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Peter Harrison Design Portfolio

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PETER HARRISON


My name is Peter Harrison and I’m a recent graduate of the Interior Design Program at Utah State University. I’m passionate about design as a means to advance sustainability and social equity in the spaces we live, work, and play. I fuel this passion by serving as a volunteer for the U.S. Green Building Council. I am a LEED Green Associate and plan to pursue NCIDQ and WELL AP certification in the near future.

REFERENCES Meg Matsushima, AIA

Associate Principal, Hennebery Eddy Architects

Nick Byers, AIA

Associate, Hennebery Eddy Architects

Steven Mansfield, AIA

Principal Lecturer, Utah State University


PeTeR HARRISON LEED GREEN ASSOCIATE 801.913.7077 peterf.harrison@gmail.com

EXPERIENCE

EDUCATION

HENNEBERY EDDY ARCHITECTS, Portland, OR

UTAH STATE UNIVERSITY, 3.79 GPA

Interior Design Intern, May - August 2017

A paid internship working on projects including the interior architecture for the 130,000 square-foot Portland International Airport Terminal Balancing and Concourse E Expansion. My contributions included working with several architectural sales representatives on material specifications and detailing. I also served on the firm’s graphics committee, participated in site visits, client meetings, and conducted independent research on red list building material items within The Living Building Challenge.

MILIEU DESIGN, Logan, UT

Interior Design Intern, June 2015 - July 2016

MHTN ARCHITECTS, Salt Lake City, UT Architecture Job Shadow, February - May 2013

Bachelor of Interior Design Landscape Architecture Minor Graduated May 2018 CIDA Accredited LAAB Accredited

SERVICE & LEADERSHIP USGBC Special Programs Working Group Committee Sixteen member committee that oversees the development and delivery of innovative educational programs, formats, and conference features for Greenbuild 2018 in Chicago, IL.

President, U.S. Green Building Council Student Chapter

UTAH STATE UNIVERSITY STUDENT SUSTAINABILITY OFFICE, Logan, Utah

Assistant Manager, Paradise Bakery & Cafe

SKILLS & KNOWLEDGE

ACCOLADES

Grant Coordinator, August 2017 - May 2018

TECHNICAL Revit AutoCAD Architecture Adobe Photoshop Adobe Illustrator Adobe InDesign Microsoft Office Suite Apple Pages & Keynote

DESIGN Space Planning Research & Programming Hand Sketching Furniture Specifications Material Specifications Digital Rendering Accessibility & Universal Design Read & Draft Construction Documents LEED & Living Building Challenge

Committee Member, Earth Day Student Planning Group

Greenbuild International Conference and Expo 2017 USGBC Scholarship to attend Greenbuild 2017 in Boston, MA

2nd Place National IDEC Video Competition 2017 Design Charette Under the direction of visiting interior design faculty Jill Pable, (Florida State University) team members worked on a housing design solution that addresses specific needs of a homeless person.

Victor & Dorothy Dover Interior Design Scholarship Thelma Allison Interior Design Scholarship

AFFILIATIONS U.S. Green Building Council, Utah Chapter U.S. Green Building Council, Student Chapter International Interior Design Association American Society of Interior Designers


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4

URBAN AGRICULTURE CENTER NON-PROFIT

WILKES LIBRARY CIVIC

3

ACCESSORY DWELLING UNIT

4

PURPLE ROOT

RESIDENTIAL

HOSPITALITY


contents

5

SERENITY MED SPA

6

WORK HIVE

7

HYRUM CITY TRANSIT CENTER

HEALTHCARE

WORKPLACE

TRANSPORTATION

5


URBAN Agriculture CENTER CONCEPT

PROJECT

The reclaimed dark wood used throughout juxtaposed with bright white finishes gives the urban agriculture center a state of the art feeling, inviting community members to come and explore.

Situated in Brooklyn, the New York Urban Agriculture Center is the first of its kind. A museum-like space that will bring demos and exhibits of all the current urban agricultural practices to the public under one roof. With a mission to transform the way we grow and consume food, the Urban Agriculture Center focuses on fostering learning, building community, and empowering local residents to change the way we practice agriculture in our urban spaces.

DELIVERABLES Research & Programming Revit Model Space Planning 4 Levels of Floor Plans Interior Rendering Exhibit Rendering Exterior Rendering Sustainability Diagram

6


7


WHY URBAN AGRICULTURE? Current agricultural practices and methods has lead to serious issues with the economic, social, political, and environmental state of our world. Made worse by the issue of climate change, it is necessary to transform how we produce and distribute food. Urban agriculture is a solution. Urban agriculture has many health, social, economic, and ecological benefits. HEALTH

SOCIAL

ECONOMIC

ECOLOGICAL

Healthy food

Food security

Job growth

Conservation

Food-health literacy

Safe spaces

Food affordability

Stewardship

Physical Activity

Youth Development

Job readiness

Biodiversity

THE DESIGN The design for the New York Urban Agriculture Center is the first of its kind, a museum-like space that will host displays of different urban agricultural practices. Some of these practices include hydroponics, aeroponics, container gardens, rooftop farming, vertical gardens, community gardens, and aquaponics. Modeled after the approach of The Living Building Challenge, the design for the New York Urban Agriculture Center is a regenerative space that connects occupants to light, air, food, nature, and community. With a fully integrated sustainability system, the building gives more than it takes, creating a positive impact on the human and natural systems.

8


SUSTAINABILITY STRATEGIES VERTICAL GARDEN A 40’ tall vertical tomato garden serves as the focal point as you enter into the space. Lounge seating and a small cafe give guests the chance to relax and enjoy a menu with food grown right in the building.


