Panayiotis KOKORAS Bellow for accordion and electronics
2021
Panayiotis Kokoras Bellow for accordion and electronics
Composed for Krassimir Sterev
Duration 9’ 20 minutes
Denton, Texas © 2021 All Rights Reserved
Performance Notes General - The notation doesn’t imply the sound produced. The score works as a manual for the performer in order to produce and manipulate the sounds required. - Timbre techniques are to be understood as ideal indications and may thus in practice be treated flexibly and creatively. - The change from one sound type to another should not be executed at one instance (unless indicated) but a ‘transformation time’ should allow the sound to be shaped. This transformation time is important and creative expression tool and should be considered throughout the piece. - Emphasis should be given on the right and rich productions of the variable sound possibilities rather than to exact and precise execution of the passages that anyway are not particularly demanding. - The virtuosity required for the piece may be called ‘La Virtuosite du Son’ for the musician has the duty to make sound and not to play sounds. - The structure and the ideas of the piece can be revealed only if the sound possibilities treated with meticulous precision and accuracy.
Notation
STAFF - ACCORDION STAFF: The accordion staff is divided in three main sections defined by two-line bottom and top: the keyboard (right hand), the bellows and the buttons (left hand). In the keyboard section, the area between the two lines indicates range from low to high; the bellows area shows the movement of the bellows; and the buttons area indicate proportionally the buttons to be pressed The five lines staff is also utilized in the score. Each sound is described with a keyword e.g., “bellows stamp” and a descriptive symbol when appropriate, in addition text notes in a box may provide further information. - SOUND STAFF: The lower section of the staff provides a visualization of the sound to be produced. The vertical axis represents frequency and the horizontal axis time. Generally, the coloring/density represents loudness, black for the loud to white for quite sounds. The patterns displayed in this section provide an arbitrary visualization of the sound to be produced such as high/low, bright/dull, ordered/chaotic, coherent/erratic, smooth/coarse, soft/raspy, tonal/noisy, etc. In addition, a number of onomatopoetic and/or echomimetic words and expressions aiming to represent or imitate a sound or its context such as aggressive, peaceful, mournful cry of pain, mental and physical suffering, sorrow or pleasure.
Performance Notes - Sound Lexicon For more information about the timbre of the sounds used in the piece, please refer to the online sound lexicon. Below you will find an index of the audio performance notes by measure numbers: Sound Lexicon
Electronics FIXED ELECTRONICS The Spectrogram below displays the frequency on the vertical axis and the time on the horizontal axis. Moreover, the colorings of grey indicate frequency loudness (from black for loud frequencies to white for silence). It works as visual representation of the tape part in order to guide/ help the performer to follow it easier and more accurately. The spectrogram aims to make it easier to discern individual musically meaningful features. At the left top corner of every staff there is a timestamp of the prerecorded material.
CLICK TRACK • •
•
Download the tape part and the click track so that you can create your DAW project. The stereo electronic part and the amplified sax should be projected from the speakers system. The click track file should be assigned to a separate output send to the performer's earbuds on stage.
Brontosaurs Honking Cries
4 4
5
8 Master Switch 4 ∑ Œ
Keys Bellows
q = 108
äœ b œœ &‰ mz
∑
Buttons
Bellow
Panayiotis Kokoras
ä b ˙˙˙
œœ. .. ≈ œ.
˙˙ ˙
œœ œ
‰
Œ
Œ
∑
Œ
resembles train horns
Sound 0:00 Electronics
Œ
4 Key.
&
b œœœ ...
œ. ≈ œœ ‰
œœ. œ ‰.
œœ 䜜 œ œ
‰
œ. œ. ‰ b œœ œœ ≈
Œ
˙˙-̇
-œ . œœ ..
4 4
∑
Blw. Btn. Snd. 0:08 Elec.
œœœ. ä˙˙˙ ... # # ≈ # œœ ≈ ˙˙ ..
7 Key.
œœœ# ‰ . # # œœ
Ó
Btn. Snd.
