2d2n_broshure_2018_engl

the idea and artistic conception: International public organization

Association New Music Ukrainian

section of the International

Society

for

Contemporary Music/ISCM

Financial support Ministry of Culture of Ukraine (Kiev, Ukraine) Odessa Regional State Administration (Odessa, Ukraine) Odessa Regional Council (Odessa, Ukraine) Odessa City Council (Odessa, Ukraine) Department of Culture and Tourism, Nationalities and Religions of the Odessa Regional State Administration (Odessa, Ukraine) Department of Culture and Tourism of Odessa City Council (Odessa, Ukraine) Goethe-Institut Kiew – Deutsches Kulturinstitut (Kiev, Ukraine) German Cultural Centre Bavarian House, Odessa (Odessa, Ukraine)

Adam Mickiewicz Institute (Warsaw, Poland) POLSKA 100 (Poland) Istituto Italiano Di Cultura (Kiev, Ukraine) MURATH music performance art theatre (Vienna, Austria) Institut Français d’Ukraine (Kiev, Ukraine) National Ukrainian Composers’ Union (Kiev, Ukraine) Odessa National A. V. Nezhdanova Music Academy (Odessa, Ukraine) Odessa Branch of the National Ukrainian Composers’ Union (Odessa, Ukraine)

Embassy of the State of Israel in Ukraine (Kiev, Ukraine)

general informational sponsor:

Andriy Azarov Charitable Foundation (Odessa, Ukraine)

Media-holding 100% (Odessa, Ukraine)

Ciacan Charity Foundation (Odessa, Ukraine) Law Office Danilko and Partners LLC (Odessa, Ukraine) AE Vekka LLC (Odessa Region, Ukraine) InterChem SLС (Odessa, Ukraine) French Boulevard TM (Odessa, Ukraine)

informational support Muzyka Magazine (Kiev, Ukraine) Diplomat All-Ukrainian Magazine (Kiev, Ukraine) Kultura i Zhyttya Newspaper (Kiev, Ukraine) Den’ Newspaper (Kiev, Ukraine)

Kryvoozers’ka FFF SLC (Ukraine)

100% Business Publication (Odessa, Ukraine)

Cooperation partners

Modnyj Mandarin Magazine (Odessa, Ukraine)

Pro Helvetia – Swiss Arts Council (Switzerland) WAVES BRATISLAVA (Bratislava, Slovakia) Slovak Arts Council (Bratislava, Slovakia) Ministry of Culture and National Heritage of the Republic of Poland (Warsaw, Poland) General Consulate of the Republic of Poland in Odessa (Odessa, Ukraine) POLSKA STULECIE ODZYSKANIA NIEPODLEGŁOŚCI (Poland)

Favourite of the Luck Magazine (Odessa, Ukraine) Vechernyaya Odessa Newspaper (Odessa, Ukraine) TV channels: ONT, RENOME, 100% (Odessa, Ukraine) National Radio Company of Ukraine, Art Programs’ Production Department (Kiev, Ukraine) Odessa Regional Radio, Creative Group Iryna and Radio na Troyits’kiy (Odessa, Ukraine) Situatsiya UTE Programme (Odessa, Ukraine)

president

artistic director

Bernhard WULFF

Karmella TSEPKOLENKO

director

Oleksandr PEREPELYTSIA

organizing committee: Olena Olijnyk – Head of the Department of Culture and Tourism, Nationalities and Religions of the Odessa Regional State Administration Tetyana Markova – Head of the Department of Culture and Tourism of Odessa City Council Oleksandr Sokol – Rector of the A. V. Nezhdanova ONMA, Ph.D in Musicology, Professor, Academician, Honored Arts Worker of Ukraine

Ihor Shcherbakov – Head of the National Union of Composers of Ukraine, Professor of the National P. I. Tchaikovsky Music Academy of Ukraine Lesya Olijnyk – Vice Rector of P.I.Tchakovsky NMAU, Secretary of the National Union of Composers of Ukraine, General Secretary of the Ukrainian National Committee of the International Music Council, Honored Arts Worker of Ukraine

staff:

photo:

Hasmik Khachatryan Vasyl Lutchak Oleksandr O.Perepelytsia

Stepan Alekyan Vitaliy Pin'ko Viktor Sivak Oleg Vladymyrsky

recording and sound team:

