EARTHATOURBACKS
CATHERINEEATONSKINNER
CATHERINEEATONSKINNER EARTHATOURBACKS
December3-31,2022 pieprojects •contemporary art 505-372-7681•pieprojects.org 942BShoofly Street,Santa Fe,NM 87505
TheartworkofCatherineEatonSkinnergives expressiontoherjourneysthroughmany culturesandmankind’squesttofindwaysto connecttooneanotherinachaoticworld. Skinner’sworkiscenteredonthebalanceof systemsandpatterningusedtoconstructan ordertoourworld.Thus,muchofherart encompassesintriguingrepetitionand multiplicity.
"Weliveinaworldwhereitmaybe difficulttofeelapartofthewhole,but wecontinuetryingtofindwaysto connecttoplaceandtoeachother."
-CatherineEatonSkinner
Crosscurrents, 2022 Encaustic,oilstick,linenonpanel 40”x40”x2” EARTHATOURBACKS• CATHERINEEATONSKINNER
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BirdScreenV, 2022 Encaustiflexpaper,archivalink, beeswax,oilstick,redthread,bamboo 108”x90”x8”
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IlluminationVI, 2021
Encaustic,oilstick,ink, Encaustiflexpaperonpanel 16”x48”x2”
TangentXLI, 2022 Encaustic,pigmentstick, Encaustiflexpaper,inkonpanel 8”x8”x2”
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EARTHATOURBACKS• CATHERINEEATONSKINNER
TangentXLIII,TangentLI,TangentXLV,TangentXL, TangentXXX, 2021-22 Encaustic,pigmentstick,Encaustiflexpaper,inkonpanel 8”x8”x2”each
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EarthatOurBacks Isthewind holdingitsbreath oramI Burrowingdeep intodarkroots Iseeleylines intersecting tryingtoholdtrue thestonesmove thewaterslipsfree ismynamebeingcalled? Thewind exhaleswithoutsound asdoI…
StoneMemoryIV, 2021 Encaustic,oilstick,linenonpanel 40”x40”x2”
…Thegrassstirs theravenscome bearingwitness theystaywithme whenthemooncontinuestorise castingshadows acrossmysoul knowingwhatwehavedone whatwehavenot
Thetracksofourrepetition transientasdreams pathwaysforgotten unseen weflytothemountain earthatourbacks weflytothesky —CatherineEatonSkinner
AlbedoIV, 2021 Encaustic,oilstick,linenonpanel 40”x40”x2”
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AlbedoI, 2020
Encaustic,oilstick,linenonpanel 20”x24”x2”
AlbedoII, 2020
Encaustic,oilstick,linenonpanel 36”x36”x2”
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StoneMemoryV, 2021 Encaustic,oilstick,linenonpanel 40”x40”x2”
EARTHATOURBACKS• CATHERINEEATONSKINNER
EARTHATOURBACKS• CATHERINEEATONSKINNER
StepwellII, 2022 Encaustic,oilstick,linenonpanel 40”x40”x2”
ShiftIV, triptych, 2018 Encaustic,oilstick,linenonpanel 36”x108”x2” EARTHATOURBACKS• CATHERINEEATONSKINNER
BirdmanVII&VIII&XII, 2018&2007 Bronze,metalwallmount 11”x3x5”each
RisingRavensIII, 2020 Leadcoveredwoodbox,graphiteonmylar, bluethread,antiqueMyanmarpaper 60”x8”x2”
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InTheForestI&II 2022 Beeswax,oilstick,Encaustiflexpaper, thread,33”woodrods 42”x24”x3”
IlluminationIV, 2019 Encaustic,oilstick,linenonpanel 60”x40”x2”
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Skinner’screativesensibilitiesstemfrom growingupinthePacificNorthwest.Her BachelorofArtsandSciencefrom StanfordUniversity,includedpainting instructionwithNathanOliveiraandFrank Lobdell.Twentyyearsinbiological illustrationbeganSkinner’sprofessional career.BetweenstudiosinSeattleand SantaFe,sheisaninnovativeartistwith multidisciplinarymethods:encaustic,oil painting,photography,glass,printmaking, sculpture,textilesandfoundobjects.