5 œ. äœ œ œœœ˘ œœ œœ 4 # # œœœ ≈ # œ ≈ ‰ œœ ‰ œœ œœ
∑
∑
Blw.
œœ œœœ ‰ .
œœœ >œœœ œœ œœ ≈
∑
Œ
0:15 Elec.
10 Key.
∑
4 4
Œ
Lh clusters, unless indicated, press all six rows of buttons and 4-5 columns, following the fingers configuration; more buttons at the bottom, less at the top
∑
∑
LH cluster, short close gesture of the bellows
¼
Blw. Btn. Snd.
Ó
‰ mz
air button
air
ΠLH cluster
0:23 Elec.
close bellows to full stop until a thumping sound is produced; open up to get ready for the next one
∑
13 Key. Blw. Btn. Snd.
Œ
‰
≈ Ó
Œ
p
5 4
∑ ‰.
Œ
Ó
&
œ‰ b œœ ≈ Œ mz
resembles train horns
‰
œœ. .. œ.
œœ. œœ. œœ R
œ. œœ . . J
p pos
very slow bellows move
echo horns
bellows stamp 0:30 Elec.
© 2021 Panayiotis Kokoras, All Rights Reserved
2 16 Key.
4 4
&
äœ œœ
œ œœ
œœ œ J
mz
Blw.
œ b œœ J p pos
j œ b œœ
œ œœ
äœ œœ
œ œœ
œ œœ
p pos
mz
œ œœ
œ œœ
œœ˘ œ ‰.
œœ œ
œ b œœ
mz
Œ
Btn. echo horns
Snd. 0:37 Elec.
19 Key.
5. . 4b œœœ œœœ
Ó
4 4
Ó
Ó ‰
Œ
Blw. Btn. Snd.
f
‰
˘ b œœœ ‰ .
Œ
mz
Œ
œœ. œ ≈
b œœœ
Œ
œœ. œ ≈
œ œœ
p pos
0:44 Elec.
22 Key.
˘ b œœœ ≈ ‰
œ. œ. œ ≈ œœ œœ ≈ œœ̄
Œ
‰
∑
Blw. Btn. Snd.
˘
f
≈
∑ mz
‰
b ˙˙˙ ... p
Œ Œ
‰
‰
Œ
Œ
‰
˘ J
Œ
0:51 Elec.
25 Key.
œœ œ
b œœœ
œœ œ
œœ œœ œ œ
œœ œœ œ œ
b ˙˙˙ ...
œœ œœ œ œ
œ œ. ≈ b œœ œœ ..
˙˙ .. ˙.
Blw. Btn. Snd. 0:58 Elec.
n >˙ # # # ˙˙˙˙
28 Key.
f
Blw.
>œ œ œœœ ‰
5 œœœ. œœœ˘ ˘œœœ4 g œœœœ ≈œœ Ó .
apply pressure on the bellows, gently depress a key halfway
H
H
mz
Btn. horn bend
Snd. 1:04 Elec.
6 4 H
h.
≈Œ
3
œœ. œ J
4 31 4 Key.
&
Œ
3
H
h
mz
Blw.
3
˘ . j ≈ ‰ h h
H.
H
Btn. Snd. 1:13 Elec.
34 Key. Blw. Btn. Snd.
œ f
‰
h
‰
h
≈ ‰
j h
h
≈ ≈
h
‰
‰
ord. sound
j h
h
≈
h
Ó
≈ ‰
‰
h
mz
h
H
horn bend
1:19 Elec.
37 Key.
Œ
Blw.
H.
œ
h
≈ ‰
‰
h
Œ
H
H
Btn. Snd. 1:26 Elec.
40 Key. Blw.
œ
H
≈
h
≈
h
≈
d h
∑
H
gliss may occur up to a tone lower from the notated note
Btn. horn bend
ord. sound
Snd.
apply pressure on the bellows, gradually depress/ release a key halfway
mz moan gliss
1:33 Elec.
