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PREETI DUSSEJA LEARNING EXPERIENCE HOBBIES SOFTWARE TRIUMPHS ▪ ▪ ▪ ▪ ▪ ▪ ▪ ▪ ABILITIES ▪ ▪ ▪ ▪ ▪ ▪ ▪ ▪ ▪ ▪ ▪ ▪ ▪ ▪ ▪

COMPLEX

HOUSING

5-STAR HOTEL

DESIGN BUNGALOW DESIGN ART & CRAFTS MUSEUM

NEOUS

FUSE-RACK 120 HOURS MISCELLA -

NAVIGATIONS !

URBAN INTERVENTION BUS STOP DESIGN

25 sq. m. 25 sq. m. 25 sq. m. STUDIO 25 sq. m.

1BHK PLAN 2BHK PLAN 3BHK PLAN

PLAN ROW HOUSES PLAN

STUDIO PLAN

SITE

Reconnecting

tRaditionality

CHHAT MEANING ROOF

ABSTRACTION OF MAHALAXMI TEMPLE EVOLUTION OF DESIGN

The chhat is a housing project in Kolhapur that focuses on reconnecting the traditional Indian architecture with contemporary architecture. Indian architecture has always been transformed by various expressions and cultures since the beginning of MANKIND. The traditional elements of Indian architecture are designed with experience, social, geographical, and environmental needs. Thus, bringing back what’s best for the environment is one step towards sustainability. The building focuses of preserving and admiring the nature. The buildings are named after the elements of the earth, Agni(fire), Vayu(wind), Jal(water) & Dharti (earth). These elements together create life, thus are essential to nurture life. The Chhat is designed to promote healthy, Sustainable, joyous, and connected living. The design is contemporary but takes inspiration from the long established temple architecture. E L E M E N T S

4 ELEMENTS OF NATURE

MAP OF VARANASI

IMAGERY OF VARANASI

ACTIVITY MAPPING

AREA OF STUDY

SAANS OF THE SOUL

not a VeRB, a MindSet!

SAANS MEANING BREATHE. THE CONCEPT OF THIS YOGA CENTER WAS TO IMBIBE THE ESSENCE OF VARANASI IN A COMPACTED SPACE. THE EARTHINESS OF THIS HOLY CITY CAN BE FELT THROUGH THE CLAY SHINGLES, WOODEN FLOORING, JUTE BLINDS, AND A PROVISION OF AN OASIS IN THE CENTER THAT ALSO DEPICTS HOW VARANASI’S ESSENCE DEPENDS ON GANGA AS A MAIN CORE OR THE FOCI. THE YOGA CENTER IS DESIGNED WITH A MINIMALIST APPROACH. THIS YOGA CENTER IS DESIGNED AS A MODULE AND CAN BE REPEATED ONTO MULTIPLE LOCATIONS IN THE CITY.

PLAN ELEVATION

KEY PLAN

WAITING ROOM PUBIC SEATING DISPLAY ROOM GROUND LEVEL ±000 COMPOUND WALL +2000 FIRST FLOOR +5000 SECOND FLOOR +9000 GROUND FLOOR FIRST FLOOR EAST WEST ELEVATION SECTION

BLINK

aBSoRB in tHe eXPeRience

THE MUSEUM DESIGN IS CONCEPTUALIZED ON THE IDEA OF HUMAN PSYCHOLOGY. USUALLY MUSEUM ARE TERMED TO BE BORING AS THERE IS NO INTERACTIVE SPACE. THE INTERACTIVE SPACE MAKES MUSEUM LIVELY. BLINK PROVIDES SPACE FOR THE EYES TO REST AND BRAIN TO REFRESH FROM THE COLLECTION OF INFORMATION. THE GOLDEN SPIRAL IS A COMFORTABLE WALKING PATTERN. EVERY DISPLAY HAS A BREAK. THIS BREAK BRINGS BALANCE TO THE AUDIENCE.

