2016 PROGRAMME
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Ex-Easter Island Head at The EVP Sessions, Shoreditch Town Hall. Photography by Ludo des Cognets.
Welcome Firing sound effects, manning the Instagram account, keeping the office blackboard fresh with new poems... These are just some of the things I get up to in my role as Sales & Marketing Coordinator at Penned in the Margins. Since my arrival in May 2015, I’ve found myself working on all areas of the business, on projects that span theatre, publishing and live literature. In my first week I was even called into duty to accept the Most Innovative Publisher gong at the Saboteur Awards, due to the director’s involvement in a freak go-karting accident... However varied my days get, I find myself returning to the poetry I first fell for as an admirer of Penned in the Margins. I am hugely excited to be involved in publishing new work from two of those writers - Melissa Lee-Houghton and Claire Trévien - in 2016. Adding to that a foray into play-texts with Luke Wright’s awardwinning epic poem What I Learned from Johnny Bevan (easily the best thing I saw at the 2015 Edinburgh Festival); a remarkable debut from Charlotte Newman; a second book from Polari Prize-winner John McCullough; and a long-awaited new collection from one of my favourite poets of all time, Luke Kennard – this 2016 poetry list is one I’m looking forward to with huge anticipation. In non-fiction, we’re rifling through the dark histories of the South Downs with Justin Hopper & wandering among the gravestones of Nunhead Cemetery with Chris McCabe. I’m eagerly awaiting our longest ever London run with Hannah Silva’s Schlock! at the Rosemary Branch Theatre in November; Hannah’s innovative performance is followed by provocative panel discussions on everything from feminism to d/Deaf art. We’re commissioning some incredible artists including Tom McCarthy, Aisha Devi and Inua Ellams to perform new work for The EVP Sessions - a series of shows in Liverpool and London this Autumn. And. finally, we give you a taster of the ambitious productions we’re planning for 2017. I hope you find something in the following pages that you want to embrace, talk about or rally against. I’d love to hear any thoughts or feedback you have, so drop me a line on james@pennedinthemargins.co.uk or @PennedintheM. james trevelyan sales
& marketing co-ordinator
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chris goode
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Photography by Magdalena Fabianczyk
“A whip-smart but irresistibly seductive tour de force�
SC HLOC K ! Written & performed by Hannah Silva In the grand tradition of literary terrorism, Hannah Silva rips up her copy of Fifty Shades of Grey and, surrounded by the crumpled pages, she attempts to put the female body back together. Schlock! is a journey through texts and voices pregnant with pleasure and pain, mothers and babies, domination and submission. In a performance as strange as it is beautiful, we discover there are no safe words.
Productions
LONDON
Dates 8-26 November (Tue-Sat) Time 7.30pm (50 minutes) Tickets £12 / £10 concessions Venue Rosemary Branch Theatre, 2 Shepperton Road, London N1 3DT Haggerston, Angel, Essex Road
“Rendered through spoken word, vocal loops, articulation techniques, off-kilter screened subtitles, and sections performed entirely in British Sign Language, Schlock! is a captivating and disconcerting experience.” narc . magazine
Visit pennedinthemargins.co.uk to discover an exciting programme of post-show discussions exploring topics from contemporary feminism to making performance for d/Deaf audiences.
PRODUCTIONS
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LONDON / LIVERPOOL / EDINBURGH
THE EVP S E S S IO N S Electronic Voice Phenomena returns with a series of electrifying live sessions. Fusing experimental literature, new music, performance and video art, The EVP Sessions is inspired by parapsychologist Konstantin Raudive’s infamous observations of ‘Electronic Voice Phenomena’ – ghostly murmurs and vocal glitches heard in radio and tape players. Artists drawn from across the UK and Europe will respond to Raudive’s provocation in three pairs of live shows at The Bluecoat in Liverpool and Shoreditch Town Hall in London. These atmospheric, historic venues will be rewired with haunting performances and new commissions of sound, voice and text. EVP is a collaboration between Penned in the Margins and Liverpool arts innovators Mercy. Expect to be thrilled, entertained and haunted in a show audiences have described as “mind-boggling” and “perplexingly good”.