43 Key. Blw.
h
Btn. Snd. 1:39 Elec.
Ó
h
H
∑
4 46
Fantasia Stable ∑
Key.
&
Blw.
H.
h
Ó
‰
H
Btn. Snd. 1:46 Elec.
49 Key. Blw.
h
‰
gradually depress/ release buttons halfway
·
Btn.
?
Ó
H
∑.
h wz
Snd.
Œ
h
Ó
1:53 Elec.
Œ
52 Key.
H.
#h z h ? hz h ‰ Btn.
Blw.
Snd.
‰
∑ Ó.
Ó
apply pressure on the bellows, gradually depress buttons halfway & stomp the bellows
‰.
r j œ œ yw ‰
∑
Ó.
bellows stamp
1:59 Elec.
55 Key. Blw.
H
h
‰
Ó.
g H
Btn. Snd. 2:06 Elec.
58 Key. Blw.
H
Btn. Snd. 2:13 Elec.
Œ
h
H.
h.
∑
≈ R
p
d
& Ó.
61 Key.
5
d
Btn. Snd.
H.
h
∑
Blw.
Œ
H
∑
∑
2:19 Elec.
64
5 4 H.
H
Key. Blw. Btn. Snd.
H
∑
∑
f
∑
‰ Œ
Ó
Œ
LH cluster 2:26
Elec.
67 Key.
6 4
p
Btn. Snd.
∑
f
≈‰ Œ
Blw.
5 4
≈ ‰ Œ
Œ
Œ
H
Œ
4 4 H
∑
moan gliss
∑
bellows stamp 2:34
Elec.
70 Key. Blw.
9 8
‰
H
∑
Btn. Snd.
5 4
f
∑ ≈‰
Œ
f
Œ
5 8 ≈‰
Œ
f
∑ ≈ ‰
Œ
‰
2:43 Elec.
4 Flapping Kettle Kite 73 4 ∑
Key. Blw. Btn. Snd.
mz
∑
æ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ æ. æ . sim...
stamp trem
zzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzz 2:49
Elec.
bellows shake almost closed, on each 16th the bellows stamp LH tone cluster is also mixed at low volume
Œ ‰
Œ
keep only air button open
Πp
Ó stamp trem
Œ
no stamp
zzzzz====
6
6 4
smaller more bellows movment more percussive sound 80% stamp vs 20% tone
∑
76 Key.
‰
Blw. Btn. Snd.
p
stamp trem
5 4
∑
sim... æ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ æ æ.
swell
{{{{{{{{{{{{{{{{{{{{{{{{{{{
∑ f≈‰ Ó
‰
.
mz
2:56 Elec.
79
4 4
∑
Key. Blw. Btn. Snd.
p
3 4 sim... æ æ~~~~~~~~~~~~~~~~
∑
f ≈ ‰
stamp trem
{{{{{{{{{{{{{{{
4 4
∑
3
Œ
Œ
Ó
mz
3:04 Elec.
82
5 4
∑
Key. Blw.
p stamp trem
Btn. Snd.
4 4
sim... æ~~~~~~~~~~~~~~~~~~~~~~~~ æ.
{{{{{{{{{{{{{{{{
∑
f ≈‰
Œ
∑ Œ
p
sim... æ~~~~~~~~~~~~~~~~~~~
stamp trem
{{{{{{{{{{{{{{{{{{
3:11 Elec.
tap the LH button to produce a percussive sound that resembles typewriter
∑
85 Key. Blw. Btn. Snd.
Œ
type tap
ï ï ï ï ï ï ‰
e e e e e e ee e e e e
> >
ï ï ‰ 3
e
e
e
Typewriter Rodeo ∑ Ó
ï ï ‰
ï ≈ ‰
Œ
ee
e
∑ Œ
ï ï ‰
Œ
3
e ee e
e
e
e
e
3:18 Elec.
move LH fingerneils up or down the buttons to create a rough, scraping sound that resembels the return sound of the typewriter carriage
88 Key. Blw.
Snd.