Studio Arcadia (Kiev)

festival venue:

Iouri Semenov

Odessa Regional Philharmonic 15, Bunin Str. Tel. (+380 48) 725 15 36

design:

festival direction:

Oleksandr O. Perepelytsia idea by

Association New Music Tel. (+38) 0677089037

Dmytro Oreshnikov Oleksandr Shevelyov

e-mail: karmella@ukr.net website: www.anm.odessa.ua

editor and translator:

publisher:

Association New Music

www.facebook.com/2d2nfestival

Since Spring connotes a blossoming of nature and birth of the New, and since it is also a time of flash and joy in the human soul, the month of April has been selected for “Two Days and Two Nights of New Music.”

With each passing year it is more and more evident that Ukrainian society wants to determine and establish itself as a European one, and it is in the sphere of culture and arts where the coming innovations must express this aspiration in the most striking way. In this sense, the “Two Days and Two Nights of New Music” Festival, which was initiated in the first years of the renewed Ukrainian independence, has become a forerunner of Ukraine’s joining to the European and worldwide cultural space, as well as a truly efficient tool for its cultural integration.

Our Festival is aimed at developing the newest art trends and encouraging the most unexpected creative experiments, inspiring human hearts to enjoy the atmosphere of great mystery accompanying the birth of beauty.

Once again, this year we thank luck for getting an opportunity to welcome our friends who again participate in the Festival.

As well, we are glad to make the acquaintance of new participants and guests who will surely become friends of the 2D2N community.

The Festival is growing more and more renowned all over the world. We are satisfied at having achieved our main objective: “Two Days and Two Nights of New Music” has to a great extent allowed contemporary Ukrainian music culture and Ukrainian composers’ creative works to rank high in the world. Owing to the Festival, the Association New Music was founded – now this international organization is the Ukrainian National Section of the International Society for Contemporary Music / ISCM. Taken together, these facts constitute a pledge for the further existence of “Two Days and Two Nights of New Music.”

During several last years, the Festival has been carried out in an extraordinary situation. Ukraine is going through the largest crisis since its independence. In fact, it is the cruel war against our country. At the same time, this war means a crisis of the entire world order, but in the most painful way it has affected us, Ukrainians. Therefore, we are especially grateful to all who, despite all threats and challenges, are participating in the Festival. Today, it is a great support for Ukraine and Ukrainian culture. Thanks to you all!

With a feeling of great gratitude to all our sponsors, and with the confidence that this 24th edition of the “Two Days and Two Nights of New Music” Festival will become a real feast of music, we welcome all participants and guests and wish you creative inspiration and joy while immersing yourselves in the element of music!

President of the Festival

Bernhard Wulff

Artistic Director of the Festival

Karmella Tsepkolenko

Director of the Festival

Oleksandr Perepelytsia

CONCERT – PRELUDE programme

April 16

April 20

17.00 |

12.00 | Concert in Memory of

Miroslav Skoryk's 80th anniversary

In the program of piano and chamber music Performed by students of the piano department of the Odessa K. F. Dankevich of Arts and Culture Colleges

Borys Liatoshyns’kyj (1895–1968)

In Memory of the 50th Anniversary of the Composer’s Death The Preludes for piano:

S. Futuima, D. Kreeva, M. Kolodochka, V. Malyuk, O. Zaharchuk, T. Sokolova, E. Semenyuk, V. Vorotintseva, V. Arnaut, M. Teplichuk

The Mourning Prelude (1920)

(Music Lounge of Odessa Regional Philharmonic, Bunina Str., 15)

Sonata for violin and piano, op.

19 (1926)

Three Shevchenkian Preludes, op. 38 (1942) Two Preludes, op. 38-bis (1942) Five Preludes, op. 44 (1943)

perfomed by

April 21

12.30-13.30 | Master-Class

Snežana Nešić (RS) button accordion (Conference Hall of Odessa National A. V. Nezhdanova Music Academy, Novosel’s’koho Str., 63)

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LIDIYA SHUTKO (UA) violin OLEKSANDR KOZARENKO (UA) piano

(Great Hall of Odessa National A. V. Nezhdanova Music Academy, Novosel’s’koho Str., 63)

