for the

ALTO SAXOPHONE With Piano Accompaniment 'j

Selected and Edited b)

LARRY TEAL ED. 2599

MCMLX V by G. Schirmer, Inc. International Copyright Secured Printed in U.S.A.

0

G.SCHIRMER

New York/London

1

CONTENTS Piano

AI.RI.IMLEAF (from: Lyric Pieces, O p . 12) . CANZONETTA, Op. 6

,

,

FANTASY PIECE.O p . 7 3 . KO. 3

,

GYPSY ROSDO ItVTERRIEZ7,O

I

,

,

,

,

,

,

.

. . .

(from: GOye.YCa.3)

MINUET

.

.

.

.

.

<

.

<

<

,

32

12

,

,

,

,

2

2

,

,

,

,

68

25

,

.

.

,

35

13

.

,

,

,

26

10

.

~

.

.

.

19~

.

,

,

.

.

41

15

44

16

,

Alfred0 d'<Ambrosio

,

,

,

,

.

,

,

,

,

,

.

.

. . . .Joseph Haydn

,

,

,

,

,

,

,

,

.

.

.

,

Ed1w-d Grieg

. . . .

~. .

,

,

,

J (from: Sonatina, ~ Op.~1 0 0 )

,

,

,

,

,

.

,

,

,

.

,

,

.

,

Robert Schumann . .

.

Enrique Granados ,

. . .

.

,

~Antonin Dvofhk ~

. .

Joseph Haydn

.

Saxophone

8

MINUET(from: Diilertirnenfo in D . K . H 4 ) .

,

.

.

.

iVolfgang Amadeus hlozart

,

NOCTURKE, Op. Posth.

.

.

.

.

.

Frédéric Chopin

.

,

.

,

.

15

7

,

,

.

,

,

Jfodest Mussorgsky

,

,

.

.

53

20

ROMANTIC PIECE.Op. 75. No. 1

Antonin DvoTAk

.

.

,

.

22

9

KONDOIh D

ii'olfgaiig Amadeus Mozart

48

18

SICILIENNE A N D ALLEGRO (from: Fliite Soiiiita A'o.2)

Johaiin Sebastian Bach

,

,

,

7

4

Maurice Ravel

,

,

,

62

23

58

22

,

,

.

.

,

,

THEOLDCASTLE (from: Pictu1-es a t an Exhibition)

SONATINE (from: F i u t Movement)

,

VOCALISE,Op. 34. S o . 14.

,

,

,

,

,

.

.

,

.

.

,

,

.

,

,

,

.

,

.

,

.

.

,

Sergep Rachmaninoff

,

~

FOREWORD Although many outstanding composers have written solos for the saxophone, its comparatively late invention leaves a great void in its literature. For many years its use was confined to military bands and, occasionally, the orchestra. Emergence of the saxophone as a solo instrument did not take place until the 1920â&#x20AC;&#x2122;s, and it is since then that most of the solo literature written for it has been composed. If the serious saxophonist wants to perform the music of the Classical and Romantic periods, he must turn to transcriptions. The pieces in this collection have been selected for their musical value, and for their adaptability to the st)le and limitations of the instrument. Being transcriptions, certain changes were necessary. Cuts have been made where deemed advisable and many of the compositions were transposed from their original keys. Tempo indications are those recommended b) the transcriber. Technically the solos might be graded from medium-easy to medium-difficult. It is suggested that, for the purpose of interpretative study, the student avail himself of other music by the domposers included here. A knowledge of the style of each composer and the era in which he lived ir inlraluable. These compositions may be used both as study pieces and in concert p.erformance, and are valuable additions to the literature available for the solo saxophone.

L. T.

Index by Composers Piano

ALFREDO D’AMBROSIO , ,

,

. .

,

. Canzonetta, Op. G

2

2

7

4

. . . . . . . . 15

7

. . . . . . .

,

JOHANN SEBASTIAN BACH . . . . . . Sicilienne and Allegro (from: Flute Sonata N o . 2) FRÉDÉRIC CHOPIN. . . . . . . . . Nocturne, Op. Posth.

