Petite Properties Magazine Issue 4 Digital

ISSUE 4 - 2026

UNIQUE PROJECTS in 1:24 & 1:48

Dioramas Dolls Houses Model Buildings

Smaller Scales

The projects in this magazine are not suitable for children under 14.

Petite Properties Magazine is published by LUMO Publishing.

Branding & Content © PETITE PROPERTIES LTD ® 2026 ©LUMO PUBLISHING 2026

Byle Brook, Dorset

The name PETITE PROPERTIES is a registered trade mark of Petite Properties LTD LUMO Publishing is division of Petite Properties LTD® LUMO Publishing: The Old Methodist Church, High Street, Metheringham, Lincolnshire. LN4 3EA

...The journey behind the final cover #PPmagazine shot... #theoldmethodistchurch #petiteproperties

ISSN 3050-2101

Philip Thompson’s work in progress...

All rights reserved. No part of this publication may be copied, distributed or reproduced without permission from both its publisher and the original author. The written instructions, photographs, designs, patterns and projects in this magazine are intended for personal use only. Any activity used to benefit commercially from the magazine or its contents is not permitted. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic or mechanical, by photocopying, recording or otherwise without the permission of both the publisher and the original author. The views expressed by contributors are not necessarily those of the publisher. The publisher cannot accept responsibility for any resulting unsatisfactory transactions from advertisements within the publication.

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Welcome to issue 4

welcome!

Magazine Team

Iona Barker Mo Broadwood Bob (& Philip Thompson) Christopher Burns (New member) Jaymes Crowther (New member) Bekki Fileccia Barbara Foard Patty Lindsey Jennifer Maddox

Contributors

Heather Bonney Wendy Brown Corina Crees Theresa Macarty Fruen Berni Holliday Nietzsche Herbert Mike Kelm Anet Parry Debbie Philips Jackie Smith & the members of The Garden City Miniaturists & Quarters Club And finally... The wonderful members of the Petite Properties’ Modelling Community (on Facebook) This magazine would not be possible without the support of our wonderful magazine team & contributors...

Thank you for your continued support of this fledgling publication!

Contact Us 

ppmag@petitepropertiesltd.com



www.petite-properties.com www.petitepropertiesltd.com

f

www.facebook.com/petiteproperties

PPMC

Dear Reader, Welcome to the fourth and final issue in our BIG small scale publishing experiment. It has been the most amazing journey and Mo and I have learnt so much since we jumped in at the deep end and founded this independent new magazine. Behind the Bea at Wortham Manor... scenes, the ride over the last couple of years has not been smooth and indeed there were many who whispered that our unique concept and ground breaking magazine would never amount to anything… But thankfully the naysayers were wildly outnumbered by you, our wonderful and enthusiastic readers!

If I am honest though, we are feeling a little bruised right now, and yes, this issue has certainly taken longer to get to print than we had planned.

However, not only a labour of love to complete, it’s also been more than a little headache inducing too. Trying to squeeze all of the fabulous quality content into just 100 pages, has been a challenge in itself. Ultimately, it has required a Herculean effort to push this new magazine over the finish line… but at last – Issue 4 is here and my, what a beauty she is!

With our experimental 4 issues now complete and with our eyes on the future horizon (see page 96), we are super excited to welcome two extremely talented miniaturists into our expanding team of regular contributors. Jaymes Crowther hails from the world of 1:76 dioramas and is a young and emerging talent within this exciting area of miniatures. Second generation miniaturist, Chris Burns is also joining our motley crew and brings with him an incredible wealth of creativity and contagious enthusiasm for the smaller dolls house scales. So from Mo and I and on behalf of our readers – Chris and Jaymes; welcome to the team.

But before you take the plunge into this jam packed new issue of the Petite Properties’ Magazine, we also would like to take this opportunity to encourage you to jump on board and get involved with future issues!

So, if you are in any way part of the smaller scale miniature world, be it as a hobbyist, artisan or small business owner; don’t be shy… Please do step forward and let us showcase you and your creations in the future pages of this magazine... Enjoy the issue and happy mini-ing.

www.facebook.com/groups/petiteproperties

www.instagram.com/petiteproperties

#PPmagazine

Bea Broadwood PETITE PROPERTIES

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PETITE PROPERTIES | 1

contents

9

regulars Mirthful Miniaturist: 17 The As Christopher Burns officially

STORY: 4 COVER Bridge House

We celebrate master modeller Philip Thompson’s iconic quarter scale diorama inspired by an idyllic rural icon

joins the PP’s magazine’s contributors team, he explains why his latest stunning diorama is in ruins!

37

inspiration

features

Point of View Theresa Macarty Freun shares her thoughts on the waning popularity of half scale

of Discussion 73 Point Is imitation really the highest

form of flattery? Bea investigates the gnarly topic of copyright

The Club 91 Join Meet the members of The Garden City Miniaturist Club & Quarters Club, from New Zealand

Doors 95 A‘door’able More doors to admire & inspire

at N .9: 22 Life Miniaturist Lynn Simms, shares o

her nostalgic and quirky quarter scale project, which we know will inspire!

30

Grave Secrets: Created as a gift for friend, Heather Bonney’s, unique diorama is not for the squeamish!

41

Jaymes Crowther: Introducing Jaymes Crowther, a super talented creator of 1:76 dioramas who has joined our regular contributor team!

Magic: 45 Micro When two worlds collide

We explore the similarities and opportunities presented by Micro scale’s closest modelling cousin

the plunge: 47 Taking Talented miniaturist, Nietzsche

Herbert shares her beautiful creations AND her sudden change of career!

Loco Lady: 64 ATalented artist and miniaturist,

Interiors 9 Inspirational Wendy Brown opens up the interior of her comfortable and cosy 1:48th country cottage & Out (Part 1) 26 Inside Barbara Foard invites us into her

latest ‘New York’ inspired quarter scale project

Nook: 33 Book Cobblestone Snicket Take a peek at the design process behind this popular kit Cut Challenge 51 Off Ever wondered what can be made using PP’s Off Cuts? Paul Cowley shares his divine inspiration Vernacular: 57 Spectacular Greenway, Devon

Bea explores the idyllic rural retreat of world famous author; Agatha Christie Miniaturist of the Moment

76 We celebrate PPMC member Anet Parry’s stunning smaller scale creations

on: 85 Spotlight Memory Lane One street scene, transformed by a talented pair of miniaturists; equals two very different dioramas

Corina Crees talks about her passion for both full size and model railways

of Miniatures: 70 School Find out why PP’s workshops are not to be missed and their plans for 2026

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contents

41 80 26

projects Tiles: 25 Fantasy 1:48 project

Create almost instant quirky clay tiles on any shape roof Book Nook:

35 1:48 project

Create realistic cobblestones and muddy puddles!

Printis: 39 Vintage 1:48 & 1:144

1930s floor tiles, plus dogwood flower wallpaper & rugs by Patty Lindsey

Box: 54 AIn Book 1:24 (can be adapted)

In this final instalment, Bea looks at how she tackled the box’s lighting

Window Canopy: 68 Shop 1:48 project

help & advice To Basics: 13 Back One lump, or two?

Bea explores the benefits and pitfalls working with air dry clay & Mental Health 62 Minis Our mental health expert, Iona Barker explains why we should always ‘go with the flow!’

Up 82 Light Lighting expert Jennifer Maddox continues her exclusive series on illuminating smaller scale miniatures

13

Forward 96 Going Bea & Mo provide a frank and

honest update on the future of this magazine

Bob 99 Ask In this issue Bob tackles yet another interesting question from PPMC members in his own inimitable style

Bekki Fileccia shares another of her highly imaginative scratch build projects

To Tree-mendous: 80 Trash 1:48 project

62

Transform an inexpensive tree into a mini masterpiece

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PETITE PROPERTIES | 3

Cover story

In the miniature world, I am surrounded by ridiculously talented people, who never fail to amaze me with their creativity. But over the last 23 years, there are very few artisans who have affected me so positively and profoundly as Philip Thompson. Philip is a rare gem, although I know he would roll his eyes at me for saying that. He is a master craftsman in his own right, yet he retains a boundless sense of humility and humour, in equal measure. Always eager to help and always on hand with an encouraging nugget; Philip has been an axel in Petite Properties Facebook Modelling Community’s wheel from the very beginning.

1:48

A little house, on a little bridge...

Back in 2024, Philip shared with members of the PPMC the creation of (yet another) epic quarter scale project. It was, in no understated way; a kit bash to end all kit bashes! A kit transformation, where I would defy anyone gazing at the final diorama to identify the original kit that was bashed?

Members (myself included) keenly followed Philip’s progress online and watched, agog, as ‘Bridge House’ emerged from his workbench and onto our screens.

If ever there was a master class in modelling, then (in my humble opinion) this is it.

A simple quarter scale kit, transformed into an iconic rural gem. Philip himself described the undertaking of this diorama as being emotional and as myself and the members of 4| PETITE PROPERTIES

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PPMC followed his progress, we too were Philip Thompson all caught up in the magic of his epic build. I think that it is a fabulous example of just what can be achieved with inexpensive materials and a whole lot of love, patience and imagination.

Over the years, I don’t think that Philip has created anything that hasn’t blown me away.

He has a back catalogue of creations that make my old eyes leak! But more than that, he is one of the nicest modellers I have ever had the pleasure to meet; encouraging, witty and innately humble and I am chuffed to bits, to not only be able to once again showcase his stunning work, but to also call him my friend…

Enjoy!

Philip thompson ‘A little house, on a little bridge...’

T

his project was a bit out of my comfort zone to be honest. It’s an interpretation of a very well known iconic building that straddles a river in the Lake District town of Ambleside. Well worth a read up about the quirky house, given its long life and many uses. It’s one of those buildings that would normally have disappeared by now, but kudos to a group of people who strove to protect it for the future. I knew of it, but never got to visit and as such, so I had to rely on the many internet photographs to get me started.

I have a thing about kit bashing and in particular the 1:48th scale Daffodil Cottage

Above: Daffodil Cottage in 1:48

Bridge House – A brief potted history…

Located in Ambleside, Cumbria, this now iconic little cottage was built above Stock Beck in the 17th Century. It is believed that the bridge was built first and then the house added later, to provide a place to store apples from a local orchard. Over the years, it has had myriad uses and despite containing just two tiny rooms; it was once home to a family of 8!

Nowadays, it is regarded as an iconic treasure of the Lake District and is in the safe and capable care of the National Trust.

www.nationaltrust.org.uk

from Petite Properties. A wonderful little cottage in its own right, but also a great framework on which to let your kit bashing ideas run wild. It was clear from the very start that the house on the bridge and Daffodil Cottage were close enough in dimension to let the fun begin.

There were to be three equally important parts to this project, the house itself, the base with bridge and the river. All would be upfront ‘in your face’ parts that had to be right. Each part was to become a separate mini project in its own right.

Using his research photos for reference, Philip recreated the iconic stairs

Time to start bashing!

First on the agenda was to hack Daffodil to make it look the most like bridge house as could be possible.

The angle of the roof was too steep so I lowered that to suit. The internal floor had to be lowered.

Doorways were cut in what was a blank side of the kit and last, but not least, a new front made of 2mm MDF with window openings cut in.

I prefer to use as much as possible from the kit, so the included windows were kept, as was the door and part of the chimney. The house has some specific details that define what it is. A fairly unique chimney, stone slates on the roof, beams that protrude through the walls to the outside, stepped stone buttresses, a quirky flight of outer steps to reach the first floor door and a stonework balcony.

Oh, and it’s stood on a bridge!

Bridge House emerging from Philip’s workbench www.petite-properties.com

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Cover story

1:48

Using bits of scrap wood and wood glue, I built up the framework detail of the house to become a base on which to apply plaster for future stone carving.

I fitted some roof beams and some beams on the underside of the upper floor. The roof panels went on and were covered with individual tiles cut from Amazon delivery packet card.

Using various colours, I manage to give the card tiles the look of stone slates.

Balsa wood ceiling beams were added to the interior

The inside of the house was painted white and a few furnishings fixed in to add interest when peeking through the windows and doors. Both rooms have lighting consisting of a warm white nano LED to better show the inside details.

Once done, I was able to fit the doors and windows and finally glue the front panel to the carcass.

Philip added key pieces of furniture, to be viewed through the windows

The whole thing was given a coat of wood glue and a thin layer of Polyfilla was applied; a bit like icing a cake. It was at this point that I got my first glimpse of Bridge House and said a fond farewell to the donor; Daffodil Cottage.

Stoic stonework...

Once dry, I began the arduous, but satisfying task of hand carving the stonework into the plaster. I used the very end of a sharp pointed scalpel to gently scrape out the grooves and it took about two hours to complete. The distinctive chimney was made from bits of scrap and once glued to the roof, the house was 99% finished.

The base…

I experimented with the bridge and side panel shapes using some scrap packaging polystyrene and once happy, transferred the shapes to some denser insulation foam panel. Luckily, I own a craft band saw which made quick work of cutting the foam with little mess. The bridge and two sides were glued together with wooden skewers pushed in to provide strength to the joints. (It reminded me of playing the game Kerplunk back in the day). This whole structure was given a coat of wood glue to stabilise the foam’s surface.

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Philip’s workbench and a game of Kerplunk!

Philip thompson Another ‘icing’ job saw the bridge and river walls covered in a layer of plaster. Being a glutton for punishment, I then hand carved the stonework on all these surfaces to match that of the house.

All of this was glued to a base plate of some scrap 12mm plywood and this gave me an edge to secure some 3mm plywood to the sides, front and back to form a display stand for the project. The 3mm plywood on the front and back had a profile cut in so that the river could be seen. Having this profile slightly raised front and back meant that I had a sealed area to pour in the resin ‘river water’ when the time came.

I wanted to base this model around the mid Victorian era so no tarmac roads, just a path on the right and a rough dirt lane on the left. These were textured using Vallejo earth texture acrylic. Some walls made from plastered foam were fitted to prevent folk from falling into the river on their way home from the ale house.

Philip hand carved the stone facade on both the cottage & bridge

The river…

Looking at photos of the bridge house it became obvious that the river was quite stony and rocky, so I opted to glue lots of detail to the ‘river bed’ area. Stones, gravel and bits of wood were gathered from my driveway and put to good use. Once happy, all was well glued down by flooding it with a 50:50 mix of water and Mod Podge.

1:48

Once fully dry, I poured a layer of two part resin to a depth of around 8mm and set the whole thing aside to cure.

Philip used stones and gravel from his driveway to fill his river bed

The l itt

le str

eam be

g an t

o tak

e sha pe...

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PETITE PROPERTIES | 7

Cover story Modge Podge was used to create the ripples on the surface of the water

“

It’s been a great, fun project, but a bit scary given that it’s my representation of a very, very well known icon of a building. All went well and it took me by surprise as to how emotional I became whilst building it. When you love your hobby, it sometimes gets to you.

Philip Thompson.

”

The final dressing…

All the stonework was coloured using several thin washes of Vallejo acrylic paint ‘concrete colour’. It gives a nice shade of browny grey to the stones. A final weathering using various colours of chalk pastels added that extra realism.

A variety of plants and static grass gave the whole model an uplift of colour. Some pots of flowers for the inhabitants to enjoy and a smart street lamp to light their way brought the project to a close.

To date this has been my favourite project. I did stick my neck out, given how well known this building is, but I’m more than happy with the result and hope that when folk see it they might say “that looks like the House on the Bridge in Ambleside”.

8 | PETITE PROPERTIES

Philip

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Philip’s completed quarter scale masterpiece - Bridge House

Inspirational

Inspirational interiors

If you have a soft spot for cosy cottage interiors, you are going to love how Wendy Brown has brought her July Cottage to life. Built by the super talented Berni-Wilson-Holiday, Wendy just couldn’t resist the charms of this quintessential quarter scale cottage when she spotted it for sale on Etsy. Filled to the brim with tiny details and decorated in a beautiful and cosy colour palette; join us as we step inside this charming little 1:48th dollshouse...

Wendy brown

www.petite-properties.com

PETITE PROPERTIES | 9

Inspirational interiors

M

y love of miniatures began as a child. I got my first hand-medown Triang dollshouse when I was five. It was metal and full of dents, with worn graphics, but I loved it. I would save pocket money and my Mum would take me to the local toy shop (once a month) to buy one miniature from their small selection of plastic dollshouse furniture. I saved up for a long time for the fridge and it was my favourite piece.

At 9 years old, I got my first Sindy doll and some kitchen furniture. My Sindy went everywhere with me. But when I hit 13 I gave it all away (a huge regret now).

I returned to minis in my mid-twenties, when I bought myself a couple of pieces of real wooden furniture from Hamleys toy shop in London and thought ‘one day I will buy myself a grownup dollshouse! That happened when I was 29. I’ve been weaving 1:12th scale furniture for about 25 years now and a couple of years ago I made my first 1:48 piece, as it was hard to find in this scale. With 3D printing taking off I think a wicker chair will become easily accessible to all in no time.

‘Cat free’ zones are essential!

I decided to have a go at a Petite Properties’ kit when I spotted them at the Kensington Dolls House

“

Like most, I find these little kits don’t take up much room and I can just display them on shelves and radiator covers!

Wendy.

”

Festival about 3 years ago. Their display of built houses and cottages looked amazing and when I saw all the teeny furniture and garden accessories; I had to smile. I bought the December Cottage kit, as Bea advised that it was a fairly simple kit to make (and it was) and after stocking up on a few furniture kits, there was no looking back.

Like most, I find these little kits don’t take up much room and I can just display them on shelves and radiator covers! Basically any ‘cat free’ zone will do. Thankfully, I’m not a minimalist, as these little cottages are popping up all over my house. I still love my two 1:12th scale dolls houses, but any new house builds will have to be in 1:48th scale as I can realistically sit back and say “that’s it - this house is full!”

Above: July Cottage was constructed & built by Bernie-Wilson-Holiday Left: The conservatory features some of Wendy’s stunning wicker furniture.

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Wendy brown The perfect pick me up!

Most of 2023 I suffered with ill health and this scale is also comfortable to work on even from my bed (my workspace is a tray). July Cottage was on my list of projects to buy, but then I spotted a fully built one, with completed exterior on Etsy and I was feeling low with impending surgery, so I snapped it up! My July Cottage was expertly decorated by Berni Holliday, who is another member of the Petite Properties’ Facebook community. (See page 89 - Bea)

Back story…

My little doll ‘Auntie Gwen’ needed a comfy kitchen to cook in and I just pictured her baking fairy cakes and ‘medicinal’ cookies in this oven. She thinks pink is groovy and romantic, and hides all the dust. She loves watching Emmerdale, whilst knitting socks from her squishy green PP sofa; but only when the cat allows it of course.

I did remove the downstairs wall, changed the wallpaper upstairs and added a fireplace made from DAS clay, but that was it. I think wallpaper in 1:48 is getting easier to find and Etsy have a good range. But for years I’ve hoarded any mini print paper or card I could find and I’ve even found some on cheese packets! Friends think it’s strange to collect this kind of stuff until they see where I use it.  Now they look out for it too!

Above right: The conservatory is an inviting space, filled with tiny plants and flowers Below: The interior of Wendy’s July Cottage simply oozes charm and character!

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PETITE PROPERTIES | 11

Inspirational interiors

The cosy bathroom features a stunning level of detail; complete with a super tiny toilet roll!

To light or not to light...

That is the question?

I considered installing lighting in my July Cottage, but I didn’t want to damage the exterior as it was so pretty. I have lit my Bluebell cottage (also by PP), as I made that from scratch. But to be honest lighting isn’t a big issue for me and it’s probably my least favourite part of a build… Although I must admit that you do get the ‘ah’ factor when lights are installed. So I will keep on practicing!

For now my July cottage is temporarily lit using a mini ‘balloon light’ which twists on/off and it does look rather homely. For me, a mini interior, no matter which scale, evolves over time. I never plan anything in advance, sometimes I’m influenced by a fond memory of a place I’ve visited, but the July Cottage’s interior is entirely based around the PP retro oven! I love this little oven it just tickles me!

