TBA:16 Guidebook

MEG WOLFE, “NEW FAITHFUL DISCO,” PHOTO BY STEVE GUNTHER ⁄ REDCAT

TBA:

THE 2016 TIME-BASED ART FESTIVAL SEPT 08–18

PRESENTED

BY PICA

Juliana Huxtable, TBA:16 Opening Night (pg 058)

TBA:

From September 8–18, 2016, PICA’s Time-Based Art Festival activates Portland, Oregon, with contemporary art projects that bring artists and

GEN ER A L IN FOR M ATION:

THE WOR KS:

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A new home for PICA Opening Night Tickets & Box Office Information Festival Passes

audiences together, creating a vibrant community through live performances, music, film screenings,

FESTI VA L:

workshops, talks, and visual art installations—

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activating the city with the art of our time.

TBA is resolutely interdisciplinary, and champions those artists who are challenging forms and working across mediums, from dance to performance to visual art. The 14th edition of TBA features artists from near and far that urgently reflect our current cultural moment. Global in scope, TBA exposes artists from regions not normally presented in the US, with projects hailing from Lebanon, Bulgaria, South Korea, France, Germany, and beyond.

PICA

Since 1995, Portland Institute for Contemporary Art has championed the practice of contemporary artists from around the world, driving vital conversations about the art and issues of today. PICA presents artists from a wide variety of practices and embraces those who exist at the borders of genres and ideas.

PICA develops exhibitions and residencies, commissions new work, stimulates conversation, and encourages the pursuit of new ideas. To learn more, visit: pica.org

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Introduction from Artistic Director Angela Mattox A note from Visual Art Curator Kristan Kennedy

006 A.K. Burns 008 Bunnybrains 010 Morgan Thorson 012 Christian Rizzo ⁄ ICI—CCN Montpellier 014 Ivo Dimchev 016 Narcissister 018 Libby Werbel 020 Britt Hatzius 022 Meg Wolfe 024 Royal Osiris Karaoke Ensemble 026 Keijaun Thomas 028 Carlos Motta 030 Luke Wyland 032 Dylan Mira 034 Ali Chahrour 036 Sacha Yanow 038 Allie Hankins 040 Mohamed El Khatib 042 Alessandro Sciarroni 044 Geumhyung Jeong 046 Rinde Eckert

058 060 062 064 066 068 070 072 074 076

Food, Booze, and TBA Opening Night Dinner Kelly Pratt: Fanfare: Birth > Rebirth Juliana Huxtable PMOMA at THE WORKS Pepper Pepper Kelly Pratt: No No Soliciting Don’t Get Me Started DJ Klyph burke jam presents Blind Coven Cinema Project DUG & YGB She’s in Parties

INSTIT U TE:

082 Conversations 086 Lecture: Carlos Motta 088 Lecture: Maya Mikdashi 090 Lecture: Junaid Sarieddeen ⁄ Zoukak Theatre 092 Workshops 096 Field Guide 099 Guest Scholars 101 Creative Exchange Lab

A BOU T TB A:

104 FAQs 105 Join PICA 106 Sponsorship & Giving 109 Traveling to TBA 110 Sponsors 114 Staff & Leadership 116 Index 122 Schedule: At-a-Glance 126 Schedule: Day-by-Day 132 Festival Venues

TBA:

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A NEW HOME

As Portland Institute for Contemporary Art turns 21, we were just handed a key: a ritual symbol of new beginnings that will unlock the door to our future.

PH OTO BY S E AN S C H U MAC H ER ⁄ PI CA

Thanks to the generosity of Allie Furlotti and the Calligram Foundation, we are setting down roots in NE Portland. We want to invite you to our new home at 15 NE Hancock for TBA:16. After two decades of carving out space in a city that is changing under our feet, PICA has a home—a permanent home— that is big enough to house our dreams and stable enough to launch them.

We have always been an itinerant program, reaching out across boundaries, inhabiting different venues throughout Portland, and we will continue to program events across this city.

But, with this building, we will have new opportunities to create a vibrant, long-term hub for artists, audiences and our community. We will be able to fulfill our creative ambitions while nurturing the soil in which artists from around the world can fertilize their artistic vision. We will bring our passion and commitment to an exciting neighborhood in partnership with current residents, to make Portland’s close-in Eastside the center of a bold, creative renaissance.

FOR PICA

TBA:

OPENING NIGHT:

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Opening Night Dinner 6:00 PM — $100

Get a first look at our new permanent home as we officially kick off the first night of TBA with Opening Night Dinner. Guests will enjoy a special preview of A.K. Burns’ A Smeary Spot during the cocktail hour, before being seated at family tables for an inspiring meal by chef Stacey Givens of The Side Yard Farm and Kitchen. The meal will be prepared from produce grown especially for this dinner, locally sourced meats, handmade cheeses, vinegars, and pickles. Join friends and artists for an exquisite feast that is not to be missed and celebrate this year’s Festival and PICA’s new home. (pg 054)

Once in a lifetime

A.K. Burns, A Smeary Spot 8:00 PM — ALL AGES — FREE

We’ll throw open the doors to 15 NE Hancock to experience this four-channel video installation and sculpture drawing on theater and documentary methods to rework the genre of science fiction. (pg 006)

Join us for opening night— of TBA:16 and our new home

Kelly Pratt, Fanfare: Birth > Rebirth 8:30 PM — ALL AGES — FREE

PH OTO BY S HAWN PATRI C K H I G G I N S

Commemorating the opening of PICA’s new home, Kelly Pratt and an ensemble of local brass and woodwind players will present a performance specially commissioned for this monumental occasion. (pg 056)

Juliana Huxtable 9:30 PM — ALL AGES — FREE

A celebration of new life and new beginnings—poet, artist, and nightlife impresario Juliana Huxtable caps off the night with a dynamic set not to be missed. (pg 058)

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Thu Sept 08, beginning at 6:00 PM A PICA at Hancock 15 NE HANCOCK ST

TBA:

I MAG E C O U RTE SY O F TH E ARTI ST

A.K. Burns, A Smeary Spot (pg 006)

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PH OTO BY STE VE G U NTH ER ⁄ RED CAT

Meg Wolfe, New Faithful Disco (pg 022)

TBA:

PH OTO BY ADAM S I M M O N S

Luke Wyland, AU and the Camas High School Choir (pg 030)

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TBA:

PH OTO BY MARC D O MAG E

Christian Rizzo ⁄ ICI—CCN Montpellier d’aprés une historie vraie (pg 012)

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TBA:

PH OTO C O U RTE SY O F J U LIA CAL AB RE S E

Libby Werbel, Portland Museum of Modern Art (pg 018)

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TBA:

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Need tickets?

Here are three easy ways to get them

1 2 3 PH OTO BY MARIA BAR AN OVA

Royal Osiris Karaoke Ensemble, The Art of Luv (Part 1): Elliot (pg 024)

VISIT PICA.ORG ⁄ TBA Click the “Buy Tickets” button on any TBA event page, or “Get Passes & Ticket Packs.”

CALL 503–224–PICA Beginning August 16, 2016.

Box Office hours apply.

VISIT OUR NEW BOX OFFICE TBA Central Box Office is located at PICA's new home in Northeast Portland, 15 NE Hancock St. For hours, see the table below.

Take note: Day-of-show tickets are only available at each venue’s box office 60 minutes before showtime. All credit card purchases are subject to service charges.

CEN TR A L BOX OFFICE

BEFOR E THE FESTI VA L

THROUGH THE FESTI VA L

A PICA at Hancock

Tues days through Fridays, Aug 16 – Sept 2 Noon–6 PM

Every day, Sept 6 – 18 Noon–6 PM & late night

15 NE HANCOCK ST

TBA:

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THE WORKS PASS $ 4 8 M E M B E R S ⁄ $ 6 0 G E N E R A L : All access to THE WORKS late-night shows, plus discounts on individual performance tickets.

Don’t miss a moment

ENTHUSIAST PASS $ 1 2 0 M E M B E R S ⁄ $ 1 5 0 G E N E R A L : Includes tickets to six mainstage performances of your choice (excluding Blind Cinema), plus full access to exhibits, Institute programs, and THE WORKS.

See more and save with a TBA pass

JOIN PICA & SAV E

Become a PICA member to receive generous discounts on all passes and tickets.

See pg 105 for more.

PH OTO BY AN D RE A PIZ Z ALI S

Alessandro Sciarroni, UNTITLED_I will be there when you die (pg 042)

IMMERSION PASS

V ISITING PORTL A N D?

Travelers receive special discounts on TBA passes and tickets.

See pg 109 for more details and other visitors’ resources.

$ 2 0 0 M E M B E R S ⁄ $ 2 5 0 G E N E R A L : Priority admission to all performances, Festival Concierge service, and unlimited access to exhibits, Institute programs, and THE WORKS.

Reservations may be required for some performances.*

PATRON PASS Priority admission to all performances, Festival Concierge service, and unlimited access to exhibits, Institute programs, and THE WORKS. $ 5 0 0 ( $ 2 5 0 TA X D E D U C T I B L E ) :

Reservations may be required for some performances.* *Why reservations? Some performances are housed in limited-capacity venues. To ensure that our pass holders have the best experience possible, reservations help us better anticipate audiences for each performance.

For more information, visit pica.org or contact the Box Office.

Superhero Sponsors

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The Andy Warhol Foundation for the Visual Arts

Leslie B. Durst

James F. and Marion L. Miller Foundation

Share with us at #tba16

Presenting Sponsors

Share your TBA:16 experience with friends

Major Sponsors

or relive performances or memorable moments through the Festival's official Showdrape, Inc.

hashtag, #tba16. You can also share your experiences with us directly by tweeting, posting on our Facebook page, or tagging us on Instagram. Our team of staff and volunteers are on the move and all over

Major Media Sponsors

town during TBA. Keep up with us through our social channels for daily photos, rundowns, and the latest schedule updates.

 Instagram: @picatba

Travel Partners

 Facebook: @picapdx

 Twitter: @p_i_c_a

 Flickr.com ⁄ photos ⁄ pica

PICA .ORG⁄ TB A

Visit our site to explore festival events, learn about current and past artists, read dispatches from our volunteer corps of writers covering events, and purchase tickets & passes. Our redesigned TBA page is easier than ever to use on whatever device you prefer.

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PH OTO BY S O PH IA WRI G HT EM I G H

TBA:

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We welcome you into the 14th edition of the Time-Based Art Festival as we celebrate this auspicious moment in PICA’s history. We inaugurate our new home with a spirit of optimism and experimentation and invite you to immerse yourself in the imaginations of these artists who are defining our time.

The TBA Festival is our annual gathering of art and ideas—a coming together of diverse aesthetics and perspectives reflecting our current cultural and political moment. This convergence feels more urgent than ever right now. The values of TBA stand emphatically in opposition to the fear-inspired, narrow-mindedness and isolationism permeating this time. Now, more than ever, we must create physical and ideological spaces that embrace diverse identities, invite new experiences, and value freedom of expression. TBA does just that.

This year, we’ve invited an extraordinary group of artists who defy categorization and evoke response. The works explore complex identities, celebrate possibility, and acknowledge the fragility of human existence.

TBA:16 opens with an epic music ritual entitled Fanfare: Birth > Rebirth, a celebration of new life and possibility.

Britt Hatzius’ Blind Cinema asks the audience to see the world through the eyes of a child. Alessandro Sciarroni’s UNTITLED_I will be there when you die, makes you see the form of juggling in a completely new way, and poignantly asks us to stay in the present, together.

We emphasize TBA as a site for inquiry and exchange.

In that spirit, we welcome ten artists from all over the globe into residence through our Creative Exchange Lab. We have also invited six Guest Scholars to immerse themselves in TBA for engaging conversations with artists and audiences focusing on new feminist performance, and complex themes around the intersections of race, gender, nationality, sexuality, and the body.

We are inspired by the creative energy of this city and are committed to ensuring generous spaces for expression, experimentation, and large-scale community gathering. Let’s embrace and explore this festival together!

AN INTRODUCTION FROM

PICA ARTISTIC DIRECTOR ANGELA MATTOX

ON SIGHT:

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A note from Visual Art Curator Kristan Kennedy

MAKEUP ON EMPTY SPACE CURATED BY KRISTAN KENNEDY

A.K. BURNS BUNNYBRAINS KEIJAUN THOMAS DYLAN MIRA

*Title borrowed from Anne Waldman, “Makeup on Empty Space,” from Helping the Dreamer: Selected Poems, 1966-1988. Copyright © 1989 Anne Waldman

Support for Makeup on Empty Space is provided by PICA’s Visual Art Circle: Jeanine Jablonski, Founding Chair; Dan Winter, Founding Co-Chair; John Forsgren; Allie Furlotti; Katherine Gentry; Linda Hutchins and John Montague; Sarah Miller Meigs; Topher Sinkinson; Stephanie Snyder; Jeff Stuhr and Peter Kalen.

PICA’s Visual Art Circle is a group of patrons providing dedicated support for visual arts programming year round.

For more information about PICA’s Visual Art Circle or to learn how to become a member, see pg 113.

Additional support for PICA’s visual art programs provided

by The Andy Warhol Foundation for the Visual Arts, the Oregon Arts Commission, and the National Endowment for the Arts.

Here we are, on the cusp of a new space. It is empty, and we have to fill it. Or, it is full, and we have to empty it out? It doesn’t (dark) matter either way, it is there, and the artists will do as they please.

There have been many debates about where to draw the lines and boundaries in this space: what is visual, what is performative, what is anointed, what is new, what is mainstage, what is centerstage, what is not “of” stage at all? These debates parallel those in the art world, the same world we simultaneously work for and against, the one we are trying to evolve.

In this year’s guidebook we chose not to draw distinctions between genres. This is not a disclaimer; it is a position. I would say this is at the core of our curatorial mandate. She does what she wants. She being all things but especially that which changes the space just by considering the opportunity to do so.

Our programming, our festival, and our new building make up this “new space.” It is a body with concrete bones, a place to find art, ideas, and each other. PICA’s floating heart and brain have been searching for this body for a long time. In this body we will not rest, we will not wall the stuff of art in, we will not keep it orderly and clean, we will not abide by terms and boundaries that have long ago lost their meaning, we will not lock anybody or anything in. We will continue to respond to what artists are making in the moment. Our bodies old and new cannot contain us. Our bodies take us places. We will go with the flow.

Makeup on Empty Space presents themselves as an exhibition inside of a festival. A body within a body. The video essays, installations, materials, and happenings of this exhibition are performing Ma (間). There is no negative space or in between, there is only progression, interval, and relationship.

When that space is a person it comes and goes. When that space is a room of images and sound, it stays for a while. We can’t change that, we can’t curate that, we (as in the artists, you, and I) can just consider the substance of space.

ON SIGHT:

A.K. BURNS:

NEW YORK CIT Y, NEW YORK, USA

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A.K. Burns A Smeary Spot Part of Makeup on Empty Space, curated by Kristan Kennedy I N S TA L L AT ION

Sept 09 – 18, Noon – 5:30 PM Sept 22 – Oct 20, Thu – Fri, Noon – 6:00 PM Sat – Sun, Noon – 4:00 PM RECEPTION:

Thu Sept 08, 8:00 PM LE AV E NO TR ACE : R ECOR D R ELE A SE PA RT Y A N D PER FOR M A NCE W ITH J EN ROSEN BLIT & GU ESTS

Wed Sept 14, 9:30 PM A PICA at Hancock 15 NE HANCOCK ST

Free

Sun Sept 11, 12:30 PM FIELD GU IDE — pg 096

Wed Sept 14, 6:00 PM PR ESEN TING SU PPORT

four-channel video installation drawing on theater and documentary methods to rework the genre of science fiction. The title, A Smeary Spot, is a references to the sun borrowed from feminist sci-fi writer Johanna Russ. The sun, a dense concentration of heat and light, is an organizing principle of time, place, and ego. What potential emerges when we glance away from the source and settle into the blurry residue of the afterimage? This work re-orients the audience within a speculative present. Shot in two locations: on public lands in the deserts of southern Utah and inside a black box theater, where performers deliver recitations of appropriated and altered texts that compose a loose manifesto on being. Inside this cinematic experience is a surreal narrative of bodies in transition (both movement and definition) that act out—delivering curious combinations of language, materiality, and gestures. Among these bodies, the land, the water, the refuse pile, and the theater are not simply grounds, resources, waste, or stages upon which these actions occur, they are sprawling protagonists, like the sun—permeating and persistent.

A.K. Burns is an interdisciplinary artist living and working in Brooklyn, NY. Burns is currently a 2016–17 Radcliffe Fellow at Harvard University, where she will be developing the long term project, Negative Space, a cycle of multimedia installations. The opening episode from this cycle of works, A Smeary Spot, debuted at Participant Inc., NY, in the Fall of 2015. The work was initiated with the generous support of a 2015 Creative Capital Foundation Visual Arts Award. Additional support for the forthcoming episodes of Negative Space is being provided through the Education Department’s Spring 2017 Research & Development Season at the New Museum, where Burns is also currently in residence. The residency will culminate with an exhibition opening in January 2017. Burns is a founding member of W.A.G.E (Working Artists in the Great Economy), an artists’ advocacy group that most recently developed W.A.G.E certification and fee calculator both launched in 2014.

A Smeary Spot was created with the support of Creative Capital.

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DI A LOGU E — pg 083

W EST COA ST PR EMIER E: A Smeary Spot is a 53-minute

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ON SIGHT:

BUNNYBRAINS:

HUDSON, NEW YORK, USA

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Bunnybrains Part of Makeup on Empty Space, curated by Kristan Kennedy

“Dan Seward is the real thing, a rare thing, an artist who makes work out of his own authenticity as opposed to trend… his store is an installation about dissonance and harmony, community and individuality not unlike being in the best gallery, one defined by eclecticism and openness.” — H I LT O N A L S

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Co-presented with PNCA’s 511 Gallery & Director of Center for Contemporary Art and Culture, Mack McFarland

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EXHIBITION

Sept 01 – Oct 15, Tue – Sat, 11:00 AM – 6:00 PM RECEPTION:

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Thu Sept 01, 6:00 – 8:00 PM H PNCA: 511 Gallery 511 NW BROADWAY

Free

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Dan Seward, also known as Bunnybrains, is a musician, curator and promoter in Hudson, New York, where he runs the celebrated (and somewhat nomadic) record store, John Doe Records. This exhibition focuses on Bunnybrains’ thirty plus years as a transgressive, mutable, collaborative, performative project and what it means to illustrate the life of a true muse. From live broadcasts of Bunnybrains radio show Battlefield Earth, participatory workshops, rotating guest exhibitions, spontaneous happenings and performances, the artist shares their space with you in an effort to vivify “Bunnybrains is all.” Bunnybrains’ career highlights include a vinyl only pressing with Matador, a national tour supporting Devendra Banhart, a four-CD boxset that garnered raves from the indie press, and opening for a reunited Hawkwind—a set credited with giving the many hippies in attendance bad trips.

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ON LOCATION:

MORGAN THORSON:

MINNEAPOLIS, MINNESOTA, USA

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Morgan Thorson Still Life Co-presented with Portland Art Museum

PERFORMANCE

Fri Sept 09, 3:00 – 8:00 PM Sat Sept 10, Noon – 5:00 PM Sun Sept 11, Noon – 5:00 PM Tue Sept 13, Noon – 5:00 PM Wed Sept 14, Noon – 5:00 PM CAPACITY: 100

D Portland Art Museum 1219 SW PARK AVE

Included with Museum admission.

Admission waived for passholders.

FIELD GU IDE — pg 096

DI A LOGU E — pg 084

Mon Sept 12, 12:30 PM PR ESEN TING SU PPORT

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W E S T C O A S T P R E M I E R E : Within the galleries of the

Portland Art Museum, Morgan Thorson stages an ensemble dance cycle that uses time as both subject and practice to process killing, extinction, and loss.

Exploring both the vast span of geological time and the brevity of a single human life, Still Life considers both the long-ago, as represented by the museum artifacts and dioramas, and the immediate reality of violence and natural disaster. The piece enacts the death of choreography by erasing elements of the performance; with each repetition of the cycle, something is lost— a dancer, a sequence, or sound. While the audience is welcome to come and go from the intimate space of the performance, the long-form choreography investigates dance as a living and dying thing, as well as a practice in comfort and survival.

Thorson is a 2016 Doris Duke Performing Artist awardee and a PICA Creative Exchange Lab resident.

As a choreographer and performer, she draws from a spectrum of approaches to create her dances, which include Faker (2006), Docudrama (2008), Heaven (2010), Spaceholder Festival (2012), and YOU (2014). In 2015, Thorson was featured in Local Time, a three-month visual art exhibition at the Weisman Art Museum. She is the recipient of fellowships from United States Artists (2012), the Guggenheim (2010), the McKnight Foundation (2002, 2009), as well as two Sage Awards for Outstanding Choreography. Currently, Thorson is a Creative Campus Fellow at Wesleyan University, where she works across Dance, Archeology, and Religious Studies.

