97/16 - Prince George's Weekly

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COSTUMES SEW MUCH FUN FRANK PEEBLES 97/16 staff

Stitching together a love of clothes, costumes, and do-it-yourself skills is what got Chantal Short all the way into the professional theatre ranks. It didn’t start out that way, though, and she is now showing the city’s young and the aspiring (of any age) all the needles and threads of the sewing profession. When Short left Prince George to pursue her stage dreams, she did so despite a fear of the live spotlight. She got her degree from the lauded theatre school at the University of Victoria but she was on a different exit path than the one on which she entered. Acting was no longer her goal, but she still had a love for the world of stages and performances. “I answered a post from the Slamming Door Artist Collective looking for a volunteer to assist their costume designer,” Short said. “I thought it would be a cool way to meet people and it was, but it really opened my eyes to this other side of theatre.” That would be the hidden side, in the darkness of the wings, the side audiences only experience indirectly through the costumes and other effects built for that performance. She is now a veteran of theatrical costume-making, for indie drama companies all the way up to a stint in the Cirque du Soleil costume department. Short was, in the past couple of seasons, the resident costume designer for Theatre NorthWest and she will be leading a series of sewing workshops this summer to pass on her knowledge to people here interested in the fibre arts. “It is amazing to be back in Prince George working in theatre,” she said. “I don’t know that I ever realized, when I was growing up here, that this could actually be a job, that I could make money at it, so to be able to come to P.G. and do that work professionally is super awesome and if there are kids in the sewing camps this summer who dream about being a costume designer or going into the fashion industry, then I can help that.” These camps are not just for theatrical costumes, though. It is to introduce

Mask for a Douglas College production of Antigone or deepen a life-skill that stands anyone in better stead. She grew up in a bluecollar environment with a family full of “tradies” as she called them. A mechanic being able to patch up the knees of their overalls is just as important. So is saving money on clothes by learning how to make your own. “I find as a costume designer, people are really intimidated by sewing,” she said. “They don’t think they can figure out the sewing machine and that stops a lot of people from trying, and there was gender pressure too that I hope, I believe, isn’t there as much anymore, that was always dumb, so everyone should come and do this and you’ll learn things you’ll enjoy, it’ll help you and interest you even if you’re just remotely curious.” She remembers the first professional play she ever saw at TNW. It was The Miracle Worker in 2001. She also remembers the surreal first time she worked on the TNW costumes, last being It’s A Wonderful Life: The Radio Play in 2017. She still feels pangs of surprise that her D.P. Todd Secondary School Drama Continued on page 2

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Chantal Short started her theatrical career on stage in high school productions in Prince George but moved backstage to become a costume designer. Besides designing the look of Elvis Presley, Jerry Lee Lewis and the other characters in Theatre Northwest’s recent production of Million Dollar Quartet and a production of The Foreigner at Chemainus Theatre, she built a mask for a Douglas College production of Antigone.

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