NEW NOW [Catalogue]

NEW YORK AUCTION, SEPTEMBER 24, 2019

T U E S D AY, S E P T E M B E R 2 4 , 2 0 1 9 A T 1 1 A M PHILLIPS 4 5 0 PA R K AV E N U E NEW YORK Enquiries please call +1 212 940 1200 Auction License: Phillips 2013224 This brochure is not an auction catalogue and is provided as a convenience. The sale of each lot is subject to Phillips’ Conditions of Sale and Authorship Warranty which, along with the catalogue for this auction and important sale information and notices, may be found online at phillips.com.

1. JULIE CURTISS

B. 1982

Fruit bowl on fre signed, partially titled and dated “Julie Curtiss Fruit Cup on Fire 2015” on the reverse; gouache on paper; 12 1/8 x 9 in. (30.8 x 22.9 cm.).

Executed in 2015.

2. N I C O L A S PA RT Y

B. 1980

3 . G I N A B E AV E R S

B . 1 974

Blakam’s stone (orange) signed, inscribed and dated “Nicolas Party Milan 2016” on the underside; acrylic on stone; 3 1/2 x 6 3/8 x 6 1/4 in. (8.9 x 16.2 x 15.9 cm.). Executed in 2016.

Pork Chop and Basil signed and dated “Gina Beavers 2012” on the overlap; acrylic on canvas; 16 1/4 x 12 1/4 in. (41.3 x 31.1 cm.). Painted in 2012.

Estimate $8,000-12,000

Estimate $3,000-5,000

Estimate $4,000-6,000

4. GENIEVE FIGGIS

B. 1972

5 . TO M O O G O K I TA

B. 1969

6 . TO M O O G O K I TA

B. 1969

The pursuit (afer Fragonard) signed and dated “genieve fggis 2018” on the reverse; acrylic on canvas; 39 1/4 x 31 1/2 in. (99.7 x 80 cm.). Painted in 2018.

Mexican Duchamp signed and dated “Tomoo Gokita 2016” on the reverse; acrylic gouache on paper; 20 x 15 1/2 in.

(50.8 x 39.4 cm.). Executed in 2016.

Falling in love with her is hell signed with the artist’s initials and dated “TG ’99” on the reverse; Conté on paper; 14 1/4 x 10 1/8 in.

(36.2 x 25.7 cm.). Executed in 1999.

Estimate $10,000-15,000

Estimate $15,000-20,000

Estimate $8,000-12,000

7. N I N A C H A N E L A B N E Y

B. 1982

Untitled signed with the artist’s initials and dated “NCA 2016” on the reverse; spray paint on paper cutout; 12 x 8 3/4 in. (30.5 x 22.2 cm.). Executed in 2016.

Estimate $2,000-3,000

10. BRENNA YOUNGBLOOD B. 1979

Two Works: (i) Flourless Bread Slice #1; (ii) Flourless Bread Slice #2 each signed and dated “Brenna Youngblood 2012” on the reverse; acrylic, spray paint and paper on panel; each 48 x 34 in. (121.9 x 86.4 cm.).

Executed in 2012.

Estimate $8,000-12,000

8. TSCHABALALA SELF

B. 1990

9. DERRICK ADAMS

B. 1970

Princess signed, numbered and dated “tschabalala 2018 28/30” on a label sewn to the reverse; hand-sewn cotton and tulle on cotton; 51 1/8 x 39 3/8 in. (129.9 x 100 cm.). Executed in 2018, this work is number 28 from an edition of 30 plus 2 artist’s proofs.

Turtle Floats numbered “BAT” lower lef and signed and dated “Adams 2017” lower right; screenprint on paper; 30 x 30 in. (76.2 x 76.2 cm.). Executed in 2017, this work is the BAT proof from an edition of 12 plus 2 artist’s proofs, 2 printer’s proofs and 1 BAT proof.

Estimate $2,500-3,500

Estimate $4,000-6,000

11. SHARA HUGHES

B. 1981

Ramp signed and dated “SHARA HUGHES 2008” lower right; further signed, titled and dated “SHARA HUGHES 2008 “RAMP”” on the reverse; mixed media on paper; 30 x 22 1/4 in. (76.2 x 56.5 cm.).

Executed in 2008.

Estimate $7,000-10,000

12. KAT H E R I N E B E R N H A R D T B. 1975

Untitled signed and dated “Katherine Bernhardt 2014” on the reverse; ink and watercolor on paper; 24 x 18 in.

(61 x 45.7 cm.). Executed in 2014.

Estimate $3,000-5,000

13. KAT H E R I N E B E R N H A R D T B. 1975

Bacon + Eggs signed, titled, inscribed and dated “Katherine BerNhardt 2014 Bacon + Eggs + popsciles” on the reverse; acrylic and spray paint on canvas; 60 x 72 in. (152.4 x 182.9 cm.). Executed in 2014.

14. M AT H BA SS

B. 1981

Newz signed, signed with the artist’s initials and dated “MATH BASS MB 2016” on the overlap; gouache on canvas; 38 x 40 in. (96.5 x 101.6 cm.).

Painted in 2016.

15. LEIDY CHURCHMAN

B. 1979

Big Kali (Goddess of Time and Death) signed and dated “2014 CHURCHMAN 2014” on the overlap; oil on canvas; 59 7/8 x 55 7/8 in. (152.1 x 141.9 cm.). Painted in 2014.

Estimate $10,000-15,000

Estimate $20,000-30,000

Estimate $20,000-30,000

16. AD MINOLITI

B. 1980

1 7. T O M O O G O K I TA

B. 1969

Queer Deco Intervention signed “AD MiNOLiti” on the reverse; acrylic on printed canvas; 52 1/2 x 35 1/2 in. (133.4 x 90.2 cm.).

Executed in 2014, this work is unique.

Guitar signed, titled and dated “GUITAR Tomoo Gokita ’09” on the reverse; acrylic gouache on linen; 16 1/2 x 16 1/4 in. (41.9 x 41.3 cm.). Executed in 2009.

Estimate $6,000-8,000

Estimate $25,000-35,000

18. E R I K PA R K E R

B. 1968

Codextuals signed, titled and dated “CODEXTUALS 2006 Erik Parker Erik Parker” on the reverse; acrylic, pastel, marker and foil on paper; 30 x 36 in. (76.2 x 91.4 cm.). Executed in 2006.

Estimate $2,000-3,000

19. CYPRIEN GAILLARD

B. 1980

20. YOSHITOMO NARA

B. 1959

2 1 . TA K A S H I M U R A K A M I

B. 1962

Untitled signed “Cy Gaillard” on the reverse; screen print on oil on canvas; 29 3/4 x 49 in. (75.6 x 124.5 cm.).

Executed in 2015.

Untitled signed and dated “Yoshitomo Nara 01” on the reverse; colored pencil and pen on paper; 5 5/8 x 4 7/8 in. (14.3 x 12.4 cm.). Executed in 2001.

Kinoko9 signed and dated “TAKASHI 02” on the reverse; acrylic on panel; 4 x 4 in. (10.2 x 10.2 cm.).

Painted in 2002.

Estimate $40,000-60,000

Estimate $30,000-40,000

Estimate $20,000-30,000

22. MICHAEL WILLIAMS

B. 1978

23. PETER HALLEY

B. 1953

The Jacoby Rule signed, titled and dated “THE JACOBY RULE 2012 Michael Williams” on the reverse; airbrush and oil on canvas; 91 x 70 in. (231.1 x 177.8 cm.).

Executed in 2012.

Orange Prison signed and dated “2011 Peter Halley Peter Halley” on the reverse; acrylic, DayGlo acrylic and RollA-Tex on canvas, in 2 parts; 30 x 30 in. (76.2 x 76.2 cm.). Executed in 2011.

Estimate $25,000-35,000

Estimate $35,000-45,000

2 4 . STA N L E Y W H I T N E Y

B. 1946

Untitled signed and dated “2006 Aug. Stanley Whitney” on the reverse; oil on linen; 12 x 12 in. (30.5 x 30.5 cm.).

Painted in 2006.

Estimate $25,000-35,000

2 5 . H A E G U E YA N G

B. 1971

Windmill - Trustworthy Of Horizons #176 each signed “Haegue Yang [in Korean]” on a label afxed to the reverse; envelope security pattern collage on grid paper, in artist’s frame, in 4 parts; each 39 x 27 1/2 in. (99.1 x 69.9 cm.), installation dimensions variable. Executed in 2012.

2 6 . L E E U FA N

2 7. S H I O K U S A K A

B. 1936

B. 1972

Untitled signed “L. Ufan” on the reverse; oil and mineral pigment on canvas; 9 x 9 in. (22.9 x 22.9 cm.).

Executed in 1982.

(mark 8) incised with the artist’s signature on the underside; porcelain; 8 x 5 x 5 in. (20.3 x 12.7 x 12.7 cm.).

Executed in 2010.

Estimate $30,000-40,000

Estimate $6,000-8,000

Estimate $20,000-30,000

2 8 . YAY O I K U S A M A

B. 1929

2 9 . YAY O I K U S A M A

B. 1929

Embryo signed and dated “YAYOI KUSAMA 1953” lower lef and dated “1953” lower center; further signed, titled and dated “Embryo 1953 KUSAMA” on the reverse; gouache, pastel and ink on paper; 8 3/4 x 11 1/2 in. (22.2 x 29.2 cm.). Executed in 1953, this work is accompanied by a registration card issued

by YAYOI KUSAMA Inc.

Butterfy signed and dated “1953 Y. KUSAMA” lower lef; further signed, titled and dated “KUSAMA 1953 Butterfy [in Japanese] Butterfy” on the reverse; gouache, pastel and ink on paper; 11 3/4 x 8 3/4 in.

(29.8 x 22.2 cm.). Executed in 1953, this work is accompanied by a registration card issued by YAYOI KUSAMA Inc.

Estimate $80,000-120,000

Estimate $80,000-120,000

30. SIGMAR POLKE

1 9 4 1 -2 0 1 0

Farbprobe 86 signed, titled and dated “Sigmar Polke 86 Farbprobe” on the stretcher; lacquer and graphite on canvas; 20 x 16 in. (50.8 x 40.6 cm.).

Executed in 1986.

We are most grateful to Mr. Michael Trier, Cologne for his assistance with the cataloguing of this work.

Estimate $50,000-70,000

31. JACQUELINE HUMPHRIES B. 1960

Untitled signed and dated “J Humphries 2008” on the reverse; oil and glitter on canvas; 22 x 26 in. (55.9 x 66 cm.). Executed in 2008.

32. KAT H A R I N A G RO SS E

B. 1961

Untitled signed and dated “K. Grosse 2012” on the reverse; acrylic on canvas; 84 x 57 7/8 in. (213.4 x 147 cm.).

Painted in 2012.

Estimate $80,000-120,000

B. 1967

Gold is over signed “TAL R” lower center; further titled “GOLd IS OVER” on the overlap; further signed, titled and dated “2005 Tal R “gold IS OVeR” on the reverse; further signed, titled and dated “TalR 2005 “gold IS OVeR”” on the stretcher; oil on canvas; 98 1/2 x 98 1/2 in. (250.2 x 250.2 cm.). Painted in 2005.

Estimate $30,000-50,000

B. 1972

BC (3852) signed with the artist’s initials, titled and dated “SR 12 ‘ BC (3852)” on the reverse; collage, paint, bleach, glue and fabric on panel; 126 x 96 in. (320 x 243.8 cm.). Executed in 2012.

Estimate $70,000-100,000

Estimate $40,000-60,000

3 4 . TA L R

33. STERLING RUBY

35. T H E A ST E R G AT E S

B. 1973

Mantle with Hose II wood, hose and glass; 35 x 45 1/2 x 9 in. (88.9 x 115.6 x 22.9 cm.). Executed in 2011.

Estimate $60,000-80,000

36. T H E A ST E R G AT E S

B. 1973

Stand-Ins for a Period of Wreckage 2 & 21 white concrete and porcelain; (i) 48 x 12 x 12 in.

(121.9 x 30.5 x 30.5 cm.), (ii) 41 1/2 x 11 7/8 x 11 7/8 in.