SITE PLAN

BASEMENT PLAN GROUND LEVEL FIRST LEVEL

123.0000 85.0000 181. 43.6734 ENTRY GUARD POST ENTRY EXIT AUDITORIUM TOILET TOILET EXHIBITHALL HALLBANQUET ROOMFUNCTION ROOMFUNCTION PREFUNCTION STORAGE ROOMCONFERENCEROOMCONFERENCE ROOMCONFERENCE ROOMMEETING ROOMMEETING ROOMMEETING PANTRYKITCHEN& AREAWAITING DESKTRAVEL&LUGGAGE RECEPTION SHOP TOILET SHOP SHOP 24H CAFE TRAVEL SERVICES FRONTOFFICE +ROOMSERVERROOMTIME BLOCKADMIN STAFF SLEEPING ROOMCHANGING & TOILETS AREAANDRECEIVINGSORTING CCTV +ROOM DOCKLOADING STAFF CANTEEN STORAGE COVEREDPARTYLAWN SERVICE

ENTRY

SECTION AA’ SECTION BB’ ENTRY EXIT EXIT PUMPROOM AHUROOM GENERATOR CHILLER SLOPE1:14 SLOPE1:14 AUDITORIUM TOILET TOILET SPECIALTY RESTAURANT STORAGE ROOMCHANGING LIBRARY yoga meditation GYM SPA SAUNA SALON KIDSPLAY AREA WORKROOM INDOOR GAMES THEATER KITCHEN PANTRY ROOMTREATMENT ART STUDIO KITCHENSATELLITE ROOMCHANGING & TOILETS LINENLAUNDRY& SERVICEAREA MAINKITCHEN KITCHEN STORAGE CUTLERY STORAGE BAKERY AUDITORIUM TOILET TOILET EXHIBITHALL HALLBANQUET ROOMFUNCTION ROOMFUNCTION PREFUNCTION STORAGE ROOMCONFERENCE ROOMCONFERENCE ROOMCONFERENCE ROOMMEETING ROOMMEETING ROOMMEETING KITCHEN PANTRY AREAWAITING LUGGAGE DESKTRAVEL RECEPTION SHOP TOILET SHOP SHOP 24H CAFE TRAVEL SERVICES FRONTOFFICE +ROOMSERVER TIME ROOM BLOCKADMIN STAFF SLEEPING ROOMCHANGING & TOILETS AREAANDRECEIVINGSORTING CCTV ROOM DOCKLOADING STAFF CANTEEN STORAGE EAST ELEVATION

THE HIVE

a Social SPace

THE HIVE IS A BUSINESS CENTERED HOTEL LOCATED IN THE IT PARK REGION OF PUNE. LIKE BUSY BEES PEOPLE ARE WORKING DAY-NIGHT TO PROVIDE NECTAR BACK AT THEIR HIVE. THE CONCEPT WAS THUS DERIVED. THE HIVE IS A SOCIAL SPACE WHICH DEPICTS GROWTH, TRANQUILITY & LIVELINESS. IT IS A BLEND BETWEEN VOCATION & VACATION.

8 BUSINESS SUITES SERVICE AREA WAITER'S AREA 11 13 16 B U S I N E S S S U I T E SERVICE AREA WAITER'S AREA 12 15 K I N GS I Z E R O O M 4 PRESIDENTIAL SUITES SERVICE AREA WAITER'S AREA UP 12 14 1 P R E S I D E N T I A L S U I T E

QUEEN SUITES SERVICE AREA WAITER'S AREA 11 13 16 Q U E E NS I Z E R O O M SERVICE AREA WAITER'S AREA 11 UP 12 14 15 S T A N D R A D R O O M

LOCATION PLAN

SITE PLAN

EMANATE

tHe one WitH itS SURRoUndingS

Emanate- to emerge/ originate from.

The first reference comes from the ground that continues to form the roof of the bus stop. Secondly, all the materials used in the construction dissolves back in earth. The third resemblance is the emerging of village into urban village. Lastly, it is the emergence of thinking and breaking the stereotype in terms of design and lifestyle.

