Impressionist | Modern | Contemporary Stern Pissarro Gallery
illustrated on page 21
CAMILLE PISSARRO (1830 – 1903)
La Place du Havre, Effet de Pluie
Oil on canvas
33 × 41 cm (13 × 16¹⁄₈ inches)
Signed lower right, C. Pissarro 97
Provenance
Galerie Durand-Ruel, Paris, acquired directly from the artist, 3rd February 1897, titled Près la Gare de St. Lazare, les Omnibus, no. 4072
Oscar Schmitz, Dresden & Zürich, acquired from the above, 15th February 1900 (the present work was one of the fiftyseven artworks deposited at the Kunsthaus, Zürich on 20th October 1931)
Estate of Oscar Schmitz [Edward A. Schmitz], by 1933 (the painting remained in the care of the Kunsthaus, Zürich, after which the Schmitz Estate transferred the collection to the Kunstmuseum, Basel on 22nd February 1934)
Wildenstein & Co., Paris, acquired from the above by 1936 (amongst sixty-two other French works from the collection)
Mme Henri Goldet, Paris, acquired from the above, November 1936
Bertrand Vernes, Paris, by descent from the above, 1973
Private collection, London, by descent from the above, 2014
Private collection, Switzerland, acquired from the above
Exhibited
Zürich, Kunsthaus, Sammlung Oscar Schmitz (Dresden-Zürich): Französische Impressionisten aus Verschiedenem Besitz, 1932, p. 11, no. 56 (titled Près de la gare de Saint-Lazare)
Zürich, Kunsthaus, Französische Maler des XIX Jahrhunderts, 1933, p. 9, no. 27 (titled Beim Bahnhof Saint-Lazare)
Paris, Wildenstein & Co., La Collection Oscar Schmitz: Chefs-d’Œuvre de la Peinture Française du XIXe Siècle, 1936, pp. 106-07 & 142, no. 48 (illustrated)
Paris, Galerie André Weil, Exposition Pissarro, 1950, no. 44 (titled La Place du Havre à Paris, Effet de Pluie)
Literature
P. Fechter, ‘Die Sammlung Schmitz’, in Kunst und Künstler, 1910, p. 21 (titled Die Rue la Pépinière im Regen)
K. Scheffler, ‘Die Sammlung Oskar Schmitz in Dresden’, in Kunst und Künstler, 1920-21, p. 186 (titled Rue de la Pépinière, incorrectly dated 1893)
M. Dormoy, ‘La Collection Schmitz à Dresde’, in L’Amour de l’Art 7, October 1926, p. 342 (titled Place du Havre sous la Pluie)
The Oscar Schmitz Collection, 1936, pp. 106-07, no. 48 (titled The Place du Havre, illustrated)
L. R. Pissarro & L. Venturi, Camille Pissarro, Son Art - Son Œuvre, vol. I, Paris, 1939, no. 982; vol. II, Paris, 1939, pl. 198 (titled La Place du Havre, Paris, Effet de Pluie)
L. Pissarro & J. Rewald, Camille Pissarro: Letters to His Son Lucien, New York, 1943, pp. 306-07
J. Bailly-Herzberg, Correspondance de Camille Pissarro, vol. IV, Paris, 1991, pp. 318-19, 321-22 & 324, nos. 1362, 1365 & 1367
K. Adler, ‘Camille Pissarro. City and Country in the 1890s', in Studies on Camille Pissarro, London & New York, 1987, pp. 99-100
R. R. Bretell & J. Pissarro, The Impressionist and the City, Pissarro’s Series Paintings, New Haven & London, 1992, pp. 51 & 57, no. 42 (titled Place du Havre, Paris: Rain Effect, illustrated)
J. Rewald, Camille Pissarro: Letters to His Son Lucien, Boston, 2002, pp. 306-07
J. Pissarro & C. Durand-Ruel Snollaerts, Pissarro, Catalogue Critique des Peintures, vol. III, Paris, 2005, p. 726, no. 1156 (illustrated)
CAMILLE PISSARRO (1830 – 1903)
Paysannes assises causant
Oil on canvas
60.4 × 73 cm (23¾ × 28¾ inches)
Signed and dated lower right, C. Pissarro 81
Full exhibition history available on demand
Provenance
Galerie Durand-Ruel, Paris, acquired in July 1886
Durand-Ruel Galleries, New York
Mr and Mrs Byron de Witt Miller, USA, acquired from the above in April 1947
A New England Institution, bequeathed from the above
Christie’s, New York, 1991
Private collection, Switzerland, purchased at the above sale
Private collection, thence by descent
Literature
Ludovic-Rodo Pissarro & Lionello Venturi, Camille Pissarro. Son art - son oeuvre, Paris, 1939. vol. I, no. 536, p. 156; vol. II, illustrated pl. 109
Joachim Pissarro & Claire Durand-Ruel Snollaerts, Pissarro. Catalogue critique des peintures, Paris, 2005, vol. II, no. 650, illustrated in colour p. 433
PIERRE-AUGUSTE RENOIR (1841 – 1919)
Vue prise des Collettes, Cagnes
Oil on canvas
28 × 45.7 cm (11 × 18 inches)
Signed lower left, Renoir
Executed circa 1910-1911
Full provenance available on demand
Literature
A.Vollard, Pierre-Auguste Renoir, Tableaux, pastels et dessins, Paris, 1918
G-P. Dauberville and M. Dauberville, Renoir: Catalogue raisonné des tableaux, pastels, dessins et aquarelles, 1903-1910, vol 4, no. 2930
This work is accompanied by a letter of authenticity from the Wildenstein Institute confirming its inclusion in the forthcoming catalogue raisonné of Pierre-Auguste Renoir being prepared by the Wildenstein Institute established from the archives of François Daulte, Durand-Ruel, Venturi, Vollard and Wildenstein.
PIERRE-AUGUSTE RENOIR (1841 – 1919)
Femme dans un paysage
Oil on canvas
25.3 × 39.7 cm (10 × 15₅⁄₈ inches)
Stamped lower right, Renoir
Executed in 1917
Full provenance, exhibition and literature available on demand.
Literature
Marc Elder, L’Atelier de Renoir, vol. II, L’Atelier de Renoir (n.p.: MM. Bernheim-Jeune, Editeurs d’Art, 1931), no. 59 (illustrated pl. 187, first state, titled as ‘Paysage, bouquet’)
Albert André, Marc Elder, and Messrs. Bernheim-Jeune, Renoir’s Atelier / L’Atelier de Renoir, Rev. ed. (Paris: MM. Bernheim-Jeune, Éditeurs d’Art, Paris; San Francisco: Alan Wofsy Fine Arts, 1989), no. 599, p. 243 (illustrated pl. 187, first state, titled as ‘Paysage, bouquet’) Guy-Patrice Dauberville and Michel Dauberville, Renoir: Catalogue raisonné des tableaux, pastels, dessins et aquarelles, vol. V, 1911-1919 (Paris: Éditions Bernheim-Jeune, 2014), no. 3981, p. 204 (illustrated p. 204, present state, as «Paysage du Midi»)
This work is accompanied by a letter of authenticity from the Wildenstein Institute confirming its inclusion in the forthcoming catalogue raisonné of Pierre-Auguste Renoir being prepared by the Wildenstein Institute established from the archives of François Daulte, Durand-Ruel, Venturi, Vollard and Wildenstein.
CAMILLE PISSARRO (1830
– 1903)
L'Anse des Pilotes, après-midi, temps ensoleillé, Le Havre
Oil on canvas
46 × 55 cm (18¹⁄₈ × 21₅⁄₈ inches)
Signed and dated lower left, C. Pissarro. 1903
Full provenance, exhibition and literature available on demand.
Exhibited
Atlanta, High Museum of Art, Cézanne and the Modern: Masterpieces of European Art from the Pearlman Collection, October 2014 - January 2015
Literature
Joachim Pissarro & Claire Durand-Ruel Snollaerts, Pissarro: Catalogue critique des peintures, Paris, 2005, vol. III, p. 910, no. 1505 (illustrated in colour)
CAMILLE PISSARRO (1830 – 1903)
La servante assise dans le jardin d'Eragny
Oil on canvas
60 × 75 cm (23₅⁄₈ × 29½ inches)
Signed C. Pissarro, dated 84 and dedicated à l'ami Nunes lower right
Full provenance available on demand.