(105.4 x 30.2 x 30.2 cm.). Executed in 2011.

Estimate $15,000-20,000

3 7. A N S E L M K I E F E R

B. 1945

Aurora signed, titled and dedicated “Aúrora für Mayte von anselm” on the top of the lid; lead box, lead submarine and dried fowers, in 3 parts; 6 1/8 x 24 x 12 in. (15.6 x 61 x 30.5 cm.). Executed in 2016.

Estimate $60,000-80,000

38. BERNAR VENET

B. 1941

222.5° Arc x 4 engraved with the title “222.5° ARC x 4” along the bottom; rolled steel; 50 x 50 1/2 x 9 1/4 in. (127 x 128.3 x 23.5 cm.). Executed in 2001, this work is included in the artist’s archives under inventory number bv01s19.

This work is eligible for a certifcate of authenticity signed by the artist.

39. GEORGE RICKEY

1 9 0 7-2 0 0 2

Space Churn with Cams VI signed and dated “Rickey 1974” on the base; stainless steel, in 2 parts; 81 x 33 x 26 in. (205.7 x 83.8 x 66 cm.). Executed in 1974, this work is unique.

Estimate $70,000-100,000 PROPERT Y OF AN IMP ORTANT NE W YORK COLLEC TOR

Estimate $120,000-180,000 PROPERT Y OF AN IMP ORTANT NE W YORK COLLEC TOR

40. GIUSEPPE PENONE

B. 1947

Pelle di Marmo e Spine d’Acacia - Lucrezia signed, partially titled and dated ““Lucrezia” Giuseppe Penone 2003” on the reverse of the canvas; pink marble, silk and acacia thorns on canvas, in 2 parts; 39 x 139 in. (99.1 x 353.1 cm.).

Executed in 2003.

Estimate $150,000-200,000

41. LOUISE NEVELSON

18 9 9 -19 8 8

42. LOUISE NEVELSON

1 8 9 9 -19 8 8

Mirror-Shadow I painted wood; 59 x 119 x 19 in. (149.9 x 302.3 x 48.3 cm.). Executed in 1985.

Frozen Laces-Two painted metal; 103 x 65 x 48 in. (261.6 x 165.1 x 121.9 cm.). Executed in 1976-1980.

Estimate $100,000-150,000

Estimate $100,000-150,000

PROPERT Y FROM AN IMP ORTANT

PROPERT Y FROM AN IMP ORTANT

CHIC AGO COLLEC TION

CHIC AGO COLLEC TION

○

43. FRANK STELLA

B. 1936

○

44. JOHN CHAMBERLAIN

○

1 9 2 7-2 0 1 1

Imaginary Trouble oil on anodized aluminum; 32 1/2 x 34 1/2 x 11 3/4 in.

(82.6 x 87.6 x 29.8 cm.). Executed in 1986.

PROPERT Y FROM THE MILES AND SHIRLE Y

Estimate $8,000-12,000

FITERMAN COLLEC TION

B. 1929

Geometric Mouse, Scale C incised with the artist’s initials and numbered “CO 25/120”; stamped by Gemini G.E.L., Los Angeles and with the artist’s copyright stamp on the window pulls; anodized aluminum; 24 1/2 x 20 x 10 in. (62.2 x 50.8 x 25.4 cm.). Executed in 1971, this work is number 25 from an edition of 120 plus 3 artist’s copies and 3 publisher’s copies, published by Gemini G.E.L., Los Angeles.

Untitled signed and dated “CHAMBERLAIN ’66” on the underside; painted urethane foam; 9 1/2 x 11 x 5 1/2 in.

(24.1 x 27.9 x 14 cm.). Executed in 1966.

Estimate $60,000-80,000

45. CLAES OLDENBURG

PROPERT Y FROM THE MILES AND SHIRLE Y FITERMAN COLLEC TION

Estimate $15,000-20,000 PROPERT Y FROM THE MILES AND SHIRLEY FITERMAN COLLECTION

○

46. CLAES OLDENBURG

B. 1929

Geometric Mouse, Scale A (maquette) signed, partially titled and dedicated “gMA Oldenberg for Miles & Shirley” on the base; acrylic and tape on paper, on artist’s base; sculpture 5 1/2 x 5 x 2 3/4 in. (14 x 12.7 x 7 cm.) overall 7 1/8 x 8 x 8 in. (18.1 x 20.3 x 20.3 cm.).

Executed circa 1970.

Estimate $5,000-7,000 PROPERT Y FROM THE MILES AND SHIRLE Y FITERMAN COLLEC TION

○

4 7. J I M D I N E

B. 1935

A Boot Bench #1 stamped with the artist’s signature, title and date “A BOOT BENCH 1965 JIM DINE #1” to the upper lef of the seat; cast aluminum; 18 x 71 x 13 1/2 in.

(45.7 x 180.3 x 34.3 cm.). Executed in 1965, this work is number 1 from an edition of 3.

Estimate $40,000-60,000 PROPERT Y FROM THE MILES AND SHIRLE Y FITERMAN COLLEC TION

○

48. GEORGE SEGAL

1 9 2 4 -2 0 0 0

Woman in Lace signed and dated “G. Segal ’85” and stamped with the number “4/9” and with the foundry mark on the backside edge of the base; white patina on bronze; 25 3/4 x 15 1/2 x 8 1/2 in. (65.4 x 39.4 x 21.6 cm.).

Executed in 1985, this work is number 4 from an edition of 9 plus 5 artist’s proofs.

Estimate $6,000-8,000 PROPERT Y FROM THE MILES AND SHIRLE Y FITERMAN COLLEC TION

○

49. LARRY RIVERS

1 9 2 3 -2 0 0 2

○

Parts of the Face: French Vocabulary Lesson signed “Rivers” lower right; oil on board relief; 11 1/4 x 11 1/4 in. (28.6 x 28.6 cm.). Executed in 1965.

50. JOSEF ALBERS

1 8 8 8-1976

○

Structural Constellation signed with the artist’s initial and dated “A ’62” lower right; ink on paper; 10 1/2 x 13 in. (26.7 x 33 cm.). Executed in 1962, this work will be included in the forthcoming catalogue raisonné of the work of Josef Albers currently being prepared by the Josef and Anni Albers Foundation and is registered under no. JAAF 1962.3.6.

Estimate $12,000-18,000 PROPERT Y FROM THE MILES AND SHIRLE Y FITERMAN COLLEC TION

51. ARMAN

1 9 2 8 -2 0 0 5

Untitled signed and dated “arman 65” lower edge; Plexiglas; 9 3/4 x 4 x 4 in. (24.8 x 10.2 x 10.2 cm.).

Executed in 1965.

Estimate $10,000-15,000 PROPERT Y FROM THE MILES AND SHIRLE Y FITERMAN COLLEC TION

Estimate $5,000-7,000 PROPERT Y FROM THE MILES AND SHIRLE Y FITERMAN COLLEC TION

○

52. ARMAN

1 9 2 8 -2 0 0 5

Untitled signed and dated “arman 65” lower edge; Plexiglas and matchboxes, in 2 parts; 10 3/4 x 10 x 10 in.

(27.3 x 25.4 x 25.4 cm.). Executed in 1965, this work is unique. This work is recorded in the Arman Studio Archives New York under number: APA# 8003.65.357.

Estimate $5,000-7,000 PROPERT Y FROM THE MILES AND SHIRLE Y FITERMAN COLLEC TION

○

53. JOHN CHAMBERLAIN

1 9 2 7-2 0 1 1

Circumbendibus painted stainless steel; 6 1/4 x 9 1/4 x 5 1/4 in. (15.9 x 23.5 x 13.3 cm.). Executed in 1990-1991.

Estimate $60,000-80,000 PROPERT Y FROM THE MILES AND SHIRLE Y FITERMAN COLLEC TION

○

54. FRANK STELLA

B. 1936

Narowla II signed, titled and dated “#NAROWLA II #10 NAROWLA II F. Stella 71” on the reverse; further dedicated “TO I. BLUM” on the stretcher; acrylic, felt, canvas and paper collage on panel; 108 x 104 x 8 in. (274.3 x 264.2 x 20.3 cm.). Executed in 1971.

Estimate $250,000-350,000 PROPERT Y FROM THE MILES AND SHIRLE Y FITERMAN COLLEC TION

○

55. SAM FRANCIS

192 3-19 9 4

E VIII acrylic on canvas; 79 x 138 in. (200.7 x 350.5 cm.).

Painted in 1971. This work is identifed with the interim identifcation number of SFF.541; in consideration for the forthcoming addendum to Sam Francis: Catalogue Raisonné of Canvas and Panel Paintings. This information is subject to change as scholarship continues by the Sam Francis Foundation.

Estimate $350,000-450,000

○

56. ALEXANDER CALDER

1 8 9 8-1976

○

5 7. A L E X A N D E R C A L D E R

1 8 9 8-1976

Joliette signed and dated “Calder 75” lower right; gouache and ink on paper; 29 1/2 x 43 1/8 in. (74.9 x 109.5 cm.).

Executed in 1975, this work is registered in the archives of the Calder Foundation, New York, under application number A10726.

The Pub signed and dated “Calder 72” lower right; gouache and ink on paper; 29 1/2 x 43 1/4 in. (74.9 x 109.9 cm.).

Executed in 1972, this work is registered in the archives of the Calder Foundation, New York, under application number A12933.

Estimate $40,000-60,000

Estimate $40,000-60,000

PROPERT Y FROM THE MILES AND SHIRLE Y

PROPERT Y FROM THE MILES AND SHIRLE Y

FITERMAN COLLEC TION

FITERMAN COLLEC TION

PROPERT Y FROM THE MILES AND SHIRLE Y FITERMAN COLLEC TION

○

58. TOM WESSELMANN

1 9 3 1 -2 0 0 4

Steel Drawing Sitting Nude Edition signed, numbered and dated “Wesselmann 11/25 87 ©” on the reverse; alkyd on cut-out steel; 25 x 29 in. (63.5 x 73.7 cm.). Executed in 1987, this work is number 11 from an edition of 25 plus 6 artist’s proofs.

Estimate $20,000-30,000 PROPERT Y FROM THE MILES AND SHIRLE Y FITERMAN COLLEC TION

59. TOM WESSELMANN

1 9 3 1 -2 0 0 4

Belt Still Life signed and numbered “Wesselmann 25/0” on the fabricator label afxed to the base; Rosenthal porcelain in Perspex box; 11 7/8 x 18 x 8 in. (30.2 x 45.7 x 20.3 cm.). Executed in 1982, this work is an artist’s proof from an edition of 25 plus an unknown number of artist’s proofs.

Estimate $30,000-50,000 PROPERT Y OF AN IMP ORTANT NE W YORK COLLEC TOR

60. TOM WESSELMANN

1 9 3 1 -2 0 0 4

Tiny Dropped Bra #32 signed and partially titled “WESSELMANN #32” on the reverse of the paper; further signed, titled and dated “WESSELMANN TINY DROPPED BRA #32 1981” on the reverse of the Plexiglas box; acrylic on cut and folded paper in Plexiglas box; 6 1/8 x 8 1/4 x 4 1/4 in. (15.6 x 21 x 10.8 cm.). Executed in 1981, this work is number 32 from a series of 40 unique variants plus 4 artist’s proofs.

Estimate $15,000-20,000 PROPERT Y OF AN IMP ORTANT NE W YORK COLLEC TOR

61. N I C O L A S PA RT Y

B. 1980

62. DEREK FORDJOUR

B . 1 974

Portrait signed and dated “Nicolas Party 2014” on the reverse; pastel on paper; 25 1/2 x 19 1/2 in. (64.8 x 49.5 cm.). Executed in 2014.

Agency and Regulation (study) signed and dated “FORDJOUR ’16” on the reverse; acrylic and oil on panel; 60 x 40 in. (152.4 x 101.6 cm.). Executed in 2016.

Estimate $40,000-60,000

Estimate $40,000-60,000

63. YINKA SHONIBARE MBE B. 1962

Dressing Down wax printed cotton textile, crinoline, fbrelass mannequin, aluminum, plastic and felt, in 5 parts; 69 x 541/2 x 541/2 in. (175.3 x 138.4 x 138.4 cm.).