Wendy

Left: The rear of July Cottage featuring a lean to conservatory

ADVERTISING Opportunities

As this unique new magazine is an independent publication, we plan to only include advertising that is relevant to our smaller scales content. For this reason, we are offering a very limited number of affordable advertising slots in each issue.

So, if you would like to advertise in a future issue of

PETITE PROPERTIES Magazine,

why not contact us & find out more about our advertising opportunities in this exciting new miniatures magazine!

12 | PETITE PROPERTIES

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“

My ‘work tray’ has a limited stock of tools sadly, but my trusty craft knife, glue bottle with tiny nozzle and up-to-date prescription glasses are probably the only items I could not do without. I’m thinking of investing in a neck light though!

Wendy.

”

 Do YOU sell smaller scale miniatures or related accessories?  Are you a professional artisan producing smaller scale creations?

Then why not advertise your smaller scale miniature business to our readers?

Contact us & find out more about our exclusive advertising opportunities!

ppmag@petitepropertiesltd.com

Back to basics

back to Air dry clay I will start this feature by being brutally honest. Over the years I have had a love / hate relationship with air dry clay. There have been times when I have used it and the effect has turned out even better than I had dared to anticipate. Unfortunately, there have also been times when prototype master models clad in air dry clay have been angrily lobbed into my workbench bin.

So when I began planning this ‘Back to Basics’ feature, I initially intended its focus to be on exploring different types of clay. However, as I began dictating into my phone in the middle of a Lincolnshire field, it quickly occurred to me that the article had taken on a life of its own and morphed into a combo feature including advice on; how not to lose your temper when working with this unpredictable medium.

So, I have decided to embrace the transitional focus and go with a bit of both…

I hope you find it helpful.

Happy mini-ing!

What is air dry clay?

A quick search online tells me that air-dry clay is a water-based modelling material that hardens naturally at room temperature, without needing a kiln or baking. This type of medium is soft, easy to mould, and typically made from natural clay, water, and sometimes additional fibres; usually drying within 24 - 72 hours.

(AI Google Search)

Port Piran harbour (1:48) during construction

D

ue to a booming world wide craft industry, there are many different types of air dry clay available, offered in a wide range of colour finishes and consistencies. Prices also vary considerably and sadly over the last few years, I have seen the price of clay steadily rise. However, as far as miniaturists are concerned, the amount we use means that despite inflation, air dry clay remains an inexpensive and affordable medium to use.

Over the years, I have used many different types of air dry clay. Some varieties have become firm favourites that I go back to and use again and again.

Then there are other (like paper clay) that I refuse to even look at; let alone use again!

I regularly use air dry clay primarily for exterior finishes. The harbour walls for Port Piran were clad in thin sections of air dry clay and individual stone shapes were pressed into the surface of the clay whilst it was still soft and wet. Air dry clay also makes realistic floors and cobbles too. www.petite-properties.com

PETITE PROPERTIES | 13

Back to basics But the common denominator of them all is of course that they are a clay that dries at room temperature, but the consistency and workability differs from brand to brand. So first of all, let me start with what I love… DAS

Das Air Dry Clay DAS clay is a readily available branded clay, that has been around for a very long time. In the UK, it can be bought inexpensively and it is also available to order online too.

4/5

Pros: 

What I like most about this clay is that it seems to have very consistent moisture levels and this is a key factor when it comes to drying issues (see page 16).

DAS clay is fairly firm, making it easy to work with and is available is a variety of different colours: (notably) White, Terracotta and Stone. The latter is my default colour, as it is easy to over paint to create effects like brick or stone. However, with that said, all DAS clay can be painted, so if you can only get one of the colours available, don’t worry – just paint thoroughly as required!

Cons: 

My only gripe with DAS is that the surface texture of the clay can be quite tight. By this I mean that when a shape is pressed into the clay, the surface slightly resists. This means that impressed shapes are not quite as crisp or clean, than they would be in a softer clay.

Das Wood Clay I’ll be honest, I bought this by mistake. I was in a rush, saw ‘DAS’ and grabbed the pack. It wasn’t until I got home that I realised my mistake.

Working with this clay was not for me, as it is just so very soft and wet. I found that the soft consistency makes it much harder to roll out evenly and handling it in general was very problematic.

1/5

Pros: 

Very soft, if very soft is what you want?

Cons: 

Too soft and problematic to use.

Expensive.

Paper Clay It is hard for me to be objective about this clay, as I so strongly dislike it.

However, putting my dislike to one side, I know that there are many who love this type of air dry clay and use it regularly and readily. I, on the other hand find it not only hard to work but using it is incredibly uncomfortable on my hands too.

3/5

Cons: 

Pros: 

Cheap and readily available in hobby shops, art stores and online. Inexpensive to purchase and produced by many different manufacturers 14 | PETITE PROPERTIES

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Dries out (literally) in the blink of an eye, so you have to be quick when you work with it. Has a fibrous consistency which (I feel) makes imprinting into it a bit clunky and the results lack detail. I find paper clay also irritates my hands and makes them sore.

Back to basics Scola Clay I’m including this air dry clay because it was the first clay that I used for modelling and I have such fond memories of it. Scola Clay is often used in primary schools and is still readily available online today.

It is an old school style of clay, which can be a little on the wet side, which can cause issues, but its consistency allows for accurate and detailed imprints.

3/5

Pros: 

An inexpensive clay with a surprisingly refined texture.

Cons: 

Only available online in fairly large quantities.

However this could make it ideal for a group, club or shared project?

Super Light Air Dry Clay I came across this clay a few years ago, when I was kindly given a free sample.

It is a very interesting clay – light and spongy. But despite its unusual qualities and texture, I have not found a use for it in my miniature work.

My grandchildren however have loved making Christmas decorations with it instead!

1/5

Pros: 

Great for grandchildren and if the weight of your creation is an issue. Available in a variety of colours from multiple manufacturers.

Cons: 

Expensive and only available in small quantities. I have not found it suitable for the exterior finishes that I apply.

Other branded air dry clay Hobby Craft (UK) and other art brands also offer their own cost effective varieties of air dry clay, with different colour options also available. By its very nature, clay recipes will differ from manufacturer to manufacturer, so the only sure way of working out which air dry clay will work for you, is to buy one and try it out… But maybe just don’t experiment on a master model or a new kit. Instead try cladding an off cut of wood or cover an unwanted sturdy cardboard box and then assess it and see what you think?

Let us know!

Wherever you are in the world, if you find an air dry clay that you either love or strongly dislike - Let us know all about it; so that we can share your advice and information with our readers!

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PETITE PROPERTIES | 15

Back to basics

Working with air dry clay Tips & Trouble Shooting As I have previously confessed, I don’t always have a great relationship with air dry clay.

There have been many times, when despite my best efforts, my clay has conspired against me and I have ended up scrapping it all off. Mistakes and mishaps, happen to us all. But the advantage of something going wrong is that you get to learn from the experience. I hope that by sharing some of my (less than perfect) experiences of this versatile media - you will be able to go forward and use air dry clay with a little bit more confidence than you might have done before!

Rolling out clay: 

When rolling clay out into a thin sheet, clay often has the rather annoying tendency of sticking to the surface or board that you are working on. A simple, yet effective way to prevent this is to wrap your ‘board’ up in a layer of baking parchment or grease proof paper (I secure mine firmly in place with tape).

The clay will not stick to the paper’s surface and so the clay can therefore be rolled out thinly and can be easily lifted off too.

For a long term alternative, use a sheet of reusable baking parchment, which can be washed off and stored between use.

If your clay is particularly wet, or you want to roll out a very thin piece of clay; use two pieces of grease proof paper and sandwich the clay between the two sheets.

Using a wooden rolling pin is also helpful to prevent sticking.

Cracking: Almost ALL air dry clay will crack at some point during the drying process and this is perfectly normal. As you can see from this picture, despite my best attempts, my clay sometimes cracks too.

However, I strongly feel that the cracks actually add to the realism and character of a model building...

After all cracks are certainly evident in the full scale world too! Most of the time I am happy to leave most cracks in clay unfilled.

However, if you do want to get rid of them, simply fill them with decorator’s filler as you would a full size crack in your wall.

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Shrinkage: Shrinkage of the clay is most likely due to the moisture content leaving the clay too quickly (see below), which causes the clay to suddenly contract.

Again, this is a common obstacle and although it can not be completely avoided, it can be easily dealt with.

When you stick your clay onto a surface, it is very important to apply the PVA adhesive as evenly as possible. Pockets of adhesive can be problematic for the clay during the drying process and lead to cracks appearing in the clay’s surface.

Another way to help minimise shrinkage is to leave the edges of the clay ‘over lapping’ the edges of your work. Wrap the clay slightly around the edges, leave to dry, then carefully sand away the excess.

Drying your clay: 

When drying air dry clay, the most important thing to remember is ‘don't rush’. Never put the clay near or next to a heat source, such as direct sunlight or on top of a radiator.

Also avoid any overly warm locations, such as an airing cupboard or laundry room. Instead allow the clay to dry slowly, as this will help to reduce and minimise any cracking that may appear.

The mirthful miniaturist

the

Christopher Burns 1:48

I

am delighted to have been asked by Bea to become a more regular contributor to the magazine and thought I would start by explaining a bit more about my journey into miniatures. On leaving school at 18, I fulfilled a childhood ambition of going to art school and after four years of study graduated specifically in Fine Art Sculpture. I was fortunate to exhibit regularly for many years however my career professionally took a different direction eventually into heritage and event management. I found it increasingly difficult to juggle working full

time, with the various demands maintaining a contemporary art practice necessitates. Quite unconsciously I seemed to drift in my spare time down other avenues, as my sanity and soul I assume sought other creative outlets!

Around 6 years ago one of these new creative pursuits emerged as miniature making, unsurprisingly perhaps as my mother Margaret is herself very much immersed in the magical land of mini. Most readers will I am sure be familiar with what this looks and www.petite-properties.com

PETITE PROPERTIES | 17

The mirthful miniaturist sounds like with exclamations of “…oh that would be great for the dollshouse” being heard in all sorts of everyday scenarios as small pieces of packaging, foil, broken items and beads are held aloft, before being tucked away to be transported back to a craft room.

Much like the studying of art, growing up around miniature enthusiasts means you do have another way of looking at the world and seeing the possibilities others may not.

A new project inspired by an old classic The recent project I am sharing with you in this issue is an example of all these elements at play. I took the popular Petite Properties’ 1:48 kit of Stragglethorpe Manor and adapted it to transform into the iconic setting of Manderlay from Daphne du Maurier's 1938 novel ‘Rebecca’.

Progress...

“

People will often ask me where I find my ideas, but they never seem to be very far away, as they are fed by the places I visit, films I watch and books I read.

Chris.

“

I have found that my various interests in life have blurred to an extent and shaped the nature of my miniature making. I particularly enjoy the challenge of landscaping bases and scenes, combining my sculpting skills with my passion for gardening. I also seem to find my inspiration for my models in my interests in myth and legends, history and literature.

People will often ask me where I find my ideas, but they never seem to be very far away as they are fed by the places I visit, films I watch and books I read.

For anyone who has not read the book, it does not spoil the intriguing plot to explain the story begins with the narrator recalling a dream. The mysterious flashback hints at a chain of events that brought a once grand country house to a state of disrepair, describing the mansion being reclaimed by nature. It is this potent and vivid visual which I thought would be an exciting challenge to create.

Immediately from the outset I had to consider how I would put the kit together while being mindful the house would need to have been destroyed by both fire and neglect. I had to consider not just what the finish of various elements would look like, but realistically how would a house of a certain period and style have been constructed in the first place. I liked the idea of a more mock-Tudor building as I felt this would leave me with the chance to experiment with failed sections of render over brick. I’ve also always been the type of person that likes to wander 18 | PETITE PROPERTIES

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Chris’s work space...

The mirthful miniaturist through abandoned buildings so I thought back to structures I had been in and considered how nature had broken the structure down and which part of the building might be the first to fail. With this in mind I knew I wanted the gable walls to remain and also that fireplaces and chimneys would also remain intact. As this was to be a novel coming to life, I wanted to use a book as a base and so I tested early on with a few old damaged books (I had been given some by a friend who managed a charity shop as they could not be sold) until I found an old encyclopaedia to be the right size.

Adaptations & experiments...

Right: Chris cleverly used elements from PP’s Off Cut pack to create internal fireplaces...

My first adaptations came in moving the location of a chimney breast so it would be more visible in the ruin while deciding which elements would retain roof tiles and which areas would have lost sections of their floor. The final model when exhibited I had already decided would be presented on a rotating turntable which would allow viewers a glimpse into both the exterior and interior of the house. I decided to enclose one section of the house entirely so all viewers could do would be to peer into its darkened windows.

My first experimentation came about using mixed media off cuts (always a handy addition to any PP order) to create 3 fireplaces, finishing two to look like old wooden surrounds and one larger with a stone painted effect. I decided the best finish for the timber framework would be to use acrylic paint pens (a must for all miniaturists) and then pencil pastels to add a wood like grain. Before fitting window glass, I added various washes to ensure the glass seemed weathered and added some cuts with a craft knife to suggest broken and cracked panes.

Interior details...

Early on I experimented with using wood filler to create a stone effect on lower sections of the house, but later I decided textured brick papers might work better for this particular project. In the end choosing two different shades to suggest some sections had always been brick in their finish (and so darker in colour) and other areas had been more recently exposed such as under previously rendered walls (and so brighter in tone). www.petite-properties.com

PETITE PROPERTIES | 19

The mirthful miniaturist

“

“

As this was to be a novel coming to life, I wanted to use a book as a base and so I tested early on with a few old damaged books until I found an old encyclopaedia to be the right size. Chris

Above - Chris used an old book as part of the base of his quarter scale diorama

The model quickly began to come together and I enjoyed painting the roof tiles with various washes to seem aged and deciding which AK modelling pastes to use as plaster and external render, before adding paint washes and carefully using candles to suggest smoke damage! Small strips of mounting card acted as floorboards while kebab sticks were utilised as structural roof beams.

With most of the house elements now completed, I 20 | PETITE PROPERTIES

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attached the house to its book base and began to landscape around the structure building up the scene in layers. Again, much like thinking about how the structure would fail in time, I had to consider how would majestic gardens appear when season after season, nobody is there to mow the lawns and cut back the shrubbery. Finishing the interior spaces, I added various detritus from the modelling process to act as broken roof tiles and failed beams alongside some 1:48 scale bricks I had sourced at some stage

The mirthful miniaturist knowing a project would come along in which they would be useful!

Constantly pausing and reflecting on progress is always a good idea and towards the end I decided the slick black base with vinyl gold lettering I had placed under the book did not feel quite right and swapped it instead out for a more sombre tombstone-like structure I created using XPS foam and adding text using old fashioned carbon transfer lettering.

Finally, weathering is always one of the most enjoyable elements for me in the modelling process and building this up in layers is key, adding little pieces of moss, lichen and discolouration as you work. An abandoned building of course though has more of this than most so I must admit this may be my first ‘ruin’ but suspect it won’t be my last!

Chris Chris’s imaginative ideas finally take shape...

Instagram; themirthfulminiaturist Club Facebook; DAMEnorthernireland

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PETITE PROPERTIES | 21

1:48

Lynn simms

at o

Life at N

o.

.9 in qu a arter sc le By Ly s nn Simm

Lynn simms

I

’ve been a miniaturist for around 20 years, but the fascination started way before then. It was after a chance encounter some years before with a grand Georgian dollhouse that I knew that someday I would create my very own miniature world.

My first tentative miniature steps were with a 1:12 two room shop with a very small attic. With only two rooms to concentrate on it gave me time to build my confidence and skills to tackle more complex building tasks. In the end my little shop had a loft conversion, a two storey extension and the addition of a corner cafe; so yes you could say I was hooked!

Right: Lynn’s entry point into the miniature world...

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Lynn simms Over the years, I have been a regular visitor to the Miniatura fair, which is where I first discovered 1:48th scale. On one of these occasions, as I wandered around the fair, I came across the Petite Properties’ stand. I remember thinking, I’ve never seen houses so small! I was totally stunned by their range of buildings and all the tiny furniture kits to go in them.

At this point I had absolutely no intention of trying a scale this small. However, I do relish a challenge and on a subsequent visit I spotted La Belle Boutique and thought it would be the perfect jumping off point.

“

I had three vintage drawers that I’d had for quite some time; without knowing what I could do with them?

Lynn.

A 194 0s kit

”

I’m not a prolific builder and try not to have too many ‘projects’ on the go at any one time, but sometimes I need what you might call a ‘distraction project’. I had been heavily committed to my 1:12 build, but felt I needed a break to do something totally different. I had three vintage drawers that I’d had for quite some time; without knowing what I could do with them? I wondered if I could create a miniature time capsule in one of them and with a bit of measuring the idea for Life at No.9 was born. I’d established that I could fit three rooms inside the drawer and that the interior would be loosely based

chen

in 1:4

8

on my grandparent’s home: 9 Moorhills Crescent. I decided that the 1940’s would be the timeline, showing a snapshot of daily life.

I set about researching the era first to make sure I could replicate the 1940’s in miniature detail. Once the floors were decorated and installed, I set about choosing period paint colours and wallpaper for the walls. The kitchen was the most important focus and was key to giving the project the ‘right’ feel. There were several must have pieces of furniture that I wanted to include that I knew I would end up building myself. The kitchen table, meat safe and enamel topped prep table were all made from donor parts of different PP kits. Once all the basic elements of the kitchen were done, I moved my attention to the other two rooms.

My Dad’s childhood bedroom...

A 1940s kit

8 chen in 1:4

The first floor bedroom was next and again had me raiding my PP kit stash for donor parts for the electric bar fire and the dressing table items. The final room on the second floor is a representation of my Dad’s childhood bedroom. I had to use a bit of imagination as I couldn’t really remember what it was like. I gave him a few more toys than he probably would have had, but that’s the beauty of a miniature world you get to indulge yourself. www.petite-properties.com

PETITE PROPERTIES | 23

Lynn simms How do you do it?

The whole project was quite a long process to get right, as I had given myself quite a tight brief, but I’m pretty happy with how it turned out. Someone asked me recently ‘how do you do it? They’re so tiny’. Really, there’s no simple answer. A miniaturist needs so many skills, a lot of patience and of course a really good pair of tweezers; something I couldn’t do without. For me though, a strong narrative for a project helps massively. It helps me focus on key decisions and details that I want to include.

This project as I said, was meant as a distraction, so I decided to leave the drawer exterior as I found it. I felt that it was important for the viewer to see that it had a past use and now has a new one. For now, the little drawer lives alongside my other small scale projects above my desk. I really love the fact that the scene is always on view inviting you to explore.

I’m planning another time capsule project at some stage, which I might base on my own childhood home.

I’m a child of the 1970’s so there’ll be liberal amounts of orange, brown and avocado for this project. I also need to find a donor kit for a lava lamp!

Dad’s childhood bedroom in quarter scale...

Lynn’s creative space...

Lynn The master bedroom...

Credits: Vegetable preparation board, vegetable crate - Mini McGregor Pudding basins, mixing bowls - Cinderella Jars, tea set, kettle, saucepans, kitchen utensils, electric iron - Laser Shrink Ray Meat pie in a dish - Life of Riley Pull along horse, toy soldiers - Petworth Miniatures Wooden chopping boards, cutlery- Jane Harrop Wallpaper - Mini Minutia 24| PETITE PROPERTIES

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Quick makes - project

1:48 scale

Fantasy TILES

Cauldron Cottage & Base - 1:48

materials Air Dry Clay (any colour) Green eye shadow PVA adhesive

Tools Clay sculpting tool (Or something of a similar shape) Scribe tool Paint brush x2 Piece of sponge

Paint (All in a matt finish) Wood Stove* (Black) Stormy Skies* (Medium grey)

Creating roof tiles from air dry clay is ideal when you are trying to roof an irregular shape. The clay naturally adheres and moulds to any curves or undulations... With the final result perfectly finishing off any fantasy dwelling!

