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Program
2021-2022 • 41st Season
Something Old, Something New, Something Mad
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Jonathan Cohen, conductor and harpsichord Keiran Campbell, violoncello Philharmonia Baroque Orchestra
PROGRAM
Pietro Locatelli (1695–1764) Concerto grosso in E-flat major, Op. 7, No. 6, Il pianto d’Arianna Andante—Allegro—Adagio— Andante—Allegro Largo—Largo andante Grave Allegro Largo
Johann Sebastian Bach (1685–1750) Contrapunctus 1 and 4 from The Art of Fugue, BWV 1080
George Frideric Handel (1685–1759) Concerto Grosso in A minor, Op. 6, No. 4, HWV 322 Larghetto affetuoso Allegro Largo e piano Allegro Wolfgang Amadeus Mozart (1756–1791) Fugue No. 2 in E-flat major, K. 405 After Fugue No. 7 from J. S. Bach’s Well-Tempered Clavier, BWV 876
Antonio Vivaldi (1678–1741) Concerto for Strings in G minor, RV 156 Allegro Adagio Allegro
INTERMISSION
J. S. Bach Contrapunctus 7 from The Art of Fugue, BWV 1080 Carl Philipp Emanuel Bach (1714–1788) Cello Concerto in A major, Wq.172 Allegro Largo con sordini, mesto Allegro assai Keiran Campbell, violoncello J. S. Bach Contrapunctus 9 from The Art of Fugue, BWV 1080 Paul Stanhope (b. 1969) Giving Ground (world premiere) *
Francesco Geminiani (1687–1762) Concerto Grosso in D minor No. 12, H.143, “La Folia” After Op. 5, No. 12 by Arcangelo Corelli
* Commissioned by Philharmonia Baroque Orchestra & Chorale and Australian Chamber Orchestra
The November concerts are made possible with generous support from Gladyne Kenderdine Mitchell
Wednesday, November 10, 7:30 PM First United Methodist Church, Palo Alto Friday, November 12, 8:00 PM Herbst Theatre, San Francisco Saturday, November 13, 8:00 PM First Congregational Church, Berkeley Sunday, November 14, 4:00 PM First Congregational Church, Berkeley
Length of performance is approximately two hours. Latecomers will be seated during suitable intervals in the program. The use of cameras or recording devices of any kind is strictly prohibited. Please turn off your cellular telephone or other noisemaking devices before the performance begins. Masks must be worn properly at all times.