Executed in 1997, this work is unique.

Estimate $100,000-150,000

6 4 . LY N N C H A D W I C K , R . A .

1 9 1 4 -2 0 0 3

Sitting Couple on Base IV numbered and dated “678S 1974 2/8” on the right side of the base; patinated and polished cast bronze; 16 x 13 3/4 x 14 in. (40.6 x 34.9 x 35.6 cm.).

Executed in 1974, this work is number 2 from an edition of 8 plus 2 artist’s proofs.

Estimate $80,000-120,000

6 5 . E VA N H O L L O WAY

B. 1967

Right Twist powder-coated aluminum, high-temp spray paint, bulbs, fxtures, wiring, and lighting controller; 106 x 18 x 18 in. (269.2 x 45.7 x 45.7 cm.). Executed in 2012, this work is unique. This work is accompanied by a certifcate of authenticity signed by the artist.

Estimate $40,000-60,000

66. KAW S

B . 1 974

PINOCCHIO signed and numbered “KAWS..51/100” and stamped “© Disney” on the underside of the fgure’s lef foot; further stamped with the date and fabricator “Medicom Toy 2017” on the underside of the fgure’s right foot; wood; 15 3/8 x 8 5/8 x 7 1/2 in.

(39.1 x 21.9 x 19.1 cm.). Executed in 2017, this work is number 51 from an edition of 100.

Estimate $20,000-30,000

6 7. K AW S

68. KAW S

B . 1 974

FOUR FOOT DISSECTED COMPANION (BLACK) stamped with the artist’s name and date “© KAWS..09” on the underside of the fgure’s lef foot; further stamped with the date and fabricator “MEDICOM TOY 2009” on the underside of the fgure’s right foot; painted cast vinyl; 50 x 22 1/2 x 14 in. (127 x 57.2 x 35.6 cm.). Executed in 2009, this work is from an unnumbered edition of 100.

69. KAW S

B . 1 974

UNTITLED (SM7) signed, titled and dated “KAWS..“SM7” 2000” on the reverse of the canvas; acrylic on canvas in blister package with printed card; 23 1/2 x 19 3/4 in.

(59.7 x 50.2 cm.). Executed in 2000.

B . 1 974

UNTITLED signed and dated “KAWS..12” on the reverse; acrylic on canvas; diameter 20 in. (50.8 cm.).

Painted in 2012.

Estimate $60,000-80,000

Estimate $60,000-80,000

Estimate $25,000-35,000

70. KEITH HARING

19 5 8-19 9 0

Untitled (Three Dancing Figures), Version A incised with the artist’s signature “K. Haring” and stamped with the number, date and foundry mark “1989 3/5 acf” on the base; enamel on aluminum; 45 1/2 x 76 1/2 x 55 3/4 in. (115.6 x 194.3 x 141.6 cm.).

Executed in 1989, this work is number 3 from an edition of 5 plus 1 artist’s proof.

Estimate $600,000-800,000 PROPERT Y OF AN IMP ORTANT NE W YORK COLLEC TOR

71. ED RUSCHA

B. 1937

72. N I C O L A S PA RT Y

B. 1980

High-Speed Gardening signed and dated “Ed Ruscha ‘89” lower right; dry pigment on paper; 23 x 29 in. (58.4 x 73.7 cm.).

Executed in 1989.

Landscape signed and dated “Nicolas Party 2013” on the reverse; watercolor on paper; 22 1/2 x 30 3/8 in. (57.2 x 77.2 cm.). Executed in 2013.

Estimate $180,000-250,000

Estimate $40,000-60,000

73. UGO RONDINONE

B. 1964

dreiundzwanzigsteraugustzweitausendundvierzehn signed, titled and dated “ugo rondinone 2014 dreiundzwanzigsteraugustzweitausendundvierzehn” on the stretcher; acrylic on canvas; 36 x 24 in. (91.4 x 61 cm.). Painted in 2014.

74 . D O N A L D B A E C H L E R

B. 1956

Memory and Illusion (Globe) acrylic and fabric collage on canvas; 111 x 222 in.

(281.9 x 563.9 cm.). Executed in 1998.

Estimate $50,000-70,000

Estimate $40,000-60,000

75. FRIEDEL DZUBAS

191 5-19 9 4

Far Land signed, titled and dated “Dzubas 1986 “FAR LAND”” on the reverse; acrylic and Magna on canvas; 31 1/2 x 70 in. (80 x 177.8 cm.). Painted in 1986.

Estimate $40,000-60,000 PROPERT Y OF AN IMP ORTANT NE W YORK COLLEC TOR

7 6 . M I LT O N R E S N I C K

1 9 1 7-2 0 0 4

Curtain for Altitude signed and dated “M Resnick 1963” on the reverse; further titled “CURTAIN FOR ALTITUDE” on the stretcher; oil on canvas; 75 x 124 in. (190.5 x 315 cm.). Painted in 1963.

Estimate $50,000-70,000

7 7. I LYA B O L O T O W S K Y

19 07-19 8 1

White Horizontal with Blue, Red, and Yellow signed and dated “Ilya Bolotowsky ’73” lower right; acrylic on canvas; 30 x 65 in. (76.2 x 165.1 cm.).

Painted in 1973.

Estimate $20,000-30,000 PROPERT Y OF AN IMP ORTANT NE W YORK COLLEC TOR

78. CONRAD MARCA-RELLI

1 9 1 3 -2 0 0 0

Turbo L-56 signed “MARCA-RELLI” lower right; further signed, titled, inscribed and dated “L-4-63 MARCA-RELLI TITLE “TURBO-L-56”” on the reverse; aluminum collage on painted aluminum panel, in artist’s frame; 72 x 72 in.

(182.9 x 182.9 cm.). Executed in 1963, this work is registered with the Archivio Marca-Relli, Parma, as archive number MARE-6228 / © Archivio Marca-Relli, Parma.

Estimate $35,000-45,000

79. CONRAD MARCA-RELLI

8 0 . T H E O D O R O S STA M O S

1 9 1 3 -2 0 0 0

192 2-19 97

Untitled (Nude Woman) signed “MARCA-RELLI” lower right; canvas collage and ink on canvas; 26 x 19 3/4 in. (66 x 50.2 cm.).

Executed in 1953-1954, this work is registered with the Archivio Marca-Relli, Parma, as archive number MARE-6227 / © Archivio Marca-Relli, Parma.

Sun Edge of Field signed “STAMOS” lower lef; further signed, titled and dated “Sun Edge of Field Stamos 1957” on the stretcher; oil on canvas; 70 x 36 1/4 in. (177.8 x 92.1 cm.). Painted in 1957.

Estimate $30,000-50,000

Estimate $15,000-20,000 PROPERTY FROM AN IMPORTANT CHICAGO COLLECTION

PROPERT Y FROM AN IMP ORTANT CHIC AGO COLLEC TION

81. LARRY POONS

B. 1937

Untitled signed and dated “L. Poons 1980 L Poons ©1981 LARRY POONS 1981 ©” on the reverse; acrylic on panel; 14 1/4 x 14 1/2 in. (36.2 x 36.8 cm.). Executed in 1980-1981, this work will be included in the forthcoming Catalogue Raisonné of Paintings currently being prepared by the Larry Poons Studio.

82. CHARLES ARNOLDI

B. 1946

Untitled signed “ARNOLDI” on the reverse of the lef panel and dated “1986” on the reverse of the right panel; acrylic on wood, diptych; 36 x 72 x 3 in. (91.4 x 182.9 x 7.6 cm.). Executed in 1986.

83. CHARLES ARNOLDI

B. 1946

Untitled signed and dated “ARNOLDI 1975” on the reverse; oil on tree branches and nails; 29 x 33 in. (73.7 x 83.8 cm.). Executed in 1975.

Estimate $5,000-7,000

Estimate $15,000-20,000

Estimate $8,000-12,000

84. NO LOT

85. ALEXANDER CALDER

1 8 9 8-1976

86. FERNAND LÉGER

1 8 8 1-19 5 5

Ice Rink woven with the artist’s signature “Calder” and monogrammed “FP” for Atelier François Pinton lower right; further numbered “1/6” on a label sewn to the reverse; wool; 78 1/2 x 115 3/4 in. (199.4 x 294 cm.). Executed circa 1970, this work is number 1 from an edition of 6 plus 2 artist’s proofs.

Sao Paulo monogrammed “FP” for Atelier François Pinton lower lef and woven with the artist’s signature “F. LEGER” lower right; further numbered “4/6” on a label sewn to the reverse; wool; 96 1/2 x 68 1/2 in.

(245.1 x 174 cm.). Executed in 1953, this work is number 4 from an edition of 6 plus 2 artist’s proofs.

Estimate $20,000-30,000

Estimate $30,000-50,000

88. RICHARD DIEBENKORN

8 9. DAV I D S M I T H

192 2-19 93

8 7. A L E X A N D E R C A L D E R

1 8 9 8-1976

Untitled (Man on a Tightrope) signed and dated “Calder 1932” lower right; ink on paper; 21 x 29 1/2 in. (53.3 x 74.9 cm.). Executed in 1932, this work is registered in the archives of the Calder Foundation, New York, under application number A02396.

Estimate $50,000-70,000 PROPERTY FROM AN IMPORTANT CHICAGO COLLECTION

19 0 6 -19 6 5

9 0 . DAV I D S M I T H

19 0 6 -19 6 5

Untitled signed with the artist’s initials and dated “RD 56” lower right; Conté, charcoal, ink and paper tape on joined paper; 12 3/4 x 11 in. (32.4 x 27.9 cm.).

Executed in 1956.

Untitled signed with the artist’s Greek initials and dated “ΔΣ 5/51” upper right; further stamped by The Estate of David Smith and numbered “73-51.74” on the reverse; egg ink, crayon, graphite and tempera on paper; 20 x 26 in. (50.8 x 66 cm.). Executed in 1951.

ΔΣ 11/7/54 4 titled “ΔΣ 11/7/54 4” lower right; further stamped by The Estate of David Smith and numbered “73-54.32” on the reverse; oil, egg ink and tempera on paper; 15 3/4 x 20 1/4 in. (40 x 51.4 cm.). Executed in 1954.

Estimate $15,000-20,000

Estimate $15,000-20,000

Estimate $15,000-20,000

91. SAM GILLIAM

B. 1933

92. SAM GILLIAM

B. 1933

Untitled signed, inscribed and dated “Sam Gilliam - series ’72 #2” lower right; acrylic on handmade paper; 20 1/4 x 26 1/4 in. (51.4 x 66.7 cm.). Executed in 1972.

Untitled signed and dated “Gilliam ’78” lower right; watercolor on paper; 19 x 14 x 5 in. (48.3 x 35.6 x 12.7 cm.). Executed in 1978.

Estimate $15,000-20,000

Estimate $10,000-15,000

93. SAM FRANCIS

192 3-19 9 4

Untitled signed, dedicated and dated “Sam Francis 1961 For Naosuke Suematsu Sam Francis 1983 June” on the reverse; watercolor on paper; 15 3/8 x 10 1/2 in. (39.1 x 26.7 cm.). Executed in 1961, This work is identifed with the interim identifcation number of SF61-1125 in consideration for the forthcoming Sam Francis: Catalogue Raisonné of Unique Works on Paper.

This information is subject to change as scholarship continues by the Sam Francis Foundation.

Estimate $30,000-40,000

94. SOL LEWITT

1 9 2 8 -2 0 0 7

95. SOL LEWITT

1 9 2 8 -2 0 0 7

96. KIKI SMITH

B. 1954

Horizontal Bands (More or Less) signed and dated “S. Lewitt ’04” lower right; gouache on paper; 11 3/8 x 11 in. (28.9 x 27.9 cm.).

Executed in 2004.

Irregular Form signed and dated “S. Lewitt 1997” lower right; gouache on paper; 14 3/4 x 11 1/4 in. (37.5 x 28.6 cm.).

Executed in 1997.

