MOHAMMED FAIROUZ
The New Prince Libretto by David Ignatius
Commissioned by the Dutch National Opera, Amsterdam
MAJOR CHARACTERS: (in order of appearance) Niccolò Machiavelli, Florentine philosopher, poet and playwright Fortuna, his muse Henry Kissinger, statesman and adviser President Wu Virtu, leader of Amerasiopia Eliza Hamilton, wife of Alexander Hamilton Alexander Hamilton, first treasury secretary of the United States Bill Clinton, 42nd president of the United States Hillary Clinton, first lady to the 42nd president of the United States Monica Lewinsky, White House intern Osama bin Laden, leader of Al Qaeda Dick Cheney, 46th vice president of the United States Prince Saud al-Faisal, foreign minister of Saudi Arabia MINOR CHARACTERS: Prince of Revolution: Savonarola/Hitler/Mao Hannah Kamal, Egyptian student activist President Mohammed Morsi, president of Egypt, later deposed Gen. Abdel-Fattah el-Sisi, president of Egypt Maria Reynolds, lover of Alexander Hamilton CIA Medical Officer John Yoo, attorney at Office of Legal Counsel, Justice Department
INSTRUMENTATION 2 Flutes (both doubling piccolo) 2 Oboes 2 Clarinets in A 2 Bassoons Tenor Saxophone 2 Trumpets in C 3 Trombones Timpani Percussion: Tam-tam Chimes Bass Drum Glockenspiel Whip 2 Suspended Cymbals Xylophone Snare Drum Triangle Congas Piano Mixed Chorus (SATB) Strings
Dedicated to Nancy and Paul Ignatius
The New Prince
Score in C
David Ignatius
Mohammed Fairouz (2016)
Prologue
Offstage, the sound of feet shuffling to the edge of a ledge, a sudden drop from a high place and the snap of a rope; the tearing of muscle and crack of breaking bones; and then a piercing scream. A door opens. Out stumbles Machiavelli in a tattered, bloodied robe of state. As he enters, we hear again, as in echo, the ghastly sounds of the snapping rope and ripping sinews.
rit.
q = 120 Piccolo
Flute 1
4 4 4 4
accel.
Picc. to Fl 2
4 4
fff
q = 72
4 4 fff
Oboe 1 2
4 4
Clarinet in A 1 2
4 4
4 4 a2
4 4
fff
Tenor Saxophone
4 4
4 4
Bassoon 1 2
4 4
4 4
Trumpet in C 1 2
4 4
a2
4 4
ff
Trombone 1 2
a2
4 4
4 4
ff
Trombone 3
4 4
4 4 ff
Timpani
4 4
4 4 ff
Perc.
4 4
4 4
Tam-Tam ff
4 4
p
4 4
fff
Piano
4 4
p
4 4 (high shriek)
(spitting the word, wounded but undefeated) p
fff
Machiavelli
4 4
4 4 Ahh!
Strap pa do!
q = 120 Violin I
4 4
4 4
q = 72
rit.
fff
Violin II
4 4
p
4 4 fff
Viola
4 4
p
4 4 p
Cello
4 4
4 4
Contrabass
4 4
4 4 Copyright Š 2016 by Song of Peer, Ltd. International Copyright Secured. All Rights Reserved.
accel.
2
F airouz - T he New Prince - Prologue
6
q = 120
q = 69 (subito)
Fl. 1
3 4 p
a2
3 4
Ob. 1 2 p
3 4
A Cl. 1 2 fff
3 4
Bsn. 1 2 p
Whip
3 4
Whip p
Pno.
fff
3 4
(gesturing toward the door of the prison, as we hear the sound once more) fff
3 4
Mach Strap pa
3 4
do!
q = 120
Strap pa
do!
T he gift to me six times of
q = 69 (subito)
Vln. I
dear Guil ia
3 4
fff
3 4
Vln. II fff
3 4
Vla. fff
p
3 4
Vc. p
3 4
Cb. p
no de
Me di ci,
who false ly
3
F airouz - T he New Prince - Prologue
11
q = 80
accel.
q = 50 4 4
Ob. 1 2 f
4 4
Bsn. 1 2 f
4 4
Tbn. 1 2
pp
4 4
Tbn. 3
pp
4 4 ff
Pno.
