King Kong (1933) - Criterion Collection Laserdisc Preservation

Seeking a backer for his movie, Merian C. Cooper approached a top Hollywood mogul. “You know what a 50-foot gorilla would see in a five-foot girl?” the mogul asked. “His breakfast!” The studio chief wasn’t buying but the public was. King Kong saved RKO from bankruptcy and became an all-time classic, ranking 43rd on the American Film Institute’s list of Top-100 American Movies.

King Kong teems with memorable moments: a moviemaking expedition on a fantastic isle filled with dinosaurs and other prehistoric creatures; the giant simian’s lovestruck obsession with the film shoot’s blonde starlet (scream queen Fay Wray); Kong’s capture; his Manhattan rampage; and the fateful finale atop the Empire State Building, where Kong cradles his palm-sized beloved and swats at machine-gunning airplanes. “It was beauty killed the beast.” But in these and other great scenes, Kong lives forever.

BLU-RAY EDITION 1933 101 MINUTES BLACK AND WHITE MONAURAL 1.33:1 ASPECT RATIO KING KONG is under exclusive license from Warner Home Video TM 2021 by Warner Home Video.

All Rights Reserved. © 2021 The Criterion Collection. All Rights Reserved. Cat. no. CC1116L. ISBN 0-9313-9341-8.

Warning: unauthorized public performance, broadcasting, or copying is a violation of applicable laws. Printed in the USA. First printing 2021.

KING KONG

The Criterion Collection, a continuing series of important classic and contemporary films, presents

1933

SPECIAL FEATURES n Audio commentary by director Ronald Haver n Original footage from Creation, a pre-Kong prehistoric monster movie Audio: English LPCM 1.0 / Audio Commentary Mono 1.0 Subtitles: English Main title: 1080p Supplementary material: 480p Laserdisc source

The Criterion Collection is dedicated to gathering the greatest films from around the world and publishing them in editions of the highest technical quality, with supplemental features that enhance the appreciation of the art of film. Visit us at Criterion.com

Design and Layout - pineapples101@gmail.com

LD 2

KING KONG

Seeking a backer for his movie, Merian C. Cooper approached a top Hollywood mogul. “You know what a 50-foot gorilla would see in a five-foot girl?” the mogul asked. “His breakfast!” The studio chief wasn’t buying but the public was. King Kong saved RKO from bankruptcy and became an all-time classic, ranking 43rd on the American Film Institute’s list of Top-100 American Movies.

King Kong teems with memorable moments: a moviemaking expedition on a fantastic isle filled with dinosaurs and other prehistoric creatures; the giant simian’s lovestruck obsession with the film shoot’s blonde starlet (scream queen Fay Wray); Kong’s capture; his Manhattan rampage; and the fateful finale atop the Empire State Building, where Kong cradles his palm-sized beloved and swats at machine-gunning airplanes. “It was beauty killed the beast.” But in these and other great scenes, Kong lives forever.

BLU-RAY EDITION 1933 101 MINUTES BLACK AND WHITE MONAURAL 1.33:1 ASPECT RATIO KING KONG is under exclusive license from Warner Home Video TM 2021 by Warner Home Video.

All Rights Reserved. © 2021 The Criterion Collection. All Rights Reserved. Cat. no. CC1116L. ISBN 0-9313-9341-8.

Warning: unauthorized public performance, broadcasting, or copying is a violation of applicable laws. Printed in the USA. First printing 2021.

KING KONG

The Criterion Collection, a continuing series of important classic and contemporary films, presents

1933

SPECIAL FEATURES n Audio commentary by director Ronald Haver n Original footage from Creation, a pre-Kong prehistoric monster movie Audio: English LPCM 1.0 / Audio Commentary Mono 1.0 Subtitles: English Main title: 1080p Supplementary material: 480p Laserdisc source

The Criterion Collection is dedicated to gathering the greatest films from around the world and publishing them in editions of the highest technical quality, with supplemental features that enhance the appreciation of the art of film. Visit us at Criterion.com

Design and Layout - pineapples101@gmail.com

LD 2

KING KONG

KING KONG Seeking a backer for his movie, Merian C. Cooper approached a top Hollywood mogul. “You know what a 50-foot gorilla would see in a five-foot girl?” the mogul asked. “His breakfast!” The studio chief wasn’t buying but the public was. King Kong saved RKO from bankruptcy and became an all-time classic, ranking 43rd on the American Film Institute’s list of Top-100 American Movies.

King Kong teems with memorable moments: a moviemaking expedition on a fantastic isle filled with dinosaurs and other prehistoric creatures; the giant simian’s lovestruck obsession with the film shoot’s blonde starlet (scream queen Fay Wray); Kong’s capture; his Manhattan rampage; and the fateful finale atop the Empire State Building, where Kong cradles his palm-sized beloved and swats at machine-gunning airplanes.