Untitled signed and dated “Kiki Smith 1989” on the reverse; ink on paper; 30 1/2 x 125 in. (77.5 x 317.5 cm.).

Executed in 1989.

Estimate $8,000-12,000

Estimate $6,000-8,000

Estimate $12,000-18,000

9 7. P E T E R H A L L E Y

B. 1953

Untitled (6.15.10.1) signed and dated “Peter Halley 2010” lower right; acrylic and Day-Glo acrylic on digitally printed paper; 21 x 16 in. (53.3 x 40.6 cm.).

Executed in 2010.

Estimate $4,000-6,000

98. LARRY BELL

B. 1939

Clowns signed and dated “L BELL ’88” center right; further titled and dated ““CLOWNS” 1988” on the stretcher; collage with aluminum, silicon monoxide and acrylic on canvas; 66 x 49 in.

(167.6 x 124.5 cm.). Executed in 1988.

9 9. N A N C Y G R AV E S

19 4 0 -19 9 5

Square One signed, titled and dated “N.S. GRAVES 5-’80 “SQUARE ONE”” on the reverse; oil on canvas; 76 x 64 in. (193 x 162.6 cm.). Painted in 1980.

Estimate $8,000-12,000

Estimate $12,000-18,000

100. LOUISE FISHMAN

B. 1939

101. ANALIA SABAN

B. 1980

Rock and Ruins signed and titled “Louise fshman “ROCK AND RUINS”” on the reverse; oil on linen; 60 x 70 in.

(152.4 x 177.8 cm.). Painted in 2005.

Layer Painting (CMY): Still Life with Three Fish and One Vase (Abstract) acrylic and silkscreen ink on canvas; 50 x 59 1/2 in.

(127 x 151.1 cm.). Executed in 2009.

Estimate $20,000-30,000

Estimate $15,000-20,000

102. AMY SILLMAN

B. 1966

Untitled signed and dated “Amy Sillman 2009” on the reverse; further signed and dated “AMY SILLMAN ’09” on the stretcher; acrylic on canvas; 12 x 9 in.

(30.5 x 22.9 cm.). Painted in 2009.

Estimate $5,000-7,000

103. CLAUDIA COMTE

B. 1983

Sculpture Object 25 oak wood and pear wood; 44 1/4 x 14 7/8 x 6 in.

(112.4 x 37.8 x 15.2 cm.). Executed in 2014.

Estimate $7,000-10,000

104. SADIE BENNING

B. 1973

Blue and White Painting signed and dated “SADIE BENNING 2013” on the reverse; acrylic, plaster and milk paint on Medite; 58 x 46 1/2 in. (147.3 x 118.1 cm.). Executed in 2013.

Estimate $10,000-15,000

1 0 5 . J O S E DÁV I L A

B . 1 974

Homage to the Square enamel on stainless steel and wire; 70 7/8 x 70 7/8 x 2 in. (180 x 180 x 5.1 cm.), installation dimensions variable. Executed in 2015, this work is unique. This work is accompanied by a certifcate of authenticity issued by OMR, Mexico City.

Estimate $18,000-25,000 PROPERTY FROM AN IMPORTANT CHICAGO COLLECTION

106. DAN GRAHAM

B. 1942

Pavilion Infuenced by Moon Windows clear glass, two-way mirror and aluminum; 20 1/4 x 29 x 29 1/4 in. (51.4 x 73.7 x 74.3 cm.). Executed in 1989, this work from a series of 3 unique variants.

Estimate $20,000-30,000

1 0 7. FA U S T O M E LO T T I

19 01-19 8 6

L’indeciso incised with the artist’s signature and number “Melotti 1/50” to the lower right of the base; silver; 13 1/2 x 5 1/8 x 5 1/8 in. (34.3 x 13 x 13 cm.). Executed in 1974, this work is number 1 from an edition of 50 plus 2 artist’s proofs of which only 20 were executed. This work is accompanied by a certifcate of authenticity from the Archivio Fausto Melotti signed by Marta Melotti and is registered under the archive number 1974/19.

Estimate $25,000-35,000

1 0 8 . L U C I O F O N TA N A

1 8 9 9 -19 6 8

Concetto Spaziale, Natura each incised with the artist’s initials “L.F.” and stamped with the number “35/90” on the backside; bronze with green and gold patina, in 2 parts; each 4 x 4 x 2 in. (10.2 x 10.2 x 5.1 cm.).

Executed in 1959-1968.

Estimate $10,000-15,000

109. UGO RONDINONE

B. 1964

Small White Pink Mountain signed with the artist’s initials, titled and dated “small white pink mountain u.r. 2014” on the underside of the rock; painted stone with wood and concrete base, in 2 parts; 8 x 7 x 7 in. (20.3 x 17.8 x 17.8 cm.). Executed in 2014.

110. ANSELM REYLE

B. 1970

Untitled signed and dated “Anselm Reyle 2006” on the overlap; acrylic, silver and acrylic glass on canvas; 881/2 x 741/2 in. (224.8 x 189.2 cm.). Executed in 2006.

Estimate $30,000-40,000

111. JIM LAMBIE

B. 1964

ZOBOP (Metallic colour) colored vinyl tape on foor; installation dimensions variable. Executed in 1999, this work is number 2 from an edition of 3. This work is accompanied by a certifcate of authenticity signed by the artist.

Estimate $20,000-30,000

Estimate $15,000-20,000

112. KAT H RY N A N D R E W S

B. 1973

1 1 3 . J O H N WAT E R S

B. 1946

Mr. and Mrs. Smith (2005) powder-coated aluminum and certifed flm prop; 41 x 57 x 35 in. (104.1 x 144.8 x 88.9 cm.).

Executed in 2011, this work is accompanied by a certifcate of authenicity issued by David Kordansky Gallery, Los Angeles.

Campaign Button signed and numbered “1/2 John Waters” on the reverse; latex paint and epoxy on steel, plywood and Masonite; diameter 60 in. (152.4 cm.) depth 8 1/2 in. (21.6 cm.). Executed in 2004, this work is number 1 from an edition of 2.

Estimate $5,000-7,000

Estimate $15,000-20,000

114. BYRON KIM

B. 1961

Belly Painting (Green) encaustic on linen; 10 x 8 x 4 1/4 in. (25.4 x 20.3 x 10.8 cm.). Executed in 1991-1992.

Estimate $3,000-5,000

115. VIK MUNIZ

B. 1961

116. LO U I S E L AW L E R

B. 1947

Haystack 2 afer Monet from Pictures of Color signed and dated “Vik Muniz 2001” on a label afxed to the reverse; chromogenic print; 70 7/8 x 111 1/2 in. (180 x 283.2 cm.). Executed in 2001, this work is number 2 from an edition of 3 plus 3 artist’s proofs.

Hedge Fund (Here’s Looking) signed, numbered and dated “Louise Lawler 2008 1/5” on the reverse; chromogenic print, facemounted to Plexiglas on museum box; 46 1/4 x 59 in.

(117.5 x 149.9 cm.). Executed in 2008, this work is number 1 from an edition of 5 plus 1 artist’s proof.

Estimate $30,000-40,000

Estimate $15,000-20,000

118. THOMAS RUFF

B. 1958

cassini 10 signed, partially titled, numbered and dated “cas 10 Thomas Ruf 1/6 2009” on the reverse; chromogenic print, fush-mounted to Dibond, in artist’s frame; 38 5/8 x 42 1/2 in. (98.1 x 108 cm.).

Executed in 2009, this work is number 1 from an edition of 6 plus 2 artist’s proofs.

Estimate $12,000-18,000

119. FRED TOMASELLI

B. 1956

Slow Riot signed, titled and dated “Fred Tomaselli 2006 “SLOW RIOT”” on the reverse; photo-collage and gouache on unique photogram; 16 x 19 7/8 in. (40.6 x 50.5 cm.). Executed in 2006.

Estimate $8,000-12,000

1 1 7. D O U G L A S G O R D O N

B. 1966

Self Portrait of You and Me (Joan Crawford Diptych) burnt gelatin silver print and ash on mirror, in artist’s frame, diptych; each 40 1/2 x 36 1/2 in. (102.9 x 92.7 cm.). Executed in 2006.

Estimate $20,000-30,000

120. JAMES WELLING

B. 1951

Torso 9-6 signed, titled, numbered and dated “James Welling TORSO 9-6, 2005-2008 4/5” lower lef margin; chromogenic print, face-mounted to Plexiglas; 46 x 34 1/4 in. (116.8 x 87 cm.). Executed in 2005-2008, this work is number 4 from an edition of 5 plus 2 artist’s proofs.

Estimate $15,000-20,000

121. HIROSHI SUGIMOTO

B. 1948

122. HIROSHI SUGIMOTO

B. 1948

Lake Superior, Cascade River signed “Sugimoto” lower right of mount; further blindstamped with the title, number and date “LAKE SUPERIOR CASCADE RIVER 2003 7/25 563” lower margin; gelatin silver print; image 16 3/4 x 21 1/2 in. (42.5 x 54.6 cm), sheet 20 x 24 in.

(50.8 x 61 cm.). Executed in 2003, this work is number 7 from an edition of 25.

Lake Superior, Jacobs Creek Falls signed “Sugimoto” lower right of mount; further blindstamped with the title, number and date “LAKE SUPERIOR JACOBS CREEK FALLS 2003 4/25 573” lower margin; gelatin silver print; image 16 3/4 x 21 1/2 in. (42.5 x 54.6 cm.), sheet 18 7/8 x 22 5/8 in. (47.9 x 57.5 cm.). Executed in 2003, this work is number 4 from an edition 25.

Estimate $20,000-30,000

Estimate $20,000-30,000

PROPERTY FROM AN IMPORTANT CHICAGO COLLECTION

PROPERTY FROM AN IMPORTANT CHICAGO COLLECTION

124. JAMES WELLING

125. ALEC SOTH

B. 1951

B. 1969

123. JAMES WELLING

B. 1951

009 signed, titled, numbered and dated “James Welling 009, 2006 AP” lower lef margin; chromogenic print, face-mounted to Plexiglas; 48 x 37 1/2 in.

(121.9 x 95.3 cm.). Executed in 2006, this work is the artist’s proof from an edition of 2 plus 1 artist’s proof.

Estimate $10,000-15,000

126. ALEC SOTH

B. 1969

013 signed, titled, numbered and dated “James Welling 013, 2006 2/2” lower lef margin; chromogenic print, face-mounted to Plexiglas; 48 x 37 in. (121.9 x 94 cm.). Executed in 2006, this work is number 2 from an edition of 2 plus 1 artist’s proof.

Falls 34 signed “Alec Soth” on a label afxed to the reverse; chromogenic print, fush-mounted to aluminum; 40 x 48 in. (101.6 x 121.9 cm.). Executed in 2005, this work is number 6 from an edition of 7 plus 3 artist’s proofs.

Falls 02 signed “Alec Soth” on a label afxed to the reverse; chromogenic print, fush-mounted to aluminum; 36 x 30 in. (91.4 x 76.2 cm.). Executed in 2005, this work is number 9 from an edition of 10 plus 3 artist’s proofs.

Estimate $10,000-15,000

Estimate $15,000-20,000

Estimate $6,000-8,000

1 2 7. M A R I LY N M I N T E R

B. 1948

Leggings signed, titled, numbered and dated ““Leggings” ED: 4/5 2009 M. MINTER” on a label afxed to the reverse; chromogenic print, fush-mounted to aluminum; 60 x 45 in. (152.4 x 114.3 cm.). Executed in 2009, this work is number 4 from an edition of 5 plus 2 artist’s proofs.

Estimate $15,000-20,000

128. ISCA GREENFIELDS A N D E R S B. 1978 Blue Beach signed and dated “Isca 2002” lower right; further signed, titled and dated ““Blue Beach” Isca 2002” on the reverse; mixed media on paper; 29 3/4 x 22 in.

(75.6 x 55.9 cm.). Executed in 2002.

129. NOBUYOSHI ARAKI

B. 1940

67 Shooting Back signed “Nobuyoshi Araki” on a label afxed to the reverse; chromogenic print, fush-mounted to Dibond; 51 1/4 x 40 3/8 in. (130.2 x 102.6 cm.).

