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JULY 11–17, 2012 I VOLUME 37 I NUMBER 28

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A Seattle attorney’s quest to free a murderous Ugandan warloard’s commanders. By Rick Anderson

Seattle weekly • Ju ly 11−17, 2012

Seatt le w eekly • July 11−17, 2012

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NEWS

THE DAILY WEEKLY | Eyman’s back, and

beer and oil are backing him; new budget questions for Seattle Public Schools; and a grisly end for a King County Jail inmate.

FEATURE

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attorney stumbled into defending Ugandan warlord Joseph Kony’s underling—and why, he argues, the defendant is the real victim.

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ILLUSTRATION BY JUSTIN RENTERIA COPYRIGHT © 2012 BY SEATTLE WEEKLY, LLC. ALL RIGHTS RESERVED. REPRODUCTION IN WHOLE OR IN PART WITHOUT PERMISSION IS PROHIBITED. ISSN 0898 0845 • SEATTLE WEEKLY IS PUBLISHED WEEKLY BY SEATTLE WEEKLY, LLC. 1008 WESTERN AVE., STE. 300, SEATTLE, WA 98104 • SEATTLE WEEKLY® IS A REGISTERED TRADEMARK. • PERIODICALS POSTAGE PAID AT SEATTLE, WA • POSTMASTER: SEND ADDRESS CHANGES TO SEATTLE WEEKLY, 1008 WESTERN AVE., STE. 300, SEATTLE, WA 98104 • FOUNDED 1976. MAIN SWITCHBOARD: 206-623-0500 CLASSIFIED ADVERTISING: 206-623-6231 RETAIL AND ONLINE ADVERTISING: 206-467-4341

1407 FIFTH AVENUE | FIFTH & UNION | SEATTLE, WA 98101 | 206.447.9488 Correction: In “Blowing It,” an item from last week’s issue about backpackers smuggling cocaine into Canada, we miscalculated the percentage pocketed by the smugglers. Although $4,000 per $30,000 kilo amounts to 13 percent, $4,000 for the 15-kilo load referenced—worth a total of $450,000 wholesale—is a more modest one-percent take. In other words, we blew it.

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Seattle weekly • Ju ly 11−17, 2012

news»The Daily Weekly »Dispatches from our news blog

Drunk Drivers

Tim Eyman’s “Son of 1053” has beer and oil behind it.

has paid $185,000, and the n Friday, donning Washington Beer and Wine celebratory Distributors Association T-shirts that has put down $100,000, for said “Let I-1185 signature-gathering. the Voters Decide,” Tim Eyman and his partner MATT DRISCOLL in crime, Jack Fagan, reportedly turned in more than 318,000 signatures to get Initiative 1185 on the It’s amazing what you November ballot. Eyman learn by reading the state audihas nicknamed I-1185 “Son of tor’s reports on Seattle Public 1053”—a reference to his Initiative Schools. Last year, we found out 1053, approved by voters in 2010 by that the district was running a smalla 27 percent margin, which requires business program, one embroiled a two-thirds legislative majority or in a juicy financial scandal. And voter approval to raise taxes or last week, the auditor alerted create new ones. us to another little-known If approved by voters, program allegedly involved in Eyman’s latest effort will basimisuse of funds. cally do exactly the same Not that the audit lays it thing as its forerunner: all out for you. Here’s what make it hard as hell for the report says: “A manager legislators in Olympia of international education disto raise taxes. Eyman regarded district purchasing says the new initiative procedures and used $5,000 is necessary because in private grant state law gives the money to purlegislature the right chase a vehicle to amend initiatives for a private indiafter two years vidual. Through with only a simple the grant, the majority vote. individual for According to whom the car reports, officials was purchased have already started provides Chinese reviewing the signalanguage services tures turned in by Eyman and to the University of Fagan, and in about three weeks should Washington.” be able to say for certain whether I-1185 has Huh? Why would SPS be buying a car gathered enough. (Initiatives generally take for someone who doesn’t even work for the about 242,000 valid signatures from registered district? voters to qualify for the ballot.) But while it Asked for more information, auditor seems all but certain at this point that Washspokesperson Mindy Chambers conferred ington voters will have yet another Eyman with her office’s investigators and found out initiative to weigh in on this November, what that the person who got the car works for may surprise folks is where the initiative’s something called the Confucius Institute of financial backing has come from. A glance at the State of Washington, which is a partnerthe Public Disclosure ship among Seattle Commission webPublic Schools, the Unisite shows I-1185 has versity of Washington, Print is great, but if you want to peruse . . . brought in $964,712.68 and China’s Ministry of our collection of ultra-hot “Missed so far and spent Education. According to Connections” from Seattle Craigslist, $501,506.51. The initiathe Institute’s website, it you’ll have to check out The Daily Weekly. tive’s largest contribuis one of more than 250 SEATTLEWEEKLY.COM/DAILYWEEKLY tion has come from The such facilities worldBeer Institute, which wide affiliated with put $400,000 toward the cause, while BP and a Chinese nonprofit that seeks to promote ConocoPhillips have each thrown $100,000 at the study of Chinese language and culture. I-1185. The Washington Restaurant AssociaAlmost all these institutes are attached to one tion and Washington Retail Association have university outside of China, says Institute coalso contributed. director and SPS employee Karen Kodama. Overall, businesses have contributed But the UW didn’t want to start one on its $604,866 to I-1185, while political action own. So in 2010, SPS joined a plan to create a committees (PACs) have contributed unique facility that would serve K-12 schools $25,000. In in-kind contributions, the throughout the state as well as the UW. Association of Washington Business PAC » Continued on page 9

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news» The Daily Weekly » from page 7 According to Kodama, the sponsoring organization in China sent two individuals, one to manage each part of the program: Deng Bo, based at UW, and Tang Changping, based at Chief Sealth High School. The Auditor’s Office says both Confucius managers got cars from SPS. Tang used a district fleet car, which might be OK given her affiliation with SPS, except for the fact that she got it for personal use— another tidbit noted cryptically in the audit.

Dead Again

Seattle Police had their hands full when they arrested Timothy Michael Jones, 34, for property destruction and harassment. On April Fool’s Day, the ex-con had been admitted to Swedish Hospital for swallowing razor blades. Eight days later, police were called to take him away after he began damaging equipment in his hospital room and bit into his finger, threatening to spit blood on a nurse. Placed in restraints, he proceeded to bite the inside of his mouth and spew blood around the room. Police took Jones to the downtown King

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Deng, however, is affiliated with the UW, which is why the district’s fleet manager told Kodama, when she asked, that he was not entitled to an SPS car, according to Chambers. Regardless, Chambers says, Kodama got the district’s accounting division to approve an allocation of $5,000 to buy Deng a car. “It was really innocently done,” Kodama says. The money for Deng’s car actually came from China to support the Confucius Institute, she says. It was, however, in SPS’s coffers, which to the Auditor’s Office makes it public money. “Once we realized that, we sold the car,” Kodama says. As for Tang, she took over a car that been assigned to a Sealth teacher visiting from China who preferred a bus pass, according to Kodama. That rationale also didn’t pass muster with the Auditor’s Office. Maybe that’s because the office was generally unimpressed with the district’s procedures for monitoring its cars and their use. Among the findings: The district does not perform inventory procedures required by state law, nor does it do anything to ensure that gas purchases—amounting to a whopping $800,000 last year—are reasonable. NINA SHAPIRO

County Jail, where things didn’t get much better. Records show he’d spent the previous eight years, and much of his teen years, in adult and juvenile prisons, and didn’t care for being locked up. He has a history of assaulting other inmates and staff in prison and jails, and a record that includes burglary, rape of a child, escape, and arson. Records show he sometimes faked illnesses, mutilated himself, and had attempted suicide. Not long after being booked, he tore off his plastic wristband and tried to swallow it, and fought with custody officers. Jones was put under constant watch in the infirmary, as he was known to have epileptic seizures, then isolated in a suicide-watch unit. At one point, he asked to be placed on a restraint board, but that request was denied. On his fourth day in jail, he flooded his cell, and the water was turned off. On April 15, Jones indicated to guards he was having a seizure. Two nurses and a sergeant responded. According to jail records, “Medical Staff determined that Jones is Faking/Intentionally Presenting this behavior to try and get staff to enter his cell.” Staff was told during a “psych huddle” that Jones “will try to create situations that put staff at risk. Jones has stated recently that his goal is to be institutionalized for life.” The next day, around 3:30 p.m., Jones was seen lying face down on his cell floor. An officer couldn’t tell if he was breathing. When a sergeant entered the cell three minutes later, he found Jones blue in the face and without a pulse. Rescue efforts began and a Medic One unit arrived eight minutes later, subsequently rushing Jones to Harborview Medical Center. He died three days later. His death was the jail’s second this year— after federal officials signed off on two years’ worth of reforms in February intended to, among other things, prevent inmate deaths. While the King County Medical Examiner’s office says that Jones apparently suffered a seizure, investigators could not determine what exactly he died from. There was one certainty: This time, lying on his cell floor, Jones wasn’t faking. New records also show that Domenic A. Vittone, 49, booked into the downtown jail last September on a felony warrant, killed himself three days later in a dorm cell housing three other inmates, despite new measures to prevent such deaths. He was found just after midnight on September 12 hanging by his neck with a noose he had fashioned from elastic surgical material, the other end tied around a television support pole. As Seattle Weekly has been reporting since 2005, inmates have regularly taken advantage of exposed plumbing, fixtures, and wires to commit suicide. Fortunately, no jail suicides have been reported so far this year.

Seattle weekly • Ju ly 11−17, 2012

t’s not that James Pirtle wasn’t wary about taking the case of Thomas Kwoyelo. There were omens, starting with the lightning that struck his plane on takeoff from Amsterdam. When a friend dropped him off at Sea-Tac International Airport, he had already been asking himself, “What am I doing? How many people has he killed? And now I’m putting my life on the line?” And after Pirtle arrived in Africa, stepping into the summer heat and an air of revenge, there was that beautiful woman with blue hair in a Kampala restaurant who eyed him carefully after an introduction and said, “Everyone in Uganda will hate you for this.” Then came that dangerous afternoon when Pirtle, dressed in a suit and tie, clung to his briefcase on the back of a motorcycle speeding over a red-mud road to notorious, overcrowded Luzira Prison, above scenic Lake Victoria. Pirtle dismounted, brushed himself off, and, once cleared through the gate, stepped into the barren yard where several hundred African inmates in yellow shirts and shorts were walking in circles for exercise. All of them, it seemed, had stopped to size up the one and only white man in the yard, who was sweating heavily. It wasn’t until he entered a prison antechamber that Pirtle, a Seattle attorney all of six years, met his new client, and was swept by a wave of relief. He eagerly shook the hand of Thomas Kwoyelo, the first person to be tried by Uganda’s International Crimes Division court under the 1964 Geneva Conventions Act for willful killing, taking hostages, and extensive destruction of property. At last, James Pirtle had his first felony case. When he entered Seattle University School of Law a decade ago after a stint in the Navy, Pirtle fantasized about becoming an environmental crusader, hauling oil-company executives into court and suing them for raping Mother Nature. After passing the bar in 2006 and facing a menacing pile of student-loan bills, however, he accepted reality and wound

top: James pirtle’s first felony case would take him to africa. Bottom: thomas Kwoyelo while on trial in gulu, northern uganda.

A seattle attorney’s quest to free a murderous Ugandan warlord’s commander.

Edward Echwalu

up in misdemeanor court defending domesticviolence offenders and drunk drivers. But on that September afternoon last year, as he looked into the face of a man accused of mass murder and mayhem—a commander in the bloody army of child-abductor and sex-slaver Joseph Kony—Pirtle’s crusading instincts swelled anew. Kwoyelo was 39, three years older than Pirtle. Yet to Pirtle, Kwoyelo looked like the child he’d been when he was abducted on his way to school in the northern Ugandan town of Pabo in 1985. Barely 5 feet 2 inches tall, Kwoyelo, though his eyes seemed dead, appeared shy, reluctant to let go of Pirtle’s hand.

Since his kidnapping by Kony’s men at age 13, Kwoyelo had grown into a murderer, but not necessarily a man, Pirtle thought. The two of them stood there nodding—Kwoyelo spoke Acholi, a regional language in a nation that favors Swahili and English. An interpreter was handy, but for the moment Pirtle and the accused war criminal just stared at each other in silence, their four hands clasped under the African sun. “He is himself a victim,” Pirtle would later recall thinking at the time. “And now they want to punish him for it.” Many Ugandans support that view, according to a report by the Justice and

Reconciliation Project, which works for peace in Africa. Speaking to residents in Pabo, where Kwoyelo’s mother lives and hopes for his return, project interviewers found agreement that “Kwoyelo should return home, reintegrate into the community, and reconcile with his victims and the community in general.” But “forgiveness takes time,” the report found, and welcoming home a war criminal—even one abducted into the service of atrocities— will be difficult for a scarred community, said one local official, since “It has been impossible for people to think of Kwoyelo as a human being.”

Seatt le w eekly • July 11−17, 2012

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But though Kwoyelo’s war-crimes trial in Gulu, Northern Uganda, was suspended last year, the amnesty ruling has been challenged by prosecutors and Kwoyelo remains A lack of sympathy for Kwoyelo is underin prison. He petitioned another court that standable: Captured three years ago by the also ruled in his favor, but the Department Ugandan military operating in the Demoof Public Prosecutions still refused to grant cratic Republic of the Congo, he is accused his release. of ordering or carrying out 53 crimes, includPatrick Wegner, a legal scholar who has ing the murders and kidnapping of civilians followed the case, worries that the governbetween 1992 and 2005—accusations that ment is attempting to make an example of he has denied but which are difficult to disKwoyelo. As he blogged in February, “The prove. Details of the atrocities—including dozens of killings, most by repeated clubbing, fact that Kwoyelo is still in jail despite numerous court rulings seems to be an indicator backed by eyewitness reports—took two that [prosecutors were] trying to make a hours to read aloud at a court hearing. For political point by indicting Kwoyelo.” that, he faces the possibility of either life in Penny Mbabazi Atuhaire, of Africa’s Founprison or the death penalty. The Ugandan Department of Public Prosecu- dation for Human Rights Initiative, says tions claims Kwoyelo held the rank of colonel in Kwoyelo should not have to shoulder the the Lord’s Resistance Army (LRA), into whose entire blame for what became of him. “The government had a duty to protect Kwoyelo as movement an estimated 25,000 African chila child from the LRA abduction and provide dren, according to United Nations estimates, him an atmosphere that other Uganda chilhave been abducted—the boys as warriors, dren enjoy when growing up,” she wrote in the girls as sex slaves. He is said to have been a May opinion piece for the Acholi Times of fourth in command under Kony, the madman Northern Uganda. “Given that Kwoyelo was who claims to speak directly with God and abducted at the age 13 when going to school, hoped to forcibly turn Uganda into a theocthere is no doubt that it’s the LRA system that racy guided by the Ten Commandments. shaped him into the ‘criminal’ he is “It has been impossible today. And it is only unfortunate that government is turning against for people to think of Kwoyelo the him by using its failure to offer him as a human being.” protection when he was a child and instead choose to prosecute him for crimes he would not have otherwise committed if government had played its role.” The warlord’s bloody campaign left an Now a new appeal is in the works, and Pirtle estimated 30,000 dead and displaced two visited his client a few weeks ago to confer million people over a quarter-century. His again. He could return to Africa any day, with guerrilla troops wiped out villages and Kwoyelo’s fate now resting on a forthcoming engaged the Ugandan Army throughout the country and into the Central African Republic, ruling from Uganda’s Supreme Court. Kwoyelo could ultimately return to Pabo almost three the Democratic Republic of the Congo, and decades after his abduction, says Pirtle. Or he South Sudan. could go back to trial for mass murder. It is a part of the world constantly beset by “And we don’t want to go to trial,” says civil war and uncivil massacres, which mostly Pirtle, over coffee at a Starbucks near his go unnoticed by Americans until such atrocihome in West Seattle. “We’ll lose.” ties—Darfur, “The Lost Boys,” Rwanda— become the popular cause of rights groups or movie stars. Having broken from Sudan last irtle currently spends most of his year, South Sudan is in turmoil, with 3,000 time going over the war-crimes members of two tribes dying in one recent case, though he has developed a week of battle. Rioting and fighting in Sudan successful practice, the Sentinel have also led to a new flow of Lost Boys, and Law Group, specializing in personal injury, Girls, across the Nuba Mountains into enorconsumer protection, and criminal defense. mous South Sudan refugee camps. “We don’t He figures he’s spent $50,000 of his own talk about our parents anymore,” a young girl money to defend an accused war criminal told The New York Times this month. “Even if whose freedom he thinks is warranted, and we go back, we won’t find anybody.” is prepared to spend more when word comes The civil-war rampage of two decades from Africa and he returns. has subsided in Uganda, though Kony—his The “Kony 2012” video raised awareness notoriety recently exploding with the of the Lord’s Resistance Army and, indirectly, release of a controversial viral video, “Kony Kwoyelo’s case, says Pirtle, who thought the 2012,” seen by a record 100 million YouTube production by the San Diego-based charity viewers in a week—remains at large and Invisible Children was inspiring and heartis thought to be hiding in a remote jungle breaking. But he joins other critics who felt region of the Central African Republic. the film wrongly suggested that Kony was Pirtle and his Ugandan co-counsels at one still rampaging through Uganda, which he’d point thought they had won Kwoyelo’s freedom left five years earlier, and that the charity had through amnesty. Not long after the day Pirtle misaligned itself with the Ugandan Army in met Kwoyelo in the prison yard, the country’s its search for the warlord. Constitutional Court halted the ongoing pros“The video was about two decades late,” ecution, concluding that Kwoyelo deserved the Pirtle says, allowing that child-soldiering still amnesty that the country had extended to other plagues Africa. “What they forget is that the LRA rebels under a national Amnesty Act. More Ugandan Army is as culpable for atrocities than 26,000 members of armed groups—about and human-rights violations as the LRA. But 13,000 of them LRA rebels—have been given now they are the good guys?” freedom under the blanket pardon since it was Kony, most wanted on the list of war approved in 2000 to encourage rebels to lay criminals sought by the International Crimidown their arms and come out of the bush. nal Court at The Hague, is currently being

Seattle weekly • Ju ly 11−17, 2012

Edward Echwalu

Kwoyelo, shown awaiting trial in northern uganda, was abducted before he reached puberty.

stitution. But Pirtle thinks Kwoyelo can prevail, since their legal challenge was initiated before the law had sunset. “Amnesty is generally frowned upon in international law,” says Pirtle, “because there’s no accountability to it. But it’s the right thing. Thomas is a victim. Boys became killers, girls became sex slaves. That’s all they knew, that’s who they were. What he and others were indoctrinated to do as children, as awful as it was, is forgivable.” Paul Ronan, a co-founder of Resolve, a U.S. activist group that has closely monitored Kwoyelo’s prosecution, says the Ugandans he’s spoken with are either indifferent to or displeased with the government’s decision to try Kwoyelo. As he wrote on his organization’s website, “Many point out that former LRA commanders, who held higher ranks (and even once commanded Kwoyelo) and are responsible for worse crimes, have been given amnesty. They think Kwoyelo has been unfairly singled out because he escaped [from Kony’s army] more recently and the Ugandan government needed a commander not yet given amnesty to put on trial in order to show the world that its new International Crimes Division is being put to use.” Pirtle, a 36-year-old bachelor who studied war crimes in the Czech Republic, says a friend contacted him to ask if he was interested in helping Kwoyelo’s legal team. The case piqued his interest, he says—certainly more than another drunk-driving case in municipal court. Born in Arizona and raised in Nevada, Pirtle joined the Navy in 1994 and became an aviator on P-3 Orion surveillance aircraft flying out of the Whidbey Island Naval Air Station. He graduated from Western Washington University, then Seattle University, eagerly looking for that first case. Alas, it wasn’t a suit to bring Exxon to its knees in the world court; it had to do with a buddy whose girlfriend split and took all the good stuff with her. “I said, ‘Hell, I’m a lawyer! Maybe we can sue her!’ ” Pirtle recalls, laughing. And they did—only to discover the girlfriend had hired a big law firm and filed a counterclaim against his client. “ ‘Oh, crap,’ I thought, ‘I’m

» Continued on page 14

SUMMER MATINEES!