4 4 ff
3
3
4 4
Mach thought me
a con spi ra
tor:
Strap
pa
do! T hey call
q = 80
accel.
it
Stap pa
do
Six
q = 50 4 4
Vln. I ff
4 4
Vln. II ff
4 4
Vla. ff
4 4
Vc. f
4 4
Cb. f
pp
pulls of the chord on my shoul ders, from
4
F airouz - T he New Prince - Prologue
q = 66 14
Fl. 1 2 p
Tbn. 1 2
Tbn. 3
(to the monks, imploring)
p
Mach one whose pa tro nage I craved. O ne
I
a dored
W here
is
my prince,
My
per
SA
TB
q = 66 Vln. I p
Vln. II p
Vla. p
Vc. p
Cb. p
fect prince,
to
5
F airouz - T he New Prince - Prologue
A
q = 60
17
Fl. 1 2
Pno.
p
6
6
f
f
6
6
p
ff
p
Mach res
cue
poor
Flo
rence?
W here is the man of
vir
tue,
W ho will lis ten
to my
ad
vice
SA (enter chanting as if at vespers)
p
TB K y rie
E
A
q = 60 Vln. I f p
ff
p
ff
p
Vln. II
Vla. ff
Vc. f
p
ff
Cb. f
p
ff
p
lie
son
6
F airouz - T he New Prince - Prologue
a2
21
Fl. 1 2 f
Ob. 1 2 p
A Cl. 1 2 p
C Tpt. 1 2 f Chimes
Perc. p
Pno. p
f
p
Mach For tu na!
For
tu
na!
For tu
na...
p (sempre)
TB Chris te E lei
son;
Ky
rie E
lei son
K y rie
E
lie son
Chris te E lei
son;
Ky
rie E
lei son
K y rie
Vla. p
Vc. p
Cb. p
p
28
3
Mach I crave for tune
And I des pise
God.
I have nei ther
I have nei ther
Whattor men ted me the most at the pri
son "La
TB E
lei
son
Chris te
E
lei
son;
Ky
rie E
lei
son
K y rie
32
Pno.
Mach Stin che" was hear ing the false pi ous monks say: "We are pray ing for you." T or ture and prayer, at once!
And they call me a hy po crite? Ha! What shit!
TB E
lie
son
Chris
te
E
lei son;
Ky
rie E
lei
son
7
F airouz - T he New Prince - Prologue
B 36
q = 144
Ob. 1 2 fff a2 3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
A Cl. 1 2 fff a2
3
3
Bsn. 1 2 3
3
fff
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
C Tpt. 1 2 ff
Timp. ff
ff
Bass Drum Perc. ff
Pno.
fff
fff (throws off his bloody cape, stands erect and defiant)
Mach I
am
Nic
co
lo
Mach
ia
vel
li.
T hey
call
SA
TB
B
q = 144 Vln. I fff 3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
Vln. II fff
Vla. fff
Vc. fff
Cb. fff
8
F airouz - T he New Prince - Prologue 41
Fl. 1 2 fff
Ob. 1 2
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
A Cl. 1 2
3
3
Bsn. 1 2 3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
C Tpt. 1 2
Timp. ff
Glockenspiel
Glock. ff
fff
Pno.
Mach me
the
an
ti
Christ.
I
am
Nic
co
lo
is
Nic
co
lo
fff
SA He
TB
Vln. I
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
Vln. II
Vla.
Vc.
Cb.
9
F airouz - T he New Prince - Prologue 46
Fl. 1 2
Ob. 1 2 3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
A Cl. 1 2 3
3
Bsn. 1 2 3
3
3
3
3
3
3
3
3
3
3
3
3
3
C Tpt. 1 2
Timp. ff
Glock.
Pno.
Mach Mach
ia
vel
li.
T hey
call
me
the
ia
vel
li.
We
call
him
the
SA Mach
TB
Vln. I
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
Vln. II
Vla.
Vc.
Cb.
