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urban projects

www.pereplanells.com

urban projects I'm working on space projects with the idea of integrating them in urban areas, park or other public spaces. Here I present several projects, some very recent and previous ones, all of them, but there is a development of elementary forms. I try to relate the emotions that contain elemental forms and geometric possibilities of distribution space and basic presence, in short, the composition of the three-dimensional space. A work is a work made in Palaflugell and was placed in Tamariu, Baix Emporda, Costa Brava in Catalonia. One of the features of this work was his generation on the basis of what I call generative geometry variations with modular it entails. Project scale or scale all variable, if you prefer, which allows me to accept projects for indoor and outdoor use.

Urban projects HEXÀ – ESTABLES Hexà-estables is a project to find a perceptive relationship with the geometry of space. You are sectioned front six cubes, where the role is what is not seen directly that gives name to the project, which is another section of the cube lies down on the floor on which each of these pieces. The six pieces each have a different section of support but with the following characteristics: the first three parts are based on equilateral triangles, isosceles triangles over the next two and the sixth and last on a scalene triangle. The sections of the cubes go through third parties which have been divided by the sides where the cut that defines each of these sections. I used the project to pay tribute to Euclid's father, or at least the collector, the geometry of antiquity has reached us.

Recent works

HexĂ -estables.Tribute to Euclid. Pere Planells 2015 Project to be made in weathering steel.

Urban projects URBAN PROJECTS

(CONCAVE - CONVEX)

This set of papers from two square plates a2 + a2 orthogonal to the floor and orthogonal to each other. The first person to whom I felt a systematic approach to the importance of the relationship was perpendicular to the horizontal-DES teacher. A. Dondis, in his book The syntax of the image. While it defines the basic elements of visual language and get to studying management, talks about the horizontal-vertical reference; in relation to this symbiosis directional says: The basic meaning not only has to do with the relationship between the human body and its surroundings but also the stability of all issues visuals. I had almost parallel drainers know the open and theories of Jorge Oteiza its work Quoque Tandem ...! in which presents a vision of the Basque soul, which, among other things, speaks of Basque pelota in its concavity which develops the game of pelota. Oteiza, also worked in his sculptural work on the concepts in the space of two perpendicular. They are referring, starting points distant relation of my intention to develop a series of projects, starting with the two orthogonal I described input. Origins surfaces are likely to be bent and thus redirected can be partially amputated, and so are all these forms amputated may be relocated in the set. Through the kinks possible on the plates mother can generate parallel planes to land with which to create feelings of shelter, both on the concave or convex. Ironing amputations and amputations in these translations allow proposing new aesthetic forms and references that complement the basic dichotomy large concavity-convexity and can bring new meanings added to the already rich in itself the double significance of perpendicular plates base.

Convex-concave. First project. Vision concavity. Project to be made in weathering steel.

Convex-concave. First project. Vision convexity. Project to be made in weathering steel.

The interest has developed works around the concavity and convexity produced by two planes originating a2 + a2, derived from different and opposing aesthetic tensions they produce. The concavity presupposes a certain interior recollection, convexity implies outsourcing and directional requirement. This dialectical tension between these two aesthetics, give us a level of thought, I referred to the contents and the other (on you), the ego and super-ego, an open border between seemingly opposing elements.

Convex-concave. Second project. Vision concavity. Project to be made in corten iron (like rusty iron.)

Convex-concave. Second project. Vision convexity. Project to be made incorten iron (like rusty iron.)

Through the kinks possible on the plates mother can generate parallel planes to land with which to create feelings of shelter, both on the concave or convex. Ironing amputations and amputations in these translations allow proposing new aesthetic forms and references that complement the basic dichotomy large concavity-convexity and can bring new meanings added to the already rich in itself the double significance of perpendicular plates base.

Convex-concave.Third project. Vision concavity. Project to be made in corten iron (like rusty iron.)

Convex-concave.Third project. Vision convexity. Project to be made in corten iron (like rusty iron.)

Convex-concave. Fourth project. Vision concavity. Project to be made in corten iron (like rusty iron.)

Convex-concave. Fourth project. Vision convexity. Project to be made in corten iron (like rusty iron.)

Urban projects

THE DOORS ASYMMETRY It is a project that continues and extends, in some way, the project that we have called Concave - convex. We start this time a broken line extruded length variable in this case would constitute the base piece. We wanted to continue evaluating other aspects of concave and convex parts that define the base and we have incorporated asymmetric geometry of two types, sloping lines that break weight, somehow, the pieces base and arched doors point upward and downward, which also include access to both the front of the bar that somehow raises the base piece. Yet in the final horizontal forces dominate the density and give enough weight so that the iron as formal composition. The positions of expressive elements are located numerically thirds of each of the planks of the base form. These thirds are also formally break excess balance and density of the base piece. The project is proposed to be made with corten iron (like rusty iron.)

The doors asymmetry project.. First and second wiew.. Project to be made in corten iron (like rusty iron.)

The doors asymmetry project.. Third and fourth wiew.. Project to be made in corten iron (like rusty iron.)

The doors asymmetry project.. Fifth and sixth wiew.. Project to be made in corten iron (like rusty iron.)