July 29 August 11 & 25

Seatt le w eekly • July 11−17, 2012

pursued in the forests of Central Africa by a multinational African Union force of 5,000 with support from 100 U.S. Special Forces soldiers. His crimes may pale in comparison to those of Uganda’s all-time most ruthless murderer, Idi Amin, president from 1971–79, whose regime is thought to be responsible for more than 100,000 deaths. But the manhunt for Kony has the blessings of President Barack Obama and other world leaders, along with high-profile U.S. entertainers such as Oprah Winfrey, whose foundation donated $2 million to Invisible Children, and actor George Clooney, who praised the video exposure of Kony, explaining, “I’d like indicted war criminals to enjoy the same level of celebrity as me.” The Daily Telegraph of London reports that Kony is thought to have up to 500 troops, about half of them children or former child soldiers. The United Nations says that despite the world’s growing knowledge of Kony’s horrors, he has relentlessly continued his campaign of murder and abduction, having kidnapped more than 600 child soldiers over the past two years. But, as Pirtle notes, “Kony 2012,” while rightly indicting the warlord, also makes a case on behalf of his client. The children abducted from village streets, taught to beat and mutilate their fellow Ugandans and kill their parents? “That was Thomas,” Pirtle says. Three former high-ranking LRA commanders have received amnesty in recent years, while several other LRA members who applied for amnesty were not prosecuted after they joined the Ugandan Army to fight the LRA. In May, Caesar Acellam, thought to be the third-ranking LRA officer in charge under Kony, was taken into custody. Unlike the lower-ranking Kwoyelo, Acellam was a volunteer for the Kony forces, yet there was immediate talk that he would be granted amnesty under the blanket pardon of the law. (He’s not likely to get it, however, observers say.) Even Kony at one point in 2006 was offered amnesty by the Ugandan government in the hope of facilitating peace talks. But he rejected it, saying it would have no effect on his case as an international criminal sought by The Hague. There is a new hitch, however: The decade-old amnesty program ended last month in Uganda. It was allowed to expire over concerns that the law was no longer relevant—most combatants have returned to their homes—and may conflict with the con-

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Seattle weekly • Ju ly 11−17, 2012

Pirtle’s assignment to persuade them to. He would have to help draw up a brief on how prisoner mistreatment affects the fairness of justice, showing that Kwoyelo’s “confesnot getting paid,’ ” Pirtle says. To his sursions” were made while he endured torture, prise, he won. unspeakable conditions, and near-mortal bulHe was a bit more surprised when, after let wounds suffered when he was captured. he sent the Ugandan attorneys an e-mail last Caleb Alaka, another co-counsel, then July expressing an interest in joining their arrived. He had represented the LRA during team, he got a reply. It was 2 a.m. and his the peace talks at Juba from 2006 to 2008 cellphone began beeping, indicating a mesthat led to the start of the amnesty program. sage had arrived. He could hardly believe Pirtle thought he was affable, always smilhis bleary eyes. “Greetings from Uganda,” ing, but preoccupied, constantly putting the message read. “We are happy to work with you on our team . . . when would you be his phone to his ear or jumping up to greet someone. As Pirtle would later recall on his available to travel?” blog, “This does not bother me, but I am havWithin a few weeks, Pirtle had his passing a difficult time following whatever it is port, visa, and plane ticket to Uganda, along with a scheduled ride from Entebbe Inter- he is trying to communicate to me. Caleb is a famous attorney in Uganda. He is drawn national Airport. He also began to write to high-profile cases. I am starting to underabout his journey on the Sentinel Law blog stand why I am here.” (warcrimessentinellaw.blogspot.com), Several days later, Pirtle met the third a bit dazed by the whiplash turn in his Ugandan attorney on the case, Nicholas Opio. legal career. But as the trial approached, Pirtle learned “This time next week I’ll be in a Ugandan the team was outnumbered in several ways. prison,” he wrote. “But I’m still wondering “We are woefully lacking in resources, human how the hell I got involved in this.” and financial, to properly prepare for and try this case,” he confessed on his blog. “We irtle’s plane set down at Entebbe need investigators to go north and interview on August 24, delayed two hours witnesses. Every trip to Gulu (five-hour trip) in Rwanda on the flight from Amsterdam after a lightning strike, runs at minimum $500 for two days. The prosecution has at least 70 witnesses. We which turned out to have done no damage need our own and rebuttal witnesses. That except to passenger psyches. The next afternoon Pirtle met his one of his co-counsels at a means finding the witnesses in the northrestaurant in downtown Kampala with a view ern villages (we can’t exactly use the yellow pages). The trial proper will last for months.” of the lush, hilly capital. Francis Onyango, Pirtle, who’d obtained a temporary license 32, had been in practice only a few years and to practice in Uganda, and the others would was currently representing a man who sent earn no fees from the case. The Ugandans a “gay” text to another man. There is open petitioned the government to meet the condiscrimination against gays and lesbians in stitutional requirement to provide funding Uganda, where newspapers have published for the defense in a capital case. After initially the names and faces of 100 homosexuals— refusing, the government said it would provide one with a banner next to the pictures stating the equivalent of $500 U.S. for a defense that “Hang Them”—and the country’s parliament would require at least $100,000 to mount; the has considered (but so far not passed) the death penalty for HIV-positive men who have attorneys declined the $500 on principle. Nevertheless, Pirtle blogged: “We can’t sex with other men. walk away from this . . . We simto find a way.” “Thomas is a victim. Boys plyAhave month later, after returnbecame killers, girls became ing to Seattle, Pirtle learned sex slaves. That’s all they knew, they’d found one. He got a call that’s who they were. What he from Onyango and then quickly the news on his blog that and others were indoctrinated relayed day, September 26: “Thomas to do as children, as awful as it Kwoyelo is free. Equal protection was, is forgivable.” under the law has prevailed.” A brief that Pirtle helped author, arguing that prosecuting Kwoyelo violated the constitutional guarOnyango also represented Somalis and Kenyans accused of participating in the July antee of equality before the law, persuaded Uganda’s Constitutional Court to halt the 2010 terrorist bombings in Kampala during trial. “We are satisfied that the applicant has the World Cup, he told Pirtle. (Seventy-nine people were killed and 70 injured, including made out a case showing that the Amnesty Commission and the Director of Prosecuseveral Americans, at public screenings of tions have not accorded him equal treatthe Cup final.) Onyango needed the Seattle ment under the Amnesty Act. He is entitled attorney’s help because he had two children to a declaration that their acts are inconsisat home, was desperately trying to keep tent with . . . the Constitution and thus null food on the table, and was overwhelmed and void.” by work. Pirtle was elated. The International Crimes He gave Pirtle a folder full of witness Division, which oversees amnesty, would statements and said he hadn’t had time to now release Kwoyelo, he figured. “He can read them all. It was going to take Pirtle go through a reconciliation ritual and be time, too: Statements from Kwoyelo in the welcomed back into his village,” he blogged. folder were in his native language, Acholi, “From there, he can start his life anew. I and needed to be translated. doubt I will ever see him again, but he, and Kwoyelo, his lawyers believed, had been this, will always be a part of me.” tortured after his arrest, but the court was unwilling to hear such testimony. It would be » Continued on page 17

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Seatt le w eekly • July 11−17, 2012

convicted, there is sure to be another court battle over which penalty should apply. On June 13, Pirtle, who had once thought he’d never see Kwoyelo again, met him once The Seattle attorney was still planning more at Luzira Prison, seven miles outside of a return to Africa, however. Prisoner torKampala. He and Onyango arrived this time ture was a viable issue to be argued in the in a roasting taxi—its windows wouldn’t roll Ugandan courts, and other war-crimes cases down—and were prepared for the routine were being considered, along with some delays at the old prison, home to 20,000 homosexual-rights cases in which Pirtle had inmates, 500 of them on death row. taken an interest. “Once there, however, it was surprisingly easy passing “Kwoyelo wanted the translator through the checkpoints and to tell me that he knows that getting into the prison,” Pirtle Jesus and the Holy Spirit have would recall on his blog. “We chosen me and sent me to just walked in like we owned place. Not a single guard protect him. He knows that when the gave us any hassle. Some white people and black people greeted Francis like a celebwork together that it is a sign of rity. ‘Counselor! Welcome Long time! We have God’s divine influence.” back! missed you!’ “In fact, this time we did not have to traverse the yard, and the general population, for our meeting. Three days later, Pirtle blogged the bad The Officer in Charge said that we could use news. He’d be going back to Africa, all right, his office. Francis tells me he doesn’t have but it would be to try to free Kwoyelo again. much he wants to discuss with Kwoyelo, so “Unbeknownst to us until recently,” the time is mine with him to discuss whatever he wrote, “the Attorney General filed an I want. He reminds me that Kwoyelo is chatty emergency appeal of the decision directly by nature and also very frustrated, so the conto the Supreme Court, along with a request versation could be long. Like I wrote before, I to keep Kwoyelo imprisoned until they wasn’t sure what I was going to say to him.” rule . . . The Constitutional Court ordered Momentarily, Kwoyelo was brought in. the International Crimes Division to stop “I recognized his small frame immediately, the trial, but they are not in session. If the and I stood up to go greet him in much Supreme Court sits and rules against us the same fashion as last time. This time he before the International Crimes Division doesn’t look at me shyly, but rather with sits, we are screwed and this case is going childlike delight. He actually speaks to me to trial.” a little bit in English, ‘I am happy you are He called it “a huge setback, and everyhere! Welcome! Yes, please! I am happy! thing is in flux right now. I know I am not Welcome, welcome! Yes, please!’ ” supposed to have expectations, but I expect With a translator and Onyango, the four to be back in Africa soon.” met for an hour, discussing the next steps they could take. “At one point,” Pirtle recalls, irtle returned last month, first for “Kwoyelo wanted the translator to tell me a legal seminar in South Africa, that he knows that Jesus and the Holy Spirit then on to Uganda to meet with have chosen me and sent me to protect him. Onyango. Pirtle proposed chalHe knows that when white people and black lenging the attorney general’s move, but people work together that it is a sign of God’s Onyango was opposed—the attorney general, representing the Department of Public Prose- divine influence. “What do I say to that? I think I said, ‘I cution, has no real decision-making authority, am here with you, whether I am in Africa he said, and was under orders to pursue this or America, you are not forgotten. I will case to the bitter end. fight for you. I cannot promise you how this The prosecution of Kwoyelo had become will end, but I do promise to be with you at somewhat like the history of Africa itself, the end no matter what.’ He teared up and a struggle of independence. It was a battle clasped my hands. between the courts and war-crimes prosecu“I parted ways with Kwoyelo and Luzira tors, who feel that the Amnesty Act has no Prison with mixed emotions. But I still feel bearing on their case, despite rulings to the confident. I think we can win this thing.” contrary. If Kwoyelo had been released, prosKwoyelo’s future at Luzira is up in the ecutors said, they would have immediately air, but could change in an instant once the arrested him outside the courthouse. The Supreme Court gathers to hear the amnesty government claims Kwoyelo has had contact issue. That had been imminent, but the high with LRA financiers, and if freed would just court lacked a quorum of seven justices: go back onto the killing fields. “Two judges It currently has only five, with two to be have already called this argument bullshit,” appointed from other courts. Yet no one counters Pirtle. “Which it is.” seems to know when those appointments Because the case involves national courts will be made. weighing international law, prosecutors Even more pressing, Kwoyelo’s attorney are insisting the death penalty is on the Nicholas Opio has proposed an unprectable. “The International Crimes Division edented move to have Kwoyelo released on was set up under the Geneva Conventions bail. He had hoped to present such a petition Act, which expressly prohibits the death to the court this week. penalty,” explains Pirtle. “Nevertheless, the “One way or another, I’ll be going back,” judges at the International Crimes Division Pirtle said last week. “Ideally, someday, I will have said this is a Ugandan case and will return to take Kwoyelo home to his mother.” E be tried using Ugandan law, which allows the death penalty.” Should Kwoyelo be randerson@seattleweekly.com

Seattle weekly • Ju ly 11−17, 2012

the»weekly»wire ARTS

Bees & Bikes

Now that warm, sunny weather has finally arrived, SAM’s first summer Get Out! event seems particularly well-timed. Appropriate to the new Encontro das Águas mural in the PACCAR Pavilion, by Brazilian artist Sandra Cinto, the live music will come courtesy of Show Brazil! and the VamoLá Drum & Dance Ensemble. Local artists including Susan Robb will lead tours of the park, with equal emphasis on the permanent collection and temporary installations. Besides Cinto’s indoor waves, the latter include Sarah Bergmann’s Pollinator Pathway Demonstration Garden—a series of bee-friendly micro-glades located throughout the OSP. (So if you get stung, you know who to blame.) Among the hands-on activities, Elizabeth Humphrey will help you create bicycle reflectors to stay safe on the ride home. Food and drink vendors will include SAM’s own TASTE restaurant, Fusion on the Run, and I Want Curry Now. Olympic Sculpture Park, 2901 Western Ave., 654-3100, seattleart museum.org. Free. 5–8 p.m. BRIAN MILLER FILM

We Heart the ’80s

Back during the late Cold War era (which he helped define with WarGames), Matthew Broderick also created an enduring teen archetype for the Reagan decade. The hero of Ferris Bueller’s Day Off is too smart to be a slacker, too principled to be a Trumpian money-

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thurs/7/12

grabber, too self-aware to be a jerk. He’s a likable smart-aleck—precisely the kind of teen, you sense, that writer/director John Hughes wished he could’ve been. (Broderick once confessed, “I acquired fame by playing the coolest kid who ever lived.”) The oft-quoted 1986 teen comedy makes excellent use of Broderick’s slightly corrupt charm—and a certain 1961 Ferrari 250GT California. It also turned Ben Stein (“Anyone? Anyone?”) into an unlikely character actor. Before the movie begins at dusk, there will be juggling and circus acts from One Fine Fool and food trucks representing Raney Brothers BBQ, Whole Foods, Custom Kettle Corn, and Caramia’s Sweeties Treaties. And here’s a bonus: An ’80s costume contest will allow you to bring those high-waisted, acidwashed jeans out of the closet. Because they still fit, right? Following titles in the series include The Adventures of Tintin, The Help, Forrest Gump, The Lion King, Back to the Future, Monty Python & the Holy Grail, and The Goonies. (Thursdays through Aug. 30.) Magnuson Park, 7400 Sand Point Way N.E., moviesatmagnuson.com. $5. 7 p.m. BRIAN MILLER

fri/7/13 DANCE

Youth Is Served

COLUMBIA PICTURES

Lady With a Past

Hayworth doing her famous striptease.

SPORTS

Masochism and Manicures

This is the 36th year the Seattle Mariners have been in existence. They have made the playoffs four times, never advancing to the World Series. They are currently on course to finish last in the American League West for the seventh time in nine seasons. Many of their prized youngsters—Justin Smoak, Dustin Ackley, and Mike Carp in particular—are suffering disappointing seasons, while veterans such as Ichiro Suzuki, Chone Figgins, Miguel Olivo, and Brendan Ryan are in clear to severe decline. When ex-Mariner Jamie Moyer was in town a couple weeks ago, the Mariner broadcast team

FRI: FILM

In the gutsy 1946 noir Gilda, the sultry title character (Rita Hayworth), just married to a casino’s sinister owner, meets old flame Johnny Farrell (Glenn Ford), now her husband’s best friend. Two hours of plot twists later, they end up in each others’ arms. But before that, Gilda must disclose her devastating secret: She used to be a stripper in New York. She gives the audience a peek of her past by strutting onto the casino stage, peeling off first one elbow-length black satin glove, then the other. This being ’40s Hollywood, Gilda doesn’t get very far. But the camera adores her alone out there on the dark stage, catching light off her hair and her slinky black dress as she rips a diamond choker from her neck and lobs it into the audience like a grenade. It’s a vivid moment in American film, imagining a potent piece of public undressing as both our heroine’s victory and defeat. (Through Thurs.) Grand Illusion, 1403 N.E. 50th St., 523-3935, grandillusioncinema.org. $5–$8. 6:30 & 8:45 p.m. RACHEL SHTEIR

Summer belatedly begins at the Olympic Sculpture Park.

ventured to come up with an all-time starting rotation. Moyer was included, as were Randy Johnson and Felix Hernandez. But there was no consensus on who the other two should be, and not because there was an overabundance of options. That a major-league baseball franchise produces a memorably productive starting pitcher only every dozen years is as sure a signal as any that the Mariners are one of the most poorly run organizations in the history of professional sports. If you still believe, you’re a masochist. The draw here is the Texas Rangers (visiting through Sunday), who’ve risen from a similar run of futility to become everything the Mariners aren’t: entertaining, cohesive, and consistently successful. Oh, and tonight there’s a “Girls’ Night Out” promotion at the park, with free manicures ’n shit. Safeco Field, 1250 First Ave. S., 346-4001, seattle.mariners.mlb. com. $15–$185. 7:10 p.m. MIKE SEELY THEATER

Grudge Match

Director Allison Narver recently traveled through the Middle East and Africa, and while she hasn’t set her new staging of Romeo and Juliet in any real place, she says that her journeys caused her to reflect on the play in relation to societies that have known “ancient hatred.” And that’s certainly there in Shakespeare’s timeless feud between the Montagues and Capulets. Opening tonight, R&J is one of four plays being performed by the same 17-member ensemble during the Intiman Theatre Festival. Says Narver, “I want to convey what it is to live in a tinderbox of violence, a pressure-cooker of sorts—in which violence is so embedded, it’s almost like people don’t even recognize it’s happening. And yet this beautiful love can still flourish in the midst of it all. The play stresses the importance of digging through violence

Seatt le w eekly • July 11−17, 2012

Dance This, STG’s annual youth festival, is always a great showcase for the ethnic dances that are part of our polyglot heritage in the Northwest. This year it features a Vietnamese Lion Dance, African dance from Benin, ritual work from Tibet, and Chinese folk dance. Alongside the traditional work is theatrical dancing from young choreographers and established hands like Mark Haim and Bill T.