featuring Ain Bailey, Appau Junior Boakye-Yiadom, DeForrest Brown Junior, Aisha Devi [right], Inua Ellams, Harry Giles, Kepla, Shelly Knotts, Tom McCarthy, Alexis Milne, Hannah Nicklin, Katrina Palmer, Perera Elsewhere, Erica Scourti, Hannah Silva, Ross Sutherland, Jennet Thomas, Sue Tompkins, Antosh Wojcik. Visit electronicvoicephenomena.net to discover more Date 19 August Time 9pm Tickets Free Venue Edinburgh Book Festival, Charlotte Square, Edinburgh EH2 4DR Dates 22 September, 10 November, 8 December Time 7.30pm Tickets £7 (£5 concessions) Venue The Bluecoat, School Lane, Liverpool L1 3BX Dates 23 September, 5 November, 10 December Time 8pm Tickets £12.50 Venue Shoreditch Town Hall, 380 Old Street, London EC1V 9LT Old Street, Shoreditch High Street
Produced by Mercy & Penned in the Margins. Co-commissioned by Shoreditch Town Hall & The Bluecoat. Supported using public funding by Arts Council England. 4
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PRODUCTIONS
PRODUCTIONS
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IN DEVELOPMENT FOR 2017
FA I R F I E L D It’s 2031 and England is flooding. Rivers have burst their banks; towns and villages lie underwater; millions have been forced from their homes, sheltering in school halls and giant tent cities. Will is waiting out the floods alone in his Ledbury council house, his wife and daughter lost in the tide of people moving east. Will is searching for ‘the Truth’, broadcasting urgent political messages on his Smartphone to anyone who will listen... Fair Field is an ambitious new multi-arts production about politics, faith and how to be a good person. Inspired by the medieval epic poem Piers Plowman, Fair Field will be presented across the rugged landscape of the Malvern Hills and in the heart of London, on stage and in the street, online and on foot. Dates July 2017 Venues Ledbury Poetry Festival & London Commissioned by Ledbury Poetry Festival. Supported by the Jerwood Charitable Foundation and King’s College London Cultural Institute.
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PRODUCTIONS
IN DEVELOPMENT
DAGES TA N Written by SJ Fowler Dagestan is a place we go to fight for money. A place where we are paid to be filmed, and perhaps be killed. Dagestan is an thrilling new play by poet and martial artist SJ Fowler, set in the shadowy world of global security. Enter the minds of military contractors to uncover a culture of violence, gallows humour and moral uncertainty.
Gareth Tempest & Robin Berry. Photography by Josh Redman.
Follow us on Twitter @pennedinthem for news and forthcoming performances.
PRODUCTIONS
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IN DEVELOPMENT FOR 2017
N O D OGS , N O I N D I ANS Written by Siddhartha Bose Directed by Russell Bender This will be a great warning, Rani. Not only to the English. But to all those Indians who want to become the English. We shall tell them, all of them, to never, ever underestimate the might of the ordinary Indian. Jai Hind! Three interlocking stories explore the effects and legacy of the British in India in a powerful new play by Siddhartha Bose marking the 70th anniversary of Indian independence.
IN DEVELOPMENT
BU IL D IN G A VO I C E - PERCUSSION GUN T O K I L L G L I T C HE S IN ME MORY Written & performed by Antosh Wojcik What happens when memories disappear? Where do they go — and can we get them back? Using just his voice and a Roland TD-4KP electric drumkit, Antosh Wojcik explores the effects of dementia on speech, memory and motor skills. Assigning rhythms to family members, Antosh attempts to build a ‘voice-percussion gun’ to destroy inherited Alzheimer’s. Poems become beats become glitches in time in this poignant and mesmeric display of live drumming and spoken word.
Follow us on Twitter @pennedinthem for news and forthcoming performances.
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PRODUCTIONS
Publications >> February - December 2016
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FEBRUARY 2016
WHAT I L E A R N E D FR O M J O H N N Y BE VA N LUKE WRIGHT
What I Learned From Johnny Bevan is a politically charged modern epic by celebrated poet Luke Wright. Written in electrifying verse, this is a story of friendship, class ceilings and the battle for the soul of the Left. At university the mercurial Johnny Bevan saves Nick, smashing his comfortable middle class bubble and firing him up about politics, music and books. Twenty years later, as their youthful dreams disintegrate alongside the social justice they hoped for, can Nick, now a jaded music journalist, save Johnny from himself? Winner of a prestigious Fringe First Award, What I Learned from Johnny Bevan strikes at the heart of a divided Britain with wit, compassion and laser precision.