FIRST FLOOR PLAN

TYPICAL SECTION

SITE PLAN

NORTH SOUTH ELEVATION

EAST WEST ELEVATION

20 20

EVOLUTION OF DESIGN

MILAN

an integRated liVing

MILAN MEANING TO UNITE. THE PROJECT BRIEF CHALLENGED TO CONSTRUCT A BUNGALOW WITH THE FUSION OF A TRADITIONAL INDIAN ARCHITECTURE AND TRADITION CRAFT. ARCHITECTURE- BHUNGA HOUSE ART- PHULKARI EMBROIDERY BUNGA IS A HUT TYPOLOGY WHICH HAS A CYLINDRICAL BODY IN A DESERTED LOCATION TO AVOID EARTHQUAKES. IT HAS A BEAUTIFUL THATCH ROOF. SUCH HOUSES ARE REPEATED ON A PLINTH CALLED OTLA TO FORM A FAMILY. PHULKARI IS A CLOTH CRAFT. PHULKARI TRANSLATES TO FLOWER GARDEN. BRIGHT & VIBRANT COLORED THREADS ARE WEAVED IN STRAIGHT LINES TO FORM AN ABSTRACTED FLOWER. SUCH PATTERNS ARE REPEATED TO EMBROIDERY A PIECE OF CLOTH. MILAN INCORPORATES BOTH THESE PRINCIPLES.

The furniture follows minimalism. The placement of shoe rack is in a meditation center, where people gather to form one unit. Our design also portrays the same ideology. It is integration of wooden planks, designed to hold any kind of footwear, into a steady shoe rack. It has an engaging design which is easy to understand and is public friendly. Placement- In between the corridor, to act as a partition and avoid crowd collection.

SECTION AA'

1.6 4.0 FOOTWEAR STAND 2UNITS

PROPOSED FOOTWEAR STAND FOR SHREE DNYANESHWARI PRASARAK MANDAL AT PASAYDAN, SNEHANAGAR, PARVATI, PUNE. TERRACE MEDITATION HALL ENTRY DOOR PASSAGE ENTRY DOOR ADJOINING FLAT PANTRY LIFT SPACE FOR FOOTWEAR STAND UP ELECTRICAL CONDUITS WOODEN PLANK HORIZONTAL WOOD SUPPORT EXTERIOR FRAME ELEVATION A A' 220.0 220.0 40.0 40.0 40.0 40.0 PLAN

KEYPLAN

WOODEN PLANK HORIZONTAL WOOD SUPPORT EXTERIOR FRAME 25.0 5.0 220.0 21.0 5.0 2.0 15.0 3.0 1.0 2.0 2.0

PLANK DETAILS

ISOMETRIC VIEW DETAIL AT A A

WOODEN

FRONT ELEVATION RIGHT SIDE ELEVATION

“There was a break-in through a window

An uninvited guest stays within the shadows

The unknown who breaths under the same crown I fear for my existence and the people of this town.” The words echoed by the ocean are muffled in its waves,

Some are drowned and some disappear. Once in a long conversation, the ocean asked for nourishment

There was no man to its concern except for the traces who intern

A drowning man clutches the straw but, What if? The ocean drowns in the pool of straw.”

The Echo

The project Echo is the voice of the ocean. It mimics what the waves would look like if we do not act upon its concern. The structure

PLAN

to us, and this is our response. Lastly, the structure is a reflection of what goes around comes around

The project Echo is the voice of the ocean. It mimics what the waves would look like if we do not act upon its concern. The structure symbolizes the future ocean echoing to the present-day human to work responsibly. The Pavilion is the wave made from plastic with a space to conduct the workshops for recycling. The visitors get alarmed at the effects of plastic waste and thus can be a helping hand in decreasing the existing amount of plastic by reusing and recycling. The ocean is talking to us, and this is our response. Lastly, the structure is a reflection of what goes around comes around.

ELEVATION

Team 0374

2100

2000 2100

BEFORE PROCEEDING THE WORK. · ALL DIMENSIONS ARE IN MM. · ALL DIMENSIONS ARE IN MM.