Executed in 2007.

Estimate $8,000-12,000

Estimate $12,000-18,000

(iii)

(i) (ii)

1 3 0 . DAV I D L A C H A P E L L E

B. 1963

Three works: (i) Stripe Story; (ii) Make-Over: Surgery Story; (iii) Pickled to Perfection each signed, titled, inscribed, numbered and dated on the reverse; chromogenic print; (i) 24 x 20 in.

(61 x 50.8 cm.), (ii, iii) 20 x 24 in. (50.8 x 61 cm.). (i) Executed in 1995, this work is number 6 from an edition of 30 plus 3 artist’s proofs. (ii) Executed in 1997, this work is number 9 from an edition of 30 plus 3 artist’s proofs. (iii) Executed in 1997, this work is number 8 from an edition of 30 plus 3 artist’s proofs.

Estimate $5,000-7,000

131. ROE ETHRIDGE

B. 1969

Popcorn Factory chromogenic print, fush-mounted to Dibond; 30 x 24 in. (76.2 x 61 cm.). Executed in 2005, this work is number 1 from an edition of 5 plus 2 artist’s proofs.

Estimate $4,000-6,000

132. EILEEN QUINLAN

B. 1972

Smoke & Mirrors #126 A & B signed “Eileen Quinlan” on a label afxed to the reverse of the right panel; gelatin silver print, diptych; each 40 x 30 in. (101.6 x 76.2 cm.).

Executed in 2006, this work is number 2 from an edition of 3 plus 1 artist’s proof.

Estimate $5,000-7,000

1 3 3 . STA N D O U G L A S

B. 1960

Panoptican, Isla de Pinos / Isla de la Juventud signed, inscribed, numbered and dated “89 Stan Douglas 2005. 1/7” on the reverse; chromogenic print, fush-mounted to aluminum; 49 1/4 x 79 1/4 in.

(125.1 x 201.3 cm.). Executed in 2005, this work is number 1 from an edition of 7 plus 2 artist’s proofs.

Estimate $12,000-18,000

134. VIRGINIA OVERTON

1971

Untitled (work table rubbing) signed, titled, numbered and dated “2/3 Untitled (work table rubbing) 2011 Virginia Overton” on the reverse; wood, paint, electrical wiring, bulbs and printed transparent flm, in artists frame; 44 1/2 x 31 1/2 x 6 1/8 in. (113 x 80 x 15.6 cm.). Executed in 2011, this work is number 2 from an edition of 3 plus 1 artist’s proof.

1 3 5 . C E R I T H W Y N E VA N S

B. 1958

I call your image to mind… neon; 6 1/4 x 54 1/2 x 1 in. (15.9 x 138.4 x 2.5 cm.).

Executed in 2004, this work is number 2 from an edition of 3 plus 2 artist’s proofs, this work is accompanied by a certifcate of authenticity signed by the artist.

Estimate $8,000-12,000

Estimate $6,000-8,000

1 3 6 . I VÁ N N AVA R R O

B. 1972

Decay (Lake Point Tower) neon, wood, paint, light, Plexiglas, mirror and a one-way mirror; 48 x 53 1/2 x 6 1/2 in. (121.9 x 135.9 x 16.5 cm.). Executed in 2011, this work is number 1 from an edition of 3 plus 1 artist’s proof. This work is accompanied by a certifcate of authenticity signed by the artist.

Estimate $25,000-35,000

1 3 7. L E O V I L L A R E A L

B. 1967

Buckyball LED lights, custom sofware, electrical hardware, metal framework and metal base; 29 x 20 1/2 x 20 1/2 in. (73.7 x 52.1 x 52.1 cm.). Executed in 2015, this work is number 1 from an edition of 8 plus 2 artist’s proofs.

Estimate $25,000-35,000

138. J O R G E PA R D O

B. 1963

Untitled (Blue #781) painted steel; 56 x 24 in. (142.2 x 61 cm.). Executed in 1998, this work is accompanied by a certifcate of authenticity signed by the artist.

Estimate $8,000-12,000

139. ERNESTO NETO

B. 1964

Anatomia do Aconchego cloth, sand and styrofoam pellets; installation dimensions variable. Executed in 1998.

Estimate $30,000-40,000

140. TOMÁS SARACENO

B. 1973

1MW/Flying Garden/Air-Port-City balloon and elastic net; balloon 46 x 65 x 65 in.

(116.8 x 165.1 x 165.1 cm.), installation dimensions variable. Executed in 2007, this work is accompanied by a certifcate of authenticity signed by the artist.

141. DAMIÁN ORTEGA

B. 1967

Highway poured concrete; 12 x 21 1/2 x 19 1/2 in. (30.5 x 54.6 x 49.5 cm.). Executed in 2009.

Estimate $10,000-15,000

Estimate $18,000-22,000

142. AGUSTÍN CÁRDENAS 1 9 2 7-2 0 0 1

Untitled incised with the artist’s initials and date “AC 69” on the backside; Carrara marble; 11 1/2 x 5 1/4 x 4 1/2 in.

(29.2 x 13.3 x 11.4 cm.). Executed in 1969.

Estimate $12,000-18,000

143. MANUEL MENDIVE

B. 1944

Pensamiento signed and dated “MENDiVE 2013” lower right; acrylic on canvas and iron, in artist’s frame; 83 x 52 1/2 in. (210.8 x 133.4 cm.). Executed in 2013.

Estimate $12,000-18,000

144. MANUEL MENDIVE

B. 1944

Bird from the series Forest Creatures signed and dated “MENDiVE 2011” on the fgure’s tail; further signed and dated “MENDiVE 2011” on the base; painted fabric and wood with cowrie shells; 74 x 24 x 11 in. (188 x 61 x 27.9 cm.).

Executed in 2011.

Estimate $10,000-15,000

• 145. CARLOS GARAICOA

B. 1967

Light Bridge from the series New Architectures signed and numbered “CGArAiCOA 1/3” on the underside of the lef arch; Japanese rice paper, wire and lights; 23 x 46 x 12 1/4 in. (58.4 x 116.8 x 31.1 cm.).

Executed in 2003, this work is number 1 from an edition of 3.

146. EMILIO SANCHEZ

1921-19 9 9

Yellow House oil on canvas; 36 x 54 in. (91.4 x 137.2 cm.).

Painted in 1965.

Estimate $8,000-12,000

Estimate $10,000-15,000

1 4 7. LO S C A R P I N T E R O S B. 1969, B. 1970, B. 1971

Éxodo III titled “Exodo III” lower center and signed, inscribed and dated “Los Carpinteros, Madrid 2011” lower right; watercolor and graphite on paper; 44 3/4 x 96 3/4 in. (113.7 x 245.7 cm.). Executed in 2011, this work is accompanied by a certifcate of authenticity signed by the artist with inventory number LC11D082.

Estimate $15,000-20,000

148. M A R I A N A PA L M A

B. 1979

149. HADIEH SHAFIE

B. 1969

150. AFRUZ AMIGHI

B . 1 974

Untitled oil and acrylic on canvas; 39 1/4 x 23 3/4 in. (99.7 x 60.3 cm.). Painted in 2006, this work is accompanied by a certifcate of authenticity signed by the artist.

14635 Pages signed “Hadieh Shafe” on the reverse of the frame; acrylic and ink on paper with printed and handwritten Farsi text, in artist’s frame; 30 x 30 x 3 in.

(76.2 x 76.2 x 7.6 cm.). Executed in 2010.

Heart Axe woven polyethylene and Plexiglas; 96 x 68 in.

(243.8 x 172.7 cm.). Executed in 2011, this work is accompanied by a certifcate of authenticity signed by the artist.

Estimate $18,000-25,000

Estimate $30,000-40,000

Estimate $25,000-35,000

151. KOUR POUR

B. 1987

Orange Carpet signed and dated “KOUR POUR 2012-13” on the overlap; acrylic on canvas over panel; 84 x 60 in.

(213.4 x 152.4 cm.). Painted in 2012-2013.

Estimate $20,000-30,000

1 5 4 . A N DY WA R H O L

192 8-19 87

152. SARAH CAIN

B. 1979

1 5 3 . A N DY WA R H O L

192 8-19 87

Autumn signed with the artist’s initials, titled, inscribed and dated “Autumn smc #14 - 2008” on the reverse; scarves, beads, acrylic, latex, gouache, string, bell, gel medium, tinfoil, turquoise beads, and gold leaf on paper; 59 1/4 x 46 1/4 in. (150.5 x 117.5 cm.).

Executed in 2008.

Tondo (Curtain Motif) stamped by the Estate of Andy Warhol and the Andy Warhol Foundation for The Visual Arts, Inc., New York, initialed “VF” and numbered “339.006” on the reverse; ink and Dr. Martin’s Aniline dye on paper; 14 1/2 x 11 1/2 in. (36.8 x 29.2 cm.). Executed circa 1950.

Estimate $5,000-7,000

Estimate $7,000-10,000

1 5 5 . A N DY WA R H O L

192 8-19 87

1 5 6 . A N DY WA R H O L

192 8-19 87

Birds stamped by the Estate of Andy Warhol and The Andy Warhol Foundation for the Visual Arts, Inc., New York, initialed “VF” and numbered “315.021” on the reverse; ink and Dr. Martin’s Aniline dye on paper; 10 1/2 x 10 in. (26.7 x 25.4 cm.). Executed circa 1950.

Still Life (Purple Bunch) stamped by the Estate of Andy Warhol and The Andy Warhol Foundation for the Visual Arts, Inc., New York, initialed “VF” and numbered “314.051” on the reverse; ink and Dr. Martin’s Aniline dye on paper; 10 x 11 1/4 in. (25.4 x 28.6 cm.). Executed circa 1954.

The Summer Dancers stamped by the Estate of Andy Warhol and The Andy Warhol Foundation for the Visual Arts, Inc., New York, initialed “VF” and numbered “334.034” on the reverse; ink, printed ink & Dr. Martin’s Aniline dye on paper; 8 7/8 x 12 5/8 in. (22.5 x 32.1 cm.).

Executed in 1957.

Estimate $6,000-8,000

Estimate $4,000-6,000

Estimate $6,000-8,000

1 5 7. R AY J O H N S O N

1927-19 9 5

158. JANE HAMMOND

B. 1950

Untitled (Greer Garson) signed, inscribed and dated “CHRISTOPHE de MENIL Ray Johnson 1975-1979-1988-89 4.15.94” center right; mixed media collage on board; 12 1/2 x 10 5/8 in. (31.8 x 27 cm.). Executed in 1975-1994.

Untitled (yellow lily) titled “Untitled (yellow lily)” lower lef and signed and dated “Hammond ’99” lower right; ink and watercolor on Gampi paper; 21 x 23 in. (53.3 x 58.4 cm.). Executed in 1999.

Estimate $12,000-18,000

Estimate $4,000-6,000

159. CHRISTINA RAMBERG 19 4 6 -19 9 5

Untitled (Overhead) felt-tip pen and colored pencil on paper; 8 x 5 in.

(20.3 x 12.7 cm.). Executed circa 1968.

Estimate $3,000-5,000

PROPERT Y OF AN IMP ORTANT NE W YORK COLLEC TOR

1 6 0 . R AY Y O S H I D A

1 9 3 0 -2 0 0 9

Baahh! signed and dated “Ray Yoshida ’99” lower right; printed paper collage on paper; 21 1/2 x 29 1/2 in. (54.6 x 74.9 cm.). Executed in 1999.

Estimate $7,000-10,000

161. WILLIAM KENTRIDGE

B. 1955

Haussé Hâtelet oilstick on encyclopedia paper; 12 1/4 x 18 7/8 in. (31.1 x 47.9 cm.). Executed in 1998.

Estimate $12,000-18,000

(i)

(ii)

(iii)

(iv)

162. HUMA BHABHA

B. 1962

Four works: (i-iv) Untitled each signed, titled and dated “Untitled Huma Bhabha 2009” on the reverse; pastel and ink on paper; each 16 1/8 x 12 1/4 in. (41 x 31.1 cm.). Executed in 2009.

