New York, 26 September 2018
NY_NEW NOW_SEPT18_COVER_BL.indd 4
27/08/18 12:03
© Urs Fischer. Courtesy of the artist and Sadie Coles HQ, London. Photo: Stefan Altenburger
00. artist
NY_NEW NOW_SEPT18_IFC+IBC.indd 2
27/08/18 12:03
55. Urs Fischer
NY_NEW NOW_SEPT18_IFC+IBC.indd 1
25/08/18 13:46
Executives.
Ed Dolman
Cheyenne Westphal
Chief Executive Ofcer +1 212 940 1241 edolman@phillips.com
Chairman +44 20 7318 4044 cwestphal@phillips.com
Š Brigitte Lacombe
20th Century & Contemporary Art.
Jean-Paul Engelen
Robert Manley
Worldwide Co-Head of 20th Century & Contemporary Art, Deputy Chairman +1 212 940 1390 jpengelen@phillips.com
Worldwide Co-Head of 20th Century & Contemporary Art, Deputy Chairman +1 212 940 1358 rmanley@phillips.com
Senior Advisors.
Hugues Jofre
Arnold Lehman
Ken Yeh
Senior Advisor to the CEO +44 207 901 7923 hjofre@phillips.com
Senior Advisor to the CEO +1 212 940 1385 alehman@phillips.com
Senior International Specialist +1 212 940 1257 kyeh@phillips.com
Deputy Chairmen.
Svetlana Marich
Jonathan Crockett
Peter Sumner
Miety Heiden
Worldwide Deputy Chairman +44 20 7318 4010 smarich@phillips.com
Deputy Chairman, Asia, Head of 20th Century & Contemporary Art, Asia +852 2318 2023 jcrockett@phillips.com
Deputy Chairman, Europe, Senior International Specialist +44 20 7318 4063 psumner@phillips.com
Deputy Chairman, Head of Private Sales +44 20 7901 7943 mheiden@phillips.com
Alexander Payne
Vanessa Hallett
Vivian Pfeifer
Marianne Hoet
Deputy Chairman, Europe, Worldwide Head of Design +44 20 7318 4052 apayne@phillips.com
Deputy Chairman, Americas, Worldwide Head of Photographs +1 212 940 1243 vhallett@phillips.com
Deputy Chairman, Americas, Head of Business Development, Americas +1 212 940 1392 vpfeifer@phillips.com
Deputy Chairman, Europe Senior Specialist of 20th Century & Contemporary Art +32 3257 3026 mhoet@phillips.com
NY_NEW NOW_SEPT18_2-83_BL.indd 2
25/08/18 13:58
New York.
Amanda Lo Iacono
Scott Nussbaum
Rachel Adler Rosan
Kevie Yang
Head of Department +1 212 940 1354 snussbaum@phillips.com
Senior Specialist +1 212 940 1333 radlerrosan@phillips.com
Senior Specialist +1 212 940 1254 kyang@phillips.com
Head of Evening Sale +1 212 940 1278 aloiacono@phillips.com
Katherine Lukacher
Annie Dolan
Olivia Kasmin
Head of Online Sales +1 212 940 1215 klukacher@phillips.com
Cataloguer +1 212 940 1260 adolan@phillips.com
Cataloguer +1 212 940 1312 okasmin@phillips.com
John McCord
Rebekah Bowling
Sam Mansour
Head of Day Sale, Morning +1 212 940 1261 jmccord@phillips.com
Head of Day Sale, Afernoon Head of New Now Sale +1 212 940 1219 +1 212 940 1250 smansour@phillips.com rbowling@phillips.com
Carolyn Mayer
Maiya Aiba
Avery Semjen
Patrizia Koenig
Cataloguer +1 212 940 1206 cmayer@phillips.com
Cataloguer +1 212 940 1387 maiba@phillips.com
Cataloguer +1 212 940 1207 asemjen@phillips.com
Researcher/Writer +1 212 940 1279 pkoenig@phillips.com
London.
Dina Amin
Nathalie Zaquin-Boulakia Jonathan Horwich
Matt Langton
Rosanna WidĂŠn
Henry Highley
Tamila Kerimova
Head of Department +44 20 7318 4025 damin@phillips.com
International Specialist +44 20 7901 7931 nzaquin-boulakia@phillips.com
Senior Specialist +44 20 7901 7935 jhorwich@phillips.com
Senior Specialist +44 20 7318 4074 mlangton@phillips.com
Senior Specialist +44 20 7318 4060 rwiden@phillips.com
Head of Evening Sale +44 20 7318 4061 hhighley@phillips.com
Head of Day Sale +44 20 7318 4065 tkerimova@phillips.com
Simon Tovey
Kate Bryan
Lisa Stevenson
Charlotte Gibbs
Head of New Now Sale +44 20 7318 4084 stovey@phillips.com
Specialist +44 20 7318 4050 kbryan@phillips.com
Cataloguer +44 20 7318 4093 lstevenson@phillips.com
Cataloguer +44 20 7901 7993 cgibbs@phillips.com
Isaure de Viel Castel
Sandy Ma
Charlotte Raybaud
Danielle So
Delissa Handoko
Head of Department, Asia +852 2318 2025 isauredevielcastel @phillips.com
Head of Evening Sale +852 2318 2025 sma@phillips.com
Head of Day Sale +852 2318 2026 craybaud@phillips.com
Cataloguer +852 2318 2027 dso@phillips.com
Cataloguer +852 2318 2000 dhandoko@phillips.com
Hong Kong.
NY_NEW NOW_SEPT18_2-83_BL.indd 3
25/08/18 13:59
International Specialists & Regional Directors. Americas.
Cândida SodrÊ
Carol Ehlers
Lauren Peterson
Melyora de Koning
Blake Koh
Regional Director, Consultant, Brazil +55 21 999 817 442 csodre@phillips.com
Regional Director, Specialist, Photographs, Chicago +1 773 230 9192 cehlers@phillips.com
Regional Representative, Chicago +1 310 922 2841 lauren.peterson@ phillips.com
Senior Specialist, 20th Century & Contemporary Art, Denver +1 917 657 7193 mdekoning@phillips.com
Regional Director, Los Angeles +1 323 383 3266 bkoh@phillips.com
Kaeli Deane
Valentina Garcia
Cecilia Lafan
Maura Smith
Silvia Coxe Waltner
Head of Latin American Art, Los Angeles +1 212 940 1352 kdeane@phillips.com
Specialist, Miami +1 917 583 4983 vgarcia@phillips.com
Regional Director, Consultant, Mexico +52 1 55 5413 9468 crayclafan@phillips.com
Regional Director, Palm Beach +1 508 642 2579 maurasmith@phillips.com
Regional Director, Seattle +1 206 604 6695 scwaltner@phillips.com
Laurence Calmels
Maria Cifuentes
Laurence Barret-Cavy
Dr. Nathalie Monbaron
Dr. Alice Trier
Regional Director, France +33 686 408 515 lcalmels@phillips.com
Specialist, 20th Century & Contemporary Art, France +33 142 78 67 77 mcifuentes@phillips.com
Specialist, 20th Century & Contemporary Art, Paris +41 22 317 81 83 nmonbaron@phillips.com
Regional Director, Geneva +41 22 317 81 83 nmonbaron@phillips.com
Specialist, 20th Century & Contemporary Art, Germany +49 173 25 111 69 atrier@phillips.com
Clarice Pecori Giraldi
Carolina Lanfranchi
Maura Marvao
Kalista Fenina
Julia Heinen
Advisory Services Director, Italy +39 02 86 42 453 cpecorigiraldi@phillips.com
Senior International Specialist, 20th Century & Contemporary Art, Regional Director, Italy +39 338 924 1720 clanfranchi@phillips.com
International Specialist, Consultant, 20th Century & Contemporary Art, Portugal and Spain +351 917 564 427 mmarvao@phillips.com
Specialist, 20th Century & Contemporary Art, Moscow +7 905 741 15 15 kfenina@phillips.com
Specialist, 20th Century & Contemporary Art, Regional Director, Zurich +41 79 694 3111 jheinen@phillips.com
Europe.
Asia.
Kyoko Hattori
Jane Yoon
Sujeong Shin
Wenjia Zhang
Alicia Zhang
Cindy Yen
Meiling Lee
Iori Endo
Regional Director, Japan +81 90 2245 6678 khattori@phillips.com
International Specialist, 20th Century & Contemporary Art, Regional Director, Korea +82 10 7389 7714 jyy@phillips.com
Associate Regional Representative, Korea +82 10 7305 0797 sshin@phillips.com
Regional Director, Shanghai +86 13911651725 wenjiazhang@phillips.com
Associate Regional Representative, Shanghai +86 139 1828 6589 aliciazhang@phillips.com
Senior Specialist, Watches & Jewellery, Taiwan +886 2 2758 5505 cyen@phillips.com
International Specialist, Taiwan +886 908 876 669 mlee@phillips.com
Regional Representative, Japan +44 20 7318 4039 iendo@phillips.com
NY_NEW NOW_SEPT18_2-83_BL.indd 4
25/08/18 13:59
Business Development. Americas.
Europe.
Asia.
Vivian Pfeifer
Guy Vesey
Lilly Chan
Deputy Chairman, Americas and Head of Business Development, Americas +1 212 940 1392 vpfeifer@phillips.com
Head of Business Development & Marketing, Europe +44 20 7901 7934 gvesey@phillips.com
Managing Director, Asia & Head of Business Developmenting, Asia +852 2318 2022 lillychan@phillips.com
Client Advisory. New York.
London.
Philae Knight
Yassaman Ali
Vera Antoshenkova
Giulia Campaner Mendes
Client Advisory Director +1 212 940 1313 pknight@phillips.com
Client Advisory Director +44 20 7318 4056 yali@phillips.com
Client Advisory Manager +44 20 7901 7992 vantoshenkova@phillips.com
Associate Client Advisory Manager +44 20 7318 4058 gcampaner@phillips.com
NY_NEW NOW_SEPT18_2-83_BL.indd 5
25/08/18 13:59
43.00. Lisa Yuskavage artist
NY_NEW NOW_SEPT18_2-83_BL.indd 6
27/08/18 11:57
New Now New York, 26 September 2018 Auction & Viewing Location 450 Park Avenue New York 10022 Auction Wednesday, 26 September 2018, 11am Viewing 17 – 25 September 21 September by Appointment Monday – Friday 10am – 6pm Saturday 12pm – 6pm Sunday 10am – 6pm Sale Designation When sending in written bids or making enquiries please refer to this sale as NY010618 or New Now. Absentee and Telephone Bids tel +1 212 940 1228 fax +1 212 924 1749 bidsnewyork@phillips.com
NY_NEW NOW_SEPT18_2-83_BL.indd 7
20th Century & Contemporary Art Department Head of Sale Sam Mansour +1 212 940 1219 smansour@phillips.com
Cataloguer Avery Semjen +1 212 940 1207 asemjen@phillips.com
Administrator Flavia Grilli +1 212 940 1227 fgrilli@phillips.com
27/08/18 11:57
1. Borna Sammak
b. 1986
Hope for Men looping video, two televisions, drywall mounts and extension cords video: 25 seconds, 1920 x 1080, 30 frames per second Executed in 2013. Estimate $8,000-12,000 Provenance Vito Schnabel Projects, New York Private Collection, New York Acquired from the above by the present owner Exhibited New York, Moynihan Station, DSM-V, May 8 - June 4, 2013
Alternate view
NY_NEW NOW_SEPT18_2-83_BL.indd 8
25/08/18 13:59
NY_NEW NOW_SEPT18_2-83_BL.indd 9
25/08/18 13:59
2. Emily Mae Smith
b. 1979
Hand to Mouth signed and dated “Emily Mae Smith 2017� on the reverse oil on linen 38 x 30 in. (96.5 x 76.2 cm.) Painted in 2017. Estimate $10,000-15,000 Provenance Galerie Rodolphe Janssen, Brussels Acquired from the above by the present owner
NY_NEW NOW_SEPT18_2-83_BL.indd 10
25/08/18 13:59
3. Derrick Adams
b. 1970
Double Consciousness in the Air signed and dated “Derrick Adams 2014” on the reverse acrylic and fabric on paper 48 x 22 1/2 in. (121.9 x 57.2 cm.) Executed in 2014. Estimate $10,000-15,000 Provenance Courtesy of the Artist ICI Annual Beneft & Auction, November 17, 2014, lot 1 Acquired at the above sale by the present owner
NY_NEW NOW_SEPT18_2-83_BL.indd 11
25/08/18 13:59
4. Celeste Dupuy-Spencer b. 1979
The Cofee Line signed and dated “Celeste DupuySpencer 2016” on the reverse watercolor on paper 7 1/8 x 10 1/4 in. (18.1 x 26 cm.) Executed in 2016. Estimate $5,000-7,000 Provenance Courtesy of the Artist California United for a Responsible Budget Beneft, September 21, 2016, lot 43 Acquired at the above sale by the present owner
5. Ella Kruglyanskaya
b. 1978
Untitled signed and dated “Ella Kruglyanskaya 2010” on the reverse acrylic on wood panel 12 x 15 7/8 in. (30.5 x 40.3 cm.) Painted in 2010. Estimate $6,000-8,000 Provenance James Fuentes Gallery, New York Acquired from the above by the present owner in 2011
NY_NEW NOW_SEPT18_2-83_BL.indd 12
25/08/18 14:00
6. Shara Hughes
b. 1981
Water Tower signed, inscribed and dated “Shara Hughes 2007 Vermont� on the reverse oil on canvas 48 x 50 in. (121.9 x 127 cm.) Painted in 2007. Estimate $15,000-20,000
NY_NEW NOW_SEPT18_2-83_BL.indd 13
Provenance Rivington Arms, New York Private Collection, Los Angeles Acquired from the above by the present owner Exhibited New York, Rivington Arms, Everything, Always, May 17 - June 16, 2007
25/08/18 14:00
â—‹
7. Henry Taylor
b. 1958
Another Profle acrylic and collage on canvas 26 x 30 in. (66 x 76.2 cm.) Executed in 2004.
Provenance Sister Gallery, Los Angeles Acquired from the above by the present owner
Estimate $20,000-30,000
Exhibited Los Angeles, Sister Gallery, Losing My Head, May 15 - June 12, 2004
NY_NEW NOW_SEPT18_2-83_BL.indd 14
25/08/18 14:00
○
8. Glenn Ligon
b. 1960
Sun (version 1) #2 signed, titled and dated “2001 Glenn Ligon Sun (Version 1) #2 2001” on the reverse silkscreen and oil crayon on primed canvas 48 x 36 in. (121.9 x 91.4 cm.) Executed in 2001. Estimate $30,000-40,000
NY_NEW NOW_SEPT18_2-83_BL.indd 15
Provenance D’Amelio Gallery, New York Acquired from the above by the present owner Exhibited New York, D’Amelio Gallery, Glenn Ligon: Colored, May 5 - June 9, 2001
25/08/18 14:01
9. Gary Simmons
b. 1964
Whirl-a-Girl signed and dated “Gary Simmons 2002” on the reverse oil on canvas 84 x 84 in. (213.4 x 213.4 cm.) Painted in 2002. Estimate $20,000-30,000 Provenance Margo Leavin Gallery, Los Angeles CAIS Gallery, Seoul Private Collection Acquired from the above by the present owner
NY_NEW NOW_SEPT18_2-83_BL.indd 16
25/08/18 14:01
â—‹
10. Carrie Mae Weems
b. 1953
Red Bone Boy 3 toned gelatin silver prints with Prestype in artist’s frame overall 17 x 49 in. (43.2 x 124.5 cm.) Executed in 1990, this work is number 1 from an edition of 3. Another example from this edition is housed in the permanent collection of the Akron Art Museum. Estimate $35,000-45,000 Provenance P.P.O.W., New York Acquired from the above by the present owner Exhibited Washington, D.C., The National Museum of Women in the Arts; St. Louis, The Forum; San Francisco Museum of Modern Art; Miami, Center for the Fine Arts; Los Angeles, California Afro-American Museum; Portland Art Museum; Minneapolis, Walker Art Center; Philadelphia, Institute of Contemporary
NY_NEW NOW_SEPT18_2-83_BL.indd 17
Art; Cincinnati, the Contemporary Arts Center, Carrie Mae Weems, January 7, 1993 - April 2, 1995 (another example exhibited) Hartford, Wadsworth Atheneum, Carrie Mae Weems/Matrix 115, April 21 July 7, 1991 (another example exhibited) New York, The Museum of Modern Art, Color Chart: Reinventing Color, 1950 to Today, March 2 - May 12, 2008, no. 71, p. 186 (another example exhibited and illustrated) New York, P.P.O.W., David Wojnarowicz History Keeps Me Awake at Night a Genealogy of David Wojnarowicz, July 10 - August 22, 2008 (another example exhibited) Nashville, Frist Center for the Visual Arts; Portland Art Museum; The Cleveland Museum of Art; The Iris and B. Gerald Cantor Center for Visual Arts at Stanford University; New York, Solomon R. Guggenheim Museum, Carrie Mae Weems: Three Decades of Photography and Video, September 21, 2012 - April 23, 2014, no. 4.6, p. 73 (another example exhibited and illustrated)
25/08/18 14:01
11. Yoan Capote
b. 1977
Palangre (muro de mar II) fsh hooks, nails, oil and linen on wood panel 40 x 60 x 3 1/2 in. (101.6 x 152.4 x 8.9 cm.) Executed in 2016. Estimate $30,000-40,000 Provenance Galeria Mรกrio Sequeira, Braga Acquired from the above by the present owner Exhibited Braga, Galeria Mรกrio Sequeira, KALEI2COPIO HAVANA, February 11 - March 27, 2017
NY_NEW NOW_SEPT18_2-83_BL.indd 18
25/08/18 14:01
12. Lesley Vance
b. 1977
Untitled (6) signed and dated “Lesley Vance 2009� on the reverse oil on linen 17 x 15 in. (43.2 x 38.1 cm.) Painted in 2009. Estimate $40,000-60,000 Provenance Artist Pension Trust, New York Acquired from the above by the present owner
NY_NEW NOW_SEPT18_2-83_BL.indd 19
25/08/18 14:01
13. Byron Kim
b. 1961
Irwin’s Disc (Studio) signed, titled and dated “Byron Kim 2008 Irwin’s Disc (Studio)” on the reverse acrylic on canvas 72 1/8 x 86 1/8 in. (183.2 x 218.8 cm.) Painted in 2008.
Provenance Private Collection, New York
Estimate $6,000-8,000
NY_NEW NOW_SEPT18_2-83_BL.indd 20
25/08/18 14:02
14. Blair Thurman
NY_NEW NOW_SEPT18_2-83_BL.indd 21
b. 1961
That Old Can-Am Glam acrylic on canvas on wood 72 x 48 1/8 in. (182.9 x 122.2 cm.) Executed in 2013.
Provenance Karma, New York Acquired from the above by the present owner
Estimate $18,000-22,000
Exhibited New York, Karma, Blair Thurman, July 27 - August 7, 2013, p. 56 (illustrated)
25/08/18 14:02
15. Alex Hubbard
b. 1975
People in Dallas Got Hair signed and dated “A HUBBARD 2013” on the overlap acrylic, oil paint, epoxy resin, polyurethane and fberglass on canvas 90 x 78 in. (228.6 x 198.1 cm.) Executed in 2013.
Provenance STANDARD (OSLO) Acquired from the above by the present owner Exhibited STANDARD (OSLO), Alex Hubbard: Dirty Harry 1 2 3, October 4 - November 2, 2013
Estimate $30,000-40,000
NY_NEW NOW_SEPT18_2-83_BL.indd 22
25/08/18 14:02
16. Aaron Garber-Maikovska
b. 1978
Untitled ink and pastel on archival Stinger board 95 x 47 in. (241.3 x 119.4 cm.) Executed in 2014.
Provenance Greene Exhibitions, Los Angeles Acquired from the above by the present owner
Estimate $35,000-45,000
NY_NEW NOW_SEPT18_2-83_BL.indd 23
25/08/18 14:02
17. Aaron Garber-Maikovska
b. 1978
Untitled ink and pastel on paper 40 x 26 in. (101.6 x 66 cm.) Executed in 2014. Estimate $10,000-15,000 Provenance Greene Exhibitions, Los Angeles Acquired from the above by the present owner
18. Kon Trubkovich
b. 1979
Wall Fragment 7 signed and dated “Trubkovich 2013” on the reverse acrylic on canvas 20 x 16 in. (50.8 x 40.6 cm.) Painted in 2013. Estimate $8,000-12,000 Provenance Higher Pictures, New York Private Collection, New York Acquired from the above by the present owner
NY_NEW NOW_SEPT18_2-83_BL.indd 24
25/08/18 14:09
19. Lucy Dodd
b. 1981
the humble deep extreme the souls of the shoes of Nanette Lapore, Margiela, Clergerie, a half calf cowboy boot, a no name mule, a foot with foss mud and Bub’s urine on canvas 143 x 145 in. (363.2 x 368.3 cm.) Executed in 2012. Estimate $18,000-22,000
Provenance David Lewis Gallery, New York Private Collection, New York Acquired from the above by the present owner Exhibited New York, No5A, The Studio Before 54, February 26 - March 9, 2013 Literature Roberta Smith, “Lucy Dodd: ‘The Studio Before 54’”, The New York Times, March 1, 2013, p. C27
NY_NEW NOW_SEPT18_2-83_BL.indd 25
25/08/18 14:03
20. Christian Rosa
b. 1982
Untitled signed and dated “Christian Rosa 2014” on the overlap oil, oilstick, charcoal and graphite on canvas 78 1/2 x 94 1/2 in. (199.4 x 240 cm.) Executed in 2014. Estimate $20,000-30,000 Provenance Private Collection
21. Jean-Baptiste Bernadet b. 1978
Untitled (Fugue V) signed “JEAN-BAPTISTE BERNADET” on the overlap; further signed, titled and dated “JB BERNADET 2013 UNTITLED (FUGUE V)” on the reverse oil on canvas 78 3/4 x 71 in. (200 x 180.3 cm.) Painted in 2013. Estimate $15,000-20,000 Provenance Private Collection
NY_NEW NOW_SEPT18_2-83_BL.indd 26
25/08/18 14:03
22. David Ostrowski
b. 1981
F (A thing is a thing in a whole which it’s not) signed and dated “David Ostrowski 13” on the overlap acrylic, lacquer and paper on canvas 94 3/8 x 75 in. (239.7 x 190.5 cm.) Executed in 2013. Estimate $18,000-22,000
NY_NEW NOW_SEPT18_2-83_BL.indd 27
Provenance Peres Projects, Cologne Acquired from the above by the present owner Exhibited Cologne, Peres Projects, Relax/Outline Paintings, June 1, 2013
25/08/18 14:03
23. Cory Arcangel
b. 1978
Timeless Standards printed with the artist’s name and date “© Cory Arcangel 2011” lower right inkjet print on canvas 56 x 40 in. (142.2 x 101.6 cm.) Executed in 2011. Estimate $12,000-18,000
NY_NEW NOW_SEPT18_2-83_BL.indd 28
Provenance Lisson Gallery, London Acquired from the above by the present owner Exhibited London, Lisson Gallery, Cory Arcangel: Speakers Going Hammer, October 12 - November 12, 2011
25/08/18 14:03
24. André Butzer
b. 1973
Untitled signed “A. Butzer” lower center; further signed and dated “A. Butzer ’08” on the reverse oil on canvas 23 3/4 x 27 1/2 in. (60.3 x 69.9 cm.) Painted in 2008. Estimate $12,000-18,000
NY_NEW NOW_SEPT18_2-83_BL.indd 29
Provenance Galeria Mário Sequeira, Braga Acquired at the above by the present owner Exhibited Braga, Galeria Mário Sequeira, André Butzer: Paintings and works on paper, April 1 - May 28, 2017, n.p. (illustrated)
25/08/18 14:03
25. KAWS
b. 1974
Untitled (Perso) acrylic on found advertising poster 74 1/2 x 53 7/8 in. (189.2 x 136.8 cm.) Executed in 1999.
Provenance Omar Padial, New York (acquired directly from the artist) Acquired from the above by the present owner
Estimate $40,000-60,000
NY_NEW NOW_SEPT18_2-83_BL.indd 30
25/08/18 14:09
26. KAWS
b. 1974
27. KAWS
b. 1974
Four Foot Companion (Grey) stamped with the artist’s name and date “© KAWS..07” on the underside of the right foot; further stamped with the date and fabricator “Medicom Toy 2007” on the underside of the lef foot painted cast vinyl 50 x 22 x 14 in. (127 x 55.9 x 35.6 cm.) Executed in 2007, this work is from an unnumbered edition of 100.
Four Foot Companion (Black) stamped with the artist’s name and date “© KAWS..07” on the underside of the right foot; further stamped with the date and fabricator “Medicom Toy 2007” on the underside of the lef foot painted cast vinyl 50 x 22 x 14 in. (127 x 55.9 x 35.6 cm.) Executed in 2007, this work is from an unnumbered edition of 100.