7

UP

4

6

3

2

UP

5 1

LEVEL ONE 1/8”=1’0”

7

14 12 13

UP

6

OPEN TO BELOW

15 12 13 UP

12

16 12 13

10

LEVEL THREE 1/8”=1’0”


Consultant Address Address Address Phone

No.

12 13

D

8

UP

9

12

OPEN TO BELOW

O

Proje

UP

LE 11

Project Number Date Drawn By

10 2

Checked By

LEVEL 2 1/8" = 1'-0"

LEVEL TWO

Scale

1

1/8”=1’0”

LEGEND 1 Information Desk 2 Lounge Seating 3 Vertical Garden 4 Cafe 5 Living Wall 6 Restrooms 7 Storage 8 Hydroponics 9 Aeroponics 10 Edible Landscaping 11 Container Gardens 12 Classroom 13 Administrative 14 Composting 15 Aquaponics 16 NFT Systems 17 Photovoltaic Panels

DN

2

DN

www.

Consultant Address Address Address Phone

Consultant Address Address Address Phone

Consultant Address Address Address Phone

Consultant Address Address Address Phone

17 12 13

Consultant Address Address Address Phone

ROOF DECK 1/8”=1’0”

11

No.

D


EXTERIOR

12

Built on an abandoned lot, the New York Urban Agriculture Center includes several community garden boxes that are directly adjacent to the building. These allow community members to be involved in the growing process.


WILKES LIBRARY CONCEPT

PROJECT

Honey colored, wood beams are the main design element, while a bright blue is accented in the wall niches and furniture selection. Concrete and other neutral materials add to the inviting atmosphere.

Situated in the westernmost county of West Virginia, Wilkes Library serves as the heartbeat of the civic and cultural life in Harrisburg. With a population of just over 11,000, the design for the library incorporates several different features including a large auditorium space, computers, study rooms, books, music and DVDs, flexible community space, as well as a designated children’s area with bi-weekly children’s programs.

DELIVERABLES Research & Programming Revit Model Floor Plan Reflected Ceiling Plan Space Planning Interior Renderings Exterior Rendering

14


15


16 12 13 11

www.autodesk.com

Consultant Address Address Address Phone

Consultant Address Address Address Phone

Consultant Address Address Address Phone

Consultant Address Address Address Phone

Consultant Address Address Address Phone

4

5

No.

Descriptio

10 8

12 7 5

PETE HARRIS

3

N DOW

2

LIBRA FLOOR

4

1

6

11

Project Number Date Drawn By Checked By

10

Scale


FLOOR PLAN 1/8”=1’0”

9

1 Entrance 2 Book Return 3 Patron Service 4 Study Rooms 5 Book Shelves 6 Staff Offices 7 Circulation Desk

8 Computers 9 Auditorium 10 Restrooms 11 Flex Space 12 Reading Area 13 Children’s Nook

EXTERIOR

17


INTERIOR The main core of the L-shaped building houses the bookshelves and public computers. The two blocks of administrative rooms and offices flank this core which allows the open space to be well utilized for the various library services. The interior features high angled ceilings which give the space a lofty feeling. The wood beams run all the way to the floor, grounding the space and adding visual interest.

18


FURNITURE Organically plush-shaped furniture provides guests plenty of opportunities to sit and enjoy all the programs the library has to offer.

20


DETAILS Wood beams add depth and bring in a unique element. The bright colors and custom seating allow the children’s nook to host multiple activities.


ACCESSORY DWELLING UNIT CONCEPT

PROJECT

The modular shape of the ADU mimics the look of the couple’s existing home, while accents of naturally aged corten steel give contrast.

Located in the heart of Northeast Portland, Oregon the Accessory Dwelling Unit designed for Mark & Kit Olpin provides the perfect guest house and Airbnb space. Both working professionals, the couple wanted an ADU that would complement the design of their modern split level home. The ADU is located behind their main home and sits adjacent to the detached garage.

DELIVERABLES Research on ADU Laws Revit Model Construction Documents Concept Sketches Exterior Rendering Interior Rendering

22


23


EXTERIOR

24

Locally-sourced Douglas fir makes the ADU stand out amongst the lush, green vegetation of Portland. Corten steel accents add warmth to the exterior and an extensive green roof reduces the environmental footprint of the home.


FLOOR PLAN 1/2”=1’0”

1 A401

19' - 0" 5' - 0"

A A400 6' - 5 3/4"

5' - 8"

D

2

2' - 6"

1' - 9"

5' - 0"

B 100 3

LIVING ROOM

15' - 0"

A400

101 3' - 0"

C

3 A500

1 9' - 4"

4' - 4 3/4"

KITCHEN

38' - 0"

5' - 0 1/2"

7/A500 B REF.

2' - 11 3/4"

10' - 6"

B

1' - 10 3/4"

102

103

2' - 3 3/4"

1' - 7"

3' - 10"

BATHROOM

23

7' - 6"

4' - 0"

1/A500

9/A500

19 A500

2' - 0"

5/A500

BEDROOM

8/A500 1' - 3"

4

A

5' - 1 1/2"

A400

A

A

5' - 9"

26 1

2

3


SHOWER

0' - 6"

PAINTED GYP. BOARD

1/2”=1’0”

WHITE ASH CABINETRY

0' - 10"

TILE BASE

WHITE QUARTZ COUNTERTOP

1' - 6"

RESTROOM ELEVATION 1

1

3' - 8"

SHOWER SHOWER

1' - 6"

VANITY CABINETRY

11

1/2" = 1'-0"

A500

2' - 7 1/2"

INTERIOR ELEVATIONS

1' - 2"

1/2" = 1'-0"

A500

PAINTED GYP. BOARD PAINTED GYP. BOARD PAINTED GYP SHOWER

1' - 6"