CENTERLINE PLAN

SET OUT PLAN CENTERLINE PLAN

2000 SETTING OUT PLAN O (0,0) 1000 3000 1411.9 1000 4498.3 3000 4242.6 3000 3000 3000 4242.6 3000 9 M WIDE ROAD SIGN STAMP COLLEGE : SSPU, SCHOOL OF ARCH., URBAN DEV. AND PLANNING WORKING DRAWING ADDITIONAL NOTES / LEGENDS: NAME: PREETI DUSSEJA DRAWING TITLE: SETTING OUT PLAN REVISIONS: PROJECT TITLE: TEMPLE DESIGN NORTH DRAWN BY: SCALE:1:100 PAPER SIZE: A1 DRAWING NO: 01 PRN NO: 1900701016 SEM: V N 11341.2 7638.5 4500 3000 NOTES: THIS DRAWING IS ONLY FOR ACADEMIC AND GOVERNMENT PURPOSE AND IS NOT TO BE FACSIMILE. · DRAWING NOT TO BE SCALED. ONLY WRITTEN DIMENSIONS TO BE FOLLOWED. · THIS DRAWING TO BE READ IN CONJUNCTION WITH RELEVANT AND STRUCTURAL, SERVICES DRAWING · ALL THE LEVELS SPECIFIED ARE UNFINISHED UNLESS OTHERWISE SPECIFIED. · FOR SIDE MARGIN REFER SANCTIONED LAYOUT. ANY AMBIGUITIES OR DISCREPANCIES SHOULD BE. CLEARED WITH THE ARCHITECT

3500 4032 5408.3 3000 18841.2 13638.5 7639.6 11341.2

AN AUTODESK STUDENT VERSION

AN AUTODESK STUDENT VERSION PRODUCED

AUTODESK STUDENT VERSION C3,C8 4810 C7,C12,C16, 3006.1 C4,C30 6632.4 C9,C13,C17 6671.1 C5,C10,C14,C18, C22,C26,C31 8522.9 C27, C28,C29, C30,C31 1115.6 C1,C6,C11,C15, C19,C23,C27 1115.6 C24,C25 2952.3 C23,C26 2967.4 C20,C21 4803.1 C19,C22 4818.3 C15,C18 6670.1 C16,C17 6708.8 C11,C12,C13, C14 8521.9 C7,C8,C9 10335 C6,C10 10373.7 C1,C2,C3, C4,C5 12225.6 C2,C28 2412.6 115.6 1851.8 1803.8 1813.1 1851.8 115.6 1836.6 15.2 1835.7 15.2 1852.3 38.2 1813.1 1813.1 38.7 1851.8 2000 3500 3991.3

ROOF LEVEL PLAN WORKING PLAN

SCALE:1:100

PRODUCED BY

BY AN

0.23x0.23 C1 0.23x0.23 C2 0.23x0.23 C3 0.23x0.23 C4 0.23x0.23 C5 0.23x0.23 C6 0.23x0.23 C10 0.31x0.31 C9 0.31x0.31 C8 0.31x0.31 C7 0.23x0.23 C11 0.31x0.31 C12 0.31x0.31 C13 0.23x0.23 C14 0.23x0.23 C15 0.31x0.31 C16 0.31x0.31 C17 0.23x0.23 C18 0.23x0.23 C19 0.31x0.31 C20 0.31x0.31 C21 0.23x0.23 C22 0.23x0.23 C23 0.31x0.31 C24 0.31x0.31 C25 0.23x0.23 C26 0.23x0.23 C27 0.23x0.23 C28 0.23x0.23 C29 0.23x0.23 C30 0.23x0.23 C31 C29 10454.1 115.6 115.6 38.7 38.7 STARTING POINT O (0,0) 9 M WIDE ROAD 9.3 STEPPED FOOTING PRODUCED BY AN AUTODESK STUDENT VERSION PRODUCED BY AN AUTODESK STUDENT VERSION PRODUCED BY AN AUTODESK STUDENT VERSION Puja Room 13'8"X13'8" D1 8564.4 12267.1 11341.2 7640 310 1500 310 1499.6 309.6 309.6 1500 309.6 1500 309.6 3930 3930 5560.5 1500.1 309.6 1500 309.6 1709.9 2090 920.3 919.9 2083.1 7640 115.6 1851.8 1842.5 1861.1 1851.8 115.6 8564.4 1851.8 1851.8 1851.8 1851.8 7640 1620.6 231.2 1620.6 231.2 1620.6 1620.6 1620.6 231.2 231.2 231.2 1620.6 231.2 3309.6 3310.6 11341.2 3934.9 5555.5 RISER-230 OPENING SCHEDULE SR.NO. D1 WIDTH HEIGHT DOOR 1 2090 2200 PRODUCED BY AN AUTODESK STUDENT VERSION 462.5 7640 462 462.5 232.2 115.6 462.5 232.2 115.6 4629.6 3703.6 3240.2 3009 8564.4 12290 12290 PRODUCED BY AN AUTODESK STUDENT VERSION