Exhibited
Oxford, Ashmolean Museum of Art and Archaeology, 2012 (on loan)
Literature
Ludovic Rodo Pissarro and Lionello Venturi, Camille Pissarro son art - son oeuvre, Paris, 1939, vol. I, no. 655; vol. II, no. 655, pl. 135, illustrated Joachim Pissarro and Claire Durand-Ruel Snollaerts, Pissarro: Catalogue critique des peintures, vol. III, Paris, 2005, no. 770, p. 510, illustrated in colour
JEAN-BAPTISTE-CAMILLE COROT (1796 – 1875)
Sin, près Douai. La Route de Waziers
Oil on canvas
48.5 × 59.5 cm (19¹⁄₈ × 23₃⁄₈ inches)
Signed lower left, Corot
Executed in 1874
Provenance
Alfred Robaut collection
Verdier collection
Saulnier collection
J. Saulnier Sale
Exhibited Paris, Ancien Atelier de Gustave Doré, Exposition de Maîtres du Siècle [1786-1886.], April - May 1886, no. 45
Literature
A. Robaut, L'Œuvre de Corot: catalogue raisonné et illustré, Paris, 1905, vol. III, pp. 314-315, no. 2183 (illustrated).
CAMILLE PISSARRO (1830 – 1903)
Le Père Melon Sciant du Bois
Pastel on paper laid on board
46.5 × 62 cm (18¼ × 24₃⁄₈ inches)
Initialed lower left, C.P. Executed in 1879
Provenance
Galerie Charpentier, Paris, 1955
Abdullah Zilkha, acquired from above Private collection, Maine, by descent Private collection, US
Literature
Ludovico Rodo Pissarro and Lionelli Venturi, Camille Pissarro, son art, son œuvre, Paris, 1939, vol. I, no. 1543, p. 293; vol. II, no. 1543, pl. 296
This work is accompanied by a certificate of authenticity from the Wildenstein Institute.
CAMILLE PISSARRO (1830 – 1903)
Verger à Saint-Ouen-l'Aumône en hiver
Oil on canvas
46.7 × 55.9 cm (18₃⁄₈ × 22 inches)
Signed and dated lower right, C. Pissarro. 1877
Full provenance and exhibition history available on demand.
Literature
Ludovic Rodo Pissarro and Lionello Venturi, Camille Pissarro son art - son oeuvre, Paris, 1939, vol. I, p. 134, no. 382; vol. II, illustrated, pl. 77 (titled An orchard at Pontoise in winter)
Joachim Pissarro and Claire Durand-Ruel Snollaerts, Pissarro: Catalogue critique des peintures, vol. II, Paris, 2005, p. 344, no. 485 (illustrated in colour)
CAMILLE PISSARRO (1830 – 1903)
Bords de l’Oise, Environs de Pontoise
Oil on canvas
32.4 × 40.9 cm (12¾ × 16¹⁄₈ inches)
Signed and dated lower right, C. Pissarro 1872
Full provenance and exhibition available on demand.
Literature
A. Tabarant, Pissarro, Paris, 1924, pl. 13
L-R. Pissarro & L. Venturi, Camille Pissarro Son Art-Son Oeuvre, Paris, 1939, vol. I, catalogued no. 161, p. 102; vol. II, no. 161, pl. 32
G. Jedlicka, Pissarro, Bern, 1950, pl. 8
T. Natanson, Pissarro, Lausanne, 1950, pl. 8
R. Brettell, Pissarro and Pontoise, the Painter in a Landscape, 1990, referenced on p. 158
J. Pissarro & C. Durand-Ruel Snollaerts, Pissarro, Catalogue Critique des Peintures, vol. II, Paris, 2005, p. 218, no. 274 (illustrated)
CAMILLE PISSARRO (1830
– 1903)
Paysanne
Charcoal on paper
55.7 × 40.5 cm (21₇⁄₈ × 16 inches)
Stamped with the initials lower right, C.P.
Executed circa 1884
Drawing on the reverse
Signed with initials lower right, C.P.
This work is accompanied by a letter confirming the authenticity of the work by Dr. Joachim Pissarro and will be included in the forthcoming Catalogue Raisonné of Drawings by Camille Pissarro.
EDGAR DEGAS (1834
– 1917)
Femme à la lorgnette
Graphite on paper
41 × 28 cm (16₁⁄₈ × 11 inches)
Stamped lower left, Degas
Provenance
Galerie Georges Petit, Paris
Literature
Paul-André Lemoise, Degas et son œuvre, volume II, Ed. Garland Publishing,New York and London, 1984, no. 269, p.128
LOUIS HAYET (1864 – 1940)
Passants sous la pluie, Paris
Oil on board
19.5 × 27.6 cm (7₅⁄₈ × 10 ₇⁄₈ inches)
Signed and dated lower right, L. Hayet 93
This work is accompanied by a certificate of authenticity from Christophe Duvivier.
LOUIS
HAYET
(1864 – 1940)
Sur les Champs-Elysées
Oil on cardboard
16 × 24 cm (6¼ × 9½ inches)
Signed lower right, L. Hayet
Executed circa 1888
This work is accompanied by a certificate of authenticity from Christophe Duvivier.
CLAUDE-ÉMILE SCHUFFENECKER (1851 – 1934)
Vue de la Côte Normande
Oil on canvas
58 × 69 cm (22₇⁄₈ × 27₁⁄₈ inches)
Signed and dated lower right, E. Schuffenecker 90
This work is accompanied by a certificate of authenticity from Mrs Jill Elyse Grossvogel.
HENRI MARTIN (1860 – 1943)
Venise, palais et gondoliers sur le Grand Canal
Oil on canvas
68.5 × 96 cm (27 × 37¾ inches)
Signed lower right, Henri Martin
Executed circa 1909-10
This work is accompanied by a certificate from Madame Marie-Anne Destrebecq-Martin and will be included in the forthcoming catalogue raisonné currently being prepared.
HENRY MORET (1856 – 1913)
Bretonne jardinant près des chaumières
Oil on canvas
50.8 × 61 cm (20 × 24 inches)
Signed and dedicated lower right, à l'ami Casburn - Henry Moret
Executed circa 1898
Full provenance on demand.
Jean-Yves Rolland will include this work in his forthcoming Henry Moret catalogue raisonné.
HENRI MARTIN (1860 – 1943)
L'Église de Labastide-du-Vert
Oil on canvas
117 × 95 cm (46 × 37³⁄₈ inches)
Signed lower right, Henri Martin
Full provenance available on demand.
Exhibited
Probably: Galerie Georges Petit, Paris, circa 1920-1926 (inscribed on Robinot Frères shipping label verso)
Exhibition of French Contemporary Painting, Leicester Galleries, London, July-August 1927
This work is accompanied by a certificate from Madame MarieAnne Destrebecq-Martin and will be included in the forthcoming catalogue raisonné currently being prepared.
MAURICE UTRILLO (1883 – 1955)
Rue à Sannois
Oil on cardboard mounted on panel
53 × 78 cm (20₇⁄₈ × 30¾ inches)
Signed lower right, Maurice.Utrillo.V
Executed circa 1915
Provenance
Estate of M.H.P., Paris
Private collection, by descent
Artcurial Paris, 2008
Private collection, Geneva
Literature
Jean Fabris and Cédric Paillier, L'Œuvre Complet de Maurice Utrillo, Paris, Vol. I, 2009, no. 434, p.505
The authenticity of this work has been confirmed by the Comité Utrillo.
MAURICE UTRILLO (1883 – 1955)
Place Jean-Baptise-Clément
Oil on cradled panel
51.3 × 76.2 cm (20¼ × 30 inches)
Signed lower right, Maurice. Utrillo. V.
