed,cozy,andcasualatmosphere.'A burgerjointinthebestsenseoftheword.’PortlandPressHerald.Openfor lunchTuesdaythruFrday.DinnernightlyTuesdaythruSaturday.Call(207) 253-5251 Check us out at wvvw.woodysburgers.com

restaurant

BY DIANE HUDSON

Romantic

FiveluftvFivc,at555 CongressStreet,is thecreativecollalxrrationofchef-owner SteveCorryand wifeMichelle Corn-.BotharrivedinPortlandannedvvith impressivecredentials,Michellehaving workedat.ArrowsinOgunquitandtire WhiteBamInninKennebunk,whileSteve mostrecentlysenedasthesouschef atGrissini.

Itseemsasifeven-chefintovvrrwasdining heretirenightwestoppedtotn'theCalifor¬ nia-influenced(lightersauces,heavenly veggies)Americancuisineandsecifthere’sa newstandardintovvrr.’Theremaybe.

Comfortableseated,weweresencda

terrificfocacciaalmostimmediatelywith azingyherlxxlbutterspread,coupledwith sipsofRavenswoodLodiZinfandel (S27bottle).

Startingwiththeunderstated'Steakand Cheese’($7.95),wefoundtireBlackAngus caqraccio-withshavedParmigiano-Reggianocheese,truffledvinaigrette,and Maineseasalt-tobetrulyunforgettable.

Next.wechosetheGrilledCaesar S6.95).Simpleandclassic,itwashands downthebestwe'veeverhad.Equally exquisite,ourentreesofPenirsvIvania's PristineFannsorganicfree-rangechicken (SI/.95)andBlackAngusburger($12.95) leftuscontentedandtoofullforthe gorgeousinternationalcheeseplateselec¬ tions($2./5eachwithcrostini,wholechernes,andspicedhazelnuts)orthesweetplate offeringssuchastirecreanrsicle:vanilla pannacotta,orangecurd,andcandied zest-lemonrind-forbite($6).

Mecan’timagineabetterpreludetoa PortlandStageeventthisfall.'61-0555.

Calypso,auniqueadditionto PortlandsOldPort.Locatedatthe cornerofMilk&Pearl. Featuringfineclothing,jewelry& accessoriesforwomen. leriencetheexquisitedifferenceof

Everyoneofthefinewoolensmadeby Casco TSay WoolWorksreflectsthequalityandstylepossible onlywhenapieceisindividuallyhand-crafted. 100%VirginWool.MadeinMaine.

ComevisitourretailoutletfeaturingCapes,Shawls, Blankets,Hats,Scarves,andSweaters.

RetailOutlet:10MoultonStreet inPortland'sOldPort atthefootofExchangeSt. Phone:879-9665

ichaelFlatley’sLordoftheDanceiscomingto Portland.Flatleypossesses“theworld’sfastestfeet,” accordingtothe GuinnessBookofRecords. He’salso thefirstAmericantowintheAllWorldChampionshipin IrishDance.Whilehewon’tbedisplayinghisfancyfootwork atthisPortlandperformance,heisstilltheartisticdirectorof theproduction.

LordoftheDance isthestoryofDonDorcha,theDark Lord,andhisconfrontationwiththeLordoftheDance.Be warned—thefinaldance-offbetweenthetwomain charactersisnotforthefaintofheart. LordoftheDance hits thestageWednesday,October1,2003,at7:30p.m.at MerrillAuditorium

galleries

AbbeMuseum. Bar1larbor.MaineNative Americanculturesareexplored,including"Layers ofTime:75YearsofArchaeologyattheAbbe Museum."288-3519.

AucociscoCallery, 615ACongressStreetandat theEastlandParkHotel.Portland.“Figurative PaintingsandWatercolors"and"TheTransition Years."worksbyGeorgeLloyd,areonexhibit throughOctober.874-2060or www.aucocisco.com.

HatesCollegeMuseumofArt. AndrewsRoad. Lewiston.NotedforitsworksbyMarsdenHartley, themuseumisfreeandopentothepublic.786-6158 orwww.bates.edu/adm/museum.

BowdoinCollegeMuseumofArt. Brunswick. Ongoingexhibitsinclude"Portraitsfromthe PermanentCollection."“ArtandLifeintheAncient Mediterranean.""AmericanMurals."andAsianand Europeanartfromthepermanentcollection. "Picasso.Matisse,andOtherModemMastersfrom theWilliamAlexanderCollection"continues throughSeptember19.OpenTuesdaythrough Sunday,withfreeadmission.725-3275.

CaldbeckGallery.12ElmStreet.Rockland.“Alan Bray:Paintings&Drawings.""AbbyShahn: Paintings.""CrisOsgixxl:NewWorkinOil."and "AnneAlexander:SculptureinAlabaster"show throughSeptember20.594-5935

TheArtGalleryatTheClown. 123MiddleStreet. Portland."BalanceandBeauty."featuringthework ofVickyMcMurrycontinuesthroughSeptember 29."Recentlandscapes.Differing/Approaches." featuringtheworkofJaniesO'NeilandKathleen Robbins,openswithareceptionandwinetastingon October2.756-7399or www.the-clown.com.