2' - 7"

1' - 6"

1' - 6"2' - 6"

2' - 6"

1' - 6"

9' - 4"

1' - 6"

1' - 6"

3

2' - 0"

9' - 4"

4' - 11"

4' - 11"

9' - 4"

Kitchen Island Island Top Top Kitchen View 3 View 1/2" = 1'-0" A500 1/2" = 1'-0"

DATE:

DESCRIPTION:

DATE:

#: DESIGNED BY: DRAWN BY:

1/2" = 1'-0"

5

5

A500

RESTROOM RESTROOM ELEVATION 3 8 ELEVATION 4 A500 1/2" = 1'-0" 1/2" = 1'-0"

3' - 0"

A500

1/2" = 1'-0"

16

A500 4' - 11"

Kitchen Island Island Side Side Kitchen View 16 With ViewSink With Sink 1/2" = 1'-0" 3' - 0" A500 1/2" = 1'-0" WINDOW

17

A500

PROJE Numb #: DESIG S. M BY: DRAW S.Mans BY:

A50

CHECKED BY:CHECK S. Ma ISSUED ISSUE : Issue : Dat PROJECT #: DESIGNE BY: DRAWN BY:

3' - 0"

3' - 0"

INTERI ELEVAT & DETA PROJECT Projec MARK:

A500

17

A500

Kitchen Island Side View

3' - 0 1/2"

9' - 4"

= 1'-0"

MARK:

3' - 0 1/2"

3' - 0"

16

3' - 0"

Kitchen Island Side View With Sink RESTROOM 1/2" = 1'-0" 8 ELEVATION 4 TILE BASE

1' - 6"

3"x12" STACKED WHITE ANN SACKS SUBWAY TILE

1/2" = 1'-0" A500 1/2" = 1'-0"

A500 1/2" = 1'-0" WHITE A500 QUARTZ1/2" COUNTERTOP

A500

2' - 0"

6"X18" ANN SACKS WHITE TILE

RESTROOM RESTROOM WINDOW ELEVATION 4 8 ELEVATION 4

3' - 0"

4 1' - 6"

A500= 1'-0" 1/2" 1/2" = 1'-0"

Kitchen Island Island 18 Kitchen 1' - 6" 1' - 6" 2' - 6" ' - 7"

18

A500

6" 1'1'- -6"

RESTROOM ELEVATION 2 7 KITCHEN

8

4' - 11"

RECYCLED GLASS COUNTERTOPS

1' - 6" = 1'-0"

TILE BASE

3' - 0 1/2"

2' - 7"

2' - 7"

9

3

2' - 0"

3' - 0"

3' - 0 1/2"

1/2" = 1'-0"

2' - 0"

27

Kitchen Island Side Kitchen Island 6"X18" ANN SACKS Side WHITE TILE View 17 View 1/2" = 1'-0" 0" A500 1/2" 3' = -1'-0"

0 1/2"

KITCHEN

1' - 6"

Kitchen Island Top View

A500 1' - 1/2" 6"

3

A500

6" 1'1'- -6"

3' - 0 1/2"

7

A500

1' - 6"

RECYCLED GLASS COUNTERTOPS

3' - 0 1/2"

1/2" = 1'-0"

1/2" = 1'-0"

WINDOW

0 1/2"

Kitchen Island

PAINTED GYP

6"X18" ANN6"X18" SACKS ANN SACKS WHITE TILEWHITE TILE PROJECT Projec Numb #: DESIGNED 1' - 2" BY: S. M DRAWN BY: S.Mans

CHECKED BY:S. Ma 6"X18" ANN SACKS ISSUED PAINTED GYPWHITE TILE : Issue Dat

3' - 0 1/2" 3' - 0"

1/2" = 1'-0" A500 1/2" = 1'-0"

A500

3' - 0"

8' - 6"

18

1' - 6" RESTROOM ELEVATION 3 WINDOW A500 = 1'-0" VANITY1/2" CABINETRY

5 WINDOW

RECYCLEDRECYCLED GLASS GLASS COUNTERTOPS COUNTERTOPS

- 0"

1' - 6"

PAINTED GYP.

A500

11

9' - 4"

KITCHEN 7 KITCHEN

7

A500

0' - 10"

3' - 8"

3' - 0 1/2"

2' - 6"

WHITE ASH CABINETRY

1' - 6"

3' - 0 1/2"

8' - 6"

PAINTED GYP. 6"X18" ANN SACKS WHITE TILE 1' - 6" 1' - 6"

WHITE QUARTZ COUNTERTOP

1/2" = 1'-0" 1'-0"

A500= 1/2"

A500

TILE BASE

0 1/2"

2' - 7"

3"x12" STACKED WHITE ANN SACKS SUBWAY TILE

RESTROOM RESTROOM 5 TILE ELEVATION 3 ELEVATION 4 BASE

MARK:

2' - 0"

Accessory Dwelling Unit

1' - 6"

8

0' - 5 1/2" 0' - 5 1/2" 1/2" 0' - 5 1/2" 0'3'- -501/2" 0' - 5 1/2" 0' - 5 1' 1/2" 0' - 4 1/4" - 1 1/2" 0' - 4 1/4" 0' - 4 1/4" 1' - 1 1/2" 1' - 1 1/2"

SUBWAY TILE

8' - 6"

PAINTED GYP. PAINTED GYP.