“Seething, dynamic poetry” lyn gardner , the guardian
Photography by Guiseppe Cerone
A B O U T THE AUTHOR Luke Wright is a poet and broadcaster. His poetry stage shows have toured the world and played sold-out runs in London and Edinburgh. He is a regular contributor to BBC Radio and his verse documentary on Channel 4 was nominated for a Grierson Award. His first collection, Mondeo Man, was published in 2013.
RRP £9.99 GENRE Poetry (DCF) ISBN 978-1908058331 FORMAT Paperback SIZE 216 x 138mm, 64pp
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PUBLICATIONS 2016
MARCH 2016
AS T éRONYM E S CLAIRE TRéVIEN
Astéronyme, n. (French). A sequence of asterisks used to hide a name or password. In this follow-up to her acclaimed debut, The Shipwrecked House (Guardian First Book Award longlist), Anglo-Breton poet Claire Trévien takes us to a place where ancient stone circles collide with the language of the internet. Trévien becomes curator of imaginary museums, indexing objects and histories with a quixotic energy. The central sequence recounts a journey across the Scottish island of Arran, where myths are carved into remote caves and a mountain hides behind a ‘froufrou of gas’. Formally inventive and intricately composed, Astéronymes is a book of redactions – and an elegy for places and people that have been ruined by time, erosion or neglect.
“Playful, beautifully curious and linguistically adventurous”
Photography by Richard Davenport
ruth padel
A B O U T T HE A U T HO R Claire Trévien was born in Brittany. Her pamphlet LowTide Lottery was published in 2011. She is the editor of Sabotage Reviews and the co-organiser of Penning Perfumes, a creative collaboration between poets and perfumers. Her first collection, The Shipwrecked House (Penned in the Margins, 2013), was longlisted for the Guardian First Book Award and subsequently transformed for the stage.
RRP £9.99 GENRE Poetry (DCF) ISBN 978-1908058348 FORMAT Paperback SIZE 216 x 138mm, 78pp
PUBLICATIONS 2016
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MAY 2016
SPA C ECR A F T JOHN MCCULLOUGH
Spacecraft navigates the white space of the page and the distance between people. Margins, edges and coastlines abound in John McCullough’s tender, humorous explorations of contemporary life and love. Encompassing everything from lichen to lava lamps, and from the etymology of words to Brighton’s gay scene, Spacecraft is a humane and spellbinding collection from the winner of the 2012 Polari First Book Prize.
guardian best books for summer
“Driven by the perfect blend of curiosity and feeling, these are poems that pull off that rarest of balancing acts — with brio. John McCullough is a poet you need know.” sarah howe
Photography by Stephen Wells
A B O U T T HE A U T HO R John McCullough’s first collection of poems, The Frost Fairs, won the Polari First Book Prize in 2012. It was a Book of the Year for The Independent and The Poetry School, and a summer read for The Observer. He teaches creative writing at the Open University and New Writing South, and lives in Hove, East Sussex.
RRP £9.99 GENRE Poetry (DCF) ISBN 978-1908058362 FORMAT Paperback SIZE 216 x 138mm, 80pp
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PUBLICATIONS 2016
JUNE 2016
CAI N
LUKE KENNARD In a series of poetic conversations, Cain - the first murderer - provides therapy sessions for the author, covering topics from zombies to interfaith dialogue. These poems are tricksy, hilarious and utterly ingenious. In an anarchic re-energising of Genesis 4:9-12, Cain’s central sequence of 31 anagram poems demonstrates Kennard’s trademark surreal humour whilst exploring the spiritual experience. Cain is a whipsmart collection from one of British poetry’s brightest lights.