1

(*Petite Properties Paint)

Bea used DAS air dry clay to create her fantasy roof.

She used a scribe tool to define the tiles and a sculpting tool to gently lift the bottom of each tile To paint the roof, I started by liberally applying a base coat of Wood Stove (or any black matt paint). As the roof has many grooves and undulations, be sure to work the paint into all the cracks and crevices.

When dry, I sponge painted the roof tiles with Stormy Skies. Finally, the roof was distressed with green eye shadow, as required.

2

3

Paint the entire roof with a liberal coat of PVA adhesive. Carefully roll out a piece of air dry clay to the size required (approximately 3mm thick). Lay the clay onto the roof and firmly press the clay against the glue covered surface. Ensure there are no air bubbles under the clay, then trim away any excess.

Ensure that any joins in the clay are carefully blended. Roll the clay gently over the edges of the roof to ensure that the clay does not shrink back when it dries.

Working briskly, draw horizontal lines into the surface of the clay. Once again do not press heavily into the clay, only imprint the surface of it. Next, imprint the vertical lines to create the illusion of tiles. I then used a sculpting tool to slightly lift the bottom edge of each tile to add texture. Cover the whole roof area with tiles. Leave the roof to dry and harden overnight at room temperature.

Do not put the roof on, or near, a heat source to speed the process up.

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PETITE PROPERTIES | 25

Inside & out

& Barbara foard Barbara Foard is a key, founder member of the Petite Properties Modelling Community on Facebook. She is well known for her attention to detail and for the speed at which she completes her smaller scale projects. Not one to hang around, Barbara whizzes through even the most complex of builds, to create stunningly detailed houses, book nooks and dioramas. Able to turn her hand to all aspects of the hobby, she is often an inspiration to fellow miniaturists and we are delighted to welcome her as a regular contributor of this magazine.

This double issue feature will follow Barbara’s latest quarter scale Project, as she brings her town house to life; both inside and out!

1:48

inside

T

he quarter scale New York style house that I am working on is by Cornels Creations and I must admit that I chose this style of dollshouse as it was completely different to the cottages I have been making over the last few years... As they say "a change is as good as a holiday!" However, I haven't formally named it just yet as I’ve just been calling it my ‘New York Townhouse’.

If I am honest I'm not sure where my inspiration came from regarding the interior and exterior, again I think I wanted a change from country cottage inspired 26 | PETITE PROPERTIES

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builds. In my mind’s eye the layout of the bottom floor did lend itself to become an office of some kind and I think it was my husband, Neil who suggested it could be transformed into a 1930s ‘private eye’ investigator’s office.

I don't really spend too much time planning, instead I tend to have a vague idea and then I just get started.

Although I do spend an awful lot of time on Google, looking up elements and information pertaining to specific elements of my builds so that they are as accurate as possible. For example, I did research the

Barbara foard refrigerator, wallpapers and even what colour a New York fire hydrant should be? (I would have said red, but no, they were silver and black in the 1930s).

Quarter scale progression...

I have been working in quarter scale (1:48) for a while now and I am loving the progression that I have seen within it. I think 3D printers have probably made it more popular and there are so many new makers coming in, so there are now so many new builds to choose from. I also love that I can incorporate more realistic elements into my builds now because of 3D printing, so I'm not just limited to beads and charms for all the tiny items that go into making a house a home.

A little bit of back story...

I do like to include a back story and for this project I decided that the whole house is owned by a lovely little old lady who rents out the bottom 2 floors to a detective; he has an office on the bottom floor and lives in a bedsit on the 2nd floor. She loves having him close by, as she resides on the top 2 floors and feels safer with a man about the house, especially now her husband has passed. The investigator also reminds her of the son, who she lost in the Great War, so she feels very maternal toward him.

Bathroom Suite by Laser Shrink Ray

The building of my town house sort of went to plan, although I found that I should of added all the floors to the back and then added on the sides, but when you decorate as your going that can be a bit difficult to do; especially as I wanted to add stairs on to the ground floor (I always like to know my mini people can get up and down). So I added one side of the house on, to help stabilize the structure and to give me enough room to decorate as I built.

I also love my wallpapers and I spent many hours on Google images finding just what I wanted. I then shrunk the images down to the size required on my computer, before printing them out.

I bought a wonderful Art Deco style bathroom and a lovely Chesterfield sofa from Laser Shrink Ray and I'm very pleased with them both. My Nanna’s Treasure Cupboard features a 3D printed vase that I painted to look like Wedgewood, (both from Petite Properties). The vase now sits on top of some lovely Jean Day doilies; which are a particular favourite element of the interior for me.

Left: Barbara filled Nanna’s Treasure Cabinet with tiny details, before she stuck the front into position

Nanna’s Treasure Cabinet in situ, topped with doilies by Jean Day www.petite-properties.com

PETITE PETITEPROPERTIES PROPERTIES||27 ??

Inside & out

1:48

“

One of the things that I'm most pleased within my interior are my window treatments. I'm lucky enough to have a pretty pleater from Anne Ruff and it enables me to create wonderful pleats; every time!

Barbara.

“

I also love my spice cupboard from Mini Decor & More and my Art Deco fridge from Just Quarters is a perfect finishing touch for this 1930s inspired project.

LEGO lighting...

Whilst working on my town house project I was lucky enough to find some tiny lighting kits in a charity shop. They were designed for LEGO buildings, but the wonderful thing about them is that they are plug and play, so they are incredibly easy to use, (no soldering or wondering about resistors etc), they are also LED so very bright too.

I installed the lights by drilling a hole in the ceiling where I wanted the light to be. I then channelled out 28 | PETITE PROPERTIES

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a groove in the floor above and fed the wire out through a hole in the back of the house. I cut a wider channel into the back of the house to accommodate all the wires, which were then hidden under the house and out of sight.

The wires were covered with the same thin tape that is used for wound dressing. As it is super thin and quite sticky, when the flooring was added to the floor the wires were covered and became invisible.

Of course beads and findings are ideal to use on smaller scale projects and I used them in my town house to create light shades.

I used two separate

Barbara foard battery packs to power the LEGO lights, as the wires for the lights were just slightly too short to reach to the top floor, so two lights from an Australian company called Glowbricks were also used. This company also design lighting for LEGO builds and they too are ‘plug and play’; but helpfully their wires were a lot longer!

Over all I am very happy with how my town house project turned out and it's even better than I thought it would be.

Barbara

“

One of the more unusual difficulties was finding a hat in the desired shape and scale for my detective; I ended up shaping one out of FIMO. Barbara.

“

Above: A 3D printed Chesterfield Sofa by Laser Shrink Ray Below: Barbara’s imaginative Private Investigator’s office

IN THE NEXT ISSUE..

Barbara shares how she finished the exterior of her Town House... www.petite-properties.com

PETITE PROPERTIES | 29

Heather bonney

I Heather bonney

“

’ve been making miniature models since I was about 5.

When we visited historic houses or sites, I’d buy the small paper model buildings kits from the shops. I really started doing miniatures as a hobby during lockdown in 2020. My parents still had my childhood 1:12th(ish) scale dollhouse and I started converting this into a Museum.

It was that year I discovered the Petite Properties’ Advent Calendar which introduced me to the smaller scales, which means I can have multiple projects on the go at once which suits the way I work, as I tend to switch between projects when I get a bit stuck...

I love working in 1:48. It’s a great working scale; I can still include lots of detail without it being too fiddly.

It also means I can have lots of different projects on the go at the same time, it doesn’t take up a huge amount of space and it is relatively inexpensive.

Heather.

“

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Heather bonney Below: Heather’s diorama represents a cross section of a vertical double grave...

Darker themes & crime scenes...

Most of my projects are on a ‘darker’ theme. My work in smaller scales started with a 1:48 modern semi-detached house with a crime scene, in part inspired by the ‘Nutshell Studies of Unexplained Death’ by Frances Glessner Lee, which were used to train investigators in the early 20th century. I can’t remember exactly how I first came across Petite Properties while I was making this project, but the house is largely furnished with PP furniture and it was the beginning of a slippery slope; I now have a large box full of unmade PP furniture and building kits waiting for inspiration and time!

My scenes aren’t based on, or inspired by, real scenarios and they aren’t intended to be too macabre. Since the arrival of my feline crafting companion, ‘Richard the Furred’ in 2023, I’ve started adding a little 3D printed Richard up to various kinds of mischief into each of my scenes to give them a touch of humour.

Grave times...

This grave little scene (sorry!) was created for a colleague and friend. I was working on some Petite Properties coffins for a big project and sent her a photo, as we’re both archaeologists by training. She

asked if I could make her one and as with all miniature projects; it grew from there.

The idea started as a small diorama in a box, with one side cut away to view the cross-section. I filled the box with scrunched up tin foil and glue to create a bit of terrain. This was covered in tissue paper and glue before painting, then landscaping with regular scatter and adding a few bits of foliage.

One discovery during this project was the foam type of air dry clay, which I used to make the bricks.

It’s inexpensive and comes in lots of colours in play sets aimed at children – they can be mixed to give any shade you need.

Above right: PP’s Gothic Coffin www.petite-properties.com

PETITE PROPERTIES | 31

Heather bonney I mixed up a brick colour and rolled it through a pasta maker to create a thin sheet. It dries into a dense foam, which can be cut with a sharp blade making lots of regular shaped bricks quickly, which are very light and easy to glue into random piles. The brick lining in the grave is Redutex 3D texture sheet.

The grave ledger stone, skeleton, Richard the cat, the pigeon he’s watching and tools are 3D printed from files on Thingiverse. It quickly became evident that skeletons are an absolute nightmare to print at this size and it took a LOT of trial, error and prints that were impossible to remove from supports before I could produce a little skeleton army.

Quiet evolution...

As with all projects, it evolved along the way. I’d almost completed it when I realised the box idea just didn’t work at all, and I ended up cutting the whole thing in half down the middle to make it shorter so it would fit in a box frame.

I don’t sell any of my work, but I regularly make gifts for friends and colleagues. I currently have a lot of Petite Properties projects on the go! I’m ‘kit bashing’ the dungeon base for Turrim Castle, as a crypt to sit under St Thomas’ Church. (Now that sounds like a fantastic project! - Bea.) And if I ever finish that big project, I have The Old Rectory, Cemetery Lodge, a couple of the 1:144th kits, AND of course I had to pick up The Lost Cabin when it was launched too!

Heather

Instagram: @hbonney

Book nook

BOOK Nook nooks amongst the books

S

ince the rise of inspirational online platforms like Pinterest, a quick scroll is all it takes to stumble across a book nook. Built in all manner of genres and scales, even non-miniaturists have fallen for the beguiling charm of having a tiny scene or other worldly diorama nestled on display between books on a shelf. After all, a book shelf isn’t just a row of books. It represents an orderly collection of different worlds, each filled with stories and characters that are brought to life through reading.

For me, Book Nooks are a visual reminder of the hidden worlds trapped between the covers. A book can take us anywhere, to any time, opening up unlimited realities. I think that when we create imaginative miniature book interiors, we capture a visual representation of the escapism which sits on our book shelves in orderly rows.

A PP take on a book nook had been on my ‘to do’ list for many years and in spring 2023 I (at last) found the opportunity to dust off my old sketches and make it a reality.

Honeymead House - 1:76

My first consideration was which scale to work in? I knew I wanted to create an alleyway that combined depth AND perspective, so I needed to choose a scale that would allow for multiple houses to be included, without making the book nook overly deep. Despite its diminutive size, 1:48 was just too big... I needed something smaller, but not too tiny. 1:76 scale was the Goldilocks solution; small enough for three buildings, yet big enough for even super fine details.

“

For me, the most intriguing book nook interiors are the ones that fool the eye and guide you inwards.

Bea.

”

Downsizing...

By now, you already know that I am keen to blur the lines between the dolls house and model railway worlds. What the model railways do best is that they enable whole locations to be recreated within the confines of a relatively compact layout. So when I first began to consider how I could create a world within a world; railway modelling’s most popular scale instantly sprang to mind! www.petite-properties.com

PETITE PROPERTIES | 33

Book nook Know your scales...

The most popular railway scale in the UK is 1:76 and I just love working in it! For those of you who like to know the ‘maths’ 1:76 is equivalent to 1 foot = 4mm, making it approximately a third smaller than 1:48 which is 1 foot = 6.35mm.

illusion of depth that I wanted... then I spotted one of my discarded books stood on end, with its cover and pages splayed. Needless to say it was a Eureka moment!

With the sides of the book nook slightly splayed, all that was needed was a little bit of tissue paper and cardboard to help create a realistic faux book cover.

A concealed area within the display case was also incorporated in which batteries can be hidden to power all the lighting which brings the Snicket to life.

Of course you don’t have to add a faux cover. The book nook’s display case could simply be painted and then hidden amongst your books. But whatever you decide and no matter how much space you have, there’s always a little bit of shelf space to accommodate a lost alleyway or snicket!

A 'snicket' is a Northern English term for a narrow passage between houses; an alleyway.

Plum

Puddi

ng Cot t

ages 1

:76

Model railway enthusiasts do not require removable elevations on their model buildings, as it is all about the exterior details. However, lighting is vital and so when I design in 1:76 scale, I always add lighting holes in the bases and internal floors to allow simple LED lights to be concealed inside. After choosing which PP designs from the original Cobblestone Snicket I wanted to include in my book nook, I went back to the virtual drawing board to adapt and re-scale each one.

It’s just an illusion...

Having selected and rescaled all three houses, my attention then turned onto the display case for them.

I wanted my book nook to create a ‘point of perspective’ with a configuration that draws the eye into the scene and hints at a ‘beyond’.

I experimented by placing full size books either side of my prototype book nook, but I just wasn’t happy with the results. After much pondering I felt that parallel sides in a book nook just didn’t create the 34 | PETITE PROPERTIES

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The lit interior of Bea’s completed Book Nook

Book nook - interior project

Book nook interior

Cobblestones

Putting the three medieval style houses which are featured in Cobblestone Snicket Book Nook to one side, the two design elements which together create an impact are the darkened backdrop and the realistic surface of the cobbled alleyway.

The dark interior subtly focuses the eye on the buildings, which in turn helps to draw the eye into the scene. Two strategically placed street lamps also help to add an atmospheric glow. The puddled alleyway, bordered with cobblestones, brings a touch of realism and help to ground the houses into the alley. Despite appearances, creating both of these interior effects is incredibly easy. Here’s how...

Paint

Materials

(Any type of paint can be used, but it must have a matt finish)

Air dry clay Interior decorators filler PVA Adhesive

Interior: Black Colbalt blue Medium grey Cobblestones: Dark, dirty beige Medium grey Dark muddy brown

tools Old sponges Pencil Rolling pin Greaseproof paper Butter knife Plastic tube* Disposable container Assorted paint brushes

1 Rather than simply painting a flat black background, I used some old sponges to add subtle shading to the interior elevations of my book nook. First, I painted the interior with two coats of black paint. I then applied a blended combination of medium grey and cobalt blue to create the illusion of a night sky. Set aside to dry.

2 Identify the internal base of your book nook.

Place the constructed houses into position onto the base and draw round them. Set the houses aside. Take a lump of air dry clay and place it between two pieces of greaseproof paper. Using a rolling pin, roll out the clay to about 2mm thick (approximately). Apply PVA adhesive to the areas of the base where you want your cobblestones to go. Tear pieces of the rolled out clay and stick them onto the base, ensuring that the clay does not go underneath the intended position of the three houses - See picture A. Flatten the clay against the base to ensure that there are no air bubbles under the clay. Repeat until the required area is covered with a layer of clay.

a Internal base

Clay

Decorator’s filler www.petite-properties.com

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Book nook - interior project

3 Once all the air dry clay has been stuck to

4 Liberally paint the exposed base in the central

the base as required, use a piece of plastic tube to imprint the circular cobblestone patterns into the wet clay. As the clay has been rolled quite thinly, it is important to work fairly rapidly as the clay will begin to harden very quickly! Cover all of the air dry clay sections with cobblestone imprints.

Again see picture A.

area of your alleyway (between the cobblestones) with a liberal coat of PVA adhesive. Leave to dry.

*Plastic tube: I used the plastic tube of a cotton bud, but any type of circular tube will do the job. Obviously the wider the diameter of the tube, the larger the cobbles you will create.

B

*Dirty stone mortar

5 In a disposable container, mix a couple of tablespoon of the powdered decorator’s filler with enough cold water to create a stiff paste. Using a small butter knife (or even your finger) spread the filler paste onto the central pathways on your base.

Again see picture A. Ensure that the surface of the paste is rough with plenty of dips and ridges in the filler to create the puddles. Leave the base to completely dry; ideally overnight.

6 Liberally paint the entire surface using a dark beige paint - See picture B. (*Petite Properties’ paint colour) Ensure that the paint is worked into all the crevices in the surface of both the cobbles and the muddy central path. Leave to dry completely.

7 Sponge paint the cobbles with medium grey paint. Do not overload the sponge with paint as this will cause the paint to bleed into the cracks between the cobbles.

*mucky paint

C

*Stormy skies

Pva puddles

8 Liberally paint the central muddy pathway using a dark brown paint - Again see pictures B and C.

9 Carefully apply PVA adhesive into the dips in the muddy surface to create the illusion of puddles and wet mud. Finally when dry, weather the cobbles with some dark brown or grey eye shadow. (Optional) See picture C. Construct your book nook as per the kit’s instructions.

Cobblestone Book Nook Kit is available to purchase via Petite Properties’ online shop: www.petitepropertiesltd.com

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THE RIGHT TO REPLY

Point of View

of Back in Issue 1, I (somewhat bravely) questioned why 1:24th scale is not more popular within the miniature world? Large enough to incorporate fine detail, yet small enough to be easily displayed, you would think that this versative scale would be widespread. Sadly, it is not. Despite having a passionate half scale following all over the world, over the last few years I have personally witnessed a creeping demise of 1:24th scale miniatures at the shows that I attend, an obervation that has been echoed to us by customers and fellow artisans alike. But why? In response to our initial ‘Point of Discussion’ article, professional doll maker Theresa Macarty-Fruen contacted me with her response to my initial article and I thought I would share it here…

voices, thoughts and feelings to our little people.

These may be paper dolls, Barbie, Action Man, Polly Pocket etc. The key thing here is Psychological safety. It is our own domain, a space that is free from the judgement of adults or other children. This is expanded as we start to socialise with our peers at pre-school and school where role playing means we test out our thoughts and feelings more publicly.

I

believe that in order to understand why the demand for 1:24th scale has diminished in recent years, I feel it is helpful to understand something of the psychology behind dolls houses and miniatures.

In addition to being a life long miniaturist, I am also a qualified therapist and fully paid up member of the British Association for Counselling & Psychotherapy.

I began using 1:48th scale items in order to help the children I was working with, to tell their stories in a safe way. I then fell in love with the scale and how it invites us to tell our own stories. We can set any scene that we wish whether that be somewhere dark, or a representation of a childhood memory. Or indeed, anything else that springs to mind. From early childhood, through the medium of play, we give

“

I used to make lots of dolls in this scale as well as accessories around 40 years ago.

However, sometimes this would be very popular at shows and other times gained no interest whatsoever! Theresa.

“

Theresa macarty fruen

Speaking personally and no doubt from the reader’s perspective, this can become a lifelong passion for small things. Adulthood, brings about a need to nurture our young and so we are then drawn to small things and illustrations of childlike figures with large eyes. Enter Walt Disney and his plethora of previously described characters that are loved the world over. Our modern approach to miniatures is to produce things to scale as this creates realism. How many times have we looked at a photo of a miniature

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Point of view room and struggled to tell whether it is real or not?

This for me, is the holy grail of miniatures! Finally, the dolls house world settled on 1:12th scale being the best way to do this, even though the obsession with this scale usually dictates a loft conversion to house one’s collection! So 1:24th scale seemed to be the way to go.

The new kid on the block...