ColbyCollegeMuseumofArt. Waterville. "CherishedPossessions:ANewEnglandLegacy." fromtheSocietyforthePreservationofNew EnglandAntiquities,continuesthroughOctober27. 872-3228or www.colby.edu/museum

Elan Finearts. 8ElmStreet.Rockland.Maty FrankandJohnDehlingershowwithPeterAcorn. KarenBecker.AlexandraBottinelli.MajoKeleshian.andBuzzMastersSeptember17toOctober19. Forinformation,call596-9933.

FarnsworthMuseumofArt. MainStreet. Rockland.Currentexhibitsinclude"TheLucid Mark:15YearsofPaintingbyDennisPinette."5966457or www.farnsworthnuiseum.org.

JuneFitzpatrickGallery.1 12HighStreet. Portland."Sightings:PhotographsoftheMaine Coast,"featuringtheworkofPeterRalston,ison 'iewthroughSeptember27.772-1961.

Fore StreetGallery. 372ForeStreet,Portland. TheHeightofLand."anexhibitoftheworkof

FreeLighthouseCatalog!

INTERIOR

TRADESHOW

CUNNINGHAM

JohnBickfordandMarciaBaker,showsthrough September.874-8084or www.forestreetgallen.com.

L.A.FrechetteGallery. 29WesternAvenue. Kennebunk.WorksbyLouiseA.Frechetteshow throughSeptember15.967-2422

GaleyrieFineArt.The ShopsatFalmouthVillage. 240U.SRouteOne.Falmouth."MusicinAvailable Light."featuringphotographybyLouisOuzer. continuesthroughOctober11,withanopening September6withmusicbythefourbags.781-3555

GoldsmithGallery, 41CommercialStreet, Boothbay."NewPaintingsbyJohnVander"opens onSeptember11.633-6252.

GreenhutGallery. 146MiddleStreet.Portland. RecentworkineggtemperabyRocklandartistPhil SchirmerisfeaturedforSeptember,followedbyan exhibitoftheworkofTomPaiement,openingwith apublicreceptiononOctober2.772-2693, orwww.greenhutgalleries.com

HayGallery. 594CongressStreet.Portland. "SignsforTravelers"featuringworkbyNicholas LamiacontinuesthroughSeptember28.773-2513 orwww.haygallery.com.

InstituteofContemporary.ArtatMaineCollege ofArt. 522CongressStreet.Portland.Anexhibition oftheworkoffacultyatSkowheganSchtxilof PaintingandSculptureisonviewthrough September28.879-5742or www.meca.edu.

laical188GalleryandTapasBar.1 88State Street.Portland.Thisrestaurantfeatureseclectic showsandmixedmedia.761-7909.

MuseumofAfricanTribalArt. I22SpringStreet. Portland."TheSpiritsofIgbos"isacollectionof masksandotherritualobjectsrepresentingmore thanI(XX)yearsofsub-SaharanAfricanartand history.Admissiontothegalleryisfree.871-7188 orafricantribalartmuseum.org.

PhotographicTraditionsofMaine.125 PrcsumpscotSt..Portland.Amuralshowoflocal artistsincludingWallyMason.LavenderMarsh, andJ.DaxidHathawayopenswithareceptionon September26.774-82(X).

PortlandMuseumofArt. 7CongressSquare. Portland.Currentexhibitsinclude“EdwardWeston: LifeWork."throughOctober19.and"ASolitudeof Space:ThePaintingsofThomasCrotty."opening September25.TheworkofCharlesFrederick KimballcontinuesthroughDecember7. AdmissionisfreeFridayevenings.773-ARTS or(800)639-4067.

MaineMaritimeMuseum. 243WashingtonStreetBath.Currentexhibitsinclude"ThePortlandGale: StormofInfamy.""AShipyardinMaine:Percy& SmallandtheGreatSchooners.""PortsofCall: MaineSeafarersVoyageAroundtheWorld." "TreasuresoftheSea."and"AMaritimeHistoryof calendar

Maine."443-1316or uww.bathniuine.coni/progninis.asp.

MaineNarrowGaugeRailroad&.Museum, locatedinthehistoricPortlandCompanybuildings (at58ForeStreetinPortland)wherehundredsof steamlocomotives,includingMainenarrowgauge engines,werebuilt.Opendaily,withtrainrideson thehour.828-0814.

MaineStateMuseum. 87StateHouseStation. Augusta.Currentshowsinclude"Outofthe Woods.""200YearsofMaineFurniture."and "HistoricFlagsandBanners."287-2304.