Executed circa 1918
Provenance
Galerie Marcel Bernheim, Paris
Weill Collection, Zürich
Galerie Römer, Zürich, no. 53
Private collection, Zürich, acquired from the above in 1963, until at least 1982
Private collection, thence by descent
Exhibited
Bern, Kunstmuseum, Maurice Utrillo, 19th January - 17th March 1963, no. 67 (illustrated)
Literature
Paul Pétridès, L'Œuvre Complet de Maurice Utrillo, Paris, 1962, vol. II, no. 739, p.226 (illustrated n.p.)
This work is accompanied by a certificate of authenticity from the Comité Utrillo.
MOÏSE KISLING (1891 – 1953)
Paysage de Provence
Oil on canvas
92.5 × 72.7 cm (36³⁄₈ × 28₅⁄₈ inches)
Signed lower right, Kisling
Executed in 1921
Literature
Jean Kisling, Kisling 1891-1953, vol. III, 1995, p. 322, no.71 (illustrated)
The authenticity of the work was confirmed by Marc Ottavi and will be included in the forthcoming catalogue raisonné Tome IV.
ÉDOUARD VUILLARD (1868
– 1940)
Confidence, les enfants Bernheim au salon
Oil on board laid down on cradled panel
57 × 77.5 cm (22½ × 30½ inches)
Signed and dated lower right, E Vuillard 05
Full provenance available on demand.
Exhibited
Paris, Grand Palais des Champs-Elysées, Salon d'automne, 4ème exposition, October-November 1906, no. 1746 Paris, Galerie Bernheim-Jeune et Cie., Vuillard, May-June 1907, no. 11
Paris, Galerie Bernheim-Jeune et Cie., Oeuvres de Vuillard de 1890 à 1910, January-February 1938, no. 34
Literature
C. Roger-Marx, Vuillard, Paris, 1948, p. 26, no. 66 (illustrated, p. 73; titled Les enfants Bernheim-Jeune)
A. Salomon and G. Cogeval, Vuillard: Le regard innombrable, catalogue critique des peintures et pastels, Paris, 2003, vol. II, p. 733, no. VII-389 (illustrated)
PAUL SIGNAC (1863 – 1935)
Bourg-Saint-Andéol. Le Pont
Watercolour and graphite on paper
28.2 × 46.5 cm (11¹⁄₈ × 18¼ inches)
Signed lower right, Signac
Executed circa 1927
This work is accompanied by a certificate of authenticity from Marina Ferretti.
PAUL
SIGNAC
(1863 – 1935)
Watercolour and graphite on paper
27.8 × 43 cm (11 × 16 ₇⁄₈ inches)
Signed, titled and dated lower left, Concarneau 6 Juin 1929
This work is accompanied by a certificate of authenticity from Marina Ferretti.
Concarneau
GUSTAVE
LOISEAU
(1865 – 1935)
Paysage d'Automne à Nesle la Vallée
Oil on canvas
65 × 81.2 cm (25₅⁄₈ × 32 inches)
Signed lower left, G Loiseau Executed in 1898
Provenance
Wally Findlay Galleries, Palm Beach Private collection, USA, acquired from the above in April 1975
This work is accompanied by a photo certificate from Didier Imbert.
GUSTAVE CARIOT (1872 – 1950)
Les Meules, Vallée du Rhin
Oil on fabric
43.5 × 61 cm (17¹⁄₈ × 24¼ inches)
Signed and dated lower right, G. Cariot 1949
This work will be included in the catalogue raisonné of Gustave Cariot, currently being compiled by Norbert and Tess Saffar.
GUSTAVE
CARIOT (1872 – 1950)
Oil on canvas
65.5 × 81 cm (25¾ × 31₇⁄₈ inches)
Signed and dated lower right, G. Cariot 1928
This work is archived and will be included in the forthcoming Catalogue Raisonné being prepared by Norbert Saffar.
Vue de la Vallée
LESSER URY (1861 – 1931)
Landscape
Pastel on paper
50 × 70 cm (19¾ × 27½ inches)
Signed lower left, L. Ury and dated 1911
AUGUSTE HERBIN (1882 – 1960)
maison au bord de l'eau
Oil on canvas
33 × 41 cm (13 × 16¹⁄₈ inches)
Signed lower right, Herbin
Executed in 1906
Literature
Geneviève Claisse, Herbin, Catalogue Raisonné de l'Œuvre Peint, Paris, 1993, no. 89, p. 294
Petite
AUGUSTE HERBIN (1882 – 1960)
Bord de rivière
Oil on canvas
55 × 46 cm (21₅⁄₈ × 18¹⁄₈ inches)
Signed lower right, herbin
Executed in 1906
This work is accompanied by a certificate of authenticity from Laurent Claisse.
GEORGES BRAQUE (1882 – 1963)
Théière et Citron
Oil on panel
22.5 × 25 cm (8₇⁄₈ × 9 ₇⁄₈ inches)
Signed lower left, G. Braque
Executed in 1947
Full provenance on demand.
Literature
N. S. Mangin, Catalogue de l’Œuvre de Georges Braque: Peintures 1924-1927, p. 116 (illustrated)
PABLO PICASSO (1881 – 1973)
Tasse et bananes
Oil on panel
27 × 21.3 cm (10₅⁄₈ × 8³⁄₈ inches)
Signed on the reverse, Picasso
Executed in 1908
Full Provenance on demand.
Literature
Françoise Cachin, Tout l’œuvre peint de Picasso, 19071916, Milan, 1972, no. 169, pp. 95-96 (illustrated p. 95)
Pierre Daix and Joan Rosselet, Picasso: The Cubist Years 1907–1916, A Catalogue Raisonné of the Paintings and Related Works, London, 1979, no. 208, p. 229 (illustrated; titled Cup and Fruit)
Christian Zervos, Pablo Picasso. Œuvres de 1906 à 1912, vol. 2, Paris, 1986, no. 100, pp. 48, 175 (illustrated p. 48)
Josep Palau i Fabre, Picasso Cubism (1907–1917), New York, 1990, no. 295, pp. 107, 499 (illustrated p. 107; titled Cup and Tuber; dated 1909)
LOUIS MARCOUSSIS (1878 – 1941)
La Seine et la Tour Eiffel, vue d'un Balcon
Oil on canvas
33 × 66 cm (13 × 26 inches)
Signed lower left, Marcoussis
Executed in 1925
Full provenance on demand.
Exhibited
Paris, Galerie Pierre, Peintures, gouaches et fixés de Louis Marcoussis, April-May 1925, no. 20
This work is accompanied by a certificate of authenticity from Alice Marcoussis (née Halicka), the artist's wife, dated July 3rd, 1973.
HENRI HAYDEN (1883 – 1970)
Nature morte au citron
Oil on canvas
60 × 80.5 cm (23₅⁄₈ × 31¾ inches)
Signed lower right, Hayden
Signed and dated on the reverse, H. Hayden / III-1920
Full provenance on demand.
This work is accompanied by a certificate of authenticity from Laurence Le Cieux and will be included in the forthcoming catalogue raisonné.
AUGUSTE HERBIN (1882 – 1960)
Ink and gouache on paper
26 × 35 cm (10¼ × 13¾ inches)
Signed and dated lower right, Herbin 1943 and titled lower left, “nuit, voile no 4”
This work is accompanied by a certificate of authenticity from Laurent Claisse.
Nuit, Voile n. 4
ALBERT GLEIZES (1881 – 1953)
Composition
Coloured pencil on grey vellum
27.5 × 20 cm (10 ₇⁄₈ × 7 ₇⁄₈ inches)
Monogrammed and dated lower right, AG. 1921
Literature
A. Varichon, Albert Gleizes, Catalogue raisonné, Paris, 1998, vol. I, no. 1022-1026 (illustrated)
LÉOPOLD SURVAGE (1879 – 1968)
Oil on canvas
73.4 × 60 cm (28₇⁄₈ × 23₅⁄₈ inches)
Signed and dated lower right, Survage 24
Exhibited
Troyes, Musée d'Art Moderne et Le Cateau-Cambrésis, Musée Matisse, Survage: Les Années Héroïques, January-June 1993, p. 95 (illustrated in colour; titled, Village à l'Oiseau)
This work is accompanied by a certificate of authenticity from Anne-Marie Divieto.
Ville
AUGUSTE HERBIN (1882 – 1960)
Nature morte aux feuilles
Oil on cardboard
48.4 × 39.3 cm (19 × 15½ inches)
Signed lower right, Herbin
Executed in 1917
Full provenance and exhibition list available on demand.