This project is made possible by the New England Foundation for the Arts’ National Dance Project, with lead funding from the Doris Duke Charitable Foundation and The Andrew W. Mellon Foundation, with additional support from the National Endowment for the Arts; and is supported, in part, by the Contemporary Art Council and Exhibition Series Sponsors of the Portland Art Museum. This project is made possible in part by support from the National Performance Network (NPN) Performance Residency Program.

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PH OTO BY VALERI E O LIVEI RO

Fri Sept 09, 2:00 PM

“Movement from one performer spurs the movement of another, as if the dancers were personifying chaos theory.” — S TA R T R I B U N E

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ON STAGE :

Christian Rizzo ⁄ ICI—CCN Montpellier d’aprés une histoire vraie

PERFORMANCE

Fri Sept 09, 6:30 PM Sat Sept 10, 6:30 PM 70 MIN — CAPACITY: 450

E Lincoln Hall, PSU: Performance Hall 1620 SW PARK AVE, ROOM 75

$20 Member $25 General

Sun Sept 18, 10:00 AM PR ESEN TING SU PPORT

HIGHER EDUCATION, ARTS, FRENCH LANGUAGE

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“…the joy of being alive, of being together momentarily, and the visceral excitement of dancing.” — L E M O N D E U S P R E M I E R E : 2004, Istanbul. A few minutes before the end of a performance, out of nowhere, a group of men erupt on stage, break out into a very short folk dance, and then immediately disappear. The powerful memory of this traditional dance leads French choreographer Christian Rizzo on a bold and hypnotic exploration of masculine ritual. Stepping onto a stark white stage, the eight dancers are propelled by two live drummers.

Their undulating movements build into frenetic bursts of dance that recall the centuries-old dances of the Mediterranean turns tender and vibrantly joyful, the allmale ensemble rides the tension between folkloric practice and formal contemporary performance, building a communal, visceral force.

Born in Cannes, Rizzo took his first steps as an artist in Toulouse, where he started a rock band and created a line of clothing before studying visual arts at the Villa Arson in Nice. In the ’90s, he performed with and created costumes and soundtracks for choreographers including Mathilde Monnier, Hervé Robbe, Mark Tompkins, Georges Appaix, Vera Mantero, Catherine Contour, Emmanuelle Huynh, and Rachid Ouramdane. Since founding “l’association fragile” in 1996, he has created over 30 performances and dance pieces, alternating with other projects or commissions for fashion and visual arts. He was an artist-in-residence at l’Opéra de Lille, and has performed his works around the world at the Ballet de l’Opéra de Lyon, the Nouveau Festival du Centre Pompidou, deSingel, the Festival d’Avignon, and On the Boards. On January 1, 2015, Rizzo took over as the Director of the Centre Choréographique National de Montpellier Languedoc-Roussillion-Midi-Pyrénées, which has been renamed ICI (International Choreographic Institute).

Supported by the Western States Arts Federation (WESTAF) and the National Endowment for the Arts. Supported by FUSED: French-US Exchange in Dance, a program of the New England Foundation for the Arts’ National Dance Project, the Cultural Services of the French Embassy in the United States, and FACE Foundation, with lead funding from the Doris Duke Charitable Foundation, the Florence Gould Foundation, and the French Ministry of Culture and Communication.

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PH OTO BY MARC D O MAG E

WOR KSHOP — pg 093

FRENCH EMBASSY IN THE UNITED STATES

CHRISTIAN RIZZO ⁄ ICI—CCN MONTPELLIER:

FR ANCE

ON STAGE :

IVO DIMCHEV:

BULGARIA

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Ivo Dimchev

“Animalistic one moment, delicate the next, he meshes darkness and lightness with verbal and physical dexterity.” —T H E N E W YO R K T I M E S

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Songs from my shows

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PERFORMANCE

Fri Sept 09, 8:30 PM Sat Sept 10, 8:30 PM 70 MIN — CAPACITY: 302

F Winningstad Theatre ( PORTLAND’5 ) 1111 SW BROADWAY

$20 Member $25 General

WEST COAST PREMIERE: Bulgarian performer Ivo Dimchev is known for breaking taboos in his provocative and boldly physical pieces. While his work blends performance art, dance, theater, and visual art, Dimchev’s enormous musicality and his remarkable vocal gift are at the center of each of his productions.

For this live musical event, he has selected 15 songs from his past performances to present as independent, individual opuses. Accompanied on the piano by Dimitar Gorchakov, Dimchev displays his prodigious talent in a stirring concert that leaps between the feral and the virtuosic.

Dimchev is the author of more than 30 performances.

He has received numerous international awards for dance and theater and has presented his work across Europe, South America, and North America. He has led master classes at the National Theater Academy in Budapest, the Royal Dance Conservatory of Belgium in Antwerp, Hochschule der Künste in Bern, Switzerland, DanceWeb in Vienna, Giessen University in Germany, the Bremen Academy of Art, and other institutions. Dimchev is the founder and director of the Humarts Foundation in Bulgaria and organizes an annual competition for contemporary Bulgarian choreography. Dimchev is currently an Artist in Residence at Kaaitheater in Brussels. In 2014, he opened MOZEI in Sofia, Bulgaria, as an independent space for presenting contemporary art and music.

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PR ESEN TING SU PPORT

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ON STAGE :

NARCISSISTER:

NEW YORK CIT Y, NEW YORK, USA

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Narcissister

“Extremely exhibitionist and slyly anonymous.”

— T H E N E W YO R K T I M E S

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Narcissistic Advance

PERFORMANCE

Fri Sept 09, 8:30 PM Sat Sept 10, 8:30 PM 35 MIN — CAPACITY: 200

A PICA at Hancock 15 NE HANCOCK ST

$16 Member $20 General

Sat Sept 10, 12:30 PM FIELD GU IDE — pg 096

Sat Sept 10, 6:30 PM

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DI A LOGU E — pg 083

Wearing mask and merkin, Narcissister’s spectaclerich live performances tackle issues of gender, racial identity, and sexuality. Humor, pop songs, elaborate costumes, contemporary dance, unabashed eroticism, and her trademark mannequin mask are her tools in deconstructing stereotypical representations and challenging the audience to question its own attraction and repulsion. Rather than abandon the contaminated site of sexual fetish, Narcissister dives headlong into the murky depths of fantasy and its racist and gendered dynamics, exposing and deconstructing their power.

Narcissister is a Brooklyn-based artist and performer whose work spans performance, video art, experimental music, and photography. She has presented work at The New Museum, MoMA PS1, The Kitchen, Abrons Art Center, and at many nightclubs, galleries, and other alternative art spaces. Narcissister has also presented her work internationally at the Music Biennale in Zagreb Croatia; at Chicks on Speed’s Girl Monster Festival; at The City of Women Festival in Ljubljana, Slovenia; and at the Camp ⁄ Anti-Camp festival in Berlin, among many others. Her art videos have been included in exhibitions and film festivals worldwide, including on MOCATV. Her film, The Self-Gratifier, won “Best Use of a Sex Toy” at the 2008 Good Vibration Erotic Film Festival and her film, Vaseline, won the main prize in 2013. Interested in the troubling divide between popular entertainment and experimental art, Narcissister appeared on America’s Got Talent in 2011. Narcissister had her first solo gallery exhibition, Narcissister is You, at envoy enterprises in February 2013. She was nominated for a 2013 Bessie Award for her evening-length piece, Organ Player, and has received awards from Creative Capital, Theo Westenberger, and United States Artists.

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ON LOCATION:

LIBBY WERBEL:

PORTL AND, OREGON, USA

019

Libby Werbel Portland Museum of Modern Art

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Co-presented with Houseguest

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Sept 10 – 11, 11:00 AM – 7:00 PM PERFORMANCES BEGIN:

Daily, 1:00 PM C Pioneer Courthouse Square 701 SW 6TH AVE

Free

Fri Sept 09, 10:30 PM PR ESEN TING SU PPORT

I MAG E BY M O RGAN REEDY

L ATE N IGHT — pg 060

A weekend-long, build-it-ourselves outdoor modern art museum, artist Libby Werbel orchestrates an exhibition in the heart of the city, inviting an impressive roster of performers to engage with the space. PMOMA draws a direct link between Portland’s lack of a major contemporary art museum and the impressive output of our creative community. Do Portland’s quickly shifting economic demands endanger the cultural equity essential to maintaining the quality of any major city?

Is it possible to have a museum without an established infrastructure to support it? What does a museum look like when fashioned through our ideal ethical processes?

Werbel hopes to inspire dialogue around the notions of the ‘museum’ itself and larger institutional modalities for exhibition. Throughout the weekend of September 10th and 11th, PMOMA partners with PICA and the Houseguest Residency program to investigate these ideas in Pioneer Courthouse Square.

Founded in 2012 by Libby Werbel, Portland Museum of Modern Art is an investigative project focused on the lack of major contemporary and modern art institutions within a growing metropolis. PMOMA has produced more than 50 exhibitions and events within the context of a selfactualized and community-grown modern art museum.

ON SCREEN:

BRITT HATZIUS:

BELGIUM ⁄ UK

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Britt Hatzius

“Delightful in its intimacy, fragile sensibility, and assured enjoyment.” — M O N T H E AT R E Q U É B E C

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Blind Cinema

10 SCREENING

Sat Sept 10, 3:00 PM Sun Sept 11, 3:00 PM Fri Sept 16, 7:00 PM Sat Sept 17, 3:00 PM Sun Sept 18, 3:00 PM 40 MIN — CAPACITY: 60

J Hollywood Theatre 4122 NE SANDY BLVD

$20 – 40 First-come, first-serve OFF-PASS FOR ENTHUSIAST PASSHOLDERS RESERVATIONS REQUIRED FOR PATRON & IMMERSION PASSHOLDERS

Thu Sept 15, 12:30 PM PR ESEN TING SU PPORT

U S P R E M I E R E : In the darkness of a cinema, the audience sits blindfolded. Behind each row of audience members is a row of local schoolchildren— aged 8 to 11—who narrate a film only they can see.

Accompanied by a wordless soundtrack, the children’s whispered descriptions form a fragile, fragmentary, and at times struggling but courageous attempt to find words for what is projected on the screen. Blind Cinema is a collaborative and imaginative act that embraces the limits of language and asks us to quite literally see the world through the eyes of a child.

Britt Hatzius works in film, video, sound, and performance, exploring ideas around language, interpretation, and the potential for discrepancies, ruptures, and (mis ⁄ )communication. Her work has been shown internationally at galleries, institutions, and performance and media arts festivals. Recent collaborations include the cinematic installation Micro Events (2012) with Tom Kok, the interactive performance This Is Not My Voice Speaking (2013) with Ant Hampton, and a site-specific installation As Never Before, As Never Again (2014) with Ant Hampton.

Blind Cinema is a co-production between Vooruit (Gent), Beursschowburg (Brussels), and Bronks Theatre (Brussels). This edition of Blind Cinema is presented in partnership with Portland Public Schools (PPS), with the collaboration of Boise-Eliot ⁄ Humboldt School and King School. Special thanks to Kristen Brayson, Kevin Bacon, Jill Sage, and participating teachers at PPS for their enthusiastic support of this project.

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DI A LOGU E — pg 084

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ON STAGE :

MEG WOLFE:

LOS ANGELES, CALIFORNIA, USA

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Meg Wolfe New Faithful Disco

PERFORMANCE

Sat Sept 10, 6:30 PM Sun Sept 11, 6:30 PM 45 MIN — CAPACITY: 276

F Winningstad Theatre ( PORTLAND’5 ) 1111 SW BROADWAY

$20 Member $25 General

Sat Sept 10, 3:30 PM WOR KSHOP — pg 093

Mon Sept 12, 10:00 AM PR ESEN TING SU PPORT

09 P I C A C O M M I S S I O N: In Meg Wolfe’s lushly physical New Faithful Disco, belief is made manifest as energy.

A queer-love power-trio of dancers—taisha paggett, Marbles Radio, and Wolfe—feel and feed on that energy, remixing it as they prepare to take on something BIG. Is it Love? Faith? Impermanence? Pleasure? Power? Propelled by nature sounds and fresh rhythms, the dancers build communal energy into an accumulated whirlwind wrought with awkwardness and contradiction. New Faithful Disco opens up time, triggers fading histories, and confronts who we are now.

Wolfe’s work has been presented at venues including REDCAT, Live Arts Exchange Festival, FRESH Festival, the New Original Works Festival, Off Center Festival/ Segerstrom Center for the Arts, Dance Theater Workshop, Danspace Project at St. Mark’s, Dia Center for the Arts, The Kitchen, The Living Theater, and Movement Research at Judson Church. She has performed in the works of Vicky Shick, Jérôme Bel, Molissa Fenley, Clarinda Mac Low, and Susan Rethorst. Wolfe has had residencies at REDCAT, Performance Works NorthWest, the Djerassi Resident Artist’s Program, and the Hothouse Residency program at UCLA, among others. She is the founder and director of Show Box L.A., and was a founding co-editor of itch dance journal.

New Faithful Disco is a National Performance Network (NPN) CreationFund and Forth Fund Project co-commissioned by REDCAT, PICA, DiverseWorks, Z Space, and NPN. The Creation Fund is supported by the Doris Duke Charitable Foundation, Ford Foundation, and the National Endowment for the Arts (NEA). Supported by the NPN Performance Residency Program. For more information: npnweb.org. Supported through development and technical residencies at REDCAT; Performance Works NorthWest Alembic Residency; UCLA World Arts & Culture/Dance Hothouse Residency; Show Box L.A.’s Los Angeles Dance & Research Residency Program with support in part from the NEA, and the City of Los Angeles Department of Cultural Affairs; and a Foundation for Contemporary Arts Emergency Grant. Meg Wolfe is supported by the Western States Arts Federation (WESTAF) and the National Endowment for the Arts.

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PA N EL — pg 082

“Meg Wolfe is remarkable… unfettered by physical constraints.” — L A W E E K LY

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ON STAGE :

ROYAL OSIRIS K ARAOKE ENSEMBLE:

NEW YORK CIT Y, NEW YORK, USA

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Royal Osiris Karaoke Ensemble The Art of Luv ( Part 1 ): Elliot

PERFORMANCE

Sat Sept 10, 7:00 PM Sun Sept 11, 7:00 PM Mon Sept 12, 7:00 PM Tue Sept 13, 7:00 PM 50 MIN — CAPACITY: 90

K Black Box Theatre, Performing Arts Bldg, Reed College 3203 SE WOODSTOCK BLVD

$20 Member $25 General RESERVATIONS REQUIRED

Tue Sept 13, 12:30 PM PR ESEN TING SU PPORT

On May 23, 2014, Elliot Rodger killed six people and injured 13 in Santa Barbara, California, in a rampage motivated by his lack of success with women—a fixation he had detailed in a series of confessional and defiant YouTube videos. New York City multimedia artists Royal Osiris Karaoke Ensemble respond to this wound to the body of Love with a modern-day ritual performance suffused with humor and experimentation. Mining source material ranging from self-help dating advice to confessional shopping videos, the group unpacks, isolates, and rearranges contemporary romantic mythologies and situates Rodger’s actions within a broader collection of found love stories and online video content. Within the sacred space of the performance, this “musical priesthood” will lead a group meditation on insecurity, longing, and masculinity, performing humanity’s common search for Love as we misunderstand it.

Royal Osiris Karaoke Ensemble (ROKE) has performed rituals at the Guggenheim Museum, Under the Radar Festival, FringeArts, Under the Radar’s Incoming! Series, Gibney Dance Center, Kate Werble Gallery, Special Effects Festival at Participant Inc., Prelude Festival, AUNTS Arts@ Renaissance, and JACK. ROKE received a 2016 Creative Capital award for The Art of Luv series, and has been awarded a Franklin Furnace Fund grant (2013) and a BAX Space Grant (2014). They were part of the Public Theater’s Devised Theater Working Group and PS122’s RAMP residency program. They spent the summer of 2014 at the Skowhegan School of Painting and Sculpture and were 2015 CUNY Hunter Artists-in-Residence in ceramics.

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WEST COAST PREMIERE:

The Art of Luv ( Part 1 ): Elliot is created with support from The Public Theater’s Devised Theater Working Group, Gibney Dance Center, The Skowhegan School of Painting and Sculpture, and a residency at CUNY City Tech. Royal Osiris Karaoke Ensemble is supported by Immediate Medium’s AGENCY program, which provides financial, administrative, and equipment support to emerging artists. The Art of Luv is a project of Creative Capital.

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PH OTO BY MARIA BAR AN OVA

DI A LOGU E — pg 084

“New, strange, and profoundly disquieting.”

— F L AVO R W I R E

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ON SIGHT:

KEIJAUN THOMAS:

NEW YORK CIT Y, NEW YORK, USA

027

Keijaun Thomas Distance is Not Separation: Section 1. Selective Seeing: Corners, You, Section 2: Painted Images, Colored Symbols: She’s Hard, She Q Part of Makeup on Empty Space, curated by Kristan Kennedy PERFORMANCE

Sun Sept 11, 8:30 PM Mon Sept 12, 8:30 PM Tue Sept 13, 8:30 PM 90 MIN — CAPACITY: 200

A PICA at Hancock 15 NE HANCOCK ST

Free

PA N EL — pg 082

FIELD GU IDE — pg 096

Sun Sept 11, 7:00 PM DI A LOGU E — pg 084

Wed Sept 14, 12:30 PM

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PH OTO BY MAN U EL LÓ PE Z

Sun Sept 11, 2:00 PM

W E S T C O A S T P R E M I E R E : In Thomas’ most recent project, Distance is Not Separation, she takes us back to what it means to be a femme black person growing up playing on the street corner, waiting till the street lights came on, the street lights being a signal for the darkness coming. Both a symbol and warning sign for ones safety.

The last moments before the call and response between mother/parent/queer family and child: “It’s time to come home, I’m coming.” Thomas investigates the black femme body in relation to the athletic body, thinking about value and skills. Thomas rethinks and rebalances how we see and observe sports imagery, the labor and value of craftsmanship, the hairdresser, the janitor, the ‘exotic’ dancer, and how language constructs and transcribes symbols onto the black femme body.

Keijaun Thomas creates live performance and multimedia installations that oscillate between movement and materials that function as tools, objects and structures, as well as a visual language that can be read, observed, and repeated within spatial, temporal, and sensorial environments. Her work investigates the histories, symbols, and images that construct notions of Black identity within black personhood. Thomas examines, deconstructs, and reconstructs notions of visibility, hyper-visibility, passing, trespassing, eroticized, and marginalized representations of the black body in relation to disposable labor, domestic service, and notions of thingness amongst materials addressing blackness outside of a codependent, binary structure of existence. Thomas earned their Masters degree from the School of the Art Institute of Chicago. Thomas has shown work nationally and internationally in Los Angeles, CA; Portland, OR; Chicago, IL; Boston, MA; New York, NY; Miami, FL; and Taipei, Taiwan; Paris, France; Mexico City, Mexico; Santiago, Chile; and the United Kingdom. Thomas was an artist-in-residence at PICA as part of the Creative Exchange Lab program in Fall 2015.

ON SCREEN:

NEW YORK CIT Y, NEW YORK, USA

Carlos Motta

In the early 19th century, a Colombian named Martina was investigated by the colonial court for being a hermaphrodite, after being accused by her female lover of having an “unnatural body.” Meanwhile, in the Ottoman Empire, a woman named Nour is married off to the brother of her lover after her mother finds the two women together in bed. Part documentary and part fiction, the film presents these parallel stories as an imagined correspondence between the two women, exposing the ways in which medicine, law, religion, and tradition have shaped dominant discourses of the gendered and sexual body. Separated by geography, culture, and religion they both faced the consequences of defying sex and gender norms.

Deseos (co-written by Motta and Maya Mikdashi) will be preceded by Motta’s Nefandus, in which two men— one indigenous, the other Spanish-speaking—travel by canoe through the “wild beauty” of the Colombian Caribbean, telling stories of pecados nefandos (unspeakable sins, abominable acts) that took place during the conquest of the Americas.

Carlos Motta was born in Bogotá, Colombia, and currently lives and works in New York. His work has been the subject of solo exhibitions at the New Museum, MoMA PS1, Institute of Contemporary Art Philadelphia, the Tate Modern, and the Sala de Arte Público Siqueiros in México City, among others. He has also been featured in group exhibitions at the Guggenheim Museum, SFMOMA, Museu d’Art Contemporani de Barcelona, Witte de With, Jeu de Paume, and Castello di Rivoli in Turin, as well as in the Lyon Biennale, the Gwangju Biennale, the Gothenburg International Biennale of Contemporary Art, the International Film Festival Rotterdam, and the Toronto International Film Festival.