Jones, whose Broadway production of Fela! gets excerpted in the program. But the best part of the show is always the finale, where everyone dances everything, borrowing steps from one another’s heritage performances and wrapping it up with a big hip-hop bow. Daniel Cruz is back this year to stage this send-themhome-happy part of the show, guaranteed to raise the rafters. The Moore, 1932 Second Ave., 877-784-4849, stgpresents.org. $12–$20. 7:30 p.m. (Repeats Sat.) SANDRA KURTZ

» CONTINUED ON PAGE 20 19

The Weekly Wire » FROM PAGE 19

takes a special breed of cyclist to tackle the 2.3-mile-long Snoqualmie Tunnel, which comes at the end of an 18-mile climb from the parking lot at Rattlesnake Lake. After gaining 1,000 feet at a constant grade (this being an old railway), you stop to put on extra clothing and a headlamp at the entrance—that tunnel is dark and cold! The tiny pinprick of light is your beacon, the dirt smooth beneath your wheels, and the water cold when it drips from the vaulted ceiling. It’s eerie, like sailing at night or driving in a snowstorm, and you can get a touch of vertigo in the darkness. Ordinarily, you emerge at Hyak and reverse course for the long descent. But in a special group ride today organized by the Mountains to Sound Greenway Trust, they’re making it easy for you. A shuttle bus will take you and your bike up to Hyak; you’ll descend the Iron Horse Trail from east to west, and there’s a barbecue waiting down at Rattlesnake Lake. Why did we ever think the uphill ride was such a great idea? Rattlesnake Lake, Exit 32 (North Bend), RSVP at mtsgreenway.org. $25. 9 a.m. BRIAN MILLER

in order to find a way to grab life.” For this tragic love story, Narver and her crack creative team—including scenic designer extraordinaire Jennifer Zeyl—have imagined a place where the white garments of the citizenry and their grim surroundings are offset by photos of the dead. And that mortal history is real: The set is actually covered with pictures of loved ones provided by members of the production. (Through Aug. 26.) Intiman Theatre, 201 Mercer St. (Seattle Center), 800-982-2787, intiman.org. $30. 8 p.m. STEVE WIECKING

sat/7/14

OLSON SUNDBERG

The Frye is reopening with three new shows.

ARTS

Seattle weekly • Ju ly 11−17, 2012

Happy Birthday(s)

Counting from both its founding date and 1997 expansion, the Frye Art Museum is celebrating its 60th and 15th birthdays this year. Closed since April for a major spruce-up, it’s reopening today with three exhibits. One’s an excerpt from the permanent collection; the second relates how Charles and Emma Frye were influenced by the 1893 Columbian Exposition in Chicago; but the third is actually new. Visiting Chinese artist Liu Ding will attend and give a talk (at 2 p.m.) about his Take Home and Make Real the Priceless in Your Heart , his first solo show in the U.S. With a nod to Warhol, Liu has made commerce and commercialized images central to his art. He runs an online gift shop that will merge with the Frye’s, and he’s created a new series of half-finished paintings that riff on the museum’s famous Sin by Franz von Stuck. In other new paintings, he borrows elements from others’ works—a waterfall, mountain peak, or lounging dog—and repaints them on large white canvases. Liu is very keen on branding, signing, and valuation—what determines the worth of a copy versus the original (if there is an original). In which sense, it’s a short step from soup cans to Sin. (Through Sept. 23.) Frye Art Museum, 704 Terry Ave., 622-9250, fryemuseum.org. Free. 11 a.m.–5 p.m. BRIAN MILLER CYCLING

Downhill All the Way Anyone can ride the flat, boring BurkeGilman Trail on a sunny Saturday, but it

tues/7/17 BOOKS

Recharged

Prompted in part by a talk Bill Gates gave on “creative capitalism” in the Third World, Seattle entrepreneur Whit Alexander— co-founder of Cranium games—decided on an unlikely next career path. Instead of sitting on his millions and joining a few boards, he decided to sell rechargeable batteries in the West African nation of Ghana. Joining him in the project was Maine journalist Max Alexander, his brother, who chronicles their start-up in Bright Lights, No City: An African Adventure on Bad Roads With a Brother and a Very Weird Business Plan

(Hyperion, $24.99). That there is a market in Ghana is beyond question; portable radios and flashlights are ubiquitous—also in villages beneath high power lines where no local electrical connection is made. Reaching that market is a different matter. The Alexanders have to inculcate a new consumer culture among those accustomed to buying the cheapest (yet short-lived) Chinese batteries on the market. They also have to train a sales force—essentially following the Avon model—and learn some local marketing techniques, like the gong-gong man who beats a bell to assemble the village. Whit Alexander’s mantra is that “they deserve better” in Ghana. Less the idealist, Max is at first confounded by a “medieval acceptance of the status quo,” yet comes to admire a resourceful country where nothing is discarded and everything is repaired, the opposite of our throwaway culture. But the book isn’t all business. The Alexanders endure hellish roads, eat rodents, and suffer medical mishaps—not malaria, but Max somehow manages to Super Glue his eye shut. Town Hall, 1119 Eighth Ave., 652-4255, townhallseattle.org. $5. 7:30 p.m. BRIAN MILLER

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arts»Performance the ’90s’ drag-queen scene; and John Patrick Shanley’s Dirty Story. See intiman.org for exact schedule. Intiman Theatre, Seattle Center, 800-982-2787. $30.

BY GAVIN BORCHERT

ASSASSINS Village Theatre’s KIDSTAGE program pres-

SCAN

Theatre Workshop presents Dario Fo’s madcap political satire. Erickson Theatre Off Broadway, 1524 Harvard Ave., 800-838-3006, strawshop.org. $15–$30. 8 p.m. Thurs.–Sun. Ends Aug. 4. ATTACK OF THE KILLER MURDER! OF DEATH! A mystery set on a B-movie set. Seattle Public Theater at the Bathhouse, 7312 W. Green Lake Ave. N., 524-1300, seattlepublictheater.org. Donation. 7 p.m. Fri.–Sat., 2 p.m. Sun.; also 2 p.m. Sat., July 14. Ends July 14. HANSEL AND GRETEL Sally Gander’s British panto-style version. Volunteer Park, 1247 15th Ave. E., 324-5801, schmeater.org. Free. 5 p.m. Sat.–Sun. Ends Aug. 5. INTIMAN SUMMER THEATER FESTIVAL In repertory through Aug. 26: Romeo and Juliet (see the Wire, page 19); Hedda Gabler; Dan Savage’s Miracle!, set in

•

Send events to stage@seattleweekly.com, dance@seattleweekly.com, or classical@seattleweekly.com See seattleweekly.com for full listings. = Recommended

•

Dance

EXTRAORDINARY IN THE EVERYDAY 22 performing

and visual artists share their work in this multidisciplinary show. Fremont Abbey Arts Center, 4272 Fremont Ave. N., acrosstheriverarts.org. $8–$15. 7 p.m. Thurs., July 12. DANCE THIS SEE THE WIRE, PAGE 19. SAPIENCE DANCE This troupe’s new work, While We Are Human, “explores the wilderness in the city and the animal within human nature.” Tashiro Kaplan Lofts, 115 Prefontaine Place S., sapiencedance.org. $12–$25. 8 p.m. Fri.–Sat., 5 p.m. Sun. Ends July 15. MARYANN MCGOVERN AND DANCERS SPRAWL is McGovern’s commentary on urbanism. Velocity Dance Center, 1621 12th Ave., 800-838-3006, brownpapertickets. com. $10–$12. 8 p.m. Sat., July 14–Sun., July 15. DASSDANCE Daniel Wilkins’ new Untitled, 1982 is inspired by NYC’s ‘80s art scene: Basquiat, Haring, etc. Washington Hall, 153 14th Ave., 800-838-3006, dass dance.org. $10–$15. 8 p.m. Sat., July 14 & Fri., July 20.

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Classical, Etc.

• SEATTLE CHAMBER MUSIC FESTIVAL Recital/

concert pairings (at 7 and 8 p.m.) through July 29, plus special events. See seattlechambermusic.org for full schedule. July 11 Recital: Pianist Jeremy Denk plays Brahms’ Paganini Variations. Concert: Mozart, Dvorak, Bartok, Milhaud, Mendelssohn. July 13 Recital: Russian bonbons for violin and piano. Concert: Mozart, Debussy, and two precocious octets by Shostakovich and Mendelssohn. July 16 Recital: a string quartet by SCMS pianist Adam Neiman. Concert: Rarities by Bridge, Dvorak, and Debussy, and Rachmaninoff’s forwardlooking Symphonic Dances. July 18 Recital: Adam Neiman plays works by Faure and himself. Concert: John Adams’ rambunctious Hallelujah Junction for two pianos. Benaroya Recital Hall, Third Ave. and Union St. Single tickets $15–$45; subscriptions $180–$540. SEATTLE PIANO INSTITUTE Two weeks of master classes, recitals, and more led by UW faculty pianists Robin McCabe and Craig Sheppard. See music. washington.edu/pianoinstitute for exact schedule. Showcase recitals: Students perform at noon Sat., July 14 and 2 p.m. Sat., July 21. Master classes: Christopher O’Riley is the guest faculty pianist, 10 a.m. and 2:30 p.m. Tues., July 17–Wed., July 18. Free and open to the public. Brechemin Auditorium, School of Music, UW campus. NORTHWEST MAHLER FESTIVAL Reading sessions; see nwmahlerfestival.org for registration info. To close, Nikolas Caoile conducts Mahler’s resigned but shattering Ninth. Saint Mark’s Episcopal Cathedral, 1245 Tenth Ave. E. 7 p.m. Thurs., July 12. WAYWARD SISTERS From this instrumental ensemble, pioneering music by Matthew Locke (1630–77) and others. Trinity Episcopal Church, 609 Eighth Ave., waywardsisters.com. $10–$20. 7:30 p.m. Thurs., July 12. SEATTLE SYMPHONY HD images of outer space will accompany music by Ligeti, Strauss, and Holst (The Planets). Benaroya Hall, 200 University St., 215-4747, seattlesymphony.org. $17–$125. 7:30 p.m. Thurs., July 12, 8 p.m. Fri., July 13–Sat., July 14, 8 p.m. IOLANTHE In the Seattle Gilbert & Sullivan Society’s annual production, fairies clash with Parliament and wreak havoc. Seattle Repertory Theatre, Seattle Center, 800-838-3006. $16–$40. Opens July 13. Runs Fri.–Sat.; see pattersong.org for exact schedule. Ends July 28. OLYMPIC MUSIC FESTIVAL Chamber music each weekend (2 p.m. Sat. & Sun.) through Sept. 2. This weekend, quartets by Kodaly and Debussy and Dvorak’s Piano Quintet in E-flat. Olympic Music Festival, Center Road, Quilcene, 360-732-4800, olympicmusicfestival.org. Single tickets: $14–$20 lawn, $18–$30 barn.

RepResent! July 17 – 22

A Multicultural Playwrights’ Festival featuring eSe Teatro, SIS Productions, Pratidhwani, and The Hansberry Project.

Construction Zone July 30

•

A new play reading series. July’s reading is A Year Without Summer written and directed by Steven Dietz.

99 Layoffs August 2 – 25

Radial Theater Project presents this new romantic comedy by Vincent Delaney about love in the time of pink slips.

Icicle Creek theatre Fest August 21– 22

Seven Spots on The Sun by Martin Zimmerman and My Before and After by Michael Louis Serafin-Wells.

see it all with an ACtpass! acttheatre.org | 206.292.7676 700 Union street, Downtown seattle

Seatt le w eekly • July 11−17, 2012

ACCIDENTAL DEATH OF AN ANARCHIST Strawberry

More than a month of plays, readings, films, discussions, and celebrations of the influential and outspoken British writer.

Old times

CURRENT RUNS

Jul 20 – Aug 26

no Man’s Land

ents Sondheim’s cult-favorite musical. Village Theatre, 303 Front St. N., Issaquah, 425-392-2202, villagetheatre. org. $16–$18. Opens July 13. 7:30 p.m. Thurs.–Sat., 2 p.m. Sun., plus 11 p.m. Fri., July 20. Ends July 22. BLOOD/SAILING Theater company Blood Ensemble and heavy-metal band Smooth Sailing collaborated on this “story of despair, violence, and redemption” set in a child-labor sweatshop. Boom! Theater, 429 Fairview Ave. 800-838-3006, bloodensemble.blogspot.com. $10. Opens July 13. 8 & 10 p.m. Fri.–Sat. Ends July 28. CHAPS! Brits impersonate singing cowboys for a BBC broadcast in this 1944-set musical. Taproot Theatre, 204 N. 85th St., 781-9707, taproottheatre.org. $15–$37. Previews July 11–12, opens July 13. 7:30 p.m. Wed.– Thurs., 8 p.m. Fri., 2 & 8 p.m. Sat. Ends August 11. GREENSTAGE The Taming of the Shrew and Henry VIII, July 13–Aug. 18. Free performances Thurs.–Sun. in area parks; see greenstage.org for exact schedule. PARALLEL LIVES Kathy T H I S CO D E Najimy and Mo Gaffney’s TO DOWNLOAD THE FREE comic two-hander. Theater SEATTLE WEEKLY Schmeater, 1500 Summit Ave., IPHONE/ANDROID APP 800-838-3006, schmeater.org. FOR MORE EVENTS OR VISIT $15–$23. Preview July 12, seattleweekly.com opens July 13. 8 p.m. Fri.–Sat. Ends Aug. 11. PORKTACULAR! The Pork Filled Players’ latest sketchcomedy show. The Ballard Underground, 2220 N.W. Market St., 800-838-3006, porkfilled.com. Opens July 13. 8 p.m. Fri.–Sat. Ends July 28. PUMP BOYS AND DINETTES Bellevue Civic Theatre celebrates roadside America in this diner-set musical. Meydenbauer Center, 11100 N.E. Sixth St., Bellevue, 425-235-5087, bellevuecivic.org. $30. Opens July 13. 7:30 p.m. Thurs. 8 p.m. Fri.–Sat., 2 p.m. Sun. Ends July 21. REPRESENT! Readings of new plays by Rose Cano, Tulika Kumar, Kimber Lee, and Dominique Morisseau. See acttheatre.org for schedule. ACT Theatre, 700 Union St., 292-7676. $5 single tickets, $15 pass. 7:30 p.m. Tues., July 17–Sat., July 21; 1, 3, 5:30 & 7:30 p.m. Sun., July 22. SEATTLE OUTDOOR THEATER FESTIVAL Two packed days of mostly, but not only, Shakespeare. See green stage.org/sotf for schedule. Volunteer Park, 1247 15th Ave. E. Free. Fri., July 13–Sat., July 14. THE SOUND OF MUSIC The Von Trapps escape the Nazis. Youth Theatre Northwest, 8805 S.E. 40th St., Mercer Island, 232-4145 x100, youththeatre.org. $13–$17. Opens July 13. 7 p.m. Fri.–Sat., 2 p.m. Sun. Ends July 29. STARK NAKED This “Nerdlesque Tribute to Game of Thrones” stars EmpeROAR Fabulous!!!, Heidi Von Haught, and many more. Theater Off Jackson, 409 Seventh Ave. S. $20–$25. 8 p.m. Fri., July 13–Sat., July 14. WOODEN O Seattle Shakes presents Twelfth Night and The Winter’s Tale in repertory, July 12–Aug. 12. Free performances Wed.–Sun. in several area parks; see seattleshakespeare.org for exact schedule.

tales into a blender in their new family show. Free. Plays weekends at 2 p.m. at various area parks; see balagantheatre.org for exact schedule. Ends Aug. 11. TEATRO ZINZANNI: GANGSTERS OF LOVE Improv cutup Frank Ferrante is back as Caesar; Dietrich-like beauty Dreya Weber plays his long-lost amore Myrna. Music is provided by Francine Reed and Orchestra DeVille. And if the menu doesn’t delight, think of the food premium as protection money: We pay that price to let the show go on. MARGARET FRIEDMAN Teatro ZinZanni, 222 Mercer St., 802-0015. $106 and up. Runs through Sept. 30; see zinzanni.org for exact schedule. XANADU Making lemonade out of the lemon that was the 1980 movie musical. ArtsWest, 4711 California Ave. S.W., 938-0339, artswest.org. $10–$15. 7:30 p.m. Wed.– Sat., 3 p.m. Sun. Ends July 15.

the Dumb Waiter

OPENINGS & EVENTS

SALLY AND THOR SAVE THE WORLD (AT SUMMER CAMP) Balagan throws myths and fairy

Celebration

Stage

ZingBlade THR-SAT, JULY 12-14 FROM “CONAN”

ANDY HAYNES

TOWN HALL HIGHLIGHTS 7/11 - 7/23

Wednesday, 7/11 at 7:30 pm

Frank Partnoy: Art & Science of Delay

Thursday, 7/12 at 7:30 pm

FROM “FALLON”

Brian Fagan: Brave Mariners

SUN, JULY 15

Poetry+Motion: My America

NICK TURNER JONATHAN B. FOX’S

PRODUCER’S CHOICE MON, JULY 16 EVERYONE’S A COMIC

OPEN MIC

THR-SUN, JULY 19-22 FROM “TONIGHT SHOW”

