JEWELS [Catalogue]

Jewels

New York, 9 December 2019

131. Verdura, A Diamond, Platinum and Gold ‘Pine Cone’ Brooch/Pendant 65. A Diamond and Gold Necklace 139. Aletto Brothers, A Pair of Ruby, Diamond, Platinum and Gold Earrings

11. An Art Deco Jadeite Jade, Jade, Diamond and Platinum Sautoir 14. A Diamond and Platinum ‘Faravahar’ Pendant

Jewels New York, 9 December 2019

Auction & Viewing Location

Jewels Department +1 212 940 1378

450 Park Avenue New York 10022

Auction 9 December 2019 at 12pm

Viewing 4 – 9 December Monday – Saturday 10am – 6pm Sunday 12pm – 6pm

Sale Designation When sending in written bids or making enquiries please refer to this sale as NY060319 or Jewels.

Absentee and Telephone Bids tel +1 212 940 1228 fax +1 212 924 1749 bidsnewyork@phillips.com

Worldwide Head Graeme Thompson +852 2318 2049 graemethompson@phillips.com Head of Department, Americas, Senior International Specialist Susan Abeles sabeles@phillips.com Senior Specialist Eva Violante eviolante@phillips.com Senior Specialist, Los Angeles Alexis Vourvoulis avourvoulis@phillips.com Associate Specialist Anne Mock, GG amock@phillips.com Administrator Alexi Riggins, GG ariggins@phillips.com

45. Kutchinsky, A Diamond and Gold Bracelet 44. Kutchinsky, A Diamond, Platinum and Gold Brooch 43. Van Cleef & Arpels, A Pair of Diamond, Platinum and Gold Earrings

Our Team.

Jewels Worldwide Head.

Americas.

Graeme Thompson

Susan Abeles

Eva Violante

Alexis Vourvoulis

Anellie Manolas

Anne Mock

Worldwide Head of Jewellery

Head of Department, Americas and Senior International Specialist

Senior Specialist

Senior Specialist, Los Angeles

Consultant, Los Angeles

Associate Specialist

anelliemanolas@phillips.com +852 2318 2000

amock@phillips.com +1 212 940 1346

graemethompson @phillips.com +852 2318 2049

eviolante@phillips.com +1 212 940 1316

sabeles@phillips.com +1 212 940 1383

avourvoulis@phillips.com +1 310 334 9131

Europe.

Myriam Christinaz

Bart van Son

Sarah O’Brien

Lane Mclean

Co-International Business Director

Co-International Business Director

International Business Development Director

Specialist

mchristinaz@phillips.com +41 22 317 81 84

bvanson@phillips.com +44 20 7901 7912

sobrien@phillips.com +44 20 7901 7942

lmclean@phillips.com +44 20 7318 4032

Asia.

Terry Chu

Charlene Lau

Louisa Chan

Tomoko Mizutani

Yoki Chan

Head of Jewellery, Asia

Senior Specialist, Head of Sale

Specialist, Taiwan

Specialist, Japan

Junior Specialist

lchan@phillips.com +886 2 2758 5505

tmizutani@phillips.com +81 80 9284 4386

yokichan@phillips.com +852 2318 2036

terrychu@phillips.com +852 2318 2038

charlenelau@phillips.com +852 2318 2039

Executives.

Senior Advisors.

Edward Dolman

David Norman

Hugues Jofre

Chief Executive Ofcer

Chairman, Americas

Senior Advisor to the CEO

+1 212 940 1241 edolman@phillips.com

+1 212 940 1280 dnorman@phillips.com

+44 207 901 7923 hjofre@phillips.com

Arnold Lehman

Š Brigitte Lacombe

Cheyenne Westphal

Jamie Niven

Global Chairwoman

Senior Advisor to the CEO

Senior Advisor to the CEO

+44 20 7318 4044 cwestphal@phillips.com

+1 917 880 2532 jniven@phillips.com

+1 212 940 1385 alehman@phillips.com

Ken Yeh Senior International Specialist +1 212 940 1257 kyeh@phillips.com

Deputy Chairmen & Chairwomen.

Svetlana Marich

Jean-Paul Engelen

Robert Manley

Jonathan Crockett

Peter Sumner

Worldwide Deputy Chairman

Deputy Chairman, Worldwide Co-Head of 20th Century & Contemporary Art

Deputy Chairman, Worldwide Co-Head of 20th Century & Contemporary Art

Deputy Chairman, Asia, Head of 20th Century & Contemporary Art, Asia

Deputy Chairman, Europe, Senior International Specialist, 20th Century & Contemporary Art

+1 212 940 1390 jpengelen@phillips.com

+1 212 940 1358 rmanley@phillips.com

Miety Heiden

Vanessa Hallett

Vivian Pfeifer

Marianne Hoet

Elizabeth Goldberg

Deputy Chairwoman, Head of Private Sales

Deputy Chairwoman, Americas, Worldwide Head of Photographs

Deputy Chairman, Americas, Head of Business Development, Americas

+1 212 940 1243 vhallett@phillips.com

+1 212 940 1392 vpfeifer@phillips.com

Deputy Chairwoman, Europe, Senior Specialist, 20th Century & Contemporary Art

Deputy Chairwoman, Americas, Senior International Specialist, American Art

+32 3257 3026 mhoet@phillips.com

+1 212 940 1239 egoldberg@phillips.com

+44 20 7318 4010 smarich@phillips.com

+44 20 7901 7943 mheiden@phillips.com

+852 2318 2023 jcrockett@phillips.com

+44 20 7318 4063 psumner@phillips.com

37. Marchak, A Pair of Diamond, Ruby, Turquoise and Gold Earrings 36. RenĂŠ Boivin, A Ruby, Diamond, Platinum and Gold Bracelet

Business Development.

Americas.

Vivian Pfeifer Deputy Chairman, Americas, Head of Business Development, Americas +1 212 940 1392 vpfeifer@phillips.com

Client Advisory.

Americas.

Philae Knight

Jennifer Jones

Liz Grimm

Client Advisory Director

Director of Trusts, Estates & Valuations

Business Development Associate

+1 212 940 1272 jjones@phillips.com

+1 212 940 1342 egrimm@phillips.com

+1 212 940 1313 pknight@phillips.com

Europe.

Yassaman Ali Client Advisory Director +44 20 7318 4056 yali@phillips.com

Giulia Campaner Mendes

Layla Powell

Margherita Solaini

Laurent Taevernier

Business Development Associate

Client Liaison Coordinator

Client Advisory Manager

Associate Client Advisory Manager

+44 20 7318 4058 gcampaner@phillips.com

+44 20 7318 4043 lpowell@phillips.com

+39 02 83642 453 msolaini@phillips.com

Asia.

Iori Endo Client Advisory Manager +44 20 7318 4039 iendo@phillips.com

Trusts, Estates & Valuations.

Americas.

Jennifer Jones

Laura Wenger

William Leach

Senior Vice President Director of Trusts, Estates & Valuations

Associate Vice President Account Manager Trusts, Estates & Valuations

Trusts, Estates & Valuations Coordinator

+1 212 940 1272 jjones@phillips.com

+1 212 940 1302 lwenger@phillips.com

+1 212 940 1297 wleach@phillips.com

+32 32 573026 ltaevernier@phillips.com

International Specialists & Regional Directors.

Americas.

Cândida SodrÊ

Carol Ehlers

Lauren Peterson

Melyora de Koning

Blake Koh

Valentina Garcia

Regional Director, Consultant, Brazil

Regional Director, Specialist, Photographs, Chicago

Regional Representative, Chicago

Senior Specialist, 20th Century & Contemporary Art, Denver

Regional Director, Los Angeles

Specialist, Miami

+55 21 999 817 442 csodre@phillips.com

+1 773 230 9192 cehlers@phillips.com

+1 310 922 2841 lauren.peterson @phillips.com

Cecilia Lafan

Maura Smith

Silvia Coxe Waltner

Sophia Kinell

Regional Director, Consultant, Mexico

Regional Director, Palm Beach

Regional Director, Seattle

Regional Representative, San Francisco

+52 1 55 5413 9468 clafan@phillips.com

+1 508 642 2579 maurasmith@phillips.com

+1 206 604 6695 scwaltner@phillips.com

+1 650 799 7931 sophia.kinell@phillips.com

Laurence Calmels

Clara Rivollet

Laurence Barret-Cavy

Regional Director, France

International Specialist, 20th Century & Contemporary Art, France

Specialist, 20th Century & Contemporary Art, France

+1 917 657 7193 mdekoning@phillips.com

+1 323 383 3266 bkoh@phillips.com

+1 917 583 4983 vgarcia@phillips.com

Europe.

+33 686 408 515 lcalmels@phillips.com

+33 6 42 09 97 39 crivollet@phillips.com

+33 153 71 77 89 lbarret-cavy@phillips.com

Dr. Nathalie Monbaron Regional Director, Geneva +41 22 317 81 83 nmonbaron@phillips.com

Maura Marvao

Kalista Fenina

Kirsten MacDonald

Lori Spector

International Specialist, Consultant, 20th Century & Contemporary Art, Portugal and Spain

Specialist, 20th Century & Contemporary Art, Moscow

Regional Director, Scandinavia

Regional Director, Senior International Specialist, 20th Century & Contemporary Art, Zurich

+351 917 564 427 mmarvao@phillips.com

+7 905 741 15 15 kfenina@phillips.com

+4520102111 kmacdonald@phillips.com

Dr. Alice Trier

Carolina Lanfranchi

Specialist, 20th Century & Contemporary Art, Germany

Regional Director, Senior International Specialist, 20th Century & Contemporary Art, Italy

+49 173 25 111 69 atrier@phillips.com

+39 338 924 1720 clanfranchi@phillips.com

+41 76 259 30 39 lspector@phillips.com

Asia.

Kyoko Hattori

Jane Yoon

Sujeong Shin

Wenjia Zhang

Alicia Zhang

Cindy Yen

Regional Director, Japan

International Specialist, 20th Century & Contemporary Art, Regional Director, Korea

Associate Regional Representative, Korea

Regional Director, China

Associate Regional Representative, Shanghai

Senior Specialist, Watches & Jewellery, Taiwan

+81 90 2245 6678 khattori@phillips.com

+82 10 7305 0797 sshin@phillips.com

+86 13911651725 wenjiazhang@phillips.com

+82 10 7389 7714 jyy@phillips.com

Meiling Lee

Christine Fernando

Sandy Ma

Vivi Yip

International Specialist, Taiwan

Associate Regional Representative, Singapore

International Specialist, South East Asia

Senior Consultant, Indonesia

+886 908 876 669 mlee@phillips.com

+65 9128 6277 christinefernando @phillips.com

+852 2318 2025 sma@phillips.com

+62 8111 220 824 viviyip@phillips.com

Our team is comprised of experts from auction houses, museums, galleries and other leading arts institutions. In addition to auctions in our New York, London, Hong Kong and Geneva salerooms, Phillips holds private sales and curated selling exhibitions across all of our categories around the world. Our range of services includes appraisals for private clients, advisors, attorneys and other key fduciaries, and our dedicated Trusts, Estates and Valuations team provides complimentary reviews of collections.

+86 139 1828 6589 aliciazhang@phillips.com

+886 2 2758 5505 cyen@phillips.com

Property from a Private Collection

1. An Antique Diamond, Ruby, Enamel and Gold Watch Pendant Rose-cut diamonds and round ruby cabochons Manual Swiss movement 18 karat yellow gold, length approximately 2.45 inches Estimate $4,000-6,000

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2. An Antique Diamond and Gold Bracelet Old mine-cut diamonds 18 karat yellow gold, interior approximately 2.15 inches Estimate $10,000-15,000

3. A Diamond, Enamel and Gold Ring A cushion-shaped diamond Table-cut diamonds Russian assay marks 14 karat yellow gold, size 12 Estimate $4,000-6,000

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Property of a South American Lady

4. An Antique Natural Pearl, Diamond and Gold Brooch/Pendant Natural semi-baroque pearls, measuring 9.28 x 8.00mm and 12.05 x 9.02mm Old mine- and rose-cut diamonds 18 karat yellow gold, length approximately 2.40 inches GIA Report: Natural Pearls, saltwater, No indication of treatment Estimate $5,000-7,000

Property of a California Collector

5. Riker Brothers An Antique Diamond and Gold Bracelet, Circa 1890 Old mine- and old European-cut diamonds Signed with maker’s mark 14 karat yellow gold, length approximately 6.75 inches Estimate $6,000-9,000

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Property of a California Collector

7. J.E. Caldwell A Companion Pair of Antique Ruby, Sapphire and Platinum-Topped Gold Rings, Circa 1900

6. A Diamond, Gold and Silver-Topped Gold ‘Cross’ Pendant Rose-cut diamonds French assay marks 18 karat yellow gold and sterling silver, length approximately 3.00 inches Estimate $8,000-10,000

RING Square step-cut rubies Signed, numbered Platinum-topped 18 karat yellow gold, approximate size 5 RING Square modifed mixed-cut sapphires Signed, numbered Platinum-topped 18 karat yellow gold, approximate size 5 AGL Report: Burma, no gemological evidence of heat AGL Report: Cambodia, no gemological evidence of heat Estimate $6,000-9,000

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8. A Pair of Diamond, Gold and

9. A Pair of Turquoise, Diamond, Gold and

Silver-Topped Gold Earrings

Silver-Topped Gold Earrings

An old mine-cut diamond, 9.12 carats An old mine-cut diamond, 8.18 carats 18 karat yellow gold and sterling silver, length approximately 0.85 inch

Cushion-shaped turquoise cabochons Old mine-cut diamonds 18 karat yellow gold, length approximately 0.90 inch

Estimate $120,000-180,000

Estimate $10,000-15,000

The Allure of the Marquise The origin of the marquise-cut diamond dates back to the 18th century when King Louis XV of France commissioned his jeweler to create a diamond cut that mirrored the perfect lips of his mistress, Jean Antoinette Poisson, the Marchioness Madame de Pompadour. Poisson’s court title, Marquise, historically refers to a nobleman who supersedes an earl and count, but is below a duke.

Following Poisson, courtiers later wore navette or marquise-cut diamonds publicly to demonstrate their rank in society.

Property of a New York Collector

10. Spaulding & Co. An Art Deco Diamond and Platinum Ring, Circa 1925 A modifed marquise brilliant-cut diamond, 7.69 carats Baguette-cut and fancy-shaped diamonds Platinum, size 6 GIA Report: GIA Report: D color, VS2 clarity Estimate $150,000-250,000

This Art Deco, 7.69 carat, marquise-cut diamond ring stands apart not only for its substantial size, sensuous shape and premier color, but also for its type IIa designation, as type IIa represent only one percent of all natural diamonds.

What are the properties that make type IIa diamonds such a rare natural phenomenon? Foremost, they contain negligible amounts of nitrogen within their crystal lattice structure, making it difcult for them to absorb shortwave light. Thus, light directed at a type IIa diamond is immediately refected and returned to the beholder’s eye, producing a breathtaking limpidity that other diamonds do not possess. Furthermore, colorless varieties of type IIa diamonds are remarkably transparent, with the highest color grades because they are composed almost entirely of carbon. Lastly, these diamonds are typically devoid of inclusions; they are pure.

If you aspire to own a diamond that is completely colorless, type IIa and romantically fashioned with an open culet and wide, sensuous curves, look no further. This Art Deco beauty set in its original platinum Spaulding & Co. mounting is singular.

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Property of a Lady

11. An Art Deco Jadeite Jade, Jade, Diamond and Platinum Sautoir, Circa 1925 Carved jadeite jade and round polished jade beads Round brilliant-cut diamonds Platinum, length approximately 28.25 inches Mayson Kay Jade Laboratory: Natural Jadeite Jade, no dye or impregnation detected, ‘A’ jade Estimate $10,000-15,000

12. A Pair of Diamond and Platinum Earring Jackets Round brilliant-cut diamonds Platinum, length approximately 1.00 inch Estimate $4,000-6,000

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13. A Fine Antique Emerald, Diamond, Gold and Silver-Topped Gold Ring, Circa 1890 A square modifed emerald-cut emerald, 2.03 carats Old mine-cut diamonds Silver-topped gold and 14 karat yellow gold, size 6 3/4 AGL Report: Classic Colombia, insignifcant to traditional Estimate $45,000-65,000

14. A Diamond and Platinum ‘Faravahar’ Pendant Rose- and old mine-cut diamonds Platinum, length approximately 2.25 inches Estimate $7,000-9,000

Symbolism The Faravahar, an ancient Persian symbol, is fundamentally important to the Zoroastrian faith. It is revered as an angel guardian and guide for a human soul as it ascends to heaven, through righteousness and holiness, seeking enlightenment. This fgure embodies the balance of the universe – wisdom, good and bad thoughts, words and deeds, positive and negative forces, faithfulness and forward positive movement. Jewelry designers found that Persian, Egyptian, Japanese, Chinese and Indian cultures provided a wealth of inspiration from which to draw. These new patterns, motifs, colors and palettes, as well as ancient fragments, added a new depth to the original simple geometric lines of the Art Deco period. The circular, pierced and diamond monochromatic pendants frst were decorated with foliate motifs, but later found favor with integrated symbols, such as this Faravahar pendant.

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15. An Art Deco Diamond and Platinum Brooch, Circa 1920 A cushion-cut diamond Old European- and baguette-cut diamonds Platinum, length approximately 2.25 inches Estimate $5,000-7,000

16. A Sapphire, Diamond and Platinum Ring A rectangular emerald-cut sapphire, 5.81 carats Single- and baguette-cut diamonds Platinum, size 6 3/4 AGL Report: Ceylon, no gemological evidence of heat Estimate $6,000-9,000

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Property of a California Collector

17. A Sapphire, Diamond and Platinum Brooch A rectangular step-cut sapphire, 5.38 carats Rectangular-, square-shaped, old mine-, single- and baguette-cut diamonds Numbered Platinum, approximately 1.70 x 1.00 inches Accompanied by a platinum and diamond chain AGL Report: Classic Burma, no gemological evidence of heat Estimate $50,000-80,000

Property of a Florida Collector Σ

18. Cartier An Art Deco Diamond, Jade, Coral, Sapphire and Platinum Pendant, Circa 1930 Single- and old mine-cut diamonds Fancy-shaped jade cabochon and carved coral Calibré-cut and round sapphire cabochon Signed with maker’s mark, numbered, with French assay mark Platinum, length approximately 1.40 inches Estimate $10,000-15,000

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Property of a California Collector

19. Attributed to Paul Flato

Property from a Private Collection

20. Cartier

A Diamond, Turquoise, Platinum and Gold ‘Pufy Heart’ Brooch, Circa 1940

A Pair of Turquoise, Citrine, Diamond and Gold Earrings, 1937

Round brilliant-, single- and baguette-cut diamonds Round and near-round turquoise cabochons Platinum and 18 karat yellow gold, measuring approximately 2.00 x 2.75 inches

Sugarloaf turquoise and calibré-cut citrines Old European- and rectangular-shaped step-cut diamonds Signed, numbered 18 karat yellow gold, length approximately 1.25 inches

Estimate $10,000-15,000

Estimate $10,000-15,000

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21. A Diamond and Platinum Brooch

22. An Emerald, Diamond and Gold Ring

Round brilliant-, baguette-cut, pear- and marquise-shaped diamonds Platinum, length approximately 2.70 inches

A square emerald-cut emerald, 5.53 carats Marquise-shaped diamonds 18 karat white gold, size 4 3/4

Estimate $10,000-12,000

AGL Report: Colombia, minor traditional clarity enhancement Estimate $12,000-15,000

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Property of a Lady

23. A Diamond and Platinum Ring A round brilliant-cut diamond, 3.02 carats Baguette-cut diamonds French assay mark Platinum, size 6 3/4 Estimate $7,500-9,500

24. A Diamond, Emerald and Platinum Bracelet Round brilliant- and baguette-cut diamonds Rectangular-shaped step-cut emeralds Platinum, length approximately 6.50 inches Estimate $5,000-7,000

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Property of a New York Collector

26. A Pair of Diamond and Platinum Earrings 27

Triangular-shaped, single- and baguette-cut diamonds Platinum, length approximately 1.45 inches Estimate $3,000-5,000

25. A Diamond, Platinum and Gold Brooch Old European-, single- and baguette-cut diamonds French assay marks Platinum and 18 karat white gold, length approximately 2.60 inches Estimate $3,000-5,000

27. An Emerald, Diamond and Gold Ring A rectangular emerald-cut emerald, 2.99 carats Round brilliant- and baguette-cut diamonds 18 karat white gold, size 6 3/4 AGL Report: Colombia, minor traditional clarity enhancement Estimate $8,000-12,000

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Property of a California Collector

28. A Fancy Diamond, Diamond and Platinum Ring

Property of a New York Collector

29. A Diamond and Platinum Wristwatch

A pear brilliant fancy diamond, 10.49 carats Pear-shaped, single- and round brilliant-cut diamonds Platinum, size 6 1/ 2

Baguette- and old European-cut diamonds Mechanical movement Platinum, length approximately 6.50 inches

GIA Report: Fancy Brown-Yellow color, VS2 clarity

Estimate $3,000-5,000

Estimate $60,000-80,000 Provenance Formerly from the estate of Randolph Hearst.

Purportedly belonged to his mistress, Marion Davies.