CARLOS MOTTA:

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Nefandus Deseos ⁄ ‫رغبات‬ [ Desires ]

SCREENING

Mon Sept 12, 7:00 PM 60 MIN — CAPACITY: 384

J Hollywood Theatre 4122 NE SANDY BLVD

$8 Member $10 General

Sun Sept 11, 4:30 PM

Deseos ⁄ ‫[ رغبات‬Desires] (2015) was commissioned and produced by Council (France) and co-produced by Hordaland Kunstsenter (Norway), MALBA, Museo de Arte Latinoamericano de Buenos Aires (Argentina), Röda Sten Konsthall (Sweden), Galeria Filomena Soares (Portugal), Mor. Charpentier Galerie (France) and with further support from Ashkal Alwan (Lebanon), DICRéAM (France) and the Göteborg International Biennal for Contemporary Art (Sweden).

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WEST COAST PREMIERE:

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ON STAGE :

LUKE W YLAND:

PORTL AND, OREGON, USA

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Luke Wyland AU and the Camas High School Choir

PERFORMANCE

Wed Sept 14, 7:30 PM 90 MIN — CAPACITY: 450

E Lincoln Hall, PSU: Performance Hall 1620 SW PARK AVE, ROOM 75

Sliding Scale: $15–30

Presented in association with Young Audiences of Oregon and SW Washington.

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PH OTO BY MAT TH E W WO RD ELL

PR ESEN TING SU PPORT

AU’s new collaboration with the Camas High School choir is an explosive, joyful expression of community and creativity that blurs the lines between propulsive art-pop and avant-garde choral soundscapes. This concert is the summation of a yearlong project that found AU’s Luke Wyland working directly with Camas students to produce an entirely new body of music. In addition, Wyland worked closely with Camas Choir Director Ethan Chessin and the trailblazing arts education nonprofit Young Audiences of Oregon & SW Washington to craft a curriculum that exposed Camas students to varying aspects of the music business via members of the local industry. For this latest incarnation of the project, Wyland will be joined by 80 of the Camas High students, plus his AU collaborators Holland Andrews (Like A Villain), Joe Cunningham (Blue Cranes), Andrew Jones (The Crenshaw), Dana Valatka (Aan), and Reed Wallsmith (Blue Cranes).

Luke Wyland is an interdisciplinary artist and composer based in Portland, OR. He is known primarily as the creative force behind the art-pop band AU, though he has been composing music for dance, film, and television for the past decade. A graduate of the Massachusetts College of Art, he has presented his work throughout North America and Europe to critical acclaim. Ethan Chessin teaches music at Camas High School. His choirs have collaborated with a wide variety of musicians and community leaders including Sufi mystics, Venezuelan harpists, indie rockers, klezmer bands, capoeira troupes, and composers from Mexico and the Czech Republic. Prior to his work at Camas High School, Ethan directed the Calcutta Foundation Orchestra, an orchestra of adult orphans in Calcutta, India, and the Dahoo Chorus, a psychedelic rock-opera choir in Portland, OR. He holds a B.A. in music from Yale University and an M.A. in music education from the University of Washington.

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ON SIGHT:

DYLAN MIRA:

LOS ANGELES, CALIFORNIA, USA

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Dylan Mira

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Duty Free Part of Makeup on Empty Space, curated by Kristan Kennedy

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Wed Sept 14, 8:30 PM Thu Sept 15, 8:30 PM

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40 MIN — CAPACITY: 200

A PICA at Hancock

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15 NE HANCOCK ST

Free

Wed Sept 14, 12:30 PM WOR KSHOP — pg 095

Sat Sept 17, 10:00 AM PR ESEN TING SU PPORT

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DI A LOGU E — pg 084

US PREMIERE: a woman under the influence of a woman under the influence of a woman under the influence of a woman under the influence of a woman under the influence until it has no name A live video essay that arrives through a base note, a vanishing point, an other history of orientations.

Dylan Mira is an artist moving image and text, recording how language makes bodies. Her recent projects have been presented at Museum of Contemporary Art, Los Angeles, 356 Mission Rd, Institute of Contemporary Art, Miami, Performa 15, Elizabeth Foundation for the Arts, Film Society of Lincoln Center, and Los Angeles Contemporary Exhibitions. Mira graduated with an MFA in New Genres from University of California Los Angeles and a BFA in Video from the School of the Art Institute of Chicago. She grew up between the Midwest and East Asia and now resides in Los Angeles.

Mira was an artist-in-residence at PICA as part of the Creative Exchange Lab program in Fall 2015.

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ON STAGE :

LEBANON

Ali Chahrour

Leila prepares the ceremony of death She transcribes her grief and sings it through Ataaba She digs out her mourning and her ululations Shaking the dust off her throat She gathers her men; tonight she will go on stage

ALI CHAHROUR:

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Leila’s Death

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Thu Sept 15, 6:30 PM Fri Sept 16, 6:30 PM 70 MIN — CAPACITY: 276

F Winningstad Theatre ( PORTLAND’5 ) 1111 SW BROADWAY

$20 Member $25 General

Fri Sept 16, 12:30 PM FIELD GU IDE — pg 096

Fri Sept 16, 5:00 PM PR ESEN TING SU PPORT

U S P R E M I E R E : Lebanese choreographer Ali Chahrour explores the practice of Islamic Shiite religious ritual through dance and the body. In this performance, Chahrour takes the stage with two musicians and Leila, a professional mourner whose role it is to deliver the lamentations and honor the departed at a funeral. Woven from traditional Ataaba song verses and the plaintive cries of bereavement, the work is a poetic elegy to a fading cultural heritage. Leila’s Death addresses the relationships between the body and religion, the mourner and the deceased, the sacred and the performed.

Chahrour studied in the theater department of the Lebanese University in Beirut, where he first began investigating his cultural religious heritage through art and performance. Following his training in Europe, he returned to his home in Lebanon to create a locally rooted identity for contemporary dance. His past works include On the lips snow (2009), Danas (profane ⁄ impurity) (2010), and Fatmeh (2014), where he first fully realized his artistic exploration of Shiite practices. He is currently continuing his studies at Saint Joseph University in Beirut.

Travel support provided by Al Mawred al thaqafi-tejwal.

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ON LOCATION:

SACHA YANOW:

NEW YORK CIT Y, NEW YORK, USA

037

Sacha Yanow Dad Band Co-presented with Douglas F. Cooley Memorial Art Gallery, Reed College and John and Anne Hauberg Curator and Director, Stephanie Snyder PERFORMANCE

Thu Sept 15, 7:00 PM 50 MIN — CAPACITY: 90

K Black Box Theatre, Performing Arts Bldg, Reed College 3203 SE WOODSTOCK BLVD

Free RESERVATIONS REQUIRED

EXHIBITION: CHERIE DRE

Sept 9 – Oct 9 Tue – Sun, Noon – 5 PM RECEPTION:

Fri Sept 09, 4:30 PM

3203 SE WOODSTOCK BLVD DI A LOGU E — pg 084

Wed Sept 14, 12:30 PM

Dad Band is presented in conjunction with Yanow’s Cooley Gallery exhibition, Cherie Dre, comprising the development of a new companion performance exploring Yanow’s matrilineal line. Dad Band was conceived and premiered during Wynne Greenwood’s Kelly exhibition and residency in Fall 2015 at the New Museum in New York, curated by Johanna Burton, Stephanie Snyder, and Sara O’Keeffe.

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PH OTO BY AMAN DA RYAN

L Douglas F. Cooley Memorial Art Gallery, Reed College

Sacha Yanow’s solo performance is an intimate psychological portrait of the artist’s father, her internalized dad, and patriarchy in general. For one night only, “Dad” covers and lip-syncs to his favorite songs from the ‘50s and ‘60s, shares footage of his 1970s winning appearance on the To Tell the Truth game show, presents motivational speeches, and more. His button-down shirts become his costumes, his yellow notepad usually reserved for stock market details contains his set list, and his Agatha Christie novel collection and Wall Street Journal become his props.

Sacha Yanow is a New York City-based artist and actor. Her solo performance works include: Dad Band, New Museum, NYC (2015); Silent Film (in development), The Lab, San Francisco, Pieter, Los Angeles, and MAPP ⁄ Greenwood Cemetery, Brooklyn, NY (2015), Dixon Place, NYC (2014), and Movement Research Festival, NYC (2013); and The Prince, Dixon Place, NYC (2013).

Her residencies and awards include: LMCC Process Space (2016); SOMA, Mexico City (2015); Dixon Place, NYC (2014); Yaddo, Saratoga Springs, NY (2012); and The Field, NYC (2011). She was creative consultant for Elisabeth Subrin’s feature film A Woman A Part (2016), and co-director and dramaturge for Dynasty Handbag’s performance piece Soggy Glasses (The Broad ⁄ REDCAT 2016, Brooklyn Academy of Music 2014). Yanow received a BA from Sarah Lawrence College and is a graduate of the William Esper Studio Actor Training program.

ON STAGE :

ALLIE HANKINS:

PORTL AND, OREGON, USA

039

Allie Hankins better to be alone than to wish you were

PERFORMANCE

Thu Sept 15, 8:30 PM Fri Sept 16, 8:30 PM Sat Sept 17, 8:30 PM 60 MIN — CAPACITY: 175

G BodyVox Dance Center 1201 NW 17TH AVE

$16 Member $20 General

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PR ESEN TING SU PPORT

Part lecture, part choreographic exposition, better to be alone than to wish you were is a solo performance that affirms the anticlimactic futility of lust, from its first intoxicating charge to its subsequent, stumbling pursuit. While slyly humorous, Hankins unabashedly exploits and strips her body of its poetic nature as it is offered up for consumption, judgment, and of course: desire. Created with an all-female production team, better to be alone… weaves seduction, stand-up comedy motifs, and forced voyeurism in an attempt to exhibit the extraordinary and cumbersome illogic of love and sex.

Allie Hankins is a Portland-based performer who makes works that toy with the destabilization of persona through uncanny physicality, wr y wit, labyrinthine logic, and skillfully layered imagery, all while trying to suppress her contentious eagerness to please. Her current collaborators include Physical Education (Lu Yim, keyon gaskin, and Taka Yamamoto), Rachael Dichter, Morgan Ritter, and Rose Mackey. Most recently, Hankins has performed with Julien Prévieux, Morgan Thorson, Tahni Holt, and Suniti Dernovsek. She has been an artist-in-residence at the Djerassi Resident Artist Program, the Robert Rauschenberg Residency, and the New Expressive Works Residency at Studio 2.

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ON STAGE :

MOHAMED EL KHATIB:

FR ANCE

Mohamed El Khatib

041

“Everything rings true in [Finir en beauté]. It’s called grieving, but with this grief comes along humor, stories, and trips back and forth between France and Morocco.” — L E M O N D E B I R G I T T E S A L I N O

Finir en beauté

P R E SE N TAT ION

Fri Sept 16, 6:30 PM Sat Sept 17, 6:30 PM Sun Sept 18, 3:00 PM 50 MIN — CAPACITY: 80 IN FRENCH WITH ENGLISH SUBTITLES

E Lincoln Hall, PSU: Boiler Room Theatre 1620 SW PARK AVE, ROOM 55

$16 Member $20 General RESERVATIONS REQUIRED

FRENCH EMBASSY IN THE UNITED STATES

HIGHER EDUCATION, ARTS, FRENCH LANGUAGE

Supported by the Cultural Services of the French Embassy in the United States.

PH OTO C O U RTE SY O F TH E ARTI ST

PR ESEN TING SU PPORT

U S P R E M I E R E : French ⁄ Moroccan author and director Mohamed El Khatib presents a solo lecture presentation on loss and remembrance, drawing from documents from his family’s past—newspaper clippings, emails, phone messages, scraps of exchanges with the father, recorded transcripts, videos. These snapshots of life evoke family, nationality, native language, memory, mourning and shift between documentary and fiction.

Mohamed El Khatib is an author, director, performer, and is based in France. His work has garnered success in such important arts events as the Avignon Festival.

He attempts to confront drama with other media (films, installations, newspapers) and to observe the friction they produce. After literature studies, and time at the CADAC (Dramatic Art Center of Mexico) and a Ph.D in sociology about “the critique in the French press,” he co-founded in 2008 the collective Zirlib on a simple premise: aesthetics aren’t devoid of political sense.

He has started with “Nowhere to Hide,” a reflection on the notion of grief, which will last for the next 15 years.

Since 2011, Mohamed El Khatib has been supported by the L’L in Brussels—a place of research where he has been developing research around the writing of the intimate and attempts to explore, to the point of exhaustion, different modes of anti-spectacular exposition. In 2014–2015, he as an associate artist at the Centre Dramatique National Orléans ⁄ Loiret ⁄ Centre.

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ON STAGE :

ALESSANDRO SCIARRONI:

ITALY

043

Alessandro Sciarroni UNTITLED_ I will be there when you die

PERFORMANCE

Fri Sept 16, 8:30 PM Sat Sept 17, 8:30 PM 50 MIN — CAPACITY: 450

E Lincoln Hall, PSU: Performance Hall 1620 SW PARK AVE, ROOM 75

$20 Member $25 General

Sat Sept 17, 12:30 PM WOR KSHOP — pg 095

Sun Sept 18, 10:00 AM

PH OTO BY ALFRED O AN C E S C H I

DI A LOGU E — pg 085

U S P R E M I E R E : Italian artist Alessandro Sciarroni returns to Portland with a performative reflection on the passing of time. Continuing his trilogy that began with Folk-s, will you still love me tomorrow (TBA:15), Sciarroni now focuses on another traditional artform comprised of repeated actions: juggling. By remixing the pacing and sequence of gravity-defying moves (under the leg, under the arm, above the head, etc.), there is an almost endless combination of patterns to explore.

Each repetition abstracts the performers’ movements, opening the possibilities of seeing the larger picture: flight, failure, kinetic potential. Stripping away the trappings of the circus, Sciarroni lays bare the essential vocabulary of juggling and the medium’s fixation on practice, discipline, and concentration.

Every toss and every catch marks the passage of time—a hypnotic and thrilling effect—again and again and again.

Alessandro Sciarroni is an Italian performing artist with an extensive background in visual art and theater.

His works are featured in dance and theater festivals, museums, art galleries, and in unconventional spaces.

Sciarroni’s performances try to uncover obsessions, fears, and fragilities through the repetition of a practice at the limits of physical endurance. He collaborates with a wide range of artists and his works have been performed in 21 European countries, Canada, Brazil, Uruguay, and the United Arab Emirates, at venues including the Biennale de la Dance in Lyon, Kunstenfestivaldesarts in Brussels, Impulstanz Festival in Vienna, the Venice Biennale, the Festival Séquence Danse at 104 in Paris, Juli Dans Festival in Amsterdam, the Centre Pompidou, and the MAXXI Museum in Rome.

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ON STAGE :

GEUMHYUNG JEONG:

SOUTH KOREA

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Geumhyung Jeong

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Fri Sept 16, 8:30 PM Sat Sept 17, 8:30 PM 75 MIN — CAPACITY: 80

I New Expressive Works 810 SE BELMONT ST

$12 Member $15 General

Artist travel is supported by Art Council Korea.

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PR ESEN TING SU PPORT

Where lies the boundary between the body and the machine? In an empty space, illuminated only with cold light, Geumhyung Jeong explores the potential of the human: the sensuality, power, and mutability of the body. In seven peculiar “duets” with mundane objects (ranging from household appliances to mannequins), Jeong bestows a bizarre and disconcerting life to the inanimate through an intense and risky interaction with her own body, Combining dance, puppetry, and a technical mastery of theatrical conventions, the result is a moving choreography of the body and mind, crossing the dividing line between the human and inhuman, hallucination and reality.

Geumhyung Jeong is a South Korea-based choreographer, dancer and performer. Jeong studied Acting at Hoseo University in Asan, Korea, Dance and Performance at the Korean National University of Arts in Seoul, and Animation Film at the Korean Academy of Film Arts in Seoul. Her works have been presented by the New Museum, New York, Zürcher Theater Spektakel, Switzerland; Malta Festival, Poznań, Poland; Brigittines International Festival, Brussels; SPIEL ART Festival, Munich; ImpulsTanz Festival, Vienna; iDans Festival, Istanbul; Contemporary Art Museum of Ujazdowski, Warsaw; Württembergischer Kunstverein, Stuttgart, Germany; PACT Zollverein, Essen, Germany; and many others.

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ON STAGE :

RINDE ECKERT:

NEW YORK CIT Y, NEW YORK, USA

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Rinde Eckert My Fools: A Life in Song

“Rinde Eckert is not the voice of reason. We need a name for the kind of character he creates. Call them Rindes. They’re losers for sure. A little odd. Not bad guys at all but a little out of whack. Eckert’s latest oneman show is a work of songs, dramatic monologues, lecture and video, his ‘anthology of theatrical loners.’”

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— LOS ANGELES TIMES

PERFORMANCE

Sat Sept 17, 6:30 PM 50 MIN — CAPACITY: 302

F Winningstad Theatre ( PORTLAND’5 ) 1111 SW BROADWAY

$20 Member $25 General

PR ESEN TING SU PPORT The performance of Rinde Eckert’s My Fools: A Life in Song is made possible through a generous performing artist award from the Doris Duke Charitable Foundation.

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Rinde Eckert has been writing, composing, performing, and directing evocative and haunting performance pieces and plays that have pushed at the edges of recognized theatrical form since the early 1980s. My Fools: A Life in Song combines song, dramatic monologues, lecture, and video from his archive. Beginning with a montage of visually striking moments from his shows across the decades, My Fools is a series of variations on a smart, slightly cock-eyed Everyman who begins his journey with a pure sense of mission and descends into the maelstrom.

The multi-talented Rinde Eckert is an acclaimed performer, director, writer, composer, librettist, and musician whose virtuosic command of gesture, language, and song takes this total theatre artist beyond the traditional boundaries of what a ‘play,’ a ‘dance piece,’ an ‘opera,’ or a ‘musical’ might be. Eckert creates solo work, chamber pieces and through-composed operas with larger casts in collaborations with choreographers, composers, directors, and new music ensembles. His Opera/ New Music Theatre productions have toured throughout the U.S. and to major European and Asian festivals.

Current theater and music projects in which he performs include My Lai with the Kronos Quartet; The Aging Magician with Paola Prestini and Beth Morrison Productions; and Five Beasts with composer/performer Ned Rothenberg and beat box artist Adam Matta. Among his many awards, Rinde Eckert was the 2007 finalist for the Pulitzer Prize in Drama.

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PH OTO BY MARI O GALLU C C I

THE WORKS:

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11 THE WORKS is where TBA

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goes after dark—where artists wind down with a drink, and

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where dance parties dissolve into the night sky. DJs, drag balls, installations, rituals,

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performance, TBA Kitchen, comedy, film, and more.

It’s an after-party where

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everyone’s invited.

15 NE Hancock. THE WORKS will also serve as our housewarming party—a ten-night, all-ages, all-out bash to celebrate our new space.

PH OTO BY MAT T H O U LEMARD

For the first time, THE WORKS will be held at PICA’s new home,

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THE WORKS: FOOD & DRINK

FOOD, BOOZE, & TBA:

Food, Booze, & TBA

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#tbafoodfeelings

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Outdoor bar opens nightly beginning at 9:30 PM A PICA at Hancock 15 NE HANCOCK ST

When it comes to meals at TBA this year, we invite you to eat your feelings. Unfetter yourself with a frosé and get over it by

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getting under a pile of fancy fries. We’ve invited some of Portland’s most creative,

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exciting, and unexpected talents to guest chef in our kitchen. They’ll be creating their version of midnight comfort food—

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expect shift meals, fantasy mash-ups, unexpected flavor combinations, and high-brow meets low-brow indulgences.

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Snack or binge throughout the night, it is your goddess-given right.

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Emily Mistell of Rum Club will keep your late-night adventures booze-filled with the cocktails of your dreams. Rum-

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filled punches, tequila-spiked slushies, More details revealed at  @picatba #tbafoodfeelings

and classic cold beers are just a small sample of what she has in store.

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THE WORKS: FOOD & DRINK

OPENING NIGHT DINNER:

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Opening Night Dinner at 15 NE Hancock

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Thu Sept 08, 6:00 PM CAPACITY: 200 — 21+ ONLY

A PICA at Hancock

There’s no place like home… gather with us at the PICA family table with friends and artists for an unforgettable feast from Stacey Givens of The Side Yard Farm

15 NE HANCOCK ST

This is our housewarming, our home-

$100 Tickets available at pica.org/tba

coming, and the celebratory meal to

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kick off TBA:16 all in one. Break bread with us and toast our new beginnings in NE Portland with cocktails, champagne, menu inspires local resilience bringing together urban farming, cooking, and people, and focusing on seed-to-plate dining with multiple courses and family-style seating.