TheMaineWomenWritersCollection. WestbrookCollegeCampusoftheUniversityof NewEngland.StevensAvenue,Portland.This specialcollectionofpublishedandnon-published literary,cultural,andsocialhistorysources,byand aboutwomenauthors,eithernativeorresidentsof Maine,isopentothepublicbyappointment.7977688.ext.4324.

Pean-MacMillanArcticMuseum.HubbardHall. BowdoinCollege.Brunswick,displaystoolsand equipmentthatRobertE.PearytooktotheNorth Pole.725-3062.

PenobscotMarineMuseum. 5ChurchStreet. Searsport.Themuseumfeaturesthehistoryof PenobscotBayandthemaritimehistory'ofMaine. 548-2529or www.acadia.net/pmmuseum.

Plum.142HighStreet.Suite217,Portland.This galleryfeaturesaselectionofnationallyknown Maineartjewelersandmetalsmiths.450-3628.

PortlandHarborMuseum, atSpringPoint. SouthernMaineTechnicalCollege.FortRoad. SouthPortland.Theexhibit"ADayintheLifeof PortlandHarbor"continuesthroughSeptember.The museumiso|xmeveryday.799-6337.

RoundTopCenterfortheArts. RouteOne. Damariscotta."WallySchweighausen:Recent Series"continuesthroughSeptember28.563-1507 or www.roundtoparts.org.

SaltGallery.ExchangeStreet.Portland."Forgotten People"featuringthephotographyofThatcher HullennanCook.runsthroughSeptember20:"A TasteofWine.?\PinchofSalt."awine-tasting fundraiser,isonSeptember18;andopening October3.AucociscoRadio,acollaborative dtx'umentaryexhibitionofradioand photography.761-0660

StillhouseRun.HighStreet(overKatahdin Restaurant).Portland.Liveentertainmentruns Mondayevenings.879-5498.

fhoniasSpencerGallery. 360MaineStreet. Yarmouth."SusanGosselin:Paintings"shows throughSeptember27.846-3643

LniversityofNewEngland.716 Stevens

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THE ARUNDEL WHARF RESTAURANT

Avenue.Portland.ArthurSzyk."Patriot: Paintings.Lithographs&Posters."showsthrough October25.797-7261.

UniversityofMaineMuseumofArt. 40Harlow Street,Bangor."MaryHart:RecentPaintings"and "GeorgeTice:UrbanLandscapes"showthrough September20.561-3350.

ZeroStation. AndersonStreet,Portland.“Zero Portfolio.”dedicatedtoprogressiveoriginalworkon paper,opensinOctoberonZeroStation'swebsite, andinflat-filesatthegallery."EgoStation,"an immersivedesignenvironment,opensinlate October.347-7000www.zerostation.com Children'sTheatreofMaine.3 17MarginalWay. Portland,legendofSleepyHollowopensOctober 10.828-0617orwww.childrenstheatre.biz

theater

GoodTheaterProductions. St.LawrenceArtsand CommunityCenter.76CongressStreet.Portland. Themusical.HabyrunsSeptember25toOctober 19.885-5883.

LyricMusicTheater. 176SawyerStreet.South Portland.TheLyricTheatercontinuesits51st seasonwithperformancesofWestSideStory.7991421.www,lyricmusictheater.com

MerrillAuditorium. Portland.JerrySeinfeld entertainsonSeptember10.withMichaelFlatley's LordoftheDoneeOctober1.842-08IX) orwww.[>ortti\.com.

ThePortlandPlayers. 120CottageRoad.South Portland.The73rdseasonopenswithGrease,with showsfromSeptember19toOctober5.799-7337.

PortlandStageCompany. PortlandPerforming ArtsCenter.25AForestAvenue.Portland.The ComedsofErrors,thefirstproductionofthe company’s30thanniversary'season,runsSeptember 23toOctober19th.Otherofferingsfortheseason includeProof. AChristmasCarol,hntdMeo Tenor.IjiokinyOverthePresident’sShoulder. AmericanHnlfalo.andUozncnandtheSea.7740465or www.portlandstage.com

TheIhiblicTheatre.TwoGreatFallsPlaza. Auburn.MichaelHollinger'swackyfilmnoir comedy,theRedHerring,playsfromOctober10to 19.782-3200orwww.thepublictheatre.org.

UltraLight, atPortlandStageinPortland. PenobscotTheater,Bangor,andTheGrandTheater. Ellsworth.PerformancesofUltraLiyht.dramatizing thebattlewithaddiction,runthroughSeptember20. 729-8584 www.ultra-light.org

St.LawrenceArtsCenter. 76CongressStreet. Portland.TheHurdy-GurdyPuppetShow,perfonns everySaturday,featuringTheAmazinyAdventures ofPierreintheAirinSeptember.TheWorldPuppet ShowreturnsSeptember9to14.followedbyThe calendar

PerformanceProject'spresentationofEleventhand lj>vefromSeptemberISto21.andGcxxlTheater's productionofRaby.September25toOctober19. 775-556S orwww.stlawrencearts.orp.

music

PCAGreatPerformances. MerrillAuditorium. Portland.Performancesofthenewproductionof TheMusicManOctober10and11feature choreographyfromSusanStromananddirectionby RayRtxlerick,adaptedfromStroman'sBroadway direction.UpcomingconcertsfeaturetheHerbie HancockQuartet.ParityandHess.Tosca. Moscow FestivalBallet,andNatalieMacMaster.842-0800 or www.pcagrcatpcrf.com.