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Property of a California Collector

30. Van Cleef & Arpels A Diamond and Platinum Ring A pear brilliant-cut diamond, 1.64 carats Round brilliant-cut diamonds Signed, numbered Platinum, size 6 3/4 GIA Report: E color, SI1 clarity Estimate $15,000-25,000

Property of a California Collector

31. A Natural Pearl, Diamond, Sapphire, Ruby and Gold Brooch A button-shaped natural pearl, 13.10mm Old mine- and single-cut diamonds Oval- and cushion-shaped sapphires and round ruby cabochons 18 karat yellow and white gold, measuring approximately 3.00 x 2.25 inches GIA Report: Natural, saltwater, no indications of treatment Estimate $15,000-25,000

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Property of a California Collector

32. A Diamond, Moonstone, Platinum and Gold Brooch A triangle-shaped diamond Old mine-cut diamonds Pear- and oval-shaped moonstone cabochons Platinum and 18 karat yellow gold, measuring approximately 1.85 x 2.15 inches Estimate $20,000-30,000

Property of a London Collector

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A Diamond and Platinum Bracelet Round brilliant-, baguette- and square-shaped step-cut diamonds Platinum, length approximately 6.75 inches Estimate $12,000-15,000

Property of a New York Lady

34. A Diamond and Platinum Ring A marquise brilliant-cut diamond, 2.40 carats Tapered baguette-cut diamonds Platinum, size 6 3/4 34

GIA Report: D color, VS1 clarity Estimate $15,000-25,000

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Property of a California Collector

35. Boucheron A Diamond and Gold Box Round brilliant- and single cut diamonds Signed, numbered, with French assay marks 18 karat yellow and white gold, measuring approximately 3.00 x 2.25 x 0.35 inches Estimate $4,000-6,000

36. RenĂŠ Boivin A Ruby, Diamond, Platinum and Gold Bracelet, Circa 1950 Polished ruby beads Round brilliant-, rose- and single-cut diamonds French assay marks Platinum and 18 karat yellow gold, overall length approximately 10.00 inches, interior approximately 2.25 inches Accompanied by an Attestation from Ms. Francoise Cailles and Mr. Jean-Norbert Salit Estimate $10,000-15,000

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37. Marchak A Pair of Diamond, Ruby, Turquoise, and Gold Earrings, Circa 1960 Round brilliant-cut diamonds and pear-shaped rubies Round turquoise cabochons Signed, with maker’s mark, numbered, with French assay marks 18 karat yellow gold, length approximately 1.00 inch Estimate $5,500-7,500

38. Georges L’Enfant A Gold Bracelet Signed with maker’s mark, with French assay marks 18 karat yellow gold, length approximately 8.15 inches Estimate $4,000-6,000

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39. A Pair of Ruby, Diamond and Platinum Earrings Oval-shaped rubies Round brilliant- and baguette-cut diamonds Platinum, length approximately 0.50 inch Estimate $4,500-6,500

40. A Diamond, Platinum and Gold Necklace/ Clip Brooch Round brilliant-cut diamonds French assay marks Platinum and 18 karat rose and yellow gold, length approximately 18.00 inches Estimate $3,500-5,500

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41. Salvador Dalí, Alemany & Ertman A Pair of Diamond and Gold ‘Swan’ Earrings and Ring EARRINGS Round brilliant-cut diamonds Signed 18 karat yellow and white gold, length approximately 1.25 inches RING Round brilliant-cut diamonds Signed 18 karat yellow and white gold, size 5 Estimate $8,000-12,000

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Dalí: A Double Meaning These ‘Swan’ earrings and ring were designed by 20th century Surrealist, Salvador Dali, and created by New York jewelers Eric Ertman and Carlos Alemany, who worked out of a workshop in the St. Regis Hotel. These jewels, like most of his work, relate to Dali’s exploration of the conscious and unconscious dream-like states, which are expressed through fantastic and exaggerated forms.

A similar example of this set is in the permanent collection at the Dali Museum in St. Petersburg, Florida. It is interesting to note that while the Museum has titled these as ‘Swan’, is it not possible that they represent an angel too? A complex and double meaning unite swan and angel, representing metamorphosis and personal victory. This question speaks to the language of Dali and his creations.

Property of a California Collector

42. A Retro Ruby, Diamond and Gold Brooch, Circa 1940 Oval-shaped and round ruby cabochons Single-cut diamonds 14 karat rose gold, 4.80 x 2.25 inches AGL Report: Burmese, no gemological evidence of heat Estimate $6,000-9,000

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Property of a Lady

43.

Van Cleef & Arpels

44. Kutchinsky

A Pair of Diamond, Platinum and Gold Earrings

A Diamond, Platinum and Gold Brooch

Round brilliant-cut diamonds Signed, with maker’s mark, numbered, with French assay marks Platinum and 18 karat yellow gold, length approximately 1.25 inches

Round brilliant-cut diamonds Signed, with maker’s mark, with English assay marks Platinum and 18 karat yellow gold, length approximately 4.50 inches

Estimate $5,000-7,000

Estimate $12,000-16,000

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Property of a California Collector

45. Kutchinsky

ÎŁ

46. Wander

A Diamond and Gold Bracelet, 1972

A Coral, Diamond and Gold Brooch, Circa 1970

Round brilliant-cut diamonds Signed, with English assay marks 18 karat yellow and white gold, length approximately 7.00 inches

Carved and oval-shaped coral cabochons Round brilliant-cut diamonds Signed, with French export mark 18 karat yellow gold, length approximately 3.00 inches

Estimate $5,000-7,000

Estimate $7,000-9,000

47. Chaumet A Diamond, Lapis Lazuli, Malachite and Bicolored Gold Demi-Parure NECKLACE/BROOCHES Round brilliant-cut diamonds Carved lapis lazuli and malachite Signed, with maker’s mark, with French assay marks 18 karat yellow and white gold, interior diameter approximately 4.15 inches Convertible to brooches BRACELET Round brilliant-cut diamonds Carved lapis lazuli and malachite Signed, with maker’s mark, numbered with French assay marks 18 karat yellow and white gold, interior diameter approximately 2.25 inches

RING Round brilliant-cut diamonds and carved lapis lazuli Signed, with maker’s mark, with French and English assay marks 18 karat yellow and white gold, size 6 With signed box Estimate $20,000-30,000

48. A Set of Multi-Gem and Gold Necklaces 18 karat yellow gold, lengths approximately 16.50 inches and 18.00 inches Additional chain extender Estimate $7,000-9,000

49. A Garnet, Diamond and Gold Necklace An oval-shaped spessartite garnet Round brilliant-cut diamonds Italian assay mark 18 karat yellow gold, length approximately 16.75 inches Estimate $6,000-8,000

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Property of a California Collector

50. Nardi A Jade, Diamond, Enamel, Gem-Set and Gold Brooch Carved jade and square-shaped step-cut diamonds Round, oval-shaped and briolette-cut gemstones Italian assay marks 18 karat yellow and white gold, measuring approximately 3.00 x 2.25 inches Estimate $5,000-7,000

51. Cartier A Gold Bracelet Signed, with maker’s mark, with French assay marks 18 karat yellow gold, interior diameter approximately 2.15 inches Estimate $5,000-7,000

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Property of a New York Collector

52. A Diamond and Gold Necklace

53. Van Cleef & Arpels

Round brilliant-cut diamonds 18 karat yellow gold, length approximately 14.50 inches

A Diamond, Ruby and Gold ‘Antoinette’ Ring

Estimate $12,000-18,000

Heart-shape diamonds Square- and fancy-shaped ruby cabochons Signed, numbered 18 karat yellow gold, size 6 Estimate $18,000-20,000

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Property from a New Orleans Family

54. David Webb A Diamond, Sapphire, Gold and Platinum Ring Old European- and single-cut diamonds CalibrĂŠ-cut sapphire cabochons Signed, numbered 18 karat yellow gold and platinum, size 6 3/4 Accompanied by a letter of authenticity Estimate $8,000-12,000

55. Cazzaniga A Sapphire, Cultured Pearl and Bicolored Gold Necklace, Circa 1960 Baroque-shaped cultured pearls and round sapphires Signed 18 karat yellow and white gold, length approximately 14.50 inches Estimate $5,000-7,000

56. Aletto Brothers A Pair of Lapis Lazuli and Gold Earrings and Ring EARRINGS Round polished lapis lazuli beads Signed 18 karat yellow gold, length approximately 2.25 inches, with signed pouch RING Round polished lapis lazuli beads Signed 18 karat yellow gold, size 5 1/ 2, with signed pouch Estimate $4,500-6,500

Property of a New York Collector

57. Georges L’Enfant A Pair of Gold Earrings and Pendant, Circa 1969 EARRINGS Signed, with French assay marks 18 karat yellow gold, approximately 2.50 inches PENDANT Signed, with French assay marks 18 karat yellow gold, approximately 2.75 inches Estimate $5,000-7,000

Aldo Cipullo Italian born, Aldo Cipullo came to New York at the age of twenty, having studied architecture and worked for his family’s costume jewelry business.

He found work as a designer for both Tifany & Co. and David Webb, before joining Cartier in 1969.

Cipullo brought his iconic “Love” bracelet with him to Cartier, which he designed afer the lament of a romantic breakup. Today, this design remains one of the best-sellers for Cartier. Cipullo worked at Cartier for only four years, leaving in 1974 to establish his own business.

The bracelet above is a rare example from Cartier’s High Jewelry line created by Cipullo. This creation embodies what he claimed made for a successful jewel – the unity of design and function. It also conforms to his preference of metal and colorless gemstones expressed with geometric pattern.

Similar to the majority of his jewels, this jewel too bears spatial and architectural elements. Very few of these bracelets were made during his four years at Cartier, and even fewer have survived.

Property of a California Collector

58. Aldo Cipullo for Cartier A Rock Crystal and Gold Bracelet, 1970 Square-shaped rock crystal Signed by designer and retailer, numbered 18 karat yellow and white gold, length approximately 7.00 inches Estimate $15,000-25,000

A Private Jewelry Collection Lifting The Lid On A Personal Jewel Box Maybe I’m biased, but jewelry is surely the most personal and emotive of the decorative arts: both an expression of individual style and also a keeper of memories. So that when a private collection of jewelry appears on the market, as it does in this sale, the contents revealed to us are fascinating. Far more than the sum of its parts, a private jewelry collection ofers an intimate glimpse into the owner’s life and style. It exudes the scent of a woman, like stealing into a boudoir and lifing the lid of an exquisite, deeply personal jewel box.

This collection crosses genres through a panoply of carefully chosen 20th century classics that connect jewels, fashion and femininity, in a way that shows they were clearly intended to be enjoyed and worn with easy elegance, pride and panache. While the collection charts jewelry styles from the Art Deco through to the 1990s, there is a strong emphasis on the mid-20th century, an era of the great socialite fashion leaders for whom jewelry was far more than an accessory or an aferthought, but rather the most powerful expression of social status, identity and individuality. In fact, this entire collection seems to be infused with the favor of those heady years of American glamour and strong, independent femininity.

The owner’s expertise is shown in the lexicon of important jewelers represented in the collection. Both individual designers like Suzanne Belperron, Verdura and Angela Cummings, and heritage brands, such as Cartier, Van Cleef & Arpels, Boucheron and Bulgari, as well as the cultish boutique brands including Janesich, Boivin and David Webb, and the incomparable, quintessential 1950s designer jeweler, Pierre Sterlé. These are the famous names that are a feature and a phenomenon of 20th century jewelry history, names that resonate with today’s wellinformed collectors. Dig even deeper into the story of the great 20th century master jewelers, and this collection reveals some of the huge talents behind the brands, the more esoteric names, ofen unsung heroes, recognized and eagerly sought-afer by devoted jewelry connoisseurs. Georges L’Enfant, for example, is a name and an atelier that is just beginning to be appreciated.

Better known, perhaps, in recent years is Aldo Cipullo, the hugely talented creator of Cartier’s iconic 1970s ‘Love’ bangle and the ‘Juste un Clou’ nail design.

However, it’s not only the presence of important names but also the considered choice of designs from each house or designer that shapes the character of a collection. In this case, the collector has opted for much-loved, signature, instantly recognizable designs that

have stood the test of time, appealing to each new generation, so that they remain eminently wearable today, with that all-important vintage charm. Van Cleef & Arpels’ fowers, for example, include the classic ‘Rose de Noel’ brooch and earrings, with carved coral petals; from Boucheron, a pair of gold brooches sculpted as bunches of grapes, and diamond ‘Flame’ Brooches, and from David Webb, one of his distinctive fgurative fantasies, a lively unicorn brooch.

Brooches play an important role in this collection, particularly matching pairs of brooches and dress clips, presumably worn together by the owner, or perhaps arranged on a jacket, dress, or even at the shoulder, in groups or clusters, in a favorite mid-century fashion that suddenly looks right again today.

This is all part of the stylistic leitmotif running through the selection of jewels, the collector’s individual, well-defned viewpoint of style that is always a major ingredient of any distinguished collection. As part of this stylistic point of view, there is one other thematic layer to this collection, and that is the variety of materials used in the jewels, very particular materials too: hardstones and minerals such as lapis, carnelian, chalcedony, tiger’s eye, malachite and jasper, while several jewels incorporate jade and exotic wood. It is a comprehensive roll-call of the unusual, unexpected, sometimes provocatively un-jewel-like materials that brought verve and excitement to 20th century jewelry design. This range of materials not only enlivens the collection with intense, rich color, but adds textural interest too, and a cohesion of style that underlines the whole narrative of 20th century jewelry design played out here. A narrative completed, of course, by the precious gems and jewels interspersed in the collection: A Colombian emerald ring, diamond Sterlé necklace and bracelet, ruby and diamond earrings by Belperron, yellow diamond drop earrings, all carefully chosen for style and elegance rather than intrinsic value. Which tells us all we really need to know about this refned and sophisticated collection of jewels, chosen with taste and sensitivity; it sums up all we learn about the collector, her style and her love of jewels, from lifing the lid of an intensely personal jewel-box.

Written by Vivienne Becker, Jewelry Historian

Property from a Distinguished Private Collection

59. A Jade, Diamond, Enamel, Carnelian and Gold Brooch/Pendant Carved jade and carnelian Single- and old European-cut diamonds 18 karat yellow gold, approximately 3.20 x 2.50 inches Accompanied by a black cord Estimate $5,000-7,000

61

60

Property from a Distinguished Private Collection

60. A Gold Bracelet 18 karat yellow gold, interior diameter approximately 2.35 inches Estimate $5,000-7,000

Property from a Distinguished Private Collection

61. Georges L’Enfant for Van Cleef & Arpels A Pair of Gold Cufinks Signed, with maker’s mark, with French assay marks 18 karat yellow gold, length approximately 0.80 inch Estimate $800-1,200

62

Property from a Distinguished Private Collection

62. A Pair of Jade, Enamel and Gold Earrings Carved jade 18 and 14 karat yellow gold, length approximately 1.75 inches Estimate $2,000-3,000

63

64

Property from a Distinguished Private Collection Σ

63. Van Cleef & Arpels A Coral, Diamond and Gold ‘Rose de Noël’ Brooch Carved coral and round brilliant-cut diamonds Signed, with maker’s mark, numbered, with French assay marks 18 karat yellow gold, length approximately 2.00 inches Estimate $15,000-25,000

Property from a Distinguished Private Collection Σ

64. Van Cleef & Arpels A Pair of Coral, Diamond and Gold ‘Rose de Noël’ Earrings Carved coral and round brilliant-cut diamonds Signed, with maker’s mark, numbered, with French assay marks 18 karat yellow gold, length approximately 1.25 inches Estimate $10,000-15,000

Property from a Distinguished Private Collection

65. A Diamond and Gold Necklace Round brilliant-cut diamonds 18 karat white gold-plated in yellow gold, length approximately 16.00 inches Estimate $40,000-60,000

66

67

Property from a Distinguished Private Collection

66. Tifany & Co. A Pair of Jasper and Gold ‘Bean’ Earrings Fancy-shaped jasper cabochons Signed 18 karat yellow gold, length approximately 0.85 inch Estimate $1,000-1,500

Property from a Distinguished Private Collection

67. Aldo Cipullo for Cartier A Pair of Carnelian, Rock Crystal and Gold Earrings, 1974 Carved carnelian and rock crystal Signed by designer and retailer 18 karat yellow gold, length approximately 1.35 inches Estimate $2,000-4,000

69

Property from a Distinguished Private Collection

69. Seaman Schepps A Pair of Rock Crystal and Gold Earrings Carved rock crystal Signed 14 karat yellow gold, length approximately 1.10 inches Estimate $2,000-3,000

Property from a Distinguished Private Collection

68. Bulgari A Malachite, Tiger’s Eye, Jasper and Gold Necklace Carved malachite, tiger’s eye and jasper Signed, numbered 18 karat yellow gold, length approximately 35.50 inches Estimate $5,000-7,000

68

70

71

Property from a Distinguished Private Collection ÎŁ

70. Bulgari A Diamond, Coral, Onyx, Chalcedony and Gold Necklace, Circa 1975 Round brilliant-cut diamonds Carved coral, onyx and chalcedony Signed, with maker’s mark, with Italian assay mark 18 karat yellow gold, length approximately 16.00 inches Estimate $6,000-8,000

Property from a Distinguished Private Collection

71. A Pair of Jade, Diamond and Gold Earrings Carved jade and round brilliant-cut diamonds 18 karat yellow gold, length approximately 0.80 inch Estimate $4,000-6,000

72

Property from a Distinguished Private Collection

72. Marina B 74

A Pair of Diamond, Multi-Gemstone and Gold ‘Pneu’ Earrings, 1980 Round, pear- and marquise-shaped onyx cabochons and polished beads Round citrine cabochons and round brilliant-cut diamonds Signed, with maker’s mark, numbered, with Italian assay marks 18 karat yellow gold, length approximately 2.00 inches

73

See website for images with interchangeable citrine, rock crystal and chalcedony bead drops Estimate $3,000-5,000

Property from a Distinguished Private Collection

73. Bulgari

Property from a Distinguished Private Collection

74. Bulgari

A Gold and Lacquer ‘Tubogas’ Wristwatch

A Gold and Lacquer ‘Tubogas’ Wristwatch

Quartz movement, case no. P.110050, reference no. BB192T Case and bracelet signed, with maker’s mark, with Swiss and French assay marks 18 karat yellow gold, interior diameter approximately 2.25 inches, with signed pouch

Quartz movement, case no. P. 92846, reference no. BB192T Case and bracelet signed, with maker’s mark, with Swiss and French assay marks 18 karat yellow gold, interior diameter approximately 2.00 inches, with signed pouch

Estimate $1,000-1,500

Estimate $1,000-1,500

76

75

Property from a Distinguished Private Collection

75. An Emerald, Diamond and Gold Ring

Property from a Distinguished Private Collection

76. A Diamond, Emerald, Enamel and Gold Brooch

A rectangular emerald-cut emerald Round brilliant-cut diamonds 18 karat yellow gold, size 5 (with spring guard)

Round brilliant-cut diamonds and round emerald cabochons 18 karat yellow and 14 karat white gold, length approximately 2.20 inches

AGL Report: Colombian, traditional minor clarity enhancement

Estimate $3,000-5,000

Estimate $3,000-5,000

77 78

Property from a Distinguished Private Collection

77. A Diamond, Sapphire, Emerald and Gold Bracelet Round brilliant-cut diamonds Round sapphires and emeralds 18 karat yellow and white gold, length approximately 8.25 inches Estimate $8,000-12,000

Property from a Distinguished Private Collection

78. Attributed to Zolotas A Diamond, Sapphire, Ruby, Emerald and Gold Ring Single-cut diamonds Round emerald, sapphires and rubies 18 karat yellow gold, size 6 1/ 2 Estimate $1,000-1,500

79

Property from a Distinguished Private Collection

79. Trianon A Multi-Strand Peridot, Mabé Pearl, Rock Crystal and Gold Torsade Necklace Faceted peridot beads, round peridot and mabé pearls Signed with maker’s mark 18 karat yellow gold, length approximately 17.50 inches Estimate $2,000-3,000

Property from a Distinguished Private Collection

80. Seaman Schepps A Pair of Colored Diamond and Gold Earrings Round brilliant-cut colored diamonds Signed, with maker’s mark, numbered 18 karat yellow gold, length approximately 1.15 inches Estimate $5,000-7,000

81

80

82

Property from a Distinguished Private Collection

81. Boucheron A Companion Pair of Diamond and Gold ‘Grape’ Brooches BROOCH Round brilliant-cut diamonds Signed, with maker’s mark, numbered, with French assay marks 18 karat yellow gold, length approximately 1.75 inches BROOCH Signed, with maker’s mark, with French assay marks 18 karat yellow gold, length approximately 1.75 inches Estimate $6,000-10,000

Property from a Distinguished Private Collection

82. Cartier A Companion Pair of Turquoise and Gold Clips Round turquoise beads Signed, numbered, with French assay marks 18 karat yellow gold, length approximately 2.00 inches and 1.50 inches Estimate $3,000-5,000

Property from a Distinguished Private Collection

83. A Cultured Pearl and Gold Necklace Round cultured pearls, measuring approximately 7.40mm to 8.40mm 18 karat yellow gold, length approximately 26.00 inches Estimate $1,500-2,500