15.00-17.00 | Master-Class

Boris Alvorado (CL) composer

(Room No. 402 of Odessa National A. V. Nezhdanova Music Academy, Novosel’s’koho Str., 63)

the first day

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April 21

the first night

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April 22

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9

the first day

| April 21

KONZERT–GRAND–SZENE 1 KONZERT–GRAND–SZENE 2 16.00 | GRAND OPENING N.A. Huber (DE) Clash Music (1988)~ 3` Welcome words ~ 30` Michael Murphy (CA) A-Frame (2017/18) ~ 8` performed by PERCUSSION ENSEMBLE OF FREIBURG MUSIC UNIVERSITY (DE) Florian Veit (DE) Sebastian Stetter (DE) Michael Murphy (CA) PERCUSSION ENSEMBLE OF BASEL MUSIC UNIVERSITY (CH) Bertrand Gourdy (FR) Dino Georgeton (US) BERNHARD WULFF (DE) artistic director Georges Aperghis (GR/FR) Retrouvailles (2013) ~ 8` Yiran Zhao (CN) Ohne Stille (2014/15) ~ 6` performed by Bertrand Gourdy (FR) percussion Dino Georgeton (US) percussion

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17.00 | DUEL-DUO 1 ISACAR DUO

ISABELLA STABIO (IT) saxophone & CARMELO LUCA SAMBATARO (IT) piano

Jan Van Landeghem (ND) The Klaxo-phone – No. 1 from Three pieces for alto saxophone and piano (2012) ~ 4` up Emanuel Vahl (IL) Expression for alto saxophone and piano, op. 52 (1991) ~ 5` up Mario Carro (ES) Chugaeri for alto saxophone and piano (2015) ~ 6`up Ian Stewart (GB) Eremitani Sonata (Allegro – Adagio – Allegro) for alto saxophone (1993) ~ 5` up Gilad Hochman (IL/DE) Quest for alto saxophone and piano (2008) ~ 5` up Andrea Vezzoli (IT) Glacier for alto saxophone and piano (2016) ~ 6` wp Carmelo Luca Sambataro (IT) Gentle Jungle for alto saxophone and piano (2015) ~ 4` up Piet Swerts (BE) Klonos (Allegro – Andante moderato – Allegro) for alto saxophone and piano (1993) ~ 6`

17.30 |

18.30 |

TRANSFER–

TRIO SEN TEGMENTO (SK)

FANTASY with percussion

Iris Szeghy (SK) Meadow Song for soprano and clarinet (2014) ~ 5` up

Vinko Globokar (SL/FR) Toucher – one-act play based on Bertolt Brecht’s ‘Life of Galileo’ for solo percussionist (1973) ~ 6` performed by Bertrand Gourdy (FR) percussion

Jana Kmiťová (SK) So langsam wie ein Haar wächst for voice, clarinet and piano (2018) ~ 15` wp Iris Szeghy (SK) Folclorico for clarinet and piano (2013) ~ 6` up Hanna Kulenty (PL) Musique Surréalistique for soprano, clarinet and piano (2018) ~10` wp performed by TRIO SEN TEGMENTO (SK) Nao Higano (JP) soprano Martin Adámek (SK) clarinet Zuzana Biščáková (SK) piano Supported using public funding

by Slovak Arts Council

Alicja Gronau (PL) Seven minutes for flute and piano (2017) ~ 7` up performed by Darya Chorba (UA) flute Vira Kuusiku (UA) piano Yiran Zhao (CN) Piep – duo for two KORG MA-1 metronoms (2014/15) ~ 5` up performed by Bertrand Gourdy (FR) percussion Dino Georgeton (US) percussion Viktor Kaminsky (UA) Urlicht – Irrlicht? for solo flute (1998) ~ 5` performed by Darya Chorba (UA) flute

the first day | April 21

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Michael Maierhof (DE) Shopping 4 (2004/05) ~ 9` up performed by Michael Murphy (CA) percussion Piet Swerts (BE) Paganini-Capriccio for saxophone and piano (2015) ~ 6` up performed by Anna Stepanova (UA) saxophone Marianna Lacaren (UA) piano Hugo Morales Murguia (MX) New piece for triangle (2018) ~ 5` up performed by Dino Georgeton (US) percussion Helmut Lachenmann (DE) Guero – study for piano (1970/1988) ~ 4` up performed by Sebastian Stetter (DE) piano Aliona Tomlionova (UA) Motus Vita for bassoon and piano (2017) ~ 8` wp performed by Yuriy Kusiak (UA) bassoon Olena Pavlova (UA) piano