Estimate $25,000-35,000
Estimate $25,000-35,000
Provenance Medicom Toy, Original Fake Acquired from the above by the present owner in 2008
Provenance Medicom Toy, Original Fake Private Collection, Asia Acquired from the above by the present owner
NY_NEW NOW_SEPT18_2-83_BL.indd 31
25/08/18 14:09
28. KAWS
b. 1974
29. KAWS
b. 1974
Four Foot Companion (Brown) stamped with the artist’s name and date “© KAWS..07” on the underside of the right foot; further stamped with the date and fabricator “Medicom Toy 2007” on the underside of the lef foot painted cast vinyl 50 x 22 x 14 in. (127 x 55.9 x 35.6 cm.) Executed in 2007, this work is from an unnumbered edition of 100.
Four Foot Dissected Companion (Grey) stamped with the artist’s name and date “© KAWS..09” on the underside of the right foot; further stamped with the date and fabricator “Medicom Toy 2009” on the underside of the lef foot painted cast vinyl 50 x 22 x 14 in. (127 x 55.9 x 35.6 cm.) Executed in 2009, this work is from an unnumbered edition of 100.
Estimate $25,000-35,000
Estimate $25,000-35,000
Provenance Medicom Toy, Original Fake Private Collection, Asia Acquired from the above by the present owner
Provenance Medicom Toy, Original Fake Private Collection, Asia Acquired from the above by the present owner
NY_NEW NOW_SEPT18_2-83_BL.indd 32
25/08/18 14:04
30. KAWS
b. 1974
31. KAWS
b. 1974
Four Foot Dissected Companion (Black) stamped with the artist’s name and date “© KAWS..09” on the underside of the right foot; further stamped with the date and fabricator “Medicom Toy 2009” on the underside of the lef foot painted cast vinyl 50 x 22 x 14 in. (127 x 55.9 x 35.6 cm.) Executed in 2009, this work is from an unnumbered edition of 100.
Four Foot Dissected Companion (Brown) stamped with the artist’s name and date “© KAWS..09” on the underside of the right foot; further stamped with the date and fabricator “Medicom Toy 2009” on the underside of the lef foot painted cast vinyl 50 x 22 x 14 in. (127 x 55.9 x 35.6 cm.) Executed in 2009, this work is from an unnumbered edition of 100.
Estimate $25,000-35,000
Estimate $25,000-35,000
Provenance Medicom Toy, Original Fake Private Collection, Asia Acquired from the above by the present owner
Provenance Medicom Toy, Original Fake Private Collection, Asia Acquired from the above by the present owner
NY_NEW NOW_SEPT18_2-83_BL.indd 33
25/08/18 14:05
32. KAWS
b. 1974
Untitled signed and dated “KAWS .. 14” on the reverse acrylic on canvas 74 x 60 in. (188 x 152.4 cm.) Painted in 2014. Estimate $100,000-150,000 Provenance Honor Fraser Gallery, Los Angeles Acquired from the above by the present owner
Working as a background painter for the
“I’m into Schulz as an artist, a company, and
animated series Doug and collaborating with
an icon; I got into his stuf just because I liked
downtown New York as a street artist, KAWS
the looseness of the line work, and I thought
has created a whole world of characters and
that it was just sort of a nice thing to bring
imagery. In the early 1990s, KAWS started
into my paintings, even if it’s abstract and
tagging billboards and bus shelters, injecting
unidentifable.” (KAWS in Stef Yotka, “Inside
his own cast of animated caricatures onto
KAWS’s Studio With the Artist—And His
already existing advertisements, for example,
Snoopy for Uniqlo Toys,” Vogue, April 27, 2017)
by adding pufy skulls with X-ed out eyes to the likes of Kate Moss in a Supreme advertisement
Untitled, showing just the top of the dog’s
and Christy Turlington in a Calvin Klein ad.
head with KAWS’ signature X-ed out eyes,
He slowly began shifing away from tagging
comes from a 2014 series of works entitled
photographic, public Ads and initiated the
“Man’s Best Friend.” By extracting minimalist,
formation of his own characters “Accomplice”,
detailed crops of Charlie Brown, Lucy, Pig-
“Chum” and “Companion” in addition to his
Pen and Snoopy, KAWS has lef just a hint of
own take on classic characters like SpongeBob
the persona being portrayed, yet even with
SquarePants, Snoopy, Michelin Man, Mickey
just a dissociated portion the viewer is able
Mouse and his own version of The Simpsons,
to immediately recognize these childhood
titled The Kimpsons.
friends. As the artist comments, “[I] found it weird how infused a cartoon could become
The present lot presents Snoopy, an American
in people’s lives; the impact it could have,
Beagle and companion to Charlie Brown in
compared to regular politics.” (KAWS in Healy
the comic strip Peanuts created by Charles
& Murray, “Grafti Artist Turned Gallery Artist
Schulz. However, KAWS’ Snoopy has been
Turned Art Toy Maker, KAWS,” Pop, February
playfully renamed by the artist, now known
2007, pp. 260-265). KAWS’ simplistic yet
as “Joe KAWS.” From 1950 until his death in
bold paintings and sculptures playfully and
2005, Schulz’s beloved characters appeared in
inventively rework quintessential cartoon
international and national newspapers every
imagery while touching on the viewer’s
day, deeply rooting themselves in generations
childhood relationship to this ensemble of
of globally diverse viewers. KAWS explains,
friendly faces.
NY_NEW NOW_SEPT18_2-83_BL.indd 34
25/08/18 14:05
NY_NEW NOW_SEPT18_2-83_BL.indd 35
25/08/18 14:05
33. Oscar Murillo
b. 1986
Untitled Drawing Of the Wall is exemplary of Oscar Murillo’s exploratory and grounded work hedging
Untitled oil, dirt and spray paint on canvas 66 x 76 in. (167.6 x 193 cm.) Executed in 2011.
into the 2010’s. Channeling the likes of Cy Twombly
Estimate $100,000-150,000
his studio. The raw energy and vigor of the young
and Jean-Michel Basquait, Colombian-born, London raised artist, Murillo produces beautifully expressive paintings using oil sticks, spray paint and dust from artist’s mark making, clearly visible in this piece, is what quickly established his as a practice destined
Provenance Ghebaly Gallery, Los Angeles Acquired from the above by the present owner
for critical renown. Untitled Drawing Of the Wall perfectly embodies Murillo’s ability to blend the performative and the functional. The oil and dirt in this piece are just two of the many types of discarded materials from Murillo’s studio that he has ofen used on his canvases. In an interview in 2012, he describes the dust, dirt, tape, and other bits of ephemeral fabric that “pollute” a space as the “DNA” of said space. Untitled Drawing Of the Wall, having such a sample of his studio’s DNA, is therefore truly a piece of the studio and Murillo himself. Exploring various concepts in his practice, Murillo’s canvases are manifestations of a body in transit, an artist’s inquisition into the geographies of space, within the studio and out into the world beyond. He has likened this use of lefover substances from around his studio as refective of his upbringing as a child in a village in Colombia – “you had to be resourceful.” A striking blend of painting, drawing, action and autobiography, Untitled Drawing Of the Wall presents Oscar Murillo’s characteristically captivating and infectious dynamism. Erratic and expressive, the present work is exemplary of the Colombian émigré’s exciting artistic output.
NY_NEW NOW_SEPT18_2-83_BL.indd 36
25/08/18 14:06
NY_NEW NOW_SEPT18_2-83_BL.indd 37
25/08/18 14:06
34. Jacob Kassay
b. 1984
Untitled lef panel signed and dated “Kassay 10” on the overlap acrylic and deposit on canvas, diptych each 48 x 36 in. (121.9 x 91.4 cm.) Executed in 2010. Estimate $50,000-70,000 Provenance Eleven Rivington, New York Acquired from the above by the present owner
NY_NEW NOW_SEPT18_2-83_BL.indd 38
25/08/18 14:06
35. Rob Pruitt
b. 1964
Gray Days signed, titled and dated “Rob Pruitt 2016 “Gray Days”” on the overlap acrylic, enamel and glitter on linen 96 x 72 in. (243.8 x 182.9 cm.) Executed in 2016. Estimate $50,000-70,000
NY_NEW NOW_SEPT18_2-83_BL.indd 39
Provenance Massimo De Carlo, Hong Kong Acquired from the above by the present owner Exhibited Hong Kong, Massimo De Carlo, Hong Kong Panda, September 8 October 31, 2016
25/08/18 14:06
36. The Bruce High Quality Foundation since 2001 Olympia signed, inscribed and dated “THE BRUCE HIGH QUALITY FOUNDATION 2015 BHQF - 1081” on the overlap silkscreen and acrylic on canvas, in artist’s neon frame 75 x 111 in. (190.5 x 281.9 cm.) Executed in 2015. Estimate $60,000-80,000 Provenance Leila Heller Gallery, New York Acquired from the above by the present owner
NY_NEW NOW_SEPT18_2-83_BL.indd 40
27/08/18 12:34
© Tracey Emin. All rights reserved, DACS 2018. Courtesy White Cube
37. Tracey Emin
NY_NEW NOW_SEPT18_2-83_BL.indd 41
b. 1963
You should have loved ME neon 22 1/2 x 63 1/4 in. (57 x 160.6 cm.) Executed in 2008, this work is number 1 from an edition of 3 plus 2 artist’s proofs and is accompanied by a certifcate of authenticity signed by the artist. Estimate $50,000-70,000
Provenance Lehmann Maupin, New York Acquired from the above by the present owner Exhibited Raleigh, North Carolina Museum of Art, Modern and Contemporary Art, September 13, 2010 - July 7, 2016 (on loan) Miami, Museum of Contemporary Art, Tracey Emin: Angel Without You, December 4, 2013 - March 9, 2014, pp. 106-107 (another example exhibited and illustrated)
25/08/18 14:10
38. Yayoi Kusama
b. 1929
Butterfy signed, titled and dated “Butterfy [in Japanese] 1982 Yayoi Kusama” on the reverse acrylic on canvas 14 7/8 x 17 7/8 in. (38 x 45.5 cm.) Painted in 1982, this work is accompanied by a registration card issued by the Yayoi Kusama studio. Estimate $180,000-250,000
which manifest as hallucinations of infnite repetitions of nets and dots overlaid on her whole universe – her paintings are attempts to make tangible these visions. However, by 1982, Kusama re-emerged into the public eye in a grand way with her exhibitions at Fuji and Noviglia. The signature motif of Butterfy can thus be interpreted as a potent and beautiful symbol for, and of, the artist, heightened here by her own metamorphosis. Kusama’s practice was radically reinvigorated from thence forth.
Provenance Ota Fine Arts, Tokyo Acquired from the above by the present owner
Butterfy vibrantly encases the symbolic dots in a formal attempt to predict and measure the infnity of the unbounded universe. Kusama’s painting here presents an interesting
Yayoi Kusama’s Butterfy represents a
dichotomy between the calming and
historic return for the artist to her mature
whimsical visual qualities of the composition
style. Painted in 1982, the same year she would
and the artist’s inquisitive, and obsessive,
exhibit large new paintings and sculpture at
drive to contain and constrain her neuroses.
Fuji Television Gallery, Tokyo and return to the
Notably, the butterfy – made up of those
European gallery scene with an exhibition at
quintessential dots – is not at all constrained
Naviglio Gallery in Milan, Butterfy manifests
by the seemingly limitless weave of nets that
Kusama’s trademark motifs – the infnity net
emanates out from beneath and behind. “I
and the obliterating dots – in an immediately
am not concerned with Surrealism, Pop Art,
iconic depiction of one of her primary subjects,
Minimal Art, or whatever. I am so absorbed
the butterfy. So successful did she deem this
in living my life,” and to that one might add
painting that she translated it into a screenprint
creating her own idiosyncratic and iconic
just a few years later in order for its broader
brand of art. The infnite repetition of the dots
dissemination (see lot 40.)
and nets represents a confrontation with an obsession with space, time, and the reality of
1982 represents a seminal year for the artist
its eventual termination, and Kusama has, in
following a tumultuous decade in which she
Butterfy, executed a masterful composition
ultimately made the commitment to move
that blends her own autobiographical
permanently into the psychiatric hospital
fgurative and abstract imagery with the same
that remains her home today. The artist has
psychic charge that emanates from her fnest
sufered from psychotic neuroses her entire life
and most successful work.
NY_NEW NOW_SEPT18_2-83_BL.indd 42
25/08/18 14:07
NY_NEW NOW_SEPT18_2-83_BL.indd 43
25/08/18 14:07
39. Yayoi Kusama
b. 1929
Wave signed, titled and dated “Wave [in Japanese] 1980 Yayoi Kusama” on the reverse enamel on paperboard 10 1/2 x 9 1/2 in. (26.7 x 24.1 cm.) Executed in 1980, this work is accompanied by a registration card issued by the Yayoi Kusama studio. Estimate $15,000-20,000 Provenance Private Collection
40. Yayoi Kusama
b. 1929
Butterfy signed, titled, numbered and dated “P.P. Butterfy [in Japanese] 1982 Yayoi Kusama” lower edge screenprint 13 x 15 3/4 in. (33 x 40 cm.) Executed in 1982, this work is a printer’s proof from an edition of 50 plus 5 artist’s proofs and 3 printer’s proofs. This work has been authenticated by the Yayoi Kusama studio. Estimate $7,000-10,000 Provenance Ota Fine Arts, Tokyo Acquired from the above by the present owner Literature Yayoi Kusama, All Prints of Kusama Yayoi 1979-2004, Tokyo, 2005, no. 18, pp. 17, 97 (another example illustrated)
NY_NEW NOW_SEPT18_2-83_BL.indd 44
25/08/18 14:08
41. Yayoi Kusama
b. 1929
Village in Rainy Season signed and dated “1978 YAYOI KUSAMA” lower right; further titled “Village in Rainy Season [in Japanese]” on the reverse ink and enamel on paperboard 10 1/2 x 9 1/2 in. (26.7 x 24.1 cm.) Executed in 1978, this work is accompanied by a registration card issued by the Yayoi Kusama studio. Estimate $18,000-25,000 Provenance Greenberg Van Doren Gallery, New York Acquired from the above by the present owner in 2006
NY_NEW NOW_SEPT18_2-83_BL.indd 45
25/08/18 14:09
42. Jonas Wood
b. 1977
Computer Drawings signed with the artist’s initials, titled, numbered respectively and dated “COMPUTER PAPER [1-10] JBRW 2008” on the reverse of each sheet graphite on paper, in 10 parts each 11 1/2 x 8 in. (29.2 x 20.3 cm.) Executed in 2008, this work is unique and accompanied by a certifcate of authenticity signed by the artist. Estimate $80,000-120,000 Provenance Shane Campbell Gallery, Chicago Private Collection Acquired from the above by the present owner
so essential to his oeuvre, Wood photographs his subjects from multiple angles, collaging these images together and employing drawing to “work out the kinks and...locate what [feels] right.” (Jonas Wood, quoted in Amanda Law, “Q & A with Artist Jonas Wood”, Hammer Museum, February 16, 2010, online). Computer Drawings strips away the artifce of the computer and the camera and what the viewer is lef with is a seemingly unadulterated understanding of the artist’s intimate surrounds. The pots themselves, as manifestations of his wife, Shio Kusaka, herself an accomplished artist who sculpts them, are imbued with a sensitivity and raw emotion that is heightened by the inclusion of the delicate plants within. One can detect a propensity for beautifying the everyday,
Jonas Wood’s enigmatic “pot” motif has quickly
the allure of still life, dreaminess, whimsicality,
established itself as one of the artist’s defning
and also an undeniable graphic fare. And yet,
subjects. His Computer Drawings from 2008 is
while all such distinct threads of inspiration
a wonderful glimpse into, and embodiment of,
can be identifed, it is evident in the execution
Wood’s particularly alluring and endearing art brut
and abstraction of the pots and plants, and the
style of fguration. These drawings, immediate in
eradication of a background and foreground
their lack of excessive adornment, modeling, or
that Computer Drawings retains the artist’s
even coloration, directly confront the viewer with
own unique aesthetic: led by Wood’s ability to
the simultaneous solidity of their representation
distort and juxtapose even the most ordinary of
but also the fragility of their actual existence as
fgures and spaces.
ceramic objects used to house plants. Wood further confounds the viewer with his title, seemingly alluding to the basic, early computer illustration sofware that rendered objects in a crude, fat manner. To achieve the distortion of space that is
NY_NEW NOW_SEPT18_2-83_BL.indd 46
25/08/18 14:10
NY_NEW NOW_SEPT18_2-83_BL.indd 47
25/08/18 14:11
43. Lisa Yuskavage
b. 1963
Bridesmaid signed and dated “Lisa Yuskavage 2004” on the overlap; further signed with the artist’s initials and dated “Ly 2004” on the reverse oil on linen 30 x 34 in. (76.2 x 86.4 cm.) Painted in 2004.
Lisa Yuskavage paints extraordinarily feminine portraits that bring a fresh, contemporary perspective to fgurative art, pushing the boundaries of objectifcation while also giving a voice to female sexuality. She does so by painting highly sexualized and fantastically positioned and proportioned women in various stages of undress, sexual excitement, and exhibition. Bridesmaid from 2004 excellently manifests
Estimate $80,000-120,000 Provenance Greengrassi, London Acquired from the above by the present owner
these qualities of scandal, femininity and empathy. Her female protagonist lays almost entirely naked, aside from a remaining highheeled shoe and a blue garter around her leg. Yuskavage’s ability to illustrate alternate realities using forms and features which are understandable to the viewer is both mesmerizing
Exhibited London, Greengrassi, Lisa Yuskavage, May 29 - June 26, 2004
and disorienting, a fact made all the more so by the masterful treatment of the paint and canvas itself. The singular form of the protagonist in such an ambiguous scene – the shoe is clearly too large, the garter likewise; the relative carefree demeanor being in opposition to the usual frenetic nature of a wedding – all serve to confound and engage the viewer. Utilizing her signature pastel tones, Yuskavage draws the viewer in for closer physical, and emotional, inspection. Yuskavage’s Bridesmaid embodies so much of what has established her as one of the preeminent fgure painters of the 21st Century. There is a multitude of meaning and emotionality – empathy, misogyny, longing – that are inextricably linked between the imagery itself and the sensuality of the medium. “It is a belief that pictures can be formally coded and tell a story, and that viewers will understand that code even if they are not painters themselves … I like to think they will feel the power of the form, almost unconsciously, whether they want to or not.”
NY_NEW NOW_SEPT18_2-83_BL.indd 48
25/08/18 14:11
NY_NEW NOW_SEPT18_2-83_BL.indd 49
25/08/18 14:11
44. George Condo
b. 1957
Untitled signed and dated “Condo 07” upper lef colored pencil on paper 30 1/4 x 22 1/8 in. (76.8 x 56.2 cm.) Executed in 2007. Estimate $30,000-40,000 Provenance Skarstedt Gallery, New York Acquired from the above by the present owner
NY_NEW NOW_SEPT18_2-83_BL.indd 50
25/08/18 14:11
45. George Condo
b. 1957
The Lawyer incised with the artist’s initials, number and date “GC 02 3/4” on the back of the neck patinated bronze 8 x 6 7/8 x 7 3/4 in. (20.3 x 17.5 x 19.7 cm.) Executed in 2002, this work is number 3 from an edition of 4 plus 2 artist’s proofs. Estimate $60,000-80,000 Provenance Galerie Andrea Caratsch, Zurich Acquired from the above by the present owner
NY_NEW NOW_SEPT18_2-83_BL.indd 51
25/08/18 14:11
46. George Condo
b. 1957
Surrealist Landscape signed and dated “Condo G. ’83” lower lef; further signed with the artist’s initials “GC.” on the reverse oil on canvas 35 1/2 x 47 1/2 in. (90.2 x 120.7 cm.) Painted in 1983. Estimate $180,000-220,000 Provenance Steven Lieber Gallery, San Francisco Private Collection, Portland Christie’s, New York, February 24, 1993, lot 163 James Corcoran Gallery, Santa Monica Estate of H. Marc Moyens Christie’s, New York, February 28, 2007, lot 326 Acquired at the above sale by the present owner Exhibited Washington D.C., The Katzen Arts Center, American University, Remembering Marc and Komei, January 18 - March 12, 2006
The present lot by George Condo, one of today’s
placed above a landscape with deep, nighttime
most celebrated contemporary painters, is a
shadows, recalling the paradox of day, night
stunning example from the artist’s earliest body of
and dusk explored in works by Magritte. In the
work, illustrating the most important art historical
foreground, the seemingly unrelated subjects
infuences on his prolifc oeuvre. Highlighted in
recall the personifed objects of melting clocks
both the present work’s title and composition,
and humanized tree trunks found in Dalí’s
the efects of Surrealism on the artist’s early
paintings—a marble bust in the center is
1980s paintings are indisputable. This work, titled
fanked by a large carrot-like tree and a red
Surrealist Landscape, 1983 ofers a unique look at
mushroom-like button to its lef, and faming
Condo’s early experimentation with realistically
furnaces to the right, all placed atop a green
painted subjects with no basis in reality, begun in
feld. The whole composition is made even more
his East Village studio, so informed by the earliest
mysterious by the presence of an ominous dark
pioneers of the Surrealist movement including
form in the lower right corner, highlighting the
René Magritte and Salvador Dalí. Indeed, the
uncertainty of the scene. Surrealist Landscape
symbolism in the present lot recalls some of
predates Condo’s move to Paris in 1985 by just
these artists’ most famous masterpieces. An
two years, where he would come face to face
early twilight sky with low, nebulous clouds is
with post-modern movements taking hold in the
NY_NEW NOW_SEPT18_2-83_BL.indd 52
25/08/18 14:12
later part of the 20th century, in turn evolving
conservatism. These artifacts are, at times,
the aesthetic explored in the present lot to one
also extremely smart Conceptual objects.”
dominated by abstraction, characterized by
(Roberta Smith, “Review/Art; Condo Creates a
multiple perspectives and biomorphic forms.
Future With Layers of Nostalgia”, The New York Times, March 25, 1988, online) Undeniably, the
Of Condo’s early works, Roberta Smith aptly
present lot is an important example of Condo’s
stated their efect in a review of one of his
emphasis on and respect for the modernist
earliest exhibitions in 1988, before the artist
past, a predecessor to the artist’s later abstract
received the international acclaim he has
portraits for which he would become known. As
achieved today: “In a sense, Mr. Condo makes
such, the work occupies a distinctive moment in
things that look like paintings, that have the
Condo’s practice when he was relying solely on
presence, completeness and frontal tautness
his knowledge of the art historical trajectory as
of paintings, yet in some essential way are not
it was just beginning to shape the post-modern
so much paintings as artifacts, signs of another
sphere, providing an intimate look at the very
time and place, layered thickly with talent and
start of what would be a long and successful
nostalgia and a particularly dandyish form of
career for the artist.
NY_NEW NOW_SEPT18_2-83_BL.indd 53
25/08/18 14:12
47. Keith Haring
1958-1990
Untitled (Portrait of Lynka Pregnant) signed, dedicated and dated “FOR LYNKA K. Haring 83” right edge metallic gold paint and black laminate 10 3/8 x 8 3/8 in. (26.4 x 21.3 cm.) Executed in 1983, this work is accompanied by a certifcate of authenticity issued by the Keith Haring Studio, LLC.