Property from a Distinguished Private Collection

84. Trianon A Pair of Lapis Lazuli and Gold ‘Turban’ Cufinks Carved lapis lazuli Signed, with maker’s mark, numbered 18 karat yellow gold, length approximately 0.70 inch Estimate $500-700

Property from a Distinguished Private Collection

85. Cartier

Property from a Distinguished Private Collection

86. Tifany & Co.

A Pair of Sapphire and Gold Cufinks

A Pair of Sapphire and Gold Cufinks

Calibré-cut sapphires Signed, numbered 18 karat yellow gold, length approximately 1.00 inch

Sapphire cabochons Signed 14 karat yellow gold, length approximately 1.45 inches

Estimate $1,000-1,500

Estimate $800-1,200

83

84

86

85

87

88

Property from a Distinguished Private Collection

87. René Boivin A Pair of Gold Earrings Signed, with maker’s mark, numbered, with French assay marks 18 karat yellow gold, length approximately 0.85 inch Estimate $1,500-2,500

Property from a Distinguished Private Collection

88. Hammerman Brothers A Pair of Lapis Lazuli, Diamond, Emerald, Peridot, Platinum and Gold Brooches BROOCH Round brilliant-cut diamonds Lapis lazuli and emerald cabochons Signed with maker’s mark, numbered Platinum and 18 karat yellow gold, length approximately 1.60 inches BROOCH Round brilliant-cut diamonds Lapis lazuli cabochon and round peridot Signed with maker’s mark, numbered Platinum and 18 karat yellow gold, length approximately 1.60 inches Estimate $5,000-7,000

89

Property from a Distinguished Private Collection

89. Seaman Schepps A Lapis Lazuli and Gold ‘Classic Link’ Bracelet Carved lapis lazuli Signed, with maker’s mark, numbered 18 karat yellow gold, length approximately 7.75 inches Estimate $5,000-7,000

Property from a Distinguished Private Collection

90. Seaman Schepps A Lapis Lazuli and Gold ‘Classic Link’ Bracelet Carved lapis lazuli Signed, with maker’s mark, numbered 18 karat yellow gold, length approximately 7.75 inches Estimate $5,000-7,000

90

92

91

Property from a Distinguished Private Collection Σ

91. Cartier

Property from a Distinguished Private Collection

92. David Webb

A Gold and Leather ‘Tank Américaine’ Wristwatch, 2005

A Pair of Lapis Lazuli, Diamond, Platinum and Gold Earrings

Quartz movement, case no. CC825546, reference no. 1730 Dial, case and buckle signed, with maker’s mark, with Swiss assay marks 18 karat yellow gold, length approximately 9.25 inches

Carved lapis lazuli and round brilliant-cut diamonds Signed Platinum and 18 karat yellow gold, length approximately 1.25 inches

Estimate $2,500-3,500

Estimate $4,000-6,000

93

94

Property from a Distinguished Private Collection

93. A Pair of Diamond, Sapphire and Gold Earrings Round brilliant-cut diamonds Oval-shaped and round sapphire cabochons French assay marks 18 karat yellow gold, length approximately 0.85 inch Estimate $3,000-5,000

Property from a Distinguished Private Collection

94. David Webb A Diamond, Colored Diamond, Enamel and Gold Brooch/Pendant Circa 1960 Round brilliant-cut diamonds and colored diamonds Signed 18 karat yellow and rose gold, measuring approximately 3.75 x 1.75 inches Exhibited at the Norton Museum of Art, January to April 2014, David Webb: Society’s Jeweler Estimate $15,000-25,000

Property from a Distinguished Private Collection

95. A Hematite, MabĂŠ Pearl and Gold Necklace Round hematite beads and mabĂŠ pearls 18 karat yellow gold, length approximately 33.00 inches Estimate $800-1,200

Property from a Distinguished Private Collection

96. Van Cleef & Arpels A Gold Necklace Signed, numbered 18 karat yellow gold, length approximately 29.50 inches Estimate $3,000-5,000

Property from a Distinguished Private Collection

97. Van Cleef & Arpels A Pair of Gold Cufinks 97

Signed, numbered 18 karat yellow gold, length approximately 1.00 inch Estimate $800-1,200

98

Property from a Distinguished Private Collection

98. Georges L’Enfant for Hermès A Pair of Sterling Silver Cufinks Signed, with maker’s mark, with French assay marks Sterling silver, length approximately 0.90 inch Estimate $500-700

96

95

100

99

Property from a Distinguished Private Collection

99. A Gold and Diamond Ring

Property from a Distinguished Private Collection

100. Van Cleef & Arpels

Round brilliant-cut diamonds 18 karat yellow and white gold, size 5

A Citrine, Diamond and Gold Necklace, Circa 1990

Estimate $800-1,200

Pear-shaped citrine and round brilliant-cut diamonds Signed, numbered, with French assay marks 18 karat yellow gold, length approximately 17.50 inches Estimate $12,000-18,000

101

102

Property from a Distinguished Private Collection

101. Bulgari

Property from a Distinguished Private Collection

102. A Pair of Gold Earrings

A Diamond and Gold Minaudière

18 and 14 karat yellow gold, length approximately 0.70 inch

Round brilliant-cut diamonds Signed, with maker’s mark 18 karat yellow and white gold, measuring approximately 3.40 x 2.50 inches

Estimate $400-600

Estimate $4,000-6,000

104

103

Property from a Distinguished Private Collection Σ

103. Bulgari A Gold, Lacquer and Leather ‘Bvlgari Bvlgari Lady’ Wristwatch

105

Quartz movement, case no. S 113346, reference no. BB26GL Case and buckle signed, with maker’s mark, with Swiss assay mark 18 karat yellow gold, length approximately 7.85 inches, with signed box Estimate $1,000-1,500

Property from a Distinguished Private Collection

104. A Citrine and Gold Brooch An oval-shaped citrine Russian assay marks 18 and 14 karat yellow gold, length approximately 1.90 inches Estimate $1,000-1,500

Property from a Distinguished Private Collection

105. Van Cleef & Arpels A Pair of Diamond and Gold Cufinks Round brilliant-cut diamonds Signed, numbered 14 karat yellow and white gold, length approximately 1.00 inch Estimate $1,000-1,500

107

106

Property from a Distinguished Private Collection

107. Van Cleef & Arpels A Companion Pair of Wood, Diamond and Gold Brooches Property from a Distinguished Private Collection

106. Boucheron A Pair of Citrine and Gold Cufinks

BROOCH Round brilliant-cut diamonds Signed, numbered, with French assay marks 18 karat yellow gold, approximately 1.85 x 1.65 inches

CalibrÊ-cut and sugarloaf citrine Signed, with maker’s mark, numbered, with French assay marks 18 karat yellow gold, length approximately 0.75 inch

BROOCH Round brilliant-cut diamonds Signed, numbered, with French assay marks 18 karat yellow gold, approximately 1.85 x 1.65 inches

Estimate $1,000-1,500

Estimate $12,000-15,000

Property from a Distinguished Private Collection

109. Cartier A Set of Two Gold Photo Frames THREE PHOTO FRAME Signed, numbered 14 karat yellow gold, length approximately 2.65 x 2.25 inches

108

TWO PHOTO FRAME Signed, numbered 14 karat yellow gold, length approximately 2.65 x 2.25 inches With signed case Estimate $3,000-5,000

Property from a Distinguished Private Collection

108. Cartier

Property from a Distinguished Private Collection

110. Cartier

A Suede, Tourmaline and Gold Evening Bag

A Gold Photo Frame

A rectangular-shaped tourmaline Signed 14 karat yellow gold, approximately 6.75 x 9.25 x 2.00 inches

Signed, numbered 14 karat yellow gold, measuring approximately 2.65 x 2.25 inches, with signed case

Estimate $4,000-6,000

Estimate $2,500-3,500

109

110

112

111

Property from a Distinguished Private Collection

111. RenĂŠ Boivin

Property from a Distinguished Private Collection

112. Angela Cummings for Tifany & Co.

A Wood and Gold Ring

A Wood, Diamond and Gold Bracelet

Signed 18 karat yellow gold, size 5

Round brilliant-cut diamonds Signed, numbered 18 karat yellow gold, interior approximately 2.00 inches

Estimate $3,000-5,000

Estimate $2,000-4,000

113

114

Property from a Distinguished Private Collection

113. Van Cleef & Arpels

Property from a Distinguished Private Collection

114. Bulgari

A Gold ‘Cadenas’ Wristwatch, Circa 2000

A Pair of Coin, Diamond, Ruby and Gold Earrings

Quartz movement, case no. 131977-No130664 Dial, case and clasp signed, with maker’s mark, with Swiss assay marks 18 karat yellow gold, length approximately 7.25 inches

Round brilliant-cut diamonds and oval-shaped ruby cabochons Signed, with maker’s mark, with Italian assay mark 18 karat yellow gold, length approximately 0.85 inch

Estimate $5,000-7,000

Estimate $3,000-5,000

116

115

Property from a Distinguished Private Collection

115. A Diamond, Colored Diamond, Ruby, Platinum

Property from a Distinguished Private Collection

116. A Pair of Fancy Diamond, Diamond and

and Gold Brooch

Gold Earrings

Round brilliant- and single-cut diamonds and colored diamonds A pear-shaped ruby Signed with maker’s mark for Espezal Platinum and 18 karat yellow gold, length approximately 3.75 inches

Pear modifed brilliant-cut fancy yellow diamond, 4.08 carats Pear modifed brilliant-cut fancy yellow diamond, 4.03 carats Pear modifed brilliant-cut fancy yellow diamond, 2.87 carats Pear modifed brilliant-cut fancy yellow diamond, 3.02 carats Round brilliant-cut diamonds 18 karat yellow gold, length approximately 1.65 inches

GIA Report: A-E: Diamond, treated color

GIA Report: Fancy Yellow color, VS2 clarity GIA Report: Fancy Yellow color, VS1 clarity GIA Report: Fancy Yellow color, SI2 clarity GIA Report: Fancy Yellow color, VVS2 clarity

Estimate $10,000-20,000

Estimate $50,000-70,000

117

119

Property from a Distinguished Private Collection

118. Jaeger-LeCoultre A Stainless Steel, Enamel and Gold-Plated Travel Clock

118

Manual movement, case no. 692451 Dial signed Stainless steel and gold-plate, approximately 1.75 x 1.50 inches, with signed box Estimate $100-200

Property from a Distinguished Private Collection

117. Tifany & Co. A Pair of Onyx and Gold ‘Bean’ Earrings Signed 18 karat yellow gold, length approximately 0.90 inch Estimate $2,000-3,000

Property from a Distinguished Private Collection

119. David Webb A Diamond, Ruby, Enamel, Platinum and Gold ‘Unicorn’ Brooch, Circa 1965 Round brilliant-cut diamonds and pear-shaped rubies Signed Platinum and 18 karat yellow gold, measuring approximately 3.00 x 2.00 inches Exhibited at the Norton Museum of Art, January to April 2014, David Webb: Society’s Jeweler Estimate $10,000-15,000

120

Property from a Distinguished Private Collection

120. SterlĂŠ, Paris A Diamond, Gold and Platinum Necklace Round brilliant-cut diamonds Signed, numbered, with French assay marks 18 karat yellow gold and platinum, adjustable interior approximately 14.25 inches to 14.50 inches Estimate $12,000-18,000 121

Property from a Distinguished Private Collection

121. SterlĂŠ, Paris A Diamond, Gold and Platinum Bracelet Round brilliant-cut diamonds Signed, numbered, with French assay marks 18 karat yellow gold and platinum, interior approximately 2.15 inches Estimate $5,000-7,000

122

123

Property from a Distinguished Private Collection

122. A Retro Gold Tubogas Necklace Italian assay marks 18 karat yellow gold, length approximately 15.00 inches Estimate $1,000-2,000

Property from a Distinguished Private Collection

123. Boucheron A Retro Sapphire, Diamond, Platinum and Gold Brooch CalibrĂŠ-cut sapphires Old European- and single-cut diamonds Signed, numbered, with French assay marks Platinum and 18 karat yellow gold, length approximately 1.40 inches, with ftted box Estimate $5,000-7,000

Property from a Distinguished Private Collection

124. Van Cleef & Arpels An Art Deco Lacquer, Ruby, Gold and Silver Poudrier, Circa 1945 Round rubies Signed, numbered, with French assay marks 18 karat yellow and white gold, measuring approximately 3.35 x 2.45 x 0.45 inch Estimate $3,000-5,000

Lacquer & Enamel The decorative arts of lacquer-work and enameling are two of the oldest forms of adornment known to humankind. The tradition of adding lacquer to design objects dates to Neolithic China (5500 BCE to 3300 BCE), while examples of objects decorated in enamel have been found as early as the 13th century BCE in the ancient Mycenaean world. Though both mediums appear similar at frst glance, their chemical compositions and the processes by which they are applied to metals are quite diferent.

Lacquer is an alcohol-based liquid varnish, ofen rendered in striking colors coming from the addition of iron oxides and other reactive agents. The process of applying lacquer to its base involves painting or pouring layers of the varnish onto the desired surface.

Each layer must dry before the next is added, which can take hours or even days to reach the desired thickness and shine. This technique is illustrated in the Van Cleef & Arpels poudrier (lot 124).

Unlike lacquer, enamel starts as a powdered, allochromatic glass. It is fred at temperatures between 1200 and 1700 degrees, ofen adding additional elements in its molten state to create the rainbow of colors we see in enamel-coated pieces. The heated enamel is then typically poured onto a slab and allowed to solidify. Prior to use, the cooled enamel is pulverized into a fne powder, which is then washed in distilled water. The wet powder is then spread onto a carefully cleaned metal surface, where it is allowed to dry before being heated in a kiln to a point at which it adheres and fuses to its metal base. There are many diferent methods of enameling, mostly difering in the way the metal is prepared to receive the powdered enamel. These varieties include cloisonné, champlevé, plique-à-jour (popular in the Art Nouveau period), and guilloché, to name just a few.

Today, many jewelers still use these ancient techniques, including Van Cleef & Arpels, Fabergé, JAR, David Webb, Tifany & Co., Cartier and Dior.

125

126

Property from a Distinguished Private Collection

125. Van Cleef & Arpels

Property from a Distinguished Private Collection

126. Cartier

An Art Moderne Diamond and Gold ‘Ludo Hexagone’ Clip, Circa 1935

A Pair of Citrine, Diamond, Gold and Platinum Clip Brooches

Round brilliant- and single-cut diamonds Signed, with workshop mark for Péry et Cie, numbered, with French assay marks 18 karat yellow gold, measuring approximately 1.50 inches

Rectangular-shaped citrines Old European- and single-cut diamonds Signed, with French assay marks 18 karat yellow gold and platinum, measuring approximately 1.25 x 0.75 inches

Estimate $8,000-12,000

Estimate $12,000-18,000

127

128

Property from a Distinguished Private Collection

127. René Boivin

Property from a Distinguished Private Collection

128. Verdura

A Peridot and Gold Brooch, Circa 1950

A Pair of Ruby and Gold Earrings

A square-shaped step-and baguette-cut peridots Signed with maker’s mark, with French assay marks 18 karat yellow gold, approximately 1.50 x 0.85 inches

Round and oval-shaped rubies Signed, with maker’s mark 18 karat yellow gold, length approximately 1.25 inches

Accompanied by an Attestation from Ms. Francoise Cailles and Mr. Jean-Norbert Salit

Estimate $8,000-12,000

Estimate $8,000-12,000

129

130

Property from a Distinguished Private Collection

130. A Rock Crystal and Gold Bracelet 131

10 karat white gold, interior diameter approximately 2.25 inches Estimate $1,000-1,500

Property from a Distinguished Private Collection

129. René Boivin

Property from a Distinguished Private Collection

131. Verdura

A Diamond and Gold Double Clip ‘Tulip’ Brooch, Circa 1950

A Diamond, Platinum and Gold ‘Pine Cone’ Brooch/Pendant, 1951

Single-, old European- and table-cut diamonds Signed, with maker’s mark, with French assay marks 18 karat yellow and white gold, approximately 2.25 x 2.00 inches

Single-cut diamonds, total 3.03 carats Signed Platinum and 18 karat yellow gold, measuring approximately 1.85 x 1.25 inches

Accompanied by an Attestation from Ms. Francoise Cailles and Mr. Jean-Norbert Salit

Accompanied by a certifcate of authenticity

Estimate $25,000-35,000

Estimate $15,000-25,000

Property from a Distinguished Private Collection

132. RenĂŠ Boivin A Pair of Citrine, Diamond and Gold Earrings, Circa 1985 Round and oval-shaped citrine Round brilliant- and old mine-cut diamonds Signed, with French assay marks 18 karat yellow gold, length approximately 3.40 inches Detachable drops Accompanied by an Attestation from Ms. Francoise Cailles and Mr. Jean-Norbert Salit Estimate $25,000-35,000

134

133

Property from a Distinguished Private Collection

133. Piaget

Property from a Distinguished Private Collection

134. Seaman Schepps

A Diamond, Turquoise and Gold Wristwatch

A Pair of Shell, Sapphire and Gold ‘Turbo’ Earrings

Round brilliant-cut diamonds Manual movement, case no. 171663, reference no. 9706 A6 Dial and clasp signed, with maker’s mark 18 karat white gold, length approximately 6.50 inches

Round and oval-shaped sapphire cabochons Signed, with maker’s mark, numbered 18 karat white gold, length approximately 1.25 inches

Estimate $2,000-3,000

Estimate $2,000-3,000

Property from a Distinguished Private Collection

135. A Diamond and Platinum Necklace A round brilliant-cut diamond, 1.85 carats Round brilliant-cut, pear- and marquise-shaped diamonds Platinum, length approximately 14.00 inches GIA Report: D color, VVS2 clarity Estimate $25,000-35,000

136

137

Property from a Distinguished Private Collection

136. A Pair of Emerald, Diamond, Platinum and Gold Earrings Pear mixed-cut emeralds, total 10.07 carats Round brilliant-cut, pear- and marquise-shaped diamonds Platinum and 18 karat yellow gold, length approximately 2.00 inches

Property from a Distinguished Private Collection

137. Boucheron A Pair of Diamond, Platinum and Gold ‘Flame’ Brooches BROOCH Round brilliant- and baguette-cut diamonds Signed, with maker’s mark, numbered, with French assay marks Platinum and 18 karat white gold, length approximately 2.35 inches

Detachable drops AGL Report: A and B, Colombian, traditional minor clarity enhancement Estimate $30,000-50,000

BROOCH Round brilliant- and baguette-cut diamonds Signed, with maker’s mark, with French assay marks Platinum and 18 karat white gold, length approximately 2.50 inches Estimate $6,000-8,000

Aletto Brothers From 19th century Italy to present-day Florida, the Aletto family has been hand-crafing fne jewels for fve consecutive generations. In 1889, the house’s story began when Neapolitan Bartolomeo Aletto was commissioned to design and produce a piece of jewelry commemorating the completion of the Eifel Tower at the Exposition Universelle in Paris. Bartolomeo’s son, Rafaele, continued his father’s legacy, working for many leading Italian jewelers of the day. The family later made their way across the Atlantic, settling frst in Caracas, Venezuela in 1949, and then in New York City in the 1960s. Today, the company is based in Boca Raton, Florida, where Alfredo Aletto (Bartolomeo’s great-grandson) and his four children run the company.

While most modern jewelry houses have a dedicated crafs-person for each step of the fabrication process, Alfredo Aletto does it all. Even more remarkably, Aletto is a self-taught jeweler, who learned by experimenting with diferent techniques until he mastered them. Having only seen an ‘invisible’ setting once, he made up his mind to learn and master the technique. Once perfected, Aletto reached out to Van Cleef & Arpels, who had pioneered the method in the 1930s and introduced it to the American jewelry market.

He met with Claude Arpels himself and was ofered contract work for the iconic company in the mid-1980s.

Today, 35 years later, Alfredo continues to craf jewelry using this exceptionally difcult technique. The glittering ruby and diamond fower brooch (lot 138) and pair of earrings (lot 139) are prime examples of his crafsmanship.

Working from his own design and a parcel of calibrated gemstones, Alfredo frst created the intricate framework of the piece, with a ‘track’ where the stones are invisibly set.

He then cut, blocked, polished and grooved each individual stone to ft into a specifc space in the frame, like a puzzle.

This skill requires extensive calculation and extreme focus, remaining out of reach for most bench jewelers.

Each leaf on the fower brooch took roughly two weeks to set, for a total of seven weeks spent in setting alone. The brooch was then fully assembled with small, removable screws, allowing any potential repair work to be done without disrupting the rest of the piece. Each petal in the delicate fower earrings took approximately one week to set, resulting in a smooth surface of brilliantly interwoven color, lacking any visible prongs or metal.

A true Renaissance man, Alfredo Aletto embodies the Old World tenant of a start-to-fnish jeweler. This sets him and the company apart from other houses, allowing Aletto Brothers to create impeccably crafed and extremely personal works of wearable art.