10
F airouz - T he New Prince - Prologue
50
Fl. 1 2
Ob. 1 2
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
A Cl. 1 2 3
3
Bsn. 1 2 3
3
3
3
3
3
3
3
3
3
3
3
3
3
C Tpt. 1 2
Tbn. 1 2 ff
Tbn. 3 ff
Timp.
Glock.
Pno.
Mach an
ti
Christ.
My
ve
ry
name
is
a
SA an
ti
Christ.
His
ve
ry
name
is
a
His
ve
ry
name
is
a
TB
Vln. I
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
Vln. II
Vla.
Vc.
Cb.
11
F airouz - T he New Prince - Prologue
54
Fl. 1 2
Ob. 1 2 3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
A Cl. 1 2
Bsn. 1 2 3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
Tbn. 1 2
Tbn. 3
Timp. To Tri. Glock.
Pno.
Mach curse
of
shame.
My
ve
ry
name
is a
curse
of
curse
of
shame.
His
ve
ry
name
is a
curse
of
curse
of
shame.
His
ve
ry
name
is a
curse
of
SA
TB
Vln. I
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
Vln. II
Vla.
Vc.
Cb.
12
F airouz - T he New Prince - Prologue 59
molto rit.
C q = 63
Fl. 1 p
Fl. 2 p
p
Ob. 1 2 p
A Cl. 1 2 p
Bsn. 1 2
C Tpt. 1 2
Tbn. 1 2
Tbn. 3
Timp. Triangle
To Whip
Tri. To Cel.
Celesta
sffp
Pno.
p
To Pno.
mp
(a woman enters. The assembled Florentines part to make way She is as luminous and full of life as a lustful Carmen. The Florentine subjects retreat before her. She is Fortuna. Machiaelli's goddess.)
F (eyeing her lustily but also callously)
p
pp
Mach shame.
My be lo ved For tu na. You
g li s
SA
s. ( )
shame.
TB shame.
molto rit. Vln. I
Vln. II
Vla.
Vc.
Cb.
C q = 63
are a
13
F airouz - T he New Prince - Prologue 66
Fl. 1
Ob. 1
Ob. 2
A Cl. 1 2 p
Mach god
69
dess of fate but you be have like a cap ri cious wo man
poco mosso
Be guiled by wild and hand some youngmen, W ho can com mand you,
a tempo
and beat you.
q = 50
rit.
Picc. ff
Fl. 1 ff
Ob. 1 ff
Ob. 2 ff a2
A Cl. 1 2 ff
p
Bsn. 1 p
Bsn. 2 p
C Tpt. 1 2 f
Whip Perc. f
ff
Pno.
(we hear the crack of a whip, borne by Fortuna) ff
p
F I love men who suc ceed. You fail.
No! N ot true. ff
Mach You want to be sub ju ga ted, don't you?
But you re ject me,
Des pise me...
14
F airouz - T he New Prince - Prologue 73
3 4
Picc.
4 4 p
Ob. 1
3 4
4 4
3 4
4 4
p
A Cl. 1 2
Celesta
3 4 Pno.
mp
3 4 5
F
4 4
3 4
4 4 4 4
I am as in dif fe rent to sen ti ment as are you, pale N ic c lo.
Search for me
o ver cen tu ries.
o ver cen
turies wait and see,
You will
q = 108
77
Picc.
To Pno.
Cel.
F not be for e
ver un luck y f
Mach T hey call me "Il f
gl
gl iss
iss
.
.
SA
Il Mac chia! Il Mac chia! f
TB Il Mac chia! Il Mac chia!
Mac chia, T he Stain." Be
15
F airouz - T he New Prince - Prologue
rit.
q = 50
82
Fl. 1 p
Fl. 2 p freely
p
Mach cause they could not rub me out.
My dear prince Gui lia no tor tured me, And still
I wrote him a
flat te rer's ad vice
g li ss.
SA
g li
ss.
Il Mac chia!
TB
Il Mac chia!
D
accel.
q = 66
87
Fl. 1
Fl. 2
pp
Pno.
(recognizing familiar faces among the Florentine crowds)
pp
3
3
Mach W hat of it?