TY BARNETT PLUS MR. MOOKIE

Sunday, 7/15 at 6:30 pm

Monday, 7/16 at 7:30 pm

Science: Jesse Bering: Of Penises and Suicides

Wednesday, 7/18 at 7:30 pm

Max & Whit Alexander: ‘Bright Lights, No City’

Wednesday, 7/18 at 7:30 pm

Meghan McCain & Michael Ian Black: A Love Letter to Freedom

Thursday, 7/19 at 7:30 pm

Sam Kean: Mysterious DNA

Monday, 7/23 at 7:30 pm

109 S. Washington St. (at Occidental)

206.628.0303

WWW.COMEDYUNDERGROUND.COM

Oksana Marafioti: American Gypsy

www.townhallseattle.org

arts»Visual Arts BY MA’CHELL DUMA LAVASSAR

Openings & Events • BLITZ! CAPITOL HILL ART WALK Check out the par-

ticipating galleries and stores on Pike and Pine Streets, including Vermillion, Ltd. Gallery, True Love Art Gallery, Photo Center NW, Fetherston Gallery, and Rosebud, which will extend their hours to feature art, music, and more. See: blitzcapitolhill.com. 5–8 p.m. Thurs., July 12. NOAH DAVIS He addresses tabloid TV culture and racism in his new show Savage Wilds (the title is borrowed from the 1988 play by Ishmael Reed). Reception Thurs., July 12, 6–8 p.m. James Harris Gallery, 312 Second Ave. S., 903-6220, jamesharrisgallery.com. Opens July 12. Thurs.–Sun., 11 a.m.–5 p.m. Through Aug. 24. JAIME ELLSWORTH The oil paintings in his show Acclimation depict the artist’s two stray dogs, Pagau and Rhu, recovered from China and Texas, respectively. Opening reception Wed., July 11, 6–8 p.m. Gunnar Nordstrom Contemporary Fine Art, 800 Bellevue Way N.E., 425-827-2822, gunnarnordstrom.com. Mon.–Sat., 9:30 a.m.–8 p.m.; Sun., noon–5 p.m. Through Aug. 5. FORT NIGHT This interactive installation by Pigeon Vision artists Teresa Grasseschi, Megan Harmon, and Adam McRae features a large structure inspired by the forts they made as children. Opening reception Sat., July 14, 2–8 p.m. Ongoing hours by appointment. Inscape, 815 Seattle Blvd. S., 257-3022, inscapearts.org. FRYE REOPENING SEE THE WIRE, PAGE 19. GEORGETOWN ART ATTACK The July edition features photography by Liz Thomson Ophoven and Amanda Michele at All City Coffee, illustrations by Levi Hastings at Georgetown Liquor Company, and sculpture by Isabella Leary at Nautilus Studio. See georgetownartattack.com for other participating artists and venues. Free. 6–9 p.m. Sat., July 14. GET OUT! SEE THE WIRE, PAGE 19. INSCAPE OPEN HOUSE Over 100 artists open their studios to the public at the old INS Building, which is fast becoming the city’s largest creative warren. Music, food, and a Chinese dragon dance are also expected to be part of the festivities. Inscape, 815 Seattle Blvd. S., 257-3022, inscapearts.org. Sat., July 14, noon–8 p.m.

• •

Send events to visualarts@seattleweekly.com See seattleweekly.com for full listings = Recommended

•

TheFussyeye » by brian miller

THURSDAYS

Seating opens: 7 PM

$5 - live acts/talent screenings/prizes Movies start at dusk

AMAZING CIRCUS ACTS COSTUME CONTESTS

AUG 16

Ferris Bueller’s Day Off The Adventures of Tintin The Help Forrest Gump The Lion King Back to the Future

AUG 23

Monty Python & the Holy Grail

AUG 30

The Goonies

JULY 12 JULY 19

Magnuson Park, Seattle 7400 Sand Point Way NE

JULY 26 FOOD TRUCKS DOG FRIENDLY

AUG

Produced by Epic Events • MoviesatMagnuson.com • Facebook/SeattleOutdoorMovies

Besides chainsaw sculpture, the canon of roadside art also includes rusty old car parts welded into whimsical figures. The headlamps become eyes, the bumpers mouths, and so forth. In rural areas outside Seattle, sometimes the best form of vehicular disposal is just to cut up the old Ford and make it into a lawn ornament. Unfortunately, this is not the approach taken by Indianborn artist Avantika Bawa, who currently teaches at WSU, in her sculptural installation At Owners Risk. She’s a conceptualist and a minimalist who seeks to explore “combinations of order and antimonumentality, wholeness and fragmentation, containment and dispersal, to create experiential spaces and interventions.” Since Suyama Space was once an auto-body shop, the fragments on display here include the blue-painted stanchions of a car hoist, some oil pans on the floor, and a little ramp that might be

downtown galleries are represented at this free monthly event. 6–9 p.m. Sat., July 14. ALAN LAU He shows large, swirling abstract canvasses in where did it come from, where is it going?. Opening reception 2–4 p.m. Sun., July 15. Artist talk 6:30 p.m. Wed., July 25. Francine Seders Gallery, 6701 Greenwood Ave. N., 782-0355, sedersgallery.com. Opens July 13. Tues.–Sat., 11 a.m.–5 p.m.; Sun., 1–5 p.m. Through Aug. 12. WYNNE PEI AND LAURA WRIGHT Inspired by historic artistic collaborations, Pei and Wright explore the connection between each other’s art. Opening reception Sat., July 14, 6–9 p.m. (during the Georgetown Art Attack). Hours by appointment. The Firm, 5813 Airport Way S., thefirmgeorgetown.com. Opens July 14. Mon.– Sun. Through Sept. 1. THE RECORD: CONTEMPORARY ART AND VINYL

Featuring 99 works by 41 artists, this group show explores the culture of vinyl records and album art. Opening reception Fri., July 13, 6–9 p.m. Henry Art Gallery, 4100 15th Ave. N.E., 543-2280, henryart.org. $6–$10. Opens July 14. Wed., Sat.–Sun., 11 a.m.–4 p.m.; Thurs.–Fri., 11 a.m.–9 p.m. Through Oct. 7. SHATTER SESSIONS Musicians attempt to break wine glasses using only sound. Museum of Glass, 1801 E. Dock St., Tacoma, 253-284-4750, museumofglass.org. $10–$15. Fri., July 13, 10 a.m.–10 p.m. SUMMER LOVIN’ Featuring Karl Addison, Joseph Brooks, Lyndsay Brown, and others, this group show pays tribute to John Travolta. Opening reception: Thurs., July 12, 6–9 p.m. Twilight Artist Collective, 4306 S.W. Alaska St., 9332444, twilightart.net. Opens July 12. Mon., Wed.-Fri., 11 a.m.–7 p.m.; Sat.–Sun., 10 a.m.–6 p.m. Through Aug. 3. LINO TAGLIAPIETRA As part of the museum’s 10th-anniversary celebration, 65 works are presented from the veteran artist’s past decade of work. Artist and member reception Sat., July 14 at 7 p.m., $5–$12. Museum of Glass, 1801 E. Dock St., Tacoma, 253-284-4750, museum ofglass.org. $10–$12. Opens July 14. Daily. WEST SEATTLE ART WALK More than 60 venues showcase local art every second Thursday of the month, including Youngstown Cultural Arts Center, ArtsWest, and Twilight Artist Collective. 6–9 p.m. Thurs., July 12. WUNDERKAMMER With an emphasis on illustration and object making, Wunderkammer features drawings of a botanical, scientific, and medical nature by Yvette Endrijautzki, Laura Hines, and others. Opening reception Thurs., July 12 at 6 p.m. True Love Art Gallery, 1525 Summit Ave., 227-3572. Opens July 12. Tues.–Sat., noon–8 p.m. Through Aug. 8.

•

used to race Hot Wheels®. The risks here aren’t clear. Is someone going to drown in the oil pans (which actually contain water)? There’s no car on the lift to fall off and crush you—a danger you’ll hear the Magliozzi brothers mention every so often on Car Talk. But they actually work on cars, and they actually understand the hazards. Does Bawa change her own oil? Can she remove

BRIAN MILLER

Seattle weekly • Ju ly 11−17, 2012

Hazard-Free

• KIRKLAND ART WALK Howard/Mandville and other

a transmission or pull the plugs? What does she actually know—what is she trying to say—about cars or garages? I have no idea, and neither does she. Suyama Space, 2324 Second Ave., 256-0809, suyamapetersondeguchi.com/art. Free. 9 a.m.–5 p.m. Mon.–Fri. Ends Aug. 10.

film»This Week’s Attractions

It’s not a movie for everyone - but if it’s for you, YOU’LL NEVER FORGET IT.”

“

—ANDREW O’HEHIR, SALON

ZEITGEIST FILMS

Markina amid the post-Soviet grimness in Elena.

P Ballplayer: Pelotero

P Elena

One of out every five professional baseball players in the U.S. comes from the Dominican Republic. Take a second to consider that stat. Here’s another: Every big-league team runs a baseball academy on the island. Unless you follow baseball, you probably had little idea how important signing young Dominican players is to Major League Baseball. And unless you follow MLB, you probably can’t imagine what a mess it has made of the whole process. Narrated by John Leguizamo, this doc follows two of the country’s hot prospects of 2009—shortstops Jean Carlos Batista and Miguel Angel Sano—in the months leading up to July 2, “signing day,” in which MLB allows kids who have reached age 16 to sign contracts with teams. Clearly, filmmakers Ross Finkel, Trevor Martin, and Jonathan Paley picked the right boys, as their individual paths to their July 2 paydays, so assured at the start, each become mired in controversy as the months wear on. An unexpectedly gripping portrait of how MLB’s sausage gets made, the film pits the frustration of the young players and their families, who see baseball as a way out of poverty, against the inflexibility of MLB, which battles age and identity fraud among players—and which declined to be interviewed for the film. Indeed, one family member calls MLB “a Mafia.” A rebuttal might have served the sport well. MICHEAEL LEAVERTON

Andrey Zvyagintsev’s Elena is a tale of two apartments: a spacious chrome, glass, and marble luxury flat that might be anywhere in prosperous Western Europe, and a cramped unit in some exhausted-looking, distinctly Soviet-vintage apartment block with a view of a nuclear plant. Central to the movie is the distance, physical and psychological, and the mutual resentment, that exists between these spaces. Fiftyish working-class Elena (Nadezhda Markina) lives and serves her wealthy older husband, Vladimir (Andrey Smirnov), in the first, and visits her unemployed son from another marriage in the second. A domestic loggerheads results when Elena asks Vladimir a favor for her son’s family, and he declines; this comes to a crisis when a health scare inspires Vladimir to codify his intentions in a will, while also putting himself, weakened by illness, at the mercy of Elena, playing his nurse. In a few shrewd, telling scenes, the central couple is seen, together and separately, playing their various roles with their various contradictory loyalties. With taciturn camerawork and a scalpel-like precision in dissecting class that recalls Claude Chabrol, Zvyagintsev’s film observes Elena making the decision of which family to be loyal to and how she asserts her newfound power as the idea of apocalypse hangs over the film’s troubling conclusion. NICK PINKERTON

OPENS FRI., JULY 13 AT SUNDANCE CINEMAS. NOT RATED. 73 MINUTES.

Beasts of the Southern Wild A zealous gumbo of regionalism, magical realism, post-Katrina allegory, myth, and ecological parable, Beasts, the southern Louisiana-set debut feature of 29-year-old Benh Zeitlin, rests, often cloyingly, on the tiny shoulders of Quvenzhané Wallis. Co-written by Zeitlin and Lucy Alibar, whose play Juicy and Delicious served as the film’s starting point, and using a cast of locals, almost all of whom make their acting debut here, Beasts strains to remind us of Hushpuppy’s wisdom and courage beyond her years. She is a motherless child: “She swam away,” explains her father, Wink (Dwight Henry), a chronically ill, frequently drunk man, of Mom’s absence. He and Hushpuppy live in separate trailers in a grassy, overgrown expanse in a fictional bayou area called the Bathtub. Stomping around her ramshackle, squalid domain in white plastic rain boots, a dirty T-shirt, and orange Underoos, this

RUNS FRI., JULY 13–THURS., JULY 19 AT VARSITY. NOT RATED. 109 MINUTES.

“

—A.O. SCOTT, THE NEW YORK TIMES

MICHELLE WILLIAMS

SETH ROGEN

LUKE KIRBY

SEATTLE_TTW_0708

AND SARAH

SILVERMAN

SEATTLE Landmark’s Harvard Exit Theatre (206) 781-5755

A SARAH POLLEY FILM

www.takethiswaltzfilm.com

EXCLUSIVE ENGAGEMENT

STARTS FRIDAY, JULY 13

The Invisible War

WOODY ALEC ROBERTO PENÉLOPE JUDY JESSE GRETA ELLEN ALLEN BALDWIN BENIGNI CRUZ DAVIS EISENBERG GERWIG PAGE “‘To Rome With Love’ has SEATTLE pleasuresWEEKLY galore.” -Peter Travers, ROLLING STONE THU: 07/12 “Light and fast, with some2ofCOL. the (4.83") sharpestX 3.5" ALL.TTW.0712.SW dialogue and acting that Woody Allen

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-David Denby, THE NEW YORKER

TO ROME WITH LOVE WWW.SONYCLASSICS.COM

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WED 07/11 SEATTLE WEEKLY SIFF Cinema Uptown | 511 Queen Anne Avenue North DUE MON SIFF 6PMFilm Center | Seattle Center | Northwest Rooms

July 13–19 | 206.324.9996 | siff.net

FREE VALIDATED PARKING

from 6pm weekdays / 10am weekends | Parking passes available at box office

—ALSO PLAYING THIS WEEK— AE: (circle one:) ART APPROVED Anna Bolena Angela Maria Josh Opera | Film Center AE APPROVED

Opens July 13 | Uptown

OPENS FRI., JULY 13 AT SIFF CINEMA UPTOWN. NOT RATED. 97 MINUTES.

Aurelio

Artist: (circle one:) Heather Staci Freelance 2

The Invisible War

Seatt le w eekly • July 11−17, 2012

OPENS FRI., JULY 13 AT EGYPTIAN. RATED PG-13. 93 MINUTES.

A WONDERFUL MOVIE.”

peewee heroine confidently wields a blowtorch. But in trying through incessant narration to make a 6-yearold a prolix sage, Zeitlin can’t avoid falling into sticky sentimentality. That’s a shame, because Walls has such a commanding presence onscreen—never more so than when the camera observes her up close and in silence, before the music, Hushpuppy’s maxim-filled voice-over, and Wink’s bellowing kick in. MELISSA ANDERSON

BEST In this documentary, Kirby Dick lays bare the ExoticAPPROVED McCool The Best Emmett Jay Steve Philip Documentary Tim scandalous epidemic of rape in the U.S. armed CLIENT Marigold Hotel 2012 forces—the war on women who fight wars. Told Deadline: Uptown Confirmation #: through an array of talking heads—including Opens July 13 July 14 & 15 | Uptown The Best of God servicewomen (and a few servicemen) who Film Center Uptown recount their attacks, military psychiatrists, NCIS agents, attorneys, journalists, and obtuse Mary Poppins The Do-Deca-Pentathlon Department of Defense employees—and interUptown titles revealing appalling facts (20 percent of Paul Williams Grassroots female veterans have been sexually assaulted Still Alive Films4Families | All tickets $ 4 Uptown while serving; 25 percent of women in the No Woman No Cry military don’t report rape because the person to July 14–24 | Uptown July 19 | Uptown Next 50 Film Series | Film Center notify in their chain of command is the rapist), Sucking the life out of this Dick’s film unveils an environment that, in the The Raid: Redemption ghastly teen words of one Army shrink, is “target-rich for Uptown “classic”! predators.” A septet of women detail their rapes The 48 Hour Film Project Master Pancake Theatre and the gross indifference and victim-blaming Frankenstein Uptown directed by Danny Boyle vs. Twilight

» CONTINUED ON PAGE 26

This Week’s Attractions » FROM PAGE 25 displayed by their superiors after they reported the crimes. Tiny, wiry Kori Cioca, whose assailant broke her jaw when she was attacked in 2005 while serving in the Coast Guard, reveals the dozens of meds, some highly toxic when combined, the VA has prescribed for her PTSD and severe facial-nerve damage— surgery which the agency repeatedly denies her. Interview after interview, statistic after statistic, Dick’s advocacy project thoroughly incenses—and appears to be having results. Two days after Dick screened The Invisible War for Secretary of Defense Leon Panetta on April 14, the DOD head announced plans requiring, as The New York Times reported, that all sexualassault complaints be handled by more-senior officers, not unit commanders—a change that hopefully will lead to more prosecutions. MELISSA ANDERSON

Paul Williams Still Alive OPENS FRI., JULY 13 AT SIFF FILM CENTER. NOT RATED. 80 MINUTES.

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Seattle weekly • Ju ly 11−17, 2012

Swinging into The Cinerama

Premiere July 20th 12:01am (Thu. midnight)

IN 3D

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More than 40 years after the Carpenters made Paul Williams’ “Rainy Days and Mondays” a hit, the flamboyant songwriter, performer, and once-ubiquitous late-night personality is . . . defending the rights of 450,000 songwriters as the head of ASCAP? And, what? Writing music for the next Daft Punk record? These two factoids are enough to perk the interest of even a casual fan of the man who wrote “The Rainbow Connection” for The Muppet Movie in 1979. Yet neither are explored in this documentary. Instead we get manufactured drama about a potentially dangerous but completely benign trip to the Philippines, and reality TV– grade episodes like director Stephen Kessler’s assertion that Williams’ wife is ruining his and Williams’ trip. One could blame poor timing. But the more likely reason is that Kessler didn’t want to make a documentary that explored the complexities of Williams’ career—from in-demand ’70s celeb to has-been addict who’s now clean and once more approaching cultural relevance. Kessler, it turns out, wanted to make a film about how much he loves Paul Williams. “And then it happened,” Kessler says toward the end of the film, “Paul gave me what I always wanted: a sleepover.” Williams is ripe for documentary treatment in 2012, but Still Alive doesn’t do its subject justice. CHRIS KORNELIS

P Pink Ribbons, Inc.

OPENS FRI., JULY 13 AT SIFF CINEMA UPTOWN. NOT RATED. 98 MINUTES.