139 138

Property from a Distinguished Private Collection

138. Aletto Brothers A Ruby, Diamond, Platinum and Gold Brooch, 1992 CalibrĂŠ-cut rubies and round brilliant-cut diamonds Signed, numbered Platinum and 18 karat yellow gold, length approximately 3.50 inches, with signed box Stem can be removed

Property from a Distinguished Private Collection

139. Aletto Brothers A Pair of Ruby, Diamond, Platinum and Gold Earrings, 1992 CalibrĂŠ-cut rubies and round brilliant-cut diamonds Signed, numbered Platinum and 18 karat yellow gold, length approximately 1.50 inches, with signed box

Accompanied by a letter of authenticity

Accompanied by a letter of authenticity

Estimate $60,000-90,000

Estimate $25,000-35,000

140

141

Property from a Distinguished Private Collection

140. Suzanne Belperron

Property from a Distinguished Private Collection

141. Suzanne Belperron

A Pair of Ruby, Diamond, Platinum and Gold Earrings, Circa 1950

A Diamond, Platinum and Gold ‘Paisley’ Brooch, Circa 1960

Round brilliant-cut diamonds Round and oval-shaped rubies Signed with maker’s mark, with French assay marks Platinum and 18 karat white gold, length approximately 1.25 inches

Round brilliant-cut diamonds Signed with marker’s mark, with French assay marks Platinum and 18 karat white gold, length approximately 1.40 inches

Gübelin Report: Burma, no indications of heating Accompanied by a Certifcate of Origin from Olivier Baroin Estimate $40,000-60,000

Estimate $15,000-25,000

143

142

Property from a Distinguished Private Collection

142. A Pair of Diamond and Platinum Earrings Round brilliant-cut diamonds Platinum, length approximately 1.15 inches Estimate $10,000-20,000

Property from a Distinguished Private Collection

143. Van Cleef & Arpels A Pair of Chalcedony, Diamond, Sapphire and Gold ‘Blue Gardenia’ Brooches Carved chalcedony and round sapphire cabochons Round brilliant-cut diamonds Signed, with maker’s mark, numbered 18 karat white gold, length approximately 1.65 inches Estimate $30,000-50,000

144

145

Property from a Distinguished Private Collection

144. Cartier

Property from a Distinguished Private Collection

145. Boucheron

An Art Deco Nephrite, Diamond, Enamel, Ruby and Gold Clip, Circa 1920

A Pair of Art Deco Diamond, Platinum and Gold Clips, Circa 1920

Carved nephrite and round ruby cabochons Old mine-cut diamonds Signed, numbered 18 karat yellow and white gold, approximately 1.15 x 0.90 inches

Round brilliant- and baguette-cut diamonds Signed, with maker’s mark, numbered, with French assay marks Platinum and 18 karat white gold, length approximately 2.25 inches

Estimate $5,000-7,000

Estimate $15,000-25,000

Property from a Distinguished Private Collection

146. An Art Deco Diamond and Platinum Clip Brooch, Circa 1920 Old European-, old mine-, baguette- and single-cut diamonds Platinum, length approximately 2.60 inches Estimate $15,000-25,000

Property from a Distinguished Private Collection

147. A Pair of Art Deco Diamond, Ruby, Emerald, Platinum and Gold Clips, Circa 1930 Single-, old European-, baguette-, and square-shaped step-cut diamonds Carved and calibrĂŠ-cut ruby cabochons Round polished emerald beads Platinum and 18 karat white gold, approximately 1.45 x 1.30 inches Estimate $10,000-15,000

Property from a Distinguished Private Collection

148. An Art Deco Seed Pearl, Diamond, Enamel, Sapphire and Gold Minaudière, Circa 1925 Round and near-round seed pearl beads Single-cut diamonds and oval-shaped sapphire cabochons 14 karat yellow gold, approximately 3.85 x 2.00 inches Estimate $6,000-8,000

149

150

Property from a Distinguished Private Collection

149. Janesich

Property from a Distinguished Private Collection

150. Gazdar

An Art Deco Diamond, Emerald, Platinum and Gold Brooch, Circa 1925

An Art Deco Diamond and Platinum Clip Brooch, Circa 1930

A pear-shaped diamond, 2.21 carats A pear-shaped mixed-cut emerald Round brilliant-, rose-, baguette-cut and fancy-shaped diamonds Calibré-cut emeralds Platinum and 18 karat white gold, measuring approximately 2.50 x 1.90 inches

Old European-, single-, table- and baguette-cut diamonds Platinum, length approximately 1.35 inches, with ftted box signed ‘Cartier’

AGL Report: Colombian, insignifcant to minor traditional Estimate $25,000-35,000

Additional image of signed box on website Estimate $6,000-8,000

A Jewel for One Drop

“Sevan has wholeheartedly embraced One Drop’s mission by creating a special ring, designed around the theme of water.

He pays homage to water as a precious resource, both a gift and a giver of life, in his use of rarefed green diamonds and water-drop-shaped cabochon rock crystal, and in the detailed fnesse of craftsmanship lavished on the ring.”

Vivienne Becker, Jewelry Historian

Shaping a better world, one auction at a time.

Aligned with the United Nations Secretary-General’s Global Call to Action to support adequate water and sanitation in healthcare facilities and making this matter a priority, all net proceeds from lot 151, designed by Sevan Bıçakçı, will be allocated to One Drop’s program dedicated to healthcare facilities, and will help reduce infant and mother mortality rates.

Healthcare Facilities, Our Global Priority • 896 million people do not have access to safe water in healthcare facilities.

• 1 in 4 healthcare centres around the world lacks basic water, sanitation, and hygiene services.

• One Drop recently committed $6 million USD to improve healthcare facilities worldwide.

• For every $40 USD raised, One Drop can ensure adequate water, sanitation, and hygiene for one person treated in a healthcare centre.

Providing Access is Only the Beginning To ensure sustainability, One Drop brings its unique Social Art for Behaviour Change™ approach to all its projects and promotes the adoption of healthy practices around water, sanitation, and hygiene through locally inspired social art programs, empowering the communities to take ownership of the water projects

over time. For more than a decade, One Drop has been turning water into action with projects that will soon have transformed the lives of over 1.6 million people around the world.

About the One Drop Foundation One Drop is an international non-proft organization created by Cirque du Soleil founder Guy Laliberté with the vision of a better world, where all have access to living conditions that allow empowerment and development.

Its mission is to ensure sustainable access to safe water and sanitation for the most vulnerable communities, through innovative partnerships, creativity and the power of art. | onedrop.org

Sevan Bıçakçı The Bladesmith of Istanbul Just a gemstone’s throw from Istanbul’s famous Grand Bazaar, in an atelier overlooking a quiet cobbled street, goldsmith Sevan Bıçakçı and his dedicated team of specialist artisans hand-craf the extraordinary, enigmatic, esoteric jewels that are amongst today’s most lusted-afer contemporary works of art; most particularly, the monumental, otherworldly rings treasured by Sevan’s devoted clientele of collectors and connoisseurs. The atelier is situated above Sevan’s deceptively low-key boutique. If you make the journey to the boutique, as I’ve been fortunate to do, you fnd the door handles are shaped as daggers; this is both Sevan’s signature and the key to his life’s story. His name, Bıçakçı, means ‘Bladesmith”, and the dagger tells both of his Armenian metalsmithing heritage and the story of Ottoman jeweled arts - his enduring inspiration. Single-handedly, Sevan has revitalized and contemporized ancient, recherché Byzantine and Ottoman skills, arts and craf – goldsmithing, engraving, miniature painting, calligraphy, mosaics and gem-setting, many of which have been handed down through millennia, but have languished in modern day Turkey.

These jeweled arts were nurtured and perfected in the court workshops of Istanbul’s lavish Topkapi Palace, and so form a vital part of the city’s rich, diverse, multilayered history. Istanbul remains Sevan’s most potent inspiration: the captivating city in which Sevan was born and bred, the city that fed his imagination, a city of exoticism and adventure, monuments, myths and mysteries, in which ancient and modern, East and West, meet and mingle, a city of dreams.

Born to Armenian parents in the Samatya neighborhood of Istanbul, Sevan had a humble upbringing. He was a mischievous, unruly child and at 12 years old, was sent to work as an apprentice to a master goldsmith in the Grand Bazaar. Here, in the dark, dank, cramped workshops and gold-smelting furnaces, running errands through the labyrinthine maze of alleyways, Sevan learnt his craf, progressing from one workshop to another, slowly discovering and then honing his exceptional skills and special gif for model-making.

Sevan opened his own workshop when he was 18, making models for other jewelers, and there followed years of trial and tribulation, experiments, setbacks and fnancial struggles, adversity overcome through sheer hard work, tenacity and unshakeable determination to bring innovation and artistry to the deeply conservative Turkish jewelry industry. He fnally threw caution to the wind and followed his instincts, and in 2002 launched his frst collection of huge rings, sculpted as turbaned sultan heads. They grabbed the attention of the press and catapulted him to success. Alongside his massive rings, Sevan also crafed weighty padlocks, as if conjured from ancient treasure chests, heavy chains, and bejeweled dagger motifs, in lavishly engraved silver and gold, and set with the rose-cut diamonds, evocative of Ottoman jewels, or with diamonds set upside down, an innovation that was to become hugely infuential.

Sevan possesses a rare combination of artistic sensitivity, cultural curiosity, technical ingenuity and supreme craf skills, all of which he drew on to develop the unique, reverse intaglio rings for which he is best known.

Dazzlingly theatrical, these rings showcase dreamlike, minutely detailed images that seem to foat inside massive rock crystal domes. The dome shape itself, he explains, was an homage to the many domes of Istanbul, including Hagia Sophia, whose presence has

always exerted a powerful infuence on Sevan. Through Sevan’s pioneering technique of layered miniature painting, the images inside the crystals acquire a mesmerising, three-dimensional holographic efect.

In this way, Sevan has taken the Victorian technique of reverse intaglio jewels to another level entirely, and made the art form his own. Although, as he explains, at the time he came up with the idea he was completely unaware of this late 19th century fashion, never having been exposed to Western European antique jewelry.

Each of Sevan’s rings is one-of-kind, with very limited numbers made each year and like Sevan himself, each is a lyrical storyteller, tapping into the Oriental tradition of wandering minstrels or troubadours. Favored subjects for the foating images include the mosques, minarets and monuments of Istanbul, seascapes, still lifes, seagulls over the Bosphorus, pomegranates, birds, insects or fowers, and mythological characters or scenes. Sometimes the scenes are courageously and extravagantly carved in aquamarines, pale amethysts, even emeralds. Sevan describes himself as a “maestro” of artisans, conducting a team of talented designers, artists, sculptors, goldsmiths, engravers, gemcarvers, gem-setters, miniature painters, mosaicists, enamellists, glass artists, calligraphers and more, many of whom he trains in the ateliers, others still who fnd their way to him from across Turkey, all of whom contribute to these modern masterpieces.

Sevan’s story, his imagination and ingenuity, his celebrated wit and warmth, are all encapsulated in the impressive ring that he has so generously donated to this auction: 100% of the proceeds from the sale of the ring will go to One Drop, the charity that collaborates with the global art and design community, working towards enabling access to safe water and sanitation for some of the most deprived areas in the world. It is an especially generous gesture, given that so few of these awe-inspiring and eagerly sought afer rings are lovingly hand-crafed each year.

Sevan has wholeheartedly embraced One Drop’s mission by creating a special ring, designed around the theme of water. He pays homage to water as a precious resource, both a gif and a giver of life, in his use of rarefed green diamonds and water-drop-shaped cabochon rock crystal, and in the detailed fnesse of crafsmanship lavished on the ring.

As always, Sevan underpins this jewel with his own particular philosophy, countering its immense physical presence with metaphysical, spiritual meaning. The concept of this ring, he explains, is inspired by a popular Turkish song from the 1980s, whose title translates as “Oh Lord, Let it Rain”, while the foating mirage-like scene carved and painted inside its rock crystal cocoon shows a cloudy, rain-drenched Istanbul.

In Turkey, Sevan Bıçakçı is hailed as a national hero for his success, his personal tale of triumph-over-adversity, and for sharing the beauty and romance of Ottoman jeweled arts with the world. Even more, around the world, Sevan’s devoted fans prize his jewels for the essential humanity that lies at the heart of his storytelling and his art. It is a humanity that is expressed so poetically in this ravishing ring and its heartfelt message of hope.

Written by Vivienne Becker, Jewelry Historian

‘Yagdir Mevlam Su’ (‘Oh God, Let it Rain’)

151. Sevan Bıçakçı A Rock Crystal, Colored Diamond, Diamond, Gold and Silver ‘Oh God, Let it Rain’ Ring Round rock crystal cabochon with reverse intaglio carving Pear-shaped rock crystal cabochons Round brilliant-cut colored diamonds and single-cut diamonds Signed, numbered 24 karat yellow gold and sterling silver, size 7 (resizable) Accompanied by a framed drawing of the ring Exclusive additional experience will include: An exclusive meeting with Bıçakçı at his studio near Istanbul’s Grand Bazaar to discover his inspirations and creative environment A private tour of the architectural landmarks that have inspired Bıçakçı’s work An invitation to Bıçakçı’s private yacht for a unique Bosphorous cruise tour *If the buyer is not available for a visit in Istanbul, the meeting can be organized in Bicakci’s boutique in Miami or in New York based on the designer’s availability and will exclude private tours *Lodging, airfare and personal expenses not included Estimate $20,000-30,000 •

Thank you.

153

152

Property of a Private Collector

152. Sevan Bıçakçı

Property of a Private Collector

153. Sevan Bıçakçı

A Pair of Colored Diamond, Diamond, Citrine, Gold and Silver ‘Pigeon’ Earrings

A Colored Diamond, Diamond, Ruby, Gold and Silver Ring

Rose-cut colored diamonds Single-cut diamonds Pear-shaped faceted reverse intaglio citrine Signed with maker’s mark 24 karat yellow gold and sterling silver, length approximately 2.50 inches

Round brilliant- and single-cut colored diamonds and diamonds Round rubies Signed with maker’s mark 24 karat yellow gold and sterling silver, size approximately 7 1/4

Accompanied by a letter of authenticity by Sevan Bıçakçı

Estimate $6,000-9,000

Estimate $5,000-7,000

154

155

Property of a Private Collector

154. Sevan Bıçakçı A Diamond, Sapphire, Gold and Silver ‘Seagull’ Ring A marquise-shaped sapphire Round sapphires and diamonds Signed, with maker’s mark 24 and 10 karat yellow gold and sterling silver, approximately size 7 1/ 2

Property of a Private Collector

155. Sevan Bıçakçı A Colored Diamond, Diamond, Gold and Silver ‘Dagger’ Bracelet Pear-shaped and round brilliant-cut colored diamonds Single-cut diamonds Signed, with maker’s mark 24 karat yellow gold, 10 karat rose gold and sterling silver, length approximately 7.50 inches

Accompanied by a letter of authenticity by Sevan Bıçakçı Estimate $7,000-9,000

Estimate $4,000-6,000

Property of a Private Collector

156. Sevan Bıçakçı A Rock Crystal, Diamond, Chrysoberyl, Emerald, Gold and Silver ‘Blue Mosque’ Ring A rectangular-shaped rock crystal cabochon with reverse intaglio carving Single- and rose-cut diamonds Round emeralds and pear-shaped chrysoberyl Signed, with maker’s mark 24 karat yellow gold and sterling silver, size 9, with signed box Estimate $10,000-15,000

157

158

Property of a Connecticut Collector

157. A Pair of Diamond, Colored Diamond, Platinum and Gold Earrings Old mine-cut diamonds Round brilliant-cut colored diamonds Platinum and 18 karat yellow gold, length approximately 1.25 inches Estimate $7,000-9,000

158. An Emerald, Colored Diamond and Gold Bracelet Rectangular emerald-cut emeralds Round brilliant-cut colored diamonds 18 karat yellow gold, interior approximately 2.25 inches AGL Report: Colombian, minor modern clarity enhancement GIA Report: Natural diamond, no color treatment Estimate $80,000-120,000

IMAGE APPROVAL 136188

Property of a New York Lady ÎŁ

159. A Coral and Gold Necklace Round polished coral beads, approximately 11.00mm to 23.00mm 18 karat yellow gold, length approximately 20.25 inches Estimate $6,000-9,000

160

162

161

161. A Fancy Diamond and Gold Ring An oval step-cut fancy diamond, 6.26 carats 18 karat rose gold, size 5 3/4 Estimate $30,000-50,000

Property of a California Collector

160. A Pair of Diamond, Colored Diamond and Gold Earrings Round brilliant-cut colored diamonds and diamonds 18 karat yellow and white gold, length approximately 1.80 inches Estimate $7,000-9,000

162. Angela Cummings for Tifany & Co. A Hematite and Gold Bracelet Fancy-shaped hematite Signed with maker’s mark, numbered 18 karat yellow, rose and white metal, interior approximately 2.15 inches Estimate $15,000-25,000

163

163. Tifany & Co. A Suite of Enamel, Multi-Gem, Diamond and Gold ‘Turban’ Jewelry, 1965 BROOCH A pear-shaped aquamarine Round brilliant-cut diamonds Round ruby, sapphire and emerald cabochons Signed 18 karat yellow gold, length approximately 1.40 inches BROOCH A pear-shaped citrine Round brilliant-cut diamonds Round emerald, ruby and tourmaline cabochons Signed 18 karat yellow gold, length approximately 1.50 inches EARRINGS Signed 18 karat yellow gold, length approximately 0.80 inch Estimate $8,000-12,000

164

Property of a New York Collector

164. A Diamond and Gold Necklace Round brilliant-cut diamonds 18 karat yellow and white gold, length approximately 29.00 inches Detachable and can be worn as bracelets and chokers Estimate $8,000-12,000

165

166

Property of a California Collector

165. Buccellati A Gold Bracelet

Property of a Connecticut Collector

166. A Pair of Ruby, Diamond and Gold-Topped Platinum Earrings

Signed, with maker’s mark, with Italian assay mark 18 karat yellow gold, length approximately 8.75 inches

Round and oval mixed-cut rubies Round brilliant-cut diamonds Gold-topped platinum, length approximately 1.15 inches

Estimate $10,000-15,000

AGL Report: Burma, no gemological evidence of heat Estimate $7,000-9,000

168

167

168. RenĂŠ Boivin A Carnelian, Gold and Sterling Silver Brooch/ Pendant, Circa 1980 Round carnelian cabochons Signed, with French assay marks 18 karat yellow gold and sterling silver, approximately 2.00 x 2.50 inches Estimate $5,000-7,000

Property of a Connecticut Collector

167. A Ruby, Emerald, Diamond and Gold Necklace Faceted ruby beads Oval-shaped ruby cabochon and carved emerald Round brilliant- and briolette-cut diamonds 18 karat yellow gold, length approximately 25.00 inches Estimate $6,000-8,000

Property of an International Collector

169. Van Cleef & Arpels A Diamond and Gold Necklace Round brilliant-cut diamonds Signed, numbered 18 karat yellow gold, length approximately 22.50 inches Convertible to a necklace and bracelet Estimate $10,000-15,000

171 170

Property of a New York Collector

170. A Diamond, Enamel and Gold Ring An old European-cut diamond, 2.40 carats Old European-cut diamonds Italian assay mark 18 karat yellow gold, size 7 1/4

172

Estimate $6,000-9,000

Property of a California Collector

171. David Webb An Enamel and Gold Bracelet Signed 18 karat yellow gold, length approximately 6.50 inches Estimate $5,000-7,000

172. David Webb A Diamond, Sapphire, Enamel, Platinum and Gold Brooch Oval-shaped sapphire cabochons Round brilliant-cut diamonds Signed Platinum and 18 karat yellow gold, length approximately 2.50 inches Estimate $7,000-9,000

173. Van Cleef & Arpels A Gold Bracelet Signed, with maker’s mark, numbered, French assay marks 18 karat yellow gold, length approximately 7.25 inches 174

Estimate $4,000-6,000

Property of a New York Collector

174. An Amethyst and Gold Bracelet Carved amethyst Italian assay mark 18 karat yellow gold, length approximately 7.75 inches Estimate $3,000-5,000

173

175

176

Property from a Private Collection

175. Breguet

176. Paloma Picasso for Tifany & Co.

A Diamond, Ruby and Gold Wristwatch, 2010

A Gold Bracelet

Round brilliant-, single-cut diamonds, and baguette-cut rubies Automatic movement, case no. 1419E Dial, case and clasp signed, with Swiss assay marks 18 karat yellow gold, length approximately 7.00 inches, with signed box

Signed by designer and retailer 18 karat yellow gold, length approximately 8.00 inches

Estimate $8,000-12,000

Estimate $7,000-10,000

Property of a California Collector

177. Jose Hess A Diamond and Gold Necklace Round brilliant-cut diamonds Signed, numbered 18 karat yellow gold, length approximately 15.50 inches Estimate $25,000-35,000

Property of a California Collector ÎŁ

178. David Webb A Coral, Diamond, Enamel, Platinum and Gold Bracelet Carved coral and round brilliant-cut diamonds Signed, numbered Platinum and 18 karat yellow gold, interior approximately 2.35 inches Estimate $40,000-60,000

Illustration by Wooa Kim Gouache, Watercolor

179. An Important Fancy Diamond, Colored Diamond and Gold Necklace A pear modifed brilliant-cut fancy blue-gray diamond, 3.01 carats Round brilliant-cut and fancy-shaped colored diamonds 22 karat yellow gold plated 18 karat gold, length approximately 16.00 inches Original gouache painting gifed with purchase GIA Report: Fancy blue-gray color, SI1 clarity See condition report for twenty additional GIA certifcates Estimate $250,000-450,000

181

180

180. Aletto Brothers A Pair of Chalcedony, Diamond and Gold Earrings Round polished chalcedony beads Round brilliant-cut diamonds, total 1.84 carats Signed, numbered 18 karat yellow gold, length approximately 1.00 inch, with signed pouch Estimate $3,500-4,500

ÎŁ

181. Aletto Brothers A Coral, Diamond and Gold Bracelet Round polished coral beads Round brilliant-cut diamonds, total 7.75 carats Signed 18 karat yellow gold, length approximately 7.00 inches, with signed box Estimate $25,000-35,000

182

183

182. Verdi A Diamond and Gold ‘Chillout’ Bracelet, 2012 Rose- and round brilliant-cut diamonds Signed, with maker’s mark, with Italian assay mark 18 karat rose gold, interior approximately 2.25 inches Estimate $5,000-7,000

183. Verdi A Pair of Diamond and Gold ‘Chillout’ Earrings and Ring, 2012 EARRINGS Rose- and round brilliant-cut diamonds Signed, with Italian assay mark 18 karat rose gold, length approximately 1.25 inches RING Rose- and round brilliant-cut diamonds Signed, with Italian assay mark 18 karat rose gold, size 6 3/4 Estimate $6,000-9,000

184

185

Property of a New York Lady

184. Cartier A Diamond and Gold Necklace, Circa 1970

185. A Fancy Sapphire, Diamond, Platinum and Gold Bracelet

Round brilliant-cut diamonds Signed, with maker’s mark, numbered, with French assay marks 18 karat yellow gold, length approximately 15.75 inches, with signed pouch

Sugarloaf fancy sapphire cabochons, total weight 75.53 carats Marquise-shaped diamonds, total 3.79 carats Swiss assay mark Platinum and 18 karat yellow gold, length approximately 7.25 inches

Estimate $5,000-7,000

Estimate $15,000-25,000

186

187

Property of a Connecticut Collector

186. A Cultured Pearl, Emerald, Diamond and Gold-Topped Platinum Necklace Near-round cultured pearls, measuring approximately 8.50mm to 9.00mm A pear-shaped emerald and round brilliant-cut diamonds Gold-topped platinum, length approximately 16.50 inches Estimate $4,000-6,000

Property of a Lady

187. An Emerald, Diamond and Platinum Ring A cushion modifed mixed-cut emerald Round brilliant-cut diamonds Platinum, size 6 1/4 AGL Report: Colombia, insignifcant to minor traditional Estimate $9,000-12,000

Zircon Zircon is a brilliant, beautiful and fery gemstone with a varied palette of colorless, yellow, green, red, orange, brown and blue. It is the oldest mineral at 4.4 billion years old, an age that coincides with the surface of the earth beginning to cool and crust, and it is found across six continents in metamorphic and sedimentary rocks.