Provenance Private Collection (acquired directly from the artist in 1983) Sotheby’s, New York, March 9, 2010, lot 56 Acquired at the above sale by the present owner
Estimate $50,000-70,000
NY_NEW NOW_SEPT18_2-83_BL.indd 54
25/08/18 14:12
48. Keith Haring
1958-1990
Untitled (Study for Dusseldorf Sculptures) signed, inscribed, titled and dated “MARCH 20 1987 - KO STUDIO K. Haring DUSSELDORF SCULPTURES” lower edge graphite on paper 22 x 30 in. (55.9 x 76.2 cm.) Executed in 1987. Estimate $25,000-35,000
Provenance Galerie Jérôme de Noirmont, Paris Private Collection (acquired from the above in 1999) Bonhams, New York, November 12, 2013, lot 125 Acquired at the above sale by the present owner Exhibited Paris, Galerie Jérôme de Noirmont, Keith Haring: 12 Sculptures, June 4 July 23, 1999, p. 25 (illustrated) Literature Emily Ligniti, ed., Keith Haring: Sculptures, Paintings and Works on Paper, Milan, 2005, p. 23 (illustrated)
NY_NEW NOW_SEPT18_2-83_BL.indd 55
25/08/18 14:13
49. Kenny Scharf
b. 1958
Untitled signed and dated “Kenny Scharf ’87” on the reverse acrylic and spray paint on wood panel 47 x 53 in. (119.4 x 134.6 cm.) Executed in 1987. Estimate $15,000-20,000 Provenance Acquired directly from the artist by the present owner in 1987
Property of an Important East Coast Collector
50. Richard Prince
b. 1949
Untitled (for John) signed, titled, numbered and dated “R Prince 2/2 1987-88 Untitled (for John) R Prince 2/2 1987-88” on the reverse chromogenic print 86 x 47 in. (218.4 x 119.4 cm.) Executed in 1987-1988, this work is number 2 from an edition of 2. Estimate $30,000-50,000 Provenance Barbara Gladstone Gallery, New York Acquired from the above by the present owner
NY_NEW NOW_SEPT18_2-83_BL.indd 56
25/08/18 14:13
(i)
(ii)
(iii)
51. Takashi Murakami
b. 1962
Three Works: (i–iii) Champagne Super Nova each titled “CHAMPAGNE SUPER NOVA” on the reverse (i), (ii) inkjet, pen and tape on paper (iii) pencil on paper (i) 16 1/8 x 16 1/8 in. (41 x 41 cm.) (ii) 25 1/4 x 30 1/8 in. (64.1 x 76.5 cm.) (iii) 10 x 9 5/8 in. (25.4 x 24.4 cm.) Executed in 2000, these works are unique. Estimate $30,000-40,000 Provenance Marianne Boesky Gallery, New York Acquired from the above by the present owner
NY_NEW NOW_SEPT18_2-83_BL.indd 57
25/08/18 14:13
Property of an Important East Coast Collector
52. Damien Hirst
b. 1965
Bombesin household gloss on canvas 4 1/2 x 3 in. (11.4 x 7.6 cm.) Painted in 1995. Estimate $25,000-35,000 Provenance White Cube, London Acquired from the above by the present owner Literature Gagosian Gallery, Damien Hirst: The Complete Spot Paintings 1986-2011, New York, 2013, p. 103 (illustrated)
Property of an Important East Coast Collector
53. Damien Hirst
b. 1965
beautiful lunatics spinning drawing (with breakaway edge) signed “Damien Hirst” lower lef and dated “93” lower right; inscribed “D.L” upper right; further titled “beautiful lunatics spinning drawing (with breakaway edge)” on the reverse ink on paper 11 5/8 x 8 1/8 in. (29.5 x 20.6 cm.) Executed in 1993. Estimate $5,000-7,000 Provenance Bruno Brunett Fine Arts, Berlin Cohen Gallery, New York Tanya Bonakdar Gallery, New York Acquired from the above by the present owner Exhibited Berlin, Bruno Brunnet Fine Arts, Making Beautiful Drawings, January 15 – February 5, 1994, n.p. (illustrated)
NY_NEW NOW_SEPT18_2-83_BL.indd 58
25/08/18 14:14
54. Ugo Rondinone
b. 1964
No. 209 DREISSIGSTERJUNIZWEITAUSENDUNDNULL acrylic on polyester, silkscreen on Plexiglas plaque 59 x 157 1/2 in. (149.9 x 400.1 cm.) Executed in 2000. Estimate $50,000-70,000 Provenance Galerie Hauser & Wirth & Presenhuber, Zurich Galerie Almine Rech, Paris Private Collection Phillips, London, June 27, 2013, lot 4 Acquired at the above sale by the present owner Exhibited Avignon, Collection Lambert, Coollustre, May 24 - September 28, 2003, n.p. (illustrated)
NY_NEW NOW_SEPT18_2-83_BL.indd 59
25/08/18 14:13
55. Urs Fischer
b. 1973
Salt/Sandra silkscreen print on mirror-polished stainless steel sheets, polyurethane foam sheets, two-component polyurethane adhesive, stainless steel beams, aluminum L sections, screws, in 4 parts Fox mask, each 57 1/2 x 42 1/2 x 64 1/8 in. (146.1 x 108 x 162.9 cm.) Green chair, each 42 1/8 x 32 1/4 x 35 3/8 in. (107 x 81.9 x 89.9 cm.) Executed in 2010, this work is number 1 from an edition of 2 plus 1 artist’s proof. Estimate $300,000-500,000
Exhibited London, Sadie Coles HQ, Douglas Sirk, October 6 - December 11, 2010 Los Angeles, The Museum of Contemporary Art, Urs Fischer, New York, 2013, p. 146 (another example exhibited and illustrated)
In Salt/Sandra, Urs Fischer has perfected his creation of the dissected, three-dimensional image/sculpture, challenging the viewer’s perception of the traditional scopes of sculpture and photography. A stellar example from one of the artist’s most celebrated series, Salt/Sandra recalls Fischer’s frst mirrored boxes from the
Provenance Private Collection
renowned installation Service à la Française at the New Museum in 2009. The installation
© Urs Fischer. Courtesy of the artist and Sadie Coles HQ, London. Photo: Stefan Altenburger
NY_NEW NOW_SEPT18_2-83_BL.indd 60
25/08/18 14:14
consisted of 51 polished stainless steel boxes
between fction and reality. Evident in the
placed seemingly at random on the second foor,
exacting precision with which the silkscreens
printed with vibrant colored images of various
have been applied, the artist’s method of
everyday objects, at once celebrating both Pop
production is central to the work’s efect. As
and Minimalist aesthetics. This exhibition was
the viewer walks through the installation,
the artist’s frst major solo presentation in an
he or she confronts these three-dimensional
American museum, helping to solidify the Swiss
object-images, discovering their un-reality
multi-disciplinary artist’s international status.
and dysfunctionality and simultaneously highly mimetic quality. As such, the present
Executed just one year later in 2010, Salt/
lot transcends the boundaries of the sculptural
Sandra features four large-scale stainless
discipline. On the occasion of the artist’s
steel structures with printed images of a fox
2012 exhibition at the Palazzo Grassi, Patricia
mask and a chair. Placed directly on the foor,
Falguières espoused, “Fischer’s sculpture
the four boxes confront the viewer with the
operates by subtraction. It rarefes: against
objects at approximately eye-level. Fischer has
the fux of images poured out by the Internet
reproduced the chair approximately life-size,
or by the media, sculpture is, inherently,
while paradoxically enlarging the fox mask to an
a strategy of selection and rarefaction of
unrealistic scale, establishing a unique dialogue
images…In every piece by Fischer, sculpture is announced” (Patricia Falguières, “Urs Hero: Portrait de l’artiste en jeune homme”, in Urs Fischer: Madame Fisscher, exh. cat., Palazzo Grassi, Venice, 2012, pp. 38-39). Indeed, Salt/ Sandra is a striking installation that perfectly manifests the hallmarks of Fischer’s practice, highlighting the artist’s prowess as a master of many mediums.
NY_NEW NOW_SEPT18_2-83_BL.indd 61
25/08/18 14:14
Property from a Private Collection, Minnnesota
56. Roy Lichtenstein
1923-1997
Modern Sculpture with Horse Motif incised with the artist’s initials, foundry mark and numbered “rf GH 3 – 5 5/6” on the base aluminum and marble 28 3/4 x 16 1/2 x 5 1/2 in. (73 x 41.9 x 14 cm.) Executed in 1967, this work is number 5 from an edition of 6.
Washington, D.C., The Corcoran Gallery of Art, Roy Lichtenstein Sculpture & Drawings, June - September 1999, no. 18, p. 83 (another example exhibited and illustrated) For additional information, please refer to phillips.com.
This work will be included in the forthcoming catalogue raisonné being prepared by the Roy Lichtenstein Foundation. Estimate $50,000-70,000 Provenance Leo Castelli Gallery, New York J.L. Hudson Gallery, Detroit Paul and Helen Zuckerman Collection Christie’s, New York, November 15, 2012, lot 278 Acquired at the above sale by the present owner Exhibited New York, Solomon R. Guggenheim Museum; Kansas City, Nelson-Atkins Museum of Art; Chicago, Museum of Contemporary Art; Seattle Art Museum and Columbus Gallery of Fine Arts, Roy Lichtenstein, September 1969 - August 1970, no. 63 (illustrated)
NY_NEW NOW_SEPT18_2-83_BL.indd 62
25/08/18 14:14
Property from the Locksley Shea Gallery
57. Robert Rauschenberg
1925-2008
Georgia on My Mind signed and dated “RAUSCHENBERG 98” lower lef; further titled “GeoRGIA on my Mind” on the reverse vegetable dye transfer on polylaminate 61 x 42 in. (154.9 x 106.7 cm.) Executed in 1998.
Provenance PaceWildenstein, New York Private Collection Christie’s, New York, November 16, 2006, lot 245 Acquired from the above by the present owner at the above sale
Estimate $60,000-80,000
NY_NEW NOW_SEPT18_2-83_BL.indd 63
25/08/18 14:14
Property of an Important East Coast Collector
58. Christo
b. 1935
Wrapped Reichstag signed and dated “Christo 1978” lower lef; further titled “WRAPPED REiCHSTAG” upper lef fabric, twine, pastel, charcoal, pencil and map, in 2 parts, in artist’s Plexiglas box (i) 22 x 14 in. (55.9 x 35.6 cm.) (ii) 22 x 28 in. (55.9 x 71.1 cm.) overall 22 x 42 in. (55.9 x 106.7 cm.) Executed in 1978. Estimate $60,000-80,000 Provenance Acquired directly from the artist by the present owner Exhibited Roslyn Harbor, Nassau County Museum of Art, Long Island Collections, January 18 March 15, 2009
NY_NEW NOW_SEPT18_2-83_BL.indd 64
25/08/18 14:15
59. Thomas Struth
b. 1954
Museo del Vaticano 1, Roma signed “Thomas Struth” on a label afxed to the reverse of the backing board; further signed, titled, numbered and dated “Museo del Vaticano 1 Roma 1990 2/10 Thomas Struth” on the reverse chromogenic print, face-mounted to Diasec 48 3/4 x 64 5/8 in. (123.8 x 164 cm.) Executed in 1990, this work is number 2 from an edition of 10 and is accompanied by a certifcate of authenticity signed by the artist. Estimate $60,000-80,000 Provenance Private Collection, Germany Galerie Max Hetzler, Berlin
NY_NEW NOW_SEPT18_2-83_BL.indd 65
Private Collection, Belgium Sotheby’s, New York, November 15, 2007, lot 568 Acquired at the above sale by the present owner Exhibited Hamburger Kunsthalle, Thomas Struth: Museum Photographs, November 11, 1993 January 16, 1994, no. 15, p. 59 (another example exhibited and illustrated) Raleigh, North Carolina Museum of Art, November 7, 2010 - October, 2011 (another example exhibited and illustrated) Literature Thomas Struth, Thomas Struth - My Portrait, Kyoto, 2000, p. 109 (another example illustrated)
25/08/18 14:15
Property of an Important East Coast Collector
60. Cindy Sherman
b. 1954
Untitled #201 chromogenic print, in artist’s frame 59 x 42 in. (149.9 x 106.7 cm.) Executed in 1989, this work is number 4 from an edition of 6.
Untitled #201 from 1989 is a superb example of
Estimate $150,000-200,000
past as it shifs with time, Untitled #201 ofers a
Sherman’s series History Portraits (1988-90), in which she re-imagines the genre of Old Master portraiture within her contemporary, photographic context. Questioning the authenticity of the persuasive and provocative exploration into the construction of identity, representation and the
Provenance Metro Pictures, New York Acquired from the above by the present owner
self. By dressing up as fgures from history and
Exhibited New York, Metro Pictures, Cindy Sherman, January 6 - January 27, 1990 (another example exhibited) New York, Solomon R. Guggenheim Museum, Rose is a Rose is a Rose: Gender Performance in Photography, January 17 - April 27, 1997, p. 84 (another example exhibited and illustrated) New York, Skarstedt Gallery, Cindy Sherman: History Portraits, November 8 - December 20, 2008 (another example exhibited) Roslyn Harbor, Nassau County Museum of Art, Long Island Collections, January 18 - March 15, 2009 (another example exhibited) New York, The Museum of Modern Art, Cindy Sherman, February 26 - June 11, 2012, no. 139, p. 184 (another example exhibited and illustrated) Los Angeles, The Broad, Cindy Sherman: Imitation of Life, June 11 - October 2, 2016, p. 92 (another example exhibited and illustrated)
security of identity. Untitled #201 subsumes the
Literature Arthur C. Danto, Cindy Sherman: History Portraits, Munich, 1991, no. 28 (another example illustrated) Rosalind E. Kauss, Cindy Sherman, 1975 - 1993, New York, 1993, p. 176 (another example illustrated)
staging a portrait, the artist seamlessly fuses replication and originality, while questioning the viewer in a complex and contradictory web of fantasy and reality. Here the disguise allows the photograph to feel simultaneously contemporary and traditional as Sherman assumes the role of both model and artist. By becoming both, Sherman brings a performative element to her photographs. The theatrical overtones of the composition mingle with Sherman’s ability to tell an engaging and humorous story while never fully revealing who she is meant to be impersonating. Included in the initial exhibition of her History Portraits at Metro Pictures in New York City in 1990, Untitled #201, is a seminal example of the series. Sherman does not recreate history with these works per se, but rather represents, through her own inclusion, and the juxtaposition of the contemporary and the historical, the fading memory that is the past. Sherman diminishes the traditional linearity and “factuality” of the photographic medium. Performative and static; historical and contemporary; masculine and feminine; satirical and sincere – Sherman layers dichotomies one upon each other in such as a way as to create a new reality, one squarely contained within the bounds of works such as Untitled #201
NY_NEW NOW_SEPT18_2-83_BL.indd 66
25/08/18 14:15
NY_NEW NOW_SEPT18_2-83_BL.indd 67
25/08/18 14:16
Property of an Important East Coast Collector
61. John Baldessari
b. 1931
Figure (With Money) and Knife Thrower (with Blue Blindfold) vinyl and acrylic on chromogenic print, in 2 parts overall 48 x 121 in. (121.9 x 307.3 cm.) Executed in 1990, this work is unique. Estimate $150,000-200,000
Provenance Sonnabend Gallery, New York Acquired from the above by the present owner Exhibited New York, Sonnabend Gallery, John Baldessari, September 22 - October 13, 1990 Literature Patrick Pardo and Robert Dean, John Baldessari: Catalogue RaisonnÊ Volume 3: 1987 - 1993, New Haven, 2015, p. 241 (illustrated)
NY_NEW NOW_SEPT18_2-83_BL.indd 68
25/08/18 14:16
“You just have to give [the viewer] something to hang on to and they can begin to unravel it themselves. It’s kind of like reading a detective story, you get a clue, you follow that.” John Baldessari, 2003
NY_NEW NOW_SEPT18_2-83_BL.indd 69
25/08/18 14:16
62. Sol LeWitt
1928-2007
Untitled signed and dated “S. LeWitt ’94” lower right gouache on paper 22 1/4 x 17 1/2 in. (56.5 x 44.5 cm.) Executed in 1994. Estimate $15,000-20,000 Provenance Acquired directly from the artist by the present owner
63. Sol LeWitt
1928-2007
Untitled signed and dated “S. Lewitt ’02” lower right gouache on paper 22 x 29 1/2 in. (55.9 x 74.9 cm.) Executed in 2002. Estimate $20,000-30,000 Provenance Acquired directly from the artist by the present owner
NY_NEW NOW_SEPT18_2-83_BL.indd 70
25/08/18 14:16
“Working on paper can even replace working on canvas for me, for periods of time. . . More and more, paper is painting.” Helen Frankenthaler, 1983–84
Property of an Important East Coast Collector
64. Helen Frankenthaler
1928-2011
Untitled signed “Frankenthaler” lower right acrylic on paper 29 3/4 x 42 in. (75.6 x 106.7 cm.) Painted in 1978. Estimate $60,000-80,000
NY_NEW NOW_SEPT18_2-83_BL.indd 71
Provenance André Emmerich Gallery, New York Private Collection, Chicago André Emmerich Gallery, New York Acquired from the above by the present owner Exhibited New York, André Emmerich Gallery, Helen Frankenthaler: New Works on Paper, May 10 - June 15, 1979
25/08/18 14:16
65. Beauford Delaney
1901-1979
Untitled signed, inscribed and dated “Beauford Delaney Paris 1965 midday” on the reverse oil on canvas 25 1/2 x 21 in. (64.8 x 53.3 cm.) Painted in 1965. Estimate $20,000-30,000 Provenance Larry Calcagno, San Francisco Acquired from the above by the present owner
66. Beauford Delaney
1901-1979
Untitled signed, inscribed and dated “Beauford Delaney Mallorca 1961” lower right gouache on paper 25 1/2 x 19 1/2 in. (64.8 x 49.5 cm.) Executed in 1961. Estimate $8,000-12,000 Provenance Larry Calcagno, San Francisco Acquired from the above by the present owner
NY_NEW NOW_SEPT18_2-83_BL.indd 72
25/08/18 14:17
67. Sam Gilliam
b. 1933
Untitled acrylic on canvas collage 45 1/4 x 49 1/2 in. (114.9 x 125.7 cm.) Executed in 1998. Estimate $20,000-30,000 Provenance Acquired directly from the artist by the present owner in 1998
68. Sam Gilliam
b. 1933
Pisane Ice signed, titled and dated “Pisane Ice, 1997 Sam Gilliam” on the reverse acrylic on wood construction, rotating element on hinge dimensions variable approximately 17 x 20 x 3 1/4 in. (43.2 x 50.8 x 8.3 cm.) Executed in 1997. Estimate $5,000-7,000 Provenance Acquired directly from the artist by the present owner in 1998
NY_NEW NOW_SEPT18_2-83_BL.indd 73
25/08/18 14:17
69. Alexander Calder
1898-1976
Central Frond signed and dated “Calder 70” lower right gouache and ink on paper 29 3/8 x 43 1/8 in. (74.6 x 109.5 cm.) Executed in 1970, this work is registered in the archives of the Calder Foundation, New York, registered under application number A01822.
Provenance Dr. Kaare Kristian Nygaard, New York (gif of the artist in the 1970s) Private Collection, Westport (acquired thence by descent from the above in 1989) Sotheby’s, New York, September 24, 2014, lot 110 Acquired at the above sale by the present owner
Estimate $40,000-60,000
Exhibited New York, Perls Galleries, Alexander Calder: Recent Gouaches-Early Mobiles, October 20 November 28, 1970, no. 27, p. 19 (illustrated)
NY_NEW NOW_SEPT18_2-83_BL.indd 74
25/08/18 14:17
70. Sam Francis
1923-1994
Untitled signed and dated “Sam Francis 1980” on the reverse acrylic on paper 11 7/8 x 17 3/4 in. (30.2 x 45.1 cm.) Painted in 1980. This work is identifed with the archival identifcation number SF80-107 in consideration for the forthcoming Sam Francis: Catalogue Raisonné of Unique Works on Paper. This information is subject to change as scholarship continues by the Sam Francis Foundation.
Provenance Smith Anderson Gallery, Palo Alto Private Collection, Los Altos Neil Scherer, New York Marianne Elrick Manley Fine Art, New York Steve Schmidt, San Francisco Elins Eagle Smith Gallery, San Francisco Acquired from the above by the present owner Exhibited Palo Alto, Smith Anderson Gallery, May 1 June 13, 1980
Estimate $25,000-35,000
NY_NEW NOW_SEPT18_2-83_BL.indd 75
25/08/18 14:17
71. Lee Ufan
b. 1936
Dialogue signed and dated “L. Ufan ’06” lower right watercolor on paper 22 3/4 x 30 1/4 in. (57.8 x 76.8 cm.) Executed in 2006.
Provenance Elizabeth Leach Gallery, Portland Galería Elvira González, Madrid Barbara Mathes Gallery, New York Acquired from the above by the present owner
Estimate $20,000-30,000
Exhibited Madrid, Galería Elvira González, Lee Ufan: Resonance, September 9 - December 13, 2010 New York, Barbara Mathes Gallery, Master Drawings, January 24 - March 9, 2013
NY_NEW NOW_SEPT18_2-83_BL.indd 76
25/08/18 14:18
72. Suzan Frecon
b. 1941
Horizontally Extended Orange (patched) signed and titled “horizontally extended orange (patched) Suzan Frecon” on the reverse watercolor on paper 9 1/2 x 28 in. (24.1 x 71.1 cm.) Executed in 2011.
Provenance David Zwirner, New York Acquired from the above by the present owner Exhibited New York, David Zwirner, Suzan Frecon: paper, February 13 - March 23, 2013, no. 27 (illustrated)
Estimate $8,000-12,000
73. Amy Sillman
b. 1966
Untitled signed with the artist’s initials and dated “AS 03” lower right gouache, acrylic and graphite on paper 22 1/2 x 30 in. (57.2 x 76.2 cm.) Executed in 2003. Estimate $6,000-8,000 Provenance Private Collection
NY_NEW NOW_SEPT18_2-83_BL.indd 77
25/08/18 14:18
74. Imi Knoebel
b. 1940
Anima Mundi 2-2 Ed. each signed with the artist’s initials, titled, numbered and dated “ik ANIMA MUNDI 2010 3/5” on the reverse acrylic on plastic sheet, in 2 parts each 18 x 14 in. (45.7 x 35.6 cm.) Executed in 2010, this work is number 3 from an edition of 5 plus 2 artist’s proofs. Estimate $7,000-10,000 Provenance Galerie Christian Lethert, Cologne Acquired from the above by the present owner
(i)
NY_NEW NOW_SEPT18_2-83_BL.indd 78
75. Mary Heilmann
b. 1940
Two Works: (i) Rompecabeza Uno 32 (ii) Rompecabeza Dos 24 (i) signed with the artist’s initials and titled “HM Rompecabeza 32 UNO” on the reverse (ii) signed with the artist’s initials and titled “24 Rompecabeza DOS HM” on the reverse acrylic and watercolor on wood panel (i) 6 1/4 x 14 3/8 in. (15.9 x 36.5 cm.) (ii) 6 1/8 x 14 1/2 in. (15.6 x 36.8 cm.) Executed in 2000. Estimate $4,000-6,000 Provenance Courtesy of the Artist ACRIA Beneft Auction, 2000 Acquired at the above sale by the present owner
(ii)
25/08/18 14:18
76. Frederick Hammersley 1919-2009
Rhyming, #12 signed and dated “Frederick Hammersley 1986” upper center oil on linen laid on masonite, in artist’s frame 10 5/8 x 12 3/4 in. (27 x 32.4 cm.) Executed in 1986. Estimate $15,000-20,000 Provenance Frederick Hammersley Foundation L.A. Louver, Los Angeles Acquired from the above by the present owner Exhibited Claremont, Pomona College Museum of Art, Hunches, Geometrics, Organics: Paintings by Frederick Hammersley, January 23 April 8, 2007 Los Angeles, L.A. Louver, Frederick Hammersley, March 22 - May 12, 2012, p. 53 (illustrated)
77. Caio Fonseca
b. 1959
Fifh Street Painting incised with the artist’s signature “CAIO” lower lef; further signed, titled and dated “Fifh Street Painting CAIO FONSECA 2001 Caio Fonseca” on the reverse acrylic on canvas 27 5/8 x 37 1/8 in. (70.2 x 94.3 cm.) Painted in 2001. Estimate $8,000-12,000 Provenance Paul Kasmin Gallery, New York Acquired from the above by the present owner
NY_NEW NOW_SEPT18_2-83_BL.indd 79
25/08/18 14:18
78. Karel Appel
1921-2006
Flying Yellow Head signed and dated “appel 1970” lower right acrylic on canvas 40 x 52 in. (101.6 x 132.1 cm.) Painted in 1970, this work is accompanied by a certifcate of authenticity from the Karel Appel Foundation, and is registered under certifcate reference number 1703X70. Estimate $35,000-55,000 Provenance Martha Jackson Gallery, New York Christie’s, New York, November 12, 1982, lot 221 Acquired at the above sale by the present owner
79. Niki de Saint Phalle 1930-2002
L’Arbre et le Dragon signed and numbered “Niki de St. Phalle E.A. 1/4” on the underside; further stamped with the foundry mark and incised with the number “E.A. I/ IV” on the dragon’s tail polyester resin, acrylic, gold paint and mirror 11 x 14 x 11 1/4 in. (27.9 x 35.6 x 28.6 cm.) Executed in 1993, this work is artist’s proof 1 from an edition of 4 plus 4 artist’s proofs. Estimate $20,000-30,000 Provenance Private Collection Francis Briest, Paris, June 23, 2001, lot 109 Acquired at the above sale by the present owner
NY_NEW NOW_SEPT18_2-83_BL.indd 80
25/08/18 14:18
80. Alighiero Boetti
1940-1994
Coperte e Scoperte signed “alighiero e boetti” on the overlap embroidery on canvas, mounted on panel 7 x 7 3/4 in. (17.8 x 19.7 cm.) Executed in 1992, this work is unique. This work is accompanied by a photo certifcate of authenticity provided by the Archivio Alighiero Boetti, Rome and is registered under number 92/RL/27. Estimate $20,000-30,000 Provenance Galerie Kaess-Weiss, Stuttgard Acquired from the above by the present owner
81. Pino Manos
b. 1930
Sincronico Armonico Rosso signed, titled, inscribed and dated “ARTE DELLA LUCE PINO MANOS 2015 MANOS SINCRONICO ARMONICO ROSSO MILANO” on the reverse acrylic on canvas 39 1/2 x 39 1/2 in. (100.3 x 100.3 cm.) Executed in 2015. Estimate $15,000-20,000 Provenance Acquired directly from the artist by the present owner
NY_NEW NOW_SEPT18_2-83_BL.indd 81
25/08/18 14:18
82. Richard Aldrich
b. 1975
Untitled signed with the artist’s initials and dated “RA 2011-12” on the overlap painted rubber, wood, cardboard and cloth on linen 84 x 58 in. (213.4 x 147.3 cm.) Executed in 2011-2012. Estimate $18,000-22,000 Provenance Bortolami Gallery, New York Acquired from the above by the present owner
83. Anselm Reyle
b. 1970
Untitled signed and dated “Anselm Reyle 2008” on the reverse mixed media on canvas on metal 53 1/8 x 44 7/8 x 7/8 in. (134.9 x 114 x 2.2 cm.) Executed in 2008. Estimate $15,000-20,000 Provenance Acquired directly from the artist by the present owner
NY_NEW NOW_SEPT18_2-83_BL.indd 82
25/08/18 14:19
84. Anselm Reyle
b. 1970
Untitled mixed media on canvas and Plexiglas 92 1/4 x 78 1/2 x 10 1/4 in. (234.3 x 199.4 x 26 cm.) Executed in 2006. Estimate $40,000-60,000 Provenance Almine Rech Gallery, Paris Acquired from the above by the present owner
NY_NEW NOW_SEPT18_2-83_BL.indd 83
25/08/18 14:19
85. Francesca Pasquali
b. 1980
PLASTIFICAZIONE signed, titled and dated “PLASTIFICAZIONE 2012 Pasquali” on the reverse Styrofoam and plastic on wood panel, in artist’s frame 39 1/2 x 47 1/4 in. (100.3 x 120 cm.) Executed in 2012. Estimate $12,000-18,000 Provenance Tornabuoni Art, Paris Acquired from the above by the present owner
86. Bernard Aubertin
1934 - 2015
Tableau Clous signed and titled “CLOUS Bernard Aubertin” on the reverse nails and acrylic on wood 19 5/8 x 19 5/8 in. (50 x 50 cm.) Executed in 1969, this work is accompanied by a certifcate of authenticity provided by the Archivio Opere Bernard Aubertin and is registered under the archive number TCLR96-1000181223. Estimate $7,000-10,000 Provenance Private Collection, Paris Acquired from the above by the present owner
NY_NEW NOW_SEPT18_84-155_BL.indd 84
25/08/18 14:26
87. Carlos Cruz-Diez
b. 1923
Physichromie No. 2540 signed, signed with the artist’s initials, titled, inscribed and dated “PHYSICHROMiE No 2540 CRUZ-DiEZ CARACAS 2008 CD” on the reverse silkscreen and plastic elements mounted on wood, in artist’s frame 24 1/8 x 24 in. (61.3 x 61 cm.) Executed in 2008.