≈ ï ≈ ï ‰ e
e
e
e
Œ
‰
ï ï e ee e
>
ï ≈ ï ï ‰ ~~~~
Btn.
‰
e
∑
type tap
ee
yye e
guiro button
3:25 Elec.
e ∑
>
>
e
>
3 ï ï ≈ ~~~~~ ï ≈ ï ï ï
‰
type tap
e
e
yyy e e
guiro button
e
e
e
e
e
e
~ï ~~
e
∑
>
e
>
ï~ ~ï ~~ ≈ ï ≈ ~~~~ ï ~ ~ ~ ~ ï ≈ ï ≈
yyy
type tap
e
e
guiro button
yyy e e yyy e
e
e
e
e
91 Key.
ï
≈
type tap
yyyyy e e
ee
~ï ~~
ï ‰
~~ ≈ ï ≈ ï
yyy
yye e
guiro button
> e
e
e
ï e
e
≈
ï
‰
ï
≈
‰
~~~
ï~~~~ ~~~~~ ï ≈ ‰
>
e
∑
~~~
Snd.
ï ≈‰
>
e >
~
Btn.
e
~~~
‰
Blw.
∑
7
6 4e ï e
e
ï e
e
ï e
e
∑
ï e
e
≈ï ï ï ï ï ï ï ‰
‰
e ee ee eeeeee ee e
e
3:32 Elec.
94
4 Machine Gun Novelism 4 ∑
Key. Blw. Btn. Snd.
Ó
‰
3:39
5 4
≈ ï ï ï ï ï f
3 4
∑
ï ï ï ï ï ï ï ï ï ‰.
e eee eeeee e
Ó
∑
ï ï ï ï ï ï ï ï ‰
‰
ee ee e e ee e e eee e e e e e
e e e e e e e ee e e e e e
Elec.
continue tapping the button and move a little the bellows so that a syncopated tone fades in & out
97
p pos
Key. Blw. Btn. Snd.
f
∑
4 4
ï ï ï ï ï ï ï ï ï ï ï ï
e e e e e e e e ee e e e e e e e e e e e e e
∑
ï ï ï ï ‰
U 5, 11
e
5 4
eeee ee e e
≈ ï ï ï ï ï ï ï ï ï
∑
ï ï ï ï ï ≈ ‰
e e e e e e e e e e e e e e e e e e ee e e e e e e e e
p
ï ï ï ï ï ï ï ï ï ï ï ï
U5, 11
ee e e e e e e ee e e e e e e ee e e e e e
e
3:46 Elec.
100
4 4 p
Key. Blw. Btn. Snd.
∑
∑
ï ï ï ï ï ï ï ï ï ï ï ï ï ï ï ï
ï ï ï ï ï ï ï ï ï ï ï ï ï ï ï ï
mz
ï ï ï ï ï ï ï ï ï ï ï ï ï ï ï ï ee e e e e e e ee e e e e e e ee e e e e e
∑
e ee e e e e e e
ee e e e e e e ee e e e e e e ee e e e e e
e ee e e e e e e
f
ee e e e e e e ee e e e e e e ee e e e e e
3:53 Elec.
Shuddering Rose Elevator ∑
103 Key. Blw. Btn. Snd.
∑
bellows stamp no stamp p ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ æ Ó ï ï ï ï ˙æ. w triple bellows shake {{{{{{{{{{{{================== p pos f
eeeeee e e
3:59 Elec.
vert small, short and even strokes up and down with center pivot point
∑
ord.
˙
e ee e e e e e e
8
transform bellows knock sound: ===== 0 ord sound zzzz 50% knock sound {{{{ 100% knock sound
106 Key. Blw. Btn. Snd.
∑
∑
∑
∑
∑
no stamp bellows stamp no stamp ~~~~~~~~~ ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ @ æ æ ? œ ˙æ. w w acc. triple bellows shake bellows shake {{{{{{{{{{{{{{{{{{{{================== ====zzzzzzzz p f pos mz 4:06
Elec.