Despite its beauty, abundance and rich history, zircon has not reached the demand of more well-known stones like diamond and sapphire. While zircon has trended in jewelry, notably in the Victorian era and in the Art Nouveau designs of Louis Comfort Tifany, its more unusual attributes make it an enigma to consumers.

One reason for the confusion comes from zircon’s name itself. Scholars believe that the name derives from the Persian word zargun, meaning gold colored, or the Arabic word zarkun, meaning cinnabar or vermilion. Either possibility seems credible given zircon’s color range. Even though the name has deep roots, zircon is ofen mistaken with the similarly named and more modern cubic zirconia (CZ). To further confusion, both stones possess great luster and fre, aptly suiting them as diamond simulants. Zircon is a more historical simulant source that gave way to other imitations mid-way through the twentieth century, whereas CZ entered the market in the early 1970s and is still a popular simulant today. Although both stones are chemically unique, their similar names, properties and uses in jewelry lead some buyers to believe that zircon is still an imitation diamond rather than a unique and fashionable gemstone in its own right.

Another puzzling attribute of zircon is that some stones contain trace amounts of uranium and thorium, which can break down the stone’s crystal structure and change its properties over long periods of time. This process of irradiation is known as metamictization.

Zircons that have sufered extensive damage are typically green and can have much lower specifc gravity, refractive index and double refraction than those with stable crystal structures. Though this process is harmful to the stone, buyers should not worry about it posing health concerns to the wearer since the amount of radioactive elements is too low.

Furthermore, the irradiation process in many metamict zircons can be reversed by heating the stone to high temperatures thus restoring its crystalline form.

Although zircon is sometimes mystifying to consumers, it is making a resurgence in the market.

Its bold colors and strong dispersion make it a favorite among designers and can be seen in innovative and exquisite works by JAR, Hemmerle, Nicholas Varney and Lauren Adriana.

Lot 188 is a brilliant and well-matched electric blue zircon riviera necklace comprised of 37 stones, totaling over 160 carats. As plentiful as zircon is, its availability in large crystals is uncommon, making the center stone of 18.94 carats, with its high clarity and alluring shade of blue a rare and lovely example of the mineral.

Property of a California Collector

188. A Zircon and Platinum Necklace Round zircon, total 169.20 carats Platinum, length approximately 17.50 inches Estimate $20,000-30,000

189

190

Property of a New York Collector

189. A Pair of Diamond and Gold Earrings

190. A Pair of Fancy Sapphire and Platinum Cufinks

Round brilliant-cut diamonds 18 karat white gold, length approximately 1.15 inches

Oval brilliant-cut step-cut fancy sapphires, total 10.03 carats Platinum, length approximately 0.75 inch

Estimate $6,000-9,000

GIA Report: Natural corundum, no indications of heating Estimate $7,000-9,000

191

Property of a New York Collector

191. A Fancy Diamond, Diamond and Gold Ring A cushion modifed brilliant-cut fancy diamond, 3.17 carats Heart-shaped diamonds 18 karat white gold, size 6 1/ 2 GIA Report: Fancy yellow color, VS1 clarity Estimate $10,000-15,000

192

194

193

193. A Diamond and Platinum Ring Old European-cut diamonds Platinum, size 5 1/4 Estimate $6,000-8,000

192. A Diamond, Emerald, Seed Pearl and Gold Necklace Round brilliant-cut diamonds Near-round emerald beads and seed pearls 18 karat yellow gold, length approximately 79.00 inches Estimate $10,000-15,000

194. V.A.K Fine Jewels An Emerald, Diamond and Gold Ring Pear-shaped and round emeralds, total 4.79 carats Rose- and round brilliant-cut diamonds, total 2.29 carats Signed, with maker’s mark 18 karat white and yellow gold, size 6 Accompanied by an original drawing by designer Estimate $10,000-15,000

196

195

Property of a Gentleman

195. A Diamond and Gold Necklace and Bracelet NECKLACE Round brilliant-cut diamonds 14 karat white gold, length approximately 17.00 inches BRACELET Round brilliant-cut diamonds 14 karat white gold, length approximately 7.00 inches Estimate $7,000-9,000

196. A Pair of Tahitian and South Sea Cultured Pearls, Diamond and Gold Earrings Near-round cultured pearls Round brilliant-cut diamonds 18 karat white gold, length approximately 1.00 inch Estimate $8,000-10,000

Property of a New York Collector

197. De Beers A Fancy Intense Diamond, Diamond and Platinum Ring A cut-cornered square step-cut fancy intense yellow diamond, 16.23 carats Trapezoid-shaped diamonds Signed, numbered Platinum, size 3 3/4 GIA Report: Fancy Intense Yellow color, VS1 clarity Accompanied by original client receipt Estimate $220,000-400,000

198

198. An Akoya and Tahitian Cultured Pearl, Diamond and Gold Necklace and Pair of Earrings NECKLACE Round Akoya and Tahitian cultured pearls Round brilliant-cut diamonds 18 karat white gold, length approximately 37.50 inches EARRINGS Round Tahitian cultured pearls Round brilliant-cut diamonds 14 karat white gold, length approximately 0.50 inch Estimate $12,000-16,000

199

199. A Jade, Diamond and Gold Ring An oval-shaped jade cabochon Round brilliant-cut diamonds 18 karat white gold, size 8 Estimate $6,000-8,000

201

202

201. Carvin French An Emerald, Diamond and Platinum Necklace

200

Carved emerald beads, total 12.91 carats Rondelle-shaped and briolette-cut diamonds, total 2.93 carats Signed with maker’s mark Platinum, length approximately 15.75 inches Estimate $8,000-12,000

Property of a California Collector

200. A Diamond and Platinum Ring

202. A Sapphire, Diamond and Platinum Ring

An emerald-cut diamond, 3.57 carats Baguette-cut diamonds 14 karat white gold, size 7 1/ 2

A cushion mixed-cut sapphire, 2.99 carats Round brilliant-cut diamonds, total 0.81 carat Platinum, size 6 1/ 2

GIA Report: E color, VS1 clarity

AGL Report: Classic Burma, no gemological evidence of heat

Estimate $40,000-60,000

Estimate $15,000-25,000

A Jewels Journey Phillips is honored to present this unusual and rare jewel.

Unlike many jewels, this tells of a romantic and historic tale: Nestled in the confnes of a small safe deposit box, we found this brooch, lot 203. Relying on family history alone, we know very little about this jewel, other than that it has been passed down from father to children. The father, a highly respected surgeon, received this jewel in lieu of payment for services rendered. The only memorable detail we have is that the briolette was to weigh approximately 6.75 carats. Other than these facts, we know nothing else.

Who was the owner? Where did the brooch come from?

An exceptional jewel without a history, what might we surmise? Based on the construction of the piece, the cutting and mounting style of the emerald and diamonds, and the type of metal and their fttings, we can date this brooch to the early 20th century, from European manufacture. The fttings and the pin stem on the reverse suggest that it might have been a turban ornament, or a removable section from a diadem, or even a section from a stomacher. While we cannot provide an answer to these possibilities or theories, we do know that the original design of the brooch was most likely more than it is today.

We can glean details from the two laboratory reports that confrm our examination, stating the origin or color and quality. Yet, the common eye knows too, that the emerald and diamond briolette are superlative examples that in and of themselves carry a history. The lozengeshaped emerald is indeed a beautiful beryl crystal, which possessing a mesmerizing deep, rich green color, is reminiscent of the gemstones found in the ancient Colombian mines. This gemstone, like so many others of its nature, perhaps traveled the journey to the Philippines or Portugal, along old trade routes before being cut in India. Similarly, the suspended diamond briolette, of faint peachy pink, reminds us that it too might trace its origin to the famed Golconda mines, because of its old-world cutting style and purity of crystal.

Despite the fact that we cannot determine the original design of this rare jewel, we can agree that it is extremely unique and tells a story of converging paths, a journey traveled, from past to present.

Property from a Private Collection

203. An Antique Fancy Light Diamond, Emerald, Diamond and Silver-Topped Gold Brooch, Circa 1890 A briolette fancy light diamond, 7.13 carats A lozenge step-cut emerald, measuring approximately 16.50 x 11.60 x 5.45mm Old mine-cut diamonds Silver-topped 14 karat yellow gold, measuring approximately 3.00 x 1.25 inches GIA Report: Fancy Light Orangy Pink color, SI2 clarity Accompanied by a Diamond Type Classifcation for GIA Colored Diamond AGL Report: Colombia, insignifcant traditional clarity enhancement Estimate $150,000-250,000

205

204

204. Graf

205. Graf

A Pair of Emerald, Diamond and Gold Earrings

A Pair of Diamond and Gold Earrings

Pear-shaped emeralds, total 10.27 carats Round brilliant-cut diamonds, total 2.42 carats Signed, numbered, with English assay marks 18 karat white gold, length approximately 1.00 inch, with signed box

Round brilliant-cut, pear-, and marquise-shaped diamonds, total 22.10 carats Signed, numbered 18 karat white gold, length approximately 2.25 inches

Estimate $35,000-55,000

Estimate $50,000-70,000

206

206. Graf

207

207. Graf

A Pair of Ruby, Diamond and Gold Earrings

A Ruby, Diamond and Gold Ring

Round rubies, total 28.68 carats Round brilliant-cut diamonds, total 2.34 carats Signed, numbered, with English assay marks 18 karat white gold, length approximately 0.90 inch, with signed box

Round rubies, total 14.20 carats Round brilliant-cut diamonds, total 4.11 carats Signed, numbered 18 karat white gold, size 5 3/4, with signed box

Estimate $40,000-60,000

Estimate $22,000-28,000

209

210

Property of a Lady 208

209. A Diamond and Gold Ring A round brilliant-cut diamond, 4.14 carats 18 karat white gold, size 6 GIA Report: H color, VVS2 clarity Estimate $45,000-65,000

Property from a Private Collection

208. Audemars Piguet A Diamond, Sapphire and Gold Wristwatch, 2010 Round brilliant- and single-cut diamonds and round sapphires Quartz movement, case no. D56730 Case, dial, movement and clasped signed 18 karat white gold, length approximately 7.75 inches Estimate $6,000-8,000

Property of a New York Collector

210. A Sapphire, Diamond and Gold Ring A cushion mixed-cut sapphire, 11.57 carats Marquise-shaped diamonds 18 karat white gold, size 5 1/ 2 AGL Report: Ceylon, no gemological evidence of heat Estimate $10,000-15,000

Bulgari The house of Bulgari is one of the world’s most distinguished jewelry houses, recognized for their superb crafsmanship, style and magnifcent jewelry.

Founded by Greek silversmith Sotirio Bulgari in 1884, this family business fourished over the decades by creating elegant jewels that drew inspiration from Greek and Roman classicism, Italian Renaissance, and the works by 19th century Roman school of goldsmiths.

Today, as in yesteryear, traditional themes still pulse through modern designs maintaining their aesthetic, paying homage to Rome and displaying a sensitivity to the modern women.

Bulgari’s modern jewels are successful in merging the past and present, combining architectural elements with modern sensibility. The feminine and colorful ‘fan’ motifs in the ‘Divia’s Dream’ necklace, lot 214, draw inspiration from Rome’s mosaic Caracalla Baths, constructed in 217 AD. Through this design, Bulgari has subliminally captured a part of ancient Rome and the important role these baths provided in a social and religious place – to cleanse the soul and body. The theme and the imagery that it inspires are very much a part of the Bulgari marque.

The tanzanite, diamond, turquoise and emerald necklace, lot 215, illustrates modern Buglari at its best with its infusion of color, movement and design. This jewel is playful and sensual, artfully utilizing conical turquoise and pave diamond links, embellished with circular and emerald rondelle accents, telling a story of life and luxury. The gorgeous tumbled tanzanite, organic in form, juxtaposed against the geometric

forms, draws attention with the contrast of shape and size, leading you to a tassel of cone shaped links, with gem-set terminals. This necklace aptly represents the modern women of Rome: feminine, playful, sensuous, colorful and strong.

The Parentesi collection, frst conceived in 1982, was Bulgari’s frst line of modular jewelry, see lot 213. This design was frst ofered without adornment, making it an easy to wear jewel. At the time, no one would have imaged how popular this geometric pattern, inspired by the interlocking travertine stones that line pavement of ancient Rome, would have on the world. Met with great success, the Parentesi jewels were later enhanced with patterns of diamonds and colorful stones. Today, while the proportions and angles may have changed, this collection remains at the cornerstone of their high jewelry.

The ‘Ring’ bracelet, lot 219, was produced in a limited edition of only three, making it exceedingly rare. As is expected of Bulgari, color plays a strong role in this whimsical design. What is unusual about this design is not only the color combination or the suggestion of a ring, but that it is sculptural, commanding and powerful, defying the classical idea of what a bracelet should be. In other words, it’s chic.

For more than 100 years, Bulgari has been described as a symbol of excellence. They have stayed true to their original aesthetic by honoring their past in all of their works, as illustrated in the luxurious, colorful and majestic Bulgari jewels in this sale.

211

212

211. Bulgari A Pair of Ruby, Diamond, Platinum and Gold Earrings Round brilliant-cut diamonds Square-shaped rubies Signed, with Italian assay marks Platinum and 18 karat white gold, length approximately 2.65 inches, with signed box Estimate $6,000-8,000

212. Bulgari A Star Ruby, Diamond and Platinum Ring, 2012 An oval-shaped star ruby cabochon, 6.28 carats Round brilliant-cut diamonds Signed, numbered Platinum, size 6, with signed box Accompanied by the original Gem Report Estimate $10,000-15,000

213

213. Bulgari A Gold ‘Parentesi’ Necklace and Pair of Earrings NECKLACE Signed, with Italian assay mark 18 karat yellow gold, length approximately 16.00 inches

214. Bulgari A Diamond, Amethyst, Rubellite and Gold ‘Divas’ Dream’ Necklace

EARRINGS Signed, with Italian assay marks 18 karat yellow gold, length approximately 0.75 inch

Round brilliant-cut diamonds Round polished amethyst beads Round and round polished tourmaline beads Signed, numbered, with Italian assay mark 18 karat rose gold, length approximately 15.00 inches, with signed box

Estimate $8,000-12,000

Estimate $20,000-30,000

214

215. Bulgari A Tanzanite, Diamond, Emerald, Turquoise and Gold Necklace, 2012 A fancy-shaped tanzanite cabochon, 55.45 carats Round brilliant-cut diamonds and fancy-shaped turquoise beads Square-shaped and round emerald cabochons and round polished beads Signed, numbered, with Italian assay mark 18 karat yellow gold, adjustable length approximately 20.00 inches, with signed box Accompanied by the original Gem Report Estimate $35,000-55,000

217

216

218

Property of a New York Lady

216. Verdura A Topaz, Tourmaline and Gold ‘Candy’ Ring An oval-shaped topaz cabochon Oval-shaped tourmaline cabochons Signed, with Italian assay mark 18 karat yellow gold, approximately size 5 Estimate $4,000-6,000

Property of a Lady

217. A Diamond and Gold Ring A round brilliant-cut diamond, 2.01 carats Round brilliant-cut diamonds 14 karat white gold, size 9

Property of a California Collector

218. Bulgari A Tri-Colored Gold Bracelet, Circa 1975

GIA Report: G color, SI2 clarity

Signed, with Italian assay marks 18 karat yellow, rose and white gold, interior approximately 2.25 inches, with signed pouch

Estimate $8,000-12,000

Estimate $8,000-12,000

219

220

Property from a Beverly Hills Trust

219. Bulgari A Green Beryl, Ruby and Diamond ‘Ring’ Bracelet, 2007 A square-shaped step-cut green beryl, 59.62 carats Baguette-cut rubies, total 3.94 carats Baguette-cut diamonds, 2.40 carats Signed, numbered 18 karat white gold, approximate interior diameter 2.25 inches Estimate $15,000-25,000

220. A Diamond and Platinum Ring A cut-cornered rectangular modifed brilliant diamond, 13.05 carats Round brilliant-cut diamonds Platinum, size 6 3/4 GIA Report: K Color, SI1 Clarity Estimate $80,000-120,000

221

221. A Freshwater Cultured Pearl, Diamond and Gold Necklace and Pair of Earrings NECKLACE Near-round freshwater cultured pearls Round brilliant-cut diamonds 18 karat white gold, length approximately 34.50 inches

222. Margherita Burgener A Pair of Diamond, Multi-Gemstone, Gold and Titanium Earrings

EARRINGS Round freshwater cultured pearls Round brilliant-cut diamonds 18 karat white gold, length approximately 0.40 inch

Round brilliant-cut diamonds, total 0.70 carat Round fancy sapphires, total 1.57 carats Round tourmaline, total 3.20 carats Round tsavorite garnet, total 0.39 carat Signed, with maker’s mark, with Italian assay marks 18 karat rose gold and titanium, length approximately 0.85 inch, with signed box

GIA Report: Freshwater, natural color, no indications of treatment

Estimate $5,000-7,000

Estimate $9,000-13,000

222

223 225

224. A Diamond and Gold Ring A cushion brilliant-cut diamond, 6.45 carats Round brilliant-cut diamonds, 0.15 carat 18 karat rose gold, size 5 3/4 224

GIA Report: I color, VVS2 clarity Accompanied by a Diamond Type Classifcation for GIA Diamond Grading Report Estimate $100,000-150,000

223. Margherita Burgener A Pair of Sapphire, Diamond, Gold and Titanium Earrings Round sapphires, total 22.78 carats Round brilliant-cut diamonds, 2.24 carats Signed, with maker’s mark, numbered, with Italian assay marks 18 karat rose gold and titanium, length approximately 2.50 inches, with signed box Estimate $10,000-15,000

225. A Tanzanite, Diamond and Platinum Ring Marquise-shaped tanzanite, total 4.08 carats Round brilliant-cut diamonds, total 3.36 carats Platinum, size 6 Additional images on website Estimate $5,000-7,000

Harry Winston At twelve years old, Harry Winston was already a success. His frst purchase for 25 cents - an emerald ring, which he spotted in the window of a pawnbroker shop – he sold two days later for $800. This frst and legendary transaction illustrates his passion, business acumen and instinct. These three characteristics, plus his phenomenal read of people, adroit marketing skills and philanthropic nature, helped to create the thriving international business the jewelry house is today.

Harry Winston was a tour de force within the jewelry industry, establishing his namesake company, Harry Winston Inc., in 1932. Unlike his competitors, Winston focused on purchasing estate property. Having the rare and valuable instinct to measure the beauty of gemstones, he had large stones removed from their estate settings, and re-cut them to optimize their color, brilliance and liveliness. Upon completion, these newly fashioned diamonds and colored gemstones were placed into elegant platinum mountings, which provided a perfect backdrop to showcase their unique qualities.