guardian best books for summer observer best holiday reads
“Endlessly inventive, bruisingly direct, and rich with a desperate, defensive humour. A stunning achievement.” joe dunthorne
Photography by Billie Charity-Prescott
A B O U T T HE AUTHOR Luke Kennard has published five collections. He won an Eric Gregory Award in 2005 and was shortlisted for the 2007 Forward Prize for Best Collection. He lectures at the University of Birmingham. In 2014 he was selected by the PBS as a Next Generation Poet. In 2016 he was appointed Canal Laureate. His first novel, The Transition, will be published by Fourth Estate in 2017. RRP £12.99 GENRE Poetry (DCF) ISBN 978-1908058355 FORMAT Hardback SIZE 216 x 138mm, 100pp
PUBLICATIONS 2016
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SEPTEMBER 2016
SUN S HIN E
MELISSA LEE-HOUGHTON Sunshine is the new collection from Next Generation Poet Melissa Lee-Houghton. A writer of startling confession, her poems inhabit the lonely hotel rooms, psych wards and deserted lanes of Austerity Britain. Sunshine combines acute observation with a dark humour born of first-hand experience. Abuse, addiction and mental health are subject to Lee-Houghton’s poetic eye. But these are also poems of extravagance, hope and desire, that stake new ground for the lyric in an age of social media and internet porn. Lee-Houghton shines a light on human ecstasy and sadness with blinding precision.
“ Sunshine reaches deep into the part of us we don’t want to look at and is all the more powerful, gut-wrenching and vital because of it.” james rhodes A B O U T T HE A U T HOR Melissa Lee-Houghton was born in 1982 in Wythenshawe, Manchester. Her first two collections were published by Penned in the Margins. Beautiful Girls (2013) was a PBS Recommendation. In 2014 she was recognised as a Next Generation Poet: one of twenty poets whose work will define the poetry landscape over the next decade. She subsequently read across the UK and at Jaipur Literature Festival. She lives in Blackburn, Lancashire. RRP £9.99 GENRE Poetry (DCF) ISBN 978-1908058386 FORMAT Paperback SIZE 216 x 138mm, 88pp
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PUBLICATIONS 2016
OCTOBER 2016
TRA M M E L
CHARLOTTE NEWMAN Trammel is a radical book of poetry for an uncertain future. Voracious in her critique of modernity, Charlotte Newman ranges across the spectra of social and sexual politics: from Brexit to the Bechdel Test via Renaissance art and computer games. Her poems are stylish, muscular and linguistically agile. Driven by a musical engine, Newman weaves the hard language of politics, technology, finance and the law into a new lyric texture. Urbane yet uncompromising, Trammel is the powerful debut from a voice that demands to be heard.
A BOU T T HE A U T HO R Charlotte Newman was born in Surrey in 1986. She read English at Selwyn College, Cambridge and holds an MA with Distinction in Modern and Contemporary Literature from Birkbeck, University of London. She won the inaugural Sabotage Award for Best Poetry Pamphlet in 2013 and was featured in The Salt Book of Younger Poets in 2011. After a brief stint indexing the entire back catalogue of The Erotic Review, she worked as a journalist and publicist for a family law firm, writing articles for national newspapers while also contributing freelance reviews to The Observer, The New Statesman and Poetry Review, among others. She was shortlisted for The Scotsman’s Allen Wright Award for theatre criticism. Charlotte lives in London with her husband, the poet James Brookes, and works as a political communications consultant, specialising in healthcare. Trammel is her first full collection. RRP £9.99 GENRE Poetry (DCF) ISBN 978-1908058393 FORMAT Paperback SIZE 216 x 138mm, 88pp
PUBLICATIONS 2016
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NOVEMBER 2016
CE N OTA PH S O UT H mapping the lost poets of nunhead cemetery CHRIS MCCABE The second in a series of poetic investigations into the inhabitants of London’s great Victorian cemeteries. Join literary super-sleuth Chris McCabe as he puts an ear to the earth for voices forgotten by the literary canon. Travel back in time through south-east London — along its underground rivers, through the halls of its asylums – as McCabe explores the rich terrain of Nunhead Cemetery, revealing the intense poetic activity of an area that encountered Robert Browning, Barry MacSweeney and Charlotte Mew, and makes an astonishing discovery about William Blake in Peckham.
“Thick with research, presented with beautiful prose and a poetic heart.” londonist . com on in the catacombs
A B O U T T HE A U T HO R Chris McCabe was born in Liverpool in 1977. His three previous poetry collections are The Hutton Inquiry, Zeppelins and THE RESTRUCTURE. His creative nonfiction book In the Catacombs: A Summer Among the Dead Poets of West Norwood Cemetery was published in 2014. He works as the Poetry Librarian at the Poetry Library and teaches for the Poetry School.