An exposé in the purest, most-pissed-off sense, director Léa Pool’s doc digs into the bizarre elision of philanthropy, corporate sponsorship, and sanitized pseudo-activism that the breast-cancer-awareness industry comprises. The hallmark of this “movement,” of course, is the proliferation of pink doodads—everything from yogurt cups and teddy bears to cars and, incredibly, fast-food packaging—ostensibly bringing attention to the disease but mostly serving as promotional detritus for companies eager to cash in and camouflage carcinogenic product lines. The clueless, PR-challenged Susan G. Komen Foundation, whose flack

NATIONAL FILM BOARD OF CANADA

film»This Week’s Attractions

Pink Ribbons, Inc.: Marchers at a typical Komen Foundation event.

offers an on-camera defense, spearheads these efforts, which Pool and experts such as Barbara Ehrenreich and Dr. Samantha King (whose 2006 book inspired the film) methodically reveal to be, like the color itself, vomitously distracting and of marginal utility. Pool doesn’t discount the efforts of rankand-file pinksters, but she doesn’t let them off the hook, either; their commitment in the wraparound scenes of marches, rallies, and runs is undeniable, but they ultimately come off as misguided adherents to a ginned-up pseudo-religion. This is uncomfortable territory, but that’s precisely the point—above all, Pink Ribbons is an argument for reintroducing into public discourse the uncertainty, fear, and complexity that cancer sufferers and their loved ones know all too well. MARK HOLCOMB

Take This Waltz OPENS FRI., JULY 13 AT HARVARD EXIT. RATED R. 116 MINUTES.

Sarah Polley’s second feature, much like her superb Away From Her (2006), thoughtfully probes the pitfalls of coupledom and thirdparty threats. Five years into their marriage, Torontonians Margot (Michelle Williams) and Lou (Seth Rogen) have regressed fully into sexlessness, heat and mystery having been supplanted by baby-talking, bathroom oversharing, and weirdly aggressive verbal game-playing. For one of her infrequent freelance-writing gigs, Margot leaves their home—a spacious cocoon where cookbook author Lou perfects chicken dishes in the kitchen—for a quick research trip to a historic site in Nova Scotia. There she meets lean, hungry Daniel (Luke Kirby); seated next to each other on the flight back, sparks fly—particularly when they discover they live across the street from each other. Yet where Polley’s debut benefited from the solidity of the Alice Munro story on which it was adapted, Take This Waltz wobbles at times with the writer/director’s own credibility-straining choices: Daniel isn’t just a rickshaw driver but an aspiring painter, and signpost dialogue—“I don’t like being in between things,” Margot says of her fear of flight connections—abounds in the film’s first third. But there are enough unexpected delights, such as repurposing “Video Killed the Radio Star” during a critical moment between Margot and Daniel, to keep us interested in their drawn-out, teasing, tantalizing courtship. MELISSA ANDERSON E

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of masonry compounds with undulating stairs, huge vaulted roofs, and pavilion-style classrooms that were “open, like the revolution was,” as one of the octogenarian architects remembers. For a decade, the buildings were maintained as students took (apparently) free classes in dance, drama, literature, and so forth. Then the National Art Schools began to crumble in the tropical heat and humidity; there was a flood; and progressive architecture was displaced by cheap Soviet brutalism. Two of the three original architects fled to Europe, but filmmakers Alysa Nahmias and Benjamin Murray tracked down all the interested parties for interviews, then added lots of good archival footage. Unfinished Spaces is undeniably narrow and nostalgic in its focus, perhaps best suited to AIA members, yet the elderly architects (Roberto Gottardi, Ricardo Porro, and Vittorio Garatti) seem remarkably free of bitterness about their ill-treated creation. Today there are restoration plans (if not funding), and students still practice amid the halfruined campus. (NR) BRIAN MILLER Northwest Film Forum, $6-$10, July 13-15, 7 & 9 p.m.

Ongoing • THE AMAZING SPIDER-MAN Marc Webb’s inexcus-

ably good Spidey reboot celebrates the heartwarming arachno-genetic bar mitzvah in which a boy becomes a spider, and a spider becomes a man. Boy genius Peter Parker, played charmingly by Chia-haired Andrew Garfield, tours the Oscorp lab of Dr. Curt Connors (Rhys Ifans), where he receives a fateful spider bite. Webb (of the great (500) Days of Summer) was not the obvious debut for the director of a high-profile, big-budget action film. It’s all sharp-of-wit and sweetly sentimental for lots of reasons, including Martin Sheen and Sally Field as Peter’s Uncle Ben and Aunt May and a peroxide-haired, superbad Emma Stone as a gently ironic Gwen Stacy, a damsel in only moderate distress. Denis Leary, as Captain Stacy, father of Gwen, evinces his signature growly sarcasm and hits unexpectedly sweet notes of paternal affection. (PG-13) Chris Packham Bainbridge Cinemas, Cinebarre, iPic Theaters, Issaquah, Kirkland

THE FILMS OF JEAN • QUEEN OFInSCREWBALL: If You Could Only Cook (1935), our comic ARTHUR

heroine wins the affection of an auto-company president and a gangster. Who could blame them? (NR) Seattle Art Museum, 1300 First Ave., 654-3100, seattleartmuseum. org, $35-$39 series, $8 individual, Thursdays, 7:30 p.m. Through Aug. 9. ROBOCOP Paul Verhoeven’s 1987’s satire is set in a ruined, near-future, near-lawless Detroit ruled by street thugs and Fortune 500 executives. In a sense, Verhoeven and his writers underestimated that proud city’s actual decline. With a Jason Statham remake supposedly in the works (and the guy’s deadpan isn’t much worse than Peter Weller’s), now’s not a bad time to revisit the dystopian Motor City. With his circuits on the fritz and his human memories 90 percent erased, poor RoboCop strides the city in heavy steel boots as an agent of justice. That he was created and programmed by corporate heels, he has no idea. The ghost in this machine turns out to be his residual conscience and sense of honor. Out on the street, he’s first jeered, then cheered, as he turns his guns against real malefactors who wrote his source code. Maybe a Linux update wouldn’t be such a bad thing. Note: toy cap guns will be issued for this “shoot-along” screening. (R) BRIAN MILLER SIFF Cinema Uptown, $12, Thu., July 12, 7 p.m. SILENT MOVIE MONDAYS Organist Jim Riggs provides live musical accompaniment for Impossible Voyage and Chaplin’s The Kid (at noon) and L’Argent (at 7 o’clock). (NR) The Paramount, 911 Pine St., 877-784-4849, stgpresents.org, $5 (noon) and $10 (evening), Mondays, 12 & 7 p.m. Through July 30. STAR WARS: UNCUT Casey Pugh crowd-sourced this shot-for-shot remake of the 1977 Star Wars. More than 400 amateur filmmakers participated in the project, working in 15-second increments. (PG) Grand Illusion, $5-$8, Sat., July 14, 8:45 p.m. UNFINISHED SPACES Something of a prelude to next week’s ByDesign Film Festival, this new doc commemorates an amazing architectural folly of the Cuban revolution. In 1961, Fidel Castro decreed that the campus for several National Art Schools be built on a former golf course, thus eradicating a decadent leisure pursuit of the idle rich. (“The luxury projects are over,” Castro is quoted as saying.) Three idealistic young architects, two of them Italian, created a network

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Seatt le w eekly • July 11−17, 2012

noir is Raymond Chandler filtered through dirty bong water, where almost every line of dialogue is a hazy, hilarious non sequitur. My favorite is when accidental P.I. Jeff Bridges (forever the Dude) is ambushed in his tub by nihilists bearing a ferret. “Hey, nice marmot,” he greets them, with his usual unflustered amiability. Nothing rattles Bridges’ Dude, not a lost rug, not a leering Tara Reid, not a lisping John Turturro, not a raving John Goodman, not a simpering Steve Buscemi, and not even shrieking performance artist Julianne Moore, who joins Bridges in a Busby Berkeley-style bowling fantasy that sums up the movie’s sweet, silly spirit. Movie screens at midnight. (R) BRIAN MILLER. Egyptian, $8.25, Fri., July 13; Sat., July 14. A CLOCKWORK ORANGE A sensation when it came out in 1971 (particularly in Britain, where it was blamed for youth violence), Stanley Kubrick’s treatment of the Anthony Burgess novel is suitably dark and chilly. The theme of repressed humanity—however violent and ugly that humanity might be—matched perfectly with the director’s cool, clinical gaze. Malcolm McDowell’s performance is an unhinged, T H I S CO D E TO DOWNLOAD THE FREE bratty marvel, and part SEATTLE WEEKLY of the movie’s cautionary IPHONE/ANDROID APP accomplishment is to make FOR MORE FILM OR VISIT us feel sympathy for this seattleweekly.com thug—and contempt for the politely authoritarian society that bends him to its will. Call for showtimes. (R) BRIAN MILLER. Sundance Cinemas, $8-$10.50, Wed., July 11. FREMONT OUTDOOR MOVIES Who you gonna call? I think we all know the answer: the top-grossing film of 1984, Ghostbusters! Bill Murray, Dan Aykroyd, Harold Ramis, and Sigourney Weaver star in the paranormal smash comedy, which inspired only one so-so sequel and a surprising number of video games. It was, of course, a simpler time back then, when special effects weren’t quite so seamless, and the greatest threat facing New York City was the Stay-Puft Marshmallow Man. The movie was a total star turn for Murray, playing the loosest and least professional academic on campus. Using Aykroyd as his uptight foil, with well-timed sideline zingers from the wonky Ramis (who co-wrote the script with Aykroyd), Murray is freed to embrace his inner, off-kilter leading man—he’s like Cary Grant on mescaline, utterly assured in everything he says, even when nothing he says makes the slightest bit of sense. (PG) BRIAN MILLER Fremont Outdoor Cinema, 3501 Phinney Ave. N., 781-4230, fremontoutdoormovies.com, $5, 7 p.m. Sat. July 14. GILDA SEE THE WIRE, PAGE 19 THE GRAND ILLUSION Set during the Great War and released while the thunderheads of the next gathered, Jean Renoir’s The Grand Illusion depicted the wartime plunge of 1916 while also commenting on its present day of 1937, with Europe on the brink again. The film concerns two French pilots, working-class Lt. Maréchal (Jean Gabin) and aristocratic Capt. de Boëldieu (Pierre Fresnay), who, after being downed behind enemy lines by Prussian Rittmeister von Rauffenstein (Erich von Stroheim), are passed through German prison camps while the war drags on. The Grand Illusion marries Renoir’s ambling, sneakily complex camera work to performances that show gratitude for the breathing room he encouraged. The essential spirit of Renoir’s classic has never dimmed through decades of being projected on bedsheets for college film societies or viewed on deteriorating VHS. Opposing the tectonic grinding of political movements with simple humanity, The Grand Illusion’s heroic eminence is the nearest thing cinema has to a lone Tiananmen Tank Man. (NR) NICK PINKERTON Northwest Film Forum, $6-$10, July 13-19, 7 & 9 p.m. MAGNUSON OUTDOOR MOVIES SEE THE WIRE, PAGE 19 MARYMOOR PARK OUTDOOR MOVIES 1978’s most popular film cemented John Travolta’s movie superstardom—and gave Olivia Newton-John her only taste of it. Today it’s being tagged “the original

high school musical.” Grease—despite the fact that everyone in the cast is obviously old enough to be running the PTA—still looks like the stuff of which legends are made. When the T-Bird gang first calls out “Hey, Zuko!” and the camera zooms in to capture Travolta’s magnificent mug, you know you’re in the presence of a god. Zac Efron? As if. Outdoor movie screens at dusk. (PG-13) STEVE WIECKING Marymoor Park, 6046 W. Lake Sammamish Parkway N.E., moviesatmarymoor.com, $5, Wednesdays, 7 p.m. Through Aug. 29. MOONSTRUCK Norman Jewison made excellent use of Cher and Nicolas Cage in this 1987 romantic comedy, itself a love letter to New York by playwright John Patrick Shanley. He deservedly won an Oscar, as did Cher, as did Olympia Dukakis (playing the latter’s overbearing mother). Call for showtimes. (PG). Central Cinema, $6-$8, July 13-18. OWEN EGERTON’S BEST OF GOD The visiting author and comedian introduces a compilation reel culled from bad Bible movies and TV preachers. SIFF Cinema Uptown, $5-$10, Sat., July 14, 10 a.m. THE PACT There’s no pact in The Pact, which is indicative of this faux spooky tale’s guiding illogicality. A musty ghost story that morphs into a sluggish serial-killer mystery, Nicholas McCarthy’s film tries to distinguish itself by minimizing dialogue and settings, a strippeddown approach that extends to sketchy characters and a script rife with convenient, easy-to-assemble clues. McCarthy’s silence-is-golden tack can’t gussy up what’s otherwise a familiar undead saga in which Annie (Caity Lotz), searching for her sister and cousin at her dead abusive mom’s home, finds herself contending with malevolent spirits, shadowy specters, and other assorted bumps in the night. The writer/director’s camera repeatedly tracks his heroine through the house and zooms into dark closets that hold unearthly secrets, but his threadbare narrative has a tonal monotony that’s almost as enervating as the many plot points that make no sense, from Annie discovering that her mom’s place had a secret bedroom full of obvious-from-the-outside peepholes, to her failing to properly use a gun during a climactic showdown. While Casper Van Dien’s halfhearted Clint Eastwood impression as a grizzled cop elicits unintentional chuckles, the film’s scariest moment involves Annie thinking that, while relatives are sleeping in adjacent rooms and an unknown spook haunts the hallways, it’s appropriate to pee with the bathroom door wide open. (NR) NICK SCHAGER Grand Illusion, $5-$8, Opens July 13, Fri. & Sat. 11 p.m. Through July 21.

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film» Parkplace, Lincoln Square, Majestic Bay, Meridian, Sundance Cinemas, Thornton Place, Cinerama A CAT IN PARIS A gem. The animation style of Jean-Loup Felicioli and Alain Gagnol is crisp, flat, and bright, their characters rendered with line-work recalling the Matisse and Picasso of ‘30s Paris. There are even traces of Tintin, and a simple comic-book plot to suit. Her father recently murdered, her policewoman mother obsessed with the case, lonely little Zoe has an affectionate pet cat named Dino. When she goes to bed at night, Dino bounds across the moonlit rooftops and leaps from building to building, leading the honorable, rubbery-armed burglar Nico to the loot. One such outing leads to a nest of gangsters connected with the death of Zoe’s father. This is a storybook Paris of the imagination, of the artist’s easel. (PG) Brian Miller Varsity THE DO-DECA-PENTATHLON In this sibling-rivalry comedy by Mark and Jay Duplass, Steve Zissis and Mark Kelly play two soft-bellied bros in their unhappy 30s. One’s married and a father, the other a pokerplaying black sheep. All convene at mom’s house for a weekend birthday gathering, where the brothers resurrect a 25-event contest that ended in a bitter tie when they were teens. (Ping-pong, laser tag, bumper cars, mini golf, and holding one’s breath under water are among the categories.) All the while, mom, wife, and son must be kept in the dark about the contest (though they eventually catch on). Do-Deca is funny and awkward (that’s a compliment), but it’s also essentially a comic sketch extended to 80 minutes when 30 would’ve sufficed. (NR) Brian Miller SIFF Cinema Uptown GRASSROOTS Phil Campbell wrote a book about his getting booted from The Stranger and subsequently running the insurgent city-council campaign of monorail fanatic Grant Cogswell way back in 2001. His opponent was incumbent Richard McIver (played by Cedric the Entertainer with affronted dignity). In the Don Quixote role of Cogswell, Joel David Moore keeps a well-balanced lid on his character’s mania and altruism. As the Sancho Panza straight man, Jason Biggs is surprisingly effective—a washout in one career, uncertain about the next, with an impatient girlfriend (Lauren Ambrose) waiting at home. In a way, Seattle is the worst market for this comedy by Stephen Gyllenhaal, since we all know the political outcome. But Gyllenhaal makes the monorail’s lost cause such plucky fun that you’re glad to buy the ticket. (NR) Brian Miller SIFF Cinema Uptown MOONRISE KINGDOM It’s 1965, the rainy end of summer on the rocky coast of a fictional New England isle. Twelve-year-old Sam (Jared Gilman) disappears from the Scout camp run by Randy Ward (Edward Norton). Also 12, bad-seed Suzy (Kara Hayward) flees her distracted lawyer parents (Frances McDormand and Bill Murray). Aided by what remains of Ward’s troop (“It’s a chance to do some first-class scouting!”), the grown-ups, including Bruce Willis’ Captain Sharp, mobilize to find the fugitive young lovers. Moonrise takes the form of old-fashioned pre-teen literature, but, as everything made by Wes Anderson, does so knowingly. The escape Sam engineers for the pair is dangerous and crazy, but it’s also a way for him to exercise control, and to show off to a receptive audience. Suzy doesn’t have it so bad at home, but Sam’s flattering gaze gives her something she isn’t getting, and now won’t easily be able to live without. This utopian romance is thrown into relief by the quiet despair of the adults in Moonrise. Lonely, even—or particularly—when not alone, the grown-ups have long ago given up on the possibility of transformative love. (PG-13) Karina Longworth Big Picture Redmond, Guild 45th, Kirkland Parkplace, Lincoln Square, Lynwood Theater, Pacific Place, Thornton Place, Vashon Theatre

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food&drink»

Albuquirky

What’s a New Mexican restaurant doing in Everett?