The following two Harry Winston rings illustrate examples of this practice, philosophy and superior knowledge of gemstones. The Burmese ruby ring, lot 227, was manufactured in 1968, and was designed with the intention to capitalize on the outstanding color and liveliness of this unheated gem. The diamond frame helps to promote the beauty of the center stone by adding contrast and brilliance. The color, saturation and play of light perform against each other, leading your eye to the center, reinforcing the depth of color.

Similarly, lot 226, with a central emerald-cut diamond weighing 11.34 carats, has a minimal frame. This ring was designed in 1983, and was created with the intent to focus on the exceptional quality, color and clarity of the central diamond crystal. Harry Winston instinctively understood gemstones, as demonstrated by his frst purchase, as well as in these two rings. His true love and passion for these gifs of nature has delighted women and men around the globe for the last 87 years both in his salons, private collections, and museums.

“People will stare. Make it worth their while.�

Harry Winston

Property of a New York Collector

226. Harry Winston An Important Diamond and Platinum Ring, 1983 An emerald-cut diamond, 11.34 carats Triangle-shaped diamonds, total 1.45 carats Signed with maker’s mark Platinum, size 3 1/ 2 Additional images on website GIA Report: D color, VVS2 clarity Accompanied by the original Harry Winston valuation and a Diamond Type Classifcation for GIA Diamond Grading Report Estimate $500,000-800,000

Property of an International Lady

227. Harry Winston A Ruby, Diamond and Platinum Ring, 1968 An oval mixed-cut ruby, 14.01 carats Pear-shaped and round brilliant-cut diamonds, total 4.63 carats Platinum, size 7 1/ 2 Additional images on website Accompanied by a letter from the Harry Winston archives AGL Report: Burma, no gemological evidence of heat Estimate $80,000-120,000

“Blue diamonds are extremely rare, exquisitely beautiful, and rich in lore.

This special combination has made them coveted by diamond lovers and jewelry connoisseurs.�

Gemological Institute of America

Blue Diamonds Blue diamonds are amongst the rarest colored diamonds in nature. This exceptional blue diamond was chosen by Tifany & Co. as a “stone of distinction,” masterfully cut to maximize its inherent beauty.

Understanding how fnite the market is for blue diamonds, Tifany has carefully procured this 3.02 carat fancy intense gem. Most likely this diamond was re-cut from their initial purchase so that it will conform to their high standards – most notably, quality. Tifany prides itself on delivering the fnest gemstones that meet their most rigorous guidelines to produce the ideal cut. It is no small feat that they have imbued this blue diamond with optimum brilliance, fre and scintillation, nor is it by chance that they have determined that the stone’s natural beauty can best be captured in their signature mounting. On every level, this diamond, this ring, and its signature, are exceptional.

Historically, blue diamonds were frst sourced from the legendary Golconda mines in India, which are now depleted. Seventeenth century French explorer and gemstone merchant Jean-Baptiste Tavernier recorded these fnds in The Six Voyages during his travels to Turkey, Persia and the East-Indies.

Tavernier is also known for the discovery of the ‘Tavernier Blue’, which was re-cut and sold as the ‘French Blue’ to Louis XIV in 1668. This diamond was later stolen and re-cut, surfacing years later in 1839, in the collection Henry Philip Hope as his most prized gemstone. Today, the ‘Hope Diamond’ is considered one of the most famous blue diamonds in the world, residing at the Smithsonian in Washington, D.C.

In recent years, the main source of many blue diamonds has been the mines in South Africa. In September, the Cullinan Mine produced a beautiful 20.08 carat rough, an exceptional fnd. One must understand that it will take months of study before a window is cut, allowing the lapidary to determine how and where the color and inclusions sit within the crystal. The fnal cutting and polishing of the stone may take a year or more before a faceted gem is achieved. While other areas such as Sierra Leone, Borneo and Brazil occasionally produce blue diamonds, these exceptionally colored diamonds are only found in a few areas, making them more valuable.

For most blue diamonds, their color is caused by trace amounts of the element boron, which is substituted for some of the carbon atoms in the diamond’s crystal lattice. Unlike other diamonds, which form in Earth’s upper mantel at approximately 90-140 miles beneath the surface, blue diamonds form even deeper in the lower mantel at depths between 250-400 miles. Recent studies indicate that boron, which dissolves in water, settles at bottom of the ocean and through subduction, when the tectonic plates collide, is carried below the mantel when one plate sinks. This process moves boron to a lower depth, suggesting that the water cycle goes far deeper than previously thought.

Other aspects that make blue diamonds rare are the challenges involved in cutting the rough. Unlike most diamonds that form as octahedrons or dodecahedrons, blue diamond crystals are typically asymmetrical.

Additionally, care must be given to maintain color, especially if the rough contains color zoning. Blue diamonds without any modifying color are indeed rare, with only small fraction of every diamond graded by the GIA assigned a ‘natural blue’ diamond.

228. Tifany & Co. An Important Fancy Intense Diamond and Platinum Ring A cut-cornered square modifed brilliant-cut fancy intense diamond, 3.02 carats Signed, numbered, with Russian assay marks Platinum, size 6, with signed box GIA Report: Fancy Intense Blue color, VS2 clarity Accompanied by original Tifany & Co. Diamond Certifcate Estimate $1,500,000-2,500,000

Sale Information Auction & Viewing Location 450 Park Avenue New York 10022

Jewels Department +1 212 940 1378

Auction 9 December 2019 at 12pm

Worldwide Head Graeme Thompson +852 2318 2049 graemethompson@phillips.com

Viewing 4 – 9 December Monday – Saturday 10am – 6pm Sunday 12pm – 6pm Sale Designation When sending in written bids or making enquiries please refer to this sale as NY060319 or Jewels.

Absentee and Telephone Bids tel +1 212 940 1228 fax +1 212 924 1749 bidsnewyork@phillips.com

Head of Department, Americas, Senior International Specialist Susan Abeles +1 212 940 1283 sabeles@phillips.com Senior Specialist Eva Violante +1 212 940 1316 eviolante@phillips.com Senior Specialist, Los Angeles Alexis Vourvoulis +1 310 334 9131 avourvoulis@phillips.com Consultant, Los Angeles Anellie Manolas +852 2318 2000 anelliemanolas@phillips.com Associate Specialist Anne Mock, GG +1 212 940 1346 amock@phillips.com Administrator Alexi Riggins, GG +1 212 940 1377 ariggins@phillips.com Co-International Business Director Myriam Christinaƶ +41 22 317 81 84 mchristinaƶ@phillips.com Co-International Business Director Bart van Son +44 20 7901 7912 bvanson@phillips.com International Business Development Director Sarah O’Brien +44 20 7901 7942 sobrien@phillips.com

Junior Specialist Yoki Chan+852 2318 2036 yokichan@phillips.com

Auction License 2013224 Auctioneers Hugues Joffre - 2028495 Sarah Krueger - 1460468 Henry Highley - 2008889 Adam Clay - 2039323 Jonathan Crockett - 2056239 Samuel Mansour - 2059023 Rebecca Tooby-Desmond - 2058901 Susan Abeles - 2074459 Aurel Bacs – 2047217 Blake Koh – 2066237 Susanna Brockman – 2058779 Rebekah Bowling - 2078967 Catalogues catalogues@phillips.com New York +1 212 940 1240 London +44 20 7318 4024 Hong Kong +852 2318 2000 $35/€25/£22 at the gallery Client Accounting Sylvia Leitao +1 212 940 1231 Michael Carretta +1 212 940 1232 Buyer Accounts Dawniel Perry +1 212 940 1317 Seller Accounts Carolina Swan +1 212 940 1253 Client Services 450 Park Avenue +1 212 940 1200

Head of Jewelry, Asia Terry Chu +852 2318 2038 tchu@phillips.com

Shipping Steve Orridge +1 212 940 1370 Anaar Desai +1 212 940 1320 Daren Khan +1 212 940 1335

Senior Specialist Charlene Lau +852 2318 2039 clau@phillips.com

Photographer Tom Hayes

Specialists Lane Mclean +44 20 7318 4032 lmclean@phillips.com Louisa Chan +886 2 8758 2310 lchan@phillips.com Front cover Tifany & Co., An Important Fancy Intense Diamond and Platinum Ring, lot 228 Back cover Harry Winston, An Important Diamond and Platinum Ring, lot 226

Specialist, Japan Tomoko Mizutani +81 3 6273 4818 tmizutani@phillips.com

Stylist Peter Tran

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Guide for Prospective Buyers of Jewelry and Watches Buying at Auction The following pages are designed to ofer you information on how to buy at auction at Phillips. Our staf will be happy to assist you.

1 Prior to Auction

Condition of Lots Our catalogues include references to condition only in the descriptions of multiple works (e.g., prints). Such references, though, do not amount to a full description of condition. The absence of reference to the condition of a lot in the catalogue entry does not imply that the lot is free from faults or imperfections. Solely as a convenience to clients, Phillips may provide condition reports. In preparing such reports, our specialists assess the condition in a manner appropriate to the estimated value of the property and the nature of the auction in which it is included. While condition reports are prepared honestly and carefully, our staf are not professional restorers or trained conservators.

We therefore encourage all prospective buyers to inspect the property at the pre-sale exhibitions and recommend, particularly in the case of any lot of signifcant value, that you retain your own restorer or professional advisor to report to you on the property’s condition prior to bidding.

Any prospective buyer of photographs or prints should always request a condition report because all such property is sold unframed, unless otherwise indicated in the condition report. If a lot is sold framed, Phillips accepts no liability for the condition of the frame. If we sell any lot unframed, we will be pleased to refer the purchaser to a professional framer.

Catalogue Subscriptions If you would like to purchase a catalogue for this auction or any other Phillips sale, please contact us at +1 212 940 1240 or +44 20 7318 4010.

Pre-Auction Viewing Pre-auction viewings are open to the public and free of charge. Our specialists are available to give advice and condition reports at viewings or by appointment.

Pre-Sale Estimates Pre-sale estimates are intended as a guide for prospective buyers. Any bid within the high and low estimate range should, in our opinion, ofer a chance of success. However, many lots achieve prices below or above the pre-sale estimates. Where “Estimate on Request” appears, please contact the specialist department for further information.

It is advisable to contact us closer to the time of the auction as estimates can be subject to revision. Pre-sale estimates do not include the buyer’s premium or any applicable taxes.

Electrical and Mechanical Lots All lots with electrical and/or mechanical features are sold on the basis of their decorative value only and should not be assumed to be operative. It is essential that, prior to any intended use, the electrical system is verifed and approved by a qualifed electrician.

Conditions of Sale The Conditions of Sale and Authorship Warranty which appear later in this catalogue govern the auction. Bidders are strongly encouraged to read them as they outline the legal relationship among Phillips, the seller and the buyer and describe the terms upon which property is bought at auction. Please be advised that Phillips generally acts as agent for the seller.

Buyer’s Premium Phillips charges the successful bidder a commission, or buyer’s premium, on the hammer price of each lot sold.

The buyer’s premium is payable by the buyer as part of the total purchase price at the following rates: 25% of the hammer price up to and including $400,000, 20% of the portion of the hammer price above $400,000 up to and including $4,000,000 and 13.5% of the portion of the hammer price above $4,000,000.

Pre-Sale Estimates in Pounds Sterling and Euros Although the sale is conducted in US dollars, the pre-sale estimates in the auction catalogues may also be printed in pounds sterling and/or euros. Since the exchange rate is that at the time of catalogue production and not at the date of auction, you should treat estimates in pounds sterling or euros as a guide only.

Catalogue Entries Phillips may print in the catalogue entry the history of ownership of a work of art, as well as the exhibition history of the property and references to the work in art publications. While we are careful in the cataloguing process, provenance, exhibition and literature references may not be exhaustive and in some cases we may intentionally refrain from disclosing the identity of previous owners. Please note that all dimensions of the property set forth in the catalogue entry are approximate.

Symbol Key The following key explains the symbols you may see inside this catalogue.

O Guaranteed Property Lots designated with the symbol [O] are the subject of a minimum price guarantee. In such cases Phillips has guaranteed to the seller of the lot that regardless of the outcome of the sale the seller shall receive no less than a minimum sum. This guarantee may be provided solely by Phillips or jointly with a third party. ♦ Third Party Guarantee Where Phillips has agreed to a minimum price guarantee it assumes the fnancial risk of a lot failing to sell or selling for less than the minimum price guarantee. Because the sums involved can be signifcant Phillips may choose to share the burden of that fnancial risk with a third party. The third party shares the risk by committing in advance of the sale, usually by way of a written bid, to buy the lot for an agreed amount whether or not there are competing bidders for the lot. If there are competing bidders third party guarantors may also bid above any written bid. In this way the third party guarantor assumes the risk of the bidding not reaching the amount of the minimum price guarantee.

In return for underwriting or sharing this risk Phillips will usually compensate the third party. The compensation may be in the form of a fxed fee or an amount calculated by reference to the hammer price of the lot. If the third party guarantor is the successful bidder they will be required to pay the full hammer price and buyer’s premium and will not be otherwise compensated.

Disclosure of fnancial interest by third parties Phillips requires third party guarantors to disclose their fnancial interest in the lot to anyone whom they are advising. If you are contemplating bidding on a lot which is the subject of a third party guarantee and you are being advised by someone or if you have asked someone to bid on your behalf you should always ask them to confrm whether or not they have a fnancial interest in the lot. ∆ Property in Which Phillips Has an Ownership Interest Lots with this symbol indicate that Phillips owns the lot in whole or in part or has an economic interest in the lot equivalent to an ownership interest.

No Reserve •Unless indicated by a •, all lots in this catalogue are ofered subject to a reserve. A reserve is the confdential value established between Phillips and the seller and below which a lot may not be sold. The reserve for each lot is generally set at a percentage of the low estimate and will not exceed the low pre-sale estimate. ∑ Regulated Species Lots with this symbol have been identifed at the time of cataloguing as containing endangered or other protected species of wildlife which may be subject to restrictions regarding export or import and which may require permits for export as well as import. Please refer to Paragraph 4 of the Guide for Prospective Buyers and Paragraph 11 of the Conditions of Sale.

Colored Gemstones Clients are advised that many colored gemstones are treated to enhance their properties. For example, heating is commonly used to improve the color or transparency of rubies and sapphires; oiling is commonly used to enhance the clarity of emeralds. Such enhancement procedures are widely accepted by the international jewelry profession.

While heat enhancement of color is generally believed to be permanent, the process may impact the durability of the gemstone and special care of the stone may be required over time. Gemstones which have been oiled may need to be re-oiled afer a period of years to retain their maximum clarity.

Gemological Reports As a matter of policy, Phillips will obtain gemological reports from ofcially recognized laboratories for certain gemstones ofered for sale. A summary of these reports is included in the catalogue description for a lot, and a copy of the report is available upon request. Reports from American gemological laboratories used by Phillips will generally disclose heat enhancement or treatment of colored gemstones. European gemological laboratory reports will disclose heat enhancement only if specifcally requested

but will generally confrm when no heat enhancement or treatment has been made. Variations in approach and technology used by diferent gemological laboratories may result in a lack of consensus among reports as to whether any particular gemstone has been treated, the extent of treatment and whether treatment is permanent.

permit. As explained above, these lots are marked with ✦ in the catalogue. Accordingly, for purchased watches that are to be shipped out of the sale site for delivery, Phillips may need to remove and retain the band before shipping the watch and buckle.

2 Bidding in the Sale

It is not feasible for Phillips to obtain such reports for all gemstones ofered at auction. Prospective buyers should, therefore, bear in mind that colored gemstones ofered for sale without a gemological report or a specifc statement in the catalogue entry may have been treated to enhance color, transparency or clarity. Enhancement of colored gemstones may afect market value, and our pre-sale estimates refect the assumption that any colored gemstone not described in the catalogue entry as natural may have been treated.

Country of Origin While Phillips attempts to obtain accurate information on the country of origin of gemstones, we do not guarantee the correctness of the catalogue or other descriptions of gemstones including country of origin.

Watches Phillips makes no representation or warranty that any watch is in working order, and no catalogue description of any lot should be construed as so stating. Prospective buyers are advised to have watches checked by a competent watchmaker before use. As a service to prospective buyers, we may provide a description of the condition of watches in the catalogue entry, including references to defects and repairs, and furnish a condition report, but such information is not necessarily complete and may not specify all mechanical replacements, restorations or defects. Please note that Phillips does not guarantee the authenticity of any individual component parts, such as wheels, hands, crowns, crystals, screws, bracelets and leather bands, since prior repairs and restoration work may have resulted in the replacement of original parts. Nor does Phillips warrant that watches in water-resistant cases are currently waterresistant. Prospective buyers should inspect all watches prior to the auction to evaluate the condition of property ofered for sale. ▼ Importation of Watches Into the United States Prospecting buyers should be aware that the importation of luxury watches such as Rolex into the United States is highly restricted. These watches (not limited to Rolex) may not be shipped into the US and may only be imported personally. US customs regulations generally limit the importation of luxury watches to one per buyer. Lots marked with ▼ are subject to these restrictions. A purchaser’s inability to import a luxury watch into the United States or Phillips’s failure to mark a lot with ▼ shall not constitute grounds for non-payment or cancellation of the sale. ✦ Exportation of Watch Bands Incorporating Material from Regulated Species Some of the watches ofered for sale in this catalogue may have bands made of regulated or protected animal materials such as alligator or crocodile and may not lawfully be exported from the auction site without a CITES export

Bidding at Auction Bids may be executed during the auction in person by paddle, by telephone, online or prior to the sale in writing by absentee bid. Proof of identity in the form of government issued identifcation will be required, as will an original signature. We may also require that you furnish us with a bank reference.

Bidding in Person To bid in person, you will need to register for and collect a paddle before the auction begins. New clients are encouraged to register at least 48 hours in advance of a sale to allow sufcient time for us to process your information.

All lots sold will be invoiced to the name and address to which the paddle has been registered and invoices cannot be transferred to other names and addresses. Please do not misplace your paddle. In the event you lose it, inform a Phillips staf member immediately. At the end of the auction, please return your paddle to the registration desk.

Bidding by Telephone If you cannot attend the auction, you may bid live on the telephone with one of our multi-lingual staf members.

This service must be arranged at least 24 hours in advance of the sale and is available for lots whose low pre-sale estimate is at least $1,000. Telephone bids may be recorded. By bidding on the telephone, you consent to the recording of your conversation. We suggest that you leave a maximum bid, excluding the buyer’s premium and any applicable taxes, which we can execute on your behalf in the event we are unable to reach you by telephone.

the lowest possible price taking into account the reserve and other bidders. Always indicate a maximum bid, excluding the buyer’s premium and any applicable taxes.

Unlimited bids will not be accepted. Any absentee bid must be received at least 24 hours in advance of the sale.

In the event of identical bids, the earliest bid received will take precedence.

Employee Bidding Employees of Phillips and our afliated companies, including the auctioneer, may bid at the auction by placing absentee bids so long as they do not know the reserve when submitting their absentee bids and otherwise comply with our employee bidding procedures.

Bidding Increments Bidding generally opens below the low estimate and advances in increments of up to 10%, subject to the auctioneer’s discretion. Absentee bids that do not conform to the increments set below may be lowered to the next bidding increment. $50 to $1,000 $1,000 to $2,000 $2,000 to $3,000 $3,000 to $5,000 (i.e., $4,200, 4,500, 4,800) $5,000 to $10,000 $10,000 to $20,000 $20,000 to $30,000 $30,000 to $50,000 $50,000 to $100,000 $100,000 to $200,000 above $200,000

by $50s by $100s by $200s by $200s, 500, 800 by $500s by $1,000s by $2,000s by $2,000s, 5,000, 8,000 by $5,000s by $10,000s auctioneer’s discretion

The auctioneer may vary the increments during the course of the auction at his or her own discretion.

3 The Auction

Online Bidding If you cannot attend the auction in person, you may bid online on our online live bidding platform available on our website at www.phillips.com. The digital saleroom is optimized to run on Google Chrome, Firefox, Opera and Internet Explorer browsers. Clients who wish to run the platform on Safari will need to install Adobe FlashPlayer.

Follow the links to ‘Auctions’ and ‘Digital Saleroom’ and then pre-register by clicking on ‘Register to Bid Live.’ The frst time you register you will be required to create an account; thereafer you will only need to register for each sale. You must pre-register at least 24 hours before the start of the auction in order to be approved by our bid department. Please note that corporate frewalls may cause difculties for online bidders.

Absentee Bids If you are unable to attend the auction and cannot participate by telephone, Phillips will be happy to execute written bids on your behalf. A bidding form can be found at the back of this catalogue. This service is free and confdential. Bids must be placed in the currency of the sale. Our staf will attempt to execute an absentee bid at

Conditions of Sale As noted above, the auction is governed by the Conditions of Sale and Authorship Warranty. All prospective bidders should read them carefully. They may be amended by saleroom addendum or auctioneer’s announcement.

Interested Parties Announcement In situations where a person allowed to bid on a lot has a direct or indirect interest in such lot, such as the benefciary or executor of an estate selling the lot, a joint owner of the lot or a party providing or participating in a guarantee on the lot, Phillips will make an announcement in the saleroom that interested parties may bid on the lot.