PortlandStringQuartet. StateStreetChurch. Portland.ThequartetperformsworksbyMozart. Faure.Chausson.andSchumannonOctober19. GuestartistsareFrankGlazerandChristina Astrachan.761-1522or www.portlandstringquartet.org

PortlandSymphonyOrchestra. Merrill Auditorium.Portland."AFestiveOverture: AndreWatts.”featuresBrahms'sSecondPiano Concerto,onSeptember20.Upcomingevents include"ClassicalTuesdays.""Classical Sundays."America'sPops,andTheMagicof Christmas. 773-6128

dance

BallroomofCascadeInn. Saco.Greekdancewith livemusicbyKostasTaslis&HisOrchestra. presentedbytheHellenicSocietyPaideiaofMaine tobenefitculturalandeducationalprograms. September20.883-3019.883-3527,or771-0298.

don't miss

MaineWritersandPublishersAlliance. 1326 WashingtonStreet.Bath.Eachseason.MWPA offersworkshopsinfiction,poetry,creative nonfiction,children'sliterature,andpublishing. 386-1400orwww.mainewriters.org.

Wadsworth-LongfellowHouse. 487Congress Street.Portland,childhtxxlhomeofthepoetHenty WadsworthLongfellow,isopendaily10a.m.to4 Pm.forguidedtoursthroughthesummer. Admissionincludesaguidedtourofthehouse,an orientationfilmonLongfellow'scareer,and entrancetotheexhibitionsattheMaineHistory Gallerynextdtxtr.879-0427.

3ictoriaMansion(Morse-LibbyHouse).109 1 DanforthStreet.Portland.Guidedtoursareavailable TuesdaytoSaturday,from10a.mto4p.m.andon Sunday, from I to 5 p.m. and group tours by j reservation. 772-4841 or I "ww.victoriamansion.org.

-CompiledbyDianeHudson

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TheghostlylegacyoftheOgunquitArtsColonyinvitesyoutoa lawnpartvatthisSeptember’s houseofthemonth.for$2.195 million(reducedfrom$2.5mil¬ lioninthespring),youandsours canstepintohistorybvpurchasingimma¬ culate17SeagrassLineanditssweeping greenlawnsastheyrollgracefullytothe OgunquitRiver.

Peeringoutfromthewraparoundporch, inshad}’pri\acy,guestsarctreatedtovis¬ tasoftheunderappreciatedwhitesand barknownasOgunquitBeachandthe seabeyond.Thissandbar,atypicalbar¬ rierbeach,isdeliriouslybeautifulinfall.

“It'souranswertoCape1lattcras.and areasofCapeCod.too."NewellPerkins ofPerkinsRealEstatesaws.“Itssculpted bystorms,andbvtime.It’salwaysonthe more.Itnewerstavsthesame.

“Thereisonlysomuchlandonthe OgunquitRiser,andtheonlystructures onthesandbararctheNorseman1lotcl. Charlie’s,andtheBluewaterInn,which isrcallvarestaurantwithafewrooms.

“Iloresouarewith150feetoffrontage ontheriser,wheresoucankasakandsail

SeventeenSeaCrassLanehasalways beentheloseofthelocaltheatercrowd, Perkinsexplains,becauseitsharedthe samedrisewas-juststepsdowntheknoll “fromOgunquit'soriginaltheater,the Ilost’s1aneTheater-foundedbsMan Dell,E.R.Ilost’swife.TheIlosisowned allofthislandtothewaterbackthen,"he sass,withtheIlost'sLaneTheatera landmarkbeforeJohnLane'sstoried OgunquitPlashousebeckonedtoitsfirst caronRoute1.

OnceBostonsocietsswellGeorge SmithbuiltDuneLiwnin1920afessdoorstothesouthonthesameriser (“bringingsomans-Italianmasonsinto

townonesummertoworkonthemarble thatthelocalswerewarnedtokeeptheir daughterslockedup,"Perkinssass),the flappersdiscoscredI - ScagrassLine

Out Of The Post

1/ Seagrass Land, Ogunoui i

17 Seagrass features)50feetonthe()gunquitRiver,withOgmiquitBeach’swhitesandbarbevond. astheriserlapsonsourlawn.”

Above: l-rontporch.ZOOV 17 Seagrass played gracioushostIoCatsbs-sizedsocialevents(see photo,bottomolpage)trackwhenBetteDaviswas awaitressatoneoftilelocalhotels.