109 Key. Blw. Btn. Snd.
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ æ ?w Œ =================
ord.
˙
∑
triple bellows shake
æ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ œ wæ bellows stamp
===== zzzzz{{{{{{zzzz===== mz
4:13 Elec.
6 112 4 Key. Blw. Btn. Snd.
triple shake transition from no percussive (bellows knock) to 80% percussive sound, tone sound should also be part of the mix
∑
5 4
4 4
∑
∑
æ æ æ æ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 6, 9 ?w Ó ˙ . #˙. #˙ ===== zzzzz{{{{{{{{{{{zzzzzzzzzzzz============== p p pos f pos mz
4:19
Elec.
115 Key.
Fuzza Groova ∑
∑
triple bellows shake æ æ æ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ æ w w œ œ œ. =======================================
Blw. Btn. Snd.
4:28
∑
æ~~~~~~~~~~~~~~~~~~~~~ ˙ ======= f
Elec.
118 Key. Blw. Btn. Snd.
~~~~~~~~~~~ æ ? Œ œ ==== 4:34
Elec.
∑
6 4
∑
4 4
∑
~~~~~~~~~~~~~~~~~~~~~~~~ ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ æ æ æ æ æ æ˙ ≈ ≈ ˙. ˙ œ. œ œ. ˙ fzzzzzzzzzzzzzzzzzzzzzzzzzzzzz
zzzzzzzzzz
9
∑
121 Key. Blw. Btn.
?
Snd.
∑
∑
æ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ æ æ w w w triple bellows shake ========= ========================================== f no stamp
4:42 Elec.
8
124 Key.
&
Blw. Btn. Snd.
w w w ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ æ æ æ w w w ===================================================
4:49 Elec.
127 Key.
&
Blw. Btn. Snd.
w w w w w w ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ æ æ æ w w w ===================================================
4:56 Elec.
&w
130
Blw. Btn. Snd.
w æ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ? –– ≈ ‰ w ===============
~~ ‰ p fJ
~~~
Key.
Stutter Chipmunk
6e RH cluster burst followed by short gliss j > LH cluster soft swell 4 ––– – –~
e cluster gliss ––˘ ≈ ‰ Ó . Ó.
Œ
∑
–– p
Œ
∑
5:02 Elec.
4e 1334> –
Key.
Blw. Btn. Snd.
– ~~~ ‰ J f Œ
5:10 Elec.
Œ
Ó
Œ
–– p
Ó
Ó
‰
> –– f
RH cluster burst at relevant range that quickly decays
‰.
Œ
‰
––
––
‰
> –– –– f Œ
‰
Œ
Œ
––
––
‰. ‰
Œ
––
10 136 Key.
–– ‰ Œ f Œ
Blw. Btn. Snd.
¬¬
7 4–
Ó
– ‰ Ó
–– ‰ Œ
p
‰ –– Ó
––
–– ‰ Œ
6 4
Œ –– ––
‰
–– ‰ Œ
Œ
–– ––
‰
Œ
‰.
ä –– Œ
––
––. .
–– ––
Œ Œ
5:17 Elec.
139 Key.
5 4ä
–– ≈ ‰ –– ––. .
Blw. Btn. Snd.
Œ
ä ‰ –– ≈ Œ
––
‰
––
‰
¬¬
––
––
‰
Œ
¬¬
Œ
––
Œ
‰.
4 4
Œ
≠≠ .
–– Œ â
–– f
¬¬
Œ
Œ
5:26 Elec.
142 Key.
5 4
–– ‰ Ó .
Btn. Snd.
–– ‰
∑
¬¬
Blw.
¬¬
6 4
¬¬
¬¬
Œ
––
–– ‰
––
Œ
Œ
––
––
sim...
Œ
––
––
‰ –– ––
––
‰ ≈ ––. .
≈ ––
≈Œ
6
5:34 Elec.
145
2 4
∑
Key. Blw. Btn. Snd.