BY HANNA RASKIN

JOSHUA HUSTON

N.M., a tiny town ith nothing left on her holy to chile-heads. patrons’ plates but tortillaHandy’s father was chip shrapnel and a few an accomplished bullcrumbs from a bun that held dozer operator who a humongous smoked hot dog, the server at cut roads through the The New Mexicans probably didn’t need to Sandia Mountains. ask whether everyone enjoyed their food. “He was an artist But since staffers at this modest restaurant with a Cat,” she says. are distinguished graduates of the “What’ll “Everyone would it be, hon?” school of nurturing service, she stand and watch pressed on. The sated couple, grinning and him.” But he jumped rubbing their bellies, assured her that dinner from job to job, taking had “hit the spot.” his young family with Since opening two months ago, The New him to gigs across the Mexicans—specializing, as the name says, in Southwest. Handy dishes from the yonder side of the western had enrolled in 26 difU.S. frontier—has been reliably shooting bull’sferent schools by the time she reached junior eyes. The menu is refreshingly true to Southhigh school. western mom-and-pop traditions: If you’re When Handy’s children were small, she seeking green-chile cheeseburgers, Frito pie, tried to create more settled circumstances or a range of other tarted-up icons that a lessfor them, spending 11 years on a potato farm secure restaurant might flaunt as proof of its in Pasco. The farm had a milk cow, so Handy authenticity, you might as well ride on. could cook up the farmhouse recipes she’d The New Mexicans instead serves the inherited from her mother, grandmother, and homey dishes that owner Chrystal Handy aunt Barbara, who’d taught her how to make knows how to make and make well, which cream pies. is why you can start your meal here with Last year, a road-construction project killed lettuce, a hillbilly salad that’s almost derailed Handy’s dream of opening a sandnever allowed out of the house. In The New wich shop. Because work on Highway Mexicans’ cheeky version, chopped mustard 99 would block access to the space she’d and turnip greens are tamed by bubbling hot leased in Everett, “I lost the whole deal and bacon grease, vinegar, and dry mustard, with $22,000,” she says. But when she rebuilt her crisp nubbins of salty bacon playing textural confidence and capital, she found a turnkey understudy to the greens gone droopy. At the tavern on Craigslist. other end of the meal are generously frosted Hence, The New Mexicans is more sheet cakes baked in beat-up aluminum barroom than dining room, furnished with pans. The restaurant’s so guileless that had ticky-tacky high-top tables, black pleather it opened on a two-lane highway outside chairs, and a few obligatory regional of Truth or Consequences instead of on touches. Decorative elements include a Everett’s main drag, it probably would already horned steer skull, a pair have been the subject of of chile-pepper ristras a glowing paean from dangling above the open road-food maestros Jane » PRICE GUIDE SOPAIPILLAS ....................................... $3 kitchen, a stenciled state and Michael Stern. RED ENCHILADAS ......................$8/$10 flag, and a wooden box For New Mexicans GREEN ENCHILADAS ........................ $5 CHICKEN AND DUMPLINGS.... $4/$8 branded “Hatch chiles.” adrift in Washington, BRISKET ................................................ $8 But the props don’t add though, the sudden inCINNAMON ROLL............................... $4 up to anything especially state appearance of a evocative: If I’d learned restaurant serving decent on my first visit that an antiques store sidesopaipillas is a stroke of incredible luck. lining in candles and potpourri had vacated New Mexico natives have flocked to The New the premises a few hours earlier, I doubt I’d Mexicans as surely as vegetarians stranded in have choked on my roll. beef country would beeline to an eatery called The tidy kitchen, which occupies more Kale. I listened in as a server and customer tried to drum up the names of mutual acquain- than half of the restaurant’s indoor space (there’s a patio out back), is arranged for tances at an Albuquerque high school. Yet for home cooking on an expanded scale. It looks eaters whose family trees don’t branch into something like the small-appliance section the Land of Enchantment, The New Mexiof a Goodwill. In addition to the various slow cans offers a really tasty way of learning what cookers and other contraptions, there are counts as comfort food 1,500 miles south. three white refrigerators, no larger than what an average apartment might require. andy was born in the border It’s an area that doubles as the back bar, town of Douglas, Ariz., to the which amounts to Jack Daniel’s, Sauza, Stoli, daughter of a New Mexico hotel and a few more bottles in limited rotation. operator and the son of a former The house martini comes spiked with olive sheriff whose jurisdiction included Hatch,

Handy can sure kill herself some lettuce.

napped with as much Monterey Jack as a football fan with a high-power microwave might apply, producing an oily pool of cheese from which the puffy, chile-sauced chips have to be extricated. (Honestly, it’s not the world’s worst rescue mission.) And the barbecue, including brisket drawn into curly meat strands, is dry and saturated with acrid smoke that the stilted housemade sauces can’t hide. Better to focus on the accompanying baked beans, caked with ketchup and jalapeños. Or move along to something sweet: The New Mexicans makes its own strawberry shortcake, chocolate cake, cherry creamcheese cake, and sugar-glazed cinnamon rolls that are sturdier and breadier than the sloppy, syrupy concoction that’s become a food-court mainstay. It takes 45 minutes for the rolls to rise, so Handy bakes them first thing every morning. “Usually we’ve got people waiting outside the door for them,” she says. The restaurant’s defining sweet, though, is the sopaipilla, which New Mexicans don’t save for dessert. The inflated squares of fried dough are a side dish, although the standard addition of butter and honey transforms the flaky, light pastry into a meal-capper. Handy makes them “by feel,” which her two daughters find infuriating, since they’re being groomed to take over the restaurant. “The girls kind of have had a hard time with it,” she admits, adding that she’s not deviating from her plan to retire to eastern Washington in five years, even if loyal customers beg her to stay. Handy may make chicken and dumplings like her mother, but she roams like her father. “I can’t wait to get back there,” she says. “My daughters will pick up here and run with it.” E hraskin@seattleweeekly.com THE NEW MEXICANS 1416 Hewitt Ave., Everett, 425-512-9705, facebook.com/pages/The-New-Mexicans. 10 a.m.–9 p.m. Tues.–Fri., 9 a.m.–9 p.m. Sat.–Sun.

Seatt le w eekly • July 11−17, 2012

juice, although the menu explains “We serve the dirty and the olives on the side so we can fill the glass with the goods!” The glass measures a whopping 16 ounces. If that offends your big-city sensibilities, you may not want to know that after the happy server/customer exchange described above, the server walked across the dining room and belched. Maybe such folksy service isn’t everyone’s can of Bud Light. But homespun’s the operative word around here, a fact not lost on anyone wise enough to order The New Mexicans’ enchiladas. In typical New Mexican fashion, The New Mexicans serves red- and green-chile sauces. (In New Mexico, it’s common to mix both preparations on a single plate, Christmas-style. In Everett, the twain don’t meet.) A brick-red bog, humming with the smoky, vegetal flavors of chiles, laps the edges of the red enchilada plate. The beefy sauce engulfs a stack of soft yellow corn tortillas, diced raw onions, iceberg-lettuce shreds, and grated cheddar cheese. Fleshy, salty pinto beans and two overeasy eggs, primed to infiltrate the gravy with the creaminess peculiar to yolks, round out the dish. The multidimensional sauce comes up short on heat, but The New Mexicans stocks most of the major hot sauces, so eaters with more resilient tongues can Tabasco or Tapatío their way to enchilada nirvana. The stacked green enchiladas are similarly tame, but they’re so good that griping about the spicing is as pointless as complaining about the mildness of Oreos or Cheez-Its. The creamy enchiladas, baked in a casserole until the peaks burnish, are as comforting and undemanding as an old friend’s hug. Each serving’s a tumble of sweet chiles, green onions, and coarse tortillas, topped with a mellow Jack cheese. In the lulling-food category, the green enchilada has a worthy competitor in the chicken and dumplings, which is more cream than chicken—a lone, stamp-sized piece of poultry bobbed in my bowl—but elevated by tender, free-form knobs of pastry. A few other technical mistakes at The New Mexicans are more glaring. The nachos are

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food&drink»Featured Eats $ = $25 or less per person; $$ = $25–$40; $$$ = $40 and up. These capsule reviews are written by editorial staff and have nothing to do with advertising. For hundreds more reviews, searchable by neighborhood and type of cuisine, go to seattleweekly.com/food.

DOWNTOWN

ANCIENT GROUNDS 1220 First Ave. S., 749-0747. A

delightful hideaway that is part coffeehouse and part import store, this downtown spot is decorated with exquisite masks and textiles from around the world. Order an espresso (it comes strong), chat with the pony-tailed and whimsical proprietor, and take a seat at one of the intimate and dimly-lit tables in the back. Then tell only your good friends about it because it’s the kind of place you don’t want to run into everyone you know. $ JAPONESSA 1400 First T H I S CO D E Ave., 971-7979. Japonessa TO DOWNLOAD THE FREE is not really a Japanese/ SEATTLE WEEKLY Spanish fusion restaurant. IPHONE/ANDROID APP It is absolutely a Japanese FOR MORE RESTAURANTS OR VISIT restaurant, with its heavy seattleweekly.com reliance on noodles, seaweed, sushi, sashimi and artful preparation of everything that swims. There are hints of a Spanish tradition throughout the long menu. And on top of that, a kind of nouvelle Latino. And French. Non-Japanese Pacific Rim. Mediterranean. Even South American influence. The take-away is confusing, but delicious. $$

SCAN

MAD OVEN BBQ 213 Marion St., 625-0375. If barbecue

joints are churches, then Mad Oven is a storefront chapel. The digs may not be very flashy, and the ministry may not be as popular or as well-publicized as others in the city. But the sermons (sandwiches of pulled pork, beef brisket, or hot link, all sauced appropriately) are solid enough to keep the congregants coming back. $ METROPOLITAN GRILL 820 Second Ave., 624-3287. Unlike quaint, formal establishments like Canlis, you can walk into the Met in the standard Seattle work uniform of plaid shirt, jeans, and dark tennis shoes and shout at the TV screen. Whether this is a good thing is debatable, especially if you’re going to drop $75 on a porterhouse and a tumbler of top-shelf scotch. The steaks are, however, the dry-aged, Nebraska-raised (or wagyu) kind; and any carnivore, whether he’s dressed in work pants and a T or a three-piece suit, will be able to taste the tender, juicy difference. $$$ MEXICO CANTINA & VERACRUZ COOKING 600 Pine St. (Pacific Place, fourth floor), 405-3400. “Tex-Mex purist” may have the ring of oxymoron, but there are plenty of fajita and cheese-enchilada fans who would be stunned by the liberties taken at Mexico Cantina. Here the queso’s studded with mushrooms and served with banana chips. Heresy. Except that for upscale mall food, it’s none too shabby. The best bets are the Northwestinfluenced dishes, including a salmon Caesar and fish tacos. The margaritas are admirably strong, and—for an extra dollar—made with fresh lime juice. Serving “modern Mexican cuisine with a coastal flair,” Mexico cleaves to the Veracruz school of south-of-the-border chow. If you want a reprieve from Pacific Place that’s not Gordon Biersch, good margaritas are served by the shakerful, enough to refill your glass about three times. $$ MORTON’S STEAKHOUSE 1511 Sixth Ave., 223-0550. Morton’s doesn’t deserve the Tony for best steak in the

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make me his favorite drink to make, he made me three drinks—plus one for a friend. I didn’t like one of them, so he handed me a glass with a tiny amount of clear liquid in it. “Here, taste this.” Then, as I coughed and gagged, he added, “That’s what I figured. Don’t order things with Campari in them.” Classic Kessler move. The Verdict: Three out of four is a fairly solid ratio. Little tweaks to the bar menu make it just that much better: The Sudseite is made with bar ginger, the “Vodka” Sweet Tea is made with Maker’s Mark, and the Old Fashioned (my favorite) incorporates rye and honey liqueur. Kessler is at his very best, however, once you get to know him. Become a regular and he’ll be that bartender who has your drink on the table almost before you’re there—the one who notices and correctly interprets a subtle eyebrow from across the room. Everybody needs at least one bartender like that in their life. E food@seattleweekly.com

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Seatt le w eekly • July 11−17, 2012

The Watering Hole: Feierabend, 422 Yale Ave. N., 340-2528, SOUTH LAKE UNION The Atmosphere: Google Translate is at least seven-tenths useless. For example, see this gem, translating the history of Feierabend from GermanWiki: “ . . . Before the clocks in all houses, even pocket watches were for individuals, this daily celebration evening began with a long time in Catholic areas still used today . . . ” It could be talking about a call to prayer. Possibly about bell-ringing. Not sure. Fortunately, my German roommate is somewhat more useful than Google, informing me that “Feierabend” is a German phrase used to indicate that one has worked enough, and that it is emphatically—as the American colloquialism would phrase it—”5 o’clock here, beginning right now.” Much like its sister businesses, Prost! in Greenwood and West Seattle and Die Bierstube in Roosevelt, the attitude “Time for a break! I’ve earned it!” is evident at Feierabend. Even during work hours, bratwurst and beer flow freely over business lunches. After 5 p.m., it’s a party all the time. The Barkeep: Kessler Dixon—Alaska-bred, trivia-sharing, story-topping, Journey-singing, artistically tattooed bartender extraordinaire—is probably responsible for at least half the UW students who have actually graduated in the past five years. When I moved to Seattle and started grad school, my cousin, then a recent UW grad, reassured me about life with the phrase “Meet Kessler.” He was right. The Drink: When I told Kessler to forget everything he knew about my whiskey preferences and

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food&drink»Featured Eats city, though some of the supporting players merit curtain calls. Star billing goes to the crab cakes, incredibly meaty and almost devoid of filler. The creamed spinach is quite good, and decadent. The Lyonnaise potatoes, cubed and sautéed with bacon and onions, are superb. The steaks, sadly, are chronic underperformers. However, should the academy begin doling out awards for the most spendy meal in town, Morton’s should at least get runner-up. $$$ PALOMINO EURO BISTRO 1420 Fifth Ave., Ste. 350, 623-1300. Located on the top floor of City Center, Palomino is a stylish restaurant that attracts droves of twenty and 30-somethings, especially at the end of the work day. It serves standard midscale American fare (pasta, seafood, steak) that’s decent but forgettable. However, the happy hour (4-6 p.m. and 9 p.m.-close, daily) is an absolute steal, featuring $5 brick oven pizzas, under-$7 appetizers like calamari and mussels, and $4 house wines and specialty cocktails. Better still, your server will validate your parking so you can enjoy a downtown romp after your meal. $$ PLANET JAVA 72 S. Washington St., 340-8859. Planet Java is a true diner, with proper red-upholstered booths and shiny tabletops and a checkered floor. Other signs that this place is the real deal: Cops frequent it. Service, even at a busy lunchtime, is shockingly fast. They know what a black-and-white shake is. The hash browns are appropriately greasy and none of this home-fries bullshit. The prices are also more than fair. Now that’s how a diner should be. $ PURPLE CAFE AND WINE BAR 1225 Fourth Ave., 829-2280. Wine lovers can go elsewhere to pontificate about sulfites and vintages: The infectiously noisy Purple Cafe is designed for classy good-timing. There are entrées on the menu, but the young money crowd which congregates here after work or before symphony concerts knows to stick to the small plate list, which offers smart accompaniments to the restaurant’s thematic flights and ample by-the-glass selection. $$

they’re generous with the free chips and salsa refills). And you may end up shooting tequila with one of your favorite on-air personalities, since Azteca’s location across the street from KIRO Radio makes it the staff’s prime lunch spot. $-$$ UPTOWN ESPRESSO 500 Westlake Ave. N., 621-2045. One of the biggest and newest among the Uptown chain, the Westlake location sits smack on the SLUT tracks in South Lake Union. Condos and Amazon are rising all around it; already the place is jammed full with tech workers on laptops and any number of headhunters covertly scouting talent for competitors. It’s a good place for a meeting over coffee and scones, and also to discreetly check your personal e-mail account for that certain job offer you’re expecting. If you get it? Buy coffee for everyone in the house! $

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is to Mexican cuisine what Olive Garden is to Italian cuisine. It’s a chain restaurant that specializes in serving large, relatively inexpensive dishes that vaguely resemble their authentic inspirations. The enchiladas are decent, the tostadas suffice, and the chicken en mole is a little off. But the servers are friendly (read:

ALittLeRAskin » by hanna raskin

Apples for Oranges

MATT’S FAMOUS CHILI DOGS 6615 E. Marginal Way

S., 768-0418. On one of the grubbiest corners of Seattle’s industrial district stands one of Seattle’s culinary magnets. Every weekday from 10 to 5, truckers, hipsters, and slick business types crowd elbow to elbow to chow down on hot dogs, kielbasa, Italian sausage, and tamales, all wrapped in a doughy bun and drenched in Matt’s tangy chili (except the tamale, of course). $ STELLAR PIZZA & ALE 5513 Airport Way S., 763-1660. Stellar offers a warm-hued, romantically nostalgic mood for loft-dwellers and young families alike. The ceilings are so high they almost evoke the hangars down the street at Boeing, but the space has such a lived-in and loved-in feeling that it’s never cold or impersonal. And the food—pastas, salads, and sandwiches as well as the pizza—tastes like someone with a true love for red sauce is working toward some vision in the back. Inventive offerings like the Corson Classic (Yukon Gold potatoes, sweet white onions, and piles of Gorgonzola cheese) are spicy, well sauced, and cooked to cheesebubbling perfection. $ REPAST 1418 31st Ave. S., 325-2900. This takeout/catering

outfit serves simple but elegant fare that always has your busy schedule and best interests at heart. There’s no real menu, just a chalkboard where the rotation of soups, sandwiches, and desserts shifts according to the season and the mood of the proprietors. On weekends, fried-egg sandwiches draw the crowds. $

many local gardeners are likely confronting surpluses. Still, Freitas maintains that the tipping point at which his site will become reliably useful isn’t far off. “I don’t think it takes many people,” he says. “It’s amazing how poundage adds up.” That’s the revelation which sparked Freitas’ interest in creating an online trading program: He’s been mulling over the idea ever since his garden yielded too many carrots. “I could take them to work, but I thought it would be great to get fresh food back,” he recalls. So in true techie fashion, rather than ask his officemates for tomatoes or onions, he built a website. Freitas envisions the site invigorating a grassroots (or kohlrabi-roots or onion-roots, depending on the participant’s leanings) economy, in which gardeners can convert their backyard hobbies into profitable businesses. “They might start specializing,” he says. “They might say, ‘I’m awesome at carrots, I’m going to go crazy with carrots.’ That’s what I’m hoping.” Freitas says he and co-developer Connie Parsons may eventually introduce a $20 annual membership charge, but currently the service is free. E

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Tacoma’s Kevin Freitas doesn’t have a green thumb, but he has a web developer’s brain, which is why he believes his new produceswapping site, CropSwap.me, will be the first such online endeavor to succeed on a national stage. “We’re doing it well,” Freitas says when asked what distinguishes CropSwap from other online exchanges. “I think there’s a disconnect where a lot of groups that want to do good don’t have that technical skill.” The website, which launched on June 1, is organized so participants can buy, sell, or barter for other home gardeners’ unwanted bounty. Freitas proudly describes CropSwap’s layout as “clutter-free,” and the adjective is accurate: A mostly white home page prompts users to select a “want” or “have” tab. A keyword search for “lettuce” reveals a Seattle gardener trying to unload eight large heads of red and green lettuce. “Will consider any and all offerings in exchange,” melanyrae62 writes. Yet the site’s newness means the selection is slim. CropSwap couldn’t find any available rhubarb, kale, or radishes around Seattle, although

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1303 NE 45TH ST

K Is for Calvin

An influential label, an abrasive founder, and a local editor’s biographical debut. BY CHARLES R. CROSS

Charles R. Cross: Your book is subtitled “K Records and the Rise of Independent Music,” but it’s also the story of Calvin Johnson. How do you separate the two? Mark Baumgarten: I want people to know

this isn’t a biography of Calvin Johnson, even if for the first 100 pages or more it reads like one. If I were writing a biography of Calvin, it would be much different. How?