Che^Irtand^ArtistryofTIrthurS^yh

Aug 26 - Oct 26 - asoneofAmerica'sleadingpoliticalartists duringWWII,SzykwascommittedtoexposingNaziinjustice andoppression.Hisexquisiteilluminationsonthisandother themespromotetolerance,humandignityandfreedom.

anew,andonceagainthesegreenlawns becamethecenterofOgunquifssocial lifeinthe1920sand1930s.

Nottomention2003.Wliilethe estateawaitsabuyer,thestaffofthe presentOgunquitPlayhouse, celebratingafantasticseason,hasrented 17Scagrassandits1930sarts&•crafts guesthouse,aperiodgeminitself,for thesummer.

YoucanfeelthebreezewhenPerkins describesthemainhouse.

"Itwasbuiltin1900.Theappealwhen vouapproachonthecurveddriveis unique.There’snoquestiontheporches aremvfavoriteplaceinthehouse,so lovek,probablythebestpiazzaintownif vouwanttoputitthatway.

“Thelivingroomhasbookcaseson bothsidesofaperfectlybeautifulstone fireplacethatgreetsyouasyouwalkin. Thefirfloorshavearichhoneycolorto them.Thestairwayturnsleftupto anotherlandingandontoanotherleft¬ handturn.Il’savariationonagood morningstaircase,becauseanotherpart ofitdescendsintothekitchen.

'Ihekitchenisunadulteratedfromits utilitarianorigins,withapantryforcannedgoodsstorage.Enteringfromtherear porch,afoverleadstoahalfbathonone sideandthenthekitchen.Thelovekold cookstoveisstillhereandinbeautiful shape.1leadingtowardthediningroom houseofthemonth

vouseeasecondbutler’spantrv.

“Thediningroom,withtwobuilt-in cabinetsandFrenchdoors,leadsyou backtothelivingroomwithitsviewsof thesanddunes.Therearcfive bedrooms,notincludingtheguest house,whichdelightswithitsown charm,windowseats,fieldstonc fireplace,andnewlyrefinishedfirfloors. Asituationlikethiscouldnotbecreated again.Newerhousestrvtocreatethe kindofmagicthisestatehas,but somehowtheyjustmiss.”

Sowherehaveallthepeoplegone? WEcrearetheOgunquitlawnparties ofyesteryear?

“Theoriginalpainterscameforthe light,”Perkinssays.Thelightwasholvin thewayitreflectedintothegranitecliffs ofMarginalWay.“Todaythelightis gone.Traffic.Theairisnotclearanv more.That'swhyyougotoStonington andMonhegannow.”

“1wouldn'tdisputethatatall.”sass IsabelLewando, -5,anartist,model, andphotographerfromOgunquit’searly dayswhoisrarelyafraidtodispute anything.“Maybethelightisgone.But «estillbaseourbadweather!Thosefall storms.Wecameforthat,too.”

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CUSTOM HOMES RENOVATIONS

In-houseDesign/BuildServicesAvailable P.O.Box821,121MainSt.Yarmouth,ME04096(207)846-0410

Foradditionalinformation&photographs,pleasevisitourwebsiteatwww.anastosnadeau.com

GREEN DESIGN FURNITURE

Innovation. Craftsmanship. ArtisanEngineering. Valuesofenduring classicdesign. AtGreen DesignFurniture, our woodworkers combinetheirtalents, aprogressiveuseof modernthinking,tools andtechnologyto producetheinnovative designsofDouglas Green.Ournewcatalog featurestheSeries 2 collectionforthe homeandoffice. -XCalltoOrderor foraFreeCatalog 1.800.853.4234 www.greeFKlesigns.corn Visitourshowroom 267CommercialSt. Portland,Maine

NEW ENGLAND HOMES & LIVING

CarefreeinKennebunkport

♦24luxurycondominiums♦3beds.2.5baths♦2-car garage♦fullbasement♦fireplace♦1milefromDock Square♦min.1900sq.ft.♦under$4(X),000

BANKIBRa

HMDEMIAIBROKIRAGF

BillCase

Coldwell Banker

ResidentialBrokerage

Office - 877-591-988S x 221

Cell - 207-590-3717

Fax - 207-967-5742

casew(nadclphia.net

WOODS

RANGELEY

Top-notch 3 bedroom. 1.5 baths customloghomebeautifullysituated on2+quietacreswithagrandviewof Saddleback Mtn. Hull foundation, porch,garage&thebestofeverything and convenient to all town and 4seasonactivities.$238,000.

RICHARDSON LAKE

OwnapieceofyesterdayI19thcentury BirchLodgeattheheadofRichardson Lake!Atrulyuniquepropertywaiting toberediscoveredwith792ft.of

Two main eamps, playhouse, boat house,garage,guidescampandother outbuildings steeped in charm and history.S775.IMM1.