Provenance Private Collection (acquired directly from the artist) Sotheby’s, New York, May 26, 2017, lot 207 Acquired at the above sale by the present owner
Estimate $50,000-70,000
NY_NEW NOW_SEPT18_84-155_BL.indd 85
25/08/18 14:26
88. Carlos Mérida
1895-1984
Los cuatro hitos signed and dated “CARLOS MERIDA 1968” lower lef mixed media on masonite 44 1/2 x 34 in. (113 x 86.4 cm.) Executed in 1968. Estimate $20,000-30,000 Provenance Galería de Arte Mexicano, Mexico City Gloria Parkes, Beverly Hills (acquired from the above) Estate of Gloria Parkes Mary-Anne Martin Fine Art, New York Acquired from the above by the present owner Literature Luis Cardoza y Aragon, Gerzo, Mérida, Tamayo, Mexico City, 1978, p. 88 (illustrated)
89. Edgar Negret
1920-2012
Estrella Amarilla signed, titled and dated ““ESTRELLA” NEGRET 1994” on the underside painted aluminum 45 1/4 x 43 1/4 x 29 1/2 in. (114.9 x 109.9 x 74.9 cm.) Executed in 1994, this work is accompanied by a certifcate of authenticity issued by the Estate of Edgar Negret. Estimate $25,000-35,000 Provenance Galería Espacio Continuo, Bogata (acquired directly from the artist) Acquired from the above by the present owner
NY_NEW NOW_SEPT18_84-155_BL.indd 86
25/08/18 14:26
90. Edgar Negret
1920-2012
Escalera signed, titled and dated ““ESCALERA” NEGRET 1974” on the underside painted aluminum 47 x 31 1/2 x 33 1/2 in. (119.4 x 80 x 85.1 cm.) Executed in 1974, this work is accompanied by a certifcate of authenticity issued by the Estate of Edgar Negret. Estimate $25,000-35,000 Provenance Galería Espacio Continuo, Bogata (acquired from Lisa Sutton) Acquired from the above by the present owner
NY_NEW NOW_SEPT18_84-155_BL.indd 87
25/08/18 14:26
91. León Ferrari
1920-2013
Jaula cage with plastic helicopter and feathers 20 x 20 x 13 in. (50.8 x 50.8 x 33 cm.) Executed in 2004, this work is unique. Estimate $10,000-15,000 Provenance Acquired directly from the artist by the present owner Exhibited Miami, Pan American Art Projects, León Ferrari: Declared Value, April 29 - June 23, 2018
NY_NEW NOW_SEPT18_84-155_BL.indd 88
92. Jac Leirner
b. 1961
Double Blue Chain signed and dated “Jac Leirner 1991” on a bank note sewn bank notes on buckram 456 x 5 1/2 in. (1158.2 x 14 cm.) Executed in 1991. Estimate $25,000-35,000 Provenance Galerie Lelong, New York Acquired from the above by the present owner Exhibited Milwaukee Art Museum; Phoenix Art Museum, Latin American Women Artists, 1915-1995, March 3, 1995 April 29, 1996, no. 186, p. 24 (illustrated)
25/08/18 14:27
93. Jac Leirner
b. 1961
Untitled (Corpus Delicti) felt, airline glasses and polyurethane cord 108 x 3 x 3 in. (274.3 x 7.6 x 7.6 cm.) Executed in 1993. Estimate $20,000-30,000 Provenance Galerie Lelong, New York Acquired from the above by the present owner Exhibited Geneva, Centre d’Art Contemporain, Jac Leirner: Corpus Delicti, October 10 December 19, 1993 New York, Galerie Lelong, Jac Leirner: Corpus Delicti, January 18 - February 19, 1994 Milwaukee Art Museum; Phoenix Art Museum; The Denver Art Museum; Denver, Museo de las Americas; Washington, D.C., National Museum of Women in the Arts, Latin American Women Artists: 1915 - 1995, March 3, 1995 - April 26, 1996, p. 163 (illustrated)
NY_NEW NOW_SEPT18_84-155_BL.indd 89
94. León Ferrari
1920-2013
Untitled stainless steel 79 x 12 x 12 in. (200.7 x 30.5 x 30.5 cm.) Executed in 2004, this work is accompanied by a certifcate of authenticity signed by the artist. Estimate $45,000-65,000 Provenance Acquired directly from the artist by the present owner Exhibited Miami, Pan American Art Projects, León Ferrari: Declared Value, April 29 June 23, 2018
25/08/18 14:27
Contemporary Cuba: Works from a Private Collection
Contemporary Cuba: Works from a Private Collection Drawn from an important private collection,
artists continue to explore their country’s
these artworks showcase the tantalizing
complicated past and present in myriad ways.
visions of 11 artists from diferent generations
These include Carlos Garaicoa—in whose
of post-Revolutionary Cuba. An iconic work
photographs a violinist performs an ode to a
from 1962-63 by Sandú Darié epitomizes the
decaying grandfather clock—and Kcho—whose
utopian nature of Concrete Art, while a bold
large-scale drawing presents as a blueprint for
work by Raúl Martínez from 1970 eschews
a chimerical machine, relating to both Tatlin’s
abstraction for Pop Art in a graphic style
tower and Leonardo da Vinci’s fying machines.
that nods to propaganda posters. Younger
95. Carlos Garaicoa
b. 1967
Acerca de la caja del reloj y del tiempo que se ha ido (About the Grandfather Clock and How Long It’s Been Gone) (i, iii, iv, v) signed, numbered and dated “2/5 C. Garaicoa 95-00” on the reverse (ii) signed, numbered and dated “3/5 C. Garaicoa 95-00” on the reverse chromogenic print, in 5 parts each image 18 7/8 x 18 7/8 in. (47.9 x 47.9 cm.) each sheet 24 x 20 in. (61 x 50.8 cm.) (i, iii, iv, v) Executed in 1995-2000, each work is number 2 from an edition of 5 (ii) Executed in 1995-2000, this work is number 3 from an edition of 5.
(i)
Estimate $12,000-18,000 Provenance Alonso Art, Miami Private Collection, Miami Phillips, New York, November 21, 2013, lot 51 Private Collection (acquired at the above sale) Acquired from the above by the present owner (ii)
(iv)
Exhibited Siena, Palazzo delle Papesse, carlos garaicoa: la misura di quasi tutte le cose, January 31 - May 2, 2004, n.p., pp. 64-65 (another example exhibited and illustrated) Literature Deborah Aaronson, Photography Transformed: the Metropolitan Bank & Trust collection, Cleveland, 2002, no. 74 (another example illustrated) (iii)
NY_NEW NOW_SEPT18_84-155_BL.indd 90
(v)
25/08/18 14:28
96. Yoan Capote
b. 1977
In love II signed and dated “Capote 03” lower lef; further titled ““in love” II” upper center watercolor on paper 22 1/2 x 30 in. (57.2 x 76.2 cm.) Executed in 2003. Estimate $3,000-5,000 Provenance Paul Sharpe Contemporary Art, New York Acquired from the above by the present owner Exhibited New York, Paul Sharpe Contemporary Art, Between the Lines, June 9 - July 10, 2004
97. Sandra Ceballos
b. 1961
Salto al vacío con polivit from the series El Habana Times titled and dated “el habana times octubre 2009” center right; further signed, titled and dated ““El Habana Times” “Salto al vacío con polivit” 2009 Sandra Ceballos y gents de la calle” on the reverse graphite and photo collage on paper 29 7/8 x 43 7/8 in. (75.9 x 111.4 cm.) Executed in 2009. Estimate $3,000-5,000
NY_NEW NOW_SEPT18_84-155_BL.indd 91
Provenance Private Collection, Havana Acquired from the above by the present owner Exhibited Havana, Centro de Arte Contemporaneo Wifredo Lam; Havana, Galería de la Biblioteca Rubén Martinez Villena, Ya Se Leer: Imagen y Texto en el Arte Latinoamericano, April - May 2011, p. 32 (illustrated)
25/08/18 14:28
Contemporary Cuba: Works from a Private Collection
98. Belkis Ayón
b. 1967-1999
Untitled (Sikan with white Tips) numbered “5/VI” lower lef; further signed “Belkis Ayón Manso” lower right collography 36 7/8 x 24 7/8 in. (93.7 x 63.2 cm.) Executed in 1993, this work is number 5 from an edition of 6. Estimate $3,000-5,000 Provenance Bourbon Lally Gallery, Haiti Acquired from the above by the present owner Exhibited Breining, Pfarrkirche St. Barbara, Belkis Ayón: Unterstutze Mich, Halte mich hoch, im Schmerz, November 7, 1995 Boston, Massachusetts College of Art, Belkis Ayón: Early Works, April 8, 2003, p. 7 (illustrated) Gainesville, Samuel P. Harn Museum of Art, Cuba Avant-Garde: Contemporary Cuban Art from the Farber Collection, May 29 September 9, 2007, pp. 20, 37 (illustrated)
99. Esterio Segura
b. 1970
Colibrí libando la memoria (Hummingbird Sucking Memory) titled ““Colibrí libando la memoria”” lower lef; further signed and dated “ESTERIO 1996” lower right ink and watercolor on paper 27 1/2 x 39 3/8 in. (69.9 x 100 cm.) Executed in 1996. Estimate $3,000-5,000 Provenance Acquired directly from the artist by the present owner
NY_NEW NOW_SEPT18_84-155_BL.indd 92
25/08/18 14:28
100. Raúl Martínez
1927-1995
El abanderado (The Standard-Bearer) signed and dated “R. MARTINEZ - 70” lower center acrylic on paper 28 1/8 x 22 3/8 in. (71.4 x 56.8 cm.) Painted in 1970. Estimate $3,000-5,000 Provenance Abelardo Estorino Collection Magnan Metz Gallery, New York Acquired from the above by the present owner in 2010 Exhibited New York, Magnan Metz Gallery, Raúl Martínez: Eagerly Awaiting, July 22 August 20, 2010, no. 18 (illustrated) Literature Corina Matamoros, Raúl Martínez: la gran familia, Cuba, 2012, no. 71 (illustrated)
101. José Toirac
b. 1966
SIN TÍTULO No. 15 signed, titled and dated “Toirac SIN TÍTULO No. 15 2000” on the reverse oil on canvas 39 1/8 x 39 1/8 in. (99.4 x 99.4 cm.) Painted in 2000. Estimate $6,000-8,000 Provenance Private Collection, California (acquired directly from the artist) Acquired from the above by the present owner
NY_NEW NOW_SEPT18_84-155_BL.indd 93
25/08/18 14:28
Contemporary Cuba: Works from a Private Collection
102. Sandú Darié
1908-1991
Untitled signed “DARIE DARIE” upper lef and lower right corners; further signed, inscribed and dated “DARIE HABANA 1962-63 -INIT-” on the reverse collage, pencil, watercolor and ink on paper 15 3/4 x 11 3/8 in. (40 x 28.9 cm.) Executed in 1962-1963, this work is accompanied by a certifcate of authenticity issued by Pedro de Oraá. Estimate $7,000-9,000 Provenance Private Collection, New York Acquired from the above by the present owner
103. Kcho
b. 1970
La conquista del espacio a los ojos de la historia (The Conquest of Space in the Eyes of History) signed, titled and dated “la conquista del espacio a los ojos de la historia Kcho 2001” lower edge charcoal on paper, mounted on canvas 53 x 79 in. (134.6 x 200.7 cm.) Executed in 2001. Estimate $5,000-7,000 Provenance Private Collection Acquired from the above by the present owner Exhibited Havana, Foundation Museo del Ron, En el Mar no hay nada escrito, 2002 São Paulo, Brazilian Sculpture Museum, El Huracán, 2002
NY_NEW NOW_SEPT18_84-155_BL.indd 94
25/08/18 14:28
104. José Bedia
b. 1959
105. Los Carpinteros b. 1969, b. 1970, b. 1971
La isla esperando una señal (The Island Waits for a Signal) signed, titled and dated “La isla esperando una señal J Bedia 02” lower edge acrylic on paper 23 3/4 x 69 1/8 in. (60.3 x 175.6 cm.) Painted in 2002. Estimate $10,000-15,000 Provenance Private Collection Acquired from the above by the present owner
Piscina Bloque (Swimming Pool-Block) titled ““Piscina Bloque”” lower center; further signed, inscribed and dated “Los Carpinteros La Hab 2002” lower right watercolor on paper 29 1/2 x 41 1/2 in. (74.9 x 105.4 cm.) Executed in 2002. Estimate $9,000-12,000
Provenance Anthony Grant Gallery, New York Acquired from the above by the present owner Exhibited Gainesville, Samuel P. Harn Museum of Art, Cuba AvantGarde: Contemporary Cuban Art from the Farber Collection, May 29 - September 9, 2007, pp. 25, 76 (illustrated) Literature Gudrun Ankele and Daniela Zyman, eds., Los Carpinteros: Handwork - Constructing the World, Cologne, 2010, p. 308 (illustrated)
Exhibited Gainesville, Samuel P. Harn Museum of Art, Cuba AvantGarde: Contemporary Cuban Art from the Farber Collection, May 29 - September 9, 2007, pp. 52, 53 (illustrated)
NY_NEW NOW_SEPT18_84-155_BL.indd 95
25/08/18 14:28
106. Pedro de Oraá
b. 1931
Untitled from the series Abstractivos signed and dated “ORAÁ 16” lower right; further signed and dated “ORAÁ 16” on the reverse acrylic on canvas 37 x 76 3/4 in. (94 x 194.9 cm.) Painted in 2016. Estimate $8,000-12,000 Provenance Acquired directly from the artist by the present owner
Exhibited Havana, National Museum of Fine Arts, Abstractivos: Pedro de Oraá, December 16, 2016 - March 31, 2017
107. Roberto Matta
1911-2002
El Caballazzo pastel on paper 48 x 59 in. (121.9 x 149.9 cm.) Executed in 1974, this work is accompanied by a certifcate of authenticity signed by Germana Ferrari Matta. Estimate $12,000-18,000 Provenance Galería Aele, Madrid Luis Carlos Rodrigo Mazure, Madrid (acquired from the above in 1974) Conde de Peracamps, Sotogrande (acquired from the above circa 1998) Thence by descent to the present owner Exhibited Madrid, Galería Aele, El Gran Burundi ha muerto/Homenaje a Jorge Zalamea, November 1974
NY_NEW NOW_SEPT18_84-155_BL.indd 96
25/08/18 14:28
108. Enoc Pérez
b. 1967
Lever House signed, titled and dated “Enoc Pérez Lever House November 2005” on the reverse watercolor on paper 60 x 41 1/8 in. (152.4 x 104.5 cm.) Executed in 2005. Estimate $12,000-18,000 Provenance Mitchell-Innes & Nash, New York Acquired from the above by the present owner
NY_NEW NOW_SEPT18_84-155_BL.indd 97
109. Roberto Fabelo
b. 1950
Pajaro lindo signed and dated “Fabelo 2009” lower right oil on fber relief 71 x 42 in. (180.3 x 106.7 cm.) Executed in 2009, this work is accompanied by a certifcate of authenticity signed by the artist. Estimate $35,000-45,000 Provenance Private Collection (acquired directly from the artist) Private Collection, Mexico Sotheby’s, New York, May 24, 2016, lot 107 Acquired at the above sale by the present owner
25/08/18 14:29
110. Barnaby Furnas
b. 1973
Untitled (Consolation) signed, titled, inscribed and dated “UNTITLED (COMPROMISE) BARNABY FURNAS Barnaby Furnas 5/12/04 NYC” on the reverse; further titled “UNTITLED (COMPROMISE)” on the stretcher mixed media on linen 40 x 30 in. (101.6 x 76.2 cm.) Executed in 2004. Estimate $10,000-15,000 Provenance Modern Art, London Acquired from the above by the present owner Exhibited London, Modern Art, Barnaby Furnas, October 14 - November 21, 2004 Gateshead Quays, Baltic Centre for Contemporary Art, Barnaby Furnas: Recent Paintings & Watercolours, April 16 - June 19, 2005 Literature Sarah Douglas, “London Letter,” Artnet Magazine, October 28, 2004 (illustrated, online)
111. Jonathan Meese
b. 1970
Innerer Kreis signed with the artist’s initials “JM” lower right; further titled “INNERER KREIS” upper right oil on canvas 35 1/4 x 23 1/2 in. (89.5 x 59.7 cm.) Painted in 2001. Estimate $8,000-12,000 Provenance Mário Sequeira Gallery, Braga Acquired from the above by the present owner
NY_NEW NOW_SEPT18_84-155_BL.indd 98
25/08/18 14:29
112. Jonathan Meese
b. 1970
Mama Johnny (Noel Coward is Back) incised with the artist’s signature, number and date “JONATHAN MEESEE WOLF 2/3 2005” on the base; further incised with the title, “Mama Johnny” on the tail; further stamped with the foundry mark on the base bronze 86 1/2 x 59 x 51 in. (219.7 x 149.9 x 129.5 cm.) Executed in 2005, this work is number 2 from an edition of 3. Estimate $25,000-35,000
NY_NEW NOW_SEPT18_84-155_BL.indd 99
Provenance Modern Art, London Acquired from the above by the present owner Exhibited London, Modern Art, Jonathan Meese: Thanks, Wally Whyton (Revendaddy Phantomilky on Coconut Islandaddy), February 16 – March 26, 2006 (another example exhibited) Cologne, Deichtorhallen Hamburg; Magasin, Centre National d’Art Contemporain de Grenoble, Jonathan Meese: Mama Johnny, April 30, 2006 - January 7, 2007, p. 32 (another example exhibited and illustrated)
25/08/18 14:29
113. Marc Quinn
b. 1964
Landed cast aluminum and steel 90 x 59 x 29 in. (228.6 x 149.9 x 73.7 cm.) Executed in 1999. Estimate $40,000-60,000 Provenance White Cube, London Acquired from the above by the present owner Exhibited Kunstverein Hannover, Marc Quinn, June 27 - August 22, 1999
NY_NEW NOW_SEPT18_84-155_BL.indd 100
25/08/18 14:29
114. Philip Taafe
b. 1955
Villa Urbana III signed, titled and dated “VILLA URBANA III 2000-2001 P. Taafe” on the reverse mixed media on canvas 43 x 73 1/8 in. (109.2 x 185.7 cm.) Executed in 2000-2001. Estimate $20,000-30,000 Provenance Gagosian Gallery, New York James Cohan Gallery, New York Acquired from the above by the present owner Exhibited New York, James Cohan Gallery, The Heavenly Tree Grows Downward: Harry Smith, Philip Taafe and Fred Tomaselli, September 10 October 19, 2002, n.p. (illustrated)
115. Donald Baechler
b. 1956
Untitled incised with the artist’s signature, number and date “D. BAECHLER 2004 2/7” on the base bronze and wood stand 22 1/2 x 9 1/4 x 3 5/8 in. (57.2 x 23.5 x 9.2 cm.) Executed in 2004, this work is number 2 from an edition of 7. Estimate $12,000-18,000 Provenance Fred Torres Gallery, New York Acquired from the above by the present owner
NY_NEW NOW_SEPT18_84-155_BL.indd 101
25/08/18 14:30
116. Gerhard Richter
b. 1932
Abstraktes Bild (P1) numbered “402/500” on the reverse chromogenic print mounted on aluminum 36 1/4 x 49 5/8 in. (92 x 126 cm.) Executed in 2014, this facsimile object is number 402 from an edition of 500. Estimate $12,000-18,000 Provenance Private Collection, London Phillips, London, June 21, 2016, lot 222 Acquired at the above sale by the present owner
117. Beverly Pepper
b. 1922
Ligne Scolpite stainless steel and Isofan 74 3/4 x 39 3/4 x 22 in. (189.9 x 101 x 55.9 cm.) Executed in 1968. Estimate $25,000-35,000 Provenance Obelisk Gallery, Boston Acquired from the above by the present owner
NY_NEW NOW_SEPT18_84-155_BL.indd 102
25/08/18 14:30
Property from the Locksley Shea Gallery
118. Ross Bleckner
b. 1949
Before and Afer Being Young titled and dated ““BEFORE AND AFTER BEING YOUNG” 1987” on the reverse oil on linen 120 x 84 in. (304.8 x 213.4 cm.) Painted in 1987. Estimate $35,000-45,000 Provenance Mary Boone Gallery, New York Acquired from the above by the present owner
NY_NEW NOW_SEPT18_84-155_BL.indd 103
Exhibited Milwaukee Art Museum; Houston, Contemporary Art Museum; Pittsburg, The Carnegie Museum of Art; Toronto, Art Gallery of Ontario, Ross Bleckner, March 7, 1989 - April 1, 1990, p. 27 (illustrated) Museum of Art Fort Lauderdale, With You I Want to Live: The Gordon Locksley and Dr. George T. Shea Collection, March 23, 2009 March 22, 2010, p. 25 (illustrated) Minneapolis Institute of Arts, Until Now: Collecting the New (c.1960-2010), April 16 August 1, 2010 (on extended loan August 2, 2010 - October 28, 2013) Literature Tema Celeste: Rivista D’Arte Contemporanea, no. 14, December 1987 February 1988, cover (illustrated)
25/08/18 14:30
119. Dan Christensen
1942-2007
Mow-Way signed, titled and dated ““MOW-WAY” © D. Christensen 1978” on the overlap acrylic and gesso on canvas 85 x 57 in. (215.9 x 144.8 cm.) Painted in 1978. Estimate $8,000-12,000 Provenance Meredith Long Contemporary, New York Acquired from the above by the present owner Exhibited New York, Meredith Long Contemporary Gallery, through March, 1979 Literature John Ashbery, “Out of Lef Field”, New York Magazine, April 2, 1979, p. 68 (illustrated)
120. Vera Röhm
b. 1943
Quadrat (Square) signed with the artist’s initials “VR” on the bottom wood and Plexiglas 43 3/8 x 43 3/8 in. (110.2 x 110.2 cm.) Executed in 1987. Estimate $8,000-12,000 Provenance Gallery 44, Dusseldorf Acquired from the above by the present owner in 1989 Literature Dr. Dorothea van der Koelen, ed., Vera Röhm: Opus Ergänzungen: Werkverzeichnis 1975-2013, 2017, no. E 8705-3790, p. 221 (illustrated)
NY_NEW NOW_SEPT18_84-155_BL.indd 104
25/08/18 14:31
“The violence in my ‘60s paintings was there because the violence existed in the man himself. At that period in my life I was always causing trouble. The gesture was part of that violence. I mean, if you hit a canvas with a big brush with a lot of paint on it, you’re going to create an atmosphere of violence, and that’s what I did then. I do not have that outlook now.” Norman Bluhm, 1996–97
NY_NEW NOW_SEPT18_84-155_BL.indd 105
121. Norman Bluhm
1921–1999
Flamberge signed and dated “Bluhm 63” lower right oil on canvas 72 x 114 in. (182.9 x 289.6 cm.) Painted in 1968. Estimate $40,000-60,000 Provenance Private Collection (acquired directly from the artist) Private Collection (acquired thence by descent from the above) Christie’s, New York, April 1, 2008, lot 224 Acquired at the above sale by the present owner
25/08/18 14:31
122. Shusaku Arakawa
b. 1936
Untitled signed, titled and dated “UNTITLED ARAKAWA 1968” lower right; further signed and dated “ARAKAWA ARAKAWA 1968” on the stretcher acrylic, marker and graphite on canvas 34 1/4 x 39 1/2 in. (87 x 100.3 cm.) Executed in 1968. Estimate $25,000-35,000 Provenance Arthur Feldman Fine Arts, Cleveland Acquired from the above by the present owner
Property from a Distinguished Private Collection
123. Joe Goode
b. 1937
X-Ray Drawing 11 signed and dated “Joe Goode 1976” lower center charcoal on paper 22 x 30 in. (55.9 x 76.2 cm.) Executed in 1976. Estimate $10,000-15,000 Provenance Manny Silverman Gallery, Los Angeles Kohn Gallery, Los Angeles Acquired from the above by the present owner in 2011 Exhibited Los Angeles, Manny Silverman Gallery, Joe Goode: X-Ray Drawings, January 8 February 19, 2005
NY_NEW NOW_SEPT18_84-155_BL.indd 106
25/08/18 14:32
124. Ray Johnson
1927-1995
A. Warhol Profle with Not “F” OLD and Lewis Letter signed and dated “Ray Johnson 1979-88-89-92” lower right; further stamped by the Ray Johnson Estate and numbered “10788” on the reverse acrylic and collage on illustration board 12 x 10 3/4 in. (30.5 x 27.3 cm.) Executed in 1979-1992. Estimate $15,000-20,000 Provenance Ray Johnson Estate, New York Acquired from the above by the present owner Exhibited Lewisburg, Samek Art Museum, Bucknell University; Sedalia, Daum Museum of Contemporary Art; Katonah Museum of Art; Knoxville, Ewing Gallery of Art and Architecture, University of Tennessee; Lewiston, Bates College Museum of Art, Remix: Selections from the International Collage Center, October 14, 2011 - March 24, 2014, p. 18 (illustrated) For additional information, please refer to phillips.com.