6 4
Œ
‰
– p–
∑
¬¬
¬¬
–– ≈ ‰
Œ
Œ
Œ
–– ≈ ‰ f
Œ
Œ
––
––. .
≈Œ
5:42 Elec.
148
3 4
∑
Key. Blw. Btn. Snd.
¬¬.. 5:50
Elec.
mz
5 4
≠≠ f Ó
––
‰
‰
––
Œ
––
‰
––
mz
–– f
––
≠≠
Ó
Œ ∑
4 1514
–– f
Key.
––
––
≈ ––. .
Blw. Btn. Snd.
––
––
––
‰
‰.
‰
Œ
–– ––
Ó
Œ
Œ
Messiaen Feast ä –– ≈ ‰ Œ Œ f pos
≈ –– ..
≠≠
ä –– ≈ ‰
Œ
‰
Œ
ä ––
–– –– . p
¬¬
ä –– ≈ ‰ –– –– .
¬¬
5:57 Elec.
ä –– ≈ ‰
Ó
154 Key.
–– ––. .
¬¬
Blw. Btn.
––
–– ––. .
––
––
––
ä –– ≈ Ó
ä –– ≈ ‰ –– ––. .
–– –– ¬¬
Snd.
Œ
––
6:04 Elec.
ä ––
157 Key.
¬¬
Blw. Btn.
‰
ä ––. .
Œ
––. .
≈ Œ
‰
–– ––
––
ä ––
––
––
‰
––
––
––
–– ‰ .
–– ––. .
––
Œ
––
≠≠
¬¬
Snd. 6:10 Elec.
Ó
160 Key.
¬¬
Blw. Btn.
graduallty release the keys/buttons from think clusster to one RH tone
≠≠
¬¬
≠≠
6 4
≠≠
¬¬
––
¬¬
≠≠. .
––
≠≠
¬¬. .
¬¬
Snd. 6:17 Elec.
163 Key. Blw.
&
e w. p
Btn. Snd. 6:25 Elec.
5w 4 ∑
œ ∑
w
œ ∑
11
12 166
Blw. Btn. Snd.
∑
.
Key.
? #œ ‰.
#œ
4 4
U
w x
Œ
Ó
Œ
p
3 4
close bellows to full stop until a thumping sound is produced; no tone, only percussive sound
∑
‰
Œ
‰
Œ
bellows stamp
∑
r
∑
6:34 Elec.
Drills 5 4 Martian Arts Kick bellows stamp stamp 4 bellows 169 4 with tone percussion Ó
Key. Blw. Btn. Snd.
f
‰ air
‰ # ––
Œ
air button
Œ
‰
Œ
≈
∑
‰
4 4
knock the chin bellows for the thumping sound, press the knee side bellows with air button on
Œ
‰.
Œ
# ––
‰.
range defined chromatic cluster
Ó.
‰
≈‰
Œ
Œ
Œ
Ó
≈
‰
6:41 Elec.
Key.
Ó
Blw. Btn. Snd.
5 4
∑
172
Ó
‰
Œ
‰.
‰
Œ
≈‰
‰ ..
– Œ b –– ≈ ≈
≈≈
4 4
–– –– ‰ – – ‰ ‰.
Œ
6:48 Elec.
175 Key.
‰.
Œ
.
Blw. Btn.
–– ––
‰
–––
‰
Œ
Œ
Snd.
Ó Œ
Œ
‰
J
‰ ‰
Œ
––
Œ
‰
Œ
≈ ‰
Œ Œ
. œ ‰ .
Œ
‰. – b –– ––– ––– ≈
Œ
6:55 Elec.
178 Key.
Œ
Blw. Btn.
. air
Snd. 7:02 Elec.
‰
– b ––
Πp pos f
‰.
Œ Œ
≈ –. b ––.. ‰
‰
– –– ‰
––– ––– ‰
––– ––– Œ
.
‰ Œ
Œ
‰
5 1814
– .. # ––– ..
Œ
Key.
‰
Blw. Btn.