I don’t remember when I first encountered 1:48th scale, but I was transfixed by it instantly. As more kits became available and my own craftsmanship started to match what I saw in my mind’s eye, I became more and more hooked. Suddenly this ‘new kid on the block’ was all consuming. Exploring my own imagination in this safe way became more accessible, manageable and within my control. I have never turned back and I don’t expect to. This scale is almost theatrical in that scenes are set, not playable or moveable. It’s just there for my mind to explore forever! I can view the manifestation of the workings of my mind in real life and hold them in my hand.

1:48 Doll by Theresa In short, the realism and playability of 1:12 is enduring, the adult of the dolls house world. Whereas 1:48th scale is the youngster that can be well-behaved, realistic, naughty and challenging but always controllable. This leaves 1:24th scale with an almost middle child syndrome!

A scale that I love, but I always hope that someone else will take care of…

Theresa Business Name: TMF Miniatures Etsy Shop: www.etsy.com/uk/shop/TMFminiatures Instagram: www.instagram.com/tmfemporium

Do you agree, or disagree with Theresa’s point? What are your thoughts on the future of 1:24th scale miniatures? Do you have half scale creations that you would like to share with the readers?

If so, what are you waiting for – why not get in touch with us today! ppmag@petitepropertiesltd.com

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Terracotta Tiles Classic & Timeless Designs in 1:48

Patty lindsey

Historically accurate printis

by Patty Lindsey This terracotta tile design was inspired by a popular vintage linoleum that was manufactured from the 1930s, to around 1985. Variegated Terracotta Tile flooring can be used in a kitchen on the floor or as a backsplash on the wall, or alternatively use it outside as a patio of an adobe house.

Patty

Patty lindsey

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Printi Printi Printi Printi Printi Printi Printi Printi Printi Printi Printi Printi Printi Printi Printi Printi Printi

1:48

Printi Printi Printi Printi Printi Printi Printi Printi Printi Printi Printi Printi Printi Printi Printi Printi Printi

Patty lindsey

1:48

Dogwood flowers on a blue background is inspired by a vintage design c1942. It is a beautiful wallpaper that is perfect for a bedroom setting.

I have scaled it into both 1:48 and 1:144, plus I have also included matching printed rugs in both scales too!

Patty

By Patty Lindsey MinikinMall.com ©2026 All Rights Reserved This wallpaper must not be reproduced in anyway.

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1:144 Dogwood Wallpaper & matching rugs

Jaymes crowther

Jaymes crowther

1:76 Ploughing Diorama

I first met Jaymes at a railway exhibition and was immediately taken by his passion for the miniature world. Subsequently, I have been able to admire his incredibly detailed dioramas close up and his attention to detail and mastery of the techniques he uses really stands out.

Recently, I was beyond delighted when Jaymes agreed to become a regular contributor to this magazine, where he will not only be sharing his creations, but also his advice and know how too. But before I get too carried away, I will let Jaymes introduce both himself and his work; which I just know you are going to love!

I

got into modelling from a young age I was still in primary school when I discovered the hobby. So, you can say it has been over twenty years easily.

However, I always say I have taken model making seriously for the last fifteen years or so.

Predominantly I’m diorama builder everything I build has to be built and incorporated into a diorama. I love replicating scenes in miniature that tell a story, whether that is from photograph’s or places I’ve seen

out and about on the road doing my day job. My dioramas are usually modelled off a focal point which can be anything from a building, a vehicle or portraying a scene in history and will either have a military or railway theme within the build that tell some sort of story within the diorama. I also love building buildings from scratch, it can be a real building I’ve seen out and about or in a picture I really relish making a building and turn it into a 3D www.petite-properties.com

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Jaymes crowther piece from sheets of plastic card and whatever bits and bobs I have in my illusive spares box.

Discovering the miniature world Going back to my early childhood, whilst staying with my grandparents we would visit a lot of museums which would always have model displays. My Grandad was one of those skilled people that could turn his hand to almost anything. As he had an interest in making things, he introduced me to the holy grail of shops by taking me to my first model shop.

Along with other family members he would buy model kits as birthday and Christmas presents. I also discovered a model club through my local hobby shop.

1:76, 00 gauge or ‘braille scale’ is my favourite scale to work in. My first model kits where the old matchbox 1:76 kits with the little diorama bases, I enjoyed building and letting my mind wondering, to the potential of how I could make or improve the base you can almost say that’s where my love of diorama’s originated from. With the space and dimensions of 1:76 you can fit a lot in such a small space in this scale, I also have a keen interest in steam railways and I’m building a model railway layout, so coupled with the fact my dioramas would eventually be either incorporated into a layout or the techniques and discipline’s of working with such a

1:76 Churchill Recovery Tank, Farm Diorama

“

With the space and dimensions of 1:76 you can fit a lot in such a small space in this scale.

Jaymes

Work in progress - Derelict Cottage in 1:76

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”

small scale also appeals to me. By having to make it look not 'toy like' and draw the reader in to view all the small details. Working with smaller spaces means the constraints are much less, which means I can work on multiple dioramas and keeps my short attention span focused on projects without getting bored.

Jaymes crowther grab my attention. For example, I found a picture of Dunmere crossing on the Bodmin and Wadebridge branch on a Facebook group, next thing I’m messing around with foam board and I’ve built the basics of the diorama. The other source of inspiration I have is my twin brother, he’s a brilliant modeller and we are forever bouncing ideas off one another. Usually he’ll send me a picture or tell me about a audio book he’s been listening and suggest it would make an interesting diorama.

“

1:76 Harbour

I’ve never been one for meticulously planning projects. I’m ashamed to say most are happy accidents and evolve as they go along, every diorama build is built onto a photo frame so I guess you can say I plan it to fit the photo frame. How a project evolves always depends on how the diorama starts... for me the building is normally the focal point. I generally plan the scene by mocking up buildings on the base and having a play around. However, I usually never stick to the plan and will sometimes go back and re-do aspects of the diorama. If I’m not happy with it I will change things two or three times until I feel it is right in my head. I really feel model making is a journey and one you should not be afraid to mess up with and go wrong; it’s almost half the fun of modelling.

Real places are without a doubt my biggest inspiration when I’m miniaturing, like when you look at a building it simply oozes inspiration!

Jaymes

”

Real places are without a doubt my biggest inspiration when I’m miniaturing, like when you look at a building it simply oozes inspiration. That could be the character, how the building has reacted to nature or simply why the building is even there.

Whilst I do use my imagination, I feel you are limited to what you can think of or you can create.

I’m also a bit of a realist, so I do keep to close real places, as you know you can’t go wrong if you have references to work from. I’ll also openly admit I’m not very creative when it comes to coming up with original ideas so a real place helps me with a starting point.

Inspiration is all around With my day job I spend a lot of time on the road and I’m forever in rural places (mostly Wales). I’m fortunate enough to see nice countryside in which I will often stop and take pictures of buildings, landscapes and general scenery. Much to my partners annoyance, I’m always glued to my phone trawling through the likes of Instagram, Pinterest and Facebook. Usually it is of railway photos, other modellers work and military history. Something will

Shadow Box Cottage Diorama in 1:76 www.petite-properties.com

PETITE PRPERTIES | 43

Jaymes crowther My main focus at the moment is new techniques and putting them to use. I have seen an interesting technique of painting stone and I am itching to have a go at it. So probably one of the buildings on my workbench will end up as a guinea pig for that. My last diorama was of a harbour and modelling water, I am really keen to further develop my skills with water and modelling rough sea conditions, so I’ll see what I can come up with. I’m also about to start a diorama for the Peco Rail 200 diorama challenge so I think between that and finishing what’s on my workbench I have enough to keep me going for a while!

The future?

The future is a funnily old thing really, as we tend to have ideas until the real world gets in the way and sends us down another path. I said to myself at the start of last year that I just wanted to make more time for my hobby, but I seem to have fell into doing more model making for other people’s layouts rather than for myself. So now I’m thinking of whether I can make the leap and turn my modelling skills into a full time job? I also want to really come out of my comfort zone and change scales that I model in. So I am tempted to have a go at modelling in both O and N gauge just to see how my skills transfer to a new scale - I’ll let you all know how I get on!

Jaymes

1:76 Railway Embankment Diorama

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1:76 Railway Crossing

Instagram: jaymesmodelling

Micro magic

Tiny miniatures, huge fun!!!

PP’s St. Thomas’ Church in N gauge - 1:148

Regular readers of my old monthly column in Dolls House & Miniature Scene Magazine will know that I am always banging on about the cross over between small scale dolls houses and the model railway world. The two hobbies may feel like distant modelling cousins, but in fact on closer inspection we have more in common that you might have realised.

Of course similarities in the techniques and materials we both use is becoming more evident, but we also share comparable scales too!

I

n the dolls house world, 1:144th scale has a huge and passionate following and over recent years this seems to have markedly begun to move away from the notion that houses in this scale are purely a ‘dolls house for a (1:12) dolls house’. Instead the scale is beginning to be explored and celebrated in its own right, rather than as a ‘nursery or toy shop’ accessory. As smaller scale fans, we are already aware of the fascinating and addictive qualities the micro scales can have and that urge to go even smaller can scratch a subconscious itch, we never knew we had. Because of their tiny size, 1:144th scale houses take up next to no space to display and as such they very literally ‘fit in’ to our modern day homes and often limited living spaces.

As I have mentioned before, ongoing development of new technology seems to be fuelling a huge push forward for the smaller scales, with a particular focus on 1:144. 3D printers and laser cutters have revolutionised what is feasible to produce in this tiny scale and at affordable prices too. However, the dolls house world is not the only modelling arena, where developments in new technology are being benefited from. Our modelling cousins in the model railway world are enjoying the progression and are

ever at the forefront of expanding and developing all the opportunities that new technology brings with it.

A close cousin...

When we think of a model railway layout, I imagine that most of us (non-railway modellers) would envisage a table top set up, with a looping track surrounded by houses and fields. And yes, there are many layouts that look just like that, but there are also a huge number of highly detailed layouts that are comparable in size to a modest modern suitcase.

That’s because our much loved micro scale has a model railway cousin and it is called ‘N Gauge’.

A reminder of the maths bit...

The maths behind 1:144th scale is: 1ft = 2.2mm The maths behind 1:148th scale is: 1ft = 2mm

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Micro magic Those readers who have been with us from the very beginning of this magazine, will probably remember that Issue 1 contained a bit of a scene setting run-down on the various scales that we planned to feature in future issues of this magazine. ‘N Gauge’ refers to modelling in 1:148th scale, making it a very close cousin to the micro dollshouse scale of 1:144.

For the last 11 years PP has had a foot in both modelling camps. Way back in 2014 we took the plunge and began designing and producing model building kits for miniature railway layouts. One of the three model railway scales that we work in is, as you may have already guessed - 1:148.

Pumpkin Cottage & Display Base in 1:144

So what’s the difference between a dollshouse and a model railway model building?

The difference between our Micro Scale buildings and our N Gauge buildings lies inside…

Whilst our 1:144th scale dolls houses all have internal floors and some even feature staircases too. Our 1:148 range of models are void of any internal detail and only feature a simple lighting aperture in the base.

Through association, our PP DH customers have gradually discovered our N Gauge building range and there have been many of our 1:148 kits that have been purchased, that did not head into a miniature railway setting. Instead these tiny house kits have been made up and enjoyed just for what they are; teeny tiny houses! Some have even ended up in baubles or displayed in Christmas snow globes.

(More on that exciting use in Issue 5!)

“

The up-cycled ‘trash to treasure; Dome Project that we shared in Issue 1 would create the perfect display setting for these wonderful tiny 1:148th scale houses.

Bea.

”

If that was not enough, I have also seen fabulous street scenes of N gauge buildings displayed in extra deep picture frames or individual buildings used to create a tiny vignette under a glass dome.

Left: The DIY ‘display domes’ featured in Issue 1 of this magazine 46 | PETITE PROPERTIES

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Worker’s Cottages in 1:148 (N Gauge)

I have never made it any secret that I think that creating miniature landscapes in any scale is both bewitching and addictive and recently I just had to fulfil an urge I had been harbouring to design and build a very specific little festive diorama using brand new N gauge buildings. Unfortunately, this project got moved aside to make way for other projects, which after triage, end up higher on my ‘to do’ list, but I do hope to be able to share both the little scene and the making of it with you in a future issue.

So to sum up, if you love all things tiny and you aren’t fully focused or hung up on an interior, why not have a go at building some of our inexpensive, but highly detailed N gauge buildings… You never know, you just might fall in love!

Nietzsche herbert

the

Abov e

I am sure that there are many miniaturists reading this magazine who would secretly love to make their hobby into their full time job. Being a professional miniaturist is certainly not for the faint hearted, but talented artisan Neitzsche Herbert shares how she transitioned from hobbyist into small business owner; almost overnight!

F

rom a very young age, Nietzsche has always liked to make things. She would sit for hours creating or taking her toys apart to see how they worked... then she would put them back together again. (It drove her parents potty!).

After spending four years training at Art College, Neitzsche became a Jeweller /Silversmith and for seven years she successfully ran her own Jewellery shop where she would make or repair jewellery.

However, not fully settled in her work, Nietzsche took the bold decision to return to university, where she studied hard to become a qualified Forensic Scientist.

Nietzsche Herbert

Somewhat unexpectedly, Nietzsche found that both these trades had given her many skills, which she now uses for the miniatures she creates. As happens with many miniaturists, what started as a relaxing hobby quickly grew and now Nietzsche likes to work with many different mediums including; card,

“

: Jac k on

th e r

ack i n 1:4 8

I resigned from my job and jumped into being a full time Miniaturist in September 2024.

Nietzsche Herbert.

”

metal, resin, fabric, perspex and polymer clay. She really enjoys making kits, but also building her own pieces from scratch and is always trying to perfect or learn new skills along the way.

Nietzsche started making dolls by accident, after making a mortuary table in 1:24th scale. She quickly realised that she needed a mortician to go with it, so unable to find one, she had a go herself and has never looked back!

Nietzsche’s first doll in her half scale mortuary...

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Nietzsche herbert Smaller Scales...

Nietzsche started off working in both 1:48th and 1:24th scales. She built Raven’s Perch in 1:48th scale and worked through the 1:24th scale Country Kitchen, Country Sitting Room and Country Bedroom books; all written by Bea Broadwood. Nietzsche says that these books taught her so much about building from scratch and in turn understanding the different smaller scales. Then in 2024 everything changed!

Work in progress...

Dracula, a baby vampire & 3 brides in 1:48

Into the deep end!

Nietzsche worked for Leicestershire Police for 15 years. During the last nine years, she worked in a managerial role within Firearms Licensing which was very fast paced and intense. In her spare time, she would create miniatures as a way of relaxing and as form of stress relief. Very soon Nietzsche found that all she wanted to do was make miniatures as she was no longer enjoying her job. Nietzsche mulled over the idea of taking a leap and leaving her day job for well over a year. Of course it is not an easy decision to make and Nietzsche knew that being self employed is difficult... but she very much needed a change as her stress levels were impacting on her health.

Ultimately the extreme pressure of her job finally pushed Nietzsche to hand in the resignation email she had written a few months earlier.

“I have been creative since childhood and always have the urge to make things, If I do not get time to create I find myself being quite grumpy. I had previously spent seven years working for myself as a Jeweller and would create every day, so I just felt like the change of direction felt like going home. I am making different things now, but the creative feeling is the same. I have found that the world of miniatures has been the most amazing form of stress relief and I really do get lost in my own tiny world, where there are no restrictions on what you can create.”

Nietzsche Herbert.

The next chapter...

Nietzsche of course hopes that she is able to make a living from the miniatures she creates, despite it being a little scary to rely on people purchasing her work.

So far though, Nietzsche loves her new direction and although she is still in the early days of her new career, she has been working hard to grow and develop her miniature business.

A beautifully filled 1:24th Apothecary Cabinet by Nietzsche

Of course not all aspects of running your own miniature business are easy and Nietzsche finds social media a bit of a tricky one to navigate.

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Nietzsche herbert Online platforms can be a little nerve wracking to post on and Nietzsche is aware that she has more work to do on her posts. However, the online response to her miniatures has been incredibly positive and she has found her followers to be very encouraging when she shares her work online.

A creative night owl...

Running your own business has many pitfalls, but one benefit that Nietzsche loves is being able to be her own boss and choose the hours that she works within the day; even working into the early hours, which she really enjoys.

However, one of the hardest things about working for yourself is avoiding distractions, it can be so easy to deviate and go off and do something else entirely. It can also of course be very lonely, as most miniaturists work alone and as such don’t have the normal work colleagues to interact with. However, solitude is something that Nietzsche does not mind, as she makes sure that she takes time to get out to recharge her social battery and interact with others.

Nietzsche works in a small room at home, surrounded by many different tools, materials and books. One of her downfalls is that she aspires to learn how to do everything, which means that she has accumulated a lot of different pieces of equipment. In her workspace she also has a jeweller’s bench for any miniature metalwork that is required.

Nietzsche begins her design process by mulling over ideas in her head, then sketching them out to give them form. When it comes to doll making she almost exclusively relies on her thought processes,

One of Nietzsche’s favourite 1:48 creations

supported by some online research for character projects. Nietzsche starts by making a metal body frame and then she carefully adds Polymer clay, which she sculpts to give it form. The doll will then be dressed with clothes she has made and is finally finished off with the hair. Each of Nietzsche’s dolls is individual, sculpted by hand, with the clothes tailored around the doll; making each one totally unique.

Favourite creation?

“I have a couple of pieces which are my favourites, Jack on the rack was a pleasure to make and I was quite sad to see him go, I had brought a stretching rack kit from Raptoor Crafting and felt that I had to make a doll for it, as he took form, I named him Jack and was really pleased with how this turned out.

I also loved making the 1:48th scale Apothecary Cabinet and Counter from Petite Properties, this was so wonderful to make and fill with so many tiny pieces. I enjoyed these kits so much.

I recently made an Alice in Wonderland table as a commission and this turned out beautiful, I spent a lot of time making all of the items to fill the table and although a challenge I did struggle to let it go!” Nietzsche.

Challenges, details and little tails...

In any job there are challenges and working in the smaller scales world is no exception.

Nietzsche has found that she spends a lot of time creating her pieces, as she puts a lot of detail into them and cannot help but fill them with accessories. Many of the accessories she uses are 3D printed items, however Nietzsche still enjoys the challenge of seeing what she can make from scratch.

Of course sometimes creativity doesn’t go to plan... and once Nietzsche was working on a 1:48th scale house and had wired all of the lights in it and had completed the floors and wallpaper too. She was so pleased to get the interior finished as she was eager to work on the exterior and furnish it. But little did she know that a pair of mice (which she had lost for two days following an audacious www.petite-properties.com

PETITE PROPERTIES | 49

Nietzsche herbert escape), had quietly moved into her house and chewed all of the newly fitted lighting to bits.

Thankfully Nietzsche’s mice were fine, but sadly her house needed a complete rewire!

Inspiration & the future...

One look at Nietzsche’s smaller scale creations and you can tell that she enjoys making lots of spooky related miniatures. She is regularly inspired by anything gothic, horror or fantasy and is a big fan of Halloween. Right now, Nietzsche has a desk full of projects including a ‘Cabin in the Woods’ kit by Petite Properties, which she is working on as a gift, a 1:48th ‘Wednesday Adams’ doll and some 1:48th brass scales too!

Plans for the future?

Looking to the future and Nietzsche wants to focus more on her 1:48th and 1:24th dolls, along with tiny accessories for quarter scale houses, such as; food, plants and more handmade metalwork pieces. She also plans to create some tiny furniture for 1:144th houses too, which I am sure will be very popular with her growing customer base. Ultimately, Nietzsche has taken such a huge and brave leap into the professional miniature world, but her passion for the tiny treasures she creates is evident in everything she does and we wish her every success for her miniature journey!

Alice in Wonderland’s tea table; filled with 1:48th scale treats made by Nietzsche

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“

I love everything about being a miniaturist, I enjoy the freedom of being able to create all the time and being able to let your imagination run wild and make whatever you like, as in the miniature world I feel that anything works. The best part is to see how pleased you have made someone when they receive a piece of your work.