COUNTERTOP

0' - 6"

1' - 6"

0' - 5 1/2" 0' - 5 1/2" 0' - 4 1/4" 1' - 1 1/2"

1/2" = ANN 1'-0"SACKS

TILE BASE 1/2" = WHITE 1'-0" A500 1/2"QUARTZ = 1'-0"

TILE BASE

RESTROOM 9 ELEVATION 2 RESTROOM A500 1/2" = 1'-0" ELEVATION 1 WHITE 3"x12" STACKED

1

RESTROOM RESTROOM ELEVATION 3 5 ELEVATION 3

5

A500

STACKED A500 A500 3"x12" 1/2"WHITE = 1'-0" WHITE 1/2" = 1'-0" 3"x12" STACKED ANN SACKS ANN SACKS TILE SUBWAY TILE SUBWAY TILE BASE

A500

WHITE QUARTZ COUNTERTOP

RECYCLED GLASS COUNTERTOPS

3' - 0"

1/2" = 1'-0" A500 1/2" = 1'-0"

DESCRIPTION:

WINDOW TILE BASE TILE BASE

2' - 7 1/2"

0' - 5 1/2" 0' - 5 1/2" 0' - 4 1/4" 1' - 1 1/2"

RESTROOM RESTROOM ELEVATION 2 9 ELEVATION 2

RESTROOM 9 ELEVATION 2 KITCHEN

7

TILE BASE TILE BASE PAINTED GYP

PAINTED GYP. BOARD

6"X18" ANN SACKS WHITE TILE

9

2' - 7 1/2"

6"X18" ANN SACKS GYP WHITE PAINTED TILE

SHOWER

A500

1' - 2"

WHITEA500 QUARTZ 1/2"QUARTZ = 1'-0" WHITE COUNTERTOP COUNTERTOP

PAINTED GYP

6"X18" ANN SACKS WHITE TILE

PAINTED GYP

VANITY CABINETRY

11

= 1'-0"

1' - 6"

DATE:

ANN SACKS A500 1/2" SUBWAY TILE

3' - 8"

1' - 2"

WHITE ASH CABINETRY

1/2" = 1'-0"

DESCRIPTION: DATE: DESCRIPTION: DESCRIPTION: MARK: DATE:

PAINTED GYP PAINTED GYP

RESTROOM 1 ELEVATION 1 3"x12" STACKED WHITE

PAINTED GYP.

0' - 10"

A500

A500

6"X18" 6"X18" ANN SACKS ANN SACKS WHITE TILEWHITE TILE

PAINTED GYP PAINTED GYP WHITE QUARTZ COUNTERTOP

MARK:

TILE BASE

1' - 2"

PROJECT DISCRIPTION

1/2" = 1'-0"

RESTROOM 1' - 6" 1' - 6" ELEVATION 3 1/2" = 1'-0" 11 VANITY CABINETRY

5

1' - 2"

WHITE ASH CABINETRY

CHECKE ISSUED PROJE : #: DESIG BY: DRAW BY:

INTERI IN CHECK ELEVAT EL ISSUE : & DETA &

N:

A500

1/2" = 1'-0" A500 1/2" = 1'-0"

A500

3' - 8"

WHITE QUARTZ COUNTERTOP

VANITY CABINETRY 11 VANITY CABINETRY

3' - 0 1/2"

A500

RESTROOM ELEVATION 2 RESTROOM 1/2" 1'-0" 1 =ELEVATION 1

1' - 6"

TILE BASE

3' - 0 1/2"

9

11

TILE BASE

TILE BASE

- 6" 1' 1' - 6"

0' - 6"

1/2" = 1'-0" A500 1/2" = 1'-0"

A500

3' - 8"

0' - 10"

1

3' - 8"

0' - 6"

1' - 6"

RESTROOM RESTROOM ELEVATION 1 1 ELEVATION 1

2' - 7 1/2"

2' - 7 1/2"

0' - 10"

WHITE ASHWHITE ASH CABINETRYCABINETRY

Accessory Dwelling Unit Accessory Dwelling Unit PROJECT DISCRIPTION PROJECT DISCRIPTION Accessory Dwelling Unit Unit Accessory Dwelling Accessory Unit Dwelling

WHITE QUARTZ COUNTERTOP

TILE BASE PAINTED GYP. BOARD

0' - 10"

TILE BASE

WHITE QUARTZ WHITE QUARTZ COUNTERTOP COUNTERTOP

2' - 7 1/2"

SHOWER

0' - 6"

0' - 6"

PAINTED GYP

PAINTED GYP. BOARD

6"X18" ANN SACKS WHITE TILE

A50


PURPLE ROOT CONCEPT

PROJECT

With a simple, clean, and approachable aesthetic, the design for the Purple Root fast-casual restaurant brings together natural materials accented with bright pops of purple.

Purple Root is a fast-casual restaurant aiming to provide healthy, tasty and affordable food. With a 100% vegetarian menu, Purple Root allows more people to enjoy a plant-based dining option. The design for the restaurant includes a small waiting area, ordering counter, and dining room, as well as, back- of-house operations.

DELIVERABLES Branding Package Rendered Floor Plan Interior Rendering Sketches

28


29


BRANDING PACKAGE Developed with simple honesty, the branding for Purple Root inspires a healthy approach to life. The root logo represents the core of Purple Root’s mission, to provide 100% vegetarian options at an affordable price.

30


FLOOR PLAN The restaurant layout includes a small waiting area, ordering and togo counter, dining area, back-of-house operations, and a classroom where individuals and families can take cooking classes.

31


32


INTERIOR Aimed at bringing an inviting aesthetic to the world of vegetarian dining, natural daylight floods the space and brings out the warm tones of the wood. With a slight industrial nod, the grid ceiling detail and simple, drop pendant lighting provide the perfect setting for a quick and healthy meal.


Serenity med spa CONCEPT

PROJECT

Drawing inspiration from the beautiful simplicity of Japanese Zen gardens, the design for Serenity Medical Spa features a light neutral design accented with natural bamboo tones and diffused, soft lighting throughout.