A gluten-free, vegetarian, and vegan option is available. A portion of your ticket may be tax-deductible and will be acknowledged after the event.

PH OTO BY M ITC H ELL S N Y D ER PH OTO G R APH Y

and a homecooked meal. This year’s

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THE WORKS:

KELLY PRATT:

PORTL AND, OREGON, USA

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Kelly Pratt 09

Fanfare: Birth > Rebirth PICA at Hancock Opening Night

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L AT E N IGH T

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Thu Sept 08, 8:30 PM CAPACITY: 400 — ALL AGES

A PICA at Hancock 15 NE HANCOCK ST

Free

PR ESEN TING SU PPORT

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L ATE N IGHT — pg 064

Sun Sept 11, 10:30 PM

PICA COMMISSION: Specially commissioned for the opening night of TBA:16, Fanfare: Birth > Rebirth is a celebration of new life. With each beginning comes an infinite amount of possibilities to change ideas, lives, and events. Commemorating the opening of PICA’s new home, 15 NE Hancock, the fanfare will be performed by an ensemble comprised of hundreds of local nonprofessional brass and woodwind players of all ages directed by Kelly Pratt. Within the piece, there will be several sections open to improvisation to reflect the shifting dynamics of the audience and ensemble.

Kelly Pratt is a multi-instrumentalist, composer, and arranger. From 2006–12, he was a full-time member of indie-pop outfit Beirut, contributing arrangements, brass ⁄ woodwinds, and vocals. He has performed and recorded with hundreds of artists including Arcade Fire, LCD Soundsystem, Coldplay, The War on Drugs, and Passion Pit. In 2012 and 2013, he collaborated with David Byrne and St. Vincent, providing arrangements for their album Love this Giant, as well as serving as arranger and musical director for their world tour. In 2015 he was the arranger and brass ⁄ woodwind player for Contemporary Color, a multimedia tour curated by Byrne featuring contemporary pop stars accompanied by color guards.

Pratt is also the chief songwriter and vocalist of the band Bright Moments, whose debut NPR called “a wildly creative album, packed with energy.”

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THE WORKS:

JULIANA HUXTABLE:

NEW YORK CIT Y, NEW YORK, USA

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Juliana Huxtable

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PICA at Hancock Opening Night

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Thu Sept 08, 9:30 PM CAPACITY: 400 — ALL AGES

A PICA at Hancock

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15 NE HANCOCK ST

Free

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Fri Sept 09, 2:00 PM

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DI A LOGU E — pg 083

Juliana Huxtable will treat opening night audiences to a dynamic experience sonically and visually. The night will play between text, sound and video, questioning the parameters between club and gallery.

In her work, Huxtable explores the intersections of race, gender, queerness, and identity. She uses a diverse set of means to engage these issues, including selfportraiture, text-based prints, performance, nightlife, music, writing, and social media. Huxtable’s work has been featured in group presentations at MoMA PS1, New York (2014); White Columns Annual, White Columns, New York (2014); “Take Ecstasy with Me,” Whitney Museum of American Art, New York (2014); Frieze Projects, London (2014); and2015 Triennial: Surround Audience, New Museum of Contemporary Art, New York (2015); among other venues.

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THE WORKS:

LIBBY WERBEL:

PORTL AND, OREGON, USA OAKL AND ⁄ L OS ANGELES, CALIFORNIA, USA

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Portland Museum of Modern Art at THE WORKS

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L AT E N IGH T

Fri Sept 09, 10:30 PM CAPACITY: 400 — ALL AGES

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A PICA at Hancock 15 NE HANCOCK ST

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$8 Member $10 General INCLUDED WITH ALL PASSES

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Sept 10–11

PH OTO C O U RTE SY O F DYANAST Y HAN D BAG

R ESIDENC Y — pg 018

The Portland Museum of Modern Art curates a night of powerful and joyful performances. PMOMA creator Libby Werbel presents a selection of performers who will activate the PMOMA exhibition in Pioneer Courthouse Square throughout the weekend. Tropic Green (Oakland, CA) incorporates reggae, house, spirituals, and Afrofuturist themes in her rhythmic performances, Dynasty Handbag (Los Angeles, CA; previously part of TBA:15) emcees with her absurd mix of improv, comedy, and movement, and radical trio Strange Babes (Portland, OR) offers an eclectic DJ set. PMOMA at the WORKS is a wild sampling of what PMOMA has in store for a jam-packed weekend in the Square. Surprise performances will abound!

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THE WORKS:

PEPPER PEPPER:

PORTL AND, OREGON, USA LOS ANGELES, CALIFORNIA, USA

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Pepper Pepper

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Critical Mascara: A Post-Realness Drag Extravaganza

L AT E N IGH T

Sat Sept 10, 10:30 PM CAPACITY: 400 — ALL AGES

A PICA at Hancock 15 NE HANCOCK ST

$8 Member $10 General INCLUDED WITH ALL PASSES

Fri Sept 09, 10:00 AM

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Critical Mascara, “A Post-Realness Drag Extravaganza,” returns for its fourth year serving a wild hybrid of dance, vogue, and drag competition unlike any other!

Critical Mascara celebrates community and creativity through competition and now collaboration. Producer and Hostess Pepper Pepper with DJ Zaq Desfleurs are joined by celebrated choreographer Kumari Suraj as MC and Portland’s luminaire Isaiah Esquire. Together they curate and judge the Pacific Northwest’s largest, queerest, and most fabulous extravaganza.

Pepper Pepper is a fabulous queen who turns tragic into magic and trauma into drama through performance, theatre, and dance. Pepper is a celebrated MC and choreographer with work shown locally to internationally.

Their current research/performance project “D.I.V.A Practice” explores drag as a contemporary practice of subversion, identity, and time travel. Kumari Suraj, dubbed the “The Queen of Waacking Nuevo,” is known for having posted the first waacking videos on YouTube, and for having introduced waacking to mass media on the hit reality show So You Think You Can Dance. Suraj is the founder of the LA’s International Waack ⁄ Punk ⁄ Pose Festival, also known as Waackfest. Isaiah Esquire is most known for his mastery of face, character, intricate lip-sync, and absolute connection. A seasoned dancer, instructor, choreographer, creative director, and internationally acclaimed entertainer, Isaiah has over 13 years of professional experience and continues to break down barriers of gender, sexuality, culture, and age.

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WOR KSHOP — pg 093

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THE WORKS:

KELLY PRATT:

PORTL AND, OREGON , USA

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Kelly Pratt

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No No Soliciting

10 L AT E N IGH T

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Sun Sept 11, 10:30 PM CAPACITY: 400 — ALL AGES

A PICA at Hancock

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15 NE HANCOCK ST

$8 Member $10 General INCLUDED WITH ALL PASSES

No No Soliciting will feature several of Portland's most talented and respected musicians and songwriters performing songs specifically written for the event.

Each songwriter will take several different directives from the audience regarding form, key, tempo, melody, instrumentation, and lyrical content to compose a song in 15 minutes. Once the song is written, they will return to the ensemble, walk the band and audience through the composition, and then perform the song while the following songwriter is composing the next song.

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FE AT U R ING:

Thu Sept 08, 8:30 PM

PH OTO C O U RTE SY O F TH E ARTI ST

OPEN ING N IGHT — pg 056

Kelly Pratt (Beirut, David Byrne ⁄ St. Vincent) — keyboard, horns Dave Depper (Death Cab for Cutie) — guitar ⁄ bass Erika Anderson (EMA) — keys Holcombe Waller (Requiem Mass: LGBT ⁄ Working Title, TBA:15) — various instruments Johanna Kunin (Thao and the Get Down Stay Down) — various instruments Matt Sheehy (Lost Lander, El Vy) — guitar ⁄ bass Dana Buoy (Akron ⁄ Family) — drums Brent Knopf (Ramona Falls, El Vy) — guitar ⁄ keyboard

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THE WORKS:

Don’t Get Me Started

PORTL AND, OREGON , USA

DON’T GET ME STARTED:

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“It is a tale told by an idiot, full of sound and fury, signifying nothing. — W I L L I A M S H A K E S P E A R E , M A C B E T H

Hosted by Andrew Dickson and co-produced with Claudia Meza

L AT E N IGH T

Mon Sept 12, 10:30 PM CAPACITY: 400 — ALL AGES

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A PICA at Hancock 15 NE HANCOCK ST

$8 Member $10 General INCLUDED WITH ALL PASSES

In this election year, we are bombarded by talking heads spouting propaganda, grandiose statements, and empty promises. Social media creates echo chambers reinforcing our opinions. Don’t Get Me Started offers an alternative outlet for our viewpoints—the good old-fashioned rant. Outraged by New Portland eclipsing Old Portland? Fuming about environmental toxics?

Irate about injustice? Your soapbox and microphone awaits at Don’t Get Me Started, an evening featuring well- craf ted arguments by ar tists, comedians, activists, and everyday citizens, with MC Andrew Dickson. After a series of presentations by invited guests, audience members will have a chance to participate in an open-mic style “speed round” of one-minute rants. To pitch yours, please email dontgetmestarted@pica.org, or just show up and put your name in the hat.

THE WORKS:

DJ KLYPH:

PORTL AND, OREGON, USA O AKL AND, CALIFORNIA, USA

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Welcome to the Neighborhood Live!

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Tue Sept 13, 10:30 PM

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CAPACITY: 400 — ALL AGES

A PICA at Hancock

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15 NE HANCOCK ST

$8 Member $10 General INCLUDED WITH ALL PASSES

Sponsored by XRAY FM, broadcasting in Portland on 91.1FM and 107.1FM, and online worldwide at www.xray.fm.

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PR ESEN TING SU PPORT

Welcome to the Neighborhood Live! expands the reach of the weekly radio broadcast bringing the very best from the northwest to the stage! DJ Klyph curates a night of hip hop featuring some of Portland’s finest including DJ/ Producer/MC Omega Watts of Mello Orange, Oakland transport MC Brookfield Duece, NW MC Matty, and Producer Trox, plus familiar elements of the WTTN broadcast. Expect a great night of music and surprises.

DJ Klyph has been bringing the very best from the northwest and worldwide to the airwaves since ’09.

Featuring hip hop, funk and soul music and providing a platform for artists that are often underserved to share exclusive content, in-studio interviews, and on-air rhyme sessions. A fan of conscious hip hop with a lean towards the golden era east coast sound, Klyph utilizes multimedia platforms of radio broadcast, podcasting, and visuals to impact the community and promote consciousness.

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THE WORKS:

BLIND COVEN:

PORTL AND, OREGON , USA

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burke jam presents Blind Coven Featuring Amenta Abioto

L AT E N IGH T

Wed Sept 14, 10:30 PM CAPACITY: 400 — ALL AGES

A PICA at Hancock 15 NE HANCOCK ST

$8 Member $10 General INCLUDED WITH ALL PASSES

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PH OTO C O U RTE SY O F AM ENTA AB I OTO

Blind Coven will feature Portland-based songwriter, songstress, and actor Amenta Abioto. Abioto’s work is on the cutting edge of all that is musical, theatrical, and literary. Her music is boldly mystical and soul-fired, and her raw improvisational live performances invoke elements of both theatrical surprise and magic through ancient African diasporic sounds and stories. She brings to the music scene funky academia while skipping vocally from soul-shaking gospel and smooth jazz to hip hop rhythms wrapped in West African beats.

The performance will feature a boutique designed 10-channel surround sound system as well as correlating lighting and visuals from artist DB Amorin.

Blind Coven is an ongoing internationally curated space and dialogue of sound artists, sound designers, composers, and experimentalists. While the event locations shift between Brisbane, Australia and Portland, Oregon, the central focus remains on immersive listening. Blind Coven seeks to create reverent space for the physicality of sound and its experiential intimacy with the body as a place of resonance.

THE WORKS:

CINEMA PROJECT:

PORTL AND, OREGON , USA

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Cinema Project

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The Mechanics Laid Bare

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L AT E N IGH T

Thu Sept 15, 10:30 PM CAPACITY: 400 — ALL AGES

A PICA at Hancock 15 NE HANCOCK ST

$8 Member $10 General INCLUDED WITH ALL PASSES

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PR ESEN TING SU PPORT

Referencing the psychedelic light shows of the ’60s and ’70s as well as the harsh noise performances of contemporary avant-garde rebels like Bruce McClure, the Cinema Project collective, along with Portlandbased musician Matt Carlson and friends, will create a momentary light and sound environment—a temporary dynamic installation in which to immerse audience members both wandering and still. Several 16mm projectors will run simultaneously and light beams will appear in the round. Moving images of man, woman, animal, landscape, or simply sheer color and light from analog loops and reels will overlap and penetrate one another, covering any and all surfaces possible, and manipulated live by human hands. The mechanics of cinematic experience will be laid bare and at times it will be very, very loud.

Cinema Project is a collectively run, non-profit organization based in Portland, Oregon, that works to promote public awareness of avant-garde cinema from the past and present. For 13 years, Cinema Project has attempted to push boundaries with thoughtful and evocative curatorial selections and in doing so has featured artists, curators, and scholars from around the world with the intent to broaden public engagement with, and deepen critical understanding of, innovative experimental film and video art. The Cinema Project collective is also made up of people and they are Heather Lane, Mia Ferm, Michael McManus, and Melinda Kowalska.

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THE WORKS:

DUG & YGB:

PORTL AND, OREGON , USA

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Deep Under Ground and Young Gifted & Brown

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Gifted Grounds

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Fri Sept 16, 10:30 PM CAPACITY: 400 — ALL AGES

A PICA at Hancock 15 NE HANCOCK ST

$8 Member $10 General INCLUDED WITH ALL PASSES

Sat Sept 10, 3:30 PM

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PA N EL — pg 082

Deep Under Ground (DUG) and Young Gifted & Brown (YGB) have been curating safe spaces for brown folks to congregate, express themselves, share stories, love one another, and move their bodies since early & mid-2015.

They are now joining forces to present Gifted Grounds, a multi-sensory, community experience that will feel like no dance party you have ever stepped into. They’re calling all Lovers, Creators, Change-Makers, Hustlers, Baby Mamas, Nation Builders, Dancers, Revolutionaries, Freedom Fighters, Spiritual Gangsters and Everyone in Between. Free yourself on this day…

DUG is an arts platform showcasing visual and performance artists. Curated by Mia O’Connor and Madenna Ibrahim, DUG events are geared to provide a healthy and safe environment that will unite the surrounding artistic community with different cultures and views here in Portland.

Natalie Figueroa is an activist and community organizer that has addressed the intersections of art and revolution for over 18 years. Natalie, a Chicago native, has organized alongside youth of color to address issues of police brutality, segregation, access to comprehensive health education and racial injustice in public schools. Currently, she is working on building community in Portland through her art collective YGB.

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THE WORKS:

SHE’S IN PARTIES:

PORTL AND, OREGON , USA

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She’s in Parties

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Shannon Funchess presents an evening of sound and visuals

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L AT E N IGH T

Sat Sept 17, 10:30 PM CAPACITY: 400 — ALL AGES

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A PICA at Hancock 15 NE HANCOCK ST

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$8 Member $10 General INCLUDED WITH ALL PASSES

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FE AT U R ING:

Healing Crisis (Shannon Funchess, performing live) Eran Haas DJ Jackal (DJ) Miranda L. Tarrow (visuals)

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Indie electronic musician and vocalist Shannon Funchess has had her feet firmly planted in the fertile underground scene for two and a half decades. Also a DJ and sometime dancer for the likes of The Knife, Funchess is a multidisciplinary performance artist with a gravitation toward the synthesis of dark, angular sound, and visual bisection.

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PH OTO BY S I K A STANTO N

INSTITUTE:

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09 Each year, TBA connects

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audiences to renowned and radical artists and thinkers of our time. Institute is an opportunity to

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expand your Festival experience through illuminating conversations and dialogues, participatory

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workshops, and deep-dive Field Guides. In addition to these

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mainstays, we’ve programmed two immersive weekends of lectures, panels, and roundtables

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that explore core concepts and common themes, and highlight the social relevance, cultural

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richness, and aesthetic rigor across exhibitions, performances,

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and public programs. And, for the of Guest Scholars in addition to Creative Exchange Lab artists to engage deeply with the Festival and advance the conversation on contemporary art.

PH OTO BY S I K A STANTO N

first time, we’ve invited a group

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INSTITUTE:

CONVERSATIONS:

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Conversations

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Panels & Roundtables

Portland’s Next Wave: Emerging Women ArtistsCurators-Producers of Color

Artists, curators, writers, scholars, and activists come together for discussions that touch on timely topics and themes in art and politics, resonating across the Festival and the field.

Sat Sept 10, 3:30 PM

B PICA at West End

60 MIN

415 SW 10TH AVE

Festival as Platform Fri Sept 09, 12:30 PM

B PICA at West End

60 MIN

415 SW 10TH AVE

Artistic directors of leading national and international art and performance festivals speak to the concentrated time, space, and place of “the festival” as an unparalleled platform for artistic presentation, audience experience, curatorial research, political engagement, and a cross-cultural confluence of people and ideas. With Angela Mattox (TBA Festival, Portland); Silvia Bottiroli (Santarcangelo Festival, Italy); Helen Cole (In Between Time Festival, Bristol, UK); and Melissa Levin (River to River Festival, NYC).

Moderated by Stephanie Snyder, Anne and John Hauberg Director and Curator, Douglas F. Cooley Memorial Art Gallery, Reed College.

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Women artists of color are at the forefront of Portland’s expanding cultural and nightlife scenes, producing multidisciplinary exhibitions, performances, readings, screenings, dialogues, and dance nights that foreground Black and Brown bodies, voices and perspectives and insist on the intersection of art and social justice. With Natalie Figueroa (YGB); Akela Jaffi (House of Aquairus); Mia O’Connor and Madenna Ibrahim (Deep Under Ground); Intisar Abioto; and Blanca Stacey Villalobos (Las Pochas Radicales).

Moderated by Guest Scholar Kemi Adeyemi.

Black Queer Feminist Performance NOW Sun Sept 11, 2:00 PM

B PICA at West End

60 MIN

415 SW 10TH AVE

Artists and scholars discuss what it means to make experimental performance through a Black queer feminist lens in light of the contemporary politics and evolving aesthetics of race, gender, sexuality, and the body. With Kemi Adeyemi, Sampada Aranke, sidony o’neal, taisha paggett, and Keijaun Thomas.

Moderated by Guest Scholar Ariel Osterweis.

Artist Dialogues Dynamic and generative discussions with festival artists, curators, scholars, and community leaders that illuminate TBA projects and put artists and audiences in direct dialogue.

Juliana Huxtable with Sampada Aranke Fri Sept 09, 2:00 PM

B PICA at West End

60 MIN

415 SW 10TH AVE

Opening night artist Juliana Huxtable discusses her multidisciplinary practice across music, poetry, performance, and the politics of race and gender with TBA Guest Scholar Sampada Aranke, Asst. Professor in History and Theory of Contemporary Art, San Francisco Art Institute.

Narcissister with Ariel Osterweis Sat Sept 10, 12:30 PM

B PICA at West End

60 MIN

415 SW 10TH AVE

Narcissister talks performance, dance, video art, photography, and activism

across popular and experimental media with TBA Guest Scholar Ariel Osterweis (Dance Studies, CalArts), whose critical research and writing closely consider race and movement in Narcissister’s practice.

Introducing the TBA Guest Scholars Sat Sept 10, 2:00 PM

B PICA at West End

60 MIN

415 SW 10TH AVE

Our inaugural TBA Guest Scholars will share their current academic and artistic research, critical questions, and deep reflections spanning disciplines and forms through brief presentations and audience Q&A. Featuring Kemi Adeyemi, Sampada Aranke, Stephanie DeGooyer, Linda K. Johnson, and Ariel Osterweis. See pg 099 for full description.

A.K. Burns with Stephanie DeGooyer Sun Sept 11, 12:30 PM

B PICA at West End

60 MIN

415 SW 10TH AVE

A.K. Burns’ epic four-channel video installation, A Smeary Spot, is infused with a constellation of queer bodies and futurities; feminist theory and scifi; dance, performance, & cinematic

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CONVERSATIONS:

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image; and radical politics and philosophies of space and time. Burns shares the impetuses and influences of her TBA project in dialogue with Stephanie DeGooyer, Asst. Professor, Willamette University.

Morgan Thorson with Sarah Krajewski Mon Sept 12, 12:30 PM

H PNCA: Mediatheque

60 MIN

511 NW BROADWAY

Choreographer Morgan Thorson discusses her TBA project, Still Life, an ongoing installation that processes loss, killing, and extinction through movement and stillness, and features both local and visiting dance artists performing in galleries of the Portland Art Museum. In conversation with Sara Krajewski, Curator, Modern & Contemporary Art, Portland Art Museum.