Expansivemountainandlakeviewsfrom thismanicured45+/-acreparcelofopen fieldsandmaturewoodlandsituatedin the middle of the Rangeley region. Seasonalcabinwithdrilledwelland septic.1200ft.ofroadfrontage,anda pondofferspotentialforagreatcamp, homeorsubdivision.$449.5(X).

extensive inventory. \ isit our well site and see some of our windows on display there. We also earrv doors, mantels, lighting fixtures, furniture ami other antique ami architectural items.

Stately executive home in a private well planned neighborhood. Every amenity possible! 5 bedrooms, 3 baths, beautiful gas fireplaces, and many other luxury features. A spectacular residence! $399,000.

Kennebunkport s Newest Residential Community

avorallthatgraciousurbanlivinghastoofferinthis192WATEREROXTbrickhome.Inthemorning,strollthe EredcrickLawOlmstedparkwavatthefootofsourflagstone path;intheafternoon,kavak,windsurf,sail,orrowbeautifulBack Coveatsourfrontdoorstep;andintheeveningwalktoPortland PublicMarketfordinnerandaconcertatMerrillAuditorium.At night,watchthefireworksoxertheharborfromvourcoveredback porch.Enjovallthisfromoneofthefinestneighborhoods(within walkingdistanceofpublic&•privateschools,theunhersit\,and OldPortshopping)intheheartof “America'smostlivablecitv.”

Even-windowaffordsan incomparablewaterandcitvview.The 28-ft.livingroomhasfrenchdoors,a tudorfireplace,andarchwavsleading tothemediterranean-stviesolarium withtiledfloorandvaultedceiling. Ihespaciousmasterbedroomandthecozvdenbothhavegasfire¬ places.Thegourmetkitchenandbutler’spantrvleadingtothedining roomarc eleganth appointed withgran¬ itecount¬ ers,chcrrvcabinctn.tilefloors,andstainlesssteelappliancesincludingaJenn-Air modulargasgrillwithconvectionoven.Ihereare5bedrooms,31/2tiledbaths,anda1.x1 —-ft.artist'sstudiodesignedbvthefinnofJohnCalvinStevens.Ilieslateroofand copperflashingarenew,asarcthe carcfulkrecreatedwoodengutters, soffits.andnewcustominsulated windowswithinsidecleaningfeature. Ihefurnace(2003),circular drivewavwithisland,andgranite stepsarealsonew.Attachedgarage, built-ins.originalfixtures,securitv svstemeVrefinishedhardwoodfloors throughout.$6~3,000

NEW ENGLAND HOMES & LIVING

WaterfrontEslate Stonington . Maine

Incomparable contemporary design with a one-of-a-kind, custom-designed and built indoor-pool and great-room addition. This 1O.OOO-square-foot. year-round home on 4 9 acres with 340 feet of elevated, rocky shore frontage offers four bedrooms, four

Lovely contemporary home sited on a 5.5 +/- acre lot, boasting commanding views out northwest Harbor. Very well built, this well maintained, efficient, year round home provides gracious year round living in a very desirable area. Fully equipped with large open floor plan, the expansive home provides room for family

full baths, two one-half baths and four fireplaces. This residence is elegant and gracious, yet very comfortable and functional. Deeded rights to a shared deep-water dock. S2.750.000. #1133 and friends. 203' +/- of rocky shore-frontage with Anchorage offshore accessed by a large wooden dock and float system. Private setting with landscaped grounds, separate 3 bay garage and post & beam barn and approximately 4+/- acres of fenced-in land for pets and animals. S1.595,000 #1193

WINDHAM....LIVE ON SEBAGO LAKI

Hereisawonderfullakefrontpropertvinanextremelypeaceful settine.hnineconthesandybeachbydayandenjoythewarmthof therusticstonefireplaceonthosechillvsummerevenings.Skylights letinthesunshineandtwodecksoverkxikglisteningwaterviews. $499,900ClaireGanm797-8^8^xl13.

\ RARE HM) Thistnilvuniquecontemporanhomeon

YARMOUTH aprivate4.22acrelotoffersagraciouslifestyle.Chef kitchen,bedroomwine,cherryfloorsandathirdfloorstudio arcjustahintofthepleasurestobefoundhere. $699,000 1imrlaherb 797-8585x116.

Visitusonhneatwww.tfre.com

'Hiebestofbothworlds!SkiingandGolf![.ocatedonthefairwayofa toprankedRobertTrentJonesJrGolfCourse.Thistimberframed customhomehasagourmetkitchen.3-4BR+loft,2.5BA.3storv fieldstonefireplace,beautifuldetailsintheframing,viewsofgolf courseandmountainrange.Onthelovelydeckisahottubtoenjoy theviewamongthebirches.1’helocationissospecialbecauseyouare tuckedawavonalandscapedlot.forskiseasonyoucancrosscountry skiorsnowshoerightoutthedoorortaketheshuttlefordownhill skiing.$457,000

Formoreinformationonthislovelyhome CallJanetPeruffoatCSMRealEstate P.O.Box184,Kinsjfield.ME04947 207-265-4000 www.csmrealestate.com

MOOSELOOKMEGUNTIC LAKE.