Serenity Medical Spa is located at the south end of the Salt Lake Valley in Draper, Utah. Designed to give a complete tranquil feeling, the medical spa includes several consultation rooms, procedure rooms, as well as a lobby and employee break room.

DELIVERABLES Space Planning Construction Documents Rendered Elevations

34


35


FLOOR PLAN 1/4”=1’0”

39'-63 4" 15'-218"

10'-93 4"

1

12'-412"

BOTOX/LASER ROOM

1

LASER

3 4'-4" 4'-03 8"

1

2'-07 8"

1

BREAK ROOM

4'-63 8"

6'-17 8"

1

1

4'-03 8"

3'-1"

1

3'-1"

1'-115 8"

1

1'-115 8" 1'-115 8"

1'-115 8"

1

1

1'-1112" 1'-115 8"

1'-115 8"

HALLWAY

EXISTING COLLUMN

3

1'-115 8"

1

CONSULTATION

1

13'-13 4"

2

6'-3"

2

7'-818"

10'-418"

1'-115 8"

LAUNDRY STORAGE

2 1'-115 8"

1

2

ESTHETICIAN 2

2

CONSULTATION

12'-612"

JANITOR CLOSET 1'-115 8" 1'-115 8"

1'-115 8"

2

2

5'-103 8"

5'-73 8"

1

1

1

1'-115 8"

1

5'-95 8"

11'-1"

2'-53 8"

4'-03 8" 1

5'-95 8"

ESTHETICIAN

BATHROOM

12'-43 8"

BATHROOM

4'-03 8"

9'-53 4"

1

1'-103 4"

9'-11"

13'-012"

LASER

2

2

CONSULTATION

4'-03 8" 11'-75 8"

2

ERBIUM

2 4"

1'-115 8"

5'-11 4"

2

11'-31

FILE ROOM

1

HALLWAY

1'-115 8"

1

2

2'-6"

2

9'-93 8"

RECEPTION

OFFICE 1

10'-03 4"

36

37'-712"

12'-5"

12'-47 8"

9'


N REFLECTED CEILING PLAN 1/4”=1’0”

EQ.

LEGEND 12'-0"

SYMBOL

EQ.

RECESSED DOWN LIGHT EQ.

EQ.

EQ.

EQ.

2'

12'-0"

NELSON BUBBLE LAMP SAUCER

EQ.

12'-0" 11'-0" EQ. 2'-83 8"

EQ. 10'-0"

3'-4"

EQ.

12'-0"

8'-4"

10'-0" 6'-11 4"

EQ.

11'-6"

VISAGE LIGHT (24")

12'-0"

2'-11 4"

EQ.

1'-212"

EQ.

EQ.

EQ.

EQ.

LAIKA MEDIUM PENDANT LIGHT

EQ.

EQ.

1'-37 8"

1'-918"

EQ.

3'-21 4"

3'-412"

EQ.

4'-35 8"

EQ.

EQ.

EQ.

EQ.

12'-0"

4'-117 8"

EQ.

12'-0"

EQ.

EQ.

7'-101 4"

5'-518"

11'-0"

4'-1112"

9'-11 4"

1'-63 4" 2'-11 4"

2'-412" 1'-9"

3'-55 8"

2'-05 8"

6'-13 4"

11'-0"

6'-218"

12'-0"

EQ.

EQ.

6'-63 4"

EQ.

10'-0"

3'-03 8"

3'-03 8"

EQ.

EQ.

EQ.

EQ.

1'-212"

12'-0"

2'

EQ.

3'-218" 10'-0"

EQ.

FAN

3'-212"

EQ.

11'-0"

2'

12'-0"

N

11'-6"

12'-0"

2'4' FLUORESCENT LIGHT

WALL MOUNTED EXIT SIGN

EQ.

2'-83 8"

EQ.

EQ.

EQ.

EQ.

2'X2' SUSPENDED ACOUSTICAL CEILING GRID

2'-83 8"

12'-0"

12'-0"

SUSPENDED GYP. BOARD CEILING SYSTEM

12'-0"

12'-0"

3'-113 4"

EQ.

EQ.

EQ.

11'-0"

3'-212"

5'

WITT 3 LED SUSPENSION LIGHT

8'-4"

10'-0"

3'-03 8"

2'-11 4"

EQ.

3'-4"

11'-0"

EQ.

EQ.

1'-37 8"

EQ.

5'

3'-113 4"

2'-83 8"

3'-218"

EQ.

7'-101 4"

3'-03 8"

EMPEROR SUSPENSION LIGHT (MEDIUM)

FLOURESCENT STRIP

EQ.

EQ.

3'-412"

EQ.

11'-0"

1'-918"

2'

6'-11 4"

EQ.

12'-0"

EQ.

EQ.

EQ.

EQ.

12'-0"

10'-0"

EQ.

10'-0"

EQ.

4'-35 8"

EMPEROR SUSPENSION LIGHT (SMALL)

3'-21 4"

10'-0"

4'-117 8"

VISAGE LIGHT (60")

12'-0"

EQ.

5'-518"

6'-63 4"

DESCRIPTION

EQ.

EQ.

12'-0"

EQ.

EQ.

EQ.

EQ.

EQ.

12'-0"

12'-0"

12'-0"

EQ.

EQ.