Estimate $20,000-30,000

1 6 3 . R I TA A C K E R M A N N

B. 1968

164. HERNAN BAS

B. 1978

Fire By Days XXVIII partially titled “F-B-D XXVIII” lower lef and signed “Rita Ackermann” lower right; oil on paper; 44 x 30 1/2 in. (111.8 x 77.5 cm.). Executed in 2012.

Untitled signed with the artist’s initials and dated “HB 03” lower lef; mixed media on vellum; 14 x 11 in. (35.6 x 27.9 cm.). Executed in 2003.

Estimate $7,000-10,000

Estimate $5,000-7,000

1 6 5 . E L L A K R U G LYA N S K AYA B. 1978

Peeking Bather signed and dated “Ella Kruglyanskaya 2012” on the reverse; graphite on paper; 17 3/4 x 21 in. (45.1 x 53.3 cm.). Executed in 2012.

Estimate $3,000-5,000

1 6 6 . DAV I D S H R I G L E Y

B. 1968

1 6 7. D AV I D S H R I G L E Y

B. 1968

Untitled (Nut house) signed with the artist’s initials and dated “DS 2015” on the reverse; acrylic on paper; 29 7/8 x 22 in.

(75.9 x 55.9 cm.). Executed in 2015.

Untitled (Obelisk) signed with the artist’s initials and dated “DS 2015” on the reverse; acrylic on paper; 29 7/8 x 22 in.

(75.9 x 55.9 cm.). Executed in 2015.

Estimate $6,000-8,000

Estimate $6,000-8,000

168. JULIE MEHRETU

B. 1970

Untitled (Court) ink and oil on Mylar and vellum; 24 x 18 in.

(61 x 45.7 cm.). Executed in 1998.

Estimate $20,000-30,000

169. LUCY DODD

170. RICHARD TUTTLE

B. 1981

The Eye of the Sky is always hovering Humming Bird Feathers Fluttering signed, titled and dated “THE EYE OF THE SKY IS ALWAYS HOVERING HUMMING BIRD FEATHERS FLUTTERING Lucy Dodd 2012/13” on the reverse; mixed media on paper; 22 1/4 x 32 1/4 in. (56.5 x 81.9 cm.).

Executed in 2012-2013, this work is accompanied by a certifcate of authenticity signed by the artist.

B. 1941

Maine Works (1) signed, titled, inscribed and dated ““Maine Works” (1) 1977 64 1/2” center-point Richard Tuttle” on the reverse; watercolor on paper; 7 7/8 x 4 7/8 in. (20 x 12.4 cm.). Executed in 1977.

171. PAU L S I E TS E M A

B. 1968

Untitled ink, watercolor, graphite and tape on paper; 10 1/4 x 15 3/4 in. (26 x 40 cm.). Executed in 2000.

Estimate $8,000-12,000

Estimate $6,000-8,000

Estimate $3,000-5,000

172. MICHAEL WILLIAMS

B. 1978

173. JUAN USLÉ

B. 1954

Dr. Wale Simmons signed, titled and dated “DR. WALE SIMMONS 2011 Michael Williams” on the reverse; airbrush and oil on canvas; 70 x 54 in. (177.8 x 137.2 cm.). Executed in 2011.

lnopia’s Nho signed, titled, inscribed and dated ““INOPIA’S NHO” NHO NY Uslé 95-96” on the reverse; vinyl dispersion and dry pigment on canvas on panel; 12 x 18 in. (30.5 x 45.7 cm.). Executed in 1995-1996.

Estimate $20,000-30,000

Estimate $6,000-8,000

1 74 . B E R N A R D F R I Z E

B. 1954

Barchon signed, titled and dated “Barchon 2008 Bernard FRIZE” on the overlap; acrylic and resin on canvas; 391/2 x 391/2 in. (100.3 x 100.3 cm.). Executed in 2008.

Estimate $12,000-18,000

1 7 5 . P H I L I P P E D E C R AU Z AT

B . 1 9 74

176. LUCIEN SMITH

1 7 7. M A R K F LO O D

B. 1989

On Cover signed, titled and dated “On CoveR M. Decrauzat 2013” on the overlap; acrylic on canvas; 55 1/8 x 39 3/8 in. (140 x 100 cm.). Painted in 2013.

As Good as it Gets signed “Lucien Smith” on the overlap; acrylic on unprimed canvas; 108 x 84 in. (274.3 x 213.4 cm.).

Painted in 2012.

Estimate $10,000-15,000

Estimate $25,000-35,000

B. 1957

Night Games signed, titled, inscribed and dated “3-5-2012 N.Y.C. Mark Flood “NIGHT GAMES”” on the overlap; acrylic on canvas; 84 x 72 in. (213.4 x 182.9 cm.).

Painted in 2012.

Estimate $18,000-22,000

178. ELIZABETH NEEL

B. 1975

Relation of a Journey oil and spray paint on canvas; 76 x 96 in. (193 x 243.8 cm.). Executed in 2011.

Estimate $10,000-15,000

179. F R I E D R I C H K U N AT H

B . 1 974

Wer weiss wo signed and dated “Friedrich Kunath 2009” on the overlap; further signed and dated “Friedrich Kunath 2009” on the reverse; silkscreen print and mixed media on canvas; 78 5/8 x 68 3/4 in. (199.7 x 174.6 cm.). Executed in 2009.

Estimate $12,000-18,000

1 8 0 . VA N H A N O S

B. 1979

Another New Years Painting signed, partially titled, inscribed and dated “Van Hanos Brother of Patrick Hanos Happy New Year 2015 2015” on the overlap; oil on linen; 80 x 48 in.

(203.2 x 121.9 cm.). Painted in 2015.

Estimate $6,000-8,000

181. BRIAN BELOTT

B. 1973

Tondo Puf (green) signed and dated “2016 BBeLott” on the reverse; cotton batting, colorfast paper, acrylic paint, matte medium, and remote control with matte medium, colored sand and stones; diameter 20 3/4 in. (52.7 cm.), depth 4 1/2 in. (11.4 cm.).

Executed in 2016.

182. ALEX BECERRA

B. 1989

183. ALEXANDER TOVBORG

B. 1983

Bar Scene signed, titled, inscribed and dated “ALEX BECeRrA 2015 BAR SCENE And NO Fish NO shirt NO SERVICE” on the reverse; oil on canvas; 64 1/8 x 64 in. (162.9 x 162.6 cm.); Painted in 2015.

Europha signed, titled and dated “Alexander TovBoRg 2016 “EURoPha”” on the reverse; acrylic, watercolor crayon and felt on canvas; 39 x 25 1/2 in. (99.1 x 64.8 cm.). Executed in 2016.

Estimate $8,000-12,000

Estimate $3,000-5,000

Estimate $6,000-8,000

184. AWO L E R I Z K U

B. 1988

Say It Here, While It’s Safe house paint and spray paint on polyurethane; 80 x 72 in. (203.2 x 182.9 cm.). Executed in 2015.

Estimate $12,000-18,000

185. J O S É PA R L Á

B. 1973

186. RICHARD HAMBLETON 1 9 5 2 -2 0 1 7

Playa Girón signed, titled and dated “Playa GiRÓN José Parlá JOSÉ PARLÁ © 2011” on the reverse; further dated “*2011*” on the upper edge; acrylic on panel; 47 1/2 x 71 1/2 in. (120.7 x 181.6 cm.). Executed in 2011.

Untitled signed and dated “R. Hambleton 83” lower right; acrylic on canvas; 74 x 48 in. (188 x 121.9 cm.).

Painted in 1983.

Estimate $25,000-35,000

Estimate $60,000-80,000 PROPERT Y FROM AN IMPORTANT CHICAGO COLLECTION

1 8 7. A N D R E W D A D S O N

B. 1980

Terra Firma signed with the artist’s initials and dated “ADD 13” on the reverse; further signed with the artist’s initials, titled and dated “TERRA FIRMA ADD 13” on the stretcher; oil on canvas; 84 x 60 in. (213.4 x 152.4 cm.). Painted in 2013.

188. KON TRUBKOVICH

B. 1979

Daredevil signed and dated “trubkovich ’13” on the reverse; oil on linen; 84 x 72 in. (213.4 x 182.9 cm.). Painted in 2013.

Estimate $15,000-20,000

Estimate $12,000-18,000

190. JOSH SMITH

189. AARON GARBERM A I K O V S K A B. 1978 Yet-to-be-titled #68 signed and dated “AARON GARBER-MAIKOVSKA Aaroon Garber-Maikovska 2013” on the frame; ink and acrylic on archival Gatorboard, in artist’s frame; 95 x 47 in. (241.3 x 119.4 cm.). Executed in 2013.

Estimate $10,000-15,000

B. 1976

191. TRUDY BENSON

B. 1985

Untitled signed and dated “JSC07473 JOSH SMITH 2007” on the reverse; acrylic, newsprint and printed paper collage on panel; 48 x 36 in. (121.9 x 91.4 cm.).

Executed in 2007.

Flame in Cave signed, titled and dated “Trudy Benson FLAME IN CAVE 2016” on the reverse; acrylic, enamel and oil on canvas; 61 x 68 in. (154.9 x 172.7 cm.). Executed in 2016.

Estimate $10,000-15,000

Estimate $7,000-10,000

192. SEBASTIAN BLACK

B.19 8 5

Pink Blink signed and dated “SEBASTIAN BLACK 2013” on the reverse; oil on linen; 36 x 27 in. (91.4 x 68.6 cm.).

Painted in 2013.

Estimate $12,000-18,000

(i)

(i)

(ii)

193. UGO RONDINONE

B. 1964

Two works: (i) Clockwork for Oracles (Aqua); (ii) Clockwork for Oracles (Magenta) (ii) signed and dated “ugo rondinone 2002” on the reverse; mirror, colored plastic gel and wood; each 30 1/4 x 26 1/4 in. (76.8 x 66.7 cm.). Executed in 2002.

Estimate $10,000-15,000

1 9 4 . J E A N - M A R C B U STA M A N T E

(ii)

195. CHEYNEY THOMPSON

B. 1952

B. 1975

Panorama (Valentine) silkscreen on Plexiglas with metal brackets, in 3 parts; each 72 x 37 x 1 in. (182.9 x 94 x 2.5 cm.) installation dimensions 72 x 114 x 1 in. (182.9 x 289.6 x 2.5 cm.). Executed in 1999.

Two works: (i-ii) 1998 each signed, titled and dated ““1998” Cheyney Thompson 2004” on the overlap; acrylic on linen; each 30 x 30 in. (76.2 x 76.2 cm.). Painted in 2004.

Estimate $12,000-18,000

Estimate $8,000-12,000

196. ALEX HUBBARD

B. 1975

Untitled resin and fberglass on steel; 42 x 39 in. (106.7 x 99.1 cm.). Executed in 2010.

Estimate $8,000-12,000

1 9 7. M AT T H E W C H A M B E R S B. 1982

1 9 8 . S A M FA L L S

B. 1984

Providing Superbly Articulate Answers while not Raising Questions signed and dated “Matthew Chambers 2013” on the reverse; fabric dye and acrylic on canvas; 96 x 48 in. (243.8 x 121.9 cm.). Executed in 2013.

Untitled (Pattern 2) signed and dated “Sam Falls 2013” on the reverse; fabric dye on linen with grommets; 73 5/8 x 53 7/8 in.

(199.7 x 136.8 cm.). Executed in 2013, this work is unique. This work is accompanied by a certifcate of authenticity signed by the artist.

Estimate $5,000-7,000

Estimate $5,000-7,000

199. JACQUELINE HUMPHRIES B. 1960

200. JOHN F SIMON JR

B. 1963

201. UWE KOWSKI

B. 1963

Untitled signed and dated “J. Humphries 1988” on the reverse; oil on linen; 16 x 16 in. (40.6 x 40.6 cm.).

Painted in 1988.

Moment of Discovery signed and dated “2013 JR” on the reverse; high density urethane, Trupan, acrylic, Flashe and plastic laminate; 19 1/2 x 24 x 2 1/2 in. (49.5 x 61 x 6.4 cm.). Executed in 2013.