RRP £12.99 GENRE Non-fiction (DN) ISBN 978-1908058409 FORMAT Hardback SIZE 216 x 138mm, 300pp
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PUBLICATIONS 2016
DECEMBER 2016
THE O L D W E I R D ALB ION a journey into the heart of the english south JUSTIN HOPPER “Once there was a woman who stood at the edge of a cliff...” The Old Weird Albion is a captivating creative non-fiction debut exploring landscape and Englishness from American writer, artist and curator Justin Hopper. Haunted by the ghostly memory of his grandfather’s first wife hovering on the edge of a cliff, Hopper carves a path along the South Downs Way: from Winchester in the west to Beachy Head in the east. He encounters the dark histories of our suburbs and open spaces, the myths and mysteries of his ancestral Sussex homeland, in an attempt to reconnect with the land — and himself.
A B O U T T HE A U T HO R Justin Hopper is a writer, artist and curator. Justin’s creative work explores landscape, memory and myth. His audio-poetry landscape artworks include Fourth River, Estuary and I Made Some Low Inquiries, and have been performed as part of Shorelines Festival and Spill Festival 2015. Justin teaches courses on art and landscape for Tate Britain.
RRP £9.99 GENRE Non-fiction (DN) ISBN 978-1908058379 FORMAT Paperback SIZE 216 x 138mm, 250pp
PUBLICATIONS 2016
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Selected backlist >>
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DECEMBER 2015
FO R G I V E T H E LA N GU AG E ESS AY S ON P O E T S & P O E T RY KATY EVANS-BUSH Typewriters, plagiarism and the poetic line are just three subjects under the spotlight in this book of essays by literary blogger Katy Evans-Bush.
“Disarmingly well read, humane and infectiously engaging” john field , poor
rude lines
RRP £10.99 GENRE Literary studies (DSC) ISBN 978-1908058324 FORMAT Paperback SIZE 216 x 138mm, 230pp
NOVEMBER 2015
FUT U RE S POE T RY OF T HE G R E E K CR ISIS THEODOROS CHIOTIS (ED.) Futures features the most daring new voices in Greek poetry. These bold, empassioned and critically aware texts stake new poetic and political ground: they articulate what it means to live in a time when capitalism is buckling under its own weight.
“Excellent … [Chiotis’s] translations have such vitality” times literary supplement RRP £10.99 GENRE Poetry anthologies (DCQ) ISBN 978-1908058249 FORMAT Paperback SIZE 216 x 138mm, 200pp
PUBLICATIONS Selected backlist
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OCTOBER 2015
FE N C E
TIM CRESSWELL Fence is an epic of fragments that is at once beautiful and beautifully strange. In his exploration of the vast, frozen Svalbard islands, poet and geographer Tim Cresswell has created a kind of travel poetry whose taut, minimalist lyric synthesises subjects as diverse as history, politics and Arctic ecology.
“A strange and spectral volume, born of a fence that separates nowhere from the now and here, deep in the high Arctic.” robert macfarlane
RRP £9.99 GENRE Poetry (DCF) ISBN 978-1908058317 FORMAT Paperback SIZE 216 x 138mm, 64pp
SEPTEMBER 2015
THE ST O R Y O F N O EMMA HAMMOND
In The Story of No Emma Hammond delivers an experimental lyric that is wild, weird and full of the errata of modern life. Her poems reappropriate the language of brands, pornography and instant messaging, and argue for Carry On films and Wotsits as the true subjects of poetry.
“Easily the literary event of 2015” the morning star
RRP £9.99 GENRE Poetry (DCF) ISBN 978-1908058300 FORMAT Paperback SIZE 216 x 138mm, 64pp
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PUBLICATIONS Selected backlist
SEPTEMBER 2015
EV ERY T HI N G CR A S H TIM WELLS
Written from the edges of the city, Wells’ tightly honed poems satirise the slide towards a world of frustration, gentrification and heavy manners. Sometimes hilarious, often angry and always decisive, Everything Crash is a fierce examination of love, loss and the politics of modern living.