Nietzsche Herbert.

”

Business Name: Nietzsche Herbert Etsy Shop: www.nietzscheminiatures.etsy.com Facebook: Nietzsche Miniatures Instagram: nietzscheuk Email: bellatrix7@btinternet.com Commissions welcome Shows attended: Miniatura & Kensington Dolls House Festival (UK)

Paul cowley

1:144

challenge The popularity of our mixed media ‘off cut’ bags has steadily grown over the years, with demand often overwhelming our constant supply.

A simple by product produced by our laser cutters; each bag is filled with all the bits of card or wood that are left over when a PP kit has been cut out. This means that the content of our packs vary in shape, size and material of the pieces contained in it.

Recently. one of our customers referred to our off cut bag as ’laser cutter poo’... It was a term I had never heard before, but it did make me smile, as it’s a pretty accurate description if you think about it!

From feedback, we know that our imaginative customers use our ‘off cuts’ to create many different miniature elements, but when I heard that Paul had made a tiny church with his; I just had to find out more!

W

hen Carrie moved in with me about eleven years back, she bought her 1:24th scale Petite Properties’ house, which she has bought Pete, her late husband for his 50th birthday and an even smaller Petite Properties house, a 1:48th scale cottage, and her box of ‘kits’.

Paul cowley

Soon I had made a couple of my own 1:48th scale designs, inspired by a building we had seen in the Cotswolds and a fisherman’s cottage I had also previously seen. During lockdown I turned my hand to 1:24th scale and made Carrie her ‘Guards House’including all the furniture too.

One kit had been started by Pete, which sadly he never finished; so I offered to make it up for Carrie.

Soon, I had made up all of the kits and using Bea’s books, which Carrie also had. I made furniture for them too and our collection of 1:48th scale miniatures started to get much larger!

I was fascinated by the smaller scales, so it wasn’t long before I joined Carrie on her visits to Miniatura.

Our first call is always Petite Properties, then we will sit down with a cuppa and a bacon bap and go through the show guide to find all the other smaller scale stands exhibiting. www.petite-properties.com

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Paul cowley At Autumn Miniatura 2024 ,we paid our usual visit to Petite Properties, but this time I bought a bag of PP’s ‘off cuts’.

Whilst pondering the contents of the bag over our bacon baps, I decided I was going to make something using only the off cuts...

However, at this stage I wasn’t sure what?

Inspiration & a challenge...

Later that evening, I tipped the precious bag of bits out onto a tray and started to sort them out; arranging the pieces within it by shape and size. I divided the card shapes into little zip lock bags and it was then that several of the shapes started to inspire me.

“

With my mind in over drive, I challenged myself to make a building from the larger pieces and to not cut anything – just use the shapes already cut!

Paul.

”

Some of the pieces reminded me of old churches and graves, so I did allow myself to cut these parts down to make the graves shorter and also to cut holes for the windows and doors in the larger pieces.

As I had previously bought a tiny MDF base, I decided that I would fit my little scene onto it. After a lot of sorting I soon had all the pieces I needed for the walls, roof and doors. First, I selected the pieces for the walls and roof and covered them with paper clay.

I carefully textured the clay with rough sandpaper while it was wet. After the church was glued together with PVA adhesive, I painted it with acrylic paints.

When dry, I sealed it with a layer of Mr SuperClear Matt varnish, as this gave me the perfect matt surface; on which to build up layers of Tamigh Weathering Master. I then used Senellier pastels to distress and shade the tiny building, adding one colour at a time and sealing after each use of colour with a coat of Mr SuperClear.

When the outside was finally finished and sealed for the last time, I cut out tiny stained glass windows then coloured them in with fine nib Posca acrylic pens. Once the windows had dried, I cut them out and glued them into position using PVA adhesive.

Tiny trees...

I wanted to add trees to my tiny diorama, but I wasn’t sure how to make them...

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Paul cowlley However, YouTube came to the rescue, as I found a couple of really helpful tutorials. Although the trees on YouTube were much larger than I wanted, I simply scaled them down.

To create my trees I followed the online technique, but I used 0.2 copper wire and twisted it into a rough tree shape. When I was happy with the wire tree I had created, I then coated it in latex rubber, followed by a layer SuperClear Matt, which helped the acrylic paint stick to the latex. Once dry, I built up the colours on the trees in the same way as I did the church; followed again by layers of pastels and matt sealant. Once I was happy with the colour of my bare trees, I then glued on the foliage.

It’s the first time I’ve made anything this small, but it’s really inspired me. I’m now working on an off cut ‘Croft in the Woods’ with the remaining bits from my bag. After that is finished I’ve got to decorate the living room, so we can get all the kits I’ve made up and these tiny scenes, finally on display! There’s also another box full of Petite Properties’ kits that Carrie has bought... I think I’m going to be kept very busy!

Paul Paul’s Instagram:

www.instagram.com/paulcowley_miniatures

St. Pauls...

Then finally the scene all came together… I call it St Paul’s Church. I don’t think it’s any particular scale, but ‘Off Cut tiny’.

Paul’s Pinterest:

https://pin.it/5IaStEsVZ

Blog:

https://tinybear-sleepingelf.blogspot.com/

www.petite-properties.com

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Book box project 1:24

project part 3 - The finishing touches Create a hidden cottage inside the covers of a book!

An open book and the cosy cottage within...

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Book box project 1:24 When I began to design this quirky book box project, I had absolutely no idea how popular it would become. Since Issue 2’s publication, I have been inundated with messages and emails from excited smaller scale miniaturists from all over the world. As it seems that the idea and concept of this simple, affordable book box has really struck a chord with our readers and suitable boxes have been flying off the shelves around the globe.

Many miniaturists have also been inspired to feature different smaller scale scenes within their boxes and even tiny boxes have been repurposed and utilised as hidden room sets. This project has also been a huge hit with DH clubs too and it’s a real joy to know that this unique book box idea is being both shared and taught within our smaller scale community.

So if you are one of the miniaturists who have had a go at this versatile and adaptable project - do share your creations with us; as we would very much like to celebrate and feature them in a future issue of this magazine. But for now, here is the final instalment, as it is at last time to bring our book boxes to life with all those magical finishing touches!

Enjoy...

L

ighting a scene is almost always the magical touch that brings it to life. Clever lighting can immediately transform an interior...

But sadly, when I was creating my book box, I didn’t have any 1:24 lighting in my creative stash. As I don’t like to have my creative flow interrupted, I decided that I couldn’t wait for an order of half scale lights to arrive. So instead I decided that I would have to make do with the lighting that I did have available at the time... and so quarter scale street lamps became the inexpensive (and unexpected) solution!

“

Below: Bea adapted 1:48 street lamps into 1:24 wall lights...

Necessity is indeed the mother of invention; especially when it’s enabled by a miniaturist’s stash!

”

Like ALL miniaturists I have an extensive collection of collected materials and objects – which may (or may not) become of some use, at some point. And it was from this hoarded stash that I excited retrieved some nail stickers... Now you will have to bear with me on this one, whilst I explain.

After mulling over the wall mounted street lights, I decided to (carefully) remove the distinctive shade part of the lamp (which was of course returned to my stash). This then left, what now appeared to be, a simple turned wall light support... But of course I now needed a replacement shade.

Below: Plastic tubes were turned into faux glass lampshades...

I wanted to create a Victorian-esk opaque glass shade, but obviously I didn’t have any to hand. What I did have, was a bounty of clear plastic tubes, the kind that are placed on the end of new paint brushes to protect the bristles and some imagination. I quickly matched a suitable diameter tube from my stash to the bulb section of my wall lights and this looked effective. However, I didn’t like the fact that you could still see the bulb and the ‘shade’ looked very plain and uninteresting. So I used some matt white spray paint and lightly sprayed the exterior of some of the tubes. www.petite-properties.com

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Book box project 1:24 Whilst the tubes were drying, I successfully rummaged through my extensive stash of nail stickers! Emerging triumphantly with these incredibly fine white lace style stickers, which I though would be perfect for the 1:24th scale shades.

Once the delicate white stickers were carefully stuck onto the outside of the trimmed sections of plastic tubes they looked like elegant engraved glass shades. I stuck the shades onto the lamps, then fitted the lamps into position within the room setting. The effect was exactly what I was after and thankfully they no longer resembled street lamps either!

Subtle & indirect lighting...

Alongside subtle lighting I also enjoy using hidden lighting to add atmosphere to a room setting or diorama. In my room box this was achieved by lighting the woodstove in the fireplace.

I simply made a hole in the rear of the wood stove during construction, then fed an LED light through the hole and into the stove. The stove had been filled with small pieces of coloured plastic sweet wrappers, so that when lit, it glows gently in the corner of the ground floor room.

Above: White lace effect nail stickers Left: PP’s 1:24th scale Rustic Wood Stove Below left: The glowing interior of the completed book box cottage Below right: A finished 1:24 wall light in situ in the cottage

Have you had a go at this book box project?

Have you created a similar book box using this idea?

If so, don’t be shy! Why not share your smaller scale creations with us, so that we can feature your work in a future issue of this magazine?

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Spectacular VERNACULAR greenway

“

“ The loveliest place in the world...

Agatha Christie

A

longside my love of black and white horror movies, is a deep rooted affection for a good old ‘who dunnit’. As a family, we enjoy playing murder mystery games; all relishing the chance to dress up as various characters and try to identify the ‘killer’.

Of course the undisputed queen of the murder mystery novel is the international bestselling Murder at the manor: author Agatha Christie and to this day she Dunshay Manor,2020 retains the crown as the highest selling female author of all time! Her mystery novels have entranced generation after generation and the stage production of ‘Mousetrap’ remains the longest running play in the world. Bewitching audiences with its timeless tale of intrigue and of course; murder!

So when Tony and I were touring Devon in the summer of 2024, we just HAD to pause and take the opportunity to visit Agatha’s summer residence; Greenway, which she famously once claimed to be “The loveliest place in the world!” www.petite-properties.com

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Spectacular vernacular I’m not quite sure what I was expecting, but as far as summer homes go, I think that Agatha Christie’s is one of the very best! Not for her a modest cottage by the sea… oh no! Nestled in a wooded valley beside the river Dart, Greenway stands like a proud white beacon surrounded by trees; restrained, yet elegant

“

The loveliest place in the world – it quite takes my breath away.

Agatha Christie.

”

and hidden far, far away from the rest of the world.

As soon as we caught our very first glimpse of Agatha’s summer home, you didn’t need to be a psychologist to know that she obviously craved isolation and privacy. Greenway has the overwhelming feel of being a place that you could escape to, retreat to, hide in. A place of quietness and contemplation, where you can hear your own thoughts and of course it’s the perfect place to write.

The house itself felt happy… and comfortable.

It’s the kind of house you wouldn’t feel awkward visiting.

I imagine the front door would be open, whenever the weather allowed and that there would have been a pile of shoes discarded in the welcoming and slightly chaotic hallway. No matter that the house has not been lived in since the late 20th century, it unusually still feels like a home, slightly cluttered and a little well-worn in places; but a home none the less!

Left: The Drawing Room, where Agatha would relax and play the piano.

Above: Agatha’s beloved Steinway Grand Piano.

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Spectacular vernacular Although Agatha had known of Greenway as a child, it wasn’t until 1938 that she actually visited the house, accompanied by her second husband Max Mallowan after spotting the property was listed for sale. I think that Agatha may have fallen in love with Greenway on that very first visit, as only two months later she purchased it for £6000 pounds!

The couple’s main home was Winterbrook House in Oxfordshire, but Greenway was to be their summer home and summertime escape. However, less than one year after purchasing their rural idyll, the Second World War broke out and the house was requisitioned by the war department. Sadly, Agatha and her family were not able to return to their beloved Greenway until the war ended in 1945.

A house for entertaining & for family...

In its heyday, the house was constantly alive and buzzing with visitors and laughter. Agatha and her husband loved to entertain and Greenway’s enviable location within the unspoilt Devon countryside and directly next to the river Dart, made it a popular venue for numerous house parties and family get-togethers.

Something that I did learn about Agatha on my visit, was that she was a great collector – of seemingly lots of treasures! Along with her husband Max, together they filled Greenway with interesting objects, archaeological relics, art and of course, books. Agatha certainly loved to be surrounded by her collections and Portrait of a young even though the house is Agatha (then Miller), still packed with her and which still hangs in the her husband’s belongings, Sitting Room at a lovely knowledgeable guide informed me that a Greenway (1910s) staggering amount of items had actually been removed, just to get the house into the condition it is now.

The Kitchen: where Agatha liked to cook simple meals for her family

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Spectacular vernacular The Drawing Room: (See page 58) Despite taking about a hundred photos of this room, I really couldn’t properly capture the wonderful comfortable atmosphere that it had. Timelessly welcoming, it’s not hard to imagine Agatha and her guests relaxing here together. Agatha was not only a best-selling author, but she was also a talented concert pianist too and her Steinway piano still stands proudly in the room to this day.

The kitchen: Despite having the services of a cook, Agatha enjoyed preparing simple meals when staying at Greenway.

As a collector myself, I was particularly drawn to the collection of beautiful china and although the Aga replaced Agatha’s original range cooker; it certainly is a real beauty!

The master bedroom: Agatha’s bedroom is probably the one room where there is an uncomfortable sense that she could return at any moment. On our visit the room was not only filled with her clothes and personal possessions, but courtesy of an old recording she once made: the room was filled with her voice too. Distinctively clipped with an upper class British accent of her time, hearing Agatha’s voice in her own bedroom was certainly a surreal experience, which brought both the room and the house to life in the most unexpected way.

The house is filled with Agatha’s collections and belongings, even her clothes can still be seen hanging in her dressing room

The library: Thankfully there was no ‘body in the library’ when we visited...But during Greenway’s acquisition by the military during the Second World War the library was repurposed as the Mess Room. An unexpected result is the room’s hand painted frieze which runs around the top most edges of each wall. It was painted in 1943 by Lieutenant Marshall Lee with scenes depicting various combat related imagery. A National Trust guide at the house informed us that although Agatha was initially none too pleased about the 60| PETITE PROPERTIES

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#beasresearch

Spectacular vernacular decoration that had been added to the walls of her beloved library, she never removed it and it can still be seen and enjoyed today; as a unique part of the house’s path through history.

The Library, complete with war time graffiti

“

I found the individual rooms at Greenway incredibly inspiring. Their layouts and homely period contents provide the perfect starting point and inspiration for miniature interiors settings.

Bea

The Boathouse:

”

During Agatha’s ownership of Greenway, the Boathouse was much used as a place for parties, gatherings and even barbeques. With a concealed plunge pool beneath it, the saloon in the Boathouse and its balcony, both enjoy enviable and idyllic views across the river Dart. The Boathouse was also the inspiration for the location of the crime scene in Agatha’s murder mystery – Dead Man’s Folly.

After Agatha’s death in 1976, Greenway’s heyday was in many ways over and in 2000 Greenway in its entirety was finally gifted to the National Trust and it remains in their care to this day. We loved our visit to this hidden gem of a house more than we expected. As I have written before, Tony and I are very keen National Trust members and we really do maximise the use of our membership. Over the years we have visited all manner of houses, cottages, manor houses and even castles, all in the support and care of the National Trust Organisation. We have enjoyed exploring all kinds of architecture from medieval piles, to elegant Georgian houses. On our way home we always like to play the same game… ‘Would you live there?’ And if you would live there, what changes would you make.

It is a silly game, but we play it nonetheless.

So would we live there? We debated, as we drove off down the winding drive filled with dappled shade and blossom…. In a heartbeat yes, was our instant, joint reply! It turns out Agatha was not only an amazingly talented author, she also had a rather exceptional eye for a secluded architectural gem too!

Further information about Greenway be found here:

www.nationaltrust.org.uk

The Boathouse on the river Dart

The Greenway estate is not just the house and beautiful gardens, it also includes 237 acres of farmland too. www.petite-properties.com

PETITE PROPERTIES | 61

Iona barker

& Iona barker In the flow: how miniature making calms the mind and fuels creativity Ask anyone who makes miniatures what keeps them coming back, and you’ll often hear the same thing: “I just get lost in it.” Hours pass unnoticed, the world outside fades, and there’s a deep sense of calm in the rhythm of tiny work. That experience has a name: flow, and it’s one of the most powerful mental health benefits our hobby has to offer.

P

What is flow?

sychologist Mihaly Csikszentmihalyi coined the term “flow” to describe a state of complete focus and absorption in an activity. It’s that sweet spot where your skills and the challenge at hand are perfectly matched, engaging enough to hold your attention, but not so difficult that it becomes frustrating.

When you’re in flow, you’re fully present. Time seems to stretch or disappear. You’re focused, calm, and often quietly content. It’s a kind of mental rest that still feels productive, and it can be deeply soothing.

Especially in a world that often feels chaotic and loud. Miniature-making is perfect for this kind of state. Every tiny detail you craft requires attention, care, and patience. Whether you’re painting, gluing, cutting, or arranging, (putting that new Petite Properties kit together!) the process is slow, methodical, and hands-on. All things that naturally invite flow.

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My Own Story: A Lifelong Hobby, A New Understanding I’ve been making miniatures since I was about ten years old. I didn’t have the language for it back then, I just knew it felt good to make small things. It was a way to create calm, to express creativity, to escape a sometimes challenging home and school life, and to feel at ease in my own head and imagination.

In 2024, I was diagnosed with ADHD at the age of 38 (and now also have an autism diagnosis). That diagnosis explained a lot about how I’ve moved through life, including why making miniatures has always felt like such a lifeline. I now understand that what I used to call “getting really into a project” is often a form of hyperfocus, something many people with ADHD experience.

Hyperfocus is similar to flow, but it can be even more intense. It’s like your brain locks onto something and refuses to let go. When it happens while I’m working

Iona barker on miniatures, it feels amazing. The world quiets down. I can spend hours arranging furniture, painting tiles, or making tiny accessories, and it’s not just fun.

It’s regulating. It makes me feel grounded. However, if a distraction comes along and knocks me out of hyperfocus, I feel frustrated, confused, and even angry at times!

Why Flow (and Hyperfocus) Matter for Mental Health For many of us, especially those who are neurodivergent or dealing with anxiety, depression, or stress, flow is more than a nice feeling, it’s a form of relief. It interrupts over thinking. It slows down racing thoughts. It provides focus in a way that feels natural and nourishing.

And when flow turns into hyper focus, as it sometimes does for me, it can be even more powerful, so long as I remember to eat, hydrate, move my body, and remain calm if something happens to take me out of it!

Miniature-making gives structure to this kind of focus.

There’s always something to return to, some small task that invites that same state of deep engagement. And the best part? You don’t have to finish anything to feel the benefit. The process itself is enough.

tool, a grounding practice, and a way to come back to myself when everything else feels too loud.

If you’ve felt that too, that deep calm when you’re lost in the details, you already understand the power of flow. And if you haven’t yet, I encourage you to give yourself the space to try. Even ten minutes at the worktable (or dining table) can make a difference.

Iona

Iona is a coach and counsellor who works with self-confidence, complex trauma, and neurodivergence. She’s been making miniatures since she was ten and finds that working small helps her stay grounded, creative, and calm.

Iona’s book: Upgrade Your Self-Confidence is available on Amazon.

Follow Iona on Instagram and TikTok @iona_barker_ for regular inspiring content!

Making Time for It (Even When Life Gets Busy) Lately, I haven’t had much time to work on my miniatures. Life has been full, and the days seem to move faster than I can keep up with. I know the hobby is there waiting for me, and that when I do return to it, it will welcome me back in that familiar, satisfying way. The tools, the textures, the quiet focus, they're always ready to help me find my footing again.

That’s the thing about flow: it doesn’t require a grand project or hours of free time. Sometimes, just painting a tiny chair or sanding a small piece of wood is enough to shift something in your mind.

Enough to settle your nervous system. Enough to breathe a little easier.

