HELLO HANNIE
By Melissa Walsh
O
ne of Australia’s best-loved playwrights, Hannie Rayson, has a deep connection to the Mornington Peninsula, and now comes back to her old stamping ground with her one woman show, Hello, Beautiful! Rayson talks to Peninsula Essence about her wonderful, not-so-average life as a writer. How did your connection to the peninsula come about?
The connection is twofold. My parents lived in Mornington during the last part of my father’s life and the family used to go to Sorrento for holidays when I was a child in the 1960’s. I also got married in Sorrento We had a romantic wedding as it is such a special place for me. My husband Michael, who loves directing theatre, worked out with me how it should be. We were walking along the beach one day and he said "You should arrive by boat at dusk. Sail around the point, and then walk down the jetty as though walking down the aisle. We'll have singers and their voices will drift across the glassy water as you make your way towards us. We will wait for you here, on the veranda of the tearooms. Then the warm February sun will sink gently into the sea.”
E ssence
20 | PENINSULA
February 2017
Did that time in Sorrento encourage you to write Hotel Sorrento?
Absolutely. Growing up and holidaying in Sorrento turned out to be the catalyst for my first major work which was Hotel Sorrento. We moved next door to two sisters whose family had settled in 1942 and we became best friends. So I got another sense of Sorrento through them. It is where I learnt to understand about the class divisions in society. I had friends who were clifftop people and friends who were servants, in an upstairs downstairs kind of way. Did you always want to be a writer?
Not at first. When I went to Melbourne Uni I thought I’d like to be a psychologist. I had an interest in people’s relationships and the human condition that I liked to look into. Then a fork in the road happened and I got into the Victorian College of the Arts as an actress. Actors are interpreters of the written word and I realised that I didn’t want to be an interpreter. I wanted to be the source of the quotes. I realised the process of sitting at a typewriter was much more suited to me. How did you make that transition?
There was a wonderful acting class I did called impulse