BILD signed and dated “Kowski 06” lower right; further signed, titled and dated “U.KOWSKi BILD 2006” on the reverse; oil on canvas; 43 1/4 x 59 1/4 in. (109.9 x 150.5 cm.). Painted in 2006.

Estimate $3,000-5,000

Estimate $4,000-6,000

Estimate $10,000-15,000

202. TOM SACHS

B. 1966

F-You signed and titled “Tom Sachs F YOU” on the reverse; cardboard, duct tape, wire, vinyl, spray paint, nail polish, and vice grips; 13 1/8 x 8 5/8 x 3 1/2 in.

(33.3 x 21.9 x 8.9 cm.). Executed in 1996.

Estimate $5,000-7,000

2 0 3 . N I C K VA N W O E RT

B. 1979

Not Yet Titled 4 fberglass statue and polyurethane; 32 1/2 x 28 1/2 x 12 1/2 in. (82.6 x 72.4 x 31.8 cm.). Executed in 2011.

Estimate $8,000-12,000

204. NEIL RAITT

B. 1986

Desert Glow (Sherif) signed and dated “Neil Raitt ‘15” on the overlap; oil and acrylic on canvas; 94 1/2 x 71 in. (240 x 180.3 cm.). Painted in 2015.

Estimate $8,000-12,000

205. H U G H S C OT T-D O U G L A S B. 1988

Chopped Bills dye sublimation on linen, in 2 parts; each 78 3/4 x 39 3/8 in. (200 x 100 cm.), overall 78 3/4 x 78 3/4 in.

(200 x 200 cm.). Executed in 2014, this work is unique.

2 0 6 . F R E D R I K VÆ R S L E V

B. 1979

Untitled (Drøbak Kunstforening #11) signed and dated “Fredrik Værslev 2013” on the overlap; acrylic on canvas; 81 1/2 x 51 1/4 in. (207 x 130.2 cm.). Painted in 2013.

Estimate $12,000-18,000

2 0 7. L I A M E V E R E T T

B. 1973

Untitled (Ngwah) signed and dated “Liam Everett 2015” on the stretcher; acrylic, enamel, alcohol, and salt on oil primed linen; 78 1/2 x 58 in. (199.4 x 147.3 cm.).

Executed in 2015.

Estimate $7,000-10,000

Estimate $18,000-22,000

208. HAROLD ANCART

B. 1980

Two works: (i-ii) Untitled (Beach) each signed and dated “Harold Ancart 2013” on the reverse; oilstick and soot on chromogenic print, in artist’s frame; each 16 1/2 x 20 1/2 in. (41.9 x 52.1 cm.).

Executed in 2013.

Estimate $18,000-22,000

209. HAROLD ANCART

B. 1980

Untitled oilstick on paper; 28 1/4 x 22 5/8 in. (71.8 x 57.5 cm.).

Executed in 2008.

Estimate $10,000-15,000

210. DANIEL LEFCOURT

B. 1975

Double Imposition acrylic on board, in 3 parts; installation dimensions 90 1/2 x 74 x 12 in. (229.9 x 188 x 30.5 cm.). Executed in 2007.

Estimate $5,000-7,000

211. DANIEL LEFCOURT

B. 1975

Plot Fill XI acrylic on board; 34 5/8 x 25 7/8 in. (87.9 x 65.7 cm.).

Executed in 2009.

Estimate $4,000-5,000 PROPERT Y FROM AN IMP ORTANT PRIVATE COLLEC TION

2 1 2 . R O B E R T K E L LY

B. 1956

Mimesis XXI signed, titled and dated “Mimesis XXI © R Kelly 2005” on the reverse; further signed “© R Kelly” on the stretcher; oil and mixed media on canvas; 80 x 64 in. (203.2 x 162.6 cm.). Executed in 2005.

Estimate $8,000-12,000 PROPERT Y FROM AN IMP ORTANT CHIC AGO COLLEC TION

2 1 3 . R O B E R T K E L LY

B. 1956

Quemado VII signed, titled and dated “Quemado VII © R Kelly 2001/2002” on the reverse; further signed and dated “© R Kelly 2001/2002” on the stretcher; oil and mixed media on canvas; 80 x 100 in. (203.2 x 254 cm.). Executed in 2001-2002.

Estimate $6,000-8,000 PROPERT Y FROM AN IMP ORTANT CHIC AGO COLLEC TION

• 214. NICK MAUSS

B. 1980

• 215. NICK MAUSS

B. 1980

Untitled signed and dated “nick mauss 2013” on the reverse; glazed ceramic; 15 3/4 x 23 1/2 in. (40 x 59.7 cm.).

Executed in 2013.

Untitled signed and dated “nick mauss 2013” on the reverse; glazed ceramic; 23 5/8 x 16 1/4 in. (60 x 41.3 cm.).

Executed in 2013.

Estimate $5,000-7,000

Estimate $5,000-7,000

2 1 6 . M AYA G O L D

(B. 1978)

Seven twenty-two signed and dated “Maya Gold 2008” on the overlap; further signed, titled and dated ““seven twenty-two” 07:22 Maya Gold 2008” on the stretcher; oil on canvas; 30 x 35 3/8 in. (76.2 x 89.9 cm.). Painted in 2008.

Estimate $5,000-7,000

2 1 7. A LY S O N S H O T Z

B. 1964

218. MICHAEL BAUER

B. 1973

Organic Bloom signed and dated “A. Shotz 2003” on the reverse; oil, gouache, ink, collage and resin on panel; 92 x 72 in. (233.7 x 182.9 cm.). Executed in 2003.

Sutclifer J. - H.S.O.P. - 38/39 signed and dated “M Bauer 2012” on the reverse; oil on canvas; 72 x 60 in. (182.9 x 152.4 cm.).

Painted in 2012.

Estimate $6,000-8,000

Estimate $5,000-7,000

219. KRIS COX

B. 1951

Bone Diptych from the series Post Concentric Episode each signed and dated “Kris Cox 2011” on the reverse; pigmented wood putty, acrylic and Dorland’s wax medium on panel, diptych; each 75 x 61 in. (190.5 x 154.9 cm.), overall 75 x 122 in.

(190.5 x 309.9 cm.). Executed in 2011.

Estimate $2,000-3,000 PROPERT Y FROM AN IMPORTANT CHICAGO COLLEC TION

220. JAN PLEITNER

B. 1984

Entrance of the Hall signed and dated “Jan Pleitner 2014 Jan Pleitner 2014” on the reverse; oil on canvas; 66 7/8 x 47 1/4 in.

(169.9 x 120 cm.). Painted in 2014.

Estimate $3,000-5,000

221. S E R G E AT T U K W E I C LOT T E Y B. 1985 Missing and Tracing Links IX signed and dated “Attukwei Clottey 2015” on the reverse; plastic, wire and used tire strips; 49 x 50 1/2 in. (124.5 x 128.3 cm.). Executed in 2015.

Estimate $3,000-5,000

2 2 2 . D Y L A N LY N C H

B. 1987

Napoleon Complex acrylic on steel; 27 x 23 x 25 in. (68.6 x 58.4 x 63.5 cm.). Executed in 2013.

Estimate $2,000-3,000

223. WILL RYMAN

B. 1969

Untitled #14 papier-mâché, PVC pipe, wire mesh and wood; 130 x 20 x 19 1/2 in. (330.2 x 50.8 x 49.5 cm.).

Executed in 2005.

Estimate $10,000-15,000

2 2 4 . A N G U S FA I R H U R S T

1 9 6 6 -2 0 0 8

Untitled incised with the artist’s signature “A. Fairhurst” and stamped with the number “3/6” on the underside; bronze; 16 1/4 x 13 5/8 x 17 1/2 in. (41.3 x 34.6 x 44.5 cm.). Executed in 2007, this work is number 3 from an edition of 6 plus 2 artist’s proofs.

225. JOE ANDOE

B. 1955

Untitled signed “Joe Andoe” lower right; oil on canvas; 70 x 84 in. (177.8 x 213.4 cm.). Painted in 1995.

Estimate $4,000-6,000

Estimate $20,000-30,000

226. CHÉRI SAMBA

B. 1956

2 2 7. R O B E RT W I L L I A M S

B. 1943

Live Dans Les Sous-Sols Du Rex signed and dated “Chéri Samba 1982” lower lef; acrylic on canvas; 37 1/8 x 78 3/4 in. (94.3 x 200 cm.).

Painted in 1982.

The Whoopee Hat signed and dated “RO’BT. WMS. ‘03” lower right; oil on canvas; 48 x 60 in. (121.9 x 152.4 cm.). Painted in 2003.

Estimate $30,000-40,000

Estimate $20,000-30,000

228. ROBERT WILLIAMS

B. 1943

Guns Don’t Kill, Bullets Do signed “ROBT. WMS.” lower right; oil on canvas; 20 x 24 in. (50.8 x 61 cm.). Painted in 1988.

Estimate $8,000-12,000

229. DALE LEWIS

230. FRITZ SCHOLDER

Tarka Dal signed, titled and dated “‘TARKA DAL’ ‘2016’ D. Lewis,” on the reverse; oil, acrylic and spray paint on canvas; 78 3/4 x 157 1/2 in. (200 x 400.1 cm.).

Executed in 2016.

Entity No. 1 signed “Scholder” upper lef; acrylic on canvas; 80 x 68 in. (203.2 x 172.7 cm.). n.d.

Estimate $6,000-8,000

1 9 3 7-2 0 0 5

Estimate $20,000-30,000 PROPERT Y FROM AN IMPORTANT CHICAGO COLLEC TION

S A L E I N F O R M AT I O N

Auction and Viewing Location 450 Park Avenue New York 10022

Auction License 2013224

Auction 24 September at 11am

Auctioneers Hugues Joffre - 2028495 Sarah Krueger - 1460468 Henry Highley - 2008889 Adam Clay - 2039323 Jonathan Crockett - 2056239 Samuel Mansour - 2059023 Rebecca Tooby-Desmond - 2058901 Susan Abeles - 2074459 Aurel Bacs – 2047217 Blake Koh – 2066237 Susannah Brockman – 2058779 Rebekah Bowling - 2078967

Viewing 16 – 23 September Monday – Saturday 10am – 6pm Sunday 12pm – 6pm Sale Designation When sending in written bids or making enquiries please refer to this sale as NY010619 or New Now. Absentee and Telephone Bids tel +1 212 940 1228 fax +1 212 924 1749 bidsnewyork@phillips.com 20th Century & Contemporary Art Department Head of Sale Sam Mansour +1 212 940 1219 smansour@phillips.com Cataloguer Avery Semjen +1 212 940 1207 asemjen@phillips.com Administrator Flavia Grilli +1 212 940 1227 fgrilli@phillips.com Property Manager Graham Wilson +1 212 940 1321 gwilson@phillips.com

Catalogues catalogues@phillips.com New York +1 212 940 1240 London +44 20 7318 4024 Hong Kong +852 2318 2000 $35/€25/£22 at the gallery Client Accounting Sylvia Leitao +1 212 940 1231 Michael Carretta +1 212 940 1232 Buyer Accounts Dawniel Perry +1 212 940 1317 Seller Accounts Carolina Swan +1 212 940 1253 Client Services 450 Park Avenue +1 212 940 1200 Shipping Steve Orridge +1 212 940 1370 Anaar Desai +1 212 940 1320 Daren Khan +1 212 940 1335 Photographers Kent Pell Matthew Kroening Jean Bourbon Front cover Keith Haring, Untitled (Three Dancing Figures), Version A, 1989, lot 70. This reproduction is of another example of this work kindly provided by the Keith Haring Foundation for the purpose of this catalogue. © The Keith Haring Foundation Inside front cover Nicolas Party, Portrait, 2014 (detail), lot 61.

Bernar Venet, 222.5° Arc x 4, 2001, lot 38 © 2019 Bernar Venet/ Artists Rights Society (ARS), New York/ADAGP, Paris.

Jacqueline Humphries, Untitled, 2008 (detail), lot 31. © Jacqueline Humphries KAWS, PINOCCHIO, 2017, lot 66. © KAWS Inside back cover Ed Ruscha, High-Speed Gardening, 1989 (detail), lot 71 © Ed Ruscha.