Tiny Work, Big Impact Miniature-making reminds me who I am, especially on days when I feel disconnected or overwhelmed. It’s a creative outlet, yes, but it’s also a mental health

www.petite-properties.com

PETITE PROPERTIES | 63

Corina crees

a Corina volunteering on the Watercress Line

Corina crees I first spotted Corina on the telly! Back in 2019, she was one of the members of the ‘Loco Ladies’ who were featured on a Channel 5 (UK) programme called The Great Model Railway Challenge (series 2). The synopsis of the series was for different teams to complete a selection of challenges and together create varying model railway layouts. I really enjoyed watching the series, but as a woman working in the model railway world, I was also particularly delighted to follow an all-female team in what was a predominantly male competition.

Fast forward to autumn 2022 and I got to meet Corina in person at the Warley Model Railway Exhibition at the NEC, Birmingham. Corina had a demo stand at the show and was sharing her beautiful O gauge creations, together with her stunning artwork and model making skills.

So I’m really chuffed (pardon the pun) to be able to showcase Corina and her stunning 1:43.5 layout in this issue… not only because it’s an amazing model railway layout; but also it is so wonderful to see a fellow female achieving such fabulous notoriety in what essentially is, a male dominated area of the miniature world... Girl power!

I

’ve always been interested in heritage railways.

As a child we visited many railways with my dad, then later on with my stepdad, who also exhibited an N Gauge American layout. When he met my Mum, so many weekends were spent at model railway shows all around the country. On our holidays, a visit to a Heritage railway was normally involved too.

Over the years, family life took over and railways, in both large and small form, got pushed aside.

However, when I was 47 I did a ‘Drive and Fire’ day on the Watercress Line in Hampshire. This suddenly relit my enthusiasm (literally) and I started volunteering on the Watercress Line and I have now served 10 years. Over this time, I also began actively perusing my two real passions in life; painting and building model railways.

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After many wonky wheels and oval buffers, I became a full member of The Guild Of Railway Artists. One of my biggest achievements has been to exhibit beside the world’s best railway artists such as: John Austin, Malcom Root and Philip Hawkins.

All change!

In 2019, I applied to go on the Great Model Railway Challenge, with a group of guys from the Watercress Line. A day after applying, I was contacted by the producers to ask if I would consider joining an all-female team called the Loco Ladies. After saying yes (not knowing what I was letting myself in for!) the next few months was a big blur! Filming was at Fawley Hill (the late Bill McAlpine’s estate) and we exhibited at Warley Model Railway Exhibition at the NEC Birmingham. The layout we built was 00

Corina crees gauge and was known for the ‘Pink Crochet Trees’.

There were a few scoffs from the male modellers regarding the trees; until we explained why and the purpose. The ‘Pink Trees’ were sold at the end of exhibition to raise money for Breast Cancer Research.

They sold extremely well and we raised over £500 for a very good cause. Also, we were trying to put across that building a model railway can be a family project, as Granny could also crochet trees!

A spark of inspiration Participation in the programme sparked a fire inside me to start building my own layouts. I then started building vivarium dioramas, repurposing old vivariums no longer used for pet lizards, snakes etc. I found that they could be joined together to make longer layouts and were easy to store away too.

What is a Vivarium?

A vivarium is an enclosed habitat, incorporating glass that is used to house plants, insects, reptiles, or amphibians.

It provides an enclosed environment, for display purposes.

Into each vivarium, I incorporated 009 narrow gauge (1:76 scale 00 buildings) layouts.

The Loco Ladies Team at Warley Model Railway Exhibition (Corina far right)

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Corina crees The scene is of no particular place, instead Corina included what she felt fitted the buildings...

My husband Adrian and I also have an N gauge (1:148) which is a 8ft x 4ft model version of Launceston and is an ongoing project. My hubby did all the drawings, and I scratch built them from Plastikard. However, I also have an O gauge (1:48) street scene too, which is my favourite. This was built on two wooden fence gravel boards (2.4m x 150mm x 19mm). One board has a length of track laid on it, the second I have raised up to incorporate a street scene.

N Gauge model of Launston Station

Corina’s street scene...

The buildings featured in my street scene are mainly Petite Properties’ kits (which I love) and have purchased many in different scales. The O gauge ones I purchased partly assembled from the widow of a late member of the Watercress Line. I added brickwork, painted, shop windows, curtains, slates, lights and generally tidied them up to create the finished scene.

I particularly love doing little detailed bits, which can be seen in the gardens, a few of the items; the pots, plinths and statue are from Mo’s 3d printed items at Petite Properties. I have been building this street scene for just over a year and still have a few 66 | PETITE PROPERTIES

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“

I have been building this street scene for just over a year and still have a few little bits to complete on it.

Corina.

”

little bits to complete on it. At the moment I haven’t yet taken it to a model railway exhibition and it is currently displayed in my art studio; but hopefully one day it will be making a debut.

In many ways I think it is quite hard being a female modeller in the model railway world. I have exhibited at the Warley Exhibition three times and each time it was presumed that Adrian my husband was the modeller. (I get that too! – Bea) When he says no they are my wife’s, you can visibly see the shock on some of the men’s faces. I think the older generation especially, can struggle with female modellers, but the younger generation do accept us; we are not just there to make the tea or to fetch and carry!

I am very much a steam locomotive fan, as in my artwork and model railways. I am not into the modern electric railway scenes, instead preferring more industrial settings or picturesque countryside.

I love working on the scenic details, such as streams, gardens, flowers and any small details. But the things I hate the most has to be laying track and ballasting!

Oh, and electrics, they are defiantly a man’s job!

My soldering skills aren’t the best, but I can get by.

Corina Crees O Gauge Street Scene

I think working in 1:48 and 1:43.5 is a really good scale to work in, especially for model railways. I think as one gets older, small fiddly scales like 1:148 scale can become a tad challenging. When you drop something on the carpet, or it goes ping it’s like trying to find a needle in the haystack.

Disasters & eureka moments...

I actually had a bit of disaster whilst being filmed on the Great Model Railway Challenge (well actually two). The first one was that I managed to knock over a complete pot of metpac glue over me, whilst sticking a building together. Luckily, it was on the last day of filming as I had absorbed some through the skin and was pretty poorly after. I learnt from that one and now put the glue bottle in a small jar to stop it spilling!

The second disaster was when I was sticking the back scene onto a board for the layout. We had left it over night to dry, however with the damp conditions the next day when we came in to continue filming, it looked like a painting you receive when your kids start nursery school (parents you know what I mean).

A lot of swearing was involved, and the film crew asked if they could film it again… my reply which wasn’t very polite; hence it went on the cutting room floor!

There are a large number of Model Railway Exhibitions held regularly all over the world.

So why not do a quick Google search to see if you can find an event in your area?

“

I don’t have eureka moments as such, but I do try and look for a solution to small problems or repurpose things, such as old dry, used tea is good for a muddy path.

Corina.

”

OO Gauge Harbour Scene

Why not have a go yourself?

As a rule I don’t tend to do much research, I prefer to do what I feel looks right. After all models doesn’t have to be perfect and as long as you are happy and enjoy it, that’s what matters.

If you are tempted to have a go yourself and start building a model railway, I strongly suggest you go to Pendon Museum in Abingdon, UK. Pendon is a stunningly beautiful large model railway, with so much to see and discover. I think it’s well worth a trip and I’m sure it will inspire you too!

Looking to the future, I am not sure what my next project is going to be, but I would love a garden railway. Unfortunately the hubby isn’t too keen, but I am sure I can talk him round!

Corina

The Watercress Line: www.watercressline.co.uk Pendon Museum: www.pendonmuseum.com

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project 1:48

Shop Awning

project

Bekki fileccia

Bekki returns to share her effective quarter scale awning project, to add that perfect finishing touch to your harbour side shop.

Bekki Materials

1

Scrapbook paper or thin card Cocktail Stick Lace, trimming or tiny bunting Cut a piece of scrapbook paper or thin card the width of your window and 30mm long.

2

tools Glue (preferably in fine applicator bottle) Craft Knife/Scissors Ruler (optional) Pin or needle for scoring

3 Cut a cocktail stick the same width as the awning and stick on the opposite side of the 20mm score line.

Leave to dry.

Score two lines 3mm and 20mm along the length.

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project 1:48

4

5

Cut the paper off on the other side of the cocktail stick.

Fold along the pre-scored lines

6 Cut a

7

8 Stick above the window and support at the angle required until adhesive has dried.

piece of lace, trimming or paper bunting and stick to the front edge of the awning (7)

2026 Workshops This summer we are opening our doors!

Variations Using different types of paper and patterns will give a different look to the awning and the edging can be as fancy or as simple as you like.

Lettering could also be added to the awning, by printing onto the paper before cutting out.

Project & Photos By Bekki Fileccia Facebook: www.facebook.com/IndianSkye Instagram: www.instagram.com/ indianskye.miniatures Ebay: www.ebay.co.uk/usr/indianskye

Visit our website: www.petite-properties.com for our full programme of workshops & open days!

Do you have a smaller scale project that you would like to share?

If so, why not get in touch, as we would love to feature your project in a future issue! ppmag@petitepropertiesltd.com www.petite-properties.com

PETITE PROPERTIES | 69

School of miniatures

The old Methodist ChurcH

B

ack in 2021, Tony and I bought a church.

It wasn’t on our ‘to do’ list and it certainly wasn’t planned, but before we knew it, we were the proud new owners of the Old Methodist Church in our village. It is funny where life takes you... one minute you are looking for extra space for your business and the next you are picking up the keys to a brand new ecclesiastical adventure.

The fact that a business which manufactures small scale miniatures needed more space, is somewhat 70| PETITE PROPERTIES

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comical. However, our move to a vast new HQ not only allowed us to both scale up our production process, but it also provided an atmospheric ‘extra’ space which has enabled us to take an altogether different path – Workshops!

Home & away...

The concept for our ‘School of Miniatures’ formed over time and our purchase of our new HQ was the final piece of the puzzle. For a very long time, I have been asked to teach workshops and last year I happily

School of miniatures

Through our ‘School of Miniatures’ workshops, our aim was to set the bar high and offer an all inclusive style learning experience for our students. However, we are also ever mindful of cost and so we of course ensure that every workshop we offer, both at home and away, is as pocket friendly as possible for our students.

The Oak Tree Function Rooms, Stoneleigh Park

“

There is only one thing better than creativity, and that’s being creative together!

Bea.

“

took the plunge! For our first year, we decided to take a two step approach, holding unique workshop classes both at ‘home’ in our church and also ‘away’ at the NAEC, Stoneleigh Park (UK). The latter was planned to work in conjunction and with the full support of the biannual Miniatura Show, which is held in the spring and autumn of each year. PP’s unusual new home provided the atmospheric back drop to our premium weekend workshops that we held last summer.

With PP happily housed in the rear section of the church, early last year our attention turned to the main chapel area. Now cleared of pews and freshly decorated, we were at last ready to transform the void into creative space. After weeks of preparation and hard work we flung open the doors and welcomed our very first visitors.

Pickery Workshop

Summer 2025 1st class at PPHQ...

Lydia hard at work... www.petite-properties.com

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School of miniatures 2025 Premium Workshops...

Last year, we wooed our students with the completion of both a Pickery and Potager gardens, tackled an epic fantasy cottage and together we brought a classical Folly to life! Looking forward to this year and we will kick off our very first workshop of 2026, at the Oak Tree Function Rooms, Stoneleigh Park - Where we will be hosting a one day workshop on Friday 13th March (the day before the spring Miniatura Show).

We are also already on our official countdown to our annual open day in June, so if you are able to, do come and visit us and have a look round our unusual HQ. As the year progresses, we will share further information about the content of our premium workshops in our monthly newsletters, via social media platforms and through our website...

So if you are tempted to come and join in the fun; do watch out for all our announcements!

Bea, Tony & Mo The PP Team

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1:48 Potager Garden

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 www.petite-properties.com www.miniatura.co.uk

Point of discussion

of

©

Copyright? ...Or wrong?

Ever since I first joined social media back in the early 2000s, I have seen posts complaining about copying or copyright breaches. Over the years since, I have witnessed myriad online disputes over copyright infringements within the miniature world regularly occur. However, I am fully aware that intellectual and artistic rights are certainly a controversial and prickly subject and one that I have never seen covered (or even briefly touched upon) in a miniature magazine or publication. Maybe that is with good reason? Copyright issues are divisive and potentially legally hazardous too. But when Mo and I founded this magazine, we both agreed that if a subject affected or featured within the miniature world; then we wouldn’t shy away from covering and exploring it within the pages of this publication.

N

ow before our inbox is filled with ‘strongly worded emails’, I do not intend this article to resemble any kind of witch hunt, nor is it a platform from which to point fingers or air specific, active issues or grievances… We will leave that kind of mudslinging to those hidden in the locked corridors and DMs of Facebook! But whichever way you approach this sensitive topic, the issue of copying and copyright is undeniably one of great relevance to artists, designers and artisans and in turn to the miniature world as a whole.

First thing first, lets start with the obvious: what is copyright and what does it protect?

Definition of copyright: Copyright is a legal right protecting original creative works (like books, music, art, software) by granting the creator exclusive control over their reproduction, distribution, adaptation, performance, and display, stemming automatically when an original work is fixed in a tangible form, but not protecting the underlying idea itself.

(Google 2025. AI.)

Proceed with caution!

When I was first pondering this article, Mr B was quick to comment that it was a huge and gnarly subject to tackle, one that he thought, couldn’t possibly be covered in a single article… Nor, in his opinion, should it be dealt with lightly and he is of course totally correct on both counts! So it is with great trepidation and caution that I proceed!

Definition of intellectual artistic property: Intellectual artistic property refers to intangible creations of the mind, like music, literature, paintings, designs, and software, protected by law (copyright, patents, trademarks, designs) to give creators exclusive rights to control and benefit from their work, preventing unauthorised use.

(Google 2025. AI.) www.petite-properties.com

PETITE PROPERTIES | 73

Point of discussion Protecting our work

Legitimate licensing

Here at PP, we take the issue of copyright very However there are of course many scrupled and Seriously. We have and will continue to legally reputable companies working in the miniature world, pursue any breaches which come to our attention. like Dateman Books who produce replica miniature All of our designs, images and published work are all versions of famous titles. Terry and his family have copyrighted appropriately; even our business name is always stringently adhered to copyright protocols legally a registered trade mark. But that still hasn’t when they rescale, replicate and reproduce the work stopped our designs, text or images being copied and of many famous authors, including that of cover duplicated without our permission. Sadly, not all artwork artists too. Their miniature book versions miniature businesses and makers are able to cover all are produced either under licence (purchased by the legal procedures involved. Watermarking images themselves) or they wait for title to emerge out of seems to have little, if no affect anymore and so copyright restrictions. often images of work by miniaturists are stolen and used in fraudulent schemes and activities. However, I think that the The (spiral bound) copy Our original book latter issue is so extensive, it is on Ebay! definitely one to comeback to and focus on in a future issue.

Aren’t all miniatures, just copies of the real world?

By its very nature the miniature world seeks to replicate and reproduce the full scale world. But does that mean that as miniaturists we can reproduce anything we like? Are not the designers, artists and creators of the full scale world not entitled to the same level of copyright protection?

Just because a miniaturist has created a miniature version of their work, isn’t it still copying without consent?

In the miniature world, it has long Counterfeit versions of our popular book series were spotted for seemed that the approach to the sale on Ebay a few years ago. They were blatant, poor quality designs that belong to large companies copies, which had been repeatedly sold online. or famous authors are considered to be fair game to be rescaled, copied and then duplicated. For example, many popular When does copyright end?

Harry Potter designs are of course the property of Copyright typically expires 70 years after the author's Warner Bros and a legal licence is required to use death for most creative works (books, music, art), their designs, names or items within their branded ending on December 31st of that year, but varies by range; yet somehow the miniature world is awash work type (films, recordings) and country. with them? But I have never witnessed any official (Google 2025. AI.) consent being issued or shared.

So is that a different type of copying?

Playing devil’s advocate; What makes it ok to copy Warner Bros designs, but it isn’t ok for someone to copy yours? It is a grey area isn’t it?

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NOTE: This is of course a generalised information and as it is a complex matter, copyright should always be thoroughly researched prior to using a third parties’ design etc. in any way.

Point of discussion

“

Of course at the end of the day, our whole hobby is based on replicating in the full size world in miniature. But does that give us the right to copy, resize and resell someone else’s protected designs?

Or is the miniature world exempt from this legality… and if so, why? Disney readily and actively takes legal measures to protect their intellectual property, designs and brand. (I have seen this happen before in the miniature world — gulp!).

A shepherds pie, is just a shepherds pie Many years ago, a much loved (and super talented) miniature food maker and I were discussing the thorny and reoccurring issue of copying. I will always remember that in her inimitable style she pointed out that, “At the end of the day, a shepherd’s pie is a shepherd’s pie. By their very nature they will always look the same.” …and I think she had a good point and she made it well; the miniature world is simply a replica of the full scale one… a tiny copy?

All miniaturists by their very nature and interest replicate and copy the full scale world, but that also does not mean that they own the copyright of it. A building is a building and unless the building was designed by you, you cannot claim ownership over its design. I suppose in this day and age, truly unique and original designs are rare. With influences all around us and the internet subliminally and almost constantly flooding our minds with images and ideas; coming up with something utterly new and groundbreaking is an undeniable challenge.

So it seems that there is a delicate balance to be sought and miniaturists must deftly navigate the fine line between copying and being inspired. We also

need to consider whether items we produce for resale are in fact our designs to legally duplicate and manufacture in the first place? I suppose the latter comes down to your own personal conscience.

For me personally, I think the main issue really comes down to motive. If a design / technique has been duplicated with the intention to sell it for profit or to make money via it then I think that is where a line is crossed and copyright / intellectual rights are breached. However, if something is replicated and made for personal enjoyment is that an acceptable situation?

Utilise your super power - Originality!

Over the last twenty-plus years that I have been a professional miniaturist, I have seen many new makers, designers and artisans come and go.

Throughout that time, my advice to newcomers has always remained the same; be your own kind of creative, work hard to find your own niche. Utilise your own imagination (as it is your super power)… and finally; don’t follow in other people’s footsteps, carve out your own path. Copyright infringement is certainly a complex and gnarly issue, yet it seems to me that there is a very simple solution – Originality!

When I first sat down to start writing this article, I knew that I could be potentially opening a very big can of worms. However, I also think that this is one of those contentious subjects which SHOULD be discussed and carefully considered. But in the meantime, I will leave you to consider these, (very) wise words…

“

Be yourself, because an original is always worth more than a copy.

Suzy Kassem.

“

“

Of course the world around all of us is our inspiration for creating the miniature replicas which we so love.

But in (my opinion), ‘inspiration’ or inspired by shouldn’t mean undercover copying.

When does imitation stop being flattering?

Bea.

What’s your point of view?

Do you disagree with this article?

Have you experienced copyright issues?

What advice would you give?

Is it all just harmless flattery?

We would love to hear from you, so why not share your thoughts with us?

Email: ppmag@petitepropertiesltd.com www.petite-properties.com

PETITE PROPERTIES | 75

Miniaturist of the moment

Anet parry 1:48

Miniaturist

of the

Anet is an active and enthusiastic member of our Petite Properties’ Modelling Community.

Her fabulous quarter scale creations immediately caught my eye, as her creative interiors are packed with a stunning level of detail. It is our absolute pleasure to share Anet’s work in this issue and we hope you find her beautiful and imaginative 1:48th scale miniatures as inspiring as we do!

H

i, my name is Anet, and I live in Derbyshire with my husband, two dogs and cat. I’ve always been into arts and crafts from a young age.

I used to love drawing cross sections of houses and other buildings, putting in furniture and drawing stick figures and animals to live in them and this kind of started me on all things miniature, I mean who doesn’t love walking through a miniature village when visiting places and there’s one nearby, I know I do, or flicking through dolls house magazines and looking at all the lovely houses.

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Back in 2003, I decided I wanted to make myself a dolls house because I’d always wanted one after seeing them in magazines and I was lucky enough that the Dolls House Emporium shop wasn’t too far away from where we live so I got the husband to take me.