Literature
Geneviève Claisse, Herbin, Catalogue Raisonné de l'Œuvre Peint, Lausanne, 1993, no. 348, p. 341 (illustrated upside down)
This work is accompanied by a certificate of authenticity from Laurent Claisse.
ISMAEL DE LA SERNA (1898
– 1968)
Still Life with Violin
Oil on canvas
81 × 65 cm (31₇⁄₈ × 25₅⁄₈ inches)
Signed lower centre, La Serna
Executed circa 1930
HENRI HAYDEN (1883 – 1970)
Nature Morte à la Bouteille de Porto
Oil on canvas
100 × 65.1 cm (39₃⁄₈ × 255 ⁄ 8 inches)
Signed and dated lower right, Hayden 1921
This work is accompanied by a certificate of authenticity from Laurence Le Cieux.
HENRI MATISSE (1869 – 1954)
Henriette lisant
Charcoal and stump on paper
31.5 × 34.4 cm (12³⁄₈ × 13½ inches)
Signed lower left, Henri Matisse
Executed circa 1923
Provenance
Beaux Arts Gallery, London
Parke-Bernet Galleries, Inc., New York, 1961
Paul Kantor Gallery, Beverly Hills
E. V. Thaw & Co. (The New Gallery), New York
Christie, Manson & Woods, Ltd., London, 1964
Kramer collection, acquired from the above sale
Madame A. G. Cohen, London
Christie, Manson & Woods, Ltd., London, 1966
Private collection, acquired from the above sale
Private collection, by descent
Sotheby's London, 1995
Ann and Gordon Getty, San Francisco, acquired from the above sale
Exhibitied
Paris, Galerie Bernheim-Jeune, Henri Matisse, April 1923
This work is accompanied by a certificate of authenticity from Georges Matisse.
AMEDEO MODIGLIANI (1884– 1920)
Homme à la barbe
Ink and brush, and pencil on paper
42.5 × 26.1 cm (16¾ × 10¼ inches)
Signed lower left, Modigliani
Executed in 1908
Full provenance on demand.
Exhibitied
New York, Perls Galleries, Modigliani, The Sydney G. Biddle Collection, 1956, no. 31, n.p. (illustrated)
Literature
Ambrogio Ceroni, Amedeo Modigliani, Dessins et sculptures, Milan, 1956, no. 7 (illustrated)
Joseph Lanthemann, Modigliani. Catalogue raisonné, Barcelona, 1970, no. 438, p. 277 (illustrated) (titled M. Kohler and dated 1909)
SONIA
DELAUNAY (1885
– 1979)
Composition
Gouache and graphite on paper
28.6 × 22.8 cm (11¼ × 9 inches)
Signed in the centre, Sonia Delaunay
Executed circa 1970
Mr. Richard Riss has confirmed the authenticity of the work.
SONIA
DELAUNAY
(1885 – 1979)
Rythme Couleur
Gouache and graphite on paper
28.6 × 22.8 cm (11¼ × 9 inches)
Signed in the centre, Sonia Delaunay
Executed circa 1970
Full provenance available on demand.
Exhibited
Marseille, #7 clous à Marselle, Sonia Delaunay: Le livre blanc, 27 January - 17 February 2019
This work is accompanied by a certificate of authenticity issued by Jean-Louis Delaunay.
GEORGES VALMIER (1885 – 1937)
Main tenant des fraises
Gouache and collage on paper
21.2 × 28.1 cm (8₃⁄₈ × 11 inches)
Signed lower right, G. VALMIER
Executed in 1930
Literature
Denise Bazetoux, Georges Valmier, Catalogue raisonné, Paris, 1993, no. 602, p. 167, illustrated
GEORGES VALMIER (1885 – 1937)
Composition abstraite
Gouache on cardboard
23.3 × 20.2 cm (9¹⁄₈ × 8 inches)
Signed lower right, G. Valmier
Executed circa 1930
Literature
Denise Bazetoux, Georges Valmier, Catalogue raisonné, Paris, 1993, no. 699, p. 192, illustrated
Exhibited Paris, Galerie Guénégan, Georges Valmier, October 1990, no. 13, p. 55 (illustrated)
LÉOPOLD SURVAGE (1879 – 1968)
Porteuse
Oil on canvas
100 × 81.3 cm (39³⁄₈ × 32 inches)
Signed and dated lower right, Survage 62
Exhibited
Paris, Galerie Lucie Weill, Survage, 5th March - 6th April 1963, no. 8
This work is accompanied by a certificate of authenticity from Anne-Marie Divieto.
OSSIP ZADKINE (1890
– 1967)
Ciel printanier
Gouache on paper
62.5 × 41 cm (245 ⁄ 8 × 16¹⁄₈ inches)
Signed lower left, O. Zadkine 58.
Exhibited Ljubljana, Mala Galerija, Zadkine, September 1959, no.12
This work is accompanied by a certificate of authenticity from Andre Pacitti. The Museum Zadkine in Paris confirmed the authenticity of this work.
AUGUSTE HERBIN (1882 – 1960)
VENUS I
Oil on canvas
100 × 81 cm (39³⁄₈ × 31₇⁄₈ inches)
Signed and dated lower left, herbin 1945
Exhibited Cannes, Galerie des Etats-Unis, 1965, no. 29
Literature
Geneviève Claisse, Herbin, Catalogue Raisonné de l'Œuvre Peint, Paris, 1993, no. 846, (illustrated in black and white p. 429)
AUGUSTE HERBIN
(1882 – 1960)
Printemps
Oil on wood
130 × 162 cm (51¹⁄₈ × 63¾ inches)
Titled, signed and dated lower right
Executed in 1955
Full provenance on demand.
Exhibited
Galerie Denise René, Paris, 1955, no. 11
Société Auxiliaire des Expositions du Palais des Beaux-Arts, Brussels, 1956 (label), no. 71
Kunstverein Freiburg, 1958
Galerie Denise René, Paris, 1960, no. 7
Arhus Kunst Galleri, Copenhagen, 1962, no. 52
Galerie Denise René, Paris, 1972
Museo de Arte Contemporaneo de Caracas, Venezuela, 1978, no. 41
Musée Municipal, Cambria, 1980, no. 91
Galerie Melki, Paris, 1987
Albright-Knox Art Gallery, New York
Literature
Geneviève Claisse, Herbin, Catalogue Raisonné de l'Œuvre Peint, Lausanne, 1993, no. 990, (illustrated)
PABLO
PICASSO
(1881 – 1973)
Colombe
Coloured pencil on paper
28.5 × 23 cm (11¼ × 9 inches)
Signed upper centre, Picasso Executed circa 1953
This work is accompanied by a certificate of authenticity from the Comité Picasso.
JOAN MIRÓ (1893 – 1983)
Pastorales
Gouache and wax crayon on paper
66 × 50.3 cm (26 × 19¾ inches)
Signed Miró, dated VI/69, inscribed esquisse, and numbered 7 lower right
Executed in 1969
Provenance
Louis Broder, Paris, thence by descent
Private collection, Paris, acquired from the above
This work is accompanied by a certificate of authenticity from ADOM.
ISMAEL DE LA SERNA (1898 – 1968)
Composition à la guitare
Mixed media on cardboard 64 × 50 cm (25¼ × 19¾ inches)
Signed lower centre, Ismael de la Serna
ISMAEL DE LA SERNA (1898 – 1968)
Jeune Fille à l'Accordéon
Oil on masonite
89 × 116 cm (35 × 45½ inches)
Signed upper right, De La Serna; titled on the reverse
Executed circa 1942
Literature
C.R. Aguilera, Ismael de la Serna, Barcelona and Paris, 1977, p. 153, no. 209 (illustrated)
MARINO MARINI (1901 – 1980)
Ciel printanier
Gouache, pen, ink and pastel on paper
50.2 × 34.4 cm (19¾ × 13½ inches)
Signed lower right, Marini
Executed in 1951
Full provenance available on demand.