“A poet of wit and brilliance” the guardian
RRP £9.99 GENRE Poetry (DCF) ISBN 978-1908058218 FORMAT Paperback SIZE 216 x 138mm, 80pp
JUNE 2015
THE LOST ART OF SINKING NAOMI BOOTH
The Lost Art of Sinking is a dark comedy about losing yourself. Sensual, funny and exquisitely written, this bold novella introduces a fresh literary voice.
“Lyrical and witty … Beautifully written with bursts of crisp poetic monologue” prospect winner of the saboteur award for best novella
RRP £12.99 GENRE Fiction (FA) ISBN 978-1908058294 FORMAT Hardback SIZE 216 x 138mm, 112pp
PUBLICATIONS Selected backlist
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MAY 2015
THE GOO D DA R K RYAN VAN WINKLE
The Good Dark is the place we go to remember. The Good Dark is the place we go to take account. In his atmospheric second collection, Ryan Van Winkle charts what is found when love is lost. A lyric voice that is both familiar and strangely different leads us through the shifting forests of memory and towards a grim acknowledgement of the need to get up, to be careful, to move. saltire society poetry book of the year
RRP £9.99 GENRE Poetry (DCF) ISBN 978-1908058287 FORMAT Paperback SIZE 216 x 138mm, 80pp
APRIL 2015
SUNSPOTS
SIMON BARRACLOUGH Simon Barraclough (poet in residence at the Mullard Space Science Laboratory) is your guide to the Sun in this ambitious and energetic new collection, fusing science and literature, channelling Shakespeare, Byron, Nabokov and more.
“Barraclough illuminates solar science with a poet’s gaze”
dr marek kukula , royal observatory greenwich
RRP £9.99 GENRE Poetry (DCF) ISBN 978-1908058416 FORMAT Paperback SIZE 216 x 138mm, 112pp
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PUBLICATIONS Selected backlist
DECEMBER 2014
SPECULATRIX CHRIS MCCABE
In his most daring collection to date, Chris McCabe delves into the shadowy recesses of London history, bringing forth unsettling anachronisms and revealing the city as a perilous place to exist.
“McCabe’s blazing, breakthrough fourth collection explores the sleepless metropolis by Jacobean torchlight ... Breathtaking verse” jeremy noel - tod , the sunday times RRP £9.99 GENRE Poetry (DCF) ISBN 978-1908058256 FORMAT Paperback SIZE 216 x 138mm, 80pp
DECEMBER 2014
THE HARD WORD BOX SARAH HESKETH
Sarah Hesketh spent 20 weeks visiting a care home for people with dementia. The result is a book of poems and interviews that takes the reader on an enriching journey through memory and imagination.
“A despatch from the social care frontline ... extends the boundaries of poetic investigation into a subject that is likely to affect nearly every one of us” greg freeman , write out loud RRP £9.99 GENRE Poetry (DCF) ISBN 978-1908058225 FORMAT Paperback SIZE 216 x 138mm, 87pp
PUBLICATIONS Selected backlist
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NOVEMBER 2014
MID LA ND HONOR GAVIN
Midland tells the stories of three women as they fight to find their feet amidst the accumulated rubble of the 20th century: from the bombsites of the 1940s to the construction sites of the 1960s and the school halls and decaying tower blocks of the 1980s. shortlisted for the gordon burn prize 2015
RRP £9.99 GENRE Fiction (FA) ISBN 978-1908058232 FORMAT Paperback SIZE 216 x 138mm, 320pp
SEPTEMBER 2014
MA RGI NA L IA
TOM CHIVERS (EDITOR) Celebrate the first decade of Penned in the Margins, one of the UK’s most exciting independent literary publishers, with Marginalia: bringing together over seventy-five of the very best poems and texts carefully selected by editor Tom Chivers.
“An exciting reflection of current British poetry” poetry book society bulletin
RRP £9.99 GENRE Poetry anthologies (DCQ) ISBN 978-1908058201 FORMAT Paperback SIZE 216 x 138mm, 120pp
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JULY 2014
IN T HE C ATA C O M B S A S UM M E R AM O N G T HE DE A D P O E TS OF WE S T N ORWO O D CE ME T E RY CHRIS MCCABE Join Chris McCabe on the hunt for a great lost poet, as he walks the winding Gothic paths of West Norwood Cemetery and makes an unexpected discovery underground in the catacombs.