125. Ray Johnson
1927-1995
Untitled (My Nephew) dedicated and dated “FEB. 11, 1990 DEAR PABLO PICASSO” upper lef; further titled “MY NEPHEW” center right; further stamped by the Ray Johnson Estate and numbered “11789” on the reverse acrylic and collage on illustration board 12 1/2 x 11 1/2 in. (31.8 x 29.2 cm.) Executed in 1990. Estimate $12,000-18,000 Provenance Ray Johnson Estate, New York Honor Fraser, Los Angeles Acquired from the above by the present owner Exhibited Los Angeles, Honor Fraser, Saying Yes to Everything, November 25 - December 20, 2014 We are most grateful to the Ray Johnson Estate for their assistance with the cataloguing of these works.
NY_NEW NOW_SEPT18_84-155_BL.indd 107
25/08/18 14:32
Property of an Important East Coast Collector
126. Andy Warhol
1928-1987
Highway Overview signed “Andy Warhol” on the reverse four stitched gelatin silver prints 17 1/2 x 21 3/4 in. (44.5 x 55.2 cm.) Executed in 1976-1986. Estimate $30,000-50,000 Provenance Robert Miller Gallery, New York Acquired from the above by the present owner
Warhol Works on Paper Andy Warhol’s early drawings and works on
drew inspiration from children’s storybooks,
paper were fundamental in the development
historical sources and popular culture. The
of his oeuvre and career. Initially overlooked
popularization of French cuisine in New York in
by the fne art world, he was celebrated for his
the late 1950s inspired Warhol and friend Suzie
commercial illustrations in the 1940’s and 50’s.
Frankfurt to create the book Wild Raspberries,
Warhol’s frst contract was for the September
which parodies chef August Escofer’s esteemed
cover of Glamour magazine in 1948, and was
Le guide culinaire (1907) and Ingmar Berman’s
followed by a major commission for shoe
1957 flm Wild Strawberries.
advertisements with the women’s shoe company I Miller & Sons in 1955, which “made him rich
Warhol moved away from his early drawing
before he launched into pop art.” Warhol’s
and illustration style, consequently declining to
signature style of commercial illustration was
exhibit or talk much about his hand-painted pre-
instantly recognizable, and subsequently
Pop works. Despite Warhol’s reticence and the
Warhol “became New York’s most sought-afer
near-disappearance of these early works from
illustrator of ladies’ accessories.”
the public eye, one cannot deny their importance in the development of Warhol’s mature practice
Warhol also produced eight self-published artist
– pulling infuence and inspiration from popular
books between 1953 and 1960, with which he
culture, these works on paper are as signature
intended to promote his illustration business to
Warhol as anything that would follow.
potential clients. The imagery in these books
NY_NEW NOW_SEPT18_84-155_BL.indd 108
25/08/18 14:32
127. Andy Warhol
1928-1987
Unidentifed Woman stamped by the Estate of Andy Warhol and the Andy Warhol Foundation for the Visual Arts, Inc., New York, initialed “VF” and numbered “114.159” on the reverse graphite on HMP paper 31 3/4 x 23 1/2 in. (80.6 x 59.7 cm.) Executed in 1986, this work is accompanied by a certifcate of authenticity issued by the Andy Warhol Foundation for the Visual Arts, Inc.
NY_NEW NOW_SEPT18_84-155_BL.indd 109
Estimate $25,000-35,000 Provenance The Estate of Andy Warhol The Andy Warhol Foundation for the Visual Arts, New York Acquired from the above by the present owner
25/08/18 14:32
128. Andy Warhol
1928-1987
Child in Elf Costume stamped by the Estate of Andy Warhol and the Andy Warhol Foundation for the Visual Arts, Inc., New York, initialed “VF” and numbered 247.004” on the reverse pen on manila paper 16 3/4 x 14 in. (42.5 x 35.6 cm.) Executed in 1956. Estimate $6,000-8,000 Provenance The Estate of Andy Warhol The Andy Warhol Foundation for the Visual Arts, New York Acquired from the above by the present owner
129. Andy Warhol
1928-1987
Angel stamped by the Estate of Andy Warhol and the Andy Warhol Foundation for the Visual Arts, Inc., New York, initialed “VF” and numbered “272.111” on the reverse ink on paper 8 3/8 x 11 in. (21.3 x 27.9 cm.) Executed circa 1955. Estimate $3,000-5,000 Provenance The Estate of Andy Warhol The Andy Warhol Foundation for the Visual Arts, New York Acquired from the above by the present owner
NY_NEW NOW_SEPT18_84-155_BL.indd 110
25/08/18 14:32
130. Andy Warhol
1928-1987
Piglet from the series Wild Raspberries signed “Andy Warhol” right edge ofset lithograph with hand coloring 17 x 21 5/8 in. (43.2 x 54.9 cm.) Executed in 1959. Estimate $18,000-22,000 Provenance Private Collection Sotheby’s, New York, February 26, 2007, lot 6 Acquired at the above sale by the present owner Literature Frayda Feldman and Jörg Schellmann, Andy Warhol Prints: A Catalogue Raisonné 1962-1987, New York, 2003, p. 345 (another example illustrated)
131. Andy Warhol
1928-1987
Cooking Items stamped by the Estate of Andy Warhol and the Andy Warhol Foundation for the Visual Arts, Inc., New York, initialed “VF” and numbered “328.076” on the reverse ink on paper 7 5/8 x 9 5/8 in. (19.4 x 24.4 cm.) Executed circa 1954-1955. Estimate $4,000-6,000 Provenance The Estate of Andy Warhol The Andy Warhol Foundation for the Visual Arts, New York Acquired from the above by the present owner
NY_NEW NOW_SEPT18_84-155_BL.indd 111
25/08/18 14:32
132. Andy Warhol
1928-1987
Portrait with Cat ink on paper 15 x 12 3/8 in. (38.1 x 31.4 cm.) Executed in 1956. Estimate $6,000-8,000 Provenance The Estate of Andy Warhol The Andy Warhol Foundation for the Visual Arts, New York Acquired from the above by the present owner
133. Andy Warhol
1928-1987
Pistols for Two numbered “334.009” upper lef; further titled “PISTOLS FOR TWO” on the reverse acrylic on paper 9 1/4 x 12 1/8 in. (23.5 x 30.8 cm.) Executed circa 1955. Estimate $5,000-7,000 Provenance The Estate of Andy Warhol The Andy Warhol Foundation for the Visual Arts, New York Acquired from the above by the present owner verso
NY_NEW NOW_SEPT18_84-155_BL.indd 112
25/08/18 14:32
134. Andy Warhol
1928-1987
Shoe (collage) stamped by the Estate of Andy Warhol and The Andy Warhol Foundation for the Visual Arts, Inc., New York, initialed “VF” and numbered “343.145” on the reverse ink and leather collage on paper 14 x 11 7/8 in. (35.6 x 30.2 cm.) Executed in 1955. Estimate $8,000-12,000 Provenance The Estate of Andy Warhol The Andy Warhol Foundation for the Visual Arts, New York Acquired from the above by the present owner
135. Andy Warhol
1928-1987
Shoe (foral) stamped by the Estate of Andy Warhol and The Andy Warhol Foundation for the Visual Arts, Inc., New York, initialed “VF” and numbered “343.126” on the reverse ink and collage on paper 9 1/4 x 11 1/4 in. (23.5 x 28.6 cm.) Executed circa 1955. Estimate $8,000-12,000 Provenance The Estate of Andy Warhol The Andy Warhol Foundation for the Visual Arts, New York Acquired from the above by the present owner
NY_NEW NOW_SEPT18_84-155_BL.indd 113
25/08/18 14:34
136. Yinka Shonibare MBE
b. 1962
masks from Un Ballo in Maschera fabric masks, velvet on wood and metal mold, velvet head covers, in 5 parts, all in artist’s Plexiglas case overall 27 3/4 x 43 1/2 x 12 1/2 in. (70.5 x 110.5 x 31.8 cm.) Executed in 2004. Estimate $15,000-20,000 Provenance James Cohan Gallery, New York Acquired from the above by the present owner
○
137. Carrie Mae Weems
b. 1953
Untitled (Woman and phone) from the series The Kitchen Table signed, numbered and dated “Carrie M. Weems 1990 4/5” on the reverse gelatin silver print 27 1/4 x 27 1/4 in. (69.2 x 69.2 cm.) Executed in 1990, this work is number 4 from an edition of 5. Another example from this edition is housed in the permanent collection of the National Gallery of Art, Washington D.C. Estimate $15,000-20,000 Provenance P.P.O.W, New York Acquired from the above by the present owner Exhibited New York, P.P.O.W, Carrie Mae Weems: The Kitchen Table Series, 1990 Nashville, Frist Center for the Visual Arts; Portland Art Museum; The Cleveland Museum of Art; Stanford, The Iris and B. Gerald Cantor Center for Visual Arts at Stanford University; New York, Solomon R. Guggenheim Museum, Carrie Mae Weems: Three Decades of Photography and Video, September 21, 2012 - April 23, 2014, no. 6.10, p. 86 (another example exhibited and illustrated)
NY_NEW NOW_SEPT18_84-155_BL.indd 114
25/08/18 14:34
○
138. Carrie Mae Weems
b. 1953
Color Real and Imagined signed, numbered and dated “Carrie M. Weems 2014 9/12” on the reverse archival inkjet print with screenprinted color blocks 38 7/8 x 54 7/8 in. (98.7 x 139.4 cm.) Executed in 2014, this work is printer’s proof 9 from an edition of 10 plus 2 artist’s proofs and 12 printer’s proofs. Estimate $18,000-22,000 Provenance Jack Shainman Gallery, New York Guild Hall, East Hampton, August 12, 2016 Acquired from the above sale by the present owner Exhibited London, Pippy Houldsworth Gallery, Carrie Mae Weems: Color: Real and Imagined, October 10 – November 15, 2014 (another example exhibited)
139. James Casebere
b. 1953
Flooded Hallway signed “J Casebere” on a label afxed to the reverse chromogenic print mounted to Plexiglas, in 3 parts 92 x 113 in. (233.7 x 287 cm.) Executed in 1998, this work is number 2 from an edition of 3 plus 1 artist’s proof. Another example from this edition is housed in the permanent collection of the Cantor Arts Center, Stanford University.
Provenance Sean Kelly, New York Acquired from the above by the present owner Exhibited New York, Lisson Gallery, James Casebere, February 3 - March 4, 2000 (another example exhibited) For additional information, please refer to phillips.com.
Estimate $12,000-18,000
NY_NEW NOW_SEPT18_84-155_BL.indd 115
25/08/18 14:34
Property of an Important East Coast Collector
140. Hiroshi Sugimoto
b. 1948
Sam Eric, Pennsylvania signed “Hiroshi Sugimoto” lower right of the mount; further blindstamped with the title, number, negative number and date “Sam Eric Pennsylvania 1978 20/25 202” lower edge gelatin silver print 20 x 24 in. (50.8 x 61 cm.) Executed in 1978, this work is number 20 from an edition of 25. Another example from this edition is housed in the permanent collection of The Museum of Fine Arts, Houston. Estimate $20,000-30,000 Provenance Sonnabend Gallery, New York Aqcuired from the above by the present owner For additional information, please refer to phillips.com.
141. Hiroshi Sugimoto
b. 1948
Kino Panorama, Paris signed “Hiroshi Sugimoto” lower right of the mount; further blindstamped with the title and date “Kino Panorama Paris 1998” lower edge gelatin silver print 20 x 24 in. (50.8 x 61 cm.) Executed in 1998. Estimate $15,000-20,000 Provenance Sonnabend Gallery, New York Acquired from the above by the present owner For additional information, please refer to phillips.com.
NY_NEW NOW_SEPT18_84-155_BL.indd 116
25/08/18 14:34
Property of an Important East Coast Collector
142. Hiroshi Sugimoto
b. 1948
Chrysler Building, William Van Allen signed “Hiroshi Sugimoto” lower right of the mount; further blindstamped with the number and inventory number “7/25 905” lower right gelatin silver print 20 x 24 in. (50.8 x 61 cm.) Executed in 1997, this work is number 7 from an edition of 25. Another example from this edition is housed in the permanent collection of the Whitney Museum of American Art, New York. Estimate $20,000-30,000 Provenance Sonnabend Gallery, New York Acquired from the above by the present owner For additional information, please refer to phillips.com.
143. Hiroshi Sugimoto
b. 1948
Arctic Ocean, Nord Kapp II signed “Hiroshi Sugimoto” lower right on the mount; further blindstamped with the title, date, number and negative number “Arctic Ocean Nord Kapp II 1990 11/25 334” lower edge gelatin silver print 20 x 24 in. (50.8 x 61 cm.) Executed in 1990, this work is number 11 from an edition of 25. Estimate $20,000-30,000 Provenance Sonnabend Gallery, Paris Sotheby’s, New York, November 12, 2014, lot 597 Acquired at the above sale by the present owner For additional information, please refer to phillips.com.
NY_NEW NOW_SEPT18_84-155_BL.indd 117
25/08/18 14:34
144. Catherine Opie
b. 1961
145. Catherine Opie
b. 1961
Untitled # 9 (Wall Street) signed, titled, numbered and dated “Catherine Opie Untitled #9, 2000-2001 1/5” on the reverse iris print 22 x 47 in. (55.9 x 119.4 cm.) Executed in 2000-2001, this work is number 1 from an edition of 5 plus 2 artist’s proofs.
Untitled # 14 (Wall Street) signed, titled, numbered and dated “Catherine Opie Untitled #14, 2000-2001 1/5” on the reverse iris print 65 x 128 in. (165.1 x 325.1 cm.) Executed in 2001, this work is number 1 from an edition of 5 plus 2 artist’s proofs.
Another example from this edition is housed in the permanent collection of the Whitney Museum of American Art.
Estimate $6,000-8,000
Estimate $6,000-8,000 Provenance Stephen Friedman Gallery, London Acquired from the above by the present owner For additional information, please refer to phillips.com.
NY_NEW NOW_SEPT18_84-155_BL.indd 118
Provenance Stephen Friedman Gallery, London Acquired from the above by the present owner in 2011 Exhibited New York, Solomon R. Guggenheim Museum, Catherine Opie: American Photographer, September 26, 2008 - January 7, 2009, p. 178 (another example exhibited and illustrated) London, Stephen Friedman Gallery, Catherine Opie, November 30, 2001 - January 19, 2002 (another example exhibited)
25/08/18 14:34
146. Massimo Vitali
b. 1944
Anf Single signed, titled, numbered and dated “ANFI SINGLE #2014 2004 ed 3/6 Vitali” on a label afxed to the reverse chromogenic print face-mounted to Diasec, in artist’s frame 73 1/8 x 91 5/8 in. (185.7 x 232.7 cm.) Executed in 2004, this work is number 3 from an edition of 6. Estimate $10,000-15,000 Provenance Galerie Ernst Hilger, Vienna Acquired from the above by the present owner
Property of an Important East Coast Collector
147. Candida Höfer
b. 1944
El Escorial VI signed “Candida Höfer” on the reverse of backing board chromogenic print 69 x 60 in. (175.3 x 152.4 cm.) Executed in 2000, this work is number 3 from an edition of 6. Estimate $25,000-35,000 Provenance Sonnabend Gallery, New York Acquired from the above by the present owner Exhibited Roslyn Harbor, Nassau County Museum of Art, Long Island Collections, January 18 March 15, 2009 Literature Ralph Müller, Candida Höfer: A Monograph, Cologne, 2003, p. 216 (another example illustrated)
NY_NEW NOW_SEPT18_84-155_BL.indd 119
25/08/18 14:35
Property from the Locksley Shea Gallery
148. Andres Serrano
b. 1950
Klansman (Imperial Wizard) signed, titled and numbered “Andres Serrano Klansman (Imperial Wizard) 1/4” on the reverse chromogenic print face-mounted to Plexiglas 60 x 50 in. (152.4 x 127 cm.) Executed in 1990, this work is number 1 from an edition of 4. Estimate $10,000-15,000 Provenance André Simoens Gallery, Knokke (acquired directly from the artist) Private Collection, New York Stux Gallery, New York Henry S. McNeil Collection, Philadelphia Sotheby’s, New York, May 11, 2011, lot 590 Acquired at the above sale by the present owner For additional information, please refer to phillips.com.
149. Andres Serrano
b. 1950
Black Baby Jesus signed with the artist’s initials, titled and numbered ““Black Baby Jesus” 1/10 AL” on the reverse chromogenic print 40 x 27 1/2 in. (101.6 x 69.9 cm.) Executed in 1990, this work is number 1 from an edition of 10. Estimate $12,000-18,000 Provenance Acquired directly from the artist by the present owner For additional information, please refer to phillips.com.
NY_NEW NOW_SEPT18_84-155_BL.indd 120
25/08/18 14:35
Property from a Private Collection, Minnnesota
150. Rineke Dijkstra
b. 1959
Amit, Golani Brigade, Elyacim, Israel, May 26, 1999 signed and numbered “Rineke Dijkstra 3/10” on a label afxed to the reverse; further signed and dated “Rineke Dijkstra May 16, 2001” on a certifcate of authenticity afxed to the reverse chromogenic print 70 7/8 x 59 in. (180 x 149.9 cm.) Executed in 2001, this work is number 3 from an edition of 10 and is accompanied by a certifcate of authenticity signed and dated by the artist. Estimate $12,000-18,000 Provenance Sommer Gallery, Tel Aviv Phillips, London, October 17, 2013, lot 165 Acquired at the above sale by the present owner For additional information, please refer to phillips.com.
151. Jenny Saville and Glen Luchford b. 1970 and b. 1968 Closed Contact #15 signed, titled and numbered “Glen Saville Closed Contact #15 ed. 4/6” on the reverse chromogenic print mounted in Plexiglas 72 x 71 1/2 x 6 7/8 in. (182.9 x 181.6 x 17.5 cm.) Executed in 1995-1996, this work is number 4 from an edition of 6. Estimate $12,000-18,000 Provenance Gagosian Gallery, Los Angeles Acquired from the above by the present owner For additional information, please refer to phillips.com.
NY_NEW NOW_SEPT18_84-155_BL.indd 121
25/08/18 14:36
152. Douglas Gordon
b. 1966
Self Portrait of You + Me (Jimi Hendrix) burnt photograph and mirrored glass, in artist’s frame 24 7/8 x 20 7/8 in. (63.2 x 53 cm.) Executed in 2007. Estimate $10,000-15,000 Provenance Private Collection
153. Douglas Gordon
b. 1966
Self Portrait of You + Me (Michael Jackson) burnt photograph and mirrored glass, in artist’s frame 24 7/8 x 20 7/8 in. (63.2 x 53 cm.) Executed in 2007. Estimate $10,000-15,000 Provenance Private Collection
NY_NEW NOW_SEPT18_84-155_BL.indd 122
25/08/18 14:36
154. David LaChapelle
b. 1963
Leonardo DiCaprio: Coming Of Age signed “David LaChapelle” on a label afxed to the reverse chromogenic print 42 5/8 x 59 1/8 in. (108.3 x 150.2 cm.) Executed in 1995, this work is number 1 from an edition of 3. Estimate $15,000-20,000 Provenance Tony Shafrazi Gallery, New York Acquired from the above by the present owner Exhibited New York, Staley-Wise Gallery, LaChapelle Land, November 8 - 30, 1996, pp. 84-85 (another example illustrated)
155. David LaChapelle
b. 1963
Britney Spears: World She Once Knew, Mississippi signed “David LaChapelle” on a label afxed to the reverse chromogenic print 60 x 43 in. (152.4 x 109.2 cm.) Executed in 1999, this work is number 3 from an edition of 3. Estimate $15,000-20,000 Provenance Tony Shafrazi Gallery, New York Acquired from the above by the present owner Literature Sandy Arrowsmith, ed., Hotel LaChapelle, New York, 1999, p. 142 (another example illustrated) Steven Daly, “Inside the Heart, Mind, & Bedroom of a Teen Dream,” Rolling Stone, April 15, 1999, p. 61 (another example illustrated)
NY_NEW NOW_SEPT18_84-155_BL.indd 123
25/08/18 14:36
156. David LaChapelle
b. 1963
Afer Sugar Shack signed “David LaChapelle” on a label afxed to the reverse chromogenic print 62 1/8 x 46 3/8 in. (157.8 x 117.8 cm.) Executed in 2005, this work is number 1 from an edition of 3. Estimate $15,000-20,000 Provenance Jablonka Galerie, Berlin Private Collection, Europe Phillips, London, June 28, 2011, lot 266 Private Collection, New York (acquired at the above sale) Artnet Auctions, August 13, 2015, lot ID 109626 Acquired at the above sale by the present owner Exhibited Berlin, Jablonka Galerie, David LaChapelle: Heaven to Hell, November 30, 2006 February 2, 2007, p. 157 (another example exhibited and illustrated) Literature Hilka Sinning, “Die phantastische Welt des Fotografen David LaChapelle”, Kultur Spiegel, December 2006 (illustrated on the cover)
Property from the Locksley Shea Gallery
157. Wolfgang Tillmans
b. 1968
Stiefelknecht II signed, titled and numbered “Stiefelknecht II 6/10 + 1 Wolfgang Tillmans” on the reverse chromogenic print 16 x 12 in. (40.6 x 30.5 cm.) Executed in 1993, this work is number 6 from an edition of 10 plus 1 artist’s proof. Estimate $4,000-6,000 Provenance Andrea Rosen Gallery, New York Acquired from the above by the present owner
NY_NEW NOW_SEPT18_84-155_BL.indd 124
25/08/18 14:36
158. Marilyn Minter
b. 1948
Swarv signed “M. MINTER” on a label afxed to the reverse chromogenic print 50 x 36 in. (127 x 91.4 cm.) Executed in 2005, this work is artist’s proof 2 from an edition of 5 plus 2 artist’s proofs. Estimate $10,000-15,000 Provenance Salon 94, New York Acquired from the above by the present owner in 2006
159. Vik Muniz
b. 1961
L’origine du Monde, afer Courbet from the series Pictures of Soil signed, titled, numbered and dated “L’origine du Monde Vik Muniz 1999 AP 2/5” on the reverse; further signed and dated “Vik Muniz 1999” on a label afxed to the reverse gelatin silver print 20 x 24 in. (50.8 x 61 cm.) Executed in 1999, this work is artist proof 2 from an edition of 10 plus 5 artist’s proofs. Estimate $10,000-15,000 Provenance Sikkema Jenkins & Co., New York Acquired from the above by the present owner Exhibited Santiago de Compostela, Centro Galego de Arte Contemporanea; Dublin, Irish Museum of Modern Art; Madrid, Fundación Telefónica, Vik Muniz, December 18, 2003 - January 9, 2005, p. 129 (another example exhibited and illustrated) For additional information, please refer to phillips.com.