Exhibited New York, Martha Jackson Gallery, Forty-nine
Drawings in Ink, Watercolour and Gouache by Marino Marini, 1955
Johannesburg, Johannesburg Art Gallery, Equus, 1982, no. 54 (titled Man and Horse)
This work is accompanied by a certificate of authenticity from the Fondazione Marino Marini.
MARINO MARINI (1901
– 1980)
Watercolour on paper
41.8 × 29.6 cm (16½ × 11₅⁄₈ inches)
Signed and dated lower right, Marino 1952
The work is accompanied by a certificate of authenticity from the Fondazione Marino Marini.
Cavallo e Cavaliere
HENRY MOORE (1898 – 1986)
Two seated women in an interior
Charcoal, ballpoint pen, pencil and white chalk on paper
17.8 × 21.3 cm (7 × 8³⁄₈ inches)
Signed lower right, Moore
Executed in 1983
Literature
Ann Garrould, ed., Henry Moore Complete Drawings 1982-1983, vol. VI, London, 1994, no. AG 83.90, p. 145 (illustrated)
SALVADOR DALÍ (1904 – 1989)
Flesh Wheel Barrow
Pen and ink on paper
14.8 × 9 cm (5₇⁄₈ × 3½ inches)
Signed lower right, GALI DALÍ
Titled and inscribed upper centre
Executed circa 1947
Literature
Salvador Dalí, 50 Secrets of magic Craftmanship, New York, 1948, n.n., p. 36 (illustrated)
This work is accompanied by a certificate of authenticity from Nicolas and Robert Descharnes.
Les Captives
Pen, Indian ink and wash on paper
35 × 43.5 cm (13¾ × 7¹⁄₈ inches)
Signed and dated lower right, P. Delvaux 1955
Inscribed on the reverse
This work is accompanied by a certificate of authenticity from the Fondation Paul Delvaux.
PAUL DELVAUX (1897 – 1994)
ALEXANDER CALDER (1898 – 1976)
The Acrobats
Ink on paper
57.1 × 77.5 cm (22½ × 30½ inches)
Signed and dated lower right, Calder 1932
This work is registered in the archives of the Calder Foundation, New York.
MOÏSE KISLING
(1891 – 1953)
Oil and crayon on canvas
22 × 16 cm (8₅⁄₈ × 6¼ inches)
Signed lower right, Kisling
Executed circa 1935
Full provenance on demand.
Literature Jean Dutourd, Kisling 1891-1953, vol. III, Landshut, 1995, no. 90, p. 384 (illustrated)
This work is accompanied by a certificate of authenticity signed by Jean Kisling. It will be included in the forthcoming Catalogue Raisonné de l’Œuvre de Moise Kisling vol.4 currently being prepared by Marc Ottavi.
JULES PASCIN (1885 – 1930)
Oil on canvas
73.1 × 92 cm (28¾ × 36¹⁄₈ inches)
Signed lower right, Pascin
Executed in 1927, Boulevard de Clichy, Paris
Full Provenance on demand.
Literature
Luis Seoane, Pascin, Editorial Poseidon, Buenos Aires, 1944, 1st ed., no. 25, p. 64 (illustrated and titled Mujer Desnuda Tendida) Y. Hemin, G. Krogh, K. Perls and A. Rambert, Pascin: Catalogue Raisonné, Peintures, Aquarelles, Pastels, Dessins, Paris, 1984, vol. 1, p. 303, no. 597 (illustrated)
Rebecca Couchée
MAURICE DE VLAMINCK (1876
– 1958)
Le Guéridon au Vase de Fleurs
Oil on canvas
64 × 51.5 cm (25¼ × 20¼ inches)
Signed lower right, Vlaminck
Executed in 1914-15
This work is accompanied by a certificate from the Wildenstein Institute confirming its inclusion in the forthcoming catalogue raisonné as well as a certificate from the “Vlaminck Archives” issued by Madame Godelieve de Vlaminck, in collaboration with Madame Pascale Krausz.
MAURICE DE VLAMINCK (1876 – 1958)
Maison Gervais
Gouache on paper
45 × 53 cm (17¾ × 20 ₇⁄₈ inches)
Signed lower right, Vlaminck
Executed circa 1928-1932
This work is accompanied by a certificate from the Wildenstein Institute confirming its inclusion in the forthcoming catalogue raisonné.
Parade
Gouache on paper
45.1 × 55.6 cm (17¾ × 21₇⁄₈ inches)
Signed lower centre, Jean Dufy
Executed circa 1948-1950
Full provenance on demand.
Literature
Jacques Bailly, Jean Dufy Catalogue Raisonné de l’OEuvre, vol.1, Paris 2002, no J.473, p. 261 (illustrated)
JEAN DUFY (1888 – 1964)
Mexicaine
RAOUL DUFY (1877– 1953)
Le Cirque
Oil on canvas
60 × 81 cm (23 ₅⁄₈ × 31₇⁄₈ inches)
Signed and dated lower right, Raoul Dufy 1934
Full provenance on demand.
Exhibited
Basel, Kunsthalle, Vlaminck, R. Dufy, Rouault, 14 May - 12 June 1938, no. 76
Paris, Galerie Charpentier, Chevaux et cavaliers, 1948, no. 53
Paris, Musée national d’art moderne, Raoul Dufy, 1953, no. 72, pl. XX, illustrated
London, The Tate Gallery, Raoul Dufy, 1954, no. 68
Paris, Galerie Bernheim-Jeune-Dauberville, Chefs d’oeuvre de Raoul Dufy, 1959, no. 31, fig. 13, illustrated
New York, The Solomon R. Guggenheim Museum, The Evelyn Sharp Collection, 1978, no. 19, p. 43 (illustrated in colour)
Literature
Marcel Brion, Raoul Dufy: Paintings and Watercolours, London 1958, no. 57, p. 111 (illustrated)
Maurice Lafaille, Raoul Dufy: Catalogue raisonné de l’oeuvre peint, vol. IV, Geneva 1977, no. 1585, p. 150 (illustrated)
Nature morte au panier de mimosa
Oil on canvas
55 × 46 cm (21₅⁄₈ × 18¹⁄₈ inches)
Signed lower right, Jean Dufy 29
Executed in 1929
The authenticity of this work was confirmed by Jacques Bailly and it will be included in the Volume III of the Catalogue raisonné.
JEAN DUFY (1888 – 1964)
RAOUL DUFY (1877– 1953)
Le Portail de Provence
Gouache on paper
49 × 64.5 cm (19¼ × 25³⁄₈ inches)
Signed lower centre, Raoul Dufy
Literature
Fanny Guillon-Laffaille, Raoul Dufy, Catalogue raisonné des aquarelles, gouaches et pastels, Editions Louis Carré & Cie, 1981, no. 244, p. 88 (illustrated)
MARC CHAGALL (1887 – 1985)
Repos du clown avec le bouc vert
Gouache, India ink and pastel on paper
61 × 48 cm (24 × 18₇⁄₈ inches)
Stamped lower left, Marc Chagall
Executed in November 1971, in Washington
Provenance
Estate of the artist
This work is accompanied by a certificate of authenticity from the Comité Chagall.
MARC CHAGALL (1887 – 1985)
L'hiver procession de Nöel (Les quatre saisons)
Gouache, tempera, pastel, ink, coloured crayon and graphite on paper
63 × 90 cm (24¾ × 35³⁄₈ inches)
Signed lower right, Marc Chagall
Executed in 1974
Full provenance on demand.
Exhibited
New York, Pierre Matisse Gallery, Marc Chagall, The Four Seasons, gouaches, paintings, 1974-1975, 1975, no.16
This work is accompanied by a certificate of authenticity from the Comité Chagall.
MARC CHAGALL (1887 – 1985)
Couple Allongé au Grand Bouquet
Gouache, tempera, pastel and Chinese ink on paper
76.1 × 56.9 cm (30 × 22³⁄₈ inches)
Signed with Estate stamp lower left, Marc Chagall
Executed circa 1978
This work is accompanied by a certificate of authenticity from the Comité Chagall.
MARC CHAGALL (1887 – 1985)
Le traineau
Gouache on paper laid down on board
58.2 × 47 cm (22₇⁄₈ × 18½ inches)
Signed and dated lower left, Chagall Marc 1950-3
This work is accompanied by a certificate of authenticity from the Comité Chagall.
