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BESPOKE_OT_18

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SHELL ISSUE - n° 18 - 2019 - € 10

The Art of Sailing

Custom Line Nav

etta 42

QUART ERLY - P.I. 31/03 /2019 Intern ationa l € 10, Spedizione in Abbon Chf 10,50 , UK £ 7,50- Poste Italian amento Postale e S.p.a. - 70% - LO/MI


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T E X T U R A L A R T I ST RY by Mary Hegarty -pct. courtesy by OT

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Shots below, Oliver Treutlein, his wife Elke and CEO/Project Manager Lisa Haase are a close knit team. This shot features some of OT’s creations. Every single carpet that leaves the Oliver Treutlein premises is 100% unique

They’ve been making bespoke carpets and rugs for the world’s most luxurious yachts for three decades. But ultra-luxe materials and the mastery of a great artist mean nothing is impossible for the OT team

“W

e do carpet Haute Couture,” laughs Oliver Treutlein, the owner and founder of the eponymous German-based

bespoke carpet-making business, often affectionately referred to simply as OT. “If a client wants an alpaca yarn we don’t stock, we organise this special fibre for them.” A rare individual who has managed to turn his passion for his craft into art, Treutlein has won the respect and dedication of a long series of superyacht yards across the world. He started hand-tufting his own carpet designs in 1985, having inherited a love of textiles from his salesman father. He was wife, Elke, and a close knit team comprising CEO/Project Manager Lisa Haase and Project manager Nadja Waljawin. OT is very much a family affair as his two daughters Katharina, 25, and Julia, 20,

ph. Rupert Peace

just 19 at the time but now heads a flourishing business with his

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help out too. Hand-tufting carpet may not have the same centuries-old tradition as knotting, but it is the perfect technique for producing modern bespoke designs as it is faster and more versatile yet produces a very strong, luxurious and, when required, textural result. Every single carpet that leaves the Oliver Treutlein premises is 100% unique. “Traditionally we recommend New Zealand Merino Wool, linen or viscose. Or the most luxurious of all carpet yarns: silk,” he explains. But uniqueness takes time, thought and skill. “We are normally involved in the creative process at a very early stage. About two years before we install the carpet, we meet with the designer in his studio or invite him to our showrooms for first briefings. Then we develop designs in our textile design department, send samples and fabrics back and forth, meet again, develop artwork and huge sample sets. It’s hard work but great fun,” OT generally recommends new Zealand Merino Wool,

says Oliver. The design process can be as unique

linen or viscose for their magnificent carpets: the result

as the resulting carpet. Most famously, however,

is that walking on them feels like walking on clouds

Fremantle-based designer Sam Sorgiovanni’s brief for the dining room carpet aboard the 88-metre

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Oceanco Nirvana came in the form of a

method we use is an old textile tradition,” he

pile of twigs and leaves from the Australian

tells us. “We stretch the carpet on gripper

rainforest. Treutlein jokes that the contents

bars. The result is that walking on one of

of his luggage took a bit of explaining to

our carpets feels like walking on clouds. The

customs officers on his return to Europe.

carpet is also protected against pressure in

He is, however, understandably tight-lipped

the long term and can easily be removed as

on his recent nautical projects as discretion

it is not glued down”. Texture is one of the

is part of the package when dealing with

signatures of Treutlein’s work and his hand-

notoriously private superyacht owners and

tufting method. Perhaps his most unusual

yards. But his carpets do adorn the likes

commission in this regard came from

of Abeking and Rasmussen’s Aviva and

Lürssen when it was refitting the 72.5-metre

Elandess, Oceanco‘s Barbara and Jubilee

Coral Ocean: “We had to create a new way

and Lürssen’s Shu and Kismet. Depending

to have up to 25 cm long wool ornaments

on the quantity of colors and the complexity

growing out of the carpets originally

of the design it can take about eight weeks

designed by the late Jon Bannenberg 30

to complete for instance one guest room

years ago….” But Treutlein loves a challenge

carpet. Then, the Treutlein team will either

and relishes engaging with each new client

drive or fly the finished product out to the

and each new project: “I need it like I need

yacht where they will spend a further three

to breathe,” he explains simply.

or four days, meticulously installing it. “The

www.olivertreutlein.com 131


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