“Thick with research ... beautiful prose and a poetic heart” londonist . com RRP £12.99 GENRE Non-fiction (DN) ISBN 978-1908058195 FORMAT Hardback SIZE 216 x 138mm, 256pp
MAY 2014
MO U N T LO N D O N ASCE N T S IN T HE V E R T IC A L CI T Y TOM CHIVERS & MARTIN KRATZ (EDS) This ingenious book is an account of the ascent of Mount London by a team of writers and urban cartographers, each scaling a small hill in the city – from Crystal Palace (112m) to Primrose Hill (78m).
“Unflinchingly original” james reader , the great outdoors RRP £12.99 GENRE Literary essays (DNF) ISBN 978-1908058188 FORMAT Hardback SIZE 216 x 138mm, 216pp
PUBLICATIONS Selected backlist
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NOVEMBER 2013
BE A U T IF UL G I R L S MELISSA LEE-HOUGHTON
A Poetry Book Society Recommendation. Melissa Lee-Houghton was selected as a Next Generation Poet in 2014.
“Lee-Houghton is a bold, observant and daringly honest poet who intuitively knows what she is doing, even when she ventures into the scariest places ... her work feels not only like a privilege, but also a secret vice” poetry book society bulletin
RRP £8.99 GENRE Poetry (DCF) ISBN 978-1908058034 FORMAT Paperback SIZE 216 x 138mm, 80pp
MARCH 2013
THE S H IP W R E C K E D HOU S E CLAIRE TRéVIEN
Anchors, shipwrecks, whales and islands abound in this first collection by Anglo-Breton poet Claire Trévien. Struck through with brilliant and sometimes sinister imagery, The Shipwrecked House is a unique and hallucinatory debut from a poet-to-watch. longlisted , guardian first book award
RRP £8.99 GENRE Poetry (DCF) ISBN 978-1908058119 FORMAT Paperback SIZE 216 x 138mm, 64pp
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FEBRUARY 2013
MO N D EO M A N LUKE WRIGHT
Explosive political satire and acerbic wit leap from stage to page in Mondeo Man – the hotly anticipated debut collection from Luke Wright.
“If any contemporary collection is going to convince the unbeliever that poetry can be a riot of cheek, giggles, boobs, tears and Facebook – while keeping its artistic integrity firmly intact – Mondeo Man is it.” the huffington post ☆☆☆☆☆
RRP £9.99 GENRE Poetry (DCF) ISBN 978-1908058096 FORMAT Paperback SIZE 216 x 138mm, 96pp
APRIL 2012
ADV E N T U R E S I N FO RM TOM CHIVERS (EDITOR)
Discover a multitude of new poetic forms – from tweet to time-splice, from skinny villanelle to breakbeat sonnet – in this inspiring, inventive anthology.
“Full of things to divert, entertain and provoke” will carr , the independent RRP £9.99 GENRE Poetry anthologies (DCQ) ISBN 978-1908058010 FORMAT Paperback SIZE 216 x 138mm, 208pp
PUBLICATIONS Selected backlist
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OCTOBER 2010
KALAGORA
SIDDHARTHA BOSE In this dazzling debut collection by Indian-born poet Siddhartha Bose, the cities of Kolkata, Mumbai, New York and London are transformed into sites of fractured vision.
“One of the most exciting first collections I’ve come across in a long time … Kalagora bestrides continents and celebrates cities as engines of creativity” ian mcmillan , the verb RRP £8.99 GENRE Poetry (DCF) ISBN 978-0956546746 FORMAT Paperback SIZE 216 x 138mm, 96pp
OCTOBER 2010
ST RE S S F R A C T UR E S ESS AYS ON P O E T R Y TOM CHIVERS (EDITOR) Where can the poem go in the age of the supercomputer? What do Wordsworth, Byron and British rapper Roots Manuva have in common? Would Emily Dickinson have preferred Facebook or Twitter? And what is “post-avant” anyway?