BASEMENT PLAN

BASEMENT FIRE FIGHTING PLAN

UPPER BASEMENT PLAN ENTRY/EXIT 1 ENTRY/EXIT 2 TWO WAY RAMP 1:10 SLOPE TWO WAY RAMP 1:10 SLOPE LOWER BASEMENT PLAN TWO WAY RAMP 1:10 SLOPE TWO WAY RAMP 1:10 SLOPE RIDGE LINE RIDGE LINE LEGEND DIRECTION OF SLOPE DIRECTION OF SLOPE GUTTER

UPPER BASEMENT PLAN ENTRY/EXIT 1 ENTRY/EXIT 2 TWO WAY RAMP 1:10 SLOPE TWO WAY RAMP 1:10 SLOPE LOWER BASEMENT PLAN TWO WAY RAMP 1:10 SLOPE TWO WAY RAMP 1:10 SLOPE DRAIN LINES SLOPE LEGEND SCALE 1:300 300 350 GUTTER UPVC PIPES FOR CONNECTING SMOKE DETECTOR HEAT DETECTOR SPRINKLER LEGEND FLASH INDICATOR UPPER BASEMENT PLAN ENTRY/EXIT 1 ENTRY/EXIT 2 TWO WAY RAMP 1:10 SLOPE TWO WAY RAMP 1:10 SLOPE LOWER BASEMENT PLAN TWO WAY RAMP 1:10 SLOPE TWO WAY RAMP 1:10 SLOPE UPPER BASEMENT PLAN ENTRY/EXIT 1 ENTRY/EXIT 2 TWO WAY RAMP 1:10 SLOPE TWO WAY RAMP 1:10 SLOPE LOWER BASEMENT PLAN TWO WAY RAMP 1:10 SLOPE TWO WAY RAMP 1:10 SLOPE TWO WAY RAMP 1:10 SLOPE TWO WAY RAMP 1:10 SLOPE TWO WAY RAMP 1:10 SLOPE UPPER BASEMENT PLAN 1000 3500 3500 450 2000 -5950 SECOND BASEMENT LEVEL Reinforcement Waterproofing WATERPROOFING DETAIL AND FLOORING (NTS) 4 A ENTRY/EXIT 1 ENTRY/EXIT 2 TWO WAY RAMP 1:10 SLOPE 36.6 M 78.9 M 10.3 M 60.8 M 67.2 M 17.7 M 6000 6000 6000 6000 6000 TWO WAY RAMP 1:10 SLOPE LOWER BASEMENT PLAN TWO WAY RAMP 1:10 SLOPE 36.6 M 78.9 M 10.3 M 60.8 M 67.2 M 17.7 M 6000 6000 6000 6000 6000 TWO WAY RAMP 1:10 SLOPE

BASEMENT VENTILATION PLAN BASEMENT DRAINAGE PLAN

INTERNSHIP WORK AT FOLDS DESIGN STUDIO

A COMPUTATIONAL DESIGN PROJECT THAT ASKED FOR PATTERN FORMATION LIMITED TO 2-3 MATERIAL USAGE. MATERIAL USED ARE KEY RING, THREAD, AND WOOD FOR FRAME. SIX EQUAL SIZE THREADS WERE LOOPED TO THE KEYRING FROM ITS CENTER AND BRAIDED INTERCHANGEABLY. FORMING A TWO TIRED PATTERN. THIS ONE PATTERN WAS JOINED TO ANOTHER WITH KNOTS FORMING A LAYER.

ARTICLE LINK- CONCEPTION OF DEATH IN VARANASI DESIGNING https://docs.google.com/document/d/1vsw0v8vOoTxgAcccBwnwAgQ7Ue8cvQDC/edit?usp=sharing&ouid=101682301027643842239&rtpof=true&sd=true