I need ed mo ney,
I craved at ten tion
what's
so wrong with that?
M i a bri ga ta
D
accel.
q = 66
Vln. I ppp
Vln. II ppp
Vla. ppp
Vc. pp
Cb. pp
16
F airouz - T he New Prince - Prologue
92
Pno.
pp
p
3
3
3
Mach M i a bri ga
ta,
M ia bri ga ta,
M ia bri ga
ta
M i a bri ga
ta
It is a
Vln. I pp
Vln. II pp
Vla. pp
Vc. p
Cb. p
99
Ob. 1 p
Ob. 2 p
A Cl. 1 p
A Cl. 2 p a2
Bsn. 1 2 p
Pno.
3
3
Mach mi
Vln. I
Vln. II
Vla.
Vc.
Cb.
ra cle
I am a
live
It is a
mi
ra cle
I am a
live,
I was de prived
of my of fice,
and on the
17
F airouz - T he New Prince - Prologue
a2
104
A Cl. 1 2 p
Bsn. 1 2 p
p
Pno.
3
3
3
Mach verge of lo sing my life.
Vln. I
Vln. II
Vla.
Vc.
Cb.
I
told
my
prince
what I
saw,
In
the tor
tu rer's
cell
what I
18
F airouz - T he New Prince - Prologue
108
Picc. cresc.
ff
Fl. 1 ff a2
Ob. 1 2 ff
A Cl. 1 2 ff
Bsn. 1 2 ff Glock.
Glock.
Pno.
ff
ff
Mach saw
Chains and irons, Chains and irons
Vln. I f
Vln. II f
Vla. f
Vc. ff
Cb. ff
pound ings of locks,
K eys and bars,
keys and bars.
19
F airouz - T he New Prince - Prologue
E
poco accel. q = 84
113
2 4
Picc. fff
2 4
Fl. 1 fff
2 4
Ob. 1 2 fff
2 4
Bsn. 1 2 fff
2 4
Glock. fff
2 4 Pno.
ff
p
fff
p
ff
p
2 4
2 4
Mach Shrieks as the rope falls! I did love that
boy
G ui
lia
no in my youth. I
loved him, I
loved him so. He had the hair
of A pol lo, and the
poco accel. q = 84
E
2 4
Vln. I ff
pp
f
ppp
ff
pp
f
ppp
ff
pp
Vln. II
Vla.
p
fff
p
ff
2 4
ppp
f
2 4
Vc. fff
2 4
p
2 4
Cb. ff
p
20
F airouz - T he New Prince - Prologue
119
Pno.
Mach
2 4
rit.
4 4
2 4
4 4
2 4
4 4 eyes of Me
rit.
q = 66
3
du sa
Vln. I
2 4
4 4
Vln. II
2 4
4 4
Vla.
2 4
4 4
Vc.
2 4
4 4
Cb.
2 4
4 4
What did he care
for my pain?
N o thing.
still, I
thought to give him my
q = 66
q = 92
126
Pno.
3
pp
p
No thing
N o thing
3
Mach mas ter piece
What did he
care?
p
3
3
3
3
SA N o thing from no thing from, No thing from no thing from,
q = 92 Vln. I
Vln. II
Vla.
Vc.
Cb.
21
F airouz - T he New Prince - Prologue
130 f
3
3
3
3
3
3
3
3
SA No
thing from
f
no
3
thing from,
No
thing from
no
3
3
thing from,
No
thing from
no
3
3
thing from,
No
thing from
3
no
3
thing from, 3
T. No
thing from
no
thing from,
No
thing from
no
thing from,
f
No
thing from
no
3
thing from,
No
thing from
no
3
3
3
thing from,
B. No
thing from
no
thing from,
No
F
accel. a2
thing from
no
thing from,
q = 132
132
Fl. 1 2 f
3
3
3
3
3
3
ff ff
3
3
F No
thing!
No
thing!