Back cover Frank Stella, Narowla II, 1971, lot 54 © 2019 Frank Stella/Artists Rights Society (ARS), New York.

photographs NEW YORK AUCTION 1 OCTOBER 2019 VIEWING 26 – 30 September 450 Park Avenue, New York ENQUIRIES +1 212 940 1245 photographs@phillips.com

The Feminist Thread: Photographs from the Collection of Helen Kornblum Hannah Wilke S.O.S. Starifcation Object Series, 1974

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20th Century & Contemporary Art LO N D O N D AY & E V E N I N G S A L E S 3 & 4 OCTOBER 2019 VIEWING 27 September - 4 October 2019 30 Berkeley Square, London ENQUIRIES contemporaryartlondon@phillips.com +44 20 7318 4050

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Luc Tuymans The Exorcist signed and dated ‘Luc Tuymans 007’ on the reverse oil on canvas 84.8 x 118.4 cm (33 3/8 x 46 5/8 in.)

Painted in 2007. © Luc Tuymans.

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Pre-Sale Estimates Pre-sale estimates are intended as a guide for prospective Buyers and are based upon the condition, rearity, quality, provenance of the lot, and on prices recently paid at auction for similar property. Any bid within the high and low estimate range should, in our opinion, offer a chance of success. However, many lots achieve prices below or above the pre-sale estimates.

Where “Estimate on Request” appears, please contact the specialist department for further information.

It is advisable to contact us closer to the time of the auction as estimates can be subject to revision. Pre-sale estimates do not include the buyer’s premium or any applicable taxes.

All Lots are Subject to ‘Buyer’s Premium’ Phillips charges the successful bidder a commission, or buyer’s premium, on the hammer price of each lot sold.

The buyer’s premium is payable by the buyer as part of the total purchase price at the following rates: 25% of the hammer price up to and including $400,000, 20% of the portion of the hammer price above $400,000 up to and including $4,000,000 and 13.5% of the portion of the hammer price above $4,000,000.

Condition and Condition Reports Phillips does not warrant or guarantee condition on any lot. Solely as a convenience to clients, Phillips may provide condition reports on many lots, which are also available online on the lot detail pages. If there is not a condition report available, that is not a representation that a lot is in perfect condition. While condition reports are prepared honestly and carefully, our staff are not professional restorers or trained conservators. We therefore encourage all prospective buyers to inspect all lots at our pre-sale exhibitions, and contact our staff with any questions.

Bidding at Auction The auctioneer may, at his or her own option, bid on behalf of the seller up to, but not including the lot’s reserve or above the reserve, either by making consecutive bids or by making bids in response to other bidders. The auctioneer will not identify these bids made on behalf of the seller. You may bid in the auction in person, online, on the phone, or by placing an absentee

bid. The easiest way to arrange or register to bid at auction is to set up a client account online. Go to our homepage, phillips.com and fill out the account form.

When you want to register for an auction, click Register on sale pages or lot detail pages, and you’ll confirm your account details, be asked for a credit card number for identification purposes and our Bids Department will process your request. We recommend registering at least 24 hours prior to sale to ensure that you can bid.

Good luck!

you are contemplating bidding on a lot which is the subject of a third party guarantee and you are being advised by someone or if you have asked someone to bid on your behalf you should always ask them to confirm whether or not they have a financial interest in the lot.

Transport and Shipping As a free service for buyers, Phillips will wrap purchased lots for hand carry only. Alternatively, we will either provide packing, handling and shipping services or coordinate with shipping agents in order to facilitate such services for property purchased at Phillips. In the event that the property is collected in New York by the buyer or the buyer’s designee (including any private carrier) for subsequent transport out of state, Phillips may be required by law to collect New York sales tax, regardless of the lot’s ultimate destination. Please refer to Paragraph 17 of the Conditions of Sale for more information.

• No Reserve Unless indicated by a •, all lots in this catalogue are offered subject to a reserve. A reserve is the confidential value established between Phillips and the seller and below which a lot may not be sold. The reserve for each lot will not exceed the low pre-sale estimate.

Some lots are sold under special conditions. Phillips uses the following symbols to designate these lots: O Guaranteed Property Lots designated with the symbol [O] are the subject of a minimum price guarantee. In such cases Phillips has guaranteed to the seller of the lot that regardless of the outcome of the sale the seller shall receive no less than a minimum sum. This guarantee may be provided solely

by Phillips or jointly with a third party. ♦ Third Party Guarantee Where Phillips has agreed to a minimum price guarantee it assumes the financial risk of a lot failing to sell or selling for less than the minimum price guarantee.

Because the sums involved can be significant Phillips may choose to share the burden of that financial risk with a third party. The third party shares the risk by committing in advance of the sale, usually by way of a written bid, to buy the lot for an agreed amount whether or not there are competing bidders for the lot. If there are competing bidders third party guarantors may also bid above any written bid. In this way the third party guarantor assumes the risk of the bidding not reaching the amount of the minimum price guarantee.

In return for underwriting or sharing this risk Phillips will usually compensate the third party. The compensation may be in the form of a fixed fee or an amount calculated by reference to the hammer price of the lot. If the third party guarantor is the successful bidder they will be required to pay the full hammer price and buyer’s premium and will not be otherwise compensated.

Disclosure of financial interest by third parties Phillips requires third party guarantors to disclose their financial interest in the lot to anyone whom they are advising. If

Δ Property in Which Phillips Has an Ownership Interest Lots with this symbol indicate that Phillips owns the lot in whole or in part or has an economic interest in the lot equivalent to an ownership interest.

Σ Regulated Species Items made of or incorporating certain designated plant or animal material, including but not limited to coral, crocodile, ivory, whalebone, Brazilian rosewood, rhinoceros horn or tortoiseshell, (irrespective of age, percentage, or value), may require a license or certificate prior to exportation and additional licenses or certificates upon importation to any foreign country.

Please note that the ability to obtain an export license or certificate does not ensure the ability to obtain an import license or certificate in another country, and vice versa. We recommend that prospective bidders check with their own local restrictions regarding such requirements prior to placing a bid. It is the buyer’s sole responsibility to obtain any necessary export or import licenses or certificates as well as any other required documentation. Please note that lots containing potentially regulated plant or animal material are marked as a convenience to our clients, but Phillips does not accept liability for errors or for failing to mark lots containing protected or regulated species.

Privacy Our Privacy Policy is available at www.phillips.com or by emailing dataprotection@phillips.com and sets out: (i) the types of personal data we will or may collect and process; (ii) the purposes for which we will or may process your personal data; (iii) the lawful bases we rely on when processing your personal data; (iv) your rights in respect of our processing of your personal data; and (v) various other information as required by applicable laws.

Phillips premises, sale, and exhibition venues are subject to CCTV video surveillance and recording for security, client service and bid monitoring purposes. Phillips’ auctions will be filmed for simultaneous live broadcast on Phillips’ and third party websites and applications.

Your communications with Phillips, including by phone and online (e.g. phone and on-line bidding) may be recorded for security, client service and bid monitoring purposes. Where we record such information we will process it in accordance with our Privacy Policy.

INDEX

Abney, N. C. 7

Dadson, A. 187

Hughes, S. 11

Oldenburg, C. 45, 46

Simon Jr, J. F. 200

Ackermann, R. 163

Dávila, J. 105

Humphries, J. 31, 199

Ortega, D. 141

Smith, D. 89, 90

Adams, D. 9

Decrauzat, P. 175

Overton, V. 134

Smith, J. 190

Albers, J. 50

Diebenkorn, R. 88

Amighi, A. 150

Dine, J. 47

Ancart, H. 208, 209

Dodd, L. 169

Andoe, J. 225

Douglas, S. 133

Andrews, K. 112

Dzubas, F. 75

Araki, N. 129

Smith, K. 96

Johnson, R. 157 Palma, M. 148

Smith, L. 176

KAWS 66–69

Pardo, J. 138

Soth, A. 125, 126

Kelly, R. 212, 213

Parker, E. 18

Stamos, T. 80

Kentridge, W. 161

Parlá, J. 185

Stella, F. 43, 54

Kiefer, A. 37

Party, N. 2, 61, 72

Sugimoto, H. 121, 122

Arman 51, 52

Erizku, A. 184

Kim, B. 114

Penone, G. 40

Arnoldi, C. 82, 83

Ethridge, R. 131

Kowski, U. 201

Pleitner, J. 220

Tal R 34

Evans, C. W. 135

Kruglyanskaya, E. 165

Polke, S. 30

Thompson, C. 195

Everett, L. 207

Kunath, F. 179

Poons, L. 81

Tomaselli, F. 119

Kusaka, S. 27

Pour, K. 151

Tovborg, A. 183

Baechler, D. 74 Bas, H. 164

Trubkovich, K. 188

Kusama, Y. 28, 29

Bass, M. 14

Fairhurst, A. 224

Bauer, M. 218

Falls, S. 198

Beavers, G. 3

Figgis, G. 4

LaChapelle, D. 130

Becerra, A. 182

Fishman, L. 100

Bell, L. 98

Flood, M. 177

Belott, B. 181

Quinlan, E. 132

Tuttle, R. 170

Lambie, J. 111

Raitt, N. 204

Ufan, L. 26

Lawler, L. 116

Ramberg, C. 159

Uslé, J. 173

Fontana, L. 108

Lefcourt, D. 210, 211

Resnick, M. 76

Benning, S. 104

Fordjour, D. 62

Léger, F. 86

Reyle, A. 110

Værslev, F. 206

Benson, T. 191

Francis, S. 55, 93

Lewis, D. 229

Rickey, G. 39

Van Woert, N. 203

Bernhardt, K. 12, 13

Frize, B. 174

LeWitt, S. 94, 95

Rivers, L. 49

Venet, B. 38

Los Carpinteros 147

Rondinone, U. 73, 109, 193

Villareal, L. 137

Lynch, D. 222

Ruby, S. 33

Bhabha, H. 162 Black, S. 192

Gaillard, C. 19

Bolotowsky, I. 77

Garaicoa, C. 145

Ruf, T. 118

Warhol, A. 153–156

Bustamante, J. 194

Garber-Maikovska, A. 189

Marca-Relli, C. 78, 79

Ruscha, E. 71

Waters, J. 113

Gates, T. 35, 36

Mauss, N. 214, 215

Ryman, W. 223

Welling, J. 120, 123, 124

Cain, S. 152

Gilliam, S. 91, 92

Mehretu, J. 168

Calder, A. 56, 57, 85, 87

Gokita, T. 5, 6, 17

Melotti, F. 107

Saban, A. 101

Whitney, S. 24

Cárdenas, A. 142

Gold, M. 216

Mendive, M. 143, 144

Sachs, T. 202

Williams, M. 22, 172

Chadwick, R.A., L. 64

Gordon, D. 117

Minoliti, A. 16

Samba, C. 226

Williams, R. 227, 228

Chamberlain, J. 44, 53

Graham, D. 106

Minter, M. 127

Sanchez, E. 146

Chambers, M. 197

Graves, N. 99

Muniz, V. 115

Saraceno, T. 140

Yang, H. 25

Churchman, L. 15

Greenfeld-Sanders, I. 128

Murakami, T. 21

Scholder, F. 230

Yoshida, R. 160

Clottey, S. A. 221

Grosse, K. 32

Scott-Douglas, H. 205

Youngblood, B. 10

Comte, C. 103

Wesselmann, T. 58–60

Nara, Y. 20

Segal, G. 48

Cox, K. 219

Halley, P. 23, 97

Navarro, I. 136

Self, T. 8

Curtiss, J. 1

Hambleton, R. 186

Neel, E. 178

Shafe, H. 149

Hammond, J. 158

Neto, E. 139

Shonibare CBE, Y. 63

Hanos, V. 180

Nevelson, L. 41, 42

Shotz, A. 217

Haring, K. 70

Shrigley, D. 166, 167

Holloway, E. 65

Sietsema, P. 171

Hubbard, A. 196

Sillman, A. 102

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