MARC CHAGALL (1887 – 1985)
Les amoureux sur le divan
Watercolour and pencil on paper
65.15 × 50.2 cm (25¾ × 19¾ inches)
Signed lower left, Marc Chagall
Executed in 1948-1949
Full provenance on demand.
This work is accompanied by a certificate of authenticity from the Comité Chagall.
MARC CHAGALL (1887 – 1985)
Fin de journée
Brush and wash and pen and India ink, coloured crayon, charcoal and pencil on paper
56.5 × 61.8 cm (22¼ × 24³⁄₈ inches)
Signed and dated lower right, Marc Chagall 1977
Full provenance on demand.
Exhibited
Lucerne, Galerie Rosengart, Chagall: Black and White, Wash-Drawings of 1976 / 77, Summer 1977, n.p. (illustrated n.p.)
This work is accompanied by a certificate of authenticity from the Comité Chagall.
MARC CHAGALL (1887 – 1985)
Rêve Nocturne de Deux Clowns en Rouge
Indian ink, gouache, coloured pencil, pastel and pencil on paper
36.5 × 27.2 cm (14³⁄₈ × 10¾ inches)
Signed with Estate stamp lower left, Chagall
Executed in 1971
This work is accompanied by a certificate of authenticity from the Comité Chagall.
MARC CHAGALL (1887 – 1985)
Fête au Village
Gouache and crayon on Japon paper
56.7 × 76.8 cm (22³⁄₈ × 30¼ inches)
Signed lower right, Chagall Marc
Executed in 1969
Provenance
A Centro Arte Internazionale, Milan
Private collection, Italy
Stern Pissarro Gallery, London
Private collection, Florida, acquired from the above
This work is accompanied by a certificate of authenticity from the Comité Chagall.
MARC CHAGALL (1887 – 1985)
Jonas
Indian ink on paper
35.6 × 26.9 cm (14 × 10 ₅⁄₈ inches)
Signed with Estate stamp lower left, Marc Chagall
Executed in 1958-59
Provenance
Collection of David McNeil, the artist’s son Private collection, Switzerland, acquired from the above in 1986
Exhibited
Bundeskanzleramt Bonn (Federal Chancellery), Marc Chagall, Die
Bibel: Gouachen, Aquarelle, Pastelle und Zeichungen, 15th November 1989 – 12th January 1990; later travelled to Landesmuseum Mainz (State Museum), Marc Chagall, Die Bibel: Gouachen, Aquarelle, Pastelle und Zeichungen, 4th February – 22nd April 1990, no. 100, p. 127 (illustrated) London, Stern Pissarro Gallery, Marc Chagall: Master of Colour, June – July 2016, pp. 40-41 (illustrated)
This work is accompanied by a certificate of authenticity from the Comité Chagall.
Esquisse pour "Commedia dell'arte" (pour le foyer du théâtre de Francfort)
India ink, pen and pencil on paper
26.2 × 36.2 cm (14¼ × 10¼ inches)
Signed and dated upper right, 1958 Marc Chagall, signed again towards the centre, Marc
Inscribed centre left, Vence and centre right, Vitebsk
This work is accompanied by a certificate of authenticity from the Comité Chagall.
MARC CHAGALL (1887 – 1985)
MARC CHAGALL (1887
– 1985)
Résonances de Vitebsk pour la famille
Gouache, tempera, India ink, pastel and graphite on paper
75.8 × 56 cm (29 ₇⁄₈ × 22 inches)
Signed and dated lower right, Chagall 1980
This work is accompanied by a certificate of authenticity from the Comité Chagall.
MARC CHAGALL (1887 – 1985)
Les Glaïeuls
Gouache, watercolour, pastel and coloured wax crayons on paper
65 × 50.7 cm (25₅⁄₈ × 20 inches)
Signed lower left, Marc Chagall
Executed in 1950
This work is accompanied by a certificate of authenticity from the Comité Chagall.
– 1998)
Salon Rojo
Oil on canvas
89 × 116 cm (35 × 45₅⁄₈ inches)
Signed lower right, Nadal
Executed in 1992
Provenance
The Bruton St Gallery, London
The Collection of Jerome and Bridget Dobson, Atlanta, GA
Literature
Anton Bilton, Carlos Nadal, 1994, p.85 (illustrated)
CARLOS NADAL (1917
JEAN-PIERRE
CASSIGNEUL
(b. 1935)
Aude
Oil on canvas
33 × 41 cm (13 × 16¹⁄₈ inches)
Signed lower left, Cassigneul
Executed in 2000
This work is accompanied by a certificate of authenticity signed by the artist.
JEAN-PIERRE CASSIGNEUL (b. 1935)
Oil on canvas
80.8 × 59.8 cm (31¾ × 23½ inches)
Signed lower right, CASSIGNEUL
This work is accompanied by a certificate of authenticity signed by the artist.
Femme
JEAN-PIERRE CASSIGNEUL (b. 1935)
Le Jardin Extraordinaire
Oil on canvas
162 × 130 cm (63₇⁄₈ × 51¼ inches)
Signed lower left, Cassigneul
Executed in 1978
Literature
Jean-François Josselin, Charles Sorlier, Cassigneul, Editions de Francony-Nice, 1983, p. 75
This work is accompanied by a certificate of authenticity signed by the artist.
ANDRÉ BRASILIER (b. 1929)
Chevauchée Maritime
Oil on canvas
60 × 92 cm (23₅⁄₈ × 36¼ inches)
Signed lower right, André Brasilier
Executed in 2014
This work is accompanied by a certificate of authenticity from the artist’s studio.
ANDRÉ BRASILIER (b. 1929)
Méditerranée
Oil on canvas
146 × 97 cm (57 × 38¼ inches)
Signed lower right, André Brasilier
Executed in 2013
This work is accompanied by a certificate of authenticity from the artist's studio.
LÉOPOLD SURVAGE (1879 – 1968)
Composition à l'oeil, plume et poisson
Casein on paper mounted on canvas
62 × 81 cm (24³⁄₈ × 31₇⁄₈ inches)
Signed and dated lower right, Survage 51
The authenticity of this work has been confirmed by Mrs Anne-Marie Divieto
ANDRÉ BRASILIER (b.
1929)
Courses en nocturne
Oil on canvas
81 × 100 cm (31₇⁄₈ × 39³⁄₈ inches)
Signed lower right, André Brasilier
Executed in 2015
This work is accompanied by a certificate of authenticity from the artist's studio.
JEAN-PIERRE CASSIGNEUL (b. 1935)
Femme au bord de la mer
Oil on canvas
92 × 65 cm (36¼ × 25₅⁄₈ inches)
Signed lower left, Cassigneul
Executed in 1968
This work is accompanied by a certificate of authenticity signed by the artist.
PART II
Post-War and Contemporary Art
Fire (3)
Gouache and pastel on paper
27.7 × 20.3 cm (10 ₇⁄₈ × 8 inches)
Signed, titled and dated 1952 on the reverse
This work is accompanied by a registration card issued by Kusama Enterprise, Tokyo.
YAYOI KUSAMA (b. 1929)
CHIHARU SHIOTA (b. 1972)
Endless Line
Red thread on canvas
140 × 80 cm (55₁⁄₈ × 31½ inches)
Signed with initials and dated 2021 on the reverse
Exhibited
Nagoya, Kenji Taki Gallery, Leiko Ikemura & Chiharu Shiota - Holding the Universe in the Hand, 6 April - 20 May 2021
CHRISTOPHER CAMPBELL (b. 1957)
Oil, charcoal on linen mounted on aluminium composite panel (Dibond)
185 × 130.8 cm (72₇⁄₈ × 51½ inches)
Executed in 2020
Victoria (ultramarine)
YAYOI KUSAMA (b. 1929)
Visionary Wave Crest
Enamel and acrylic on canvas
65.5 × 80.5 cm (25¾ × 31¾ inches)
Signed and dated upper left, Yayoi Kusama 1978
Signed, titled and dated on the reverse
Exhibitied
Marugame, Marugame Genichiro-Inokuma Museum of Contemporary Art (MIMOCA); Kushiro, Kushiro Art Museum, The Exhibition of Yayoi Kusama- Beyond the Labyrinth, 29 June - 24 November 2003
Karuizawa, Karuizawa New Art Museum, I Love Myself Too Much!!,
11 April - 23 September 2013
Hong Kong, M+ Museum; Bilbao, Guggenheim Museum Bilbao, Yayoi Kusama: 1945 to Now, 12 November 2022 - 8 October 2023
This work is accompanied by a registration card issued by Kusama Enterprise, Tokyo.