Urban projects

PLAISE THE FIGHT Fight will try to move the situation to improve. We talked about the bloody struggle as a phenomenon, we speak of a struggle to find new horizons, to conduct human desires to be overcome to achieve higher levels of consciousness or improve the economic situation, to launch projects. The fight is an effort, they work. The struggle is directed and conscious dynamism. On this basis we have started this project to be realized in corten iron (iron rusty like, perhaps have lived in the sea). A project like this you will see in the various images has evolved even changing direction. It is also in this kind of study of forms in space, going gradually meditating and analyzing new ideas and / or impressions that generate these models from the contemplation and analysis.

Plaise the fight project.. First and second wiew Project to be made in corten iron (like rusty iron.)

Plaise the fight project.. Third wiew Project to be made in corten iron (like rusty iron.)

Developments Plaise the fight project.. Fourth and fifth wiew. Project to be made in corten iron (like rusty iron.)

Developments Plaise the fight project.. Sixth, seventh and eighth. Project to be made in corten iron (like rusty iron.)

TREE OF WINDS

On 4 April 2018 planted the first monumental sculpture Tamariu, Costa Brava in Catalonia. It was conducted by the locksmith Llenas Palaflugell which entitles tree winds. The different modules generative process geometry on the work carried out are aimed at leading wind. The top looks to north wind from the north wind which sends the Emporda.

OTHER WORKS

http://issuu.com/pereplanells/docs/cat_legs_i_projectes http://issuu.com/pereplanells/docs/flors_en_el_desert http://issuu.com/pereplanells/docs/cubic

Recalling Oteiza

C ú b i c

Drawings in graphite forms Porto Alegre basic catalog on graph paper.

After making drawings of the 16 variables in the catalog of possible figures, plus some testing combinations 3D

To enhance the qualities of the trees I designed 3D Porto Alegre eight of the 16 formal possibilities in a kind of wood, and the other eight in another. On this page you can see the first eight variables ...

These variables are the second eight units of Porto Alegre catalog.

Porto Alegre sculptures

Detail of the glass of the fifth Series two tree wood ...

CURRICULUM VITAE

CURRICULAR ACADEMIC DATA: Bachelor of Fine Arts from the University of Barcelona. Assistant NY expressionist artist Gordon Smart Relay (Summer 1968). Film Studies at the School of Barcelona Independent Film Aixelà. Co-director of the Museum of Contemporary Art of Ibiza in 1976. Permanent Professor of Drawing in Els tres turons Institute of Arenys de Mar. PhD in Fine Arts from the University of Barcelona with the thesis: Contributions theoretical and practical versatility, developing modular and location. GROUP EXHIBITIONS: 1a. Exhibition of Figurative Art (School of Fine Arts of Sant Jordi, Barcelona). Gallery of Modern Art, as a member of the Group Relations Francesc Juan (Barcelona). Artistic Circle of Lleida (Relació group) Lleida. Twain Gallery (Relació group). Barcelona. Sa Tanqueta (Relació group). Santa Eulalia del Rio, Ibiza. Chez Art (Relació group) Santa Eulalia del Rio, Ibiza. Salón de Agosto. Museum of Contemporary Art of Ibiza. Ibiza. The Drugstore Passeig de Gracia. Barcelona Sala Vallribera. Pormany San Antonio, Ibiza. In Side Out (Relació group) Ibiza. Gallery Aquitaine. Barcelona. Spring Salon. Museum of Contemporary Art of Ibiza. Ibiza. Fred Lanzemberg Gallery. Ibiza. Gallery hide. With Manuel Trallero. Santiago de Compostel.la. Municipal Gallery of Arenys de Munt. Arenys de Munt. Urbe Art Gallery. Alcudia, Mallorca October 1990. The World Exlibris Artists Exhibition 1991-1992. Sapporo (Japan). September 1992. Exhibition Hall of the City of San Jose (Ibiza). March-April 1993. Cámara Oficial de Comercio Espain in Belgium. Brussels (Belgium). From 20 to 30 November 1995. Developer culturals projects, and educational equity. Curator. EXHIBITIONS: Pussicat Gallery (Santa Eulalia del Riu). Ibiza). Gallery Ibiza (Ibiza). Niu Gallery (San Juan. Ibiza). Mida gallery (Ibiza). Photo Pension Fund La Caixa (Ibiza). Museum of Contemporary Art (It Powder Room. Eivissa). Cultural Center of the Savings Bank of Balears Sa Nostra. (Ibiza). Exhibition Hall of the Ateneu Arenyenc (Arenys de Mar). The champagne-Wood Gallery (Calella). San Juan (Day of the Catalan Countries) painted a mural on the street on canvas 15 x 5 m. (Arenys de Mar, June 1990). Room Central de Muro (Mallorca October 1990). Cultural Hall of Sa Nostra Caixa de Balears (Ibiza, November 1990) Father Fidel Fita Popular Library of Arenys de Mar (December 2002, January 2003). Calisay showroom building, November 2003 (Arenys de Mar) .The April 4, 2008 Pere Planells plant his first sculpture at Tamariu, conducted by the locksmith Llenas Palaflugel. Work entitled; Generative version of the compass or simplifying Tree wind

If for some reason you want to connect with me you can do so via the following email: pere.planells@gmail.com

pere.planells@gmail.com