Royal Osiris Karaoke Ensemble with Kate Bredeson Tue Sept 13, 12:30 PM

H PNCA: Mediatheque

60 MIN

511 NW BROADWAY

Members of this New York-based, experimental theatre company elaborate on the themes of modern masculinity and desire in their performance, The Art of Luv (Part I): Elliot, in conversation with Kate Bredeson, Assoc. Professor of Theatre, Reed College.

(Artistic Director, Mammalian Diving Reflex) on their mutual participatory art practices and experiences working with children and youth to generate innovative projects for intergenerational audiences.

Dorothée Munyaneza & Moya Michael with Lili Chopra

Join PICA’s Fall 2016 Creative Exchange Lab artists for an evening of brief introductions to their practices which span diverse disciplines and cultures. Reception with artists to follow. See pg 101 for full description.

Ali Chahrour with Maya Mikdashi

Sat Sept 17, 2:00 PM

B PICA at West End

60 MIN

415 SW 10TH AVE

TBA Visual Artists with Kristan Kennedy & Stephanie Snyder

Ali Chahrour shares insights into his deeply layered TBA performance, Leila’s Death, as informed by contemporary choreography, religious ritual, and local tradition in Lebanon. Guest Scholar Maya Mikdashi (Asst. Professor, Rutgers University) brings her expertise in gender, art, and Lebanese politics and culture to the discussion of the work.

Creative Exchange Lab: Meet the Artists Tue Sept 13, 5:30 PM

B PICA at West End

120 MIN

415 SW 10TH AVE

Wed Sept 14, 12:30 PM

H PNCA: Innovation Lab

60 MIN

511 NW BROADWAY

Dylan Mira, Keijaun Thomas, and Sacha Yanow join curators Kristan Kennedy (PICA) and Stephanie Snyder (Reed College) to share insight into their festival projects and discuss the significance of making and curating visual performance art now.

Britt Hatzius with Darren O’Donnell Thu Sept 15, 12:30 PM

H PNCA: Mediatheque

60 MIN

511 NW BROADWAY

Artist Britt Hatzius shares her process behind the engaging Blind Cinema, and exchanges thoughts with Darren O’Donnell

Fri Sept 16, 12:30 PM

H PNCA: Mediatheque

60 MIN

511 NW BROADWAY

Alessandro Sciarroni with Linda K. Johnson Sat Sept 17, 12:30 PM

B PICA at West End

60 MIN

415 SW 10TH AVE

Choreographer Alessandro Sciarroni returns to TBA with UNTITLED, featuring the nuanced repetition, gesture, and durational movement of professional jugglers against a live ambient soundscape. Portland choreographer Linda K. Johnson invites Sciarroni to unpack the

conceptual and aesthetic influences on this meditative experimental work.

Creative Exchange Lab artists Dorothée Munyaneza (Rwanda/France) and Moya Michael (South Africa/Belgium), discuss their performance practices, political and personal influences, and transnational perspectives on working artistically between Europe and their native countries. In dialogue with Lili Chopra, Artistic Director, French Institute Alliance Française.

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Boyzie Cekwana & keyon gaskin with Vivian Phillips Sun Sept 18, 12:30 PM

B PICA at West End

60 MIN

415 SW 10TH AVE

Creative Exchange Lab artists Ntsikelelo “Boyzie” Cekwana (South Africa) and keyon gaskin (Portland) exchange thoughts on making critically engaged dance, choreography, and performance that attends to questions of race and the persistence of colonialism and apartheid in artistic and cultural contexts. In conversation with Vivian Phillips of Seattle Theatre Group.

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INSTITUTE:

CARLOS MOTTA:

NEW YORK CIT Y, NEW YORK, USA

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Carlos Motta

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Histories for the Future

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LECTURE

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Sun Sept 11, 4:30 PM 60 MIN

B PICA at West End 415 SW 10TH AVE

Free

Mon Sept 12, 7:00 PM

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15 PH OTO C O U RTE SY O F CARLO S M OT TA

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Carlos Motta will speak about his recent videos, installations, and sculptural works, as well as the upcoming symposium Nefandus: Colonial Sexual Alterity and Histories for the Future, which he is co-convening with historian Pablo Bedoya at the Pérez Art Museum (PAMM) in Miami. These projects investigate pre-conquest and colonial sexualities, a topic that has traditionally held a marginal place in contemporary artistic, academic, political, and cultural agendas.

Motta’s practice suggests that the dissemination of knowledge about sexuality and gender in the colonial period may prove important to understanding the conditions of sexual and gender politics in the present. Can the production of sex/gender orders tell us something about the historical evolution of certain subjects’ alterity? What can peripheral sexualities tell us about the hegemonic order? Where should the boundary be drawn between peripheral/abject/ subordinate sexualities and sexualities at the center?

What means are available to us for approaching that past?

What other methods, theories, and/or languages might be useful to us in approaching colonial studies and as a means for understanding our current problems?

Motta will discuss his research and artistic methodologies, which include strategies of documentary practice, fiction, and parafiction.

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INSTITUTE:

MAYA MIKDASHI:

USA ⁄ LEBANON

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Maya Mikdashi War, Law, and Memory in Lebanon

LECTURE

Sat Sept 17, 3:30 PM 30 MIN

B PICA at West End 415 SW 10TH AVE

Free

Mon Sept 12, 7:00 PM

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15 PH OTO C O U RTE SY O F MAYA M I K DAS H I

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TBA Guest Scholar Maya Mikdashi traces the history of the modern Lebanese state through an engagement with the archives of the country’s high court.

Ethnography of daily life at the courthouse is coupled with archival research in order to think more critically about mainstream Lebanese history and technologies of research, census taking, and the politics of identity.

What is the relationship between history, the researcher, and the archive? How might we think about archival refusal—archives that are not history and archives that are absent—in order to re-imagine the political possibilities of the present in a War on Terror era Middle East? How might the researcher refuse the logic and technology of the archive, and what work are we doing at these moments of refusal? These are some of the guiding questions of this presentation, which serves to further contextualize Lebanese culture, politics, and identity in connection with Beirut-based TBA artists Ali Chahrour and Junaid Sarieddeen.

Maya Mikdashi is an Assistant Professor at the Department of Women’s and Gender Studies at Rutgers University, New Brunswick. She received her Ph.D in Anthropology from Columbia University. Her current research/manuscript focuses on law, citizenship, secularity, religious conversion, sexual difference, and the war on terror. She has been a Mellon Postdoctoral Fellow from 2014–2016 at Rutgers University, and a Faculty Fellow/ Director of Graduate Studies, Center for Near Eastern Studies, New York University (2012–2014). She has been published widely in journals including International Journal of Middle East Studies; Comparative Study of South Asia, Africa, and the Middle East; Gay and Lesbian Quarterly; and the American Indian Culture and Research Journal. She is a co-founding editor of Jadaliyya.com, co-director of the documentary About Baghdad (2004) and co-founding member of filmmaking cooperative Quilting Point Productions. A film she co-conceptualized and co-wrote with Carlos Motta, Deseos, is also screening as part of TBA:16.

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INSTITUTE:

JUNAID SARIEDDEEN ⁄ ZOUK AK THEATRE:

LEBANON

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Junaid Sarieddeen⁄ Zoukak Theatre Company

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Theatre in the Alleys of Crisis

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LECTURE

Sat Sept 17, 4:00 PM 60 MIN

B PICA at West End 415 SW 10TH AVE

Free

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15 PH OTO C O U RTE SY O F J U NAI D SARI ED D EEN

Junaid Sarieddeen is co-founder of Beirut’s Zoukak Theatre Company, founded in 2006 to develop an engaged professional theatre practice with a commitment to creativity as a form of resistance. Junaid will position Zoukak as a case study to illuminate the broader landscape of art and politics in Lebanon, sharing the origins of the company as a platform for contemporary performance and vehicle for social change, in a country lacking adequate public and cultural policy and haunted by cycles of ceaseless crisis.

Junaid will discuss Zoukak’s emphasis on creative process over outcomes, and the value of collectivity, collaborative methodologies, horizontal participation, and multiplicities of expression as unexpected approaches to theatre-making. In turn, he will share techniques of theatre in the psychosocial field, including work with populations affected by war, violence, and extreme displacement and marginalization in Lebanon and beyond.

Junaid is dramaturg for the TBA:16 performance Leila’s Death.

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INSTITUTE:

Workshops $12 Member $15 General EXCEPT WHERE OTHERWISE NOTED

I New Expressive Works 810 SE BELMONT ST

WORKSHOPS:

08 VOGUE MOVE! with Father Stephaun Blahnik Fri Sept 09, 10:00 AM Sliding Scale: $0–15

2 HRS — CAPACITY: 20 — ALL LEVELS

Taught by Roberto Martinez of Christian Rizzo’s d’aprés une histoire vraie, this workshop will revisit some extracts of the piece that test the body’s various substances and qualities. We will take time to investigate, interrogate, and appropriate them using a variety of compositional devices as well as collaborative writing. Participants will not only discover how to navigate the material from the performance’s choreography, but individually interpret, play, and improvise with it.

2 HRS — CAPACITY: 40 — ALL LEVELS

for Portlanders and visitors alike to All workshops take place at Studio 2 inside New Expressive Works and are $15 general or $12 member unless otherwise noted (included in all passes, registration required).

DA N C E ⁄ M OV E M E N T: Creators of Portland’s very own House of Aquarius— William Ylvisaker, Grace Eucker, and Akela Jaffi—bring you a dance workshop about connecting with your own personal movement. Beginning with a guided meditation that focuses on waking and moving the body’s individual pieces, the class will provide a blueprint that allows the freedom to move the way that best suits you.

The intention of the class is to create the same freedom and confidence in learning choreography as in improvisational movement. There will be space to learn, share, play, interact, and heal.

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Sun Sept 11, 10:00 AM

Get warmed up for Critical Mascara’s “A Post-Realness Extravaganza” with legendary Father Stephaun Blahnik. In this workshop, we will cover voguing basics, then apply those skills to progressively challenging drills and battles. Ideal as an introduction to voguing or for those wishing to improve technique and stamina. Come ready to sweat! Will you ring the alarm, or throw in the towel?!

D A N C E ⁄ M O V E M E N T:

Sat Sept 10, 10:00 AM

work with artists from around the world.

An Approach to Christan Rizzo’s d’aprés une histoire vraie with Roberto Martinez

2 HRS — CAPACITY: 40 — ALL LEVELS

Morning of Movement with House of Aquarius

TBA workshops are a rare opportunity

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D A N C E ⁄ M OV E M E N T:

To not think of a future. with Marbles Jumbo Radio Mon Sept 12, 10:00 AM 2 HRS — CAPACITY: 40 — ALL LEVELS D A N C E ⁄ M O V E M E N T: What would it be like to move from your blind spot? To not think of a future. To dismantle rote kinetic pathways. To facilitate immersion in the awkward and half-welcomed. To draw the invisible out from the hyper-visible.

To suspend what's familiar. To challenge emergent assumptions. Engage with these ideas through choreographic structures pulled from Marbles’ longstanding work with Simone Forti as well their current research.

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INSTITUTE:

WORKSHOPS:

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08 Ride Now or tail in mouth or IDK or instead of writing with Dylan Mira

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Sat Sept 17, 10:00 AM 2 HRS — CAPACITY: 20 — ALL LEVELS

In this writing workshop we will in the dark automatic what is already cut the extra for our purposes the language image through a series of prompts, some poetic, some physical, some remembering, some riding. Instead of writing say knife, instead of writing say table bottom, instead of writing say record and transcribe. Gently together now. Open to anyone! If you think this workshop is probably not for you because you are not a writer then it is probably for you.

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E X P E R I M E N TA L W R I T I N G :

Untitled_Juggling Workshop with Lorenzo Crivellari, Edoardo Demontis, Victor Garmendia Torija, and Pietro Selva Bonino Sun Sept 18, 10:00 AM

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2 HRS — CAPACITY: 25 — ALL LEVELS PH OTO BY S O PH IA WRI G HT EM I G H

M O V E M E N T ⁄ C I R C U S A R T S : This workshop is for anyone who wishes to learn and practice fundamental juggling techniques and apply them to individual and group composition and sequence.

Training methods and other exercises will stimulate the creative process, including juggling rhythm, balance and manipulation, body throws and body movement, improvisation, and composition. Each participant must bring their own prop.

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INSTITUTE:

Field Guide

FIELD GUIDE:

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09 Morgan Thorson, Still Life Fri Sept 09, 3:00 PM

Free with performance tickets or reservations FULL DETAILS & LOCATIONS AVAILABLE AT PICA.ORG IN LATE AUGUST

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Facilitated by Linda K. Johnson (Choreographer, Portland)

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Narcissister, Narcissistic Advance Sat Sept 10, 7:00 PM

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Facilitated by Ariel Osterweis (Faculty, Dance Studies, California Institute of the Arts)

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Keijaun Thomas, Distance is Not Separation Sun Sept 11, 7:00 PM

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Facilitated by Lisa Jarrett (Asst. Professor, Art Practices, Portland State University)

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A.K. Burns, A Smeary Spot Wed Sept 14, 6:00 PM Facilitated by Stephanie DeGooyer, (Asst. Professor of English, Willamette University)

Ali Chahrour, Leila’s Death Fri Sept 16, 5:00 PM Facilitated by Maya Mikdashi (Asst.

Professor, Women’s & Gender Studies, Rutgers University)

PH OTO BY ROYA AM I RS O LE Y MAN I

New to contemporary art but curious to learn more? Enjoy sharing thoughts and perspectives with other audience members? Ready to deep-dive into the ideas and themes in an artist’s work?

Field Guide is a unique opportunity for facilitated dialogue and exchange among a small group of festival-goers eager to discover and explore a particular exhibition or performance in more depth, including an artist’s social, political, cultural, and aesthetic influences.

Each Field Guide session is facilitated by artists and scholars and includes a preliminary workshop with lecture and discussion, group viewing of exhibition or performance, and debrief conversation over light food and drink. Anyone interested in contemporary art welcome. No prior experience necessary. Bring a friend!

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INSTITUTE:

GUEST SCHOLARS:

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Guest Scholars

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Kemi Adeyemi Sampada Aranke Stephanie DeGooyer Linda K. Johnson Maya Mikdashi Ariel Osterweis

For the first time, we’ve invited six visiting and local scholars and artists to immerse themselves in TBA as an experimental site for critical inquiry, engaged research, and intellectual exchange with artists and audiences.

Catch our TBA:16 Guest Scholars in action as lecturers, conversation and panel moderators, Field Guide facilitators, essayists and bloggers, manifesto-makers, and resident provocateurs as part of our in-depth lineup of weekend programs and throughout the festival.

Representing a range of practices, politics, and perspectives, this year’s Guest Scholars include Kemi Adeyemi (Black queer women’s nightlife); Sampada Aranke (embodiment, visual culture, black cultural and aesthetic theory); Stephanie DeGooyer (law, politics, aesthetics, and arts writing); Linda K. Johnson (leading Portland choreographer, performer, academic, and somatic educator); Maya Mikdashi (law, citizenship, secularity, religion, sexual difference, war on terror); and Ariel Osterweis (race, class, gender, sexuality in contemporary dance; Sub-Saharan African dance; and mixed-race, feminist, and transgender performance that disavows dance-based virtuosity).

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Introducing the TBA Guest Scholars LECTURES

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Sat Sept 10, 2:00 PM 60 MIN

B PICA at West End 415 SW 10TH AVE

Free

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INSTITUTE:

CREATIVE EXCHANGE LAB:

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Creative Exchange Lab

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Fall 2016

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Holland Andrews

Creative Exchange Lab: Meet the Artists

Boyzie Cekwana Math Bass Lauren Davis Fisher keyon gaskin

Ryan Kelly Moya Michael Dorothée Munyaneza Kameelah Janan Rasheed

PH OTO C O U RTE SY O F TH E ARTI ST

Brennan Gerard

PICA welcomes ten artists who will be in residence throughout TBA as part of our Creative Exchange Lab program. Twice a year, the Creative Exchange Lab convenes 7–10 local, national, and international artists who spend three weeks immersed in research, new project development, and idea exchange.

Our Fall 2016 cohort includes musician Holland Andrews (Portland); choreographer Boyzie Cekwana (Durban, South Africa); visual artists Math Bass and Lauren Davis Fisher (Los Angeles); keyon gaskin (Portland); choreographers Brennan Gerard and Ryan Kelly (New York); dancer/choreographer Moya Michael (Brussels, Belgium); singer, writer, and choreographer Dorothée Munyaneza (Marseille, France); and artist and writer Kameelah Janan Rasheed (East Palo Alto, CA).

Creative Exchange Lab is funded through the Andrew W. Mellon Foundation.

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LECTURES

Tue Sept 13, 5:30 PM

15

90 MIN

B PICA at West End

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415 SW 10TH AVE

Free

PR ESEN TING SU PPORT

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PH OTO BY MART Y S C H NAPF

FAQS — MEMBERSHIP:

ABOUT TBA:

FAQs Where is the box office?

The TBA Central Box Office is located in Northeast Portland at PICA’s new location, 15 NE Hancock St. See page xxi or visit pica.org ⁄ tba for box office hours.

Is there a service charge on tickets & passes?

The per-ticket and per-pass service fees are set by Patron Ticket Services and are collected on all credit card orders taken online, by phone, and in-person. There is no service charge for cash or check payments.

Can I share my TBA pass?

Passes are non-transferable. Your name will be written on your pass and you will be required to show ID with your pass upon entering each venue.

What if I am late to the show?

As a general rule, there is no late seating.

All shows will start promptly as listed. You must check in no later than 15 minutes before curtain to ensure seating, even if you have a pass or pre-purchased individual ticket. At 15 minutes prior to curtain any unclaimed seats will be opened up for individual ticket sales at the door.

What if I forget my pass?

You must purchase a ticket at the door.

What shows are appropriate for children?

Can I bring my family?

PICA supports artist freedom of speech and audiences’ right to choose what to see and hear. Due to the nature of live performance, we cannot pre-screen all works for content. Young people are welcome at all shows that are not 21+ only at their parents’ discretion. If you have specific concerns or questions, our Box Office staff can offer suggestions on shows.

If I buy a ticket, does my child get in for free?

Yes, if they can sit on your lap. Otherwise, you will need to purchase an additional ticket. Additionally, while we welcome children and babies, please note that if there is any disturbance to the live performance, we may have to ask you to please wait in the lobby.

Is there a lost & found?

Lost and found items for all venues will be collected and brought to the PICA West End offices. Please call 503–244– PICA (7422) to inquire about your item.

Are venues accessible?

All venues are wheelchair-accessible.

What if I lose my pass?

Can you refund or exchange my ticket?

Contact PICA immediately and we will assist you in reissuing your pass.

All ticket and pass sales are final. There are no refunds or exchanges.

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Break new ground with us.

Join PICA.

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with an annual PICA membership. Your membership supports each and every PICA program including residencies,

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commissions, exhibitions, performances, education and engagement programs, and TBA! Members receive discounts on TBA passes, tickets to year-round events,

IN DI V IDUA L MEMBER SHIP

and PICA merchandise!

$50

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A RTIST ⁄ S T U DEN T MEMBER SHIP

Discounts on TBA passes and tickets* Discounts on year-round performances and events* Discounts on PICA merchandise and publications Advance sales on programs and events Invitation to members-only events and previews Subscription to email newsletters for the latest PICA updates

* Limit one per event

$35

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TO JOIN

pica.org 503–242–1419 ×16 membership@pica.org

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ABOUT TBA:

SPONSORSHIP:

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Sponsorship and Giving

LEVELS OF SUPPORT

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$10,000 — U N DERW R ITER

Four (4) Individual PICA Memberships Two (2) TBA Patron Passes Invitations to exclusive visiting and resident artist receptions and events Invitations to sponsor receptions and private visual art exhibition tours with curatorial staff Acknowledgment listed in printed materials and on donor walls $5,000 — CH A MPION

E A S Y MON THLY DONATIONS

Spread your giving through the year with a recurring monthly gift. A gift of only $10 a month adds up to $120 a year in support for PICA’s artist-driven programs.

OTHER WAYS TO SHOW YOU R SU PPORT

Volunteer your time or energy.

Donate in-kind services, such as construction, design, or printing. Donate materials and goods such as lumber, computers, frequent flyer miles, vehicles, or audiovisual equipment.

Your investment and involvement allows PICA to present bold, new work by artists creating across disciplines and beyond genres; to connect diverse audiences to boundary-pushing ideas, experiences, and expressions; and to engage local and global communities in discovering, creating, and responding to our cultural moment.

