Paranormal

Panayiotis KOKORAS Paranormal for three amplified snare drums

2003

Panayiotis KOKORAS Paranormal A holophonic approach

for three amplified snare drums

Score Duration approx. 07:30 minutes

All Rights Reserved Katerini, 2003

to Sungji Hong

Paranormal "a holophonic approach" for three amplified snare drums

q»¶™ Tremble

snares on LH jazz rake

Snare Drum 1

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Panayiotis Kokoras

Tremble the brush with some press on top of the drum head

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Snare Drum 2

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snares on LH jazz rake

Snare Drum 3

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snares off LH jazz rake

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change gradually

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bars 18-23 create a kind of diminuendo

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RH jazz rake

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Hold on the brush from the wires vertical down to the drumhead and sweep by pressing

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D Reduce gradually the part of brushwires that

L.H. hit the drumhead until you hit only the rim

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LH jazz rake

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S.Dr. 2

S.Dr. 3

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to reduce the amplitue, slide away of the mic position of the SD's rim

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LH change to dreadlock

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move the dreadlock's wires lightly and as close as possible to the rim in order to produce the swepping effect

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to reduce the amplitue, slide away of the mic position of the SD's rim

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gradually change from scrached to bouncy, the drlck should jump off rim middle

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S.Dr. 2

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sudden stop towards the handle of the dreadlock, leave the wires to flactuate on rim, no movement

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S.Dr. 1

S.Dr. 2

S.Dr. 3

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change both hands to rock rake

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change both hands to jazz rake

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change both hands to rock rake

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S.Dr. 2

S.Dr. 3

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6

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play with the fingers of both hands near the adge

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snares off

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snares off

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M hit the rim, for the accented notes hit the same time near the adge (like rimshot)

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S.Dr. 2

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S.Dr. 2

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4 6 6 6 Π4 7
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S.Dr. 2

S.Dr. 3

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snares on

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snares on

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O as fast as possible 76

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S.Dr. 2

S.Dr. 3

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strumming

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S.Dr. 2

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5

5

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strumming

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as fast as possible

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as fast as possible

S.Dr. 3

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3

7 7 ‰ Œ ‰ ≈Œ

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5

5

5

5

play with the fingers of both hands near the adge

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S.Dr. 1

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S.Dr. 2

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S.Dr. 3

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as fast as possible

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6

6

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15

Q LH change to dreadlock

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85

S.Dr. 1

S.Dr. 2

S.Dr. 3

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7

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f

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as fast as possible

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S.Dr. 1

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7

7

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p o c o a p o c o r i t.

S.Dr. 2

S.Dr. 3

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p o c o a p o c o r i t.

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p o c o a p o c o r i t.

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3 ã5 4 4

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S.Dr. 1

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S.Dr. 2

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S.Dr. 3

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3 &.

4

3 4

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F

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R RH rock rake

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S.Dr. 1

S.Dr. 2

S.Dr. 3

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}& change both hands to dreadlock

LH dreadlock

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S.Dr. 1

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frog

S.Dr. 2

S.Dr. 3

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LH fingers RH rock rake

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4 }7Á ‰ . Ó 4

ƒ

sudden stop towards the handle of the dreadlock, leave the wires to flactuate on rim, no movement

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4 4

7

π

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place the wires densely on the drumbed and squeeze them with your fingertips, a crackly and granular sound will be produced

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S.Dr. 2

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S.Dr. 3

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S.Dr. 1

S.Dr. 2

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S.Dr. 3

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S.Dr. 1

ã} &

S.Dr. 2

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RH jazz rake LH fingers

place the wires densely on the drumbed and squeeze them with your fingertips, a crackly and granular sound will be produced

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place the wires densely on the drumbed and squeeze them with your fingertips, a crackly and granular sound will be produced

RH rock rake LH fingers

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106

S.Dr. 3

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19

109

S.Dr. 1

S.Dr. 2

S.Dr. 3

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S.Dr. 2

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S.Dr. 3

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S.Dr. 1

S.Dr. 2

S.Dr. 3

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p

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V Tremble

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S.Dr. 1

S.Dr. 2

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S.Dr. 3

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S.Dr. 1

S.Dr. 2

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& } &. ã } P place the brush angled to the drumhead

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S.Dr. 3

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p

place the brush angled to the drumhead and move back n forth from the centre to the adge of the drumhead

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and move back n forth from the centre to the adge of the drumhead

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S.Dr. 1

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S.Dr. 2

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S.Dr. 3

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p

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S.Dr. 1

S.Dr. 2

S.Dr. 3

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p

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wave with your fingertips

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Ó wave with your fingertips

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FINE