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Aliona Tomlionova (UA) And demon Charon calls a pack of sinners… for domra and piano (2015) ~ 12` performed by Viktoriya Mel’nyk (UA) domra Olena Pavlova (UA) piano Mario Garutti (IT) Ambiance for solo vibraphone (1989) ~ 5` up performed by Bertrand Gourdy (FR) percussion Oleksiy Surovykh (UA) Playing Fire for folk instrument quartet (2016) ~ 5` performed by ENSEMBLE MOSAIC (UA) V’yacheslav Starozhylov (UA) prima domra Dmytro Varfolomyeyev (UA) button accordion Oleh Vasianovych (UA) double-bass balalaika Valeriya Kabantsova (UA) prima balalaika Michael Maierhof (DE) Splitting 19.1 (2004/05) ~ 12` performed by Bertrand Gourdy (FR) percussion

20.00 | …when New Music is kissed by Jazz...

Philipp Schaufelberger (CH) Hello Mellow Tone (2018) ~ 43` up performed by ensemble für neue musik zürich (CH) Hans-Peter Frehner (CH) flute Manfred Spitaler (CH) clarinet Viktor Müller (CH) piano Lorenz Haas (CH) percussion/voice Sebastian Gottschick (DE) viola/artistic director Nicola Romanò (CH) cello + duo guitar and percussion Márcio de Sousa (CH) percussion Philipp Schaufelberger (CH) e-guitar

KONZERT–FOYER–SZENE 1 (down) 21.00 | OUR MEMORY In Honor of the 70th anniversary of the establishment of the STATE of ISRAEL Ella Milch-Sheriff (IL) Cabaret songs for bass-baritone and piano ~ 8` up Karl Kohn (AT/US) Canzonetta for bass-baritone and button accordion (2006) ~ 8` up Viktor Ullmann (AT/CZ) Die Weise von Liebe und Tod des Cornets Christoph Rilke – melodrama for bass-baritone and piano (1944) ~ 28` up performed by Rupert Bergmann (AT) bass-baritone Maryna Perepelytsia (UA) piano Valentyna Solonenchuk (UA) button accordion Oleksandr Perepelytsia (UA) piano

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22.00 | Triple Soli-Solissimi

ROMAN YUSIPEY (UA/DE)

JAKUB DZIAŁAK (CH)

Oleksandr Shchetynsky (UA) For every city (2013) ~ 5`

Laurent Mettraux (CH) Complainte (2003) ~ 6`

Georg Katzer (DE) La scuola dell´ascolto 1 (2013) ~ 10`

violin

Sergey Pilutikov (UA) Fouetté (2010) ~ 7` Boris Alvarado (CL) Neyma (2017) ~ 6` wp Boris Alvarado (CL) Chamille II (2015/2017) ~ 9` wp

button accordion

Andreas F. Staffel (DE) Polymonoly I (2014) ~ 9`

Igor Stravinsky (RU/FR/ US) Symphonies of Wind Instruments dedicated to the

Memory of Claude Debussy (1920/1947) – transcription for button accordion by Leonid Hrabovs’kyj (UA/US) (1982) ~ 9`

Helmut Zapf (DE) David and Goliath (2011) ~ 3` Dariya Maminova (RU) Vanilka (2017) ~ 4`

ANNA SAVYTSKA (CH) violin Ludmyla Yurina (UA) Pulsar (2007) ~ 8` Ivan Karabits (UA) Musicker (1972) ~ 6 ` Laurent Mettraux (CH) Fantasia (1995) ~ 10` Heinz Holliger (CH) Souvenirs trémaesques (2000)

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| April 22

the first night

KONZERT–FOYER–SZENE 2 (down) 00.00 | Part I

Part II

CONCERT-PORTRAIT of SNEŽANA NEŠIĆ (SB)

Solo-Solissimo 1 – SOUND CONTAINERS

Mirabilia for violin solo and tape in memoriam Luciano Berio (2017) ~ 8` wp

SIMONE BENEVENTI (IT) percussion

Chromaton for violin and button accordion (2017) ~ 9` Etude for the Beginnig of Time for button accordion solo (2011/17) ~ 7` wp The Butterfly Valley for violin and button accordion (2007) ~ 15` performed by Snežana Nešić (SB) button accordion Lisa Werhahn (DE) violin