To learn more about installment plans, in-kind donations, matching gifts, or legacy and planned giving, contact: Kim Crosby, Development Manager 503–242–1419 × 2 2 — KIM@PICA.ORG

Four (4) Individual PICA Memberships Two (2) TBA Immersion Passes Invitations to exclusive visiting and resident artist receptions and events Invitations to sponsor receptions and private visual art exhibition tours with curatorial staff Acknowledgment listed in printed materials and on donor walls $2,500 — PATRON

Two (2) Individual PICA Memberships One (1) TBA Immersion Pass Invitations to exclusive visiting and resident artist receptions and events Invitations to sponsor receptions and private visual art exhibition tours with curatorial staff Acknowledgment listed in printed materials and on donor walls

$1,000 — SU PPORTER

Two (2) Individual PICA Memberships 11 Invitations to exclusive visiting and resident artist receptions and events Invitations to sponsor receptions and private visual art exhibition tours with 12 curatorial staff Acknowledgment listed in printed materials and on donor walls $500 — A DVOCATE

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Two (2) Individual PICA Memberships Invitations to exclusive visiting and resident artist receptions and events 14 Invitations to private sponsor receptions Acknowledgment listed in printed materials and on donor walls

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$250 — EN TH USI A ST

Two (2) Individual PICA Memberships Invitations to exclusive visiting and 16 resident artist receptions and events Acknowledgment listed in printed materials and on donor walls $100 — CON TR IBU TOR

Two (2) Individual PICA Memberships and all of the benefits included Acknowledgment listed in printed materials and on donor walls

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CORPORATE SPONSORSHIP — TRAVELING TO TBA:

ABOUT TBA:

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PICA & TBA Corporate Sponsorship

Traveling to TBA

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11 Out-of-town TBA attendees receive generous discounts on passes simply by

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showing out-of-state ID or an international

To learn more about corporate giving, contact: Kim Crosby, Development Manager 503–242–1419 × 2 2 KIM@PICA.ORG

OTHER WAYS TO SPONSOR PICA

Donate in-kind services, such as construction, design, or printing. Donate materials and goods such as lumber, computers, frequent flyer miles, vehicles, or audiovisual equipment.

PICA is the creative economy in action.

passport. Contact the TBA Box Office at

Become a corporate sponsor and declare

503-224-PICA (7422) beginning in August

your business to be a cultural leader.

to reserve your pass.

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Your support will help PICA to fund artist residencies and commissions, subsidize

Travel Portland

free programs, engage in a civic dialogue

For travel deals and discounts on dining, shopping, and the arts, please visit the official tourism and travel site of Portland at travelportland.com or call toll-free: 1-87-PORTLAND.

with the community, and continue to bring leading-edge contemporary art to

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Portland.

Portland Art Focus

Benefits of sponsorship include: connecting with PICA’s community of vibrant and educated art enthusiasts, who embrace innovation and exploration; unique and memorable experiences with contemporary art for your staff and clients; invitations to exclusive sponsor receptions; acknowledgment listings in printed materials, on donor walls, and on the PICA website; invitations to visiting and resident artist events yearround; and employee ticket packages.

An association of academic and nonprofit museums & galleries in alliance with the Portland Art Dealers Association.

Plan your Portland art tour at padaoregon.org.

West End Portland A young neighborhood with an old past, the West End is bringing new energy to the central city with shops, restaurants, hotels, and PICA’s SW 10th Avenue location.

We’re the Portland you're thinking of.

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ABOUT TBA:

SPONSORS:

PATRON

Sponsors

SU PER HERO

Calligram Foundation ⁄ Allie Furlotti Leslie B. Durst Doris Duke Charitable Foundation National Endowment for the Arts The Andrew W. Mellon Foundation Andy Warhol Foundation for the Arts Meyer Memorial Trust Collins Foundation James F. and Marion L. Miller Foundation

National Performance Network French American Cultural Exchange U N DERW R ITER

Patrick and Mariko Clark Kristy Edmunds and Ros Warby Jeff Stuhr and Peter Kallen Dorie and Larry Vollum Dan Winter and John Forsgren CH A MPION

PR ESEN TING

Dan Wieden and Priscilla Bernard Wieden Regional Arts and Culture Council including support from the City of Portland; Clackamas, Multnomah, & Washington Counties; & Metro Work for Art, including contributions from more than 60 companies and 1,600 employees in the region Oregon Arts Commission Sarah Miller Meigs and Andrew Meigs M A JOR

Linda Hutchins and John Montague Showdrape, Inc. Oregon Community Foundation Japan Foundation New England Foundation for the Arts Travel Portland Ecotrust Stephouse Networks

The Boeing Company Ann and Mark Edlen Christy Eugenis and Stan Amy Rosine and Colin Evans Pink Martini ⁄ Heinz Records Twink Hinds and Graeme Harrison Susan Hoffman and Fred Trullinger Holst Architecture Chris Israel and Jason Bell McGraw Family Foundation NIKE North Star Civic Foundation Eric Philps and Laura VanHouten Jane Schiffhauer Ethan Seltzer and Melanie Plaut Howard Shapiro John Shipley Al Solheim Charlie and Darci Swindells Tonkon Torp LLP WESTAF White Label UK Wieden + Kennedy

Jana Bauman and John Baker Jane and Spencer Beebe Kristin Bremer and Steve Moore Laura & Kavin Buck Philip Cole Lisa Elorriaga Czysz MK Guth and Greg Landry Julianne and Tim Hershey Deborah Horrell and Kit Gillem Kirk and Jessica Kelley Stephanie Kjar and Adam Roth Peter Koehler, Jr. and Noël Hanlon Alex and Lynn Miller Perkins and Co Jill Sherman and Marc Monaghan Jody Stanhancyk Susan Sterne and Pete Kellers Stoel Rives LLP The Anne K. Millis Fund of the Oregon Community Foundation Michael Tingley and Ellen Fortin SU PPORTER

Beam Development Geof Beasley Annie Bellman and Michael Woods Bora Architects Marianne Buchwalter Lucinda Carmichael Enterprise Holdings Victoria Frey and Peter Leitner Steve Galloway Katherine and James Gentry Pat and Kelley Harrington Robert and Terri Hopkins Beth Hutchins and Pete Skeggs David and Eileen Johnson Elizabeth Leach Kathleen Lewis

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Jonathan Malsin Casey Mills and Carmen Calzacorta Ryan Noon Kelly Saito Dennis and Debra Scholl Angela and Rex Snow Stephanie and Jonathan Snyder Kathleen Stephenson-Kuhn and Leigh Stephenson Cerinda Survant and David Kaplin George and Nancy Thorn A DVOCATE

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Cynthia and Steven Addams John Andrews Golnaz Armin and Cayle Christiansen 12 Michael Baker Byron Beck and Juan Martinez Lisa Berkson Platt and David Platt Christine Bourdette and Ricardo Lovett 13 Claudia and Harry Bray Chris Brown Dennis Brown and Dave Meeker 14 Jinnina Chiles Nan Curtis and Marty Houston Hugh d’Autremont Upfor Gallery 15 Jennifer and Jon Dunn Mary Elliott and Mark Friedman Marilyn and Edward Epstein Alyce Flitcraft and Richard Solomon 16 Gary Golla and Jeanie Lai Pam Greene and Hans Kretschmer Luisa Adrianzen Guyer and Leigh Guyer Gary Hartnett and Eloise Damrosch 17 Anne Marie Johnson Caroline and Aaron Kahn Madeline and Steve Kokes Ross Lienhart 18 Betsy Miller Ashish Mistry

ABOUT TBA:

Christie Moore Rob and Carol Murdock Lynne Naughton Carole Oberholtzer and Lynda Norton Alex Payne Stacey Richter Tina Skouras Lynn Tobias and Chester Edwards Sharon Urry and Scott Soutter Kricken and James Yaker

SPONSORS:

Evan and Jennifer Reynolds Michelle Rowley Manya Shapiro Maria Shaplin Jill Souede Melissa Spain Deniz Tasdemir-Conger and Austin Conger Storm Tharp and Mike Blasberg Holcombe Waller CON TR IBU TOR

EN TH USI A ST

Terry Bean Sean Bruich and Laurence Moore Christi Cawood Kim Dement Andrew Dickson and Susan Beal Jennifer Dzienis and Kevin Valk Cathy Edwards and Mike Wishnie Dick and Vicki Frey Kyle and Charles Fuchs Teri and Christopher Gelber Lorraine Guthrie and Erik Kiaer Diane Hall Melinda Hall David Hidalgo and John Bischof Molly and Dan Horton Kay Hutchinson Mara Indra and Jon Heppner Steven Klein Sally and John Lawrence John Light and Patricia Barnes-Light Pamela Lloyd and Renny Gleeson Mona McNeill and Randy Kleinhesselink Don Merkt and Missy Stewart Jeffrey Morgan Steven Neighorn Barry Pelzner and Deborah Pollack Garrett Price Lauren Ranke Nicholas Raethke

Rahim and Kathleen Abbasi Donald Abrams John Bissonnette & Virginia Smith Bettina and Fred Blank Robby Bricker and Don Voyles John Brodie Kim Carlson and Larry Shatuck Jae Carlsson and Patricia Phelps Kevin and Beth Cavenaugh Giacomo DiGrigoli Elizabeth Eckstrom and Rich Campbell Karen and Randy Feldhaus Nick Fish Daniel Fogg and Matthew Pearson Anna Friedoff Vallejo Gantner Randy Gragg Amy Harwood & Ryan Pierce Marjorie and Jon Hirsch Tahni Holt and Toby Query Jeanine Jablonski Vanessa Johansson Mary Josephson and Gregory Grenon Peter and Karen Leonard Patrick Leonard and Amanda Peden Kate Merrill and Nicolas Gros Monograph Bookwerks Denise Mullen Martin Müller Trude Parkinson and Peter Ozanne

Jessica Powers Mary Rechner and Barry Sims Steve & Wendy Rudman Daniel and Diane Sagalowicz Kathryn Sklar Sue and Stuart Smith Lydia Stacy The Mattress Lot Kim Thomas and John Morrison Barry Tonkin Robin Van Doren and Fran Rothman Kim and Jack Vidosh Timothy Wilson and Luan Schooler

The Paramount Hotel Townshend’s Tea

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A DDITIONA L SU PPORT

Aesop Allied Fire & Security Andersen Construction Company BG Reynolds Brew Dr. Kombucha Burnside Brewing Dalla Terra Winery DocuMart Eastside Distilling Ecliptic Brewing Fort George Brewery Hopworks Urban Brewery Lagunitas Brewing Company Lompoc Brewing Magnolia Properties Mitchell Wines Montinore Estate New Deal Distillery Noetic Design, Inc. Pabst Blue Ribbon Pok Pok Som RAFT Botanicals Reverend Nat’s Cider Scout Books Stumptown Coffee The Mark Spencer Hotel

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Jeanine Jablonski, Founding Chair Dan Winter, Founding Co-Chair John Forsgren Allie Furlotti Katherine Gentry Linda Hutchins and John Montague Sarah Miller Meigs Topher Sinkinson Stephanie Snyder Jeff Stuhr and Peter Kalen PICA’s Visual Art Circle is a group of patrons providing dedicated support for visual arts programming year round. If you are interested in becoming a member of the Visual Art Circle, please contact kim@pica.org for details.

Additional support for PICA’s visual art programs provided by The Andy Warhol Foundation for the Visual Arts, the Oregon Arts Commission, and the National Endowment for the Arts.

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ABOUT TBA:

STAFF & LEADERSHIP:

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2016 TIME−BASED ART FESTIVAL

Staff and Leadership

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PICA PRODUCTION MANAGER

Chris Balo TECHNICAL DIRECTORS

Victoria Frey

AND PRODUCTION STAFF

ARTISTIC DIRECTOR

Angela Mattox VISUAL ART CURATOR

Kristan Kennedy PERFORMANCE PROGRAM DIRECTOR

Erin Boberg Doughton COMMUNITY ENGAGEMENT MANAGER

Roya Amirsoleymani GRAPHIC DESIGNER

Sean Schumacher

BOA R D OF TRUSTEES

Ethan Seltzer, Chair; Susan Sterne, Vice Chair; C. Alex Miller, Treasurer; Kristin Bremer, Secretary; Eric Philps, Immediate Past Chair; Jason Bell; Lucinda Carmichael; Jenny Chu; Ellen Fortin; Allie Furlotti; Steve Galloway; Lisa Jarrett; Jonathan Malsin; Andre Middleton; Ryan Noon; Jill Sherman; Jeff Stuhr; Holcombe Waller; Dan Winter

DIRECTOR OF COMMUNICATIONS LE A DER SHIP COU NCIL

DEVELOPMENT MANAGER

Howard Shapiro, Founding Chair; Gene d’Autremont; Leslie B. Durst; Pat Harrington; Kirk Kelley; Peter Koehler, Jr.; Sally Lawrence; Julie Mancini; Ethan Seltzer; Kathleen StephensonKuhn; Michael Tingley

EVENTS & EARNED INCOME MANAGER

Erika Osurman ACCOUNTANTS

Pam Cameron-Snyder Sharon Jamin PAYROLL SPECIALIST

Eri Stern OPERATIONS MANAGER EMERITUS

Beth Hutchins RESOURCE ROOM LIBRARIAN

Daniel Glendening

Garret Megaw Cassie Skauge Cassie Smith Jason Winslow Ryan Winters

PROGRAMS COORDINATOR

NATIONA L A DV ISORY BOA R D

Edward Albee; Linda Brumbach; Ann Carlson; Kristy Edmunds; Cathy Edwards; Carol Hepper; Philip Glass; Ralph Lemon; Mark Russell; Melissa Schiff Soros; Robert Soros; Rebecca Stewart; Sally M. Stillman; Elizabeth Streb; Dan Wieden; Paul Zumwalt

Nicole Richwalsky PRESS CORPS COORDINATOR

Chelsea Petrakis

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BAR MANAGER

Emily Mistell COPY EDITORS

Patrick Leonard

Kirsten Saladow

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Rozalyn Crews PERFORMANCE PROGRAMS ASSISTANT

Alley Frey VOLUNTEER COORDINATOR

Felisha Ledesma AUDIENCE SERVICES MANAGER

Kirsten Saladow Kim Crosby

Bill Boese Jeff Forbes Alley Frey Daniel Granias Robin Greenwood

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BOX OFFICE MANAGER

EXECUTIVE DIRECTOR

Lev Anderson PREPARATOR ⁄ PROJECT MANAGER

IN TER NS

COMMUNITY ENGAGEMENT

Juliana Cable Hilary Devaney Joaquin Dollar

Spencer Byrne-Seres

DEVELOPMENT

PREPARATOR

Eva Klos Emalee Moore

Margaret Heath LATE NIGHT COORDINATOR

PERFORMANCE

Helmy Membreño

Tiernan Donahue Daphne Lyda

PICA AT HANCOCK VENUE MANAGER

Aaron Rosenblum CREATIVE EXCHANGE LAB COORDINATOR

Van Pham CREATIVE EXCHANGE LAB ASSISTANT COORDINATOR

Lenka Becvar

13

COMMUNICATIONS

Jack Hochberg Elliot Eugenie Claire Natter Lola Shore Eileen Ruelas

Ali Perkins

VISUAL ART

Avery Bloch Emma Christ SPECI A L TH A N KS

Jillian Porten

Kevin Holden

14

15

16

17

18

ABOUT TBA:

INDEX:

Camas High School Choir

Index

S E E “A U A N D T H E C A M A S HIGH SCHOOL CHOIR”

Camp ⁄ Anti-Camp 0 1 6 capoeira troupes 0 3 0 Carlson, Matt 0 7 2 Cekwana, Boyzie 0 8 5 , 1 0 0 –1 0 1

A

sexual 0 2 8 ; movement 0 9 5 ; of music 0 3 0 ; as place of resonance 0 7 0 ; with concrete bones S E E “ S H E D O E S

30–031

Abioto, Amenta 0 7 0 Abioto, Intisar 0 8 2 About Baghdad 0 8 8 Adeyemi, Kemi 0 8 2 ,

awkward 0 2 2 ,

093

B 083,

098–099

Aging Magician, The 0 4 6 Akron ⁄ Family 0 6 4 America’s Got Talent 0 1 6 Amorin, DB 0 7 0 Anderson, Erika 0 6 4 Andrews, Holland 0 3 0 , 1 0 0 –1 0 1

appliance 0 4 4 Aranke, Sampada 0 8 2 , 083, 098–099

Arcade Fire, The 0 5 6 artifact 0 1 0 art museum: PMOMA S E E “PORTLAND MUSEUM OF M O D E R N A R T ” ; Portland Art Museum S E E “ P O R TLAND ART MUSEUM”

Art of Luv, The (Part 1): Elliot P G 0 2 4 – 0 2 5 , 0 8 4 A Smeary Spot I X , X I , 0 0 6 – 0 0 7, 0 8 3 , 0 9 6

As Never Before, As Never Again 0 2 0 Ataaba 0 3 4 AU and the Camas High School Choir X I V-X V,

Baby Mamas 0 74 Bacon, Kevin 0 2 0 bad trip 0 0 8 Banhart, Devendra 0 0 8 Bass, Math 1 0 0 –1 0 1 Beirut: band 0 5 6 , 0 6 4 ; Lebanon 0 3 4 , 0 8 8 , 0 9 0 Bel, Jérôme 0 2 2 Belgium 0 1 4 , 0 2 0, 0 8 5 , 1 0 1 bereavement 0 3 4 better to be alone than to wish you were 0 3 8 – 0 3 9 binary 0 2 6 Black: bodies 0 2 6 , 0 8 2 ; cultural and aesthetic theory 0 9 9 ; femme 0 2 6 ; identity 0 2 6 ; personhood 0 2 6 ; queer 082, 099

Blahnik, Father Stephaun 093

Blind Cinema X X I I I ,

002,

020–021, 084–085

Blind Coven 0 7 0 – 0 7 1 body 0 0 2 , 0 0 5 , 0 2 4 , 0 2 6 , 028, 034, 038, 044, 082, 093, 095: “ B L A C K” ;

black S E E gendered/

W H AT S H E WA N T S ”

Boise-Eliot ⁄ Humboldt School 0 2 0 Bonino, Pietro Selva 0 9 5 Bottirroli, Silvia 0 8 2 boundaries V I I –V I , 0 0 5 , 046, 072

box office X X I ,

XXIII, 104,

109, 115

brass I X , 0 5 6 Brayson, Kristen 0 2 0 Brown 0 74 , 0 8 2 Bredeson, Kate 0 8 4 brevity 0 1 0 Bright Moments 0 5 6 Brussels, Belgium 0 1 4 , 0 2 0, 0 4 0, 0 4 2 , 0 4 4 , 1 0 1

Bulgaria I V, 0 1 4 Bunnybrains 004, 008–009 Buoy, Dana 0 6 4 Burns, A.K. I X , X–X I , 0 0 5 , 0 0 6 – 0 0 7, 0 8 3 – 0 8 4 , 0 9 6

Byrne, David 0 5 6 ,

064

C

Calcutta Foundation Orchestra 0 3 0

Centre Pompidou 0 1 2 , 0 4 2 Chahrour, Ali 0 3 4 – 0 3 5 , 085, 088, 096

choreography 0 1 0 ,

012,

014, 034, 038, 044, 046, 062, 084, 085, 093, 096, 099

Chicago, Illinois, USA 0 2 6 , 0 3 2 , 0 74

Chicks on Speed: Girl Monster Festival 0 1 6 children 0 2 0, 0 8 4 – 0 8 5, 1 0 4 Cherie Dre 0 3 6 Chessin, Ethan 0 3 0 Chopra, Lili 0 8 5 Christie, Agatha 0 3 6 cinema 0 0 6 , 0 2 0, 0 7 2 , 083–084

Cinema Project 0 7 2 – 0 7 3 circus 0 4 2 , 0 9 5 City of Women Festival 016 Cole, Helen 0 8 2 Coldplay 0 5 6 Colombia 0 2 8 Columbia University 0 8 8 comedy 038, 050, 060, 066 commission: PICA I V, I X , 0 2 0, 0 2 2 , 0 5 6 , 1 0 5 , 1 0 8

community I V,

VI, 002,

0 0 8 , 0 1 8 , 0 3 0, 0 6 2 , 0 6 8 , 0 74 , 0 8 3 , 1 0 8

concrete bones S E E

“SHE

D O E S W H AT S H E WA N T S ”

Contemporary Color 0 5 6 Contour, Catherine 0 1 2 contradiction 0 2 2 Cooley S EE “REED C OLLEG E” correspondence 0 2 8 Creative Exchange Lab 0 0 2 , 0 1 0, 0 2 6 , 0 3 2 , 0 8 0, 0 8 4 , 0 8 5 , 1 0 0 –1 0 1 , 1 1 5