37


MECHANICAL PLAN 1/4”=1’0”

38


INTERIOR ELEVATIONS NOT TO SCALE

1

6

RESTROOM MATERIAL KEY 1 BENJAMIN MOORE SHELL PAINT IN5 MATTE 5 FINISH

5

5

5

4

5. WHITE CLIFFS PENCIL RAIL

4

4'

4'

4. LINDEN POINT GLAZED 4 PORCELAIN TILE 4

4'

4'

5

4

4

RESTROOM

6. BENJAMIN MOORE CLASSIC GREY PAINT IN SEMI-GLOSS FINISH 7 7

5 5 4'

4 4'

5

4

4

4

8

RECEPTION

5 4'

7'-14'7 8"

5

4

1

4'

7. WHITE CLIFFS STRAIGHT JOINT MOSAIC TILE

7'-17 8"

8

EMPLOYEE BREAK ROOM

8

8 9

2'-9"

2'-3"

2'-9"

8'

8'

9

2'-3"

8

8

HALLWAY

2'-3"

2'-3"

2'-9"

8'

8'

9

3

1 2

10'-6"

6

10

10

39


work hive CONCEPT

PROJECT

The design for Work Hive combines several bold graphic elements with a fresh and bright color scheme to inspire creativity and collaboration in an innovative atmosphere.

Work Hive provides a shared, collaborative workspace and small business incubator for professionals of all kinds in Provo, Utah, aptly dubbed “Silicon Slopes�. The design for the space fosters a community of fun, motivated, and entrepreneurial individuals who work hard and build great things together.

DELIVERABLES Fitwel Research Furniture Specifications Master Format Specifications Rendered Elevations Space Planning

40


41


RESEARCH

*According to the The National Human Activity Pattern Survey: A Resource for Assessing Exposure to Environmental Pollutants, nearly 90% of our day is spent indoors.

5 Elements of Coworking Space Design: 1 SHARED SPACE TO INTERACT

3 CUSTOMIZED MEETING EXPERIENCES

2 PRIVATE SPACE TO FOCUS

4 SERIOUS FLOW

90%

5 WELCOME INTERRUPTIONS

FITWEL Productivity losses related to personal and family health problems cost U.S. employers $225 billion annually.

1

IMPACTS COMMUNITY HEALTH1

REDUCES MORBIDITY + ABSENTEEISM2

(Centers for Disease Control and Prevention, 2015-2016 Work@Health Program)

Indoor pollution is estimated to cause thousands of cancer deaths and hundreds of thousands of respiratory health problems each year. 2

(U.S. Environmental Protection Agency Report) 3

PROVIDES HEALTHY FOOD OPTIONS4

INSTILLS FEELINGS OF WELL-BEING3

Focused work increased by 15% for those who had window views.

(Health, Wellbeing & Productivity in Offices: The next chapter for green building, World Green Building Council)

Greater fruit and vegetable intake is associated with a 27% lower odds of depression.

4

(The association between fruit and vegetable consumption and mental health disorders: evidence from five waves of a national survey of Canadians. McMartin, SE, FN, Jacka and Colman)

FLOOR PLAN 9

8

7

1

3

4

6 5 2

42


FURNITURE SPECIFICATIONS

1

SETU CHAIR - HERMAN MILLER

2

4

PENNY TABLE - HIGH TOWER

CANVAS BEAM - HERMAN MILLER

3

5

SAYL CHAIR - HERMAN MILLER

6

7

PEER TABLE - GEIGER

HAPPY LOUNGE - HIGH TOWER

EAMES TABLE - HERMAN MILLER

8

PLEX LOUNGE - HERMAN MILLER

9

RAGLAN SOFA - ANDREU WORLD

43


INTERIOR ELEVATIONS NOT TO SCALE

Coworking is sharing: Shared space. Shared resources. Small businesses and start-ups need to keep overhead costs down, so coworking is often a great solution. The design fosters collaboration through versatile seating options, a variety of workspaces, and several different meeting rooms. With a minimal but impactful graphic approach, the custom wall pattern adds interest while moments of orange and red complete the space. WORKSTATIONS

44


LARGE CONFERENCE ROOM

SMALL CONFERENCE ROOMS

45


hyrum city transit center CONCEPT

PROJECT

The design has a softened industrial aesthetic with exposed ceiling beams, boardformed concrete, and polished terrazzo floor. Rich textures and bright blue accents give the space an active feeling.

Located at the south end of Cache Valley, Utah Hyrum City has grown tremendously in the past five years. In order to keep up with this growth, it’s crucial the city provides a new park and ride transit center. The design takes a holistic approach to the integrative process of interiors, architecture, and landscape. With ample seating, modern spacious restrooms, and a small bistro, the Hyrum City Transit Center is a travel hub for visitors and year-round residents.

DELIVERABLES Site Analysis Rendered Site Plan Revit Model Construction Documents Interior Renderings Exterior Rendering

46


47


800 E

SITE DIAGRAMS

Blacksmith Fork Canyon Rd

SITE PLAN NOT TO SCALE

5

48


AMENITIES

VIEW AXIS

VEGETATION

7

6 8 1

2

LEGEND

4

3

LEGEND 1 Transit Center 2 Bike Parking 3 Public Sculpture 4 Courtyard Space

1 Information Desk 2 Lounge Seating 3 Vertical Garden 4 Cafe 5 Living Wall 6 Restrooms 7 Storage Hydroponics 58 Electric Vehicle Chargers Aeroponics 69 Covered Waiting Area 7 Seating 8 Recreation Area

49


115' - 6"

FLOOR PLAN 80' - 10 1/2"

D

107

24' - 3 1/2"

A

108

5 24' -

3/4"

1 A106

TICKET KIOSK

24' -

1

" 3 1/2

COUNTER

1' - 1

5" 11' -

11" 17' -

150 SF

"

16' -

0" 4' - 2

"

1/4"

0 4' - 1 1/4"

105 C-3/A

2' - 8

105 C-5/A

3/4"

VENDING MACHINES 105 B-5/A

4' - 2

11' -

2

9 1/4

"

A106 49' -

B

0 1/2

"

11' - 9 1/4"