I was in awe, so many houses, so much beauty in one room and that was it, I brought myself my first kit in 1:12 and off I went. I became a frequent visitor to that shop as every room needed certain items, then Ebay became my new best friend and that’s when the deliveries came thick and fast and within a few months my first house was complete.

Miniaturist of the moment

A change of scale...

At first, I was doing 1:76 and then I gave 1:144 a try, but then…I saw people doing 1:48 and this came with an added bonus, decorating the insides and that for me was the winner. Not only am I able to decorate the outside and landscapes, but I can now decorate the inside to my own tastes and themes. Sometimes choosing which wallpaper to put in a room can take longer than it does to decorate my own home.

So far, I’ve got all the calendar cottages and a few other buildings; they sit waiting patiently in a box wanting, asking to be the next project... but then I go off course and pick some other building!

“

Memories inspire me, be it from childhood or somewhere we’ve visited. I like to put a little bit of me into each house and with saying that I always put a small photo of my children, when they were small, into each house.

Anet.

“

In 2018 I was on Facebook and someone’s building popped up on my feed, I was in love. That was it, I looked for who the producers of these little houses were, and I found Petite Properties. I then trawled their online shop and found the little houses that I wanted for my first project. Next, I asked my husband if Santa would kindly bring me some for Christmas and he certainly delivered! ‘Santa’ brought me six little houses in 1:76 scale, as I wanted to make myself a Memory Lane street scene Inspired by my childhood and each building did just that... from there on in, I’ve been hooked.

I have a book that I write down all my ideas in for each house that I’ve brought.

I decided that each house will have its own theme, as I didn’t want them all to look the same on the inside.

I’m now a big fan of 1:48 and I’ve got a long list of “needs” that I want from the PP shop.

op: whe The Corner Sh

esh or ta be it frozen, fr e, c du o pr l al re

rchase bloid can be pu

d.

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PETITE PROPERTIES | 77

Miniaturist of the moment My Dad is the biggest influence on my miniature work. He made model aeroplanes and he loved to fly them.

I used to love watching him make them from cutting out the Balsa wood, right up to ironing on the plastic wrap.

So I think he kind of got me into making things with the left-over wood. (I can still smell the engine oil.) I learnt from him that all mistakes can be rectified.

On the whole I don’t really do research; I just pick a theme for a building and take it from there. I do look on the internet for historical colour ideas for some of the furniture or for pictures to hang on the walls; but other than that I just go with the flow of it.

Each project I do, I fall in love with... but then I do another, and I love that one just a little bit more! I think if I had to choose my favourite creations would be The Corner Shop or December Cottage because with the latter it’s Christmas every day. But then I look inside my November Cottage, which has an Egyptian theme and I love that one too!

At the moment my 3D Printer has been invaluable and it has been working overtime to give me the items I need. As I plan ahead, I search for STL files that will fit the bill for each room.

The arcade machines are an example of what I’ve made in one of my latest projects.

“

I have so many houses and cottages sitting, waiting patiently to be awakened that I can’t decide which one yet, but I am definitely going to do something big with Havisham Hall, it needs it! Anet.

My Memory Street: 1:76 scale buildings each representing a childhood memory from the 70’s

1:76

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“

As a child I can remember going on summer holidays and he would always take a plane, or two, so that we could go off to some field and fly them. The small people he would put into those planes were my Pippa dolls, but he would always give them back when the holidays were over...I’d like to add that NO Pippa doll was harmed during those flights!

(I had Pippa dolls too and totally loved them! - Bea)

Miniaturist of the moment On my crafting table at the moment is a Marshalswick House kit that I’m turning into a ‘Guest House’ When it is completed it will go with the rest of my seaside memory street scene. If I am honest I have so many houses and cottages sitting, waiting patiently to be awakened that I can’t decide which one yet, but I am definitely going to do something big with Havisham Hall, it needs it!

December Cottage: An all year round Christmas celebration

1:48

However, I haven’t stumbled across my dream project yet. Although I think it may already be lurking in my box of unopened packets, or it may even be on the PP site waiting, ready to leap out at me, but I do know that each house I make, I do so with sheer love and enjoyment!

My advice to any miniaturists who are new to the scale... Don’t be put off by size, I started large then went small, but now I’ve found my perfect scale.

Enjoy everything you make and remember; happy accidents DO happen!

Anet

Do you love our new magazine & want to get involved?

Are you a small scale miniaturist working on an exciting project?

7th JUNE 2026

Would you like to share your miniature creations & see them in print?

Then don’t be shy, contact us today! ppmag@petitepropertiesltd.com

Trash to tree-mendous project - 1:48

Trash

to TREE-mendous Model trees are such an integral part of miniature dioramas, however creating realistic ones from scratch can be quite a challenge. Of course there are some really stunning handmade trees available on the market. In Issue 2, we showcased the fantastic trees made by Michael of Primo Models. But not all projects and all miniaturists have modelling budgets that can always accommodate the purchase of handmade artisan products. So sometimes we need trees on a budget and this quick make project, delivers just that!

Budget model trees...

For quite a while now, I have been using an ideal solution, which transforms mass produced trees using a very simple and cost effective ‘cheat’ – spray paint!

When I choose inexpensive miniature model trees to landscape with, I don’t bother to look at their colour. Instead, I focus on their overall shape and form. The tree shown is a very standard wholesale tree, one which PP readily stock. It is inexpensive, BUT it has a great shape and (I think) looks pretty realistic too. But, oh my... the colour! I know that there are myriad shades and tones of green in the natural world, but personally I really do prefer to try and landscape using more muted colours and gentle tones.

Luckily, the transformation from vivid, fake tree into realistic garden focal point couldn’t be simpler.

Here’s how...

materials Model Tree (I used PP’s Summer Tree) Spray Paint: Dark, medium & light green (I don’t use a particular brand, but a matt finish is a MUST!) Dark brown paint (I used PP’s Mucky Paint matt)

tools Small paint brush Disposable gloves & mask Wire cutters

Health & Safety: When spray painting; ALWAYS follow the manufacturer’s safety instructions. Wear a mask. I also prefer to spray paint outside, on a still day. I also wear old clothes (the paint will go EVERYWHERE and disposable protective gloves too.

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Trash to tree-mendous project - 1:48 fake, wire trees, get a bit 1 Most squashed in transit, so I always

2

take some time to bend out any flattened branches and ensure that the shape of the tree canopy is as I want it. Don’t be afraid to prune away any unwanted parts of the tree to ensure that you start with the shape and silhouette you require.

you are happy with the shape of your tree, hold it by the bottom of the trunk or by its base and 2 Once lightly spray it with a very dark green paint. It is best to build up the colour, by applying several light coats of paint, rather than one or two very heavy applications. Also hold the nozzle of the spray paint approximately 30cms away from the tree – to ensure that the paint doesn’t puddle and run. Spray until the entire tree is evenly covered with dark green paint, then set aside to dry completely before continuing.

The rule of 3 When choosing a colour palette for painting trees, I select dark, medium and light green colours which work together. So it doesn’t matter whether you pick an blue tinted evergreen or warm green shade, you just need to remember to select three varying tones of your chosen colour. The darkest shade is your base colour and your starting point. The lightest is your highlighter. When working with a trilogy of tones in this way, always apply the darkest colour first.

3 We are now going to focus on painting the actual foliage of the tree, so you can either place some masking tape over the trunk... Or as I prefer to do; simply hold the tree by the trunk, covering the trunk with your gloved fingers.

Next, spray your mid tone colour all over the foliage. However, you are not trying to cover all of the foliage, only the outer sections of it. So this application needs to be lighter than the previous paint. nDo not apply too many applications as you need to still be able to see the dark green, through the mid green paint. Leave to dry.

final application of the lightest shade of green, 4 This also needs to be applied in the lightest manner.

I like to dry brush the trunk of 5 Finally, the tree with a suitable dirty brown

Apply ONE light application of the palest green paint, allowing the paint to only catch here and there on the foliage; permitting the previous paint colours to show through. Once again, leave to dry completely before continuing.

paint. As the first application of matt spray paint has created an instant primer on the trunk, you can use either PP’s paints or acrylic paints, the choice is yours.

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Jennifer maddox 12v LED strips lighting up Railway Sheds

light Jennifer maddox As we continue looking at specific lighting scenarios, this issue we will be focusing on model railways. Model railways introduce a lot of opportunities for lighting from internal building lights to signals, lamp posts and other effects such as fires, and engineering works. They are usually miniature models of real world scenes so adding lighting is essential to add realism.

12v LED strips lighting up Railway Sheds

82 | PETITE PROPERTIES

In this feature we will look at what LEDs work well for different scales and lighting situations and go through a step-by-step process for adding lights to a vehicle, along with some examples of completed scenes.

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What LEDs should we use for model railways?

Without getting into too much technical detail model railways either run off DC (Direct Current, like a battery) or DCC (Digital Command Control). For the purposes of this article I will assume that track control is separate to other lighting to keep things simple, so I won’t go into train lighting. Some controllers do have 12v DC options for other lighting such as street lights and buildings but you can also run lighting off a separate power supply, either battery box or 12v mains transformer.

Domestic Buildings: Model railway buildings can vary in complexity from simple cardboard shells to more detailed model buildings such as Petite Properties railway buildings.

Usually, they focus on external details being essentially a shell, possibly with an internal floor but no rooms, so it is easy to install 3528 chip LEDs inside the models fixed to the base or roof to light up the interior. The quantity would depend on the scale and

Jennifer maddox size of the building but one per building or one per floor is usually sufficient.

OO Gauge Platform Lights

12-18v 3528 chip LEDs are available on a small PCB with a resistor which is a perfect way to light up buildings.

For longer or larger scale buildings a 12v LED strip is a good option and can be linked together in a string if required, usually up to a maximum length of 5m.

Industrial Buildings/Sheds etc.

For larger engine sheds and industrial buildings, an LED strip is ideal. This can be hidden in the roof and gives very bright, even lighting. White is perfect for more modern industrial buildings and warm white can be used if you want an older style tungsten type lighting effect.

Fire Effects Model Railway layouts often incorporate fire effects including lighting up coal fired locomotives, heaters in waiting rooms and adding details to the layout such as workers with a brazier Welding effect kit in or vehicles/buildings engine shed diorama that have caught on fire.

Other effects might include engineers working on locos/ carriages with welding gear. (See Issue 3 on fire effects for ideas).

Step-by-Step

How to light a 1:76 rac vehicle

Street/Platform Lighting The most common lighting on model railway layouts are lamp posts, either as street lights or platform lights. The biggest selection is for OO gauge as this is the most common scale but there are a reasonable range of options for other gauges with more traditional and modern styles available.

The vast majority of these lights come with LEDs pre-fitted. I can also supply them with the resistor soldered on so they are ready to install into your layout for ease of use.

Street lights are often supplied with white lights but warm white is also available for traditional style street lamps and some platform lights.

Jennifer

materials 1:76 vehicle 20mm PCB with Flashing LEDs CR1220 3v coin battery 2mm Drill bit for metal Philips Screwdriver Superglue Hot melt glue gun

th

your model 1:76 scale RAC van and 1. Unbox disassemble it. There are 2 screws to mount it to the plinth and another two screws hold the chassis to the metal van. Then the parts all come apart easily. Set aside all but the metal van. www.petite-properties.com

PETITE PROPERTIES | 83

Jennifer maddox prise off the light bar on the 2. Carefully top of the van. I used a small flat

2 x 2mm holes 3. Drill using a metal drill bit

the 20mm PCB 4. Take kit, install a CR1220

headed screwdriver but be careful not to lose it as it can easy fly off. Put a hand over it or hold it while prising. You will break the plastic pins but you don’t need these and I couldn’t get it loose by pushing on the pins from inside.

where the pins were. It will drill through very easily.

battery and then carefully place the two LEDs into the holes you have drilled. I used tweezers and rotated the wires so the LED was flush with the top of the hole. Turn on the lights and check positioning.

4.

Flames using hot melt glue

holding the lights in 5. While place, use hot melt glue to secure them in each hole. You can use superglue if you wish. I find hot melt glue gives you a bit more breathing room for tweaking position and is more robust than superglue. It’s also easier to remove if you make a mistake.

6.

5.

the kit over and check 6. Turn the positioning of the light Reassemble the van. There is plenty of room for the PCB behind the plastic cabin/chassis insert. The kit is turned off and on using a small magnet. One pole turns it on; the reverse side turns it off. The location of the switch will depend on the position of the kit inside the van but it makes it very easy to use the kit without a physical switch.

7.

bar with the lights flashing. Glue this on with superglue. I ran the glue along the underside of the light bar. You need a thin glue so the light bar sits flush.

Next issue - Street scenes & room boxes If you have a particular lighting scenario you are struggling with, or a model type you would like to see featured please get in touch with me or Bea and I will do my best to cover it in a future article...

ppmag@petitepropertiesltd.com

YouTube video: https://youtube.com/shorts/2x4v2pZCRpU Business name: Small Scale Lights Online shop: www.smallscalelights.co.uk Blog: www.smallscalelights.co.uk/blog Facebook: www.facebook.com/smallscalelights 84 | PETITE PROPERTIES

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Photo credits: Railway Shed & Railway Shed 2 – Edward Pearce Arc Welder Diorama – John Race Platform Lighting – Ian Littleford All others images by Jennifer Maddox

Spotlight on

spotlight

Memory lane Memory Lane began as a hastily sketched illustration, which went on to become Petite Properties’ unique and hand drawn logo. Many years later, we decided that the time had come take my pen drawn one step further and Memory Lane sprang into life! Now as this magazine’s spotlight falls upon it, we share the family origins of this very special little street...

I

have always loved street scenes. As a child, I remember gazing up above the hustle and bustle of my local high street, to marvel at the original facades that were, in part, hidden by the modern shop frontages. From elegant Victorian roads, to more eclectic rural lanes, I am particularly fascinated by buildings when their architectural styles are jumbled up and squashed neatly together.

Throughout my childhood, I also have many fond memories of my Mother's collection of miniature ceramic houses, which she still displays on a long shelf in her sitting room to this very day. Maybe this is why I continue to be inspired by the way real life streets evolve over time to include many different periods of architecture? Wherever the inspiration originated, it was really no surprise that when Petite Properties began life over twenty three years ago, street scenes were both my starting point and my

sole focus.

As the business grew, it became apparent that Petite Properties needed a logo, something that reflected the unique miniature dolls' houses that we were becoming known for. As it turned out, choosing our new logo was actually very easy as in 2009 I had completed a little sketch of an imaginary street scene, loosely drawn on nothing more than a piece of scrap paper. This five minute doodle was initially used to illustrate a regular feature in the AIM magazine, www.petite-properties.com

PETITE PROPERTIES | 85

Spotlight on after which it was then discarded into a drawer.

Unearthed and cleaned up, the PP team felt that it accurately reflected the original ethos of Petite Properties and as such made the perfect company logo!

The PP Van...

Back in 2016 the PP team's focus returned to our logo, when we saw it emblazoned onto the exterior of our new company van. As a result, we thought it would be fun to revisit our roots by bringing the logo to life! So over a lazy Sunday lunch together, we discussed the idea and as a family we quickly agreed that it would be fun to name each of the properties after special places and objects that have sentimental meaning to us all. Whilst we ate and amidst much laughter, we began coming up with suggestions for house names, some useable, most of them not! It was then that my eldest daughter Lucy exclaimed "it's like a trip down memory lane" and in that instant, we all knew what our street would be called.

More than just a name; each property represents a family memory...

Memory Lane features seven 1:48th scale properties and reflects the typical eclectic mix of architecture found in many full scale streets in the UK. At the heart of Memory Lane sits the largest property; Marshalswick House, which we have aptly named after the school where Tony and I first met, some 40 years ago!

All good street scenes of course need a pub and our Memory Lane is no exception. The Marsworth Arms, named after the location of our honeymoon, can be found nestled up against little Daffodil Cottage, named in honour of our youngest daughter Mo.

“

Whilst we ate and amidst much laughter, we began coming up with suggestions for house names, some useable, most of them not!

Bea

”

At the other end of the street, the double fronted Purbeck Cottage is a homage to our family's favourite 'happy place' and comes complete with side scullery and porch covered entrance.

Buttons & Bunting Haberdashery and Nanna's Pantry are both elegant Victorian shops, one named to reflect our eldest daughter favourite things and the latter as somewhere our grandchildren can often be found silently rummaging! Finally, Crimple Cottage completes the line up and marks when our family gained our son in law; Richard.

Putting names to one side, the versatility of 1:48th scale houses are that they take up such little space and as a result a whole street scene can be displayed on the most modest of shelves. Memory Lane has been designed as a celebration of our logo, but you can also mix and match any of Petite Properties' Basic House Kits and display them side by side, to create your very own street.

Petite Properties' creations have drastically changed since it all began well over two decades ago on my kitchen table. However, everything that I create is born out of love; inspired by a passion for a place, or as a result of a fond memory. Inspiration always comes from the heart. So why not let your imagination flow and take a trip down your very own Memory Lane; by making your memories, in miniature!

Over the last 10 years, this iconic street has been remodelled into an additional three scales: 1:76, 1:148 & 1:43.5

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Introducing:

Berni Holliday

Spotlight on

Memory lane - a gateway to the smaller scales?

Berni holliday

M

y miniature journey started in 2020 during lockdown, when my husband gave me a 1:12th scale dolls house kit. I have always been fond of miniatures but I never had the time to dedicate to making them.

Having completed my 1:12th dolls house, I realised I did not have the room to continue with this scale and a chance meeting in a local dolls house shop with a fellow enthusiast led me to Petite Properties. In late 2020 I started my miniature journey into the smaller scales and Memory Lane (Daffodil Cottage) was my very first PP build.

Berni

I initially chose to make Daffodil cottage as it looked the most straightforward cottage to build. I concentrated on the outside and found that I enjoyed the process so much, I went on to purchase the other houses in the Memory Lane quarter scale range. In general my inspiration for my miniature houses comes from the real-life cottages that are scattered about the Dorset countryside and I wanted to try and recreate them as realistically as possible, using the PP base kits.

it all develops. This approach works for me, but I must admit that there are times when I have a quick design meeting with myself to come up with an alternative plan!

Berni chose an ice cream inspired colour palette to transport her cottages to beautiful Dorset!

My street is based on both real life, combined with a bit of fantasy too. The fantasy element is creating an ‘idyllic pretty’ cottage that I could imagine myself living in.

But my design ideas come from the cottages I see daily around Dorset where I live and my childhood holidays in Ireland.

Jumping straight in!

As I am not a planner, I didn’t spend much time planning my street scene. Instead, I had a rough outline in my head of how I wanted to make it look.

Generally, I tend to just jump straight in and see how

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Spotlight on Back in 2020, Daffodil Cottage was my first 1:48th kit and since then I have made over 100 PP kits of different scales. (Wow you have certainly caught the quarter scale bug! – Bea). However, at the time of writing this article, I find that I am struggling to get my creative juices flowing again.

Despite completing so many dolls houses, I don’t actually have a favourite scale. As I have a confession; I don’t decorate the insides! You see I really don’t enjoy doing interiors, so my builds are more about the external look and feel of the house itself and I generally keep the interiors very basic (white emulsion) – but saying that, I do love an internal staircase! However, saying all that I think ultimately I would lean towards 1:48... But it would also really depend on whether I am making a standalone cottage or a bigger diorama.

Berni’s top tips... Always dry build Always decorate the interior first before assembling Mixing powdered filler with paint can give a really nice textured finish.

When I completed my Memory Lane street scene I was really pleased with the way it turned out, however revisiting it for this article has made me realise how much my modelling techniques have developed in the five years since. I have also learned so many new techniques from the PPMC Modelling Community (on Facebook) over the years too.

Berni

Building in 1:48 When I am building in quarter scale I like to create exposed stone using card, which I then pinched into the filler to make exposed stones on some of the walls. In addition I use a laser cut stone stencil on clay and painted it to look like stonework; I also now hand engrave stonework with an electric engraving tool. All the Memory Lane buildings I made were brought to life using paint, filler, and clay.