NY_NEW NOW_SEPT18_84-155_BL.indd 125
25/08/18 14:36
Property from a Distinguished Private Collection
160. Dr. Lakra
(i) (iii)
b. 1972
Three works: (i) Untitled (lagrima II); (ii) Untitled (penetro); (iii) Untitled (sombrero rosa) (i) signed “DR LAKRA” lef center; further signed DR LACrA” lower right (ii) signed “LACrA DR.” lower right (iii) signed “DR. Lacra” lef center ink on vintage magazine (i) 9 5/8 x 8 1/4 in. (24.4 x 21 cm.) (ii) 12 x 10 1/8 in. (30.5 x 25.7 cm.) (iii) 19 3/4 x 15 3/4 in. (50.2 x 40 cm.) Executed in 2005. Estimate $12,000-18,000 Provenance Kurimanzutto, New York Acquired from the above by the present owner
(ii)
161. Matthew Barney
b. 1967
Cremaster 5: The Tears of Erich Weiss magazine supplement to The Independent, acrylic, graphite and petroleum in artist’s acrylic and prosthetic frame 12 1/2 x 11 x 2 in. (31.8 x 27.9 x 5.1 cm.) Executed in 1998, this work is number 3 from an edition of 5 plus 1 artist’s proof. Estimate $2,000-3,000 Provenance Barbara Gladstone Gallery, New York Acquired from the above by the present owner Exhibited Los Angeles, Regen Projects, Matthew Barney: Cremaster 5, March 7 - April 11, 1998 (another example exhibited) Cologne, Museum Ludwig; Musée d’Art Moderne de la Ville de Paris; New York, Solomon R. Guggenheim Museum, Matthew Barney: The CREMASTER Cycle, June 6, 2002 - June 4, 2003, p. 425 (another example exhibited and illustrated)
NY_NEW NOW_SEPT18_84-155_BL.indd 126
25/08/18 14:37
Property from a Distinguished Private Collection
162. Mike Kelley
1954-2012
Extracurricular Activity Projective Reconstruction #19 (Shy Satanist) signed “M. Kelley” on a label afxed to the reverse Piezo print and chromogenic print, in 2 parts each 33 7/8 x 22 1/2 in. (86 x 57.2 cm.) overall 67 3/8 x 22 1/2 in. (171.1 x 57.2 cm.) Executed in 2004-2005, this work is number 5 from an edition of 5. Estimate $12,000-18,000 Provenance Gagosian Gallery, New York Acquired from the above by the present owner in 2006 Exhibited New York, Gagosian Gallery, Mike Kelley: Day Is Done, November 11 - December 17, 2005, pp. 208209 (another example exhibited and illustrated) Brussels, Wiels Contemporary Art Centre; Bolzano, Museion Museum of Modern and Contemporary Art, Mike Kelley: Educational Complex Onwards 1995 - 2008, April 12, 2008 April 19, 2009, no. 11.46, pp. 191, 195 (another example exhibited and illustrated)
163. Darren Almond
b. 1971
Untitled chromogenic print, mounted on board 41 x 40 in. (104.1 x 101.6 cm.) Executed in 1999, this work is number 1 from an edition of 5. Estimate $5,000-7,000 Provenance Matthew Marks Gallery, New York Acquired from the above by the present owner Literature Darren Almond, exh. cat., Kunsthalle Zürich, 2001, no. 1 (another example illustrated)
NY_NEW NOW_SEPT18_84-155_BL.indd 127
25/08/18 14:37
164. Ryan McGinley
b. 1977
Untitled (Shower) signed “Ryan McGinley” on a label afxed to the reverse chromogenic print 39 7/8 x 27 in. (101.3 x 68.6 cm.) Executed in 2005, this work is number 3 from an edition of 3 plus 1 artist’s proof. Estimate $5,000-7,000 Provenance Ratio 3, San Francisco Acquired from the above by the present owner
165. Ryan McGinley
b. 1977
Back Against Wall signed “Ryan McGinley” on a label afxed to the reverse chromogenic print 30 x 40 in. (76.2 x 101.6 cm.) Executed in 2004, this work is number 3 from an edition of 3 plus 1 artist’s proof. Estimate $5,000-7,000 Provenance Ratio 3, San Francisco Acquired from the above by the present owner
NY_NEW NOW_SEPT18_84-155_BL.indd 128
25/08/18 14:37
166. Dash Snow
1981-2009
Untitled signed “Dash Snow” on a label accompanying the work collage, ink and graphite on paper 22 x 10 5/8 in. (55.9 x 27 cm.) Executed in 2005-2006. Estimate $10,000-15,000 Provenance Rivington Arms, New York Private Collection, New York Phillips, New York, March 8, 2011, lot 10 Acquired at the above sale by the present owner
167. Dash Snow
1981-2009
America Is Falling signed “DASh SNOW.” lower right inkjet print on paper 50 1/2 x 31 1/4 in. (128.3 x 79.4 cm.) Executed 2005-2006. Estimate $8,000-12,000 Provenance Acquired directly from the artist by the present owner
NY_NEW NOW_SEPT18_84-155_BL.indd 129
25/08/18 14:37
168. Roni Horn
b. 1955
Piece (4) signed, titled, numbered and dated “PIECE (4) 1998 #5/5 Roni Horn” on the reverse of print 1; further numbered sequentially 1 through 5 on the reverse of each print iris print, in 5 parts Stufed Arctic Fox 22 x 22 in. (55.9 x 55.9 cm.) Nest 22 x 22 in. (55.9 x 55.9 cm.) Melrakkasletta 22 x 29 1/8 in. (56 x 74 cm.) Guiding Light: Cassie 22 x 29 1/8 in. (56 x 74 cm.) Dead Birds 22 x 29 1/8 in. (56 x 74 cm.) Executed in 1998, this work is number 5 from an edition of 5 and is accompanied by a certifcate of authenticity from Gallery Rafaella Cortese. Estimate $15,000-20,000
NY_NEW NOW_SEPT18_84-155_BL.indd 130
Provenance Gallery Rafaella Cortese, Milan Acquired from the above by the present owner Exhibited ARC Musée d’Art Moderne de la Ville de Paris, Roni Horn: Events of Relation, November 17, 1999 - January 23, 2000, n.p. (another example exhibited and illustrated) Literature Louise Neri, Lynne Cooke and Thierry de Duve, Roni Horn, London, 2000, p. 11 (another example illustrated) Urs Stahel ed., If on a Winter’s Night ... Roni Horn..., Gottingen, 2001, pp. 73-80 (another example illustrated) Deborah Aaronson, ed., Photography Transformed: The Metropolitan Bank and Trust Collection, New York, 2002, p. 237 (another example illustrated)
25/08/18 14:38
Property from a Distinguished Private Collection
169. Roni Horn
b. 1955
Untitled chromogenic print 33 x 33 1/2 in. (83.8 x 85.1 cm.) Executed in 2003, this work is from an edition of 13 plus 2 artist’s proofs and 1 printer’s proof. Estimate $5,000-7,000 Provenance Courtesy of the Artist Art for Arts Sake, New York Acquired from the above by the present owner
Property from a Distinguished Private Collection
170. Alex Prager
b. 1979
Anne signed, titled, numbered and dated ““Anne” 5/5 A Prager 2009” on a label afxed to the reverse chromogenic print 36 x 36 in. (91.4 x 91.4 cm.) Executed in 2009, this work is number 5 from an edition of 5. Estimate $8,000-12,000 Provenance M+B Gallery, Los Angeles Acquired from the above by the present owner in 2011 Exhibited Los Angeles, M+B Gallery, Weekend, January 30 - March 6, 2010, p. 24 (another example exhibited and illustrated)
NY_NEW NOW_SEPT18_84-155_BL.indd 131
25/08/18 14:38
Property from a Distinguished Private Collection
171. Catherine Opie
b. 1961
Emily, Sts, & Becky, Durham, North Carolina from the series Domestic signed “Catherine Opie” on a label afxed to the reverse chromogenic print 40 x 50 in. (101.6 x 127 cm.) Executed in 1998, this work is number 2 from an edition of 5 plus 2 artist’s proofs. Estimate $7,000-10,000
NY_NEW NOW_SEPT18_84-155_BL.indd 132
Provenance Gorney Bravin + Lee, New York Acquired from the above by the present owner Exhibited Los Angeles, Regen Projects, Catherine Opie: Domestic, April 17 - May 22, 1999 (another example exhibited) London, The Photographers’ Gallery; Chicago, Museum of Contemporary Art, Catherine Opie, August 9, 2000 February 4, 2001, p. 37 (another example exhibited and illustrated)
25/08/18 14:38
This lot is sold with No Reserve
172. Robert Melee
b. 1966
I’m Stuck from the series Photo Composition signed, titled and dated “Robert Melee Photo Comp. I’m Stuck 2003” on the reverse plastic slip cover, framed photographs and enamel paint on wood 48 x 48 x 3 in. (121.9 x 121.9 x 7.6 cm.) Executed in 2003. Estimate $2,000-3,000 • Provenance Andrew Kreps Gallery, New York Acquired from the above by the present owner
Property from a Distinguished Private Collection
173. Damián Ortega
b. 1967
Conducción de energia (Azucar) signed “DAMIÁN ORTEGA” on a label afxed to the backing board of one print chromogenic print, in 5 parts each 16 x 20 in. (40.6 x 50.8 cm.) Executed in 2005, this work is number 2 from an edition of 5 plus 2 artist’s proofs.
Provenance Kurimanzutto, Mexico Acquired from the above by the present owner in 2005
Estimate $6,000-8,000
NY_NEW NOW_SEPT18_84-155_BL.indd 133
25/08/18 14:38
174. Gabriel Orozco
b. 1962
Columpio signed, titled, numbered and dated “1/5 COLUMPIO GABRIEL OROZCO 1999” on the reverse chromogenic print 16 x 20 in. (40.6 x 50.8 cm.) Executed in 1999, this work is number 1 from an edition of 5. Estimate $8,000-10,000 Provenance Galerie Chantal Crousel, Paris Sotheby’s, New York, November 10, 2005, lot 384 Acquired at the above sale by the present owner Exhibited Los Angeles, The Museum of Contemporary Art; Mexico City, Museo Internacional Rufno Tamayo; Museo de Arte Contemporáneo de Monterrey, Gabriel Orozco, June 4, 2000 May 27, 2001, p. 19 (another example exhibited and illustrated)
175. Uta Barth
b. 1958
Ground #12 signed and dated “Uta Barth 1992-93” on the reverse chromogenic print, mounted on panel 29 1/2 x 27 1/2 in. (74.9 x 69.9 cm.) Executed in 1992-1993, this work is number 2 from an edition of 5. Estimate $3,000-5,000 Provenance ACME, Los Angeles Acquired from the above by the present owner
NY_NEW NOW_SEPT18_84-155_BL.indd 134
25/08/18 14:38
(i)
(ii)
(iii)
(iv)
(v)
(vi)
176. Larry Sultan
(vii)
1946-2009
Seven works: (i) #3 (Mom in the lounge chair); (ii) #25 (Olive on plate); (iii) #27 (Dad hugging kids); (iv) (Larry’s brother with a bandage on his head); (v) Dad in the baby pool; (vi) #20 (back to back teenagers); (vii) (two men in a waterfall) from the series Pictures From Home chromogenic print each 16 1/4 x 21 1/4 in. (41.3 x 54 cm.) Executed in 1989. Estimate $6,000-8,000 Provenance Janet Borden Inc., New York Acquired from the above by the present owner Exhibited San Jose Museum of Art, Larry Sultan: Pictures from Home, October 25, 1992 - January 31, 1993, n.p. (other examples exhibited and illustrated)
NY_NEW NOW_SEPT18_84-155_BL.indd 135
25/08/18 14:39
177. Elad Lassry
b. 1977
Strawberries chromogenic print, in artist’s frame 14 1/2 x 11 3/8 in. (36.8 x 28.9 cm.) Executed in 2010, this work is number 4 from an edition of 5 plus 2 artist’s proofs. Another example from this edition is housed in the permanent collection of the Fotomuseum, Winterthur. Estimate $4,000-6,000 Provenance Galerie Francesca Pia, Zurich Acquired from the above by the present owner
178. Elad Lassry
b. 1977
Figure 32 chromogenic print, in artist’s frame 14 1/2 x 11 3/8 in. (36.8 x 28.9 cm.) Executed in 2010, this work is number 4 from an edition of 5 plus 2 artist’s proofs. Another example from this edition is housed in the permanent collection of the Fotomuseum, Winterthur. Estimate $4,000-6,000 Provenance Galerie Francesca Pia, Zurich Acquired from the above by the present owner
NY_NEW NOW_SEPT18_84-155_BL.indd 136
25/08/18 14:39
179. John Gerrard
b. 1974
Smoke Tree IV signed, titled, numbered and dated “John Gerrard Smoke Tree IV 6/6 2006” on artist’s card accompanying the work simulation with artist’s Corian frame and Corian console table dimensions variable installed 29 x 38 3/8 x 21 in. (73.7 x 97.5 x 53.3 cm.) Executed in 2006, this work is number 6 from an edition of 6 plus 2 artist’s proofs. Estimate $10,000-15,000 Provenance Galerie Ernst Hilger, Vienna Acquired from the above by the present owner
180. Jennifer Steinkamp
b. 1958
Dance Hall Girl 3 (daisies) signed and numbered “Jennifer Steinkamp /6” on 1 of 2 viewing master DVDs video installation install dimensions variable approximately 15 x 15 in. (38.1 x 38.1 cm.) Executed in 2004, this work is number 3 from an edition of 6 plus 1 artist’s proof and is accompanied by a certifcate of authenticity signed and dated by the artist.
Exhibited Columbus Museum, Magnetic Landscape, March 14 - June 7, 2009 (another example exhibited) Miami, Jewish Museum of Florida, The Chosen, November 4, 2014 - March 8, 2015 (another example exhibited) Fort Lauderdale, NSU Art Museum, Belief + Doubt: Selections from the Francie Bishop Good and David Horvitz Collection, August 26, 2016 January 22, 2017 (another example exhibited)
Estimate $8,000-12,000 Provenance Lehmann Maupin, New York Acquired from the above by the present owner
NY_NEW NOW_SEPT18_84-155_BL.indd 137
25/08/18 14:40
Property from a Distinguished Private Collection
181. Christian Marclay
b. 1955
Untitled signed and dated “Christian Marclay 2001” on the reverse unique photogram 12 x 11 7/8 in. (30.5 x 30.2 cm.) Executed in 2001. Estimate $10,000-15,000 Provenance Paula Cooper Gallery, New York Acquired from the above by the present owner in 2008
182. Sam Moyer
b. 1983
Close Screen signed and dated “Sam Moyer 2011” on the reverse India ink on paper 22 x 30 in. (55.9 x 76.2 cm.) Executed in 2011. Estimate $2,500-3,500 Provenance Rachel Ufner Gallery, New York Acquired from the above by the present owner
NY_NEW NOW_SEPT18_84-155_BL.indd 138
25/08/18 14:40
183. Iván Navarro
b. 1972
Decay (Lake Point Tower) neon, wood, paint, light, Plexiglas, mirror and a one-way mirror 48 x 53 1/2 x 6 1/2 in. (121.9 x 135.9 x 16.5 cm.) Executed in 2011, this work is number 1 from an edition of 3 plus 1 artist’s proof and is accompanied by a certifcate of authenticity signed by the artist. Estimate $25,000-35,000 Provenance Paul Kasmin Gallery, New York Acquired from the above by the present owner Exhibited New York, Paul Kasmin Gallery, Iván Navarro: Heaven or Las Vegas, March 3 - April 2, 2011 (another example exhibited)
184. Callum Innes
b. 1962
Untitled No. 45 signed and dated “Callum Innes 10 Callum Innes.” on the overlap oil on canvas 24 3/8 x 23 1/2 in. (61.9 x 59.7 cm.) Painted in 2010. Estimate $10,000-15,000 Provenance Sean Kelly, New York Acquired from the above by the present owner
NY_NEW NOW_SEPT18_84-155_BL.indd 139
25/08/18 14:40
185. Nick Mauss
b. 1980
Untitled signed and dated “nick mauss 2013” on the reverse glazed ceramic 23 5/8 x 15 5/8 in. (60 x 39.7 cm.) Executed in 2013. Estimate $8,000-12,000 Provenance 303 Gallery, New York Acquired from the above by the present owner
186. Nick Mauss
b. 1980
Untitled signed and dated “nick mauss 2013” on the reverse glazed ceramic 16 1/8 x 23 7/8 in. (41 x 60.6 cm.) Executed in 2013. Estimate $8,000-12,000 Provenance 303 Gallery, New York Acquired from the above by the present owner
NY_NEW NOW_SEPT18_84-155_BL.indd 140
25/08/18 14:40
187. Rebecca Warren
b. 1965
Redondo Beach self-fring painted clay, on artist’s plinth overall 45 x 16 x 15 1/2 in. (114.3 x 40.6 x 39.4 cm.) Executed in 2003. Estimate $15,000-20,000 Provenance Maureen Paley Interim Art, London Acquired from the above by the present owner
188. Mark Hagen
b. 1972
Jack’s Dog Jack (Additive Painting #112) signed and dated “2013 MARK HAGEN 2013 MARK HAGEN” on the overlap acrylic on burlap over panel 68 x 52 in. (172.7 x 132.1 cm.) Executed in 2013. Estimate $6,000-8,000 Provenance Private Collection
NY_NEW NOW_SEPT18_84-155_BL.indd 141
25/08/18 14:40
189. Daniel Turner
b. 1983
Untitled 5150 (7/30/12) signed “DANIEL TURNER” on the reverse; further signed, titled and dated “TURNER DANIEL TURNER 5150 7-3012” on the stretcher bitumen emulsion, vinyl and wood 16 1/2 x 14 1/2 x 3 1/4 in. (41.9 x 36.8 x 8.3 cm.) Executed in 2012. Estimate $6,000-8,000 Provenance The Journal Gallery, New York Acquired from the above by the present owner
190. Adam Pendleton
b. 1984
Two Rows Split Together signed and dated “Adam Pendleton 06 Adam Pendleton ’06” on the overlap silkscreen print on canvas 72 1/2 x 48 in. (184.2 x 121.9 cm.) Executed in 2006. Estimate $10,000-15,000 Provenance Acquired directly from the artist by the present owner Exhibited New York, Rubenstein Gallery, Adam Pendleton: Bam Split Lab and the Afro Futuristic Underground, November 2 December 22, 2006 New York, Tillou Fine Art, Post Confict, November 23, 2014 - February 7, 2015 Literature Tom McDonough, “The Parallax View: Tom McDonough on the art of Adam Pendleton”, Artforum, November, 2011, p. 234 (illustrated)
NY_NEW NOW_SEPT18_84-155_BL.indd 142
25/08/18 14:41
191. Adam McEwen
b. 1965
Bomber Harris signed and dated “A. McEwen 2010” on the reverse acrylic and chewing gum on canvas 24 x 18 in. (61 x 45.7 cm.) Executed in 2010. Estimate $10,000-15,000 Provenance Private Collection, Europe Sotheby’s, London, February 13, 2014, lot 311 Acquired at the above sale by the present owner
Property from a Distinguished Private Collection
192. Sterling Ruby
b. 1972
Artaud signed, numbered and dated “Sterling Ruby 2007 ed. 1/3” on a label afxed to the reverse Lambda print mounted on Plexiglas 63 5/8 x 47 1/2 in. (161.6 x 120.7 cm.) Executed in 2007, this work is number 1 from an edition of 3. Estimate $10,000-15,000 Provenance Metro Pictures, New York Acquired from the above by the present owner Exhibited New York, Metro Pictures, Sterling Ruby: Killing the Recondite, April 28 - June 9, 2007 Los Angeles, The Museum of Contemporary Art, Sterling Ruby: SUPERMAX, June 19 September 19, 2008, p. 31 (another example exhibited and illustrated) Bergamo, Galleria d’arte Moderna e Contemporanea, Sterling Ruby: GRID RIPPER, September 30, 2008 - February 8, 2009, p. 141 (another example exhibited and illustrated) For additional information, please refer to phillips.com.
NY_NEW NOW_SEPT18_84-155_BL.indd 143
25/08/18 14:41
193. Sebastian Black
b.1985
Puppy Painting signed and dated “SEBASTIAN BLACK 2010” on the reverse acrylic on canvas 10 1/8 x 8 in. (25.7 x 20.3 cm.) Painted in 2010. Estimate $6,000-8,000 Provenance Acquired directly from the artist by the present owner
194. Steve Claydon
b. 1969
The Graven in Tandem thermalite, formica, polyurethane foam, ceramic, parcel tape 51 1/4 x 23 5/8 x 23 5/8 in. (130.2 x 60 x 60 cm.) Executed in 2012. Estimate $15,000-20,000 Provenance Sadie Coles HQ, London Acquired from the above by the present owner
NY_NEW NOW_SEPT18_84-155_BL.indd 144
25/08/18 14:41
195. Matthew Day Jackson
b. 1974
Family Portrait on the Moon signed, titled, inscribed and dated “MATTHEW DAY JACKSON “FAMILY PORTRAIT” (...Considering the August 6th series, the surface of the moon was also victim to the same fre...) 2012” on the reverse burnt wood and Formica on panel, in artist’s frame 95 5/8 x 95 5/8 in. (242.9 x 242.9 cm.) Executed in 2012. Estimate $40,000-60,000 Provenance GRIMM, Amsterdam Acquired from the above by the present owner
196. Inka Essenhigh
b. 1969
Spring Bar Scene signed, titled and dated “Inka Essenhigh 2007-8 Spring Bar Scene” on the reverse oil on canvas 78 x 72 in. (198.1 x 182.9 cm.) Painted in 2007-2008. Estimate $12,000-18,000 Provenance Victoria Miro Gallery, London Acquired from the above by the present owner Exhibited London, Victoria Miro Gallery, Inka Essenhigh, April 3 - May 2, 2008 Nashville, The Frist Center for Visual Arts, Inka Essenhigh: Between Worlds, May 27 - October 9, 2016 Literature Megan Kelley, “Universal Tongues: Unfolding Mythos within Inka Essenhigh’s Between Two Worlds”, Nashville Arts Magazine, June 2016 (illustrated) Anne Prentnieks, “Inka Essenhigh Frist Art Museum,” Artforum Magazine, September 12, 2016
NY_NEW NOW_SEPT18_84-155_BL.indd 145
25/08/18 14:42
197. Armin Boehm
b. 1972
Raumneurose signed, titled and dated “Armin Boehm 2013 “Raumneurose”” on the reverse oil and fabric on wood 45 1/4 x 47 1/4 in. (114.9 x 120 cm.) Executed in 2013. Estimate $6,000-8,000 Provenance Harris Lieberman Gallery, New York Acquired from the above by the present owner in 2013 Exhibited New York, Harris Lieberman Gallery, Raumneurose, May 10 – June 15, 2013
Property from a Distinguished Private Collection
198. Matt Saunders
b. 1975
Doorway #4 gelatin silver print 39 1/2 x 57 1/2 in. (100.3 x 146.1 cm.) Executed in 2011, this work is unique. Estimate $6,000-8,000 Provenance Harris Lieberman, New York Acquired from the above by the present owner in 2011
NY_NEW NOW_SEPT18_84-155_BL.indd 146
25/08/18 14:42
199. Terry Rodgers
b. 1949
The Uncertainty Principle signed and dated “Rogers 03” lower right oil on linen 54 x 75 in. (137.2 x 190.5 cm.) Painted in 2003. Estimate $10,000-15,000 Provenance Fay Gold Gallery, Atlanta Private Collection, Silicon Valley Acquired from the above by the present owner
200. Deborah Kass
b. 1952
Gold Barbra (Jewish Jackie Series) signed, titled and dated “GOLD BARBRA (Jewish Jackie Series) D Kass 1992” on the reverse acrylic and silkscreen ink on canvas 50 x 40 in. (127 x 101.6 cm.) Executed in 1992. Estimate $8,000-12,000 Provenance Jose Freire Fine Art, New York Acquired from the above by the present owner in 1995
NY_NEW NOW_SEPT18_84-155_BL.indd 147
25/08/18 14:43
201. Florian Maier-Aichen
b. 1973
Two works: (i) Untitled (Towards Burbank); (ii) Untitled (Towards Los Angeles) gelatin silver print each 11 x 13 7/8 in. (27.9 x 35.2 cm.) Executed in 2004, these works are from an edition of 6 plus 2 artist’s proofs. Estimate $8,000-12,000 Provenance Blum & Poe, Los Angeles Acquired from the above by the present owner Exhibited Los Angeles, Blum & Poe, Florian Maier-Aichen: The Bridges of Cologne, July 3 - August 14, 2004 (another example exhibited)
Property from a Distinguished Private Collection
202. Kris Martin
b. 1972
Mandi II signed, titled and numbered “Martin Mandi II IV/IIIII” on a label afxed to the underside Solari fap-clock with unlabeled faps 13 x 9 1/2 x 5 1/8 in. (33 x 24.1 x 13 cm.) Executed in 2002, this work is number 4 from an edition of 5 plus 2 artist’s proofs. Estimate $5,000-7,000 Provenance Sies + Höke, Dusseldorf Acquired from the above by the present owner
NY_NEW NOW_SEPT18_84-155_BL.indd 148
25/08/18 14:49
203. Will Ryman
b. 1969
Janitor, Henry steel, epoxy resin, expansion foam and copper 72 x 32 3/4 x 21 1/2 in. (182.9 x 83.2 x 54.6 cm.) Executed in 2005. Estimate $15,000-20,000 Provenance Private Collection (acquired directly from the artist) Private Collection
204. Will Benedict Municipal Waste signed 5-times, titled 5-times, variously inscribed, and dated 8-times “MUNICIPAL WASTE 2013 WILL BENEDICT” on the reverse gouache on foamcore and canvas, archival inkjet print, in artist’s Plexiglas frame 42 1/2 x 61 in. (108 x 154.9 cm.) Executed in 2013. Estimate $6,000-8,000 Provenance Overduin & Co., Los Angeles Acquired from the above by the present owner
NY_NEW NOW_SEPT18_84-155_BL.indd 149
25/08/18 14:49
205. Paul Noble
b. 1963
Troubadour with Mountain Horn graphite on paper 11 3/4 x 8 3/8 in. (29.8 x 21.3 cm.) Executed in 2011. Estimate $4,000-6,000 Provenance Gagosian Gallery, London Acquired from the above by the present owner in 2011
206. Carole A. Feuerman
b. 1945
Untitled signed, numbered and dated “C. J. FEUERMAN 1984 © 2/8” on the base oil, resin and wig 88 x 9 x 30 3/4 in. (223.5 x 22.9 x 78.1 cm.) Executed in 1984, this work is number 2 from an edition of 8. Estimate $12,000-18,000 Provenance Robert Frankel Collection Acquired from the above by the present owner
NY_NEW NOW_SEPT18_84-155_BL.indd 150
25/08/18 14:49
207. Alex Katz
b. 1927
Anne signed “Alex Katz” lower lef charcoal on paper, laid on foam-core 48 x 58 in. (121.9 x 147.3 cm.) Executed in 1972. Estimate $10,000-15,000 Provenance Baldwin Gallery, Aspen Private Collection Acquired from the above by the present owner
208. Luc Tuymans
b. 1958
drawing for “Ballroom Dancing” signed and dated “Luc Tuymans 2005” lower right graphite and ink on paper 8 x 10 5/8 in. (20.3 x 27 cm.) Executed in 2005. Estimate $5,000-7,000 Provenance David Zwirner, New York Acquired from the above by the present owner
NY_NEW NOW_SEPT18_84-155_BL.indd 151
25/08/18 14:49
209. Ida Ekblad
b. 1980
Belly of the blazing mountain signed with the artist’s initials “I.E” lower right of lef sheet; further signed with the artist’s initials “I.E” lower right of right sheet gouache and watercolor on paper, diptych each 29 5/8 x 22 in. (75.2 x 55.9 cm.) Executed in 2012/2013. Estimate $3,000-4,000 Provenance Karma International, Zurich Acquired from the above by the present owner
210. Diana Al-Hadid
b. 1981
Untitled signed and dated “D Al-Hadid 2010” on the reverse xerox transfer and conté on mylar 39 3/4 x 26 in. (101 x 66 cm.) Executed in 2010. Estimate $5,000-7,000 Provenance Marianne Boesky Gallery, New York Acquired from the above by the present owner
NY_NEW NOW_SEPT18_84-155_BL.indd 152
25/08/18 14:50
211. Al Taylor
1948-1999
Remember Your Level pencil, gouache and colored pencil with collage on paper 20 1/2 x 15 1/8 in. (52.1 x 38.4 cm.) Executed in 1992-1993. Estimate $5,000-7,000 Provenance David Zwirner, New York Acquired from the above by the present owner Exhibited New York, David Zwirner, Pass the Peas, September 7 - October 27, 2012, p. 49 (illustrated)
212. Ted Gahl
b. 1983
Ship signed, titled and dated ““© SHIP” 2013 ted Gahl” on the reverse acrylic on linen 40 x 30 in. (101.6 x 76.2 cm.) Painted in 2013. Estimate $3,000-5,000 Provenance Dodge Gallery, New York Acquired from the above by the present owner
NY_NEW NOW_SEPT18_84-155_BL.indd 153
25/08/18 14:50
213. Fredrik Værslev
b. 1979
214. Nikolas Gambarof
b. 1979
Untitled signed and dated “Fredrik Vaersley 2014” on the reverse terrace oil and house paint on wood mounted to steel 55 x 30 1/4 x 11 3/4 in. (139.7 x 76.8 x 29.8 cm.) Executed in 2014.