Critical Mascara 0 6 2 , 0 9 3 Crivellari, Lorenzo 0 9 5 Cunningham, Joe 0 3 0 D

117

discrepancy 0 2 0 Distance is Not Separation

08

0 2 6 – 0 2 7, 0 8 2 , 0 8 4 , 0 9 6

D.I.V.A Practice 0 6 2 09 Djerassi: Resident Artist’s Program 0 2 2 , 0 3 8 documentary I X , 0 0 6 , 0 2 8 , 0 4 0, 0 8 6 , 0 8 8

Don’t Get Me Started

10

066–067

Douglas F. Cooley Memorial Art Gallery

11

SEE “REED COLLEGE”

dad 0 3 6 Dad Band 0 3 6 – 0 3 7, 0 8 4 Dahoo Chorus 0 3 0 Danas (profane/impurity)

drag 0 5 0 , 0 6 2 drums 0 1 2 , 0 6 4 Duty Free 0 3 2 – 0 3 3 ,

084,

12

095

034

DanceWeb 0 1 4 d’aprés une historie vraie X V I –X V I I , 0 1 2 – 0 1 3 , 0 9 3

darkness 0 1 4 , 0 2 0 , 0 2 6 death 0 1 0, 0 3 4 Death Cab for Cutie 0 6 5 Deep Under Ground (DUG) 0 74 – 0 7 5 , 0 8 2 DeGooyer, Stephanie 083–084, 096, 098–099

Demontis, Edoardo 0 9 5 Depper, Dave 0 6 4 Dernovsek, Suniti 0 3 8 deSingel 0 1 2 Deseos ⁄ ‫ [ رغبات‬D esires ] 028– 02 9, 086, 088

Duece, Brookfield 0 6 8 Dia Center for the Arts 0 2 2 Dichter, Rachael 0 3 8 Dickson, Andrew 0 6 6 Dimchev, Ivo 0 1 4 – 0 1 5 diorama 0 1 0 discount X X I I I , 1 0 5 , 1 0 9

E

13

Eckert, Rinde 0 4 6 – 0 47 elegy 0 3 4 Elizabeth Foundation for the Arts 0 3 2 14 El Khatib, Mohamed 040 – 041

El Vy 0 6 4 EMA 0 6 4 email 0 4 0, 0 6 6 , 1 0 5 ethics 0 1 8 eroticism 0 1 6 , 0 2 6 Esquire, Isiah 0 6 2 Eucker, Grace 0 9 3 Europe 0 1 4 , 0 3 0, 0 3 4 ,

15

16

042, 046, 085

Everyone in Between 0 74 17 exhaustion 0 4 0 F

failure 0 4 2 Faker 0 1 0

18

ABOUT TBA:

INDEX:

Fanfare: Birth > Rebirth I X , fantasy 0 1 6 family I X , 0 2 6 ,

1 0 0 –1 0 1

gathering 0 0 2 gender 0 0 2 , 0 1 6 ,

002, 056–057 0 4 0, 0 5 4 ,

Fatmeh 0 3 4 FAQ 1 0 4 Fenley, Molissa 0 2 2 feminism 0 0 2 , 0 0 6 ,

082,

083, 099

femme 0 2 6 feral 0 1 4 Ferm, Mia 0 7 2 Festival Concierge X X I I I fetish 0 1 6 Field Guide 006, 010, 016, 026, 034, 080, 096–097, 099

Figueroa, Natalie 0 74 , 0 8 2 Finir en beauté 0 4 0 Five Beasts 0 4 6 Fisher, Lauren Davis 1 0 0 –1 0 1 folkloric 0 1 2 Folk-s… 0 4 2 Forti, Simone 0 9 3 fragility 0 0 2 , 0 1 2 – 0 1 3 , 020, 042

fragmentary 0 2 0 France I V, 0 1 2 , 0 2 6 ,

028,

058, 062, 082, 083, 085, 086, 099;

104

028,

0 4 0, 0 8 5 , 1 0 1

Franklin Furnace Fund 0 2 4 Frieze Projects 0 5 8 frenetic 0 1 2 FRESH Festival 0 2 2 FringeArts 0 2 4 Funchess, Shannon 0 7 6 Furlotti, Allie V I , 0 0 5 , 1 1 0, 113, 114

G

Garmendia, Torija 0 9 5 gaskin, keyon 0 3 8 , 0 8 5 ,

John Doe Records 0 0 8 Johnson, Linda K. 0 8 3 ,

028, 133

studies 0 8 8 , 0 9 7 ; transgender 0 9 9 Gerard, Brennan 1 0 0 –1 0 1 Gifted Grounds 0 74 – 0 7 5 Givens, Stacey IX, 054–054 Good Vibration Erotic Film Festival 0 1 6 Gorchakov, Dimitar 0 1 4 Guest Scholars 0 0 2 , 0 8 0 , 082– 085, 088, 098– 099

guidebook 0 0 5 Guggenheim: Fellowship 0 1 0 ; Museum 0 2 4 , 0 2 8 Gwangju Biennale 0 2 8

XXI, 002,

026, 03 4, 0 50, 0 5 4, 0 56

homecoming 0 5 4 horns 0 6 4 House of Aquarius 082 , 093 Houseguest 0 1 8 Hudson, New York, USA 0 0 8 Humarts Foundation 0 1 4 humor 0 1 6 , 0 2 4 , 0 3 8 , 0 4 0 Huxtable, Juliana I I – I I I , I X ,

IX,

XXI, 006, 016, 026, 032, 0 5 0 – 0 7 7, 1 0 4 , 1 1 5 , 1 3 3

Hankins, Allie 0 3 8 Handbag, Dynasty 036, 0 60 Harvard University 0 0 6 Hatzius, Britt 0 0 2 , 020–021, 084–085

Hawkwind 0 0 8 Heaven 0 1 0 Healing Crisis 0 7 6 heart 0 0 5 , 0 1 8 hippie 0 0 8 history 0 0 2 , 0 2 6 , 0 3 2 , 0 8 6 , 0 8 8 ; art 0 8 3 ; fading 0 2 2 Histories for the Future 086–087

Hollywood Theatre 0 2 0 ,

085, 096, 098–099

Jones, Andrew 0 3 0 joyful 0 1 2 , 0 3 0, 0 6 0 juggling 0 0 2 , 0 4 2 , 0 9 5 K

Kaaitheater 0 1 4 Kelly, Ryan 1 0 0 –1 0 1 Kennedy, Kristan 0 0 4 – 0 0 5 , 006, 008, 026, 032,

058– 059, 083

Huynh, Emmanuelle 0 1 2 hyper-visibility 0 2 6 I

Ibrahim, Madenna 0 74 , 0 8 2 identity 016, 026, 03 4, 0 58, 0 62 , 08 9 ; racial 0 1 6 immediate 0 1 0 , 0 1 2 , 0 2 4 ,

H

Haas, Eran 0 7 6 Hampton, Ant 0 2 0 Hancock St V I –V I I ,

Holt, Tahni 0 3 8 home V I , V I I I , I X ,

104, 114

impermanence 0 2 2 Impulstanz Festival 042, 044 index V, 1 1 6 –1 2 1 insecurity 0 2 4 Institute 0 7 8 –1 0 1 interactive 0 2 0 Islam 0 3 4 Istanbul 0 1 2 , 0 4 4 Italy 0 4 2 , 0 8 2 itch dance journal 0 2 2

084, 114

key V I , 0 6 4 keyboard 0 6 4 Kitchen, The 0 1 6 , 0 2 2 King School 0 2 0 klezmer bands 0 3 0 DJ Klyph 0 6 8 – 0 6 9 Knife, The 0 7 6 Knopf, Brent 0 6 4 Kok, Tom 0 2 0 Kowalska, Melinda 0 7 2 Krajewski, Sarah 0 8 4 Kronos Quartet, the 0 4 6 Kunin, Johanna 0 6 4 L

labor: disposable 0 2 6 Christian Rizzo ⁄ ICI—CCN Montpellier X V I –X V I I , 012– 013, 0 93

Lane, Heather 0 7 2 language 0 0 6 , 0 2 0 ,

J

DJ Jackal 0 7 6 Jaffi, Akela 0 8 2 , 0 9 3 jam, burke 0 7 0 Jarrett, Lisa 0 9 6 , 1 1 4 Jeong, Geumhyung 044–045

026,

0 3 2 , 0 4 0, 0 4 6 , 0 8 6 , 095:

limits of 0 2 0 LCD Soundsystem 0 5 6 Lebanon I V, 0 2 8 , 0 3 4 , 0 8 5 , 088, 090

Leila’s Death 0 3 4 – 0 3 5 ,

0 8 5 , 0 9 0, 0 9 6

Levin, Melissa 0 8 2 lip-sync 0 3 6 , 0 6 2 Los Angeles, California, USA 0 2 2 , 0 2 6 , 0 3 2 , 0 3 6 , 0 4 6 , 0 6 0, 0 6 2 , 1 0 1

love 022, 024, 028, 038, 074 Love This Giant 0 5 6 luv X X , 0 2 4 , 0 8 4 M

Ma (間) 0 0 5 Macbeth 0 6 6 Mackey, Rose 0 3 8 machine 0 4 4 Mac Low, Clarinda 0 2 2 Makeup on Empty Space 0 0 4 – 0 0 9 , 0 2 6 – 0 2 7, 032– 033

manifesto 0 0 6 , 0 9 9 mannequin 0 1 6 , 0 4 4 Mantero, Vera 0 1 2 marginalized 0 2 6 Martinez, Roberto 0 9 3 Matador Records 0 0 8 material 0 0 5 , 0 2 4 , 0 2 6 , 0 9 3 , 1 0 6 , 1 0 7, 1 0 8 ; materiality 0 0 6 matrilineal 0 3 6 Matta, Adam 0 4 6 Mattox, Angela 002, 082, 114 Matty 0 6 8 MAXXI Museum 0 4 2 McClure, Bruce 0 7 2 McKnight Foundation 0 1 0 McManus, Michael 0 7 2 Mechanics Laid Bare, The 072

Mello Orange 0 6 8 merkin 0 1 6 Meza, Claudia 0 6 6

119

08

Michael, Moya 08 5, 10 0 –101 Micro Events 0 2 0 Mikdashi, Maya 0 2 8 , 0 8 5 ,

09

088– 089, 096, 098– 099

Minneapolis, Minnesota, USA 0 1 0 Mira, Dylan 0 0 4 , 0 3 2 – 0 3 3 , 084, 095

Morocco 0 4 0 mother 0 2 6 , 0 2 8 MoMA PS1 0 1 6 , 0 2 8 , 0 5 8 Monnier, Mathilde 0 1 2 Motta, Carlos 0 2 8 – 0 2 9 ,

10

11

0 8 6 – 0 8 7, 0 8 8

movement 0 0 6 ,

0 1 0, 0 1 2 ,

12

0 2 6 , 0 4 2 , 0 6 0, 0 8 3 , 0 8 4 , 085, 093, 095

Movement Research 022, 036

MOZEI 0 1 4 Munyaneza, Dorothée

13

0 8 5 , 1 0 0 –1 0 1

museum SEE “ART MUSEUM” musical priesthood 0 2 4 14 mutable 0 0 8 My Fools: A Life in Song 0 4 6 – 0 47

My Lai 0 4 6

15

N

nationality 0 0 2 , 0 4 0 natural disaster 0 1 0 Narcissister 0 1 6 – 0 1 7,

16 083,

096

Narcissister is You 0 1 6 Narcissistic Advance

17

0 1 6 – 0 1 7, 0 8 3 , 0 9 6

Nefandus 0 2 8 – 0 2 9 , 0 8 6 negative space: no 0 0 5 Negative Space 0 0 6 New Expressive Works

18

ABOUT TBA:

INDEX: P

038, 044, 092

New Faithful Disco X I I – XIII, 022– 023

New Museum 0 0 6 ,

016,

028, 036, 044, 058

New Original Works Festival 0 2 2 new space 0 0 5 , 0 5 0 newspaper clipping 0 4 0 New York City, New York, USA 0 0 6 , 0 1 4 , 0 1 6 , 0 2 4 , 026, 028, 036, 044, 046, 058, 084, 086, 088, 101

O

paggett, taisha 0 2 2 , 0 8 2 Participant Inc. 0 0 6 , 0 2 4 passes XX–XXIII, XXV, 060– 077, 092, 104, 105, 107, 109

Passion Pit 0 5 6 patriarchy 0 3 6 Pepper Pepper 0 6 2 – 0 6 3 Performance Works NorthWest 0 2 2 Phillips, Vivian 0 8 5 Physical Education 0 3 8 piano 0 1 4 pleasure 0 2 2 PMOMA SEE “PORTLAND MUSEUM OF MODERN ART”

Oakland, California, USA 0 60, 0 6 8

obsession 0 4 2 O’Connor, Mia 0 74 , 0 8 2 O’Donnell, Darren 0 8 4 – 0 8 5 Off Center Festival 0 2 2 o’neal, sidony 0 8 2 On Screen 020–021, 028–029 On Sight 0 04– 0 0 9, 026 –

Pochas Radicales, Las 0 8 2 poetic 0 3 4 , 0 3 8 , 0 9 5 Portland Art Museum 010, 084 Portland Museum of Modern Art X I I –X I X , 018– 019, 060 – 061

power 0 1 2 , 060

Pratt, Kelly I X ,

027, 032– 03 3, 08 4, 114

On Stage 0 1 2 – 0 1 7,

016, 022, 044, 0 5 6 – 0 5 7,

064–065

Prestini, Paola 0 4 6 Prévieux, Julien 0 3 8 provocative 0 1 4 PS122 0 2 4 Pulitzer Prize 0 4 6 puppetry 0 4 4

022– 025, 030 – 031, 0 3 4 – 0 3 5 , 0 3 8 – 0 47

On The Boards 0 1 2 On the lips snow 0 3 4 On Location 0 1 0 – 0 1 1 , 018– 019, 036 – 037

1 0 0 –1 0 1

REDCAT I, XII–XIII, 022, 036 Reed College 0 8 4 , 1 3 3 : Black Box Theatre 0 2 4 ; Cooley Gallery 0 3 6 , 0 8 2 repetition 0 1 0, 0 4 2 , 0 8 5 residue 0 0 6 Rethorst, Susan 0 2 2 rhythm 0 6 0, 0 7 0, 0 9 5 : fresh 0 2 2 Ritter, Morgan 0 3 8 ritual V I , 0 0 2 , 0 1 2 , 0 2 4 ,

IX, 054–055

Q

queerness 0 2 2 ,

026, 058,

062, 082, 083, 099

Quilting Point 0 8 8 083,

096, 098–099

Ouramdane, Rachid 0 1 2

R

racial identity SEE “IDENTITY”

Self-Gratifier, The 0 1 6 Seward, Dan 008 sex 0 1 6 , 0 2 8 , 0 3 8 sexuality 0 0 2 , 0 1 6 , 0 2 8 , 062, 082, 086, 088, 099

Side Yard Farm and Kitchen, The S E E Shakespeare, William 0 6 6 She’s in Parties 0 7 6 – 0 7 7 Sheehy, Matt 0 6 4 “She does what she wants” 005

Shick, Vicky 0 2 2 Snyder, Stephanie 0 0 5 , 036, 082, 084

Rizzo, Christian S E E “CHRISTIAN RIZ ZO ⁄ ICI—CCN MONTPELLIER”

Rodger, Elliot 0 2 4 Rothenberg, Ned 0 4 6 Rosenblit, Jen 0 0 6 Royal Osiris Karaoke Ensemble X X–X X I , 024–025, 084

Russ, Johanna 0 0 6

Sage, Jill 0 2 0 Sarieddeen, Junaid 0 8 8 , schedule 1 2 2 –1 3 1 Sciarroni, Alessandro X X I I –X X I I I , 0 0 2 , 042– 043, 085, 095

School of the Art Institute of Chicago (SAIC) 026, 032 science fiction I X , 0 0 6 scraps 0 4 0

0 2 6 – 0 2 7, 0 8 2 , 0 8 4 , 0 9 6

Thorson, Morgan 0 1 0 – 0 1 1 , 038, 084, 096

tickets X X–X X I I I ,

X X V, 0 5 4 ,

0 9 7, 1 0 4 , 1 0 5

time 0 0 2 ,

war 0 9 0 : on terror 08 8, 0 9 9 War on Drugs, The 0 5 6 Watts, Omega 0 6 8 Welcome to the 09 Neighborhood Live! 0 6 8 Werbel, Libby X V I I I , X I X ,

0 0 5, 0 0 6, 010,

020, 02 2 , 026, 040, 042 ,

018– 019, 060 – 061

Wolfe, Meg X I I –X I I I ,

0 5 0, 0 5 6 , 0 7 2 , 0 8 0, 0 8 2 , 08 4, 093, 099, 106

To Tell the Truth 0 3 6 transcribe 0 2 6 , 0 3 4 , transgressive 0 0 8 trespassing 0 2 6 Tropic Green 0 6 0 Trox 0 6 8

095

022– 023, 092

014– 015

South Korea I V, 0 4 4 Spaceholder Festival 0 1 0 speech: motivational 0 3 6 ; freedom of 1 0 4 Spiritual Gangsters 0 74 sponsors X X I V, 1 0 6 –1 1 3 Still Life 0 1 0 – 0 1 1 , 0 8 4 , 0 9 6 staff & leadership 1 1 4 –1 1 5 Strange Babes 0 6 0 Studio 2 S E E “ N E W St. Vincent 0 5 6 , 0 6 4 Suraj, Kumari 0 6 2 T

taboo 0 1 4 Tarrow, Miranda L. 0 7 6 temporal 0 2 6 tender 0 1 2 Thao and the Get Down Stay Down 0 6 4 This is Not My Voice Speaking 0 2 0

10

woman 0 2 8 , 0 3 2 , 0 3 6 , 0 7 2 woodwind I X , 0 5 6 wordless 0 2 0 11 Working Artists in the Great Economy (W.A.G.E.) 0 0 6 WORKS, THE 0 4 8 – 0 7 7 workshop 0 0 8 , 0 1 2 , 0 2 2 ,

Songs from my shows

E XPRES SIVE WORKS”

S

08

Thomas, Keijaun 0 0 4 ,

“ G I V E N S , S TA C E Y ”

0 3 4 , 0 5 0, 0 8 5

090–091

opening night I I – I I I , V I – I X , 0 5 4 – 0 5 9 , 0 8 3 ; dinner optimism 0 0 2 Organ Player 0 1 6 Osterweis, Ariel 0 8 2 ,

racism 0 6 6 Radio, Marbles 0 2 2 , 0 9 3 Ramona Falls 0 6 4 rant 0 6 6 Rasheed, Kameelah Janan

121

0 3 2 , 0 4 2 , 0 6 2 , 0 8 0,

U

12

092– 095, 096

ululation 0 3 4 Under the Radar 0 2 4 United Kingdom 0 2 0, 0 2 6 , 082

United States Artists 010, 016 UNTITLED_I will be there when you die 0 0 2 , 0 4 2 , 085, 095

Utah 0 0 6 V

Valatka, Dana 0 3 0 Vaseline 0 1 6 Villalobos, Blanca Stacey 082 volunteer X X V, 1 0 6 , 1 1 5 voyeurism 0 3 8

Wyland, Luke XIV–XV, 030–031

XRAY FM 0 6 8

14

Y

Yamamoto, Taka 0 3 8 Yanow, Sacha 0 3 6 – 0 3 7, 0 8 4 15 Yim, Lu 0 3 8 Ylvisaker, William 0 9 3 YOU 0 1 0 Young Audiences of Oregon 16 & SW Washington 0 3 0 Young Gifted and Brown (YGB) 0 74 – 0 7 5 , 0 8 2 YouTube 0 2 4 , 0 6 2

17

W

waack 0 6 2 Waller, Holcombe 0 6 4 , Wallsmith, Reed 0 3 0 Wall Street Journal 0 3 6

13

X

Z 112

Zirlib 0 4 0 Zoukak Theatre Company18 090–091

ABOUT TBA:

SCHEDULE AT-A-GLANCE: VENUE

RUN TIME

123

08

09

10

11

12

13

14

15

16

17

18

8:00 P

12–6 P

12–6 P

12–6 P

12–6 P

12–6 P

12–6 P

12–6 P

12–6 P

12–6 P

12–6 P

A.K. Burns (pg 006)

A

PICA at Hancock

53 min

Bunnybrains (pg 008)

H

PNCA: 511 Gallery

—

Morgan Thorson (pg 010)

D

Portland Art Museum

—

3–8 P

12–5 P

Christian Rizzo ⁄ ICI—CCN Montpellier (pg 012)