The cottages were also decorated with plants and flowers that I bought from the local model railway shop.

Left: The Berni used flowers & foliage from the model railway world to bring the exterior of her cottages to life...

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Spotlight on Introducing:

Debbie Philips

Debbie’s complet ed

street...& a spec ial visitor

I

've been making miniatures for over 20 years; I first discovered the miniature world in the doctor's surgery, courtesy of a dolls house magazine I was reading, whilst waiting for my turn to be seen. Happily the wait was long and I finished the magazine; my interest in all things miniature had begun.

Debbie philips

I started off making 1:24th scale, these were from scratch using balsa wood and were given to friends and family as presents. I was at a dolls house fair when I saw the Petite Properties’ stall with lots of lovely cottages on display. A bit of research later, and I purchased my first property...Washtub Cottage (to my eternal shame this is still in its packet as other projects have come along).

Debbie

My first completed project was Cobblestone Snicket; I can't tell you how much fun I had and so started my love of all the lovely goodies that Petite Properties’ offer. My next project was Memory Lane; I love the clean lines of the buildings and the essence of a bygone era which speaks of a less complicated life.

I like to imagine going into individual shops with no supermarkets to be seen. I love looking at old photos and draw inspiration from them. When I'm out and about I'm always looking at buildings around me, the roofs, render and brickwork, seeing the imperfections and imagining how I can turn this into miniature.

“

1:48th scale is ideal - small enough not to take up too much space, but still show details like brickwork, render and tiling.

”

Quarter scale 1:48th scale is ideal - small enough not to take up too much space, but still show details like brickwork, render and tiling. I've kept closely to the original Petite Properties’ design of Memory Lane. I like the different heights of the buildings and the way they fit together so well. When finished, Memory Lane was going to live in my very little office (the understairs cupboard - which had to be converted to an office during lockdown), but as it was getting nearer to completion it got relocated to the mantelpiece in my living room. This is far too cute to be hidden away!

I started in earnest on Memory Lane in January last year. Sadly, my husband was diagnosed with cancer and although I only work part-time, I felt I needed some time off work to look after both my husband www.petite-properties.com

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Spotlight on and myself. I've spent many happy hours with glue, paint, render and lots of the miniature paraphernalia that I've accumulated over many years. Memory Lane has been my 'therapy project', time to lose myself in roof tiles, little windows and chimney pots.

Organisation is key!

Normally I'm not a very organised person, but for some unknown reason when I'm working on a miniature project I change - I know where everything is and I never start a property until the one I'm working on is complete (this takes a lot of willpower).

My favourite tools are a good paint brush; some strong glue; acrylic paint pens for the really tiny parts and weathering powders. I've fixed the roofs securely on with tiny magnets; used Petite Properties’ roof tiles and I love their paint. I like trying different colours, and am very keen on having a weathered look. There are no mistakes only 'happy accidents'.

Helpful pets? - beware...

I have three cats, all very 'helpful' and wanting to be involved - washing paint off little paws is no fun! One particularly trying day, I managed to stick a miniature magnet to my finger with superglue, which took me ages to get off - all the while stopping my four-pawed assassin from helping herself to a chimney pot.

A work in progress; slowly the 1:48 street scene began to take shape...

Have you created your own Memory Lane?

If so, why not get in touch, as we would love to share your miniature street in a future issue! ppmag@petitepropertiesltd.com

My cottages are lit, but very simply using battery operated tea lights. One day I will teach myself the intricacies of miniature wiring, but for now the tea lights work for me.

I'm really pleased with the results... Memory Lane has been on a journey with me, through those dark winter days, to the warm sunshine of spring. It brings a much-needed smile to my face, a sense of achievement...

My next project is a shepherd's hut, then I have Washtub Cottage, April Cottage and a book nook to complete...

Debbie

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Let th ere be

light..

. An d

there

was!

Join the club Quarters group (Left to right): Vicki Taylor, Wendy Markham, Rachel Dobson, Judy Straw, Anne Clarkson, Helen Goy, Tania Mills and Jackie Smith

This

the

The garden City miniaturists club & quarters club - new zealand Sometimes, we complain about the progression in technology. Advancements often feel like they steal away the comfort of how things used to be. But the invention and expansion of the internet has definitely brought the world closer together. Miniaturists, who would never have met, now chat daily with friends from all over the world. If you will forgive the pun, now, more than ever before; it really is a small world.

Through the internet, miniature kits and ideas have been able to spread all over the globe, helping the smaller scales to garner interest and grow in popularity. A case in point is this wonderful club in New Zealand; collectively creating and enjoying the addictive world of miniatures, whilst infinitely connected to the rest of the world via the World Wide Web...

We belong to The Garden City Miniaturists Club, based in Christchurch, New Zealand which was founded in 1986 by a group of like-minded enthusiasts. We currently have approximately 40 members. Our meetings are held on every 3rd Saturday of the month at a local community Church hall.

As a club we generally work in 1:12th scale except for special occasions where we have worked in 1:48th scale. These have been for our Club displays at our biennial New Zealand Association of Miniature Enthusiasts (N.Z.A.M.E) Conventions.

The Conventions are held in different cities, so it gives everyone a chance to see what other clubs are working on and to catch up with old friends. www.petite-properties.com

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Join the club

club noun/klɅb an organisation of people with a common purpose or interest, who meet regularly and take part in shared activities

We also have our biennial club display (held on alternative years to our ‘Convention’) and this is where Club members are able to display their finished projects The first of these 1:48th scale workshops was a typical mid-Victorian workers cottage, which can still be found around New Zealand today. Shona Reynolds and myself, worked together to create the kit (my husband John being our technical consultant) and Shona had the kits laser cut and club members helped in preparing the papers etc.

This kit was made with a lift off box like lid, so all four sides could be viewed easily. (See below) Our next 1:48th scale project featured a row of Victorian terraced houses which suited the 1940s theme of that year’s convention. After planning the layouts of the houses (along with our technical consultant) one of our long-standing members, Jewel Lewis helped us to prepare them using her laser cutting skills. The finished Terrace houses

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Upper Terrace house Judy Straw Lower house Jackie Smith reflected the war years and all had unique differences.

There were Anderson shelters, neat vegetable plots, clothes lines and the obligatory taped windows. (Above)

Join the club

The club’s stunning collection of ‘Painted Ladies’ in 1:76

Another of our Club forays into smaller scales are kits by Jewel including ‘The Hobbit house’ (well we are from New Zealand) and a very popular run of 3 of the famous San Francisco ‘Painted Ladies’ of Steiner St. in 1:76th scale (she also made this workshop in an even smaller scale).

Club member Jewel Lewis Jewel has also used her skills for other small scale limited edition kits: doll houses, caravans, steampunk trucks, disused Trams, and fantasy tree houses being only a small example.

We have also formed a smaller ‘house group’ working mainly in 1:48th scale and some in 1:76th scale, Petite Properties’ kits being very popular. This group, simply called ‘Quarter Club’, was formed about 15 years ago and has approximately 10 members; as we are limited by the seating space around our tables. Meeting on the 1st Saturday of the month, we usually work on our own projects, but there is always an exception to this when someone comes up with an idea for something we simply must have!

Some of these projects have included various 1:48th vignette kits that I have taught such as cake, toy, hat and Christmas shops. Vicki Taylor has kept us supplied with even more 1:48th scale kits, some modified to suit our purposes. Most of us have made Below: Wendy Markham’s ‘School for Young Ladies’ adapted from ‘Ravens Perch’ (1:48) a Petite Properties Kit. A hallway was created on the ground floor to add the Principals Office.

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Join the club More than few of her trucks (some of these have included grocery deliveries, ambulances, mobile cafes and more), gypsy caravans, canal boats and various huts. It’s always amazing how much detail can be packed into these tiny items. We long ago decided that the one we’re working on is our favourite.

Above: 1:48 Vignette samples by Jackie Smith

Miniature shops in teacups...

Gypsy Caravans: Top stage coach by Helen Goy Middle Row (Left to right): Judy Straw, Vicki Taylor & Judy Bottom: Vicki Taylor, Jackie Smith & Vicki Below: 1:76 PP houses by Judy Straw, Helen Goy, Vicki Taylor ,Anne Clarkdon, Tania Mills & Jackie Smith

(A British 50p coin is 27.3mm in diameter)

Our future G.C.M club projects will include Bea’s Book Box workshop (from The Petite Properties Magazine) which Vicki is going to teach at our upcoming Club Retreat in August. Retreats run from Friday afternoon, until Sunday afternoon and we try to hold one each year as it’s a great opportunity to finish something. Good company, good food and learning opportunities; what more could we want!

As for Quarter Club, we are waiting for those working on ‘Port Piran’ display to decide which kits they’d like (so many choices Bea). (Sorry! – Bea).

Crafters helping each other to achieve great things in small scale, doesn’t that say it all, but along the way we’ve learnt patience, measuring and cutting skills, that it pays to read the instructions, along with laughter and sharing.

Jackie Smith

On behalf of G.C.M & Quarters Club

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A-door-able doors

A-DOOR-ABLE

doors

small doors Bridge House Ambleside (Sally Hart)

One thing I have learnt from my research over the years, is that where old doors are concerned; there is no such thing as a standard size. My own cottage is a case in point. No two doors are the same and all of them appear to have been made to fit the hole!

In the past, some customers have pointed out the height of the doors in our kits and questioned their accuracy.

But each door that has ever been included in our range, has dimensions scaled from a real door: from somewhere in a real house!

Pickery Garden Easton Walled Gardens Mr B (again!)

As soon as Sally shared this photograph on PP’s Modelling Community forum I knew that it had to be added to this feature!

I think that the gardener in this beautiful garden must have either been tiny or had a very bad back!

Bridge Cottage is such an idyllic little house with an unsurprisingly tiny little door.

Yet another door that makes Tony look like a giant.

But as he stands at 5ft 9” (1.75m) it shows how truly small the door actually is!

(I am also reliably informed that Sally’s lovely human ruler is 6ft 2” - 188 cm tall) The inspiration behind PP’s Pickery Diorama

Love doors too? Then why not join in the fun? We would love you to get on board and send us your door images. They can be from anywhere in the world and feature a human scale ruler, or not; it is completely up to you! All we need is a little bit of information about the door in your photo and if you do include a human ruler in your photograph, please let us know how tall they are too. Send your images and information to – Adoorable Doors - ppmag@petitepropertiesltd.com www.petite-properties.com

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Bea & Mo broadwood Bea

forward?

I don’t mind admitting that Mo, Tony and I recently sat down together and shared a little reflective moment. This fourth publication is the conclusion of our initial plan and our vision for the PP magazine. Issue 4 also officially marks the end of our publishing experiment. But what of the future? Where do we go from here?

L

ooking back, we should not have worried about how our new publication would be received, but I suppose hindsight is a wonderful thing. Our print run of Issue 1 had to be immediately extended, as it very quickly became evident that we had drastically underestimated the demand for our new magazine.

Issues 2 and 3 followed and with each one our print run significantly increased.

And then we stumbled… Merging the work that the magazine generates into our existing routine has been a challenge. Staying on top of all of my commitments, has at times overwhelmed me. As a result, I have been on a huge personal journey where I have been forced to access and decide which projects to focus my creative energy on and which to move away from. I have never been afraid of hard work, but I have also had to acknowledge that I am not Super Woman either. So behind the scenes, we have now implemented strategies which mean that as a team and as individuals, we are now striving to work smarter, not harder.

Passion project...

For me, this magazine is of course a real passion project. I have always wanted to create a publication that has the power to promote and elevate the smaller scale world of miniatures on a global basis. No longer willing to be relegated to a few pages within a 1:12th focused magazine, I passionately believe that the smaller dollshouse scales deserve a platform of their very own.

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When we launched this magazine last year, we know that it was greeted with a dash of cynicism and somewhat controversially it was certainly not welcomed by everyone within our miniature world.

We were saddened by this reaction, but not deterred, as we know that this is a publication for everyone who creates, collects, makes, sells, designs or writes about the smaller scales and I sincerely hope that the scepticism it was initially viewed with, has now been replaced with enthusiasm for the sheer potential of smaller scale promotion that it has between its covers.

“

Digital magazines are certainly useful, but our feedback from readers, tells us that miniaturists are mostly ‘old school’ and for them, nothing beats holding a printed magazine in their hands!

Bea.

The end of an era?

”

As I sit here typing this today, the reality is that this magazine is the last active print magazine left in the UK. Just pause for a moment and think about that.

When I founded PP some 23 years ago, there were three vibrant, imaginative and diverse DH magazines (printed issues in the UK); each with a strong and passionate global readership and subscribers.

Now, there’s just us.

Just this one printed magazine.

Bea & mo broadwood I think it is a sobering moment for the hobby as a whole and a key one to acknowledge too. So where do we go from here?

Investing in our future?

Of course our initial investment and commitment to this new publication cannot just be measured in energy and time. There is a substantial financial element, which also needs to be addressed too.

For the magazine to continue, it needs more than just passion and midnight oil to fuel it - So it obviously has to be commercially viable and self-funding too. Over the last four issues, we have been incredibly indebted to the overwhelming support that we have received from our stoic contributors. It has been amazing to have so many passionate and talented small scale miniaturists, artisans and businesses come forward to join us and help make this magazine the success that it has been so far. We couldn’t have done it without each and every one of you.

Thank you.

Also you ‘dear gentle reader’ (yes I am an avid Bridgeton fan!), without you purchasing, reading and recommending this new magazine; we wouldn’t even have managed to get off the starting blocks, let alone reach issue 4... So thank you too, for your unwavering support.

So what now?

What’s the magic formula for the next step?

As a team, we feel that this magazine has absorbed and accumulated so much positive energy, that it would be wildly ludicrous to stop now and lose the momentum we have fought so hard to achieve. Behind the scenes, we have been working closely with contributors and have been quietly building a fantastic team to collectively take the publication both forward and to the next level. Back in my school days I learnt in physics that ‘energy cannot be destroyed’ and this little knowledge nugget has recently been playing over and over in my head…

The future & our unique energy So, going forward, our plan is a relatively simple one – Keep the positive energy going! Despite its infancy, the Petite Properties Magazine has already generated such a positive (& passionate) following. Over the last two decades the dolls house world has changed unimaginably. As I have already mentioned, popular publications have been lost and so many of the hobby’s most talented professional miniaturists have either retired or moved on.

However, whilst 1:12 remains statically popular, smaller scale and their share of the miniature market is GROWING. In a hobby that often feels like it is stalling, the popularity of the smaller scales is an area of HUGE growth that has largely been unnoticed and unacknowledged. But at long last there is now a dedicated quality magazine where it can be celebrated and shared. I also feel strongly that the boundaries and border lines between dolls houses other areas of miniature modelling are now starting to come down. Over the last decade, I have made no secret of my belief that as close cousins scale wise, we should be dipping our collective toes into other modelling areas; such as the www.petite-properties.com

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Bea & Mo broadwood “So here we are… diverse world of model railways and the ultrafour issues in and it has been imaginative spectrum of diorama building and war one hell of a publishing journey gamming. The margins between these different so far. We have weathered areas of modelling are becoming blurred, as we bumps, unforeseen issues, late all work in similar scales and use the same nights and seemingly impossible technology and techniques; we should be sharing deadlines. But we are still our knowledge freely with each other… here. Still smiling and most Not staying apart in separate hobby camps. importantly still energised to keep going.” Mo. Motivational speech...

At this point I feel like I really should be on horseback, colours flying, with sword and voice raised high to motivate the modelling troops. Obviously I’m not. I’d spill my coffee… But I hope you see where I am coming from. If we don’t celebrate, showcase and champion our wonderful hobby, it will decline and fade. So here in PPHQ, our plan is a simple one – Together we keep pushing on with this publication, for as long as we possibly can. But to do that, and to do it well, we need YOUR support, our contributors support and also the backing of the smaller scale community as a whole.

So what are we waiting for?

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mo

The good news is; we’re not waiting for anything!

Work on issues 5, 6, 7 and 8 is already well underway and in issue 5 we will also be sharing further exciting news regarding the much requested topic of subscriptions!!!

But until then, thank you again for all your support.

2025 was a tough year, but we are still here, so please do keep reading and supporting us too…

Now will someone let me down off this horse?

The future is bright.

The FUTURE IS the smaller scales!

Bea (& Mo)

Ask bob

ask

On the PP Modelling Community forum (on Facebook), Bob has become quite the star.

Members enjoy following his antics and his ever growing popularity is unparalleled.

Always happy to help, Bob enthusiastically joined the PP Magazine last year, but stardom hasn’t changed him... He is still the same most knowledgeable and wonderful Bob.

longer. Main drawback is that the mesh holding the grass is directly connected to the static charge generator and if touched you get a bit of a jolt. My pal Rufus stepped on mine once and his fur all stuck out; he looked like a giant fur ball… needed hours of back combing to get him right. I’ve since moved on to a commercial one as we do more projects now. It works with longer grasses and there is no charge on the mesh to shock you.

Rufus, Bob & Philip; going back to their roots...

M

embers of PP’s Facebook group are always thankful for Bob’s helpful advice. So when recently, we had a grass based dilemma, Bob was quickly on hand to disperse his timely and astutely sage advice...

A Static grass dilemma PPMC member Ann Croft wrote...

“

I'd like to know how you, and Philip manage to get such a great finish with static grass.

Also, do I need an applicator?

If so, will a cheapish one do, for just occasional use?

”

As for the grass itself, there is a huge choice out there and I can’t remember being disappointed with any of the many types that I’ve bought. Rufus however can’t abide the stuff. We soon discovered that he suffered from hay fever and during a grassing project he sneezed and grass went everywhere!

The two main choices are grass length and colour. If you match the length to fit in with the scale you are modelling and the colour to match a season you are trying to depict then all will be well.

Next important thing is glue to hold it all down. I’ve used PVA of different types but I invested in some commercial products when the boss loaned me his debit card and find the results good and consistent. I use War World Scenics basing glue to hold the grass down and their layering spray glue to add more grass to the first layer.

Bit expensive, but lasts for many, many projects.

Hello Ann, Bob here….

Yes indeed, the cheaper applicators do work. I used one for a couple of years to good effect. Some of them are limited to the length of static grass. Fine for 2mm or 4mm but can struggle with anything www.petite-properties.com

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Ask bob

1:48 1:48

6mm wheat coloured grass. The differences in colour and size give a very natural look.

Another trick, after you have applied the grass and before the glue dries, gently push against the grass with a finger to create some mounds and divots… very effective in grass on a fell or rocky surface. Also, leaving small areas clear to let the soil show through adds to the interest.

Leave some areas of ground exposed...

Regards application, I always paint the grass areas with an earth coloured paint first which looks more natural through any gaps. The idea is to paint on a thin layer of glue wherever you want the grass to be.

Place the earth probe on the gluey surface and shake grass from the charged applicator. The grass will stick to the glue and the static charge will make it stand up in a very realistic way. I still have traces of summer meadow stuck to my shoe souls.

For a nice cottage lawn in 1:48th scale I put down a layer of 2mm summer grass. It really does look like a well kept lawn. For more countryside areas I start with 2mm summer grass then spray some areas of it with the layering glue followed by an application of say 4mm grass of a browner colour. This can be followed with another selective application of say 100 | PETITE PROPERTIES

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The longer grasses 6mm and up are very useful to add clumps of overgrown wild grass at roadsides or in hedgerows… really very useful stuff to glam up our mini projects.

Hope this helps Ann, but if like me you own a pet mammoth; be aware of the hay fever issues!

Bob

Roadside clumps of wild grass are very effective

Issue 4

”

Websites to visit Ideas research Things i need!

Things to make Wish list notes

fo t u o

r

tch ssue 5 a W i

Issue 5: www.petite-properties.com

Coming in issue 5

1:48 Diorama

by Philip Thompson

Cover To Cover Small Scale Content!

Small Scale Manufacturers Step By Step Projects Fabulous Features Inspirational Kit Bashing Wallpaper Printis & So Much More!

#PPmagazine

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