N o thing from no thing from, N o thing from no thing from, no thing! ff
3
Mach I 3
3
3
dared
3
SA N o thing from no thing from, N o thing from no thing from, no thing 3
3
3
3
T. N o thing from no thing from, N o thing from no thing from, no thing 3
3
3
3
B. N o thing from no thing from, N o thing from no thing from, no thing
F
accel.
q = 132
Vln. I ff
Vln. II ff
Vla. ff
Vc. ff
Cb. ff
to
speak
22
F airouz - T he New Prince - Prologue 135
C Tpt. 1 2 f
p
Susp. Cym Perc.
p
ff
p
3
Mach truth
to
the
pi
ous
and
po wer ful.
Say it with me
"A
prince
who wi shes to main-
SA
TB
Vln. I p
ff
p
ff
p
ff
Vln. II
Vla.
Vc. ff
p
Cb. ff
p
p
141
5 4
Mach tain
SA
ff
his
po
si
tion must
learn how not
to be
4 4 good."
5 4
p
Lord p
TB
I ff
said that ap pear ing to be
4 4
have mer cy ff
5 4
4 4 Lord
Vln. I
have mer cy
5 4
4 4 ff
Vln. II
5 4
Vla.
5 4
4 4 ff
4 4
ff
Vc.
5 4
4 4 ff
Cb.
p
5 4
4 4 ff
good
is
23
F airouz - T he New Prince - Prologue
Cymbals 147
Perc. p
Mach bet
ter
than be ing good
And
worst
of all, I
said
that
if
we must choose
bet ween
be ing
Vln. I
Vln. II
Vla.
Vc.
Cb.
152
fff
(bold)
5 4
Mach loved
Vln. I
and
feared
we must
choose
to
be
feared.
To
5 4 fff
Vln. II
5 4
Vla.
5 4
fff
fff
Vc.
5 4 fff
Cb.
5 4 fff
in
24
F airouz - T he New Prince - Prologue
q = 50
rit.
q = 40
156
Tbn. 1 pp
Tbn. 2 pp
Tbn. 3 pp p 3
Mach sure
res pect we must choose
to be
feared
Am I ? My prin ces will be
for got ten
but Mach i a
p
SA He is re viled
for
got ten and re viled.
TB
q = 50
q = 40
rit.
Vln. I p
Vln. II p
Vla. p
3
161
12 8
Mach vel
li, Mach ia vel
li,
Mach ia
vel
li will al ways be
the
name
of truth,
the
name
of
Vln. I
12 8
Vln. II
12 8
Vla.
12 8
Vc.
12 8 p
Cb. p
12 8
25
F airouz - T he New Prince - Prologue
G 165
A Cl. 1 2
12 8
a2
q. = 50 6
6
6
6
9 8
6
6
12 8
6
ff
12 8 Pno.
12 8
9 8 ff
6
6
6
6
6
6
12 8
6
9 8
12 8
9 8
12 8
9 8
12 8
9 8
12 8
ff
12 8
Mach
truth
G q. = 50 12 8
Vln. I
ff
12 8
Vln. II
6
6
6
6
6
6
6
6
ff
6
12 8
Vla.
Vc.
12 8
Cb.
12 8
ff
ff
9 8
6 6
6 6
6
12 8
9 8
12 8
9 8
12 8
ff
167
A Cl. 1 2
12 8
6
6
6
6
12 8 6
Pno.
6
6
6
6
6
6
6
6
6
6
6
12 8
Vln. I
Vln. II
12 8 12 8
6
6
6
6
6
6
6
6
6
Vla.
12 8
Vc.
12 8
Cb.
12 8
6 6
6 6
6 6
6
26
F airouz - T he New Prince - Prologue
a2 169
9 8
Fl. 1 2 ff
6
6 6
6 6
6 6
6
A Cl. 1 2
a2
Bsn. 1 2
6
9 8
6 6
12 8
6 6
6
12 8
9 8
12 8
9 8
12 8
9 8
12 8
9 8
12 8
ff a2
C Tpt. 1 2 ff
Xylophone Xyl. f
Pno.
6
6
6
6
6
6
6
9 8
12 8
9 8
12 8
f
Mach I 've sat
in
a thou
sand
town
squares
Vln. I 6
6
6
6
Vln. II
seen
9 8
12 8
9 8
12 8 6
6
6
6
6
6 6
6 6
6
Vla.