B-1

69' - 3 3/4"

FLOOR PLAN 3/16" = 1'0"

60' - 0" 6' - 0"

6' - 0"

6' - 0"

6' - 0"

6' - 0"

6' - 0"

6' - 0"

6' - 0"

6' - 0"

9' - 0"

A

7' - 0"

2' - 0"

6' - 0"

18' - 0"

A-1

50

3' - 0"

3' - 0"

12' - 0"

18' - 0"

CURTAIN WALL A 1/4" = 1'0"

1

2

" 8 1/2

5" 17' -

6' - 2

1/2"

105 C-1/A

1' - 1

3' - 4

38' - 9 3/4"

14' 1/2"

3/4"

105 B-3/A

TICKET MACHINES

" 5' - 0

1/2"

105 B-2/A

7' - 0

3' - 4

105 D-1/A

5 A105

3/4"

105 D-3/A

105 D-5/A

105 A-2/A

63' - 1"

C

111

3


34' - 7 1/2"

1

2

A107

5' - 0"

A107

2' - 0"

BISTRO

"

3/4"

2' - 0

3' - 7

13' - 0 1/2 "

"

41' - 7 1/4"

8' - 2

1/4"

105 B-4/A

4' - 6

103

SEATING

OFFICE 3

3/4"

170 SF 14' - 4"

PARK & RIDE TRANSIT CENTER

8' - 0 1/4

"

2' - 7

OFFICE 2 135 SF 4' - 3"

102 C 100

B

DESCRIPTION:

16' - 9 1/4"

16' - 2 3/4 "

PROJECT ADDRESS

110

OWNERS NAME

15' - 0"

1' - 9"

Owner

104

HYRUM CITY TRANSIT CENTER

"

15' - 0"

5' - 8 1/2

15' - 7 3/4 "

4 106 SF

105

46' - 7 1/4"

13' - 0 1/2 "

10' - 10 3/4

"

COUNTER

5' - 10 1/4"

MARK:

DATE:

28' - 6 1/2"

PROJECT Project Number #: DESIGNED BY: PFH DRAWN BY: PFH

23' - 4 1/2" 6' - 0"

12' - 7 3/4"

5' - 4 1/2"

9' - 0" 6' - 0"

3' - 0"

3' - 0"

7' - 0"

7' - 0"

9' - 0"

CHECKED BY: ISSUED :

2' - 0"

6' - 0"

2' - 0"

6' - 0"

6' - 6"

11' - 4 1/2"

6' - 1 3/4"

FLOOR PLAN A-3 CURTAIN WALL B

A-5

1/4" = 1'0"

A101

CURTAIN WALL C

1/4" = 1'0"

4

5

51


FINISH PLAN

D

W-1

P-3

T-1 TICKET MACHINES

T-1

C

P-3

P-3

P-1

T-2

TZ-1

T1

COUNTER

T-1

W-1

T-1

T-1

T-1

P-1

T-1

T-1

VENDING MACHINES

T-2

P-1

T-1

T-1

B

B-1

FINISH PLAN 3/16" = 1'0"

P-1

AF-15 MIST - BENJAMIN MOORE

P-2

2068-20 SLATE GREY - BEJAMIN MOORE

P-3

AF-530 GLACIAL TILL - BANJAMIN MOORE

T-1

9X36 FIELD TILE, CM09 STONEWALL COAL - DALTILE

T-2

20X20 FIELD TILE, CC10 GRAY - DALTILE

C-1

24X24 CARPET TILE - SPACEWORX, GREY HERRING - SHAW CONTRACT

TZ-1

A-1

52

3 1/2"

1 3/4"

A

BIRCH WOOD STAINED WITH CLEAR COAT

5/8"

W-1

2"

5/8" "J" CASING BEAD

1/4"

5/8" GYP BOARD DOUBLE STUDS @ HEAD & JAMB TYP.

SAND BUFF TERRAZZO - TOP END TERRAZZO

A-3

FINISH LEGEND

DOOR JAMB DETAIL

3" = 1'0"

1

2

3


COUNTER

P-3

P-1 TZ-1

P-2 SEATING

C-2 TICKET MACHINE

P-2

P-2

PARK & RIDE TRANSIT CENTER

P-1

C-2

MARK:

DATE:

DESCRIPTION:

P-2

PROJECT ADDRESS

W-1

OWNERS NAME

HYRUM CITY TRANSIT CENTER

P-1 P-1

Owner

TZ-1

JOINT TYP. 1/4"

WALL

WOOD JAMB

PROJECT Project Number #: DESIGNED BY: PFH DRAWN BY: PFH

THINSET WALL TILE ASSEMBLY WALL

CHECKED BY: ISSUED :

STAINLESS STEEL SCHLUTER

DOOR

TILE BASE B-1 SEALANT JOINT MATCH TYPICAL FLOOR JOINT WIDTH

SEALANT JOINT MATCH TYPICAL FLOOR JOINT WIDTH

TYPICAL FLOOR TILE ASSEMBLY

TYPICAL FLOOR TILE ASSEMBLY

6"

4 3/4"

P-1

FINISH PLAN A-4

A-5

TILE WALL BASE DETAIL

1 1/2" = 1'0"

A104

TILE BASE GYP DETAIL

1 1/2" = 1'0"

4

5

53


INTERIOR ELEVATIONS 19' - 6 1/2"

11' - 5"

PAINTED GYP. CEILING 7' - 0"

MIRROR (7'X3'6") STALL

3' - 6"

D

5' - 0"

6"X36" TILE

D-1 MEN'S RESTOOM WEST ELEVATION

1' - 0"

TERRAZZO FLOOR

FOR ADA MOUNTING HEIGHTS REFER TO A-3

D-3 MEN'S RESTOOM EAST ELEVATION

1/4" = 1'0"