Pierluigi Billone (IT) Mani. Gonxha for two dobaci (tibetan sounding bowls) (2012) ~ 17` Dan Van Hassel (US) Fzzl for snare drum and live electronics (2011) ~ 8` Giorgio Battistelli (IT) Libro Celibe for one performer (1976) ~ 12`

03.00 | INTERVAL

the first night | April 22

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15

the second day

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April 22

the second night

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April 23

the second day

| April 22

14.00 | Presentation of

musical anthology by Evgeny Gromov (UA) Kiev Avant-Garde of the 1960s: Composers’ School of Borys Lyatoshyns’kyj

François Sarhan (FR) Situations (2012) ~ 9` performed by Bertrand Gourdy (FR) percussion Dino Georgeton (US) percussion

(Music Lounge of Odessa Regional Philharmonic, Bunina Str., 15)

Part II

KONZERT–GRAND–SZENE 3 16.00 |

YOUNG SYLVESTROV

Part I

PIANO CONCERT-PORTRAIT of VALENTYN SYLVESTROV (UA) Triad (1961 – 8.II 1962 / December 1966) ~11`

Beat Furrer (CH) Music for Mallets for xylorimba, marimba and vibraphone (1985) ~ 9` performed by Bertrand Gourdy (FR) percussion Dino Georgeton (US) percussion

13 pieces, united in three sections:

Kira Maidenberg-Todorova (UA) Time for Percussion (2011) ~ 10` performed by Florian Veit (DE) percussion Sebastian Stetter (DE) percussion Michael Murphy (CA) percussion

3. Silver Tones Music [3 Pieces] (End of 1961) dedicated to Halyna Mokryeyeva

Philippe Leroux (FR) Air-Re for violin and percussion (marimba and vibraphone) (1992) ~ 9` performed by Michael Murphy (CA) percussion Lisa Werhahn (DE) violin

1. Signs [7 Pieces] (Summer 1961) dedicated to Boris Demenko 2. Serenade [3 Pieces] (January 1962) dedicated to Larisa Bondarenko

Elegy (December 1966 – Summer 1967) dedicated to Alexei Lubimov ~ 7` Sonata № 2 (1975) dedicated to Alexei Lubimov ~ 18` performed by Evgeny Gromov (UA) piano

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KONZERT–GRAND–SZENE 4 17.30 |

18.00 |

TRIO SEN TEGMENTO (SK)

ensemble für neue musik zürich (CH)

Peter Machajdík (SK) Haiku for soprano, clarinet and piano (2000) ~ 11` up Iris Szeghy (SK) Anrufung des Grossen Bären (Invocation of the Great Bear) for soprano, clarinet and piano on the poem by Ingeborg Bachmann (2003) ~ 13` up Yevhen Petrychenko (UA) Lumen for the three illuminated by acute mental disorders for soprano, clarinet and piano (2018) ~ 5` wp performed by TRIO SEN TEGMENTO (SK) Nao Higano (JP) soprano Martin Adámek (SK) clarinet Zuzana Biščáková (SK) piano Supported using public funding

by Slovak Arts Council

performed by ensemble für neue musik zürich (CH) Hans-Peter Frehner (CH) flute

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Manfred Spitaler (CH) clarinet Viktor Müller (CH) piano Philipp chaufelberger (CH) e-guitar

Yevhen Stankovych (UA) Mirages for flute, clarinet, vibraphone, piano, violin and cello (2014) ~ 12` up Anna Trauffer (CH) Lieder for soprano and ensemble (arranged by Sebastian Gottschick): A Major As Sol (on the poem by Anna Trauffer), Ef As E Be Be (on the poem by Anna Trauffer), Lover (on the poem by Tennessee Williams), Ha Be Ha As (on the poem by Anna Trauffer) (2011–17) ~ 8` wp Lukas Langlotz (CH) Zweigung for piano and ensemble (2016) ~ 12` up Anna Trauffer (CH) Lieder for soprano and ensemble: Gentle Lady (on the poem by James Joyce), Beatrice (on the poem by Raphael Urweider), Passacaglia, Mandelbaum (on the poem by Paul Celan) (2017) ~ 7` wp Lorenz Haas (CH) percussion/ voice Catriona Bühler (CH) soprano Nicola Romanò (CH) cello