EARTHATOURBACKS• CATHERINEEATONSKINNER
Withover39solodomesticandinternationalexhibitions,shehasalso beenincludedinnumerousgroupmuseumandgalleryexhibitions.Las CrucesMuseumofArtopenedhersoloexhibitionIlluminations: Corvidsinthesummerof2022.Publiccollectionsinclude;U.S.Artin Embassyprogram,TokyoandPapuaNewGuinea;SeattleUniversity, SeedsofCompassion;HenryArtGallery,UniversityofWashington; TacomaArtMuseum;MuseumofEncausticArt,SantaFe;Museumof NorthwestArt;SwedishOrthopedicInstitute;VirginiaMasonMedical Center;SeattleChildren’sHospital.
Skinner’smonograph108publishedbyRadiusBooks,documentsher investigationofthissymbolicnumberover14yearsusingmultimedia.
Unleashed–ananthologyofanimals,focusesonman’srelationship portrayedthroughtheanimaleyes,publishedwithWoodlandParkZoo andUniversityofWashingtonPress.Variousanthologiescontainher artworkandwriting:SpeakfortheTrees,TheArtofDiscovery, ExploringaNorthwestArtCollectionandOthersWillEntertheGates. Sheisincludedinover100articles:AnotherChicagoMagazine,Still PointArtsQuarterly,LeapingClear,MonkGallery,InteraliaMagazine, LandEscapeArtReview(London),ARTfolio2020,ArtistsonArt, Magazine43(Berlin,HongKong,Manila),TheWovenTalePress.
TangentXLIII, 2022
Encaustic,pigmentstick, Encaustiflexpaper,inkonpanel 8”x8”x2” (CES018)
TangentLI, 2022
Encaustic,pigmentstick, Encaustiflexpaper,inkonpanel 8”x8”x2” (CES019)
TangentXLV, 2022
Encaustic,pigmentstick, Encaustiflexpaper,inkonpanel 8”x8”x2” (CES022)
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TangentXL, 2021
Encaustic,pigmentstick, Encaustiflexpaper,inkonpanel 8”x8”x2” (CES021)
TangentXLIII, 2021
Encaustic,pigmentstick, Encaustiflexpaper,inkonpanel 8”x8”x2” (CES020)
AlbedoIV, 2021
Encaustic,oilstick,linenonpanel 40”x40”x2” (CES015)
AlbedoI, 2020
Encaustic,oilstick,linenonpanel 20”x24”x2” (CES009)
AlbedoII, 2020
Encaustic,oilstick,linenonpanel 36”x36”x2” (CES012)
StoneMemoryV, 2021
Encaustic,oilstick,linenonpanel 40”x40”x2” (CES014)
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StepwellII, 2022
Encaustic,oilstick,linenonpanel 40”x40”x2” (CES013)
ShiftIV, triptych, 2018
Encaustic,oilstick,linenonpanel 36”x108”x2” (CES010)
StoneMemoryIV, 2021
Encaustic,oilstick,linenonpanel 40”x40”x2” (CES010)
Crosscurrents, 2022
Encaustic,oilstick,linenonpanel 40”x40”x2” (CES023)
IlluminationVI, 2021
Encaustic,oilstick,ink, Encaustiflexpaperonpanel 16”x48”x2” (CES001)
TangentXLI, 2022
Encaustic,pigmentstick, Encaustiflexpaper,inkonpanel 8”x8”x2” (CES002)
CATHERINEEATONSKINNER
Click here to inquire about work
BirdmanVII&VIII&XII, 2018&2007
Bronze,metalwallmount 11”x3”x5”each (CES026,CES024,CES025)
RisingRavensIII, 2020
Leadcoveredwoodbox,graphiteonmylar, bluethread,antiqueMyanmarpaper 60”x8”x2” (CES006)
InTheForestI, 2022
Beeswax,oilstick,Encaustiflexpaper, thread,33”woodrods 42”x24”3” (CES007)
InTheForestII, 2022
Beeswax,oilstick,Encaustiflexpaper, thread,33”woodrods 42”x24”3” (CES008)
IlluminationIV, 2019
Encaustic,oilstick,linenonpanel 60”x40”x2” (CES008)
CATHERINEEATONSKINNER
Click here to inquire about work
CopyrightPie ProjectsContemporary Art2022 ArtworksCopyright CatherineEatonSkinner
Design:C AlexClark
Cover: CatherineEatonSkinner,Crosscurrents,2022
Noportion ofthis documentmay bereproduced orstored withoutthe expresswritten permissionof thecopyright holder(s).
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