Wrapped Reichstag (Project for Berlin)
Pencil, fabric, twine, charcoal, map, and wax crayon on board
71.1 × 55.9 cm (28 × 22 inches)
Signed centre right, Christo 1979
This work is accompanied by a certificate of authenticity signed by Jonathan Henery on behalf of the Estate of Christo V. Javacheff.
CHRISTO (1935 – 2020)
TOM WESSELMANN (1931– 2004)
Study for Bedroom Painting #31
Oil on canvas
20.3 × 26 cm (8 × 10¼ inches)
Signed, dated twice and titled on the reverse Executed in 1972
Provenance
Sidney Janis Gallery, New York
Private collection, USA, acquired from the above
Exhibited
Paris, Galerie Des 4 Mouvements, Tom Wesselmann: Peintures, 7 March - 31 March 1974, no. 13 (illustrated)
This work is registered under number 72-9 in the archive of the Tom Wesselmann Estate, New York.
DAVID NASH (b. 1945)
Sphere, Cube, Pyramid
Charcoal and pastel on paper
121.6 × 152.3 cm (47 ₇⁄₈ × 60 inches)
Signed and dated lower right, David Nash 05
Provenance
Annely Juda Fine Art, London
Private collection, acquired from the above in 2010
Exhibited
Zürich, Galerie Lelong, David Nash, 2005
ANISH KAPOOR (b. 1954)
Untitled Oil on canvas
Diptych 61 × 122 cm (24 × 48 inches) each 61 × 61cm (24 × 24 inches)
Signed and dated on the stretcher, Anish Kapoor 2000
Provenance Galleria Massimo Minini, Brescia, acquired from the above
GÉRARD SCHNEIDER (1896 – 1986)
Composition
Acrylic on paper
48 × 62.5 cm (18₇⁄₈ × 24₅⁄₈ inches)
Signed and dated lower right, Schneider -80
This work is registered in the Gérard Schneider Archives under GS-P-80-112 and is accompanied by an inclusion letter in the Catalogue raisonné from Mrs Laurence Schneider.
GÉRARD SCHNEIDER
(1896 – 1986)
Opus 100 L
Acrylic on canvas
64.8 × 81.3 cm (25½ × 32 inches)
Signed and dated lower left, G Schneider 77
Inscribed on the reverse, 100 L
Literature
Guillaume Morel, Gérard Schneider, la fureur de peindre: une révélation chez Perrotin à Paris, Conaissance des Arts, 19 October 2022, online (illustrated)
This work is registered in the Gérard Schneider Archives under GS-T-77-045 and is accompanied by an inclusion letter in the Catalogue raisonné from Mrs Laurence Schneider.
TOSHIMITSU IMAI (1928 – 2002)
Vagues “Wave”
Acrylic on paper
127 × 95 cm (50 × 37³⁄₈ inches)
Signed in Japanese and English lower right, inscribed and dated 1992 on the reverse
Full provenance on demand.
Exhibited Paris, Galerie Chozo Yoshii, Hommage à André MalrauxLes voix du Silence, September - November 1997
Literature G. C. Calza, Imaï, Electa, Milan, 1998 (Onde/Waves series)
YAYOI KUSAMA (b. 1929)
Red River Inside my Eyelids
Ink, pastel, felt pen on paper
55 × 39.8 cm (21₅⁄₈ × 15 ₅⁄₈ inches)
Signed, titled and dated lower left, Yayoi Kusama 1975
This work is accompanied by a registration card issued by Kusama Enterprise, Tokyo.
MARIA HELENA VIEIRA DA SILVA (1909 – 1992)
Les deux lunes
Tempera and charcoal on paper mounted on cardboard
50 × 65.5 cm (19¾ × 25¾ inches)
Signed and dated lower right, Vieira da Silva 82
Provenance
Galerie Jeanne Bucher Jaeger, Paris
Literature
Guy Weelen et Jean-François Jaeger, Vieira da Silva, Catalogue Raisonné, Ed. Skira, Geneva, 1994, illustrated in black and white under no. 3271, p. 645
HANS HARTUNG (1904 – 1989)
P20-1976-H10
Pastel on Baryta board
52.4 × 74.4 cm (20₅⁄₈ × 29¼ inches)
Signed and dated lower right, Hans Hartung 76
This work is registered in the Fondation Hans Hartung and Anna-Eva Bergman under No. P20-1976-H10 and it will be included in the catalogue raisonné of works by Hans Hartung currently being prepared by the Fondation.
GEORGES MATHIEU (1921 – 2012)
Composition
Watercolour and ink on paper
78 × 57.5 cm (30¾ × 22₅⁄₈ inches)
Signed and dated lower right, Mathieu 58
This work is accompanied by a certificate of authenticity from the Comité Georges Mathieu.
GEORGES
MATHIEU (1921 – 2012)
Composition
Gouache and ink on paperboard
50.2 × 69 cm (19¾ × 27₁⁄₈ inches)
Signed and dated lower right, Mathieu 59
This work is accompanied by a certificate of authenticity from the Comité Georges Mathieu.
MAURICE ESTÈVE (1904 – 2001)
Composition
Charcoal and pastel on paper
31 × 23 cm (12¼ × 9 inches)
Signed and dated lower right, Estève 65
This work is registered in the archives of Mrs Monique Prudhomme-Estève under D.1723.
MAURICE ESTÈVE (1904
– 2001)
Composition
Gouache, watercolour and charcoal on paper
52.6 × 69.3 cm (20¾ × 27¼ inches)
Signed lower left, Estève
Executed circa 1953-1955
This work is registered in the archives of Mrs Monique Prudhomme-Estève under no. A.78.
Composition
Acrylic on paper
39.4 × 29.8 cm (15½ × 11¾ inches)
Signed and dated on the reverse, Sam Francis 1984
This work is registered in the archives of the Sam Francis Foundation.
SAM FRANCIS (1923 – 1994)
SAM FRANCIS (1923 – 1994)
Composition
Acrylic and paper collage on paper
57.2 × 81.3 cm (22½ × 32 inches)
Stamped on the reverse with Sam Francis Estate logo Executed in 1990
Exhibited
St. Paul de Vence, Guy Pieters Gallery, Sam Francis, July - August 2003 (illustrated in colour)
Amsterdam, Museum Jan Van Der Togt, Sam Francis Remembering, November 2004 - January 2005, pp. 138-139 (illustrated in colour)
This work has been registered in the archives of the Sam Francis Foundation under identification number SF90-5PRS.
PAUL JENKINS (1923 – 2012)
Phenomena like Byron
Oil on canvas
74 × 60 cm (29₁⁄₈ × 23₅⁄₈ inches)
Signed lower left, Paul Jenkins
Signed, titled and dated 1990 on the reverse
Full provenance on demand.
PAUL JENKINS (1923 – 2012)
Phenomenon East of The River
Acrylic on canvas
97.2 × 130.2 cm (38¼ × 51¼ inches)
Signed lower right, Paul Jenkins
Signed, titled and dated 1993 on the reverse
Provenance
Private collection, New York, acquired directly from the artist
CORNEILLE (1922 – 2010)
Port-Manech
Oil on canvas
61 × 74 cm (24 × 29₁⁄₈ inches)
Signed and dated lower left, Corneille 60
Signed, titled and dated again on the reverse
Provenance
Galerie Ariel, Paris
Arne Sörgård collection, Halmstad
Private collection, Sweden
This work is accompanied by a certificate of authenticity from the Fondation Guillaume Corneille.