“An exciting introduction to new directions in poetry” david kennedy , times higher education RRP £9.99 GENRE Literary studies (DSC) ISBN 978-0956546715 FORMAT Paperback SIZE 216 x 138mm, 224pp
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About Penned in the Margins Penned in the Margins creates publications and performances for people who are not afraid to take risks. We believe in the power of language to challenge how we think, test new ideas and explore alternative stories. We operate across the arts, collaborating with writers, artists and creative partners using new platforms and technologies. From small beginnings as a reading series in a converted railway arch in south London, Penned in the Margins has grown over the last decade to be a respected literary arts company producing new work live, in print and online. This unique blend of publishing and event production characterises our distinctive model in the cultural landscape. In 2015 Penned in the Margins joined Arts Council England’s National Portfolio in recognition of our innovative work. Our publishing list numbers over sixty publications across poetry, experimental fiction and literary non-fiction, and includes acclaimed titles such as The Shipwrecked House by Claire TrÊvien, Midland by Honor Gavin and the bestselling poetry anthology Adventures in Form. Each book is carefully selected, painstakingly edited and lovingly designed from our office in east London. We curate and produce a wide range of events and productions: from bespoke literary salons to touring theatre shows, and from performance lectures to site-specific audio tours. Collaboration is at the heart of what we do, bringing artists from different fields together to create innovative and invigorating new work. We present shows all over the UK and internationally: from small and unconventional spaces to renowned venues such as the Southbank Centre; Snape Maltings, Aldeburgh; the Sage, Gateshead; and NCPA, Mumbai.
Contact us Postal address 22 Toynbee Studios 28 Commercial Street London E1 6AB Telephone Email Website
facebook.com/PennedintheMargins @PennedintheM vimeo.com/PennedintheMargins
+44 (0) 20 7375 0121 info@pennedinthemargins.co.uk pennedinthemargins.co.uk
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2016 calendar
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11 January Oxford Playhouse (BT Studio) Sunspots by Simon Barraclough
22 September Liverpool The Bluecoat The EVP Sessions
26 January Nottingham Lakeside Arts Sunspots by Simon Barraclough
23 September London Shoreditch Town Hall The EVP Sessions
24 February London Soho Theatre Bar Launch: What I Learned from Johnny Bevan
28 September Manchester International Anthony Burgess Foundation Launch: Cain & Sunshine
4 March Derby Theatre (Studio) Schlock! by Hannah Silva
5 October LONDON Keats House Launch: Trammel
8 March Oxford Old Fire Station Schlock! by Hannah Silva
9 October Cheltenham Literature Festival Launch: Cain & Sunshine
11 April London Water Rats Launch: Astéronymes & Spacecraft
15 October Durham Literature Festival Launch: Sunshine
12 April Brighton Latest Music Bar Launch: Astéronymes & Spacecraft
17 October Bath Topping and Company Launch: Cain
19 April Oxford Blackwell’s Launch: Astéronymes & Spacecraft
8-26 November London Rosemary Branch Schlock! by Hannah Silva
26 May Birmingham Waterstone’s Launch: Cain
5 November London Shoreditch Town Hall The EVP Sessions
6 June London Library Club Launch: Cain
10 November Liverpool The Bluecoat The EVP Sessions
3 August London Saison Poetry Library Greek Poetry and Writing a Crisis
5-7 December London Spitalfields Festival Dead Poets’ Social Club
19 August Edinburgh Book Festival The EVP Sessions
8 December Liverpool The Bluecoat The EVP Sessions
17 September London Poetry Book Fair Launch: Sunshine
10 December London Shoreditch Town Hall The EVP Sessions
Our funders
Our partners
Our team Director Tom Chivers Sales & Marketing Co-ordinator James Trevelyan Associate artists Siddhartha Bose, Hannah Silva & Ross Sutherland Creative associates Russell Bender & Nick Murray Book cover designers Ben Anslow, George Simkin, Zigmunds Lapsa Advisory board Chris Baker, Paul Cann, Oliver Dawson, Rose Fenton, Julia Payne, Ben Pygall & Natasha Tripney
Productions
Building A Voice-Percussion The EVP Sessions Gun to / Schlock! Kill Glitches in Memory Dagestan / Dead Poets’ Social Club The EVP Sessions Publications / Fair Field Astéronymes /Schlock! Cain / Cenotaph South The Old Weird Albion SpacecraftPublications / Sunshine / Trammel What I Learned Astéronymes from /Johnny Cain Bevan The Old Weird Albion Spacecraft / Sunshine / Trammel What I Learned from Johnny Bevan
Artwork credit
Leah Fusco, from ‘Owling’ leahfusco.co.uk