“It was beauty killed the beast.” But in these and other great scenes, Kong lives forever.

DVD EDITION 1933 101 MINUTES BLACK AND WHITE MONAURAL 1.33:1 ASPECT RATIO KING KONG is under exclusive license from Warner Home Video TM 2021 by Warner Home Video.

All Rights Reserved. © 2021 The Criterion Collection. All Rights Reserved. Cat. no. CC1116L. ISBN 0-9313-9341-8.

Warning: unauthorized public performance, broadcasting, or copying is a violation of applicable laws. Printed in the USA. First printing 2021.

KING KONG

The Criterion Collection, a continuing series of important classic and contemporary films, presents

KING KONG 1933

SPECIAL FEATURES n Audio commentary by director Ronald Haver n Original footage from Creation, a pre-Kong prehistoric

monster movie

Audio: English LPCM 1.0 / Audio Commentary Mono 1.0 Subtitles: English Main title: 1080p Supplementary material: 480p Laserdisc source

The Criterion Collection is dedicated to gathering the greatest films from around the world and publishing them in editions of the highest technical quality, with supplemental features that enhance the appreciation of the art of film. Visit us at Criterion.com

Design and Layout - pineapples101@gmail.com

LD 2

KING KONG

King Kong is unique in motion picture history. In the 51 years since its original release, its particular combination of unbridled imagination and ingenious craftsmanship has never been equalled. Not only has it stood the test of time, but King Kong has influenced several generations of writers and filmmakers, including Ray Harryhausen, Ray Bradbury, Steven Spielberg and George Lucas.

King Kong is a work of genius -- actually three geniuses: Merian C. Cooper, whose brainchild it was; Willis O’Brien, who created and supervised the film’s unsurpassed special effects; and Max Steiner, whose scoring of the picture was a landmark, setting new standards for the use of music in motion pictures. Kong is a testament not only to their abilities, but also to the virtues of the much-maligned studio system as a catalytic creative unit. In the halfcentury since Kong first climbed the Empire State Building into the collective subconscious of moviegoers the world over, the film has become the subject of controversy and intense critical analysis.

Bosley Crowther, long the dean of American film critics, wrote that it has “implication more profound than had ever before been generated in a mere monsster or science fiction film.” Kong is far more than “a mere monster or science fiction film.” It is a fantasy adventure romance of spectacular proportions, a 20th century version of the Beauty and the Beast legend and an allegory on the destructive powers of both love and civilization.

Serious discussion was given to various theories: that the film was unconsciously racist; that it was an outsized sexual fantasy with elaborate analogies explaining Kong’s climbing the Empire State Building as a blatant form of phallic symbolism. The French surrealists saw it as a pristine example of “L’amour fou,” mad or doomed love. Cooper, its creator, was alternately amused and disgustedd by these theories, maintaining to the end of his life that Kong “was

never intended to be anything but the best damned adventure film ever made, which it is; and that’s all it is.”

However, there is a common agreement between both its fans and its detractors: King Kong is among the most watchable American movies ever made. It picks the spectator up and -- with sheer technical bravura and unmatched narrative excitement -- plunges headlong into a world that only the movies could create: mysterious, suspenseful, thrilling and wonder-inducing.

Kong is the fastest 101 minutes on celluloid, and while its love story and some of its staging may seem quaint by today’s standards, there is no denying the breathless pacing and the relentless energy with which the story unfolds.

The world premiere of King Kong took place on Thursday, March 2, 1933 at both the new Radio City Music Hall and the new RKO Roxy Theatre. The durability of Kong was proven over the years by numerous reissues. It was one of the first films to be truly “brought back by popular demand,” although for the 1938 revival, the Production Code Administration, which had not been in existence in 1933, forced RKO to eliminate some of Kong’s more violent and provocative actions. Gone were the stomping and chewing of humans; his methodical peeling off of Fay Wray’s clothes; and his callous disposal of the “wrong” woman in New York. These deletions completely changed the tenor and complexity of the characterization of Kong, giving him a softer, safer quality, removing the graphic, nightmarish aspects of his gleeful mutilation and sometimes casual destruction of individuals.

It was also during the period of these theatrical reissues that the film lost some of its visual luster, as the image was darkened considerably through improper negative handling and laboratory printing inaccuracies, resulting in a substantial loss of detail.

The sequences deleted in 1938 restored in 1969, with restored footage all coming from 16mm prints, so there is considerable difference in both image and sound quality between these scenes and the rest of the film. Criterion has utilized every possible form of electronic enhancement techniques to eliminate scratches, spots and other abrasions inherent in the material. Thus we are confident that even the most critical eye will agree that this edition of King Kong restores it to its rightful place as one of the visual masterpieces of the 1930s. This makes it possible for all to see, as never before, the imagination and craftsmanship of Cooper and his co-workers, who achieved the truly remarkable feat of turning an 18-inch toy gorilla into one of the mythic figures of 20th-century civilization.