Consecutive and Responsive Bidding; No Reserve Lots The auctioneer may open the bidding on any lot by placing a bid on behalf of the seller. The auctioneer may further bid on behalf of the seller up to the amount of the reserve by placing consecutive bids or bids in response to other bidders. If a lot is ofered without reserve, unless there are already competing absentee bids, the auctioneer will generally open the bidding at 50% of the lot’s low

pre-sale estimate. In the absence of a bid at that level, the auctioneer will proceed backwards at his or her discretion until a bid is recognized and will then advance the bidding from that amount. Absentee bids on no reserve lots will, in the absence of a higher bid, be executed at approximately 50% of the low pre-sale estimate or at the amount of the bid if it is less than 50% of the low pre-sale estimate.

If there is no bid whatsoever on a no reserve lot, the auctioneer may deem such lot unsold.

4 Afer the Auction Payment Buyers are required to pay for purchases immediately following the auction unless other arrangements are agreed with Phillips in writing in advance of the sale.

Payment must be made in US dollars either by cash, check drawn on a US bank or wire transfer, as noted in Paragraph 6 of the Conditions of Sale. It is our corporate policy not to make or accept single or multiple payments in cash or cash equivalents in excess of US$10,000.

Credit Cards As a courtesy to clients, Phillips will accept American Express, Visa and Mastercard to pay for invoices of $30,000 or less.

Collection It is our policy to request proof of identity on collection of a lot. A lot will be released to the buyer or the buyer’s authorized representative when Phillips has received full and cleared payment and we are not owed any other amount by the buyer. Promptly afer the auction, we will transfer all lots to our warehouse located at 29-09 37th Avenue in Long Island City, Queens, New York. All purchased lots should be collected at this location during our regular weekday business hours. As a courtesy to clients, we will upon request transfer purchased lots suitable for hand carry back to our premises at 450 Park Avenue, New York, New York for collection within 30 days following the date of the auction. We will levy removal, interest, storage and handling charges on uncollected lots.

Loss or Damage Buyers are reminded that Phillips accepts liability for loss or damage to lots for a maximum of seven days following the auction.

Transport and Shipping As a free service for buyers, Phillips will wrap purchased lots for hand carry only. Alternatively, we will either provide packing, handling and shipping services or coordinate with shipping agents in order to facilitate such services for property purchased at Phillips. In the event that the property is collected in New York by the buyer or the buyer’s designee (including any private carrier) for subsequent transport out of state, Phillips may be required by law to collect New York sales tax, regardless of the lot’s ultimate destination. Please refer to Paragraph 17 of the Conditions of Sale for more information.

Export and Import Licenses Before bidding for any property, prospective bidders are advised to make independent inquiries as to whether a license is required to export the property from the United States or to import it into another country. It is the buyer’s sole responsibility to comply with all import and export laws and to obtain any necessary licenses or permits.

The denial of any required license or permit or any delay in obtaining such documentation will not justify the cancellation of the sale or any delay in making full payment for the lot.

Regulated Species Items made of or incorporating plant or animal material, such as coral, crocodile, ivory, whalebone, Brazilian rosewood, rhinoceros horn or tortoiseshell, irrespective of age, percentage or value, may require a license or certifcate prior to exportation and additional licenses or certifcates upon importation to any foreign country.

Please note that the ability to obtain an export license or certifcate does not ensure the ability to obtain an import license or certifcate in another country, and vice versa.

We suggest that prospective bidders check with their own government regarding wildlife import requirements prior to placing a bid. It is the buyer’s sole responsibility to obtain any necessary export or import licenses or certifcates as well as any other required documentation.

Please note that lots containing potentially regulated plant or animal material are marked as a convenience to our clients, but Phillips does not accept liability for errors or for failing to mark lots containing protected or regulated species.

Privacy Our Privacy Policy is available at www.phillips.com or by emailing dataprotection@phillips.com and sets out: (i) the types of personal data we will or may collect and process; (ii) the purposes for which we will or may process your personal data; (iii) the lawful bases we rely on when processing your personal data; (iv) your rights in respect of our processing of your personal data; and (v) various other information as required by applicable laws.

Phillips premises, sale, and exhibition venues are subject to CCTV video surveillance and recording for security, client service and bid monitoring purposes. Phillips’ auctions will be flmed for simultaneous live broadcast on Phillips’ and third party websites and applications.

Your communications with Phillips, including by phone and online (e.g. phone and on-line bidding) may be recorded for security, client service and bid monitoring purposes.

Where we record such information we will process it in accordance with our Privacy Policy.

Conditions of Sale The Conditions of Sale and Authorship Warranty set forth below govern the relationship between bidders and buyers, on the one hand, and Phillips and sellers, on the other hand. All prospective buyers should read these Conditions of Sale and Authorship Warranty carefully before bidding.

1 Introduction Each lot in this catalogue is ofered for sale and sold subject to: (a) the Conditions of Sale and Authorship Warranty; (b) additional notices and terms printed in other places in this catalogue, including the Guide for Prospective Buyers, and (c) supplements to this catalogue or other written material posted by Phillips in the saleroom, in each case as amended by any addendum or announcement by the auctioneer prior to the auction.

By bidding at the auction, whether in person, through an agent, by written bid, by telephone bid or other means, bidders and buyers agree to be bound by these Conditions of Sale, as so changed or supplemented, and Authorship Warranty.

These Conditions of Sale, as so changed or supplemented, and Authorship Warranty contain all the terms on which Phillips and the seller contract with the buyer.

2 Phillips as Agent Phillips acts as an agent for the seller, unless otherwise indicated in this catalogue or at the time of auction. On occasion, Phillips may own a lot directly, in which case we will act in a principal capacity as a consignor, or a company afliated with Phillips may own a lot, in which case we will act as agent for that company, or Phillips or an afliated company may have a legal, benefcial or fnancial interest in a lot as a secured creditor or otherwise.

3 Catalogue Descriptions and Condition of Property Lots are sold subject to the Authorship Warranty, as described in the catalogue (unless such description is changed or supplemented, as provided in Paragraph 1 above) and in the condition that they are in at the time of the sale on the following basis. (a) The knowledge of Phillips in relation to each lot is partially dependent on information provided to us by the seller, and Phillips is not able to and does not carry out exhaustive due diligence on each lot. Prospective buyers acknowledge this fact and accept responsibility for carrying out inspections and investigations to satisfy themselves as to the lots in which they may be interested.

Notwithstanding the foregoing, we shall exercise such reasonable care when making express statements in catalogue descriptions or condition reports as is consistent with our role as auctioneer of lots in this sale and in light of (i) the information provided to us by the seller, (ii) scholarship and technical knowledge and (iii) the generally accepted opinions of relevant experts, in each case at the time any such express statement is made. (b) Each lot ofered for sale at Phillips is available for inspection by prospective buyers prior to the auction.

Phillips accepts bids on lots on the basis that bidders

(and independent experts on their behalf, to the extent appropriate given the nature and value of the lot and the bidder’s own expertise) have fully inspected the lot prior to bidding and have satisfed themselves as to both the condition of the lot and the accuracy of its description. (c) Prospective buyers acknowledge that many lots are of an age and type which means that they are not in perfect condition. As a courtesy to clients, Phillips may prepare and provide condition reports to assist prospective buyers when they are inspecting lots. Catalogue descriptions and condition reports may make reference to particular imperfections of a lot, but bidders should note that lots may have other faults not expressly referred to in the catalogue or condition report. All dimensions are approximate. Illustrations are for identifcation purposes only and cannot be used as precise indications of size or to convey full information as to the actual condition of lots. (d) Information provided to prospective buyers in respect of any lot, including any pre-sale estimate, whether written or oral, and information in any catalogue, condition or other report, commentary or valuation, is not a representation of fact but rather a statement of opinion held by Phillips. Any pre-sale estimate may not be relied on as a prediction of the selling price or value of the lot and may be revised from time to time by Phillips in our absolute discretion. Neither Phillips nor any of our afliated companies shall be liable for any diference between the pre-sale estimates for any lot and the actual price achieved at auction or upon resale.

4 Bidding at Auction (a) Phillips has absolute discretion to refuse admission to the auction or participation in the sale. All bidders must register for a paddle prior to bidding, supplying such information and references as required by Phillips. (b) As a convenience to bidders who cannot attend the auction in person, Phillips may, if so instructed by the bidder, execute written absentee bids on a bidder’s behalf. Absentee bidders are required to submit bids on the Absentee Bid Form, a copy of which is printed in this catalogue or otherwise available from Phillips. Bids must be placed in the currency of the sale. The bidder must clearly indicate the maximum amount he or she intends to bid, excluding the buyer’s premium and any applicable sales or use taxes. The auctioneer will not accept an instruction to execute an absentee bid which does not indicate such maximum bid. Our staf will attempt to execute an absentee bid at the lowest possible price taking into account the reserve and other bidders. Any absentee bid must be received at least 24 hours in advance of the sale. In the event of identical bids, the earliest bid received will take precedence. (c) Telephone bidders are required to submit bids on the Telephone Bid Form, a copy of which is printed in this catalogue or otherwise available from Phillips. Telephone bidding is available for lots whose low pre-sale estimate is at least $1,000. Phillips reserves the right to require written confrmation of a successful bid from a telephone bidder by fax or otherwise immediately afer such bid

is accepted by the auctioneer. Telephone bids may be recorded and, by bidding on the telephone, a bidder consents to the recording of the conversation. (d) Bidders may participate in an auction by bidding online through Phillips’s online live bidding platform available on our website at www.phillips.com. To bid online, bidders must register online at least 24 hours before the start of the auction. Online bidding is subject to approval by Phillips’s bid department in our sole discretion. As noted in Paragraph 3 above, Phillips encourages online bidders to inspect prior to the auction any lot(s) on which they may bid, and condition reports are available upon request.

Bidding in a live auction can progress quickly. To ensure that online bidders are not placed at a disadvantage when bidding against bidders in the room or on the telephone, the procedure for placing bids through Phillips’s online bidding platform is a one-step process. By clicking the bid button on the computer screen, a bidder submits a bid. Online bidders acknowledge and agree that bids so submitted are fnal and may not under any circumstances be amended or retracted. During a live auction, when bids other than online bids are placed, they will be displayed on the online bidder’s computer screen as ‘foor’ bids.

‘Floor’ bids include bids made by the auctioneer to protect the reserve. In the event that an online bid and a ‘foor’ or ‘phone’ bid are identical, the ‘foor’ bid may take precedence at the auctioneer’s discretion. The next bidding increment is shown for the convenience of online bidders in the bid button. The bidding increment available to online bidders may vary from the next bid actually taken by the auctioneer, as the auctioneer may deviate from Phillips’s standard increments at any time at his or her discretion, but an online bidder may only place a bid in a whole bidding increment. Phillips’s bidding increments are published in the Guide for Prospective Buyers. (e) When making a bid, whether in person, by absentee bid, on the telephone or online, a bidder accepts personal liability to pay the purchase price, as described more fully in Paragraph 6 (a) below, plus all other applicable charges unless it has been explicitly agreed in writing with Phillips before the commencement of the auction that the bidder is acting as agent on behalf of an identifed third party acceptable to Phillips and that we will only look to the principal for such payment. (f) By participating in the auction, whether in person, by absentee bid, on the telephone or online, each prospective buyer represents and warrants that any bids placed by such person, or on such person’s behalf, are not the product of any collusive or other anti-competitive agreement and are otherwise consistent with federal and state antitrust law. (g) Arranging absentee, telephone and online bids is a free service provided by Phillips to prospective buyers.

While we undertake to exercise reasonable care in undertaking such activity, we cannot accept liability for failure to execute such bids except where such failure is caused by our willful misconduct.

(h) Employees of Phillips and our afliated companies, including the auctioneer, may bid at the auction by placing absentee bids so long as they do not know the reserve when submitting their absentee bids and otherwise comply with our employee bidding procedures.

5 Conduct of the Auction (a) Unless otherwise indicated by the symbol •, each lot is ofered subject to a reserve, which is the confdential minimum selling price agreed by Phillips with the seller. The reserve will not exceed the low pre-sale estimate at the time of the auction. (b) The auctioneer has discretion at any time to refuse any bid, withdraw any lot, re-ofer a lot for sale (including afer the fall of the hammer) if he or she believes there may be error or dispute and take such other action as he or she deems reasonably appropriate. Phillips shall have no liability whatsoever for any such action taken by the auctioneer. If any dispute arises afer the sale, our sale record is conclusive. The auctioneer may accept bids made by a company afliated with Phillips provided that the bidder does not know the reserve placed on the lot. (c) The auctioneer will commence and advance the bidding at levels and in increments he or she considers appropriate. In order to protect the reserve on any lot, the auctioneer may place one or more bids on behalf of the seller up to the reserve without indicating he or she is doing so, either by placing consecutive bids or bids in response to other bidders. If a lot is ofered without reserve, unless there are already competing absentee bids, the auctioneer will generally open the bidding at 50% of the lot’s low pre-sale estimate. In the absence of a bid at that level, the auctioneer will proceed backwards at his or her discretion until a bid is recognized and will then advance the bidding from that amount. Absentee bids on no reserve lots will, in the absence of a higher bid, be executed at approximately 50% of the low pre-sale estimate or at the amount of the bid if it is less than 50% of the low pre-sale estimate. If there is no bid whatsoever on a no reserve lot, the auctioneer may deem such lot unsold. (d) The sale will be conducted in US dollars and payment is due in US dollars. For the benef t of international clients, pre-sale estimates in the auction catalogue may be shown in pounds sterling and/or euros and, if so, will ref ect approximate exchange rates. Accordingly, estimates in pounds sterling or euros should be treated only as a guide. If a currency converter is operated during the sale, it is done so as a courtesy to bidders, but Phillips accepts no responsibility for any errors in currency conversion calculation. (e) Subject to the auctioneer’s reasonable discretion, the highest bidder accepted by the auctioneer will be the buyer and the striking of the hammer marks the acceptance of the highest bid and the conclusion of a contract for sale between the seller and the buyer. Risk and responsibility for the lot passes to the buyer as set forth in Paragraph 7 below.

(f) If a lot is not sold, the auctioneer will announce that it has been “passed,” “withdrawn,” “returned to owner” or “bought-in.”

(d) As a courtesy to clients, Phillips will accept American Express, Visa and Mastercard to pay for invoices of $30,000 or less.

(g) Any post-auction sale of lots ofered at auction shall incorporate these Conditions of Sale and Authorship Warranty as if sold in the auction.

(e) Title in a purchased lot will not pass until Phillips has received the Purchase Price for that lot in cleared funds.

Phillips is not obliged to release a lot to the buyer until title in the lot has passed and appropriate identifcation has been provided, and any earlier release does not afect the passing of title or the buyer’s unconditional obligation to pay the Purchase Price.

6 Purchase Price and Payment (a) The buyer agrees to pay us, in addition to the hammer price of the lot, the buyer’s premium and any applicable sales tax (the “Purchase Price”). The buyer’s premium is 25% of the hammer price up to and including $400,000, 20% of the portion of the hammer price above $400,000 up to and including $4,000,000 and 13.5% of the portion of the hammer price above $4,000,000. Phillips reserves the right to pay from our compensation an introductory commission to one or more third parties for assisting in the sale of property ofered and sold at auction.

(b) Sales tax, use tax and excise and other taxes are payable in accordance with applicable law. All prices, fees, charges and expenses set out in these Conditions of Sale are quoted exclusive of applicable taxes. Phillips will only accept valid resale certifcates from US dealers as proof of exemption from sales tax. All foreign buyers should contact the Client Accounting Department about tax matters. (c) Unless otherwise agreed, a buyer is required to pay for a purchased lot immediately following the auction regardless of any intention to obtain an export or import license or other permit for such lot. Payments must be made by the invoiced party in US dollars either by cash, check drawn on a US bank or wire transfer, as follows: (i) Phillips will accept payment in cash provided that the total amount paid in cash or cash equivalents does not exceed US$2,000. Buyers paying in cash should do so in person at our Client Accounting Desk at 450 Park Avenue during regular weekday business hours. (ii) Personal checks and banker’s draf s are accepted if drawn on a US bank and the buyer provides to us acceptable government issued identifcation. Checks and banker’s draf s should be made payable to “Phillips.”

If payment is sent by mail, please send the check or banker’s draf to the attention of the Client Accounting Department at 450 Park Avenue, New York, NY 10022 and make sure that the sale and lot number is written on the check. Checks or banker’s draf s drawn by third parties will not be accepted. (iii) Payment by wire transfer may be sent directly to Phillips. Bank transfer details: Signature Bank 485 Madison Avenue, New York, NY 10022 SWIFT code: SIGNUS33 ABA routing no.: 026013576 For account of: Phillips Auctioneers LLC Account no.: 1502977462 Please reference the relevant sale and lot number.

7 Collection of Property (a) Phillips will not release a lot to the buyer until we have received payment of its Purchase Price in full in cleared funds, the buyer has paid all outstanding amounts due to Phillips or any of our afliated companies, including any charges payable pursuant to Paragraph 8 (a) below, and the buyer has satisfed such other terms as we in our sole discretion shall require, including completing any antimoney laundering or anti-terrorism fnancing checks. As soon as a buyer has satisfed all of the foregoing conditions, he or she should contact our Shipping Department at +1 212 940 1372 or +1 212 940 1373 to arrange for collection of purchased property. (b) The buyer must arrange for collection of a purchased lot within seven days of the date of the auction. Promptly afer the auction, we will transfer all lots to our warehouse located at 29-09 37th Avenue in Long Island City, Queens, New York. All purchased lots should be collected at this location during our regular weekday business hours. As a courtesy to clients, Phillips will upon request transfer on a bi-weekly basis purchased lots suitable for hand-carry back to our premises at 450 Park Avenue, New York, New York for collection within 30 days following the date of the auction. Purchased lots are at the buyer’s risk, including the responsibility for insurance, from the earlier to occur of (i) the date of collection or (ii) seven days afer the auction.

Until risk passes, Phillips will compensate the buyer for any loss or damage to a purchased lot up to a maximum of the Purchase Price paid, subject to our usual exclusions for loss or damage to property. (c) As a courtesy to clients, Phillips will, without charge, wrap purchased lots for hand-carry only. We will, at the buyer’s expense, either provide packing, handling, insurance and shipping services or coordinate with shipping agents instructed by the buyer in order to facilitate such services for property bought at Phillips. Any such instruction, whether or not made at our recommendation, is entirely at the buyer’s risk and responsibility, and we will not be liable for acts or omissions of third party packers or shippers. Third party shippers should contact us by telephone at +1 212 940 1376 or by fax at +1 212 924 6477 at least 24 hours in advance of collection in order to schedule pickup. (d) Phillips will require presentation of government issued identifcation prior to release of a lot to the buyer or the buyer’s authorized representative.

8 Failure to Collect Purchases (a) If the buyer pays the Purchase Price but fails to collect a purchased lot within 30 days of the auction, the buyer will incur a late collection fee of $10 per day for each uncollected lot. Additional charges may apply to oversized lots. We will not release purchased lots to the buyer until all such charges have been paid in full. (b) If a purchased lot is paid for but not collected within six months of the auction, the buyer authorizes Phillips, upon notice, to arrange a resale of the item by auction or private sale, with estimates and a reserve set at Phillips’s reasonable discretion. The proceeds of such sale will be applied to pay for storage charges and any other outstanding costs and expenses owed by the buyer to Phillips or our afliated companies and the remainder will be forfeited unless collected by the buyer within two years of the original auction.

9 Remedies for Non-Payment (a) Without prejudice to any rights the seller may have, if the buyer without prior agreement fails to make payment of the Purchase Price for a lot in cleared funds within seven days of the auction, Phillips may in our sole discretion exercise one or more of the following remedies: (i) store the lot at Phillips’s premises or elsewhere at the buyer’s sole risk and expense at the same rates as set forth in Paragraph 8 (a) above; (ii) cancel the sale of the lot, retaining any partial payment of the Purchase Price as liquidated damages; (iii) reject future bids from the buyer or render such bids subject to payment of a deposit; (iv) charge interest at 12% per annum from the date payment became due until the date the Purchase Price is received in cleared funds; (v) subject to notifcation of the buyer, exercise a lien over any of the buyer’s property which is in the possession of Phillips and instruct our afliated companies to exercise a lien over any of the buyer’s property which is in their possession and, in each case, no earlier than 30 days from the date of such notice, arrange the sale of such property and apply the proceeds to the amount owed to Phillips or any of our afliated companies afer the deduction from sale proceeds of our standard vendor’s commission and all sale-related expenses; (vi) resell the lot by auction or private sale, with estimates and a reserve set at Phillips reasonable discretion, it being understood that in the event such resale is for less than the original hammer price and buyer’s premium for that lot, the buyer will remain liable for the shortfall together with all costs incurred in such resale; (vii) commence legal proceedings to recover the hammer price and buyer’s premium for that lot, together with interest and the costs of such proceedings; (viii) set of the outstanding amount remaining unpaid by the buyer against any amounts which we or any of our afliated companies may owe the buyer in any other transactions; (ix) release the name and address of the buyer to the seller to enable the seller to commence legal proceedings to recover the amounts due and legal costs or (x) take such other action as we deem necessary or appropriate.