TOSHIMITSU IMAI (1928 – 2002)
Red Composition
Oil on canvas
80.2 × 55.3 cm (31₅⁄₈ × 21¾ inches)
Signed TOSHIMITSU IMAÏ, dated 1963 Paris
Inscribed in Japanese on the reverse
CHRISTO COETZEE (1929
– 2000)
Composition
Oil, ping pong balls and mixed media on canvas
100 × 80.5 cm (39₃⁄₈ × 31¾ inches)
Signed inscribed and dated on the reverse, Milan. 1960. October
PAUL JENKINS (1923 – 2012)
Phenomena Winter Harth
Oil and sand on canvas
66 × 122 cm (26 × 48 inches)
Signed, titled and dated on the reverse, Paul Jenkins "Phenomena Winter Harth" 1978
PAUL JENKINS (1923 – 2012)
Phenomena Quoth
Acrylic on canvas
76 × 100 cm (29 ₇⁄₈ × 39³⁄₈ inches)
Signed lower centre, Paul Jenkins
Signed, titled and dated 1963-64 on the reverse
Provenance
Kenmore Galleries, Philadelphia
Dr. Theodore A. Feinstein collection
Sotheby's New York, 24th February 1995
Crozier Fine Arts, New York
Private collection, New York
PAUL JENKINS (1923 – 2012)
Phenomena Spectrum Guardian
Acrylic on canvas
76 × 101.5 cm (29 ₇⁄₈ × 40 inches)
Signed, titled and dated 1970 on the reverse
Provenance
Gallerie Iris Wazzau, Davos, Switzerland
Private collection, Cologne, Germany
JEAN-PAUL RIOPELLE (1923 – 2002)
F. AC (Ficelle AC Bristol)
Acrylic on paper laid down on canvas
89.7 × 49.5 cm (35¼ × 19½ inches)
Signed with initial lower right, R and titled, AC (Abstract Composition) N Executed in 1972
Provenance
Christie's, London, 1st July 1999
Galerie Roche, Bremen, Germany Kaspar Gallery, Toronto, Canada Private collection, Italy
Exhibited
Zürich, Galerie Maeght, Riopelle, peintures acryliques, gouaches, sculptures, cat. no. 39, 1972 (reproduction error)
Literature
Yseult Riopelle and Tanguy Riopelle, Jean-Paul Riopelle, Tome 5, 1972 – 1979, Catalogue Raisonné, cat. no. 1972.027P.1972, p. 305, illustrated in colour
ANDRÉ LANSKOY (1902
– 1976)
Composition
Oil on canvas
81 × 54 cm (31₇⁄₈ × 21¼ inches)
Signed lower right, LANSKOY
This work is accompanied by a certificate of authenticity issued and signed by the artist, as well as a certificate of authenticity dated 15th April 2015 from the Comité Lanskoy, confirming its inclusion in the forthcoming catalogue raisonné currently being prepared by the Comité Lanskoy.
PAUL JENKINS (1923 – 2012)
Phenomena High Born
Acrylic on canvas
91.44 × 50.8 cm (36 × 20 inches)
Signed lower left, Jenkins
Signed, titled and dated 1964 on the reverse
OTTO
PIENE
(1928 – 2014)
Wo Alu und Honig Fließen
Fire gouache with aluminium on cardboard
99 × 64 cm (39 × 25¼ inches)
Signed and dated lower right, O Piene 72 and titled lower left
ANTONI
TÀPIES
(1923 – 2012)
Serie "U no és ningú" No. 21
Acrylic, felt and pencil on cardboard
50 × 65 cm (19¾ × 25₅⁄₈ inches)
Signed lower right, Tàpies
Executed in 1978
Full provenance on demand.
Literature
Anna Agustí, Tàpies. Obra Completa vol. 4. 1976-1981, Poligrafa S.A., Barcelona, 1995, p. 158, n. 3401.
PAUL JENKINS (1923
– 2012)
Phenomena Entreat the Caves
Acrylic on canvas
61 × 50 cm (24 × 19¾ inches)
Signed lower left, Paul Jenkins
Executed in 1998-2001
Literature
Prato, Galleria Open Art, Paul Jenkins, 12 November 2005 - 31 January 2006, p. 61 (illustrated)
PAUL JENKINS (1923 – 2012)
Phenomena Celtic Fire Torc
Acrylic on canvas
76 × 61 cm (29₇⁄₈ × 24 inches)
Signed lower left, Paul Jenkins
Signed titled and dated 1995 on the reverse
PAUL JENKINS (1923 – 2012)
Acrylic on canvas
147.3 × 104 cm (58 × 41 inches)
Signed lower left, Paul Jenkins
Signed, titled and dated 1984 on the reverse
Phenomena Prism Mirror
ARMAN (ARMAND FERNANDEZ) (1928
– 2005)
Accumulation de Violons
Broken and burned violins embedded in polyester resin 90 × 60 × 11 cm (35₃⁄₈ × 23₅⁄₈ × 4₃⁄₈ inches)
Signed on the perspex frame, Arman
Executed in 1980
This work is registered in the Arman New York Studio Archives under APA #8208.80.001.
EDMUND DE WAAL (b. 1964)
Colourfield
Ten glazed porcelain vessels
Largest 9.2 cm in height by 19.9 cm in diameter (3₅⁄₈ × 7 ₇⁄₈ inches)
Impressed with the artist's seal on the underside of each vessel
Executed in 2004
Exhibited
Kettle's Yard, Cambridge, Edmund de Waal, 26th May-22nd July 2007, later travelled to MIMA (Middlesbrough Institute of Modern Art), 9th August-11th November 2007, pp. 102-103 (illustrated)
INDEX
ARMAN 132
BRAQUE, GEORGES 36
BRASILIER, ANDRÉ 90, 91, 93
CALDER, ALEXANDER 65
CAMPBELL, CHRISTOPHER 98
CARIOT, GUSTAVE 31, 32
CASSIGNEUL, JEAN-PIERRE 87, 88, 89, 94
CHAGALL, MARC 74 to 85
CHRISTO 100
COETZEE, CHRISTO 120
CORNEILLE 118
COROT, JEAN-BAPTISTE-CAMILLE 12
DALÍ, SALVADOR 63
DEGAS, EDGAR 17
DE LA SERNA, ISMAEL 44, 58, 59
DELAUNAY, SONIA 48, 49
DELVAUX, PAUL 64
DE WAAL, EDMUND 133
DUFY, JEAN 70, 72
DUFY, RAOUL 71, 73
ESTÈVE, MAURICE 112, 113
FRANCIS, SAM 114, 115
GLEIZES, ALBERT 41
HAYDEN, HENRI 39, 45
HAYET, LOUIS 18, 19
HARTUNG, HANS 109
HERBIN, AUGUSTE 34, 35, 40, 43, 54, 55
IMAI, TOSHIMITSU 106, 119
JENKINS, PAUL 116, 117, 121, 122, 123, 126, 129, 130, 131
KAPOOR, ANISH 103
KISLING, MOÏSE 26, 66
KUSAMA, YAYOI 96, 99, 107
LANSKOY, ANDRÉ 125
LOISEAU, GUSTAVE 30
MARCOUSSIS, LOUIS 38
MARINI, MARINO 60, 61
MARTIN, HENRI 21, 23
MATHIEU, GEORGES 110, 111
MATISSE, HENRI 46
MIRÓ, JOAN 57
MODIGLIANI, AMEDEO 47
67
PABLO 37, 56 PIENE, OTTO 127
PISSARRO, CAMILLE 3, 5, 9, 11, 13, 14, 15, 16
RENOIR, PIERRE-AUGUSTE 6, 7
RIOPELLE, JEAN-PAUL 124
SCHNEIDER, GÉRARD 104, 105
SCHUFFENECKER, CLAUDE-ÉMILE 20
SHIOTA, CHIHARU 97
SIGNAC, PAUL 28, 29
SURVAGE, LÉOPOLD 42, 52, 92
TÀPIES, ANTONI 128
UTRILLO, MAURICE 24, 25
URY, LESSER 33
VALMIER, GEORGES 50, 51
VIERA DA SILVA, MARIA HELENA 108
VLAMINCK, MAURICE DE 68, 69
VUILLARD, ÉDOUARD 27
WESSELMAN, TOM 101
ZADKINE, OSSIP 53