-- Ronald Haver

KING KONG

King Kong is unique in motion picture history. In the 51 years since its original release, its particular combination of unbridled imagination and ingenious craftsmanship has never been equalled. Not only has it stood the test of time, but King Kong has influenced several generations of writers and filmmakers, including Ray Harryhausen, Ray Bradbury, Steven Spielberg and George Lucas.

King Kong is a work of genius -- actually three geniuses: Merian C. Cooper, whose brainchild it was; Willis O’Brien, who created and supervised the film’s unsurpassed special effects; and Max Steiner, whose scoring of the picture was a landmark, setting new standards for the use of music in motion pictures. Kong is a testament not only to their abilities, but also to the virtues of the much-maligned studio system as a catalytic creative unit. In the halfcentury since Kong first climbed the Empire State Building into the collective subconscious of moviegoers the world over, the film has become the subject of controversy and intense critical analysis.

Bosley Crowther, long the dean of American film critics, wrote that it has “implication more profound than had ever before been generated in a mere monsster or science fiction film.” Kong is far more than “a mere monster or science fiction film.” It is a fantasy adventure romance of spectacular proportions, a 20th century version of the Beauty and the Beast legend and an allegory on the destructive powers of both love and civilization.

Serious discussion was given to various theories: that the film was unconsciously racist; that it was an outsized sexual fantasy with elaborate analogies explaining Kong’s climbing the Empire State Building as a blatant form of phallic symbolism. The French surrealists saw it as a pristine example of “L’amour fou,” mad or doomed love. Cooper, its creator, was alternately amused and disgustedd by these theories, maintaining to the end of his life that Kong “was

never intended to be anything but the best damned adventure film ever made, which it is; and that’s all it is.”

However, there is a common agreement between both its fans and its detractors: King Kong is among the most watchable American movies ever made. It picks the spectator up and -- with sheer technical bravura and unmatched narrative excitement -- plunges headlong into a world that only the movies could create: mysterious, suspenseful, thrilling and wonder-inducing.

Kong is the fastest 101 minutes on celluloid, and while its love story and some of its staging may seem quaint by today’s standards, there is no denying the breathless pacing and the relentless energy with which the story unfolds.

The world premiere of King Kong took place on Thursday, March 2, 1933 at both the new Radio City Music Hall and the new RKO Roxy Theatre. The durability of Kong was proven over the years by numerous reissues. It was one of the first films to be truly “brought back by popular demand,” although for the 1938 revival, the Production Code Administration, which had not been in existence in 1933, forced RKO to eliminate some of Kong’s more violent and provocative actions. Gone were the stomping and chewing of humans; his methodical peeling off of Fay Wray’s clothes; and his callous disposal of the “wrong” woman in New York. These deletions completely changed the tenor and complexity of the characterization of Kong, giving him a softer, safer quality, removing the graphic, nightmarish aspects of his gleeful mutilation and sometimes casual destruction of individuals.

It was also during the period of these theatrical reissues that the film lost some of its visual luster, as the image was darkened considerably through improper negative handling and laboratory printing inaccuracies, resulting in a substantial loss of detail.

The sequences deleted in 1938 restored in 1969, with restored footage all coming from 16mm prints, so there is considerable difference in both image and sound quality between these scenes and the rest of the film. Criterion has utilized every possible form of electronic enhancement techniques to eliminate scratches, spots and other abrasions inherent in the material. Thus we are confident that even the most critical eye will agree that this edition of King Kong restores it to its rightful place as one of the visual masterpieces of the 1930s. This makes it possible for all to see, as never before, the imagination and craftsmanship of Cooper and his co-workers, who achieved the truly remarkable feat of turning an 18-inch toy gorilla into one of the mythic figures of 20th-century civilization.

-- Ronald Haver

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King Kong (1933) Criterion Collection - Laserdisc Preservation King Kong #2A (1933) [CC1116L] https://www.lddb.com/laserdisc/11166/CC1116L/King-Kong Blu Ray - Region A/B/C DVD - Region All Audio: English LPCM 1.0 / Audio Commentary Mono 1.0 Subtitles: English Main title: 1080p Supplementary material: 480p Laserdisc source

Artwork Criterion Blu Ray Case - Inlay 273mm x 160mm Standard Blu Ray Case - Inlay 269mm x 148mm Standard DVD Case - Inlay 272mm x 182mm Criterion 4 Page Booklet - Exterior Fold down middle 240mm x 160mm Criterion 4 Page Booklet - Interior Fold down middle 240mm x 160mm Standard 4 Page Booklet - Exterior Fold down middle 235mm x 145mm Standard 4 Page Booklet - Interior Fold down middle 235mm x 145mm Blu Ray Disc Art 115mm x 115mm