Beautifulwaterfronthomeisprivatelysituatedon4+acreswith2(X)’ offrontageandsandyswimmingarea.Saltboxstylewithlarge additionandoversized2cargarage,thishomeoffersallthecomforts forenjoyablerelaxationwithfamily&friends.Startyourdaywith coffeeonthesouthdeckandenjoygreatsunsetsonthewesterndeckin theevening.Move-incondition,readyforoccupancy. $725,000.

NEW ENGLAND

SOUTHPORTLAND-Buildahomeonthisgreatpieceof waterfrontland.EnjoyviewsofthePortlandShipChannel. Existingbuildingpermitincluded.$685,000Kevinxl04

BEACH LANDING

SOUTHPORTLAND-CondominiuminoneofSouthPortland's finestnewdevelopments.Astone'sthrowfromWillardBeach! Manyamenities.Only1left!Kevinx!04

PORTLAND-Extremelyrare4BRhomeontheocean,hardwood floors,deadendstreet,formaldining,nearnewmarinaandmuch more!$435,000Kevinx104

SCARBOROUGH-DistinguishedHistoricHomesteadwithperiod charm.11+rooms,carriagehouseandbamwith5+acres. S998.000Sandrax101

OLDORCHARDBEACH-DantonTowers,extraordinary developer'sdoublepenthouse-spectacularviews.Balconies,marble baths,cedarclosets,andmanyextras!!!$895,000Sandrax1011

Phone:207-883-5096Fax:207-883-5097

Email:info@allpointsrealtors.com www.allpoinlsrealtors.com

NEW ENGLAND HOMES & LIVING

SULLIVAN:" Westwinds", an absolutely charming 5BR. waterfront cape.

WithviewsofTidalPalls,and110'of frontage on Sullivan Harbor. Verv peaceful.S385,000

STEUBEN: This enchanting cottage is tuckedawayonahillwithviewsof PigeonHillBayon2sides.Thishome has a sunroom, hot tub and eat-in kitchen.Walktotheocean. A truly unique property. SI59,500

BACK ON THE MARKET! Enjoy the views from the front porch of this log-sided home. Situated on 19 acreswithagranitefireplace,wood interior and more. SI35.000

BAR HARBOR: This property abutts the Fogg Farm land preserve. Lovely landscapinghidesitfromtheroad. Completely renovated, artsy, airy spacious light home. $269,000

SULLIVAN: Situated on a lovely wooded lot across the street from Flander's Pond. Custom built home with beautiful, natural woodwork. Quiet yearroundliving.SI69,900

GOULDSBORO: IDYLLIC! Look out to sea from the main house or guest cottage, across a working harbor and pink granite reaches to the open ocean. Porches.roses white picket fence and more. S425.000

FRANKLIN: GREAT SPOT! Deck almost to the water's edge. Furnished 1930's classic camp on George's Pond, western fir floors in a large livingroom. SI69,000

ADDISON: Country setting not far from Addison village. This mobile home has been recently remodeled with a bright country look. Not far from Machias for work or school. S52.OOO

ELLSWORTH: This lovely colonial with fourfireplacesisfullofcharm history.Believedtohavebeenbuiltby Benjamin Joy, an early Ellsworth settler.Newwiring,wallpaperetc.Pullof charm! SI86,500

GOULDSBORO: Three bedroom mobile home and large 2BR. apartment overthe2cargarage.Greatforfamily compound or extra income. Paved driveway for both homes nicely landscaped. SI29.900

FRANKLIN:

Westport West Bath

Thiscompletely renovated waterfronthome hasmanycustom featuresincluding 200+/-feelofwaler frontage,privacy.4 gasfireplaces,and dockandfloatwith electricity.NEW ADDITIONofa masterbedroomw/ bathand22X20garageiscurrentlyunderwayandwillbe completedthissummer. $474,000

Cromwellt=}

ExquisitedeepwaterandsweepingWesterlyviews.Open concept immaculate home with expansive deck, and excellentyard.Readyforbuyerswhowantaquality,turn keyhome. $699,000

Sharon Drake

$569,WO SpaciousOpenFloorPlan,AirvStudioofftheMaster Suite,GreatRmwithFplc,WoodFloors,3setsofFrench DrstoExpansiveDecking,additionalDetached2-CGarage.

Enclosedismycheekfor855for3years;845 1 for2years;829for1yearat10issucs/ycar!

JStreet: jYes,I’dLiketoSubscribe.

ExceptionalGreekRevivaloffering4Bedrooms,2.5Baths, 4-CarGarage,meticulousRenovations,modernAmenities. Kirw/Granite,spaciousYard-walktoBowdoinCollege! SANDRA JOHNSON Direct:553-7377 RE/MAX By The Bay (207) 773-2345 [g970BaxterBoulevard,Portland,Me.04103

“ReadingColinSargent’spoetry islikeopeningadarkbagandhavingathreadleapout,then severalmorethreadsfusingtoluminousbandsofmusic,oneafter another,alongwithcrazypotatoes,aphonegrowinglikeablack plant,perhapsasodacandiscardedonthebeachoff Kennebunkport,Maine.InUndertow,hislatestbook,Sargent’s collocationsofthemagicalandthemundaneworktogether brilliantly.”