E

Lincoln Hall: Performance

70 min

6:30 P

6:30 P

Ivo Dimchev (pg 014)

F

Winningstad Theatre

70 min

8:30 P

8:30 P

Narcissister (pg 016)

A

PICA at Hancock

35 min

8:30 P

Libby Werbel (pg 018)

C

Pioneer Courthouse Sq

—

Britt Hatzius (pg 020)

J

Hollywood Theatre

40 min

3:00 P

3:00 P

Meg Wolfe (pg 022)

F

Winningstad Theatre

45 min

6:30 P

6:30 P

Royal Osiris Karaoke Ensemble (pg 024)

K

Black Box Theatre, Reed

50 min

7:00 P

7:00 P

7:00 P

7:00 P

Keijaun Thomas (pg 026)

A

PICA at Hancock

90 min

8:30 P

8:30 P

8:30 P

Carlos Motta (pg 028)

J

Hollywood Theatre

60 min

Luke Wyland (pg 030)

E

Lincoln Hall: Performance

90 min

7:30 P

Dylan Mira (pg 032)

A

PICA at Hancock

40 min

8:30 P

Ali Chahrour (pg 034)

F

Winningstad Theatre

70 min

6:30 P

Sacha Yanow (pg 036)

K

Black Box Theatre, Reed

50 min

7:00 P

Allie Hankins (pg 038)

G

Bodyvox Dance Center

60 min

8:30 P

8:30 P

8:30 P

Mohamed El Khatib (pg 040)

E

Lincoln Hall: Boiler Room

50 min

6:30 P

6:30 P

Alessandro Sciarroni (pg 042)

E

Lincoln Hall: Performance

50 min

8:30 P

8:30 P

Geumhyung Jeong (pg 044)

I

New Expressive Works

75 min

8:30 P

8:30 P

Rinde Eckert (pg 046)

F

Winningstad Theatre

50 min

Kelly Pratt, Fanfare: Birth > Rebirth (pg 056)

A

PICA at Hancock

—

8:30 P

Juliana Huxtable (pg 058)

A

PICA at Hancock

—

9:30 P

Portland Museum of Modern Art (pg 060)

A

PICA at Hancock

—

Pepper Pepper (pg 062)

A

PICA at Hancock

—

Kelly Pratt, No No Soliciting (pg 064)

A

PICA at Hancock

—

Don’t Get Me Started (pg 066)

A

PICA at Hancock

—

DJ Klyph (pg 068)

A

PICA at Hancock

—

Blind Coven (pg 070)

A

PICA at Hancock

—

Cinema Project (pg 072)

A

PICA at Hancock

—

DUG & YGB (pg 074)

A

PICA at Hancock

—

She’s in Parties (pg 076)

A

PICA at Hancock

—

11A–6P 11A–6P 11A–6P 11A–6P 11A–6P 11A–6P 11A–6P 11A–6P 11A–6P 11A–6P 11A–6P 12–5 P

12–5 P

12–5 P

12–5 P

8:30 P 11A–7P 11A–7P 7:00 P

3:00 P

3:00 P

7:00 P 8:30 P 6:30 P

3:00 P

6:30 P

10:30 P 10:30 P 10:30 P 10:30 P 10:30 P 10:30 P 10:30 P 10:30 P 10:30 P THU

FRI

SAT

SUN

MON

TUE

WED

THU

FRI

SAT

SUN

ABOUT TBA:

SCHEDULE AT-A-GLANCE:

125

INSTITUTE PROGRAMS VENUE WORKSHOPS

PANELS

DIALOGUES

LECTURES

FIELD GUIDES

RUN TIME

08

09

10

11

12

13

14

15

16

17

Father Stephaun Blahnik (pg 093)

I

New Expressive Works 120 min

House of Aquarius (pg 093)

I

New Expressive Works 120 min

Roberto Martinez (pg 093)

I

New Expressive Works 120 min

Marbles Jumbo Radio (pg 093)

I

New Expressive Works 120 min

Dylan Mira (pg 095)

I

New Expressive Works 120 min

Untitled_Juggling… (pg 095)

I

New Expressive Works 120 min

Festival as Platform (pg 082)

B

PICA at West End

60 min

Portland’s Next Wave… (pg 082)

B

PICA at West End

60 min

Black Queer Feminist… (pg 082)

B

PICA at West End

60 min

Juliana Huxtable (pg 083)

B

PICA at West End

60 min

Narcissister (pg 083)

B

PICA at West End

60 min

12:30 P

Guest Scholars (pg 099)

B

PICA at West End

60 min

2:00 P

A.K. Burns (pg 083)

B

PICA at West End

60 min

Morgan Thorson (pg 084)

H

PNCA: Mediatheque

60 min

Royal Osiris Karaoke Ensemble (pg 084)

H

PNCA: Mediatheque

60 min

12:30 P

Creative Exchange Lab (pg 101)

B

PICA at West End

90 min

5:30 P

TBA Visual Artists (pg 084)

H

PNCA: Innovation Lab 60 min

Britt Hatzius (pg 084)

H

PNCA: Mediatheque

60 min

Ali Chahrour (pg 085)

H

PNCA: Mediatheque

60 min

Alessandro Sciarroni (pg 085)

B

PICA at West End

60 min

12:30 P

Munyaneza ⁄ Michael (pg 085)

B

PICA at West End

60 min

2:00 P

Cekwana ⁄ gaskin (pg 085)

B

PICA at West End

60 min

Carlos Motta (pg 086)

B

PICA at West End

60 min

Maya Mikdashi (pg 088)

B

PICA at West End

30 min

Junaid Sarieddeen (pg 090)

B

PICA at West End

60 min

Morgan Thorson (pg 096)

See pica.org

150 min

Narcissister (pg 096)

See pica.org

180 min

Keijaun Thomas (pg 096)

See pica.org

180 min

A.K. Burns (pg 096)

See pica.org

120 min

Ali Chahrour (pg 096)

See pica.org

180 min

18

10:00 A 10:00 A 10:00 A 10:00 A 10:00 A 10:00 A 12:30 P 3:30 P 2:00 P 2:00 P

12:30 P 12:30 P

12:30 P 12:30 P 12:30 P

12:30 P 4:30 P 3:30 P 4:00 P 3:00 P 7:00 P 7:00 P 6:00 P 5:00 P THU

FRI

SAT

SUN

MON

TUE

WED

THU

FRI

SAT

SUN

ABOUT TBA:

SCHEDULE:

127

08

Schedule Sat Sept 10 ● ON S TA G E : ON S C R E E N: ON L O C AT ION:

◣ ON S IG H T : ■ T H E W OR K S : ◆ I N S T I T U T E :

11:00 AM ◣ Bunnybrains

pg 008 H PNCA: 511 Gallery

6:30 PM ■ Opening Night Dinner

pg 054 A PICA at Hancock

8:00 PM ◣ A.K. Burns, A Smeary Spot

pg 006 A PICA at Hancock

8:30 PM ■ Kelly Pratt, Fanfare: Birth > Rebirth

pg 056 A PICA at Hancock

9:30 PM ■ Juliana Huxtable

pg 058

A

PICA at Hancock

10:00 AM ◆ W O R K S H O P Father Stephaun Blahnik pg 093 I New Expressive Works 11:00 AM ◣ Bunnybrains

pg 008 H PNCA: 511 Gallery

12:00 PM ◣ A.K. Burns, A Smeary Spot

pg 006

A

PICA at Hancock

pg 082 B PICA at West End

2:00 PM ◆ C O N V E R S AT I O N Juliana Huxtable

pg 083 B PICA at West End

3:00 PM ● Morgan Thorson, Still Life

pg 010 D Portland Art Museum

◆ F I E L D G U I D E Morgan Thorson

11:00 AM ◣ Bunnybrains

pg 008 H PNCA: 511 Gallery

12:00 PM ◣ A.K. Burns, A Smeary Spot ● Morgan Thorson, Still Life 12:30 PM ◆ C O N V E R S AT I O N Narcissister

A

pg 010 D Portland Art Museum

pg 020 J Hollywood Theatre

3:30 PM ◆ PA N E L Portland’s Next Wave…

pg 082 B PICA at West End

See pica.org

pg 096

pg 022

F

Winningstad Theatre See pica.org

7:00 PM ◆ F I E L D G U I D E Narcissister

pg 096

7:00 PM ● Royal Osiris Karaoke Ensemble, The Art of Luv (Part 1): Elliot

pg 024 K Black Box Theatre, Reed

8:30 PM ● Ivo Dimchev, Songs from my shows

pg 014

F

Winningstad Theatre

pg 016

A

PICA at Hancock

pg 062

A

PICA at Hancock

● Narcissister, Narcissistic Advance 10:30 PM ■ Pepper Pepper, Critical Mascara

8:30 PM ● Ivo Dimchev, Songs from my shows

12

13

14

15

16

17

pg 014

F

Winningstad Theatre

10:00 AM ◆ W O R K S H O P Roberto Martinez

pg 093 I New Expressive Works

pg 016

A

PICA at Hancock

11:00 AM ◣ Bunnybrains

pg 008 H PNCA: 511 Gallery

pg 060

A

PICA at Hancock

● Libby Werbel, PMOMA

11

pg 083 B PICA at West End

3:00 PM ● Britt Hatzius, Blind Cinema

● Meg Wolfe, New Faithful Disco

10

PICA at Hancock

pg 099 B PICA at West End

Sun Sept 11

10:30 PM ■ PMOMA at THE WORKS

pg 006

2:00 PM ◆ L E C T U R E S Guest Scholars

6:30 PM ● Christian Rizzo ⁄ ICI—CCN Montpellier, pg 012 E Lincoln Hall, PSU: Performance Hall d’aprés une historie vraie

● Narcissister, Narcissistic Advance

pg 018 C Pioneer Courthouse Sq

6:30 PM ● Christian Rizzo ⁄ ICI—CCN Montpellier, pg 012 E Lincoln Hall, PSU: Performance Hall d’aprés une historie vraie

Fri Sept 09

12:30 PM ◆ PA N E L Festival as Platform

pg 093 I New Expressive Works

● Libby Werbel, PMOMA

Thu Sept 08

09

10:00 AM ◆ W O R K S H O P House of Aquarius

pg 018 C Pioneer Courthouse Sq

18

ABOUT TBA:

SCHEDULE:

129

08 Tue Sept 13 12:00 PM ◣ A.K. Burns, A Smeary Spot ● Morgan Thorson, Still Life 12:30 PM ◆ C O N V E R S AT I O N A.K. Burns

pg 006

A

PICA at Hancock

pg 010 D Portland Art Museum pg 083 B PICA at West End

2:00 PM ◆ PA N E L Black Queer Feminist Performance NOW

pg 082 B PICA at West End

3:00 PM ● Britt Hatzius, Blind Cinema

pg 020 J Hollywood Theatre

4:30 PM ◆ L E C T U R E Carlos Motta

pg 086 B PICA at West End

6:30 PM ● Meg Wolfe, New Faithful Disco

pg 022

7:00 PM ◆

pg 096

FIELD GUIDE

Keijaun Thomas

F

Winningstad Theatre See pica.org

7:00 PM ● Royal Osiris Karaoke Ensemble, The Art of Luv (Part 1): Elliot

pg 024 K Black Box Theatre, Reed

8:30 PM ◣ Keijaun Thomas, Distance is Not Separation…

pg 026

10:30 PM ■ Kelly Pratt, No No Soliciting

A

11:00 AM ◣ Bunnybrains

pg 008 H PNCA: 511 Gallery

12:00 PM ◣ A.K. Burns, A Smeary Spot

pg 006

● Morgan Thorson, Still Life 12:30 PM ◆ C O N V E R S AT I O N Royal Osiris Karaoke Ensemble

A

pg 010 D Portland Art Museum pg 084 H PNCA: Mediatheque

5:30 PM ◆ LECTURES Creative Exchange Lab

pg 101 B PICA at West End

7:00 PM ● Royal Osiris Karaoke Ensemble, The Art of Luv (Part 1): Elliot

pg 024 K Black Box Theatre, Reed

8:30 PM ◣ Keijaun Thomas, Distance is Not Separation…

pg 026

A

PICA at Hancock

pg 068

A

PICA at Hancock

10:30 PM ■ DJ Klyph

A

PICA at Hancock

Mon Sept 12 10:00 AM ◆ W O R K S H O P Marbles Jumbo Radio

pg 093 I New Expressive Works

11:00 AM ◣ Bunnybrains

pg 008 H PNCA: 511 Gallery

12:00 PM ◣ A.K. Burns, A Smeary Spot

pg 006

12:30 PM ◆ C O N V E R S AT I O N Morgan Thorson

A

PICA at Hancock

11:00 AM ◣ Bunnybrains

pg 008 H PNCA: 511 Gallery

12:00 PM ◣ A.K. Burns, A Smeary Spot

pg 006

12:30 PM ◆ C O N V E R SATI O N TBA Visual Artists

pg 084 H PNCA: Innovation Lab

A

PICA at Hancock

See pica.org

6:00 PM ◆ F I E L D G U I D E A.K. Burns

pg 096

7:30 PM ● Luke Wyland, AU and the Camas High School Choir

pg 030 E Lincoln Hall, PSU: Performance Hall

pg 084 H PNCA: Mediatheque

8:30 PM ◣ Dylan Mira, Duty Free

pg 006

A

PICA at Hancock

7:00 PM ● Carlos Motta, Nefanus & Deseos…

pg 028 J Hollywood Theatre

9:30 PM ◣ A.K. Burns Listening Party

pg 006

A

PICA at Hancock

7:00 PM ● Royal Osiris Karaoke Ensemble, The Art of Luv (Part 1): Elliot

pg 024 K Black Box Theatre, Reed

pg 070

A

PICA at Hancock

8:30 PM ◣ Keijaun Thomas, Distance is Not Separation…

pg 026

A

PICA at Hancock

pg 066

A

PICA at Hancock

10:30 PM ■ Don’t Get Me Started

10:30 PM ■ Blind Coven

10

11

12

13

PICA at Hancock

Wed Sept 14 pg 064

09

PICA at Hancock

14

15

16

17

Thu Sept 15 11:00 AM ◣ Bunnybrains

pg 008 H PNCA: 511 Gallery

18

ABOUT TBA:

12:00 PM ◣ A.K. Burns, A Smeary Spot ● Morgan Thorson, Still Life 12:30 PM ◆ C O N V E R SATI O N Britt Hatzius

pg 006

A

PICA at Hancock

pg 010 D Portland Art Museum pg 084 H PNCA: Mediatheque

6:30 PM ● Ali Chahrour, Leila’s Death

pg 034

7:00 PM ● Sacha Yanow, Dad Band

pg 036 K Black Box Theatre, Reed

8:30 PM ◣ Dylan Mira, Duty Free

pg 032

A

pg 038 pg 072

● Allie Hankins, better to be alone than to wish you were 10:30 PM ■ Cinema Project

SCHEDULE:

Sat Sept 17

F

Winningstad Theatre

08

10:00 AM ◆ W O R K S H O P Dylan Mira

pg 095 I New Expressive Works

11:00 AM ◣ Bunnybrains

pg 008 H PNCA: 511 Gallery

12:00 PM ◣ A.K. Burns, A Smeary Spot

pg 006

2:00 PM ◆ C O N V E R S AT I O N Munyaneza ⁄ Michael pg 085 B PICA at West End pg 020 J Hollywood Theatre

PICA at Hancock

3:30 PM ◆ L E C T U R E Maya Mikdashi

pg 088 B PICA at West End

G

Bodyvox Dance Center

4:00 PM ◆ L E C T U R E Junaid Sarieddeen

pg 090 B PICA at West End

A

PICA at Hancock

6:30 PM ● Mohamed El Khatib, Finir en beauté

pg 040 E Lincoln Hall, PSU: Boiler Room Theatre

11:00 AM ◣ Bunnybrains

pg 008 H PNCA: 511 Gallery

12:00 PM ◣ A.K. Burns, A Smeary Spot

pg 006

12:30 PM ◆ C O N V E R S AT I O N Ali Chahrour

pg 085 H PNCA: Mediatheque pg 096

6:30 PM ● Ali Chahrour, Leila’s Death

pg 034

● Mohamed El Khatib, Finir en beauté

A

PICA at Hancock

See pica.org F

F

Winningstad Theatre

pg 038

G

Bodyvox Dance Center

● Alessandro Sciarroni, UNTITLED I will be there when you die

pg 042

E

Lincoln Hall, PSU: Performance Hall

● Geumhyung Jeong, 7ways

pg 044

I

New Expressive Works

pg 076

A

PICA at Hancock

8:30 PM ● Allie Hankins, better to be alone than to wish you were

10:30 PM ■ She’s in Parties

Winningstad Theatre

pg 040 E Lincoln Hall, PSU: Boiler Room Theatre

7:00 PM ● Britt Hatzius, Blind Cinema

pg 020 J Hollywood Theatre

8:30 PM ● Allie Hankins, better to be alone than to wish you were

pg 038

G

Bodyvox Dance Center

● Alessandro Sciarroni, UNTITLED I will be there when you die

pg 042

E

Lincoln Hall, PSU: Performance Hall

● Geumhyung Jeong, 7ways

pg 044

I

New Expressive Works

pg 074

A

PICA at Hancock

10:30 PM ■ DUG & YGB, Gifted Grounds

PICA at Hancock

12:30 PM ◆ C O N V E R S AT I O N Alessandro Sciarroni pg 085 B PICA at West End

● Rinde Eckert, My Fools: A Life in Song pg 046

5:00 PM ◆ F I E L D G U I D E Ali Chahrour

A

3:00 PM ● Britt Hatzius, Blind Cinema

Fri Sept 16

10:00 AM ◆ W O R K S H O P Untitled_Juggling…

pg 095 I New Expressive Works

11:00 AM ◣ Bunnybrains

pg 008 H PNCA: 511 Gallery

12:00 PM ◣ A.K. Burns, A Smeary Spot

pg 006

12:30 PM ◆ C O N V E R S AT I O N Cekwana ⁄ gaskin

pg 085 B PICA at West End

● Mohamed El Khatib, Finir en beauté

09

10

11

12

13

14

15

Sun Sept 18

3:00 PM ● Britt Hatzius, Blind Cinema

131

A

16

PICA at Hancock

17

pg 020 J Hollywood Theatre pg 040 E Lincoln Hall, PSU: Boiler Room Theatre

18

N WILLIAMS

NW NORTHRUP

BR

405

O

A

BR

NE BROADWAY STREETCAR

NE WEIDLER

STREETCAR

ST

84

N W B R OA DWAY

EE

L

NE

Pioneer Courthouse Square

D

Portland Art Museum

RK

E MA

RK

ET

WT

Winningstad Theatre (PORTLAND’5)

G

BodyVox Dance Center

RN

1201 NW 17TH AVE

511 NW BROADWAY

I New Expressive Works

CON TIN U ES SOU THE A ST

810 SE BELMONT ST

SE 28TH

I

SE 7TH

5

HO

1620 SW PARK AVE

F

H PNCA

J

SE STEELE

SE BELMONT

ON

SE 20TH

Y D N SA SE

↘

NB R.

S E WAT E R

DIS

E BURNSIDE

SE 12TH

SO

SW

SIT

MA

MA

HA SW

RRI

NA

LL

BR SW

L

BUCKMAN

SE GRAND

OA

SW

TR

AN

MO HIL

I TO

DW AY

10T SW

YA M

S E M A RT I N LU T H E R K I N G J R

BURNS IDE BR.

C SW

Y

ND

1219 SW PARK AVE

Lincoln Hall, PSU NE E GLISAN

1111 SW BROADWAY

SE 2ND

N

STA

SA

84

N W N A I TO SW

H

PSU

415 SW 10TH AVE

C

701 SW 6TH AVE

99E

NW 17TH

D

B PICA at West End

.

BR

B

405

15 NE HANCOCK ST

HOLLYWOOD TC

W BURNSIDE

ISO

A PICA at Hancock

HOLLYWOOD

H

PEARL DISTRICT

RR

Y

ND

5

NW GLISAN

MO

SA

J

NE HOLLADAY

133

IRVINGTON NE

.

NW LOVEJOY

SW

FESTIVAL VENUES:

SE 28TH

T N

EM FR

G

AY DW

NE HANCOCK

NE 42ND

E EC1H5ÁTVHE Z N E C É SA R N

.

BR

A

ELIOT

O

ABOUT TBA:

REED COLLEGE

SE HAWTHORNE

3203 SE WOODSTOCK BLVD

L SE

EB R.

WO O STO C K D

4122 NE SANDY BLVD

K Black Box Theatre, Performing Arts Bldg, Reed College

SE MORRISON

K

Hollywood Theatre

L Douglas F. Cooley Memorial Art Gallery, Reed College 3203 SE WOODSTOCK BLVD

ABOUT TBA:

Notes