Sebastian Gottschick (DE) violin/ viola, artisticdirector

KONZERT–GRAND–SZENE 5 19.00 | Solo-Solissimo 2 TETIANA KRAVCHENKO (UA) piano

Houtaf Khoury (LB) Sonata for piano no. 3 (2013) ~ 16` up Anatolijus Senderovas (LT) Chiurlionis’ Sketches for piano and video (1994) ~ 7`up Karmella Tsepkolenko (UA) Self-Reflection 1, 2 for piano and tape (1997) ~ 12`

20.00 | MINI-MONO-OPERAS with

RUPERT BERGMANN (AT) Yulia Gomelskaya (UA) Yesenin-Pastelle for bassbaritone, button accordion and piano on the poems by Sergei Yesenin (translated to German) (2014) ~ 8` Liudmyla Samodayeva (UA) Salamandra – mini-mono-opera on the poems by Octavio Paz for voice and pianist (piano, percussion) (2014) ~ 22` up performed by Rupert Bergmann (AT) bass-baritone Valentyna Solonenchuk (UA) button accordion Maryna Perepelytsia (UA) piano Oleksandr Perepelytsia (UA) piano

the second day | April 22

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21.00 | SENZA SFORZANDO ENSEMBLE (UA) Boris Alvorado (CL) Alfred, L’oiseau chante sa morte for piccolo flute, three violins and piano (2016) ~ 4` up Luciano Berio (UA) Sequenza 1 for solo flute (1958) ~ 6` Serhiy Zazhyt’ko (UA) Yet for piccolo flute, piano and cello (2017) ~ 3`

performed by ENSEMBLE SENZA SFORZANDO (UA) Mariya Kostina (UA) flute piccolo Darya Chorba (UA) flute Volodymyr Gitin (UA) clarinet Daniel Fernando Castro (EC) percussion Tetiana Muliar (UA) soprano

Man-Ching Donald Yu (CN) Emergence for clarinet, violin and piano (2018) ~ 9` wp

Maryna Perepelytsia (UA) piano

Man-Ching Donald Yu (CN) Transformations for clarinet (2018) ~ 6` wp

piano

Asmati Chibalashvili (GE/UA) I'm more than one for flute, soprano and piano on the poems by Lesia Tyshkovs'ka

Anna Stoyanova (UA) Maryna Tereschyna (UA) violin Polina Chayka (UA) violin Liliya Kushnir (UA)

(2003)

violin

Anna Stoyanova (UA) After forever for flute, clarinet, piano, violin and cello (2010) ~ 5`

Vira Ivanidenko (UA)

Ramón Gorigoitia (CL/DE) Mani-obras for flute, clarinet, piano, percussion, violin, viola and cello (2010) ~ 14` up

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viola Yevhen Dovbysh (UA) cello Oleksandr Perepelytsia (UA) piano, conductor, artistic director

22.00 |MEDIA ENTR’ACTE–FANTASY Part I PROJECT DIE BRÜCKE (2018) ~ 10` Music by Nadya Odesyuk (UA/DE) Video by Mykyta Shalenyj (UA/DE) Part II DUO MIXED SOUND PERSONNEL

VIKTORIYA VITRENKO (UA/ DE) soprano, choreography & LUCAS GÉRIN (FR) percussion + ALLA ZAGAYKEVICH (UA) electronics

Dieter Mack (DE) Hannanissimo for soprano and percussion (2012) ~ 6` up Gary Berger (CH) Doppelte Wendung for soprano, percussion and electronics (2010) 6` up Alla Zagaykevich (UA) City for soprano and electronics (on the self-titled poem by Mykhayl’ Semenko) (2016) ~ 6` up

KONZERT–FOYER–SZENE 3 (down) 23.00 | Part I

INNOVATION DUO (CH) ANNA SAVYTSKA (CH) violin & JAKUB DZIAŁAK (CH) violin + MARYNA PEREPELYTSIA (UA) piano Mykhaylo Shved (UA) The Fools for two violins (2017) ~ 6` wp Ricardo Tovar Mateus (CO) One voice six speeches for two violins and tape (2018) wp Alla Zagaykevych (UA) Inner voices of violin – violin duo with electronics in “real time” (2017) ~ 15` Ivan Karabits (UA) Introduction and Collision for two violins and piano (1993) ~ 8` Andriy Merkhel’ (UA) Pattern for two violins (2018) ~ 5 ` wp