. . . . . .

ANTONINDvo~~AK . . . . . . . . . Larghetto (from: Sonntina, O p . 100) . .

. 19

8

22

9

26

10

Album Leaf (from. Lyric Pieces, Op. 12) . . 32

12

Gypsy R o n d o .

. . . . . . . . . . 3 5

13

. . . . . . . . . . . . . . . . 41

15

ANTONINDVORAK . . . . . . . . . Romantic Piece. Op. 7 5 . No. 1 ENRIQUE GRASADOS . . . . . . . . Intermezzo (from : Goye.ccas)

E ~ ~ V AGRIEG RB

. . . . . . .

JOSEPH

HAYDN.

JOSEPH

HAYDN. . . . . . . . . . Minuet

. . . . . . . . .

WOLFGANG A x I A D E u s MOZART.

.

,

,

.

.

.

.

.

.

.

.

.

. hIinuet (from: Diuertirnento in D,K . 334)

AMADEUS MOZART. . . . Rondo in D WOLFGANG

MODESTMUSSORGÇKY

Saxophone

T h e Old Castle (from: Pictures

.

. . . . .

at

an Exhibition)

SERGEY RACHMANINOFF . . . . . . I’ocalise, Op. 34, No. 14

,

. . . . . . .

MAURICERAVEL . . . . . . . . . Sonatine (from: First Movement) ROBERT SCHUMANN . . . . . . . . Fantasy Piece, Op. 7 3 , No. 3

.

.

.

.

.

44

16

48

18

53

20

58

22

62

23

68

25

1. Canzonetta Allegretto moderato J = 80

Alto

*

n

L

-

1 I

-

I

-

Alfred0 d'Ambrosio, Op. 6 (1871 - 1914) I

I

I

I"

Y

Piano

f

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@ Pi첫 lento

45722

J = 72

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3

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F

45722

6 rit.

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7

2. Sicilienne and Allegro from: Flute Sonata No. 2 Sicilienne

II"

45722

a legato

Johann Sebastian Bach

I

l

-I

I

8

poco cresc.

I

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r

I

9

15722

10

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11

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12

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13

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3. Nocturne FrĂŠdĂŠric Chopin, Op. Posth. (1810 1849) Transcribed by Francis L. York

-

Lento con gran espressione

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J=69

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19

f r o m : Sonatina Op, 100

Larghetto J = 66

Antonin DvoPak

20

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DOCO

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21

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> 7 . ?

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rit.

45722

rit.

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5. Romantic Piece Antonin Dvofak,Op. 75,

Allegro moderato J = 96

13-

molto espressivo

7

l

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No.1

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6. Intermezzo from: Goyescas

Moderato

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senza pedale

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Enrique Granados (1867- 1916)

27

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7. Album - Leaf from: Lyric Pieces, Op. 12 Edward Grieg

45722

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8. Gypsy Rondo Joseph Haydn

36

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38

39

40

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9. Minuet Joseph Haydn

Pl

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42

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44

10. Minuet from: Divertimento in D, K, 334 Wolfgang Amadeus Mozart (1756- 1791)

II

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46

i

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47

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I

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11. Rondo in D Allegro J = 120 Y

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Wolfgang Amadeus Mozart

49

f< Y U

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50

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I

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l

I

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52

O I

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12. The Old Castle from: Pictures at an Exhibition

Andante cantabile

Modest Mussorgsky (1839- 1881)

J.= 51

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13. Vocalise Sergey Rachmaninoff, Op. 34,No. 14

Lentamente e molto cantabile

i

i ii

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(1873 1943)

J=58

*To be played only upon repetition of the first section

I

59

ritenuto

45722

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poco pi& moss0

60

I i

crest.

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7

-

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61

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14. Sonatine (from: First movement) Maurice Ravel (1875 1937) +

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66

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67

rit.

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15. Fantasy Piece Robert Schumann, Op. 73, NO. 3 (1810 1856)

-

69

70

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