≈Ó
≈
Ó
Snd.
# –– –
∑
.
Œ
Œ
13
3 4 ‰
Œ
≈
∑
≈
Œ
Œ
‰.
‰.
7:08 Elec.
184 Key.
Œ
‰
.
Blw. Btn.
– b ––
–– –
Œ
Snd.
–– – ≈ ‰
Œ
Œ
5 4
Œ
∑
˘ #œ ? # # œœœ z‰ . p
∑
Ó
˘
same chords
7:15 Elec.
187
6 Cascade Quicksand Fall 7 4 4 ∑
Key. Blw.
Snd.
‰
f
Btn.
6 4
∑ Ó
f
∑ Œ
f
gggggggggggg gggggggggg
gggggggggg
7:22 Elec.
Key. Blw.
Œ
f
Btn. Snd.
4 4
∑
190
ggggggggggggg
∑
∑ Œ
mz
f
ggggggggggg
gggggggg
7:32 Elec.
Key. Blw. Btn. Snd.
gg 7:40
Elec.
7 4
∑
193
Œ
Ó
––– ‰ Ó f
5 4
∑
ggggggggg
Ó
Œ
stronger bush bellows
∑ 16
p
14
4 4
∑
196 Key.
∑
14
∑
Blw. Btn. Snd.
∑
3
‰ Œ
p
Ó
7:49 Elec.
199
7 4
Key.
20
5 4
∑ Œ
Blw. mz
Btn. Snd.
?
3 4
∑
bœœ w
∑
16
∑
p
x
7:56 Elec.
202 Key. Blw. Btn. Snd.
7 4 yœ Œ ? xœœ
4 4
∑
cluster root note
10
‰ Œ
p
?
5 4
Ó.
∑
– œ–
‰ # œœœœ œœœœ
press indicated buttons on raws 4 & 5 and a cluster on raws 1-3
12
w Œ cluster ‰ ? ––œ ––œ œ œ root note
Œ
p
8:04 Elec.
205
4 4
Key. Blw.
∑
∑
ä
10
10
f
Btn. Snd.
Œ Œ
‰ cluster root note root note
–– –
‰ # œ–– œ
¬¬ ¬
˙¬¬ ˙
f
8:13 Elec.
208 Key. Blw.
¬¬ ¬
Btn. Snd. 8:20 Elec.
5 4 12
¬¬ ¬
12
–– –
¬¬ ¬
Π4
211
¬¬ ¬
Key. Blw.
2
4 4
–– –
¬¬ ¬
–– – p pos
Btn. Snd.
¬¬ ¬
¡ Œ
15
f
Ó
––
8:28 Elec.
5 214 4
∑
Key.
∑
12
Blw.
4 ––– 4
cluster gliss move the cluster from top to bottom range
6 4
14
16
p
Btn. Snd.
by slideing the hand on the keyboard
∑
p pos
8:35 Elec.
14
14
217 Key.
–––
14
Ó.
∑
Blw. Btn. Snd.
press gratually
––
¬¬
8:43 Elec.
220 Key. Blw. Btn. Snd.
5 4
14
∑
––– ¬¬
‰
––
14
p pos‰
–– ––
4 4
––
––
‰
Œ
Ó 12
f pos
8:50 Elec.
223 Key.
12
p pos ‰
Blw. Btn. Snd. 8:57 Elec.
∑
Superhero Homestretch ‰ –– f
bellows stamp
cluster
bellow stamp gets less and less to stop strong and short push of the bellows, and pull back with minimum tone, like decay as it repeats and elongates, the pull tone gets louder
no stamp
16
226
Key. Blw. Btn. Snd. 9:04 Elec.
229 Key. Blw. Btn. Snd. 9:11 Elec.
5 4
232
–– >
Key. Blw.
.
Btn. Snd. 9:17 Elec.
palm cluster gliss to one note
.
¬¬. .
≈∑
œ
³
∑ ?
b bbœœœ ‰ . mz
Œ
Ó
Œ