MARTY PEREZ

Editor’s Note: Mark Baumgarten, a longtime music journalist who’s held spots on the mastheads of Willamette Week and Sound Magazine and is currently editor-at-large at City Arts, published his first book this week, a biography titled Love Rock Revolution: K Records and the Rise of Independent Music, (Sasquatch, $17.95). To get the goods on Baumgarten’s tome—and his experience with the label’s famously difficult founder, Calvin Johnson—we dispatched Charles R. Cross. Like Baumgarten, Cross is a music journalist ( for a time he owned and edited The Rocket, which shut down in 2000) and biographer who has chronicled artists from Kurt Cobain to Led Zeppelin. Here’s what transpired:

Calvin Johnson, with Beat Happening, in Chicago in 1988.

Every author starts a book with assumptions. What surprised you the most about K Records?

The complete lack of musical training of anybody who was playing music around K. This was really a group of people who had no business playing music at all. When Calvin asked Bret Lunsford to be in Beat Happening, Bret had never played guitar in front of anyone, and Calvin had never heard him. Calvin is a character who seems very inflexible, but he also opens doors for people who haven’t proven themselves, which results in K being such an uneven collection of artists. I found that to be surprising in the most pleasant way possible. You are saying Calvin is a great motivator, but maybe not a great editor?

I would have gone more into his personal life. I talk about his early life and his family, but I don’t talk about his personal life once he gets into being the engine running K Records. It’s a book about this community. While the book

Shakespeare’s Richard III, or even Courtney Love: a character who is so looming that even when they aren’t on the page, they are there.

There is always a question of motivation. The challenge was to write about [Calvin] without being judgmental, without trying to apply motivation to him. Somebody asked me yesterday if I’ve become friends with him. I was like, “No, I’m not his friend at all.” Calvin announced he had no intention of reading the book. Did you mail him one?

I mailed an advance to the general manager at K and asked her to give some feedback and correct errors, and she did. But Calvin was so definite that he wasn’t going to read it that I felt to send it to him would be an insult. He’s not a man who seems to change his mind very easily.

Most of the characters in my books die, and that’s even sadder, trust me. It’s been said that biographers begin a book in love with their subjects, but by the end hate them. I haven’t exactly found that to be true, but I do discover character flaws. How does Calvin sit with you now?

I don’t find him any less disconcerting. From interview #1 until interview #15, I was still nervous around him, and I still felt like I was one word away from getting thrown out the door. But he is much less mysterious to me now. Not that I understand him. Many people mistake his style as arrogance.

We all have ways that as we walk in a room, we attempt to control the atmosphere. Calvin is a master at controlling a room by being aloof. I think he’s just as unaware of it as you and I

Were you conscious in writing the book of not letting your opinions of your subject turn up on the page?

Your book [on Kurt Cobain] Heavier Than Heaven was really instructive to me along those lines, because you wrote that book without telling the reader what you thought. And I knew that to tell a good story, I had to take myself out of Love Rock Revolution. I felt if I put my opinions in, it might have come out warped, and would have been more negative. Calvin never tried to put out an album by Nirvana, when Kurt would have liked that, and that’s a truly extraordinary commercial misstep. But you also have to admire Calvin’s iconoclasm. In a way, Nirvana influenced K more than K influenced Nirvana.

Of course, Nirvana influenced K. And Calvin’s proximity to someone who became so hugely famous influenced Calvin. Calvin came from a childhood where he understood the mainstream. That’s the great untold story of Calvin Johnson. He did not just pop out of a pink guitar case. Cobain’s story ends darker than your book, so it can be hard, when I’m asked about that book, to end on a positive note. I often suggest that by leaving his childhood to create anything, Cobain’s story is an inspiring one. And Calvin’s enthusiasm about creating art is also inspiring.

It’s even more inspiring to me. You were a contemporary of Kurt Cobain, but I’m not a contemporary of Calvin’s—I’m one step removed. But the audacity that someone needed to have in 1982 to start a record label—that is amazing to me. Back then it took bravery to do that. I don’t know what the equivalent would be today. But it made it important for me to tell the story. E music@seattleweekly.com MARK BAUMGARTEN READING & SIGNING Elliott Bay Book Co., 1521 10th Ave., 624-6600, elliottbaybook.com. 7 p.m. Wed., July 18.

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Seatt le w eekly • July 11−17, 2012

Calvin had an ethic: “You make it, we put it out, and maybe we sell some and maybe we don’t.” That’s antithetical to the way most record labels operate. Most push forward, and curate, the way Sub Pop curates or Merge curates. K is not that, and it never was. “The audacity that someone needed The negative discovery to have in 1982 to start a record label— was the discord between that is amazing to me. Calvin and [label coCandice Pedersen. Back then it took bravery to do that.” founder] That was a little disheartening. These are people I was talking to, but they were also characters is multidimensional and very complex, the I was developing in my mind, and to witness characters play their parts. their fall in the history made me sad. In a way though, Calvin is not unlike, say,

are. He’s complex. I don’t think he’s a controlling person, even though he creates situations where he is in control. Why he won’t read the book is because he is not interested in telling me how to write about him, just as he’s not interested in telling bands what to do when he’s producing them. But I don’t see him as a bully.

IF ANY LIQUID has epitomized Seattle in 2012, it’s champagne. It goes down smoothly and goes straight

to your head, but there’s often hell to pay the morning after. For one issue per year, however, we give you no hangover—only euphoria. That issue: Seattle Weekly’s annual Best of Seattle™ edition, where readers are given the opportunity to celebrate some of the best people, places, food, music, technology, art, nightlife, and drink that the city offers. That opportunity exists on the ballot below. Given the convenience of modern technology, it’ll likely be easier on us all if you vote online at seattleweekly.com/bestofpoll. But if you’re committed to supporting the Postal Service at a time when it’s being threatened with substantial downsizing, be sure to declare your personal winner in at least five of the categories on this page, detach it from the rest of the issue, and mail it to: Best of Seattle 2011, c/o Seattle Weekly, 1008 Western Ave., Suite 300, Seattle, WA 98104. We’ll need your name, e-mail address (which will be purged upon tallying), and ZIP code to ensure authenticity, and ask that you only vote once.

Seattle weekly • Ju ly 11−17, 2012

Ballots must be postmarked or submitted online by Thursday, July 19. The winners will be announced in our August 1 issue, and feted that evening at a public bash with food, performance art, and music galore on Pier 66. Tickets can be purchased at seattleweekly.com/bestofparty.

PEOPLE & PLACES

FOOD & DRINK

GOODS & SERVICES

Best Local Politician

Best Bakery

Best Bike Shop

Best Neighborhood

Best Barbecue

Best Bookstore

Best Suburb

Best Breakfast

Best Cannabis Dispensary

Best Park

Best Brewery

Best Mall

Best Mariner

Best Burger

Best Pet Store

Best Online Journalist/Blogger

Best Seahawk

Best Chinese Restaurant

Best Record Store

Best Arts or Music Website

Best Sounder

Best Coffeehouse

Best Place to Buy Sex Toys

Best Nonprofit Website

Best Member of the Seattle Storm

Best Cupcakes

Best Thrift Store

Best Small-Business Website

Best Sports Broadcast Personality

Best Diner

Best Website Graphics

Best Bowling Alley

Best Doughnuts

Best Mobile App

Best Hotel

Best Farmers Market

MUSIC, BARS, & CLUBS

Best Twitter Feed (Organization)

Best Food Truck

Best Band

Best Twitter Feed (Individual)

Best Fried Chicken

Best Hip-Hop Artist

Best Use of Facebook (Organization)

ARTS & ENTERTAINMENT

Best Hot Dog

Best Local Label

Best Use of Facebook (Individual)

Best Art Gallery

Best Ice-Cream Parlor

Best All-Ages Venue

Best Casino

Best Pizza

Best Bartender

Best Film Festival

Best Mexican Restaurant

Best Dance Club

Best Movie Theater

Best Steakhouse

Best Gay Bar

Best Museum

Best Sushi

Best Irish Pub

Best Radio Station

Best Thai Restaurant

Best Karaoke Bar

Best Theater Company

Best Vegetarian Restaurant

Best Neighborhood Bar

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Bad Rap

Old records are outselling new for the first time, Nielsen says.

OCnotes on why his acoustic-guitar-playing self is “the real me.”

THE SITUATION On a recent Sunday, I’m capping my weekend with a beery night at Liberty on Capitol Hill. Joining me is Otis Calvin III, better known as the local musician OCnotes. “I kind of want to start going by Otis,” he says, “but I’m Otis the Third, my father’s a preacher, and I don’t want to have people typing ‘Otis Calvin’ into Google and have my weed-smoking ass come up when they’re really looking for my dad.” HOW HE GOT HERE Calvin splits his time between Pioneer Square and Bellevue, where his 2-year-old daughter, Bella Day-Mars (“It means ‘beautiful day on Mars,’ ” he explains), lives. “I love my daughter. She’s filthy,” he says, happily flipping through cellphone pictures of Bella eating, playing a toy guitar, and lounging in the grass in a model’s pose. SHOP TALK Through his solo material and as half of the duo Metal Chocolates, OCnotes is one of Seattle’s most popular and

LUCIEN PELLIGREN

»TELL ME ABOUT THAT ALBUM

Suburban Teenage Wasteland Blues Strung Out’s Jason Cruz talks about making a record before it’s written. SW: What was the genesis of this tour, on which you’re playing 1996’s Suburban Teenage Wasteland Blues and 1998’s Twisted by Design in their entirety? Cruz: Everybody needs a gimmick these days, and we’re going to write a new record in the next few months, but we needed to do a tour and get out on the road. If we do this, hopefully we can lay off some of these songs and play some of the ones that we never play. Do you remember the writing and recording of Wasteland Blues? I remember we went to Razor’s Edge Studio in San Francisco . . . and I started doing vocals. [Label head Fat Mike] just goes, “OK, I don’t know what you’ve got,

but I’m just going to press play and you can sing and show me what you’ve got for every song.” And I didn’t have everything figured out at that time. I was just making shit up as I went along. I had words but no melodies. I was just going up to the microphone and making something up. Is that how you had done your first album too? That’s how I did the first three records. Was that from inexperience, or was it just your process? It was fun that way. To me, when you do demos, you can put in a good performance, and then when you go back to do the record, sometimes you can’t get that same performance. The spontaneity of the idea is often the best one. And sometimes I still like doing that. DAVE LAKE E STRUNG OUT With Such Gold, Handguns, The Loss. El Corazon, 109 Eastlake Ave. E., 381-3094. $18 adv./$20 DOS. All ages. 7 p.m. Wed., July 18.

2033 6th Avenue (206) 441-9729 j a z z a l l e y. c o m Visit us Online!

James Hunter with Opener Jesse Dee

British Blues and Groove Singer with Boston-based Retro-Soul Singer/Songwriter Opening July 11

An Evening with Steve Tyrell

Grammy-Winning Sinatraesque Vocalist. July 12 – 15

Kenny Lattimore

International R&B Singer and Sincere Soul Artist July 17 – 18 James Cotton “Superharp” Band Legendary Grammy-Winning Down and Dirty Blues Harp Player! July 19 – 22

John Pizzarelli Quartet

Versatile Pop-Jazz Guitarist and Singer July 24 - 25

The Sun Goddess Tour featuring Ramsey Lewis & His Electric Band Iconic Jazz Pianist, Composer and Multiple Grammy-Winner

July 26 - 29

13th KOBE Sister City Jazz Day with Vocal Queen Yuko Ishida

July 30

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Seatt le w eekly • July 11−17, 2012

OCNOTES With Wolf Hotel, White China Gold. Barboza, 925 E. Pike St., 709-9467, thebarboza.com. $5. 8 p.m. Tues., July 17.

they feel better this year about things than they did last year,” he says. Though album sales in the first half of 2012 dropped 3.2 percent from the same period in 2011, with 150.5 million albums sold, digital album sales (current and catalog) grew 13.8 percent and physical catalog sales stayed basically flat, shedding just 0.6 percent. Lower sales of physical current albums primarily accounts for the slump. Catalog CDs and most digital albums stay close to Record labels and retailers continue the $7.99–$10.99 range, while new CDs are to drop the price of older albums, mostly in the $13–$18 range. So is the message here that consumers often to as low as $5.99 or $7.99. would be willing to buy more new CDs if for albums released more than 18 months ago— the price dropped? Dave Dederer, co-founder of compared to 73.9 million current albums. the Presidents of the United States of America “That’s a combination of two things: not and a digital-music entrepreneur now working having the big blockbuster new releases in the for Hewlett-Packard, doesn’t think so. He feels first half, and having very, very strong catalog listeners willing to pay $7.99 for new records— in the first half,” says Nielsen analyst David as opposed to stealing them online and paying Bakula, who pointed out that these numbers nothing, which is by far the most popular way of resulted even though Adele’s 21—still considacquiring music—are equally willing to pay $14. ered current—has sold a million more copies in One major-label executive, who asked not to 2012 than it had at this point in 2011. be named, says labels have long experimented with variable pricing, depending on the release. The top-selling catalog records of the year so far include Guns N’ Roses’ Greatest Hits and four “There’s no standard pricing, if you will,” the exec says. “It really depends on the dynamic of records by Whitney Houston, whose canon got the project and the consumer profile, and how a boost after her death in February. Bakula says we can best fit the consumer profile.” the biggest reason catalog has been so strong Jason Hughes, owner of Ballard’s Sonic is that record labels and retailers continue to Boom, says $12.99 should be the ceiling for drop the price of older albums, often to as low as new records, but dropping them any lower is $5.99 or $7.99. He says those prices, sometimes a slippery slope. “As you lower the price of the half of what they once were, are bringing in new CD, you’re lowering the value of someone’s customers. “I really, truly do believe that there probably is a consumer that is buying music here art,” Hughes says. “At what point do you say ‘We’re going to sell them for $9.99 and [artists that wasn’t buying music in the past,” he says. are] not going to be able to make a living off Mike Batt, owner of Seattle’s Silver Platters their music, or they’re going to have to tour 11 chain, says the steady flow of catalog sales has and a half months a year’?” E helped make 2012 a better year than 2011. “I think a lot of [music retailers] would say ckornelis@seattleweekly.com n the two decades since Nielsen Soundscan started to keep track of U.S. album sales in 1991, the company has seen the industry fold in half, digital sales catch up to physical, and vinyl mount a resurgence. But until last week, they’d never seen old records outsell new ones. The first six months of the year saw sales of 76.6 million catalog records—industry-speak

BY ERIN K. THOMPSON

highly regarded hip-hop artists. But Calvin is also a songwriter of a different sort—at a recent low-key show at Fremont Abbey, I saw him sing a series of charmingly simple, stark songs that he plucked along with on an acoustic guitar. “That’s the real me,” he says. “I’m not the best at guitar, but I understand movement of music.” In 2008, Calvin released a record of his acoustic material called Yes . . . It Hurts, but he believes that because of his role as a black hip-hop artist, no one’s given those songs the time of day. BTW Calvin doesn’t believe he could play a guitar show at a place like Neumos or the Crocodile—he doesn’t think people would come. It’s the narrow categorizations that bother him; why can’t a rapper also play guitar and sing? “People want to really plastic-wrap hip-hop artists—people that do performances without a band behind them—’cause they don’t understand. It doesn’t mean we’re any better or worse than any one of these rock bands. We’re just doing some different shit.” E

BY CHRIS KORNELIS

music»TheShortList Frank Ocean serenades the Showbox on July 13.

The Beat Down featuring Tim Sweeney

dinner & show

WED/JULY 18 • 7:30PM

songs of the naked soul

featuring lindsey pavao – semi-finalist from the voice, olivia de la cruz, valerie orth and more!