FOR ADA MOUNTING

1/4" = 1'0"

19' - 4 3/4"

3' - 4"

4' - 9 3/4"

PAINTED GYP. CEILING 6"X36" TILE

7' - 0"

3' - 6"

C 5' - 0"

MIRROR (7'X3'6") BABY CHANGING STATION

TERRAZZO FLOOR

C-1 WOMEN'S RESTOOM WEST ELEVATION

FOR ADA MOUNTING HEIGHTS REFER TO A-3

C-3 WOMEN'S RESTOOM EAST ELEVATION

1/4" = 1'0"

FOR ADA MO

1/4" = 1'0"

PAINTED GYP CEILING 6"X36" TILE

10' - 0"

10' - 0"

MIRROR

B

BABY CHANGING STATION

D-5/A105

D-3/A105

D-1/A105

TERRAZZO FLOOR

B-2/A105

B-2

MEN'S RESTOOM SOUTH ELEVATION FOR ADA MOUNTING HEIGHTS REFER TO A-3

B-3

1/4" = 1'0"

WOMEN'S RESTOOM NORTH ELEVATION

FOR ADA MOU

1/4" = 1'0"

C-3/A105

C-1/A105

B-3/A105

PAINTED GYP CEILING

C-5/A105

54" MIN. 10' - 0"

36" MIN. TICKET MACHINE

6" MIN.

12" MAX.

GRAB BAR

33"-36"

TERRAZZO FLOOR

GRAB BAR

TOILET PAPER TOILET

1' - 6"

A

39"-41"

PAINTED GYP

VITREOUS CH INA TOILETS HIGHLINE K-3427

36" MAX.

1' - 6"

TOILET GRAB BA

5

54

ENLARGED RESTROOM PLAN

A-2

1/4" = 1'0"

TICKET MACHINES

A-3

1/4" = 1'0"

1

ADA MOUNTING HEIGHTS 1/4" = 1'0"

2

3


4' - 9 3/4"

11' - 7"

3' - 4"

PAINTED GYP. CEILING

4' - 0"

PAINTED GYP. CEILING 6"X36" TILE

6"X36" TILE

PAINTED GYP.

STALL 5' - 0"

BABY CHANGING STATION

PAINTED GYP.

TERRAZZO FLOOR

TERRAZZO FLOOR

G HEIGHTS REFER TO A-3

D-5 MEN'S RESTOOM NORTH ELEVATION

FOR ADA MOUNTING HEIGHTS REFER TO A-3

6"X36" TILE 5' - 0"

6"X36" TILE STALL

MIRROR

TERRAZZO FLOOR

TERRAZZO FLOOR

C-5 WOMMEN'S RESTOOM SOUTH ELEVATION

FOR ADA MOUNTING HEIGHTS REFER TO A-3

1/4" = 1'0"

PAINTED GYP CEILING

6"X36" TILE

TILE

PAINTED GYP CEILING

PAINTED GYP 10' - 0"

BABY CHANGING STATION

10' - 0"

TICKET MACHINE DRINKING FOUNTAIN WITH WATER BOTTLE FILLING STATION

TERRAZZO FLOOR

VENDING MACHINE

DESCRIPTION:

PAINTED GYP CEILING

Owner

PAINTED GYP.

PROJECT ADDRESS

PAINTED GYP. CEILING

PAINTED GYP. CEILING

OUNTING HEIGHTS REFER TO A-3

TERRAZZO FLOOR

DATE:

TERRAZZO FLOOR

TICKET MACHINE & DRINKING FOUNTAIN

FOR ADA MOUNTING HEIGHTS REFER TO A-3 B-5

1/4" = 1'0"

WOMEN'S RESTOOM - D ELEVATION

MARK:

UNTING HEIGHTS REFER TO A-3 B-4

1/4" = 1'0"

PROJECT Project Number #: DESIGNED BY: PFH DRAWN BY: PFH

18" MIN.

CHECKED BY: ISSUED :

MIRROR

MIRROR

ARS

LAVATORY/MIRROR

DRINKING FOUNTAIN

FEC & FE

HAND TOWELS

27" MIN.

4' - 0"

SOAP DISH

34" MAX.

4' - 0"

4'-0" MAX.

TP OPERABLE PART

4'-0" MAX.

8" MIN. 6" MAX.

3'-0" MAX.

9" MIN.

40" MAX.

34" MAX.

27" CLR.

40" MAX. 32" MAX. 29" CLR. MIN. LAVATORY/MIRROR

PROTECTIVE SHIELD ON ALL EXPOSED PLUMBING HARDWARE (ALL SINKS - TYP.)

2'-3" MIN.

6" MAX.

TP OPERABLE PART

1'-5" TO 1'-7" SOAP DISPENSER

40" MAX.

R

11' - 7"

OWNERS NAME

4' - 2 1/2"

PARK & RIDE TRANSIT CENTER

11' - 3 1/4"

HYRUM CITY TRANSIT CENTER

1/4" = 1'0"

BABY CHANGING STATION

INTERIOR ELEVATIONS

A105 4

5

55


EXTERIOR

56

The simple but striking roofline of the building’s architecture serves as the focal point to the backdrop of the beautiful Cache Valley night sky. Boardformed concrete exterior and natural wood accents complete the design.


INTERIOR The central core structure, which contains the ticket kiosk and information desk, is wrapped in floor to ceiling wood slats. White architectural beams are fastened to it with reclaimed metal supports. Lounge seating, in blue and a classic black and white print, allow guests to relax while they wait for their bus to arrive. A polished terrazzo floor and board-formed concrete finish the space.

58


60

801.913.7077 peterf.harrison@gmail.com


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