(b) As security to us for full payment by the buyer of all outstanding amounts due to Phillips and our afliated companies, Phillips retains, and the buyer grants to us, a security interest in each lot purchased at auction by the buyer and in any other property or money of the buyer in, or coming into, our possession or the possession of one of our afliated companies. We may apply such money or deal with such property as the Uniform Commercial Code or other applicable law permits a secured creditor to do. In the event that we exercise a lien over property in our possession because the buyer is in default to one of our afliated companies, we will so notify the buyer. Our security interest in any individual lot will terminate upon actual delivery of the lot to the buyer or the buyer’s agent. (c) In the event the buyer is in default of payment to any of our afliated companies, the buyer also irrevocably authorizes Phillips to pledge the buyer’s property in our possession by actual or constructive delivery to our afliated company as security for the payment of any outstanding amount due. Phillips will notify the buyer if the buyer’s property has been delivered to an afliated company by way of pledge.

10 Rescission by Phillips Phillips shall have the right, but not the obligation, to rescind a sale without notice to the buyer if we reasonably believe that there is a material breach of the seller’s representations and warranties or the Authorship Warranty or an adverse claim is made by a third party.

Upon notice of Phillips’s election to rescind the sale, the buyer will promptly return the lot to Phillips, and we will then refund the Purchase Price paid to us. As described more fully in Paragraph 13 below, the refund shall constitute the sole remedy and recourse of the buyer against Phillips and the seller with respect to such rescinded sale.

11 Export, Import and Endangered Species Licenses and Permits Before bidding for any property, prospective buyers are advised to make their own inquiries as to whether a license is required to export a lot from the US or to import it into another country. Prospective buyers are advised that some countries prohibit the import of property made of or incorporating plant or animal material, such as coral, crocodile, ivory, whalebone, Brazilian rosewood, rhinoceros horn or tortoiseshell, irrespective of age, percentage or value. Accordingly, prior to bidding, prospective buyers considering export of purchased lots should familiarize themselves with relevant export and import regulations of the countries concerned. It is solely the buyer’s responsibility to comply with these laws and to obtain any necessary export, import and endangered species licenses or permits. Failure to obtain a license or permit or delay in so doing will not justify the cancellation of the sale or any delay in making full payment for the lot. As a courtesy to clients, Phillips has marked in the catalogue lots containing potentially regulated plant or animal material, but we do not accept liability for errors or for failing to mark lots containing protected or regulated species.

12 Privacy (a) You acknowledge and understand that we may process your personal data (including potentially special category data) in accordance with our privacy policy from time to time as published at www.phillips.com or available by emailing dataprotection@phillips.com. (b) Our privacy policy sets out: (i) the types of personal data we will or may collect and process; (ii) the purposes for which we will or may process your personal data (including for example the provision of auction, private sale and related services; the performance and enforcement of these terms and conditions; the carrying out of identity and credit checks; keeping you informed about upcoming auctions, exhibitions and special events; and generally where reasonably necessary in the management and operation of our business); (iii) the lawful bases on which we rely in undertaking our processing of your personal data; (iv) your rights in respect of our processing of your personal data; and (v) various other information as required by applicable laws. (c) Phillips premises and sale and exhibition venues are subject to CCTV video surveillance and recording for security, client service and bid monitoring purposes and will be flmed during the auction for simultaneous live broadcast on our and third party websites and applications. By remaining in these areas, you acknowledge that you may be photographed, flmed and recorded and grant your permission for your likeness and voice to be included in such recordings. If you do not wish to be photographed or flmed or appear in such recordings, please speak to a member of Phillips staf.

Your communications with Phillips, including by telephone and online (e.g. telephone and on-line bidding) may also be recorded for security, client service and bid monitoring purposes. Where we record such information we will process it in accordance with our Privacy Policy available at www.phillips.com.

13 Limitation of Liability (a) Subject to subparagraph (e) below, the total liability of Phillips, our afliated companies and the seller to the buyer in connection with the sale of a lot shall be limited to the Purchase Price actually paid by the buyer for the lot. (b) Except as otherwise provided in this Paragraph 13, none of Phillips, any of our afliated companies or the seller (i) is liable for any errors or omissions, whether orally or in writing, in information provided to prospective buyers by Phillips or any of our afliated companies or (ii) accepts responsibility to any bidder in respect of acts or omissions, whether negligent or otherwise, by Phillips or any of our afliated companies in connection with the conduct of the auction or for any other matter relating to the sale of any lot. (c) All warranties other than the Authorship Warranty, express or implied, including any warranty of satisfactory quality and ftness for purpose, are specifcally excluded

by Phillips, our afliated companies and the seller to the fullest extent permitted by law.

(d) Subject to subparagraph (e) below, none of Phillips, any of our afliated companies or the seller shall be liable to the buyer for any loss or damage beyond the refund of the Purchase Price referred to in subparagraph (a) above, whether such loss or damage is characterized as direct, indirect, special, incidental or consequential, or for the payment of interest on the Purchase Price to the fullest extent permitted by law. (e) No provision in these Conditions of Sale shall be deemed to exclude or limit the liability of Phillips or any of our afliated companies to the buyer in respect of any fraud or fraudulent misrepresentation made by any of us or in respect of death or personal injury caused by our negligent acts or omissions.

14 Copyright The copyright in all images, illustrations and written materials produced by or for Phillips relating to a lot, including the contents of this catalogue, is and shall remain at all times the property of Phillips and such images and materials may not be used by the buyer or any other party without our prior written consent. Phillips and the seller make no representations or warranties that the buyer of a lot will acquire any copyright or other reproduction rights in it.

15 General (a) These Conditions of Sale, as changed or supplemented as provided in Paragraph 1 above, and Authorship Warranty set out the entire agreement between the parties with respect to the transactions contemplated herein and supersede all prior and contemporaneous written, oral or implied understandings, representations and agreements. (b) Notices to Phillips shall be in writing and addressed to the department in charge of the sale, quoting the reference number specifed at the beginning of the sale catalogue. Notices to clients shall be addressed to the last address notifed by them in writing to Phillips. (c) These Conditions of Sale are not assignable by any buyer without our prior written consent but are binding on the buyer’s successors, assigns and representatives. (d) Should any provision of these Conditions of Sale be held void, invalid or unenforceable for any reason, the remaining provisions shall remain in full force and efect. No failure by any party to exercise, nor any delay in exercising, any right or remedy under these Conditions of Sale shall act as a waiver or release thereof in whole or in part.

16 Law and Jurisdiction (a) The rights and obligations of the parties with respect to these Conditions of Sale and Authorship Warranty, the conduct of the auction and any matters related to any of the foregoing shall be governed by and interpreted in accordance with laws of the State of New York, excluding its conficts of law rules.

(b) Phillips, all bidders and all sellers agree to the exclusive jurisdiction of the (i) state courts of the State of New York located in New York City and (ii) the federal courts for the Southern and Eastern Districts of New York to settle all disputes arising in connection with all aspects of all matters or transactions to which these Conditions of Sale and Authorship Warranty relate or apply. (c) All bidders and sellers irrevocably consent to service of process or any other documents in connection with proceedings in any court by facsimile transmission, personal service, delivery by mail or in any other manner permitted by New York law or the law of the place of service, at the last address of the bidder or seller known to Phillips.

17 Sales Tax (a) Unless the buyer has delivered a valid certifcate evidencing exemption from tax, the buyer shall pay applicable sales tax on any lot picked up or delivered anywhere in the United States. (b) If the point of delivery or transfer of possession for any purchased lot to the buyer or the buyer’s designee (including any private carrier) occurs in New York, then the sale is subject to New York sales tax at the existing rate of 8.875%. (c) If the buyer arranges shipping for any purchased lot in New York by a common carrier (such as the United States Postal Service, United Parcel Service, or FedEx) that does not operate under a private agreement or contract with negotiated terms to be delivered to an out of state destination, then the sale is not subject to New York sales tax.

Authorship Warranty Phillips warrants the authorship of property in this auction catalogue described in headings in bold or CAPITALIZED type for a period of fve years from date of sale by Phillips, subject to the exclusions and limitations set forth below. (a) Phillips gives this Authorship Warranty only to the original buyer of record (i.e., the registered successful bidder) of any lot. This Authorship Warranty does not extend to (i) subsequent owners of the property, including purchasers or recipients by way of gif from the original buyer, heirs, successors, benefciaries and assigns; (ii) property where the description in the catalogue states that there is a confict of opinion on the authorship of the property; (iii) property where our attribution of authorship was on the date of sale consistent with the generally accepted opinions of specialists, scholars or other experts; (iv) property whose description or dating is proved inaccurate by means of scientifc methods or tests not generally accepted for use at the time of the publication of the catalogue or which were at such time deemed unreasonably expensive or impractical to use or likely in our reasonable opinion to have caused damage or loss in value to the lot or (v) property where there has been no material loss in value from the value of the lot had it been as described in the heading of the catalogue entry.

(b) In any claim for breach of the Authorship Warranty, Phillips reserves the right, as a condition to rescinding any sale under this warranty, to require the buyer to provide to us at the buyer’s expense the written opinions of two recognized experts approved in advance by Phillips. We shall not be bound by any expert report produced by the buyer and reserve the right to consult our own experts at our expense. If Phillips agrees to rescind a sale under the Authorship Warranty, we shall refund to the buyer the reasonable costs charged by the experts commissioned by the buyer and approved in advance by us. (c) Subject to the exclusions set forth in subparagraph (a) above, the buyer may bring a claim for breach of the Authorship Warranty provided that (i) he or she has notifed Phillips in writing within three months of receiving any information which causes the buyer to question the authorship of the lot, specifying the auction in which the property was included, the lot number in the auction catalogue and the reasons why the authorship of the lot is being questioned and (ii) the buyer returns the lot to Phillips to the saleroom in which it was purchased in the same condition as at the time of its auction and is able to transfer good and marketable title in the lot free from any third party claim arising afer the date of the auction. Phillips has discretion to waive any of the foregoing requirements set forth in this subparagraph (c) or subparagraph (b) above. (d) The buyer understands and agrees that the exclusive remedy for any breach of the Authorship Warranty shall be rescission of the sale and refund of the original Purchase Price paid. This remedy shall constitute the sole remedy and recourse of the buyer against Phillips, any of our afliated companies and the seller and is in lieu of any other remedy available as a matter of law or equity. This means that none of Phillips, any of our afliated companies or the seller shall be liable for loss or damage beyond the remedy expressly provided in this Authorship Warranty, whether such loss or damage is characterized as direct, indirect, special, incidental or consequential, or for the payment of interest on the original Purchase Price.

GAME CHANGERS New York, 10 December 2019, 5pm Exhibition Viewing 5 - 10 December Enquiries pboutros@phillips.com

Patek Philippe, ref. 2499. A possibly unique, previously unknown, and extremely well-preserved yellow gold perpetual calendar chronograph wristwatch, circa 1951.

Estimate $1,000,000-2,000,000

phillips.com/watches

450 Park Avenue New York 10022 phillips.com +1 212 940 1200 bidsnewyork@phillips.com Please return this form by email to bidsnewyork@phillips.com at least 24 hours before the sale.

Please read carefully the information in the right column and note that it is important that you indicate whether you are applying as an individual or on behalf of a company.

Please select the type of bid you wish to make with this form (please select one): Paddle Number

In-person Absentee Bidding Telephone Bidding

• Company purchases: If you are buying under a business entity, we require a copy of government-issued identification (such as the certificate of incorporation) as well as proof of owners and directors to verify the status of the company.

• Conditions of Sale: All bids are placed and executed, and all lots are sold and purchased, subject to the Conditions of Sale printed in the catalogue. Please read them carefully before placing a bid. Your attention is drawn to Paragraph 4 of the Conditions of Sale.

Please indicate in what capacity you will be bidding (please select one):

As a private individual On behalf of a company

• If you cannot attend the sale, we can execute bids confidentially on your behalf.

Sale Title Title

• Private purchases: Proof of identity in the form of government-issued identification and proof of address will be required.

Sale Number First Name

Sale Date

Surname Account Number

Company (if applicable) Address

• Phillips charges the successful bidder a commission, or buyer’s premium, on the hammer price of each lot sold. The buyer’s premium is payable by the buyer as part of the total purchase price at the following rates: 25% of the hammer price up to and including $400,000, 20% of the portion of the hammer price above $400,000 up to and including $4,000,000 and 13.5% of the portion of the hammer price above $4,000,000 on each lot sold.

• “Buy” or unlimited bids will not be accepted. Alternative bids can be placed by using the word “OR” between lot numbers.

City

• For absentee bids, indicate your maximum limit for each lot, excluding the buyer’s premium and any applicable sales or use tax. Your bid will be executed at the lowest price taking into account the reserve and other bidders. On no reserve lots, in the absence of other bids, your bid will be executed at approximately 50% of the low pre-sale estimate or at the amount specified, if less than 50% of the low estimate.

State/Country

Zip Code Phone

Mobile

Email

Fax

• Your bid must be submitted in the currency of the sale and may be rounded down to the nearest amount consistent with the auctioneer’s bidding increments.

Phone (for Phone Bidding only)

• If we receive identical bids, the first bid received will take precedence.

Phone number to call at the time of sale (for Phone Bidding only) 1.

2.

Please complete the following section for telephone and absentee bids only Lot Number

Brief Description

In Consecutive Order

US $ Limit* Absentee Bids Only

• Arranging absentee and telephone bids is a free service provided by us to prospective buyers. While we will exercise reasonable care in undertaking such activity, we cannot accept liability for errors relating to execution of your bids except in cases of willful misconduct.

Agreement to bid by telephone must be confirmed by you promptly in writing or by fax. Telephone bid lines may be recorded.

• Please submit your bids to the Bid Department by email to bidsnewyork@phillips.com or by fax at +1 212 924 1749 at least 24 hours before the sale. You will receive confirmation by email within one business day. To reach the Bid Department by phone please call +1 212 940 1228.

• Absent prior payment arrangements, please provide a bank reference. Payment can be made by cash (up to $2,000, per calendar year), credit card (up to $30,000), money order, wire transfer, bank check or personal check with identification, drawn on US banks.

• Lots cannot be collected until payment has cleared and all charges have been paid.

• By signing this Bid Form, you acknowledge and understand that we may process your personal data (including potentially special category data) in accordance with Phillips’s Privacy Policy as published at www.phillips. com or available by emailing dataprotection@phillips.com.

• Phillips’s premises may be subject to video surveillance and recording.

Telephone calls (e.g., telephone bidding) may also be recorded. We may process that information in accordance with our Privacy Policy.

* Excluding Buyer’s Premium and sales or use taxes

Signature

Date

By checking this box, you confrm your registration/bid(s) as above and accept the Conditions of Sale of Phillips as stated in our catalogues and on our website.

Please check this box to receive emails about upcoming sales, exhibitions, and special events ofered by members of the Phillips group, as referenced in our Privacy Policy available on our website at www.phillips.com, where you may also update your email preferences or unsubscribe at any time.

Design Auction 17 December 2019 New York Public viewing 13 - 17 December at 450 Park Avenue or at phillips.com Enquiries designnewyork@phillips.com

Jean Royère “Persane” foor lamp, 1954

Visit us at phillips.com

Index Aldo Cipullo for Cartier 58, 67

Marchak 37

Aletto Brothers 56, 138, 139, 180, 181

Margherita Burgener 222, 223

Angela Cummings for Tifany & Co. 112, 162

Marina B 72

Audemars Piguet 208 Nardi 50 Boucheron 81, 106, 123, 137, 145 Breguet 175

Paloma Picasso for Tifany & Co. 176

Buccellati 165

Paul Flato, Attributed to 19

Bulgari 68, 70, 73, 74, 101, 103, 114,

Piaget 133

211–215, 218, 219 René Boivin 36, 87, 111, 127, 129, Cartier 18, 20, 51, 85, 91, 108–110,

132, 168

144, 184

Riker Brothers 5

Cartier Paris 82, 126 Carvin French 201

Salvador Dalí, Alemany & Ertman 41

Cazzaniga 55

Seaman Schepps 69, 80, 89, 90, 134

Chaumet 47

Sevan Bıçakçı 151–156 Spaulding & Co. 10

David Webb 54, 92, 94, 119, 171, 172, 178

Sterlé, Paris 120, 121

De Beers 197

Suzanne Belperron 140, 141

Gazard 150

Tifany & Co. 66, 86, 117, 228, 163

Georges L’Enfant 38, 57

Trianon 79, 84

Georges L’Enfant for Hermès 98 Georges L’Enfant for Van Cleef & Arpels 61

V.A.K Fine Jewels 194

Graf 204–207

Van Cleef & Arpels 30, 43, 53, 63, 64, 96, 97, 100, 105, 107, 113, 124,

Hammerman Brothers 88

125, 143, 169, 173

Harry Winston 226, 227

Verdi 182, 183 Verdura 128, 131, 216

J.E. Caldwell 7 Jaeger-LeCoultre 118

Wander 46

Janesich 149 Jose Hess 177 Kutchinsky 44, 45

Zolotas, Attributed to 78

Colorless Diamond Index Color D D D D E E G H I K

Clarity VVS2 VVS2 VS1 VS2 VS1 SI1 SI2 VVS2 VVS2 SI1

Carat 1.85 11.34 2.40 7.69 3.57 1.64 2.01 4.14 6.45 13.05

Cut Round Emerald Marquise Marquise Emerald Pear Round Round Cushion Rectangular

Lot 135 226 34 10 200 30 217 209 224 220

Fancy Colored Diamond Index Color Fancy Blue-Gray Fancy Brownish Orangy Pink Fancy Brownish Pink Fancy Brown-Orange Fancy Brown-Pink Fancy Brown-Pink Fancy Brown-Pink Fancy Brown-Pink Fancy Brown-Yellow Fancy Dark Yellowish Brown Fancy Deep Brownish Yellow Fancy Greenish Yellow Fancy Intense Blue Fancy Intense Orange-Yellow Fancy Intense Orange-Yellow Fancy Intense Yellow Fancy Intense Yellow Fancy Light Gray Fancy Orange-Brown

Clarity SI1 N/A I2 SI1 VVS1 N/A N/A N/A VS2 VS2 SI2 SI1 VS2 SI2 N/A VS1 N/A SI2 VVS2

Carat 3.01 0.74 0.72 1.50 1.01 1.53 1.95 1.02 10.49 6.26 1.20 2.03 3.02 1.11 0.91 16.23 1.52 1.29 2.33

Cut Pear Oval Oval Oval Marquise Rectangular Marquise Oval Pear Oval Round Rectangular Square Heart Oval Square Marquise Oval Rectangular

Lot 179 179 179 179 179 179 179 179 28 161 179 179 228 179 179 197 179 179 179

Fancy Orange-Yellow Fancy Vivid Orange-Yellow Fancy Yellow Fancy Yellow Fancy Yellow Fancy Yellow Fancy Yellow Fancy Yellow-Orange Light Gray

SI1 N/A VVS2 VS1 VS1 VS2 SI2 SI1 SI1

1.08 1.72 3.08 4.03 3.17 4.08 2.87 1.27 1.39

Marquise Oval Pear Pear Cushion Pear Pear Rectangular Oval

179 179 116 116 191 116 116 179 179

Ruby Index Origin Burma (Myanmar)

Treatement None

Laboratory Report AGL

Carat Approx. 7.80–6.50 x 2.80mm to 4.50 - 4.40 x 2.55mm 14.01 N/A 4.40 x 4.10 x 3.38mm to 4.40 x 4.10 x 2.13mm

Cut Cabochon

Lot 42

Burma (Myanmar) Burma (Myanmar) Burma (Myanmar)

None None None

AGL GĂźbelin AGL

Oval Round/Oval Square

227 140 7

Origin

Treatement

Classic Colombian Colombian Colombian Colombian

Insignifcant Traditional Insignifcant to Minor Traditional Insignifcant to Minor Traditional Minor Modern

Laboratory Report

Carat

Cut

Lot

AGL AGL AGL AGL

2.03 Approx. 14.20 x 8.84 x 4.90mm Approx. 8.00 x 7.00 x 6.56mm Approx. 8.40 x 7.70 x 6.30mm to 15.10 x 14.50 x 7.73mm 5.89/4.18 Approx. 11.62 x 10.06 x 5.87mm 2.99 5.53

Square Pear Cushion Rectangular

13 149 187 157

Colombian Colombian Colombian Colombian

Minor Traditional Minor Traditional Minor Traditional Minor Traditional

AGL AGL AGL AGL

Pear Rectangular Rectangular Square

136 75 27 22

Origin Cambodia (Pailin)

Treatement None

Laboratory Report AGL

Carat 4.80 x 4.70 x 3.07mm to 4.80 x 4.40 x 2.72mm 11.57 carats 5.81 carats 5.38 2.99 carats 1.71/1.74/3.02/3.06

Cut Square

Lot 7

Ceylon (Sri Lanka) Ceylon (Sri Lanka) Classic Burma (Myanmar) Classic Burma (Myanmar) N/A

None None None None None

AGL AGL AGL AGL GIA

Cushion Rectangular Rectangular Cushion Oval

210 16 17 202 190

Emerald Index

Sapphire Index

203. An Antique Fancy Light Diamond, Emerald, Diamond and Silver-Topped Gold Brooch 10. Spaulding & Co., An Art Deco Diamond and Platinum Ring 13. A Fine Antique Emerald, Diamond, Gold and Silver Topped Gold Ring

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