Óscar Escudero (ES) {custom#1} for soprano, percussion video and electronics (2016) ~ 8` up Alexandra Filonenko (DE) Gravity of love for soprano, percussion, video and electronics (2018) ~ 10` wp

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Part II

Part IІI

SAXOPHONE-CONCERTPORTRAIT of VOLODYMYR RUNCHAK (UA)

Solo-Solissimo 3

Homo Ludens I for solo alto saxophone (1991) ~ 7` performed by Isabella Stabio (IT) saxophone

NAZARIY STETS’ (UA) double-bass

Teppo Hauta-Aho (FL) Cadenza (1985) ~ 6` Alex Voytenko (UA) The music of Erich Zann (2017) ~ 9` wp Milen Panayotov (BG) Solo (2016) ~ 10`

A bit of music in honor of Adolphe Sax for solo alto saxophone (2013) ~ 11`

Bohdana Frolyak (UA) The double-bass is dancing (2013) ~ 8`

performed by Isabella Stabio (IT) saxophone

Emil Tabakov (BG) Motives (1979) ~ 5`

Little Music for the “Beijing – Odessa” Express Mini Bus for alto saxophone and tape

Denys Bocharov (UA) Cadenza (2017) ~ 9`

(2007) ~ 8` performed by Zoya Rud’ko (UA) alto saxophone Sax (tête-à-tête): Give two Shevchenko prizes to everyone who wants one for two saxophones (2006) ~ 2` performed by Anna Stepanova (UA) saxophone Hanfeng Du (CN) saxophone

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the second day | April 22

| April 23

the second night

KONZERT–FOYER–SZENE 4 (down) 01.30 | in futere Part I Kateryna Palacheva (UA, Kharkiv) Liebestod for violin, cello and piano (2017) ~ 7` performed by Anastasiya Budko (UA) violin Olena Prokudova (UA) cello Kateryna Palacheva (UA) piano Anton Koshelyev (UA, Odessa) Mobile odioso for bassoon, vibraphone, piano and cello (2018) ~ 4` performed by Ivan Devdyuk (UA) bassoon Oleksiy Lupashko (UA) vibraphone Artur Shutov (UA) piano Mykhaylo Bezchastnov (UA) cello Kateryna Voronyuk (UA, Odessa) Agnihotra for clarinet, percussion and prepared piano (2017) ~ 5` performed by Volodymyr Gitin (UA) clarinet Oleksiy Lupashko (UA) percussion Vira Kuusiku (UA) piano

Mariya Grabina (UA, Odessa) I am Prince of Dew on the poem by Таras Melnychuk for bass-baritone, piano and singing bandura player (2017) ~ 6` performed by Volodymyr Milushkin (UA) bass-baritone Mariya Grabina (UA) piano Kateryna Mel’nychenko (UA) bandura Danylo Het’man (UA, Kiev) Darkness on the poem by Geo Shkurupiy for voice, piano and cello (2017) ~ 4` performed by Anna Drozd (UA) voice Danylo Het’man (UA) piano Inna Shymans’ka (UA cello Mykola Khshanovs’kiy (UA, Lviv) Resonance for french horn, cymbal and electronics (2017) ~ 5` performed by Valeriy Apostol (UA) french horn, cymbal Mykola Khshanovs’kiy (UA) electronics Nazar Skrypnyk (UA, Lviv) Marionette for violin and performer (2017) ~ 5` performed by Polina Chayka (UA) violin Nazar Skrypnyk (UA) performer

the second night | April 23

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Part II Matthew Shlomowitz (AU/GB) Popular Contexts, Volume 6: no. 2 Basic Bass Patterns for percussion (2013) ~ 4` performed by Bertrand Gourdy (FR) Dino Georgeton (US)

03.00 | Closing Speeches EPILOGUE James Tenney (US) Maximusic for percussion (1965) ~ 5` performed by PERCUSSION ENSEMBLE OF FREIBURG MUSIC UNIVERSITY (DE) Florian Veit (DE) Sebastian Stetter (DE) Michael Murphy (CA) PERCUSSION ENSEMBLE OF BASEL MUSIC UNIVERSITY (CH) Bertrand Gourdy (FR) Dino Georgeton (US) BERNHARD WULFF (DE) artistic director

03.30 | END

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the second night | April 23

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