ColinSargent

QPleasesendmeacopyofBlush($7.95plus$2shipping),CoyoteLovePress, publishedwithagrantfromtheNationalEndowmentfortheArts

QPleasesendmeacopyofUndertow(S10.95plus$2shipping),CoyoteLovePress Forsamplepoemsvisitwww.colinsargent.com

MIRRORS

BY RHEA COTE ROBBINS

Iwouldlikeyoutowritean essay about who you are not. In otherwords,donottellmewho youarc,thepeople,placesand thingswhodefineyouasyou knowyourselftobeinthe community.Instead,give medark,beautifultales ofwhoyouarenot. Insertpassion whereverpassionis required.Anyques¬ tionsaboutwhatI wouldlikeyouto writeabout?”

Jeannette,inthe frontrow’,raisesher handandasksfor anexample.

“You’reFrancoAmcrican,right?”the instructorsays.

Jeannettenodsyes.

“Allright,then.IfIgoto thegrocerystore,where would1findtheFranco-American foodssection?Don’tlookthere. Wherearethetelltalesignsofbeing Franco-Amcricaninthistownthatdefine

Mixinrealmaplesyrupforinspiration. ShethinksofMamanandDadinthe cemeteryandallthosegraveswiththose Frenchnamesspelledwrongbecausethe accentsaremissing-how’sthatforan exampleofwhoweareandwhowcarc not?/Arcthereanystreetsorbuildings namedafteranyFrenchpeople? LikeMutty’Memorial,which shouldbespelledAlothe. r\ndwhataboutTante Blanchefromnorthern Maine?She’sthe Acadianherolike77ie Midwife’sTale woman.Thereisa statueandamuseum forherin Aladawaska. Thisassignmentre¬ mindsmeofthesign onthetractor-trailer tmeks:“Ifyoucan’t secmymirrors,1 can’tseeyou.”

“How’sitgoing today?”sheasksthe grocerystoreowner.His reflectionisbarelyvisiblein theglassbehindhim. “Paspire,paspire,”hereplies. “Toe.you?”

“Nothad,nothad,mecither,” sheanswers. you?Don’ttellme.See?Il’seasy.Think insteadofwhatdoesn’tdefinesou.Think ofthisassignmentasapassporttotheself. Seeyouailtomorrow."

Jeannettehasnotthoughtabouther cultureintermsofhercommunit}’: WTicrearetheFranco-Americansinthis town,andhowcanIavoidthem?She stopsatthelocalParadisIGA.Nottoo man\-lAcnchpeoplearoundhere;that’s whatotherpeoplethink.Jeannettepasses acouplefromNewBrunswick-over¬ hearingtheirFrench-getshergrocery cart,andheadsovertothefreshvege¬ tables.I’llmakesomeDynamitefor supper,shereflects.GoodHOTFrench Mainerecipe.Shethenheadsovertothe meatdepartmentandseesMailhot’sBest tourtiere,Cretans,andsalmonpieforsale. Foods“tellpeoplewhowcarc.”Blood sausage,saltedspareribswithfreshstring beans-Tricot!Dadwouldsay.Ployesfor Maman.Everythingwithlardsalefried,boiled,baked,orsteamed.She picksupapackageofBouchardFamily FannPloves.

“Areyougoingtoanyofthefestivalsthis year?Kermessc,FestivaldeJoie,the AcadianinMadawaska?”Shepushes“2” ontheautomaticpaymentmachinefor “Pran^ais.”JusttopracticeherFrench. “1ladnotthoughtaboutit,”he says.“You?”

“Iwasthinkingaboutgoingtoallof them,”shedecides.“Gogetmesomeof thatpontine!Seeyoulater.Bye-bye.”

Shedriveshomeandshe’srenaming thestreetsasshedrivesalong,past GagnonDrive,turningontoVeilleux Lane,takingaleftatGrandmaison Street,andarightontothecul-de-sac whereshelives.Jeannetteturnsinto herdrivewaystillthinkingabouther assignmentandshedecidessheis goingtowriteaboutNothing. Becauseyouarewhoyouareoryou arenothing.

RheaCoteRobbinsistheauthorofWednesday'sChild.

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Gov. Baldacci presents the 2003 Maine Arts * Commission Fellowship Awards at Space Gallery, Portland, from left: Maine Arts Commission’s Alden Wilson, poet Elizabeth Tibbetts, Space Gallery’s Todd Bernard, set designer Judy Gailen, Gov. John Baldacci, &velist Chris Barry, poet Betsy Sholl, poet Colin £ Sargent, composer Tim Harbeson

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