Tim Sweeney’s WNYC radio show, Beats in Space, is probably the closest thing the U.S. has to the BBC’s legendary and longrunning series Essential Mix: a weekly DJ mix scanning the worlds of dance, electronic music, and beyond, featuring world-class guests like DFA/LCD Soundsystem’s James Murphy, Detroit techno legend Carl Craig, and rising Chilean-American star Nicolas Jaar. Sweeney holds his own alongside such talent by being both an exceedingly affable host and an impressive DJ in his own right, a deep and eclectic crate-digger with ace tastes in both classics and up-to-the-minute tracks. Tonight, Sweeney headlines the new monthly dance night The Beat Down, with local DJs Nark, Recess, and Kadeejah Streets, plus host Lisa Dank and live vibraphone percussion from the Mystic Vibes. Neumos, 925 E. Pike St., 709-9467. 9 p.m. $8. ERIC GRANDY

THU/JULY 19 • 8PM CD RELEASE PARTY!

geoffrey castle solo FRI/JULY 20 • 8PM SUMMER CAMP SHOW!

school of rock

performing pink floyd’s dark side of the moon SAT/JULY 21 • 7:30PM SQUARE PEG PRESENTS

michael kaeshammer

The Beach Boys FRIDAY, JULY 13

It’s slightly surreal to see Mike Love and Brian Wilson onstage together again after all these years. For decades, the Beach Boys’ two founding members have represented diametrically opposed aspects of the band: Wilson the reclusive, troubled artistic genius of Pet Sounds and SMiLE, Love the crass, commercial, “Kokomo”-singing, Hawaiianshirted ham (with Full House’s Uncle Jesse on drums). Trouble was, the latter version was the only one you could see live as the Beach Boys. Now, with the release of That’s Why God Made the Radio, the Beach Boys’ first album of new material in 20 years, fans can witness one of the most fruitful creative oppositions in rock history—one more sharply defined than Mick vs. Keith and John vs. Paul combined. Chateau Ste. Michelle, 14111 N.E. 145th St., Woodinville, 425-415-3300. 7 p.m. Sold out. ERIC GRANDY

SUN/JULY 22 • 8PM

Frank Ocean FRIDAY, JULY 13

The calm-voiced R&B singer has became a hot-ticket collaborator over the past year and change, appearing on Jay-Z and Kanye West’s massive Watch the Throne and on Goblin, the hot-topic formal label debut by Tyler, the Creator, Ocean’s co-member in the controversial L.A. rap collective Odd Future. Ocean also flexed his might as a solo artist on his wellreceived 2011 mixtape, nostalgia, ULTRA; and his recent announcement (via a poetic Tumblrpage tale of teenage love lost) of his bisexuality revealed a courageous artist ready to take on the world while challenging the “normalities” of the R&B genre. Tonight’s audience will likely get a preview of material from Ocean’s upcoming Channel Orange, which drops July 17, and get to know the man behind the headlines. Showbox at the Market, 1426 First Ave., 628-3151. 8 p.m. Sold out. All ages. TODD HAMM

West Seattle Summer Fest FRIDAY, JULY 13–SUNDAY, JULY 15

Think of this as a free, family-friendly block party on the planet of West Seattle. For the kids, there are all-ages shows and even a set from Chris Ballew’s Caspar Babypants (Friday). And for the adults: more than a dozen restaurants pouring bubbly on the sidewalk, a

EDITOR’S PICK

RAY DAVIES SATURDAY, JULY 14

This August, the Kinks are releasing The Kinks Live at the BBC, a limited-edition box set containing scads of live sessions and unreleased material, and Waterloo Sunset: The Very Best of the Kinks and Ray Davies, a monster 44-track retrospective. To celebrate the appearance of these collectors’ items, the band is sponsoring a contest in which entrants submit their own interpretation of any Kinks song (“Be outrageous!” Davies encourages); the winner gets a meet-and-greet with Davies and former Kinks drummer Mick Avory and a day at the band’s famed Konk Studios in London, where they’ll have their cover produced. Less ambitious but equally devoted Kinks fans can attend Davies’ solo tour and enjoy his own performances of his own songs without having to stress out thinking of ways to make them better. With

• 7/18 science! / tim “too slim” langford • 7/19 sheldon botler w/ philana goodrich / global village band • 7/20 rosie burgess trio / the fat kids cd release party! • 7/21 fly paper • 7/22 charles mack • 7/23 free funk union w/ d’vonne lewis and adam kessler • 7/24 singersongwriter showcase • 7/25 vunt foom TO ENSURE THE BEST EXPERIENCE

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beer garden stocked by Big Al’s and Elliott Bay, and an impressive lineup of hard-hitting artists like Pierced Arrows (Saturday), Hobosexual (Sunday), and Star Anna (Friday). West Seattle Junction, California Avenue Southwest and Southwest Alaska Street, wsjunction.org/ summerfest. Free. All ages. CHRIS KORNELIS

The Young Evils FRIDAY, JULY 13

The first incarnation of the Young Evils—the one that first splashed onto the scene two years ago—was guitarist Troy Nelson and his girlfriend Mackenzie Mercer, singing bright songs in upbeat unison; the duo’s live performances and their first record, Enchanted Chapel, were too sunny, catchy, and cute to pass up. The band’s since fleshed out to a quintet, and their sound has transformed as well. Back in November 2010, Nelson told me that the new material he was writing “is a little more rocking, a little darker . . . The songs are a little more three-dimensional, a little more complicated in terms of structure.” He was right—the songs on their newly released Foreign Spells EP are still quick and snappy, but they reveal a blacker, edgier sound and sport titles like “Dead Animals” and “Devil’s Barricade.” It’s an unexpected turn, and one that better suits their diabolical name. With The Grizzled Mighty, Marco Collins. Barboza, 925 E. Pike St., 709-9467. 7 p.m. $8. ERIN K. THOMPSON

IAN BROD

Seattle weekly • Ju ly 11−17, 2012

the bobs “30 years to life”

NABIL ELDERKIN

THURSDAY, JULY 12

The 88. The Neptune, 1303 N.E. 45th St., 877-784-4849. 8 p.m. $45 adv./$50 DOS. All ages. ERIN K. THOMPSON

Slack Fest SATURDAY, JULY 14

Cold canned beer. Hot sunshine. Hard rock mixed with a little country. An outdoor stage at a dirt racetrack. Chicks in tube tops. Mustaches. Hairy chests. Long hair. Camping. If you’re thinking this is a description of every July concert held in southern Illinois from 1973–81, you’d be right. But it also describes the present-day Slack Fest, KEXP DJ Don Slack’s annual concert campout held in the Stanwood sticks. The lineup is chockablock with local stalwarts, and the air smells like liberty. We’re talkin’ some fuckin’ . . . muscle. With the Moondoggies, Zoe Muth & the Lost High Rollers, Hobosexual, The Rolling Stones, Hounds of the Wild Hunt, the Wayfinders, Big Wheel Stunt Show, Country Lips, Pipsisewah. Slime Dog Race Track, 23311 70th Ave. N.W., Stanwood. Noon. $25–$35 incl. camping. MIKE SEELY

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seven»nights Wednesday, July 11 MARIS MAEVE O’TIERNEY Originally from Alaska, this

guitarist and pianist headlines Veracity, a free monthly concert of low-key music, with her contemplative songwriting. With Heather O’Neill, Jan Zimmer. Vera Project, 305 Harrison St., 956-8372, theveraproject.org. 6:30 p.m. All ages. P. STEEZ The local rapper will go it alone at this show after collaborating with Nacho Picasso and Jarv Dee last year, when the trio released a mixtape under the name BAYB. With PetaTosh, The Good Sin, DJ Same. Nectar, 412 N. 36th St., 632-2020, nectarlounge.com. 8 p.m. $10. All ages. STEEL PANTHER This post-ironic rock act’s lyrics are far more interesting than its cheese-tastic hair-metal music. Case in point: “I banged 17 girls in a grocery store/And never lost my erection.” Showbox SoDo, 1700 First Ave. S., 652-0444, showboxonline.com. 7 p.m. $20 adv./$25 DOS. All ages.

Thursday, July 12 shooter—and regular in these pages and on seattleweekly.com—celebrates the opening of her new photo show at Caffé Vita. She’s recruited John Van Deusen (The Lonely Forest), Erik Walters (the Globes), and Benjamin Verdoes (Mt. St. Helens Vietnam Band) to play acoustic sets for the occasion. Caffé Vita, 1005 E. Pike St., 709-4440, caffevita.com. 5–8 p.m. SAM LACHOW This is something of a homecoming show for this Seattle-to-New York-transplant hip-hop artist, whose latest is the EP Brand New Bike. With Raz, Ant Beezy + Rebel, SuperFire, Shelton Harris, DJ Pants Armstrong. Chop Suey, 1325 E. Madison St., 324-8005, chopsuey.com. 8 p.m. $12. All ages. DANNY SCHMIDT This songwriter from Austin, Texas, deals in gentle, wellcrafted acoustic ballads. With Patrick Foster & The Locomotive, Carrie Elkin. Columbia City Theater, 4918 Rainier Ave. S., 723-0088, columbiacitytheater.com. 8 p.m. $8. WHITING TENNIS This T H I S CO D E Fin Records artist uses his TO DOWNLOAD THE FREE somber vocals to create SEATTLE WEEKLY meandering, melancholy, IPHONE/ANDROID APP slightly off-kilter folk songs. FOR MORE CONCERTS OR VISIT With Ghost of Kyle Bradford, seattleweekly.com Ghosts I’ve Met. Tractor Tavern, 5231 Ballard Ave. N.W., 789-3599, tractortavern.com. 9 p.m. $6. YOUNG MAGIC This NYC trio creates percussive, tribal-sounding pop influenced by Afropop, hip-hop, and psych-rock, as heard on their debut LP, Melt. With Quilt. Barboza, 925 E. Pike St., 709-9467, thebarboza. com. 8 p.m. $10.

SCAN

Friday, July 13 (and in its accompanying short film), this Ghana-born

Andrew W.K.— and other subjects Chona Kasinger has shot for Seattle Weekly—go on display Thursday at Caffé Vita.

MC melds old-school hip-hop with samba, soul, and African music. Vera Project. 7:30 p.m. $11. All ages. DREAM ON This mostly female group plays Aerosmith’s greatest hits. With The Grindy Low. Sunset Tavern, 5433 Ballard Ave. N.W., 784-4880, sunsettavern.com. 10 p.m. $10. THE SPITS This veteran local punk band will celebrate the release of its first German single, featuring vocals from King Khan, at this show. With Mean Jeans, Monogamy Party. Chop Suey. 8 p.m. $10. UBU ROI Sharing its name with a 19th-century surrealist play, this U District punk band released its first recording, a six-song demo, in April. With Nineteen Ninety 999, Walter & Perry. Blue Moon Tavern, 712 N.E. 45th St., 675-9116, bluemoonseattle.wordpress.com. 9:30 p.m. $6.

Saturday, July 14 BIG DIRT This rootsy local quartet blends blues, country,

and folk. With the Fallen Stars, Sawdust Creek. Blue Moon Tavern. 9:30 p.m. $6. ESTOCAR This Portland band’s latest is the bouncy surfpop of Faux Fiction, released in May. With Fall of 1920. High Dive, 513 N. 36th St., 632-0212, highdiveseattle. com. 9 p.m. $7. MARINA AND THE DIAMONDS Welsh pop singer Marina Diamandis sings with the force and ambition of a contemporary like Adele (OK, almost) and harnesses the bounciness of a classic dance-oriented artist like Cyndi Lauper. With MSMR. Showbox at the Market, 1426 First Ave., 628-3151, showboxonline.com. 8 p.m. $19.50 adv./$22 DOS. All ages. DAWN MITSCHELE

This Los Angeles singer/ songwriter released the Love Remains EP in April and has collaborated with Jason Mraz. Columbia City Theater. 9 p.m. $6. RINGO STARR & HIS ALL-STARR BAND

CHONA KASINGER

Starr is probably best known as Mr. Conductor on the PBS children’s show Shining Time Station; his current All-Starr Band (get it?), which includes Todd Rundgren, plays the songs of the little-known ’60s pop group the

Young Magic plays Barboza on July 12.

Beatles. Chateau Ste. Michelle, 14111 N.E. 145th St., Woodinville, 425-415-3300, ste-michelle.com. 7 p.m. $57.50–$99.50. SUMMER RELOAD Summer hasn’t actually been happening in Seattle long enough to warrant a reload, but this glossy dubstep night will give it a shot anyway. With Calvertron, Ajapai. Neumos, 925 E. Pike St., 709-9467, neumos.com. 8 p.m. $20–$35. All ages.

Sunday, July 15 DRUNKEN PRAYER Led by the manic energy of front-

man Morgan Greer, this Portland band plays rambling neo-Americana. With Casey Ruff & the Mayors of Ballard, ThorNton Creek. Tractor Tavern. 8:30 p.m. $6. SOLA ROSA After six albums as Sola Rosa, musician/ producer Andrew Spraggon has emerged as a major player in the electronic-music scene of his native New Zealand. With Irukandji Physics of Fusion. Nectar Lounge. 8 p.m. $12.

Monday, July 16 IF BEARS WERE BEES The solo project of Timothy

Justin Grant, IBWB specializes in hyperactive indiepop. With Third Seven, Fable City. High Dive. 8 p.m. $5. VOX MAQUINISTA This electronic duo melds singer Vox’s powerful, diva-esque vocals with ’80s production and adult-contemporary flourishes. With Golden Gardens, Terabyte and the Battery Eaters, Your City Sleeps. The Crocodile, 2200 Second Ave., 441-7416, thecrocodile.com. 8 p.m. $5. All ages.

Tuesday, July 17 THE BRAMBLES This local quartet plays country-tinged

rock, highlighted by singer/guitarist Vanessa Small’s sinewy vocals. With Whiskey Shivers, Sam Smith. Sunset Tavern. 9 p.m. $6. J. PINDER On the strength of Careless, his debut fulllength, this rising Seattle MC got written up by MTV and booked an East Coast tour opening for Talib Kweli. Easy Street Records, 20 Mercer St., 691-3279, easy streetonline.com. 7 p.m. Free. All ages. Send events to music@seattleweekly.com See seattleweekly.com for full listings = Recommended, NC = no charge, AA = all ages.

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Pleasantly Plump

ome medical-marijuana patients are most comfortable when the access point for their cannabis provides as clinical an atmosphere as possible. As I’ve mentioned, all collectives fall somewhere on a continuum between the pharmacy model and the social-club model, with varying degrees of formality and relaxation. Plump, an access point in North Queen Anne, falls way over on the relaxed side of the spectrum. Plump feels more like a kitchen than a pharmacy; the bud room has an oven, refrigerator, and sink. Lanky budtender Casey quickly emerged from the back on the Saturday I visited, his stony vibe fitting in well with the man-cave surroundings. Eight strains of flowers were available, but none were labeled. Casey counted on his memory to tell him which jar held what, and I had to count on him. The pickings

This lack of sequential thought probably would make it a bad idea to smoke Citrus Diesel just before taking tests of memory or logic. were actually pretty good, and I especially liked the across-the-board $10 donations (with one strain, Pot of Gold, on special for $20 an eighth, and jar-ends also available for $8 a gram). I selected sativa-dominant hybrids Skywalker OG and Citrus Diesel, along with heavy indica Elephant. And I couldn’t resist trying some of the Pot of Gold for good

BY STEVE ELLIOTT

measure ( just two words about it: Don’t bother). The Skywalker OG flowers had a agreeably fresh, piney bouquet and were covered with abundant red hairs—more, in fact, than nugs of that strain typically display. A panel of experts agreed that the flowers didn’t look like any Skywalker OG they’d seen, but this could possibly be due to an early harvest, and underdeveloped calyxes seemed to back up this theory. The toke test also seemed to underline the possibility of an early harvest, because the effects, while quick in onset, were also swift to fade and slightly underpowered. The Citrus Diesel’s smell leaned much more to the citrus side of its genetic heritage than to the diesel. The cannabis itself was the best I got at Plump, with an emphatic onset and a certain diffusion of thought processes. This lack of sequential thought probably would make it a bad idea to smoke Citrus Diesel just before taking tests of memory or logic. Casey had told me that the Elephant produced the classic “heavy limbs” body stone of pure indicas, and he was on the money about that. This is an excellent strain for insomnia, because just a few minutes after you notice you’re glued to the couch and have no desire to move, your eyelids start getting pleasantly heavy. Parking is available behind Plump, and you want to use it, because the only access from the front is a steep gravel path that looks treacherous. When visiting the website, be aware that the menu hasn’t been updated since December. E

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Eh. Honestly? No, I don’t think he needs to make an exception. What I think is that you need to tell your yenta mother and your busybody friends to back off, because it sounds like they’re planting seeds of doubt where none existed. You have a baby with this dude! You’re getting married in a couple of weeks! Aren’t these two things commitment enough? He’s never given you reason to think he’s a cheater; besides, if someone’s hell-bent on straying, it’s not as if a piece of jewelry is going to stop him. It’s a ring, not a Superpowered Penile Chastity Defender™. I suspect this is bugging you not because you mistrust your man, but because you’ve been swept up in bridal dementia. What is it about weddings that makes otherwise sane people (OK, mostly women) mental? Ugh. I’ve seen so many formerly sensible friends start obsessing about stupid crap like place settings and boutonnieres. It’s forks and flowers, people, not a cure for cancer.

dategirl@seattleweekly.com WANT MORE? Listen to Judy on The Mike & Judy Show on the Heritage Radio Network, follow her tweets @DailyDategirl, visit dategirl.net, or buy her new book, The Official Book of Sex, Drugs and Rock ’n’ Roll Lists.

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Dear Dategirl, My husband-to-be doesn’t want to wear a wedding ring. He has never been a “jewelry” person, but I feel like he should make an exception for his wedding ring, don’t you? My mother and most of my friends are up in arms over this, so I feel very stupid. We’ve been together for four years and have a 6-month-old son. He’s not flirtatious with other women—in fact, he’s kind of clueless even when he’s being flirted with. (I notice!) Besides disliking jewelry, he works with his hands and says a ring would be dangerous at his job anyway. We’re a month out from our wedding, and I really want to resolve this. How can I convince him?. —Ring of Truth?

A simple test to find out if you’re a Nuptials Nut: Go visit TheKnot.com. If you think spending more than $10K on a gown seems like a wise purchase and totally understand asking your besties to lose weight so they won’t fug up the wedding pictures, it’s probably time for an intervention. If you’re just an otherwise normal person who’s being driven to paranoia by meddlesome loved ones, take a step back and breathe. The dude loves you, right? Would you listen to what your mother said about the shoes he wears? Or what your BFF says about his haircut? Probably not. So why this? The first wedding bands were a lot less glam than the ones you see at the mall, anyway. They were probably made of hemp, which means they only lasted a year or two. They weren’t so much symbols of romantic love as property markers, because until fairly recently (20thcentury-ish), men didn’t even wear them. The possibility that he could hurt himself wearing a ring at work should make you a lot more understanding about it. I mean, how would you feel if he lost a finger because you insisted he wear some hackneyed symbol of his love? And you’d probably get angry if it fell down the drain while he had to keep taking it off and putting it back on every time he went to work, right? So what’s the point? My suggestion is that you and he compromise. Buy a cheapish wedding band for the ceremony and other occasions, like your anniversary dinner or Thanksgiving with your buttinsky family. The rest of the time forget about it—except to count your lucky stars that this is his worst “fault.” E

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Seattle weekly • Ju ly 11−17, 2012

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Butler Investigations 206-257-0552

and the largest lavender farms in the Lavender Capital of North America. Meet with the friendliest lavender growers you will ever meet and learn how lavender is the most garden-friendly plant. Complement your trip by visiting the original, largest and only lavender-themed street fair in this part of the world complete with food, live entertainment, beer & wine garden and car show.

BECOME A BARTENDER! Up to $300 a day. No exp necessary. Training Courses Available. 1-800-965-6520 x 309.

PREGNANT? CONSIDERING ADOPTION?

Talk with caring agency specializing in matching Birthmothers with Families nationwide. LIVING EXPENSES PAID. Call 24/7 Abby's One True Gift Adoptions 866-413-6293

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undercover clients to judge quality/ customer service. Earn up to $150 a day. Call (800)722-6351

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ANNA'S MED HEALTH SPA-

UW seeks adults with schizophrenia and adults without schizophrenia for a research study investigating how genetics may affect the development of schizophrenia. Participants should be age 18-65 with no current drug or alcohol problems. Participants will be paid $15/hour for their time and provided lunch. Please call: 206-277-1163

Seattle Weekly

SA s

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Quality Carpentry & Painting

20 years experience. Reasonable rates. Local references. James 206-328-1852 kitsuch@hotmail.com

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Romantic Waltz & Sizzling Samba Competitions Featuring spectacular shows by World Champions seen in Shall We Dance and the popular show Dancing With The Stars Don’t miss the excitement! Seattle Star Ball Aug 3, 4 & 5, 2012 at the Sea-Tac Hilton. For information: 206-550-6461. www.SeattleStarBall.com

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