Untitled signed and dated “Nikolas Gambarof 2012” on the reverse 3 La Cupola espresso cofee makers, newsprint and acrylic on linen on panel 85 x 57 x 6 1/8 in. (215.9 x 144.8 x 15.6 cm.) Executed in 2012.
Estimate $6,000-8,000
Estimate $5,000-7,000
Provenance Overduin & Co., Los Angeles Acquired from the above by the present owner
Provenance David Zwirner, New York Acquired from the above by the present owner Exhibited New York, David Zwirner, Folk Devil, July 11 - August 7, 2013
NY_NEW NOW_SEPT18_84-155_BL.indd 154
25/08/18 14:50
215. Leo Gabin
b. 1980
Stack of Shame signed, titled and dated “Leo Gabin Leo Gabin STACK OF SHAME 2013” on the reverse lacquer, spray paint, acrylic and silkscreen on canvas 106 1/4 x 78 in. (269.9 x 198.1 cm.) Executed in 2013. Estimate $6,000-8,000 Provenance Peres Projects, Berlin Acquired from the above by the present owner Exhibited Berlin, Peres Projects, Leo Gabin: Tallahassee, November 23 – January 4, 2014
216. Eddie Peake
b. 1981
Pit Fit Tik signed and dated “Eddie Peake 2013” on the reverse spray paint on polished stainless steel 39 x 27 1/2 x 2 in. (99.1 x 69.9 x 5.1 cm.) Executed in 2013. Estimate $7,000-10,000 Provenance Galleria Lorcan O’Neill, Rome Acquired from the above by the present owner
NY_NEW NOW_SEPT18_84-155_BL.indd 155
25/08/18 14:50
217. Matias Faldbakken
b. 1973
Flat Box 7 cardboard box with print, tape, marker and ink, in artist’s frame 28 3/4 x 37 1/4 in. (73 x 94.6 cm.) Executed in 2011, this work is unique. Estimate $6,000-8,000 Provenance STANDARD (OSLO) Acquired from the above by the present owner Exhibited Dallas, The Power Station, Matias Faldbakken: Oslo, Texas, October 21 December 19, 2011, pp. 45–46 (illustrated)
This lot is sold with No Reserve
218. Davina Semo
b. 1981
Untitled wire-glass, spray paint and reinforced concrete 18 x 18 x 3 in. (45.7 x 45.7 x 7.6 cm.) Executed circa 2011. Estimate $2,000-3,000 • Provenance The Journal Gallery, New York Acquired from the above by the present owner
NY_NEW NOW_SEPT18_156-195_BL.indd 156
25/08/18 14:51
219. Dan Colen
b. 1979
CURVE acrylic on hollow plastic 21 1/2 x 42 1/4 x 1/2 in. (54.6 x 107.3 x 1.3 cm.) Executed in 2011, this work is accompanied by a certifcate of authenticity signed by the artist. Estimate $8,000-12,000 Provenance Karma, New York Acquired from the above by the present owner
220. Neil Beloufa
b. 1985
Hangers from the series Vintage steel frame, compressed wood and electric plugs 54 x 17 7/8 x 3 in. (137.2 x 45.4 x 7.6 cm.) Executed in 2013, this work is unique. Estimate $7,000-10,000 Provenance Zero snc di Zani Paolo e Ciaccio Claudia, Milan Acquired from the above by the present owner
NY_NEW NOW_SEPT18_156-195_BL.indd 157
25/08/18 14:51
221. Chris Succo
b. 1979
Instant Crush signed and dated “Chris Succo 2014” on the reverse oil and lacquer on linen, in artist’s frame 91 1/2 x 68 1/2 in. (232.4 x 174 cm.) Executed in 2014. Estimate $10,000-15,000 Provenance The Journal Gallery, New York Acquired from the above by the present owner
222. Justin Adian
b. 1976
Fun House signed, titled and dated “JustiN ADIAN “FUN HOUSE 2015” on the reverse oil, enamel and spray paint on canvas over Ester foam 10 x 8 1/4 x 1 3/4 in. (25.4 x 21 x 4.4 cm.) Executed in 2015. Estimate $3,000-5,000 Provenance Half Gallery, New York Acquired from the above by the present owner
NY_NEW NOW_SEPT18_156-195_BL.indd 158
25/08/18 14:51
223. Lucien Smith
b. 1989
STP signed “L. Smith” and stamped with date “MAY 13 2014” on an artist’s studio authenticity label afxed to the reverse enamel on canvas, laid on panel 45 x 56 in. (114.3 x 142.2 cm.) Executed in 2014. Estimate $6,000-8,000 Provenance Morán Morán Gallery, Los Angeles Acquired from the above by the present owner
224. John Armleder
b. 1948
Moonlight Sonata incised with the artist’s signature and number “John Armleder 2/9” on a circular plaque afxed to the inside of the box wood, acrylic and 16 eighteen-note Reuge music box mechanisms 39 x 39 x 4 5/8 in. (99.1 x 99.1 x 11.7 cm.) Executed in 1994, this work is number 2 from an edition of 9. Estimate $12,000-18,000 Provenance Acquired directly from the artist by the present owner Exhibited New York, The Equitable Gallery; Long Beach Museum of Art; Tokyo, Japanese Tour; Columbus Museum of Art; Miami, Center for the Fine Arts; European Tour, November 10, 1994 1998 (another example exhibited and illustrated)
NY_NEW NOW_SEPT18_156-195_BL.indd 159
25/08/18 14:51
225. Israel Lund
b. 1980
Untitled (Rob e rt s&T ilt on 6) signed and dated “ISRAEL LUND Israel Lund 2013” on the overlap acrylic on canvas 44 x 34 in. (111.8 x 86.4 cm.) Painted in 2013. Estimate $6,000-8,000 Provenance Roberts & Tilton, Los Angeles Acquired from the above by the present owner Exhibited Los Angeles, Roberts & Tilton, Israel Lund: Rob e rt s&t ilt on, April 13 - May 24, 2013
226. Kaari Upson
b. 1972
Charcoal Tablet 13 (Elbows and Knees) charcoal and Aqua-Resin 42 1/2 x 29 1/2 x 1 3/4 in. (108 x 74.9 x 4.4 cm.) Executed in 2011, this work is unique and is accompanied by a certifcate of authenticity signed and dated by the artist. Estimate $6,000-8,000 Provenance Overduin and Kite, Los Angeles Private Collection, New York Acquired from the above by the present owner
NY_NEW NOW_SEPT18_156-195_BL.indd 160
25/08/18 14:52
227. Gregor Hildebrandt
b. 1974
Zimmer 130 cassette tape on inkjet print 65 1/4 x 43 1/4 in. (165.7 x 109.9 cm.) Executed in 2008. Estimate $6,000-8,000 Provenance Almine Rech Gallery, Paris Acquired from the above by the present owner
228. Nikolas Gambarof
b. 1979
Untitled newspaper collage on canvas, fabric on canvas and tape, mounted with metal brackets to found shelf 56 x 24 1/8 x 12 1/8 in. (142.2 x 61.3 x 30.8 cm.) Executed in 2011. Estimate $2,000-3,000 Provenance Balice Hertling, Paris Acquired from the above by the present owner Exhibited Paris, Balice Hertling, Nikolas Gambarof: Der Herrische Säugling, May 21 July 30, 2011
NY_NEW NOW_SEPT18_156-195_BL.indd 161
25/08/18 14:52
229. Sarah Braman
b. 1970
Windsof cardboard, car part, anodized aluminum, Plexiglas and paint 44 x 31 x 40 in. (111.8 x 78.7 x 101.6 cm.) Executed in 2010. Estimate $3,000-5,000 Provenance Franklin Parrasch Gallery, New York Acquired from the above by the present owner in 2010 Exhibited New York, Franklin Parrasch Gallery, Peter Alexander + Sarah Braman, November 4 - December 18, 2010
230. Scott Reeder
b. 1970
Bread & Butter (Disco) signed, titled and dated ““BREAD & BUTTER (DISCO) Scott Reeder 2009” on the overlap oil on canvas 18 1/8 x 24 in. (46 x 61 cm.) Painted in 2009. Estimate $2,000-3,000 Provenance Daniel Reich Gallery, New York Acquired from the above by the present owner
NY_NEW NOW_SEPT18_156-195_BL.indd 162
25/08/18 14:52
231. Sayre Gomez
b. 1982
Untitled signed with the artist’s initials and dated “Sg 2013” on the reverse acrylic on canvas mounted on panel 72 x 60 in. (182.9 x 152.4 cm.) Painted in 2013. Estimate $3,000-4,000 Provenance Ghebaly Gallery, Los Angeles Acquired from the above by the present owner
232. Josh Reames
b. 1985
Hers signed, titled and dated “JOSH REAMES 2015 “HERS”” on the reverse acrylic on canvas 71 x 43 in. (180.3 x 109.2 cm.) Painted in 2015. Estimate $3,000-5,000 Provenance Luis De Jesus, Los Angeles Acquired from the above by the present owner
NY_NEW NOW_SEPT18_156-195_BL.indd 163
25/08/18 14:52
233. Joe Reihsen
b. 1979
Mirror IMG_2045 signed and dated “Joe Reihsen 2013” on the stretcher acrylic on panel, in artist’s frame 60 1/2 x 47 3/8 in. (153.7 x 120.3 cm.) Painted in 2013. Estimate $4,000-6,000 Provenance Anat Ebgi, Los Angeles Private Collection, New York Acquired from the above by the present owner
234. Scott Olson
b. 1976
Untitled signed and dated “Scott Olson 2013” on the reverse oil, wax and marble dust ground on panel, in artist’s frame 24 1/4 x 23 1/2 in. (61.6 x 59.7 cm.) Executed in 2013. Estimate $4,000-6,000 Provenance Overduin & Co., Los Angeles Acquired from the above by the present owner
NY_NEW NOW_SEPT18_156-195_BL.indd 164
25/08/18 14:53
235. Tim Hawkinson
b. 1960
Vertabrae signed, titled and dated ““Vertabrae” Tim Hawkinson 1989 Tim Hawkinson” on the stretcher varnish, household gloss paint and nails on canvas 52 x 13 5/8 in. (132.1 x 34.6 cm.) Executed in 1989.
Exhibited Lund, Anders Tornberg Gallery, Tim Hawkinson, October 26-November 20, 1991 Literature Hannah Barton, Tim Hawkinson Catalogue Raisonné, New York: Artifex Press, 2013 - ongoing, no. 1989.05, online (illustrated)
Estimate $8,000-12,000 Provenance Anders Tornberg Gallery, Lund Private Collection, Europe Phillips de Pury, New York, March 31, 2008, lot 141 Acquired at the above sale by the present owner
236. Jacob Kassay
b. 1984
Untitled burlap, wood and polished steel 48 x 24 x 12 in. (121.9 x 61 x 30.5 cm.) Executed in 2010. Estimate $5,000-7,000 Provenance Eleven Rivington, New York Acquired from the above by the present owner
NY_NEW NOW_SEPT18_156-195_BL.indd 165
25/08/18 14:53
237. Florian Schmidt
b. 1980
Untitled signed and dated “forian schmidt 2011” on the stretcher lacquer, vinyl, acrylic cardboard, canvas and wood, in artist’s frame 60 5/8 x 56 3/4 in. (154 x 144.1 cm.) Executed in 2011. Estimate $5,000-7,000 Provenance Jessica Silverman Gallery, San Francisco Acquired from the above by the present owner
238. Margo Wolowiec
b. 1985
Untitled (Hands) signed and dated “Margo Wolowiec 2015” on the overlap fabric dye on hand woven polyester, cotton and linen 38 x 28 1/8 in. (96.5 x 71.4 cm.) Executed in 2015. Estimate $5,000-7,000 Provenance Anat Ebgi, Los Angeles Acquired from the above by the present owner
NY_NEW NOW_SEPT18_156-195_BL.indd 166
25/08/18 14:54
Property from a Distinguished Private Collection
239. Paulina Olowska
b. 1976
Bella signed, titled and dated ““Bella” 2006 Paulina Olowska” on the reverse acrylic and collage on canvas 98 x 55 in. (248.9 x 139.7 cm.) Executed in 2006. Estimate $7,000-10,000 Provenance Metro Pictures, New York Acquired from the above by the present owner in 2011 Exhibited New York, Metro Pictures, Paulina Olowska: NOWA SCENA, January 6 – February 10, 2007
Property from a Distinguished Private Collection
240. Banks Violette
b. 1973
Not Yet Titled (dwg09_05) signed and dated “2008 Banks Violette” on the reverse graphite on paper 20 x 20 in. (50.8 x 50.8 cm.) Executed in 2008. Estimate $5,000-7,000 Provenance Galerie Rodolphe Janssen, Brussels Acquired from the above by the present owner in 2010 Exhibited New York, Team Gallery, Banks Violette: Not Yet Titled, May 7 – June 20, 2009
NY_NEW NOW_SEPT18_156-195_BL.indd 167
25/08/18 14:54
Property from a Distinguished Private Collection
241. Sara Greenberger Raferty
b. 1978
Property from a Distinguished Private Collection
242. Sara Greenberger Raferty
b. 1978
Fig (Move) direct substrate print on plastic 48 x 60 in. (121.9 x 152.4 cm.) Executed in 2011, this work is number 3 from an edition of 3.
Candy chromogenic print mounted to Plexiglas 30 x 50 in. (76.2 x 127 cm.) Executed in 2010, this work is number 4 from an edition of 5 plus 2 artist’s proofs.
Estimate $5,000-7,000
Estimate $3,000-4,000
Provenance Rachel Ufner Gallery, New York Acquired from the above by the present owner in 2011
Provenance Rachel Ufner Gallery, New York Acquired from the above by the present owner in 2011
NY_NEW NOW_SEPT18_156-195_BL.indd 168
25/08/18 14:54
243. Jake and Dinos Chapman b. 1966 and b. 1962
Four works: (i) Dagger Legs I; (ii) Mosquito in a bath tub I; (iii) Milking boobs I; (iv) Urinating I each signed “Jake and Dinos Chapman” on the reverse etching and watercolor on paper each 18 1/2 x 15 in. (47 x 38.1 cm.) Executed in 2000. Estimate $12,000-18,000 (i)
(ii)
(iii)
(iv)
Provenance White Cube, London Acquired from the above by the present owner
244. Brad Kahlhamer
b. 1956
Two works: (i) Urban Prairie Girls; (ii) Urban Prairie Girls (i) signed and dated “Brad Kahlhamer 2003” lower right (ii) signed and dated “Brad Kahlhamer 2005” lower right ink and watercolor on paper each 29 5/8 x 22 1/8 in. (75.2 x 56.2 cm.) (i) Executed in 2003. (ii) Executed in 2005. Estimate $5,000-7,000 Provenance Deitch Projects, New York Acquired from the above by the present owner
NY_NEW NOW_SEPT18_156-195_BL.indd 169
25/08/18 14:54
245. Doug & Mike Starn
b. 1961 and b. 1961
Triple Tuileries Detail signed “Mike Starn Doug Starn” on the reverse of the frame sepia print and tape, in artist’s frame 31 1/2 x 43 1/2 in. (80 x 110.5 cm.) Executed in 1985. Estimate $4,000-6,000 Provenance Stux Gallery, New York Acquired from the above by the present owner
246. Thiago Rocha Pitta
b. 1980
Untitled chromogenic print 30 5/8 x 46 1/2 in. (77.8 x 118.1 cm.) Executed circa 2004. Estimate $5,000-7,000 Provenance Daniel Reich Gallery, New York Acquired from the above by the present owner Exhibited Sao Paulo, Galeria Millan, Thiago Rocha Pitta: Recent Works, March 23 - April 15, 2005
NY_NEW NOW_SEPT18_156-195_BL.indd 170
25/08/18 14:55
247. Johannes Kahrs
b. 1965
Toter (oben) signed, titled and dated “J. Kahrs 2004 Toter (oben)” on the reverse pastel on paper 29 1/8 x 42 1/8 in. (74 x 107 cm.) Executed in 2004. Estimate $10,000-15,000 Provenance Almine Rech Gallery, Paris Acquired from the above by the present owner
NY_NEW NOW_SEPT18_156-195_BL.indd 171
This lot is sold with No Reserve
248. Philippe Pasqua
b. 1965
Lucille signed, titled and dated “Pasqua Philippe 2003 “Lucille”” on the reverse oil on canvas 118 x 197 1/4 in. (299.7 x 501 cm.) Painted in 2003.
Provenance Patrick Painter Inc., Los Angeles Acquired from the above by the present owner Exhibited Paris, Galerie RX, Lucille, 2003
Estimate $30,000-40,000 •
25/08/18 14:55
249. Tom Sachs
b. 1966
Asshole signed, titled and dated “Asshole Tom Sachs 1993” on the reverse drywall, metal, acrylic, 4 fuorescent light fxtures, bulbs and surge protector 30 1/2 x 36 1/2 x 3 in. (77.5 x 92.7 x 7.6 cm.) Executed in 1993. Estimate $8,000-12,000 Provenance Acquired directly from the artist by the present owner
250. Aaron Young
b. 1972
Forever laminated glass with shredded tire rubber and epoxy resin 84 1/4 x 60 1/8 in. (214 x 152.7 cm.) Executed in 2009. Estimate $8,000-12,000 Provenance Bortolami Gallery, New York Acquired from the above by the present owner
NY_NEW NOW_SEPT18_156-195_BL.indd 172
25/08/18 14:55
251. Mark Flood
b. 1957
CROSS THE LIINE signed, titled and dated ““CROSS THE LIINE” Mark Flood 6 - 2013 Mark Flood 6 - 2013” on the overlap acrylic on canvas 104 x 75 3/4 in. (264.2 x 192.4 cm.) Painted in 2013. Estimate $12,000-18,000 Provenance Peres Projects, Berlin Acquired from the above by the present owner in 2013 Exhibited Berlin, Peres Projects, Ask Ofcer Pepperspray, September 20 – November 9, 2013
252. Aaron Young
b. 1972
The New Look of Leadership silkscreen on linen 34 x 34 x 5 1/2 in. (86.4 x 86.4 x 14 cm.) Executed in 2011. Estimate $8,000-12,000 Provenance Bortolami Gallery, New York Acquired from the above by the present owner Exhibited New York, Bortolami Gallery, Aaron Young: Built Tough, May 6 - June 4, 2011
NY_NEW NOW_SEPT18_156-195_BL.indd 173
25/08/18 14:55
253. Daniel Turner
b. 1983
Untitled Emporia signed, titled and dated “DANIEL TURNER “UNTITLED EMPORIA” 2011. 9-6-11 DANIEL TURNER 2011.” on the stretcher bitumen emulsion, vinyl and wood 58 1/4 x 46 in. (148 x 116.8 cm.) Executed in 2011. Estimate $4,000-6,000 Provenance Maccarone, New York Acquired from the above by the present owner
254. Graham Collins
b. 1980
Park Slope Food Coop XV signed and dated “G Collins 13” on the stretcher spray enamel on canvas, reclaimed wood, glass and window tint 42 1/4 x 32 in. (107.3 x 81.3 cm.) Executed in 2013. Estimate $3,000-5,000 Provenance The Journal Gallery, New York Acquired from the above by the present owner Exhibited New York, The Journal Gallery, Graham Collins: Civic, September 16 October 27, 2013
NY_NEW NOW_SEPT18_156-195_BL.indd 174
25/08/18 14:55
255. Mircea Cantor
b. 1977
In front of my eyes chromogenic print mounted on aluminum 39 1/2 x 59 1/8 in. (100.3 x 150.2 cm.) Executed in 2003, this work is number 1 from an edition of 3. Estimate $3,000-5,000 Provenance Galerie Yvon Lambert, Paris Acquired from the above by the present owner
256. Dean Levin
b. 1988
Untitled signed and dated “Dean Levin 2014” on the reverse; further signed and dated “Dean Levin 2014” on the stretcher oil and pigment on canvas 40 x 30 in. (101.6 x 76.2 cm.) Executed in 2014. Estimate $5,000-7,000 Provenance Private Collection
NY_NEW NOW_SEPT18_156-195_BL.indd 175
25/08/18 14:55
257. Tony Oursler
b. 1957
Mimetic 1 signed and dated “Tony Oursler 1999” on the reverse acrylic on paper 30 1/8 x 22 1/8 in. (76.5 x 56.2 cm.) Painted in 1999. Estimate $2,000-3,000 Provenance Lehmann Maupin, New York Acquired from the above by the present owner
258. Tony Oursler
b. 1957
Mimetic 2 signed and dated “Tony Oursler 1999” on the reverse acrylic on paper 30 x 22 in. (76.2 x 55.9 cm.) Painted in 1999. Estimate $2,000-3,000 Provenance Lehmann Maupin, New York Acquired from the above by the present owner
NY_NEW NOW_SEPT18_156-195_BL.indd 176
25/08/18 14:56
259. Natan Pernick
b. 1980
Napkin signed and dated “Natan Pernick 2018” on the reverse oil on canvas 35 1/2 x 35 1/2 in. (90.2 x 90.2 cm.) Painted in 2018.
Provenance Acquired directly from the artist by the present owner
Estimate $4,000-6,000
Property from a Distinguished Private Collection
260. Christopher Knowles
b. 1959
Names Designs and Words signed, titled, and dated “NAMES DESIGNS AND WORDS Christopher Knowles Oct. 1980” on the reverse typing on paper 46 1/2 x 9 5/8 in. (118.1 x 24.4 cm.) Executed in 1980. Estimate $7,000-10,000
NY_NEW NOW_SEPT18_156-195_BL.indd 177
Provenance Gladstone Gallery, New York Acquired from the above by the present owner in 2006 Exhibited New York, Gladstone Gallery, DERECONSTRUCTION, June 30 August 18, 2006
25/08/18 14:56
261. Petra Cortright
b. 1986
trafkkulykker+statistikker frenchXpert digital print on polyester 23 x 36 in. (58.4 x 91.4 cm.) Executed in 2013. Estimate $2,000-3,000 Provenance Steve Turner Gallery, Los Angeles Acquired from the above by the present owner
262. Christina Burch
b. 1972
Sea of Marrow signed and dated “Christina Burch c. 2008” on the stretcher acrylic on canvas 26 1/8 x 26 1/8 in. (66.4 x 66.4 cm.) Painted in 2008. Estimate $2,000-3,000 Provenance Voltz Clarke, New York Acquired from the above by the present owner
NY_NEW NOW_SEPT18_156-195_BL.indd 178
25/08/18 14:56
263. Brendan Lynch
b. 1985
Eddie But Not signed, titled and dated “BRENDAN LYnCH ’13 “EDDiE BUT NOT”” on the reverse posters, aluminum leaf and acrylic on panel 60 x 48 in. (152.4 x 121.9 cm.) Executed in 2013. Estimate $3,000-5,000 Provenance Acquired directly from the artist by the present owner
264. Erick Swenson
b. 1972
Untitled (Ice Head) signed with the artist’s initials and numbered “ELS 4/4” on the interior of the base urethane resin and acrylic on MDF 21 1/4 x 17 1/2 x 16 in. (54 x 44.5 x 40.6 cm.) Executed in 2004, this work is number 4 from an edition of 4. Estimate $5,000-7,000 Provenance James Cohan Gallery, New York Acquired from the above by the present owner
NY_NEW NOW_SEPT18_156-195_BL.indd 179
25/08/18 14:56
265. Stephen Felton
b. 1975
Raindance signed, titled and dated “Stephen Felton Stephen Felton 2014 “RAINDANCE”” on the reverse; further signed with the artist’s initials, titled and dated “SF 2014 “RAINDANCE”” on the stretcher acrylic on canvas 50 x 50 in. (127 x 127 cm.) Painted in 2014. Estimate $5,000-7,000 Provenance Courtesy of the Artist and Robert Blumenthal Gallery Paddle8, November 21, 2014, lot 17 Acquired at the above sale by the present owner
266. Katy Moran
b. 1975
Moonlight on Doublebass signed and dated “Katy M 07” on the overlap acrylic on canvas 18 1/8 x 15 in. (46 x 38.1 cm.) Painted in 2007. Estimate $4,000-6,000 Provenance Modern Art, London Acquired from the above by the present owner
NY_NEW NOW_SEPT18_156-195_BL.indd 180
25/08/18 14:57
267. Chris Hood
b. 1984
Take Me Home signed and dated “Chris Hood 16” on the overlap oil on canvas 70 x 51 in. (177.8 x 129.5 cm.) Painted in 2016. Estimate $2,500-3,500 Provenance Nino Mier Gallery, Los Angeles Acquired from the above by the present owner Exhibited Los Angeles, Nino Mier Gallery, Chris Hood: Octopi Blush, May 22 July 2, 2016
This lot is sold with No Reserve
268. Dan Attoe
b. 1975
Accretion # 28 (This is all there is) signed, titled and dated “Accretion #28 (This is all there is) Dan Attoe 2004” on the reverse oil on canvas mounted on board 36 x 48 in. (91.4 x 121.9 cm.) Painted in 2004. Estimate $5,000-7,000 • Provenance Peres Projects, Los Angeles Acquired from the above by the present owner
NY_NEW NOW_SEPT18_156-195_BL.indd 181
25/08/18 14:57
269. Christian Holstad
b. 1972
Allow the Sun to Shine Through titled “allow the sun to shine through” upper edge painted ceramic urinal 27 7/8 x 18 1/4 x 14 in. (70.8 x 46.4 x 35.6 cm.) Executed in 2007. Estimate $2,000-3,000 Provenance Daniel Reich Gallery, New York Acquired from the above by the present owner
This lot is sold with No Reserve
270. Christian Holstad
b. 1972
Hulk signed and numbered “Christian Holstad 1/1” on 1 of 2 DVDs paper on mirror, DVD mirror 68 1/2 x 27 1/2 in. (174 x 69.9 cm.) Executed in 2004, this work is number 1 from an edition of 1 plus 2 artist’s proofs. Estimate $2,000-3,000 • Provenance Daniel Reich Gallery, New York Acquired from the above by the present owner in 2004 Exhibited New York, Daniel Reich Gallery, Moving Toward the Light, 2004
NY_NEW NOW_SEPT18_156-195_BL.indd 182
25/08/18 14:57
This lot is sold with No Reserve
271. Christian Holstad
b. 1972
Gone are the Good Old Days Again signed, titled, inscribed and dated ““gone ARe the good old days Again.” Christian Holstad 2005 APR” on the reverse collage on paper 23 x 16 3/4 in. (58.4 x 42.5 cm.) Executed in 2005. Estimate $2,000-3,000 • Provenance Daniel Reich Gallery, New York Acquired from the above by the present owner
This lot is sold with No Reserve
272. Gail Stoichef
b. 1976
Geo Halo signed and dated “Gail Stoichef 2010” on the overlap acrylic on canvas 24 x 20 in. (61 x 50.8 cm.) Painted in 2010. Estimate $1,500-2,000 • Provenance Catinca Tabacaru, New York Acquired from the above by the present owner
NY_NEW NOW_SEPT18_156-195_BL.indd 183
25/08/18 14:58
This lot is sold with No Reserve
273. Greg Haberny Recycled Nation signed, titled and dated “© 2010 Greg Haberny HABERNY 2010 Recycled NAtion” on the reverse found newspaper, recycled plastic, glitter, glue, metal brackets, screws and gold letters on wood, in artist’s frame 12 1/2 x 13 7/8 x 4 1/2 in. (31.8 x 35.2 x 11.4 cm.) Executed in 2010. Estimate $1,000-2,000 • Provenance Catinca Tabacaru, New York Acquired from the above by the present owner in 2010
This lot is sold with No Reserve
274. Greg Haberny Booby Trap signed, titled, inscribed and dated “MiAMi Greg Haberny BOOBY TRAP HABERNY GREG © 2010” on the reverse mixed media 14 x 9 x 4 in. (35.6 x 22.9 x 10.2 cm.) Executed in 2010. Estimate $1,000-2,000 • Provenance Catinca Tabacaru, New York Acquired from the above by the present owner in 2010
NY_NEW NOW_SEPT18_156-195_BL.indd 184
25/08/18 14:58
275. Sofa Echa
b. 1992
Fluidity #6 signed, titled and dated “SOFIA ECHA FLUIDITY #6 2015” on the reverse of the lef panel; further signed, titled and dated “FLUIDITY #6 SOFIA ECHA, 2015” on the reverse of the right panel acrylic on metal, diptych overall 36 x 97 in. (91.4 x 246.4 cm.) Executed in 2015. Estimate $5,000-7,000 Provenance Acquired directly from the artist by the present owner
276. Viktor Ivanovich Korneev b. 1958
Looking Forward cast bronze and stone 32 1/8 x 14 x 13 1/8 in. (81.6 x 35.6 x 33.3 cm.) Estimate $20,000-30,000 Provenance Acquired directly from the artist by the present owner
NY_NEW NOW_SEPT18_156-195_BL.indd 185
25/08/18 14:58
NY Guide for Prospective Buyers Each Phillips auction is governed by the applicable Conditions of Sale and Authorship Warranty. All prospective bidders should read these sections carefully. They govern the purchasing agreement under which you buy at auction from Phillips. They may be also amended by saleroom addendum or auctioneer’s announcement during the auction. The Complete Conditions of Sale and Authorship Warranty applicable to this auction (Version 9-12-17) are found online at phillips.com along with detailed information on each lot. Pre-Sale Estimates Pre-sale estimates are intended as a guide for prospective buyers. Any bid within the high and low estimate range should, in our opinion, offer a chance of success. However, many lots achieve prices below or above the pre-sale estimates. Where “Estimate on Request” appears, please contact the specialist department for further information. It is advisable to contact us closer to the time of the auction as estimates can be subject to revision. Pre-sale estimates do not include the buyer’s premium or any applicable taxes. All Lots are Subject to ‘Buyer’s Premium’ Phillips charges the successful bidder a commission, or buyer’s premium, on the hammer price of each lot sold. The buyer’s premium is payable by the buyer as part of the total purchase price at the following rates: 25% of the hammer price up to and including $300,000, 20% of the portion of the hammer price above $300,000 up to and including $4,000,000 and 12.5% of the portion of the hammer price above $4,000,000. Condition and Condition Reports Phillips does not warrant or guarantee condition on any lot. Solely as a convenience to clients, Phillips may provide condition reports on many lots, which are also available online on the lot detail pages. If there is not a condition report available, that is not a representation that a lot is in perfect condition. While condition reports are prepared honestly and carefully, our staff are not professional restorers or trained conservators. We therefore encourage all prospective buyers to inspect all lots at our pre-sale exhibitions, and contact our staff with any questions. Bidding at Auction You may bid in the auction in person, online, on the phone, or by placing an absentee bid. The easiest way to arrange or register to bid at auction is to set up a client account online. Go to our homepage, phillips.com and fill out the account form. When you want to register for an auction, click Register on sale pages or lot detail pages, and you’ll confirm your account details, be asked for a credit card number for identification purposes and our Bids Department will process your request. We recommend registering at least 24 hours prior to sale to ensure that you can bid. Good luck!
NY_NEW NOW_SEPT18_156-195_BL.indd 186
Transport and Shipping As a free service for buyers, Phillips will wrap purchased lots for hand carry only. Alternatively, we will either provide packing, handling and shipping services or coordinate with shipping agents in order to facilitate such services for property purchased at Phillips. In the event that the property is collected in New York by the buyer or the buyer’s designee (including any private carrier) for subsequent transport out of state, Phillips may be required by law to collect New York sales tax, regardless of the lot’s ultimate destination. Please refer to Paragraph 17 of the Conditions of Sale for more information. Some lots are sold under special conditions. Phillips uses the following symbols to designate these lots: O ♦ Guaranteed Property The seller of lots designated with the symbol O has been guaranteed a minimum price fnanced solely by Phillips. Where the guarantee is provided by a third party or jointly by us and a third party, the property will be denoted with the symbols O ♦. When a third party has fnanced all or part of our fnancial interest in a lot, it assumes all or part of the risk that the lot will not be sold and will be remunerated via a fxed fee, a percentage of the hammer price or the buyer’s premium or some combination of the foregoing. The third party may bid on the guaranteed lot during the auction. If the third party is the successful bidder, the remuneration may be netted against the purchase price. Where Phillips has guaranteed a minimum price on every lot in the catalogue, Phillips will not designate each lot with the symbol(s) for the guaranteed property but will state our fnancial interest at the front of the catalogue. ∆ Property in Which Phillips Has an Ownership Interest Lots with this symbol indicate that Phillips owns the lot in whole or in part or has an economic interest in the lot equivalent to an ownership interest. •No Reserve Unless indicated by a •, all lots in this catalogue are offered subject to a reserve. A reserve is the confidential value established between Phillips and the seller and below which a lot may not be sold. The reserve for each lot will not exceed the low pre-sale estimate.
25/08/18 14:58
Ready to go digital? Sign up. Phillips is investing in new digital services so you can explore and experience our auctions when and how you want. Create an online account today and see what’s new. Visit phillips.com/godigital to get started.
Bid anywhere. Participating in our auctions is easier than ever. Browse upcoming sales, track lots, watch our live auctions and place bids from your phone. Now available for iOS and Android. Download the app today to get started.
NY_NEW NOW_SEPT18_156-195_BL.indd 187
27/08/18 12:51
Sale Information Auction & Viewing Location 450 Park Avenue New York 10022
Auction License 2013224
20th Century & Contemporary Art Department
Auction Wednesday, 26 September 2018, 11am
Auctioneers Hugues Joffre - 2028495 Sarah Krueger - 1460468 Henry Highley - 2008889 Samuel Mansour - 2059023 Kaeli Deane - 2058810 Adam Clay - 2039323 Rebecca Tooby-Desmond - 2058901
Head of Sale Sam Mansour +1 212 940 1219 smansour@phillips.com
Viewing 17 – 25 September 21 September by Appointment Monday – Friday 10am – 6pm Saturday 12pm – 6pm Sunday 10am – 6pm Sale Designation When sending in written bids or making enquiries please refer to this sale as NY010618 or New Now. Absentee and Telephone Bids tel +1 212 940 1228 fax +1 212 924 1749 bidsnewyork@phillips.com
Catalogues Danielle Polovets +1 212 940 1240 catalogues@phillips.com $35/€25/£22 at the gallery Client Accounting Sylvia Leitao +1 212 940 1231 Michael Carretta +1 212 940 1232 Buyer Accounts Dawniel Perry +1 212 940 1317 Seller Accounts Carolina Swan +1 212 940 1253
Cataloguer Avery Semjen +1 212 940 1207 asemjen@phillips.com Administrator Flavia Grilli +1 212 940 1227 fgrilli@phillips.com Property Manager Mark Staford +1 212 940 1357 mstaford@phillips.com
Client Services 450 Park Avenue +1 212 940 1200 Shipping Steven Orridge + 1 212 940 1370 Oscar Samingoen +1 212 940 1373 Photographers Kent Pell Matthew Kroening Jean Bourbon Marta Zagozdzon
Front cover Yayoi Kusama, Butterfy, 1982, lot 38 © YAYOI KUSAMA Back cover Jonas Wood, Computer Drawings, 2008, lot 42 (detail) Courtesy of the artist and Shane Campbell Gallery, Chicago. ©Jonas Wood
NY_NEW NOW_SEPT18_156-195_BL.indd 188
27/08/18 11:57
67.
NY_NEW NOW_SEPT18_156-195_BL.indd 189
Sam Gilliam
27/08/18 11:57
Sadie Laska Untitled, 2015 © Sadie Laska
unbound Online Auction 18-30 October Bidding will close at 2pm edt Enquiries klukacher@phillips.com +1 212 940 1215
phillips.com/unbound
NY_NEW NOW_SEPT18_156-195_BL.indd 190
27/08/18 16:53
A Constant Pursuit Photographs from the Collection of Ed Cohen & Victoria Shaw New York, 4 October 2018 Public viewing 28 September-3 October at 450 Park Avenue or at phillips.com Enquiries +1 212 940 1245 photographs@phillips.com Richard Learoyd Long Black, 2010
Visit us at phillips.com
NY_NEW NOW_SEPT18_156-195_BL.indd 191
27/08/18 10:40
450 Park Avenue New York 10022 phillips.com +1 212 940 1200 bidsnewyork@phillips.com Please return this form by fax to +1 212 924 1749 or email it to bidsnewyork@phillips.com at least 24 hours before the sale. Please read carefully the information in the right column and note that it is important that you indicate whether you are applying as an individual or on behalf of a company. Please select the type of bid you wish to make with this form (please select one): Paddle Number
In-person Absentee Bidding Telephone Bidding
• Company purchases: If you are buying under a business entity we require a copy of government-issued identification (such as a resale certificate, corporate bank information or the certificate of incorporation) to verify the status of the company. • Conditions of Sale: All bids are placed and executed, and all lots are sold and purchased, subject to the Conditions of Sale printed in the catalogue. Please read them carefully before placing a bid. Your attention is drawn to Paragraph 4 of the Conditions of Sale.
Please indicate in what capacity you will be bidding (please select one):
As a private individual On behalf of a company
• If you cannot attend the sale, we can execute bids confidentially on your behalf.
Sale Title Title
• Private purchases: Proof of identity in the form of government-issued identification will be required.
Sale Number First Name
Sale Date
Surname Account Number
Company (if applicable) Address
• Phillips charges the successful bidder a commission, or buyer’s premium, on the hammer price of each lot sold. The buyer’s premium is payable by the buyer as part of the total purchase price at the following rates: 25% of the hammer price up to and including $300,000, 20% of the portion of the hammer price above $300,000 up to and including $4,000,000 and 12.5% of the portion of the hammer price above $4,000,000 on each lot sold.
• “Buy” or unlimited bids will not be accepted. Alternative bids can be placed by using the word “OR” between lot numbers.
City
• For absentee bids, indicate your maximum limit for each lot, excluding the buyer’s premium and any applicable sales or use tax. Your bid will be executed at the lowest price taking into account the reserve and other bidders. On no reserve lots, in the absence of other bids, your bid will be executed at approximately 50% of the low pre-sale estimate or at the amount specified, if less than 50% of the low estimate.
State/Country
Zip Code Phone
Mobile
Fax
• If you write an amount, it shall be treated as an absentee bid if we cannot reach you.
Phone (for Phone Bidding only)
• Your bid must be submitted in the currency of the sale and will be rounded down to the nearest amount consistent with the auctioneer’s bidding increments.
Phone number to call at the time of sale (for Phone Bidding only) 1.
2.
• If we receive identical bids, the first bid received will take precedence.
Please complete the following section for telephone and absentee bids only Lot Number
Brief Description
In Consecutive Order
US $ Limit* Absentee Bids Only
• Arranging absentee and telephone bids is a free service provided by us to prospective buyers. While we will exercise reasonable care in undertaking such activity, we cannot accept liability for errors relating to execution of your bids except in cases of willful misconduct. Agreement to bid by telephone must be confirmed by you promptly in writing or by fax. Telephone bid lines may be recorded. • Please submit your bids to the Bid Department by fax at +1 212 924 1749 or scan and email to bidsnewyork@phillips. com at least 24 hours before the sale. You will receive confirmation by email within one business day. To reach the Bid Department by phone please call +1 212 940 1228. • Absent prior payment arrangements, please provide a bank reference. Payment can be made by cash (up to $10,000), credit card (up to $50,000), money order, wire transfer, bank check or personal check with identification. • Lots cannot be collected until payment has cleared and all charges have been paid. • By signing this Bid Form, you acknowledge and understand that we may process your personal data (including potentially special category data) in accordance with Phillips’s Privacy Policy as published at www.phillips.com or available by emailing dataprotection@phillips.com.
* Excluding Buyer’s Premium and sales or use taxes
Signature
Date
By checking this box, you confrm your registration/bid(s) as above and accept the Conditions of Sale of Phillips as stated in our catalogues and on our website.
NY_NEW NOW_SEPT18_156-195_BL.indd 192
• Phillips’s premises may be subject to video surveillance and recording. Telephone calls (e.g., telephone bidding) may also be recorded. We may process that information in accordance with our Privacy Policy. Please check this box to receive emails about upcoming sales, exhibitions, and special events ofered by members of the Phillips group, as referenced in our Privacy Policy available on our website at www.phillips.com, where you may also update your email preferences or unsubscribe at any time.
25/08/18 14:59
30.
NY_NEW NOW_SEPT18_156-195_BL.indd 193
KAWS
25/08/18 14:59
Index Adams, D. 3
Darie, S. 102
Haberny, G. 273, 274
Adian, J. 222
de Oraรก, P. 106
Hagen, M. 188
Aldrich, R. 82
Delaney, B. 65, 66
Hammersley, F. 76
Al-Hadid, D. 210
Dijkstra, R. 150
Haring, K. 47, 48
Almond, D. 163
Dodd, L. 19
Hawkinson, T. 235
Appel, K. 78
Dr. Lakra 160
Heilman, M. 75
Arakawa, S. 122
Dupuy-Spencer, C. 4
Hildebrandt, G. 227 Hirst, D. 52, 53
Arcangel, C. 23 Armleder, J. 224
Echa, S. 275
Hofer, C. 147
Attoe, D. 268
Ekblad, I. 209
Holstad, C. 269, 270, 271
Aubertin, B. 86
Emin, T. 37
Hood, C. 267
Ayรณn, B. 98
Essenhigh, I. 196
Horn, R. 168, 169
Baechler, D. 115
Fabelo, R. 109
Baldessari, J. 61
Faldbakken, M. 217
Barney, M. 161
Felton, S. 265
Barth, U. 175
Ferrari, L. 91, 94
Bedia, J. 104
Feuerman, C. 206
Jackson, M. 195
Beloufa, N. 220
Fischer, U. 55
Johnson, R. 124, 125
Benedict, W. 204
Flood, M. 251
Bernadet, J. 21
Fonseca, C. 77
Kahlhamer, B. 244
Black, S. 193
Francis, S. 70
Kahrs, J. 247
Bleckner, R. 118
Frankenthaler, H. 64
Kass, D. 200
Bluhm, N. 121
Frecon, S. 72
Kassay, J. 34, 236
Boehm, A. 197
Furnas, B. 110
Katz, A. 207
Hubbard, A. 15 Hughes, S. 6 Innes, C. 184
KAWS 25-32
Boetti, A. 80 Braman, S. 229
Gabin, L. 215
Kcho 103
Bruce High Quality
Gahl, T. 212
Kelley, M. 162
Foundation 36
Gambarof, N. 214, 228
Kim, B. 13
Burch, C. 262
Garaicoa, C. 95
Knoebel, I. 74
Butzer, A. 24
Garber-Maikovska, A. 16, 17
Knowles, C. 260
Gerrard, J. 179
Korneev, V. 276
Calder, A. 69
Gilliam, S. 67, 68
Kruglyanskaya, E. 5
Cantor, M. 255
Gomez, S. 231
Kusama, Y. 38-41
Capote, Y. 11, 96
Goode, J. 123
Casebere, J. 139
Gordon, D. 152, 153
LaChapelle, D. 154-156
Ceballos, S. 97
Greenberger Raferty, S.
Lassry, E. 177, 178
Chapman, J. & D. 243
241, 242
Leirner, J. 92, 93
Christensen, D. 119
Levin, D. 256
Christo 58
LeWitt, S. 62, 63
Claydon, S. 194
Lichtenstein, R. 56
Colen, D. 219
Ligon, G. 8
Collins, G. 254
Los Carpinteros 105
Condo, G. 44, 45, 46
Lund, I. 225
Cortright, P. 261
Lynch, B. 263
Cruz-Diez, C. 87
NY_NEW NOW_SEPT18_156-195_BL.indd 194
25/08/18 14:59
Mae Weems, C. 10, 137, 138
Quinn, M. 113
Taafe, P. 114 Taylor, A. 211
Maier Aichen, F. 201 Manos, P. 81
Rauschenberg, R. 57
Taylor, H. 7
Marclay, C. 181
Reames, J. 232
Thurman, B. 14
Martin, K. 202
Reeder, S. 230
Tillmans, W. 157
Martinez, R. 100
Reihsen, J. 233
Toirac, J. 101
Matta 107
Reyle, A. 83, 84
Trubkovich, K. 18
Mauss, N. 185, 186
Richter, G. 116
Turner, D. 189, 253
McEwen, A. 191
Rocha Pitta, T. 246
Tuymans, L. 208
McGinely, R. 164, 165
Rodgers, T. 199
Meese, J. 111, 112
Rohm, V. 120
Ufan, L. 71
Melee, R. 172
Rondinone, U. 54
Upson, K. 226
Mérida, C. 88
Rosa, C. 20
Minter, M. 158
Ruby, S. 192
Vaerslev, F. 213
Moran, K. 266
Ryman, W. 203
Vance, L. 12 Violette, B. 240
Moyer, S. 182
Vitali, M. 108
Muniz, V. 159
Sachs, T. 249
Murakami, T. 51
Saint Phalle, N. 79
Murillo, O. 33
Sammack, B. 1
Warhol, A. 126-135
Saunders, M. 198
Warren, R. 187
Navarro, I. 183
Saville, J. & Luchford, G. 151
Wolowiec, M. 238
Negret, E. 89, 90
Scharf, K. 49
Wood, J. 42
Noble, P. 205
Schmidt, F. 237 Segura, E. 99
Young, A. 252
Olowska, P. 239
Semo, D. 218
Young, A. 250, 252
Olson, S. 234
Serrano, A. 148, 149
Yuskavage, L. 43
Opie, C. 144, 145, 171
Sherman, C. 60
Orozco, G. 174
Shonibare, Y. 136
Ortega, D. 173
Sillman, A. 73
Ostrowksi, D. 22
Simmons, G. 9
Oursler, T. 257, 258
Smith, E. 2 Smith, L. 223
Pasqua, P. 248
Snow, D. 166, 167
Pasquali, F. 85
Starn, M. 245
Peake, E. 216
Steinkamp, J. 180
Pendleton, A. 190
Stoichef, G. 272
Pepper, B. 117
Struth, T. 59
Pérez, E. 146
Succo, C. 221
Pernick, N. 259
Sugimoto, H. 140-143
Prager, A. 170
Sultan, L. 176
Prince, R. 50
Swenson, E. 264
Pruitt, R. 35
NY_NEW NOW_SEPT18_156-195_BL.indd 195
25/08/18 14:59
00. artist
NY_NEW NOW_SEPT18_IFC+IBC.indd 196
25/08/18 13:46
61. John Baldessari
NY_NEW NOW_SEPT18_IFC+IBC.indd 1
27/08/18 12:03
phillips.com
NY_NEW NOW_SEPT18_COVER_BL.indd 2
27/08/18 12:03