9 8
12 8
Vc.
9 8
12 8
Cb.
9 8
12 8
27
F airouz - T he New Prince - Prologue
171
Fl. 1 2
12 8
A Cl. 1 2
12 8
Bsn. 1 2
12 8
C Tpt. 1 2
12 8
Xyl.
12 8
6
6 6
6 6
6 6
6 6
12 8 Pno.
Mach
6
Vln. II
6
6
6
6
6
6
6 6
6
6
6
6
12 8
12 8 thou
Vln. I
6
6
sands
of em
pires rise
and fall
P rin
ces
thrive
and
fail
But
12 8 12 8
6
6
6
6
6
Vla.
12 8
Vc.
12 8
Cb.
12 8
6
6
6
6
6 6
6 6
6 6
6
28
F airouz - T he New Prince - Prologue 173
9 8
Fl. 1 2 sffp
6
6
6
6
Bsn. 1 2
6
6
12 8
6
9 8
12 8
9 8
12 8
9 8
12 8
9 8
12 8
sffp
C Tpt. 1 2 sffp
Xyl. sfp
6
Pno.
6
6
Mach here
is the rid
dle
of Mach
i
a
vel
6
6
6
6
Vln. II
9 8
12 8 When
will
6
6
6
they
lis
ten?
9 8
12 8
9 8
12 8 6
6
6
12 8
sffp
Vla.
6
9 8
li:
Vln. I sffp
6
6
9 8
6 6
6 6
6
12 8
sffp
Vc. sffp
Cb. sffp
9 8
12 8
9 8
12 8
29
F airouz - T he New Prince - Prologue
175
Fl. 1 2
12 8 ff
Bsn. 1 2
6
6
6
6
6
6
6
6
6
6
6
6
6
6
6
6
12 8 ff
C Tpt. 1 2
12 8 ff
Xyl.
12 8 f
12 8 Pno.
12 8
Mach
12 8 Must
Vln. I
rors
12 8
6
6
6
ways
re turn
6
6
ff
Vla.
al
12 8 ff
Vln. II
the er
6
12 8
Vc.
12 8
Cb.
12 8
ff
ff
ff
6
6
6
6 6
6 6
6 6
6
30
F airouz - T he New Prince - Prologue 177
Fl. 1 2
4 4
Bsn. 1 2
4 4
C Tpt. 1 2
4 4
Xyl.
4 4
6
6
6
6
6
6
6
4 4
6
Pno.
4 4
4 4
Mach here
is
the
rid
dle
of
Mach
ia
vel
li
Vln. I
4 4
Vln. II
4 4 6
6
6
Vla. 6
6
6
6
4 4
6
Vc.
4 4
Cb.
4 4
31
F airouz - T he New Prince - Prologue
H 179
Fl. 1 2
4 4
q = 66
q = 112
accel.
fff
C Tpt. 1
4 4 f
C Tpt. 2
4 4 f
Xyl.
To Glock.
4 4
Glockenspiel
ff
ff
4 4 Pno.
Mach
4 4 4 4
ff
When
S.
will they
lis
ten,
When
will they ff
4 4
3
Cas sa
A.
q = 66
4 4 fff
Vc.
4 4 fff
Cb.
ve runt,
4 4 fff
ve runt,
q = 112 ff
4 4 fff
Vla.
accel.
li ter
a mo
ve runt. Cas
ve runt et to
ta
li ter
a mo
ve runt. Cas
pri ma
ve runt et to
ta
li ter
a mo
ve runt. Cas
ta
li ter
a mo
ve runt. Cas
3
4 4 fff
Vln. II
pri ma
ff
4 4
ta
3
Cas sa
Vln. I
ve runt,
ff
4 4
ve runt et to 3
Cas sa
B.
pri ma
ff
4 4
Cas sa
T.
ve runt,
ff
pri ma
ve runt et to
32
F airouz - T he New Prince - Prologue
184
C Tpt. 1
3 4
4 4
C Tpt. 2
3 4
4 4
Glock.
3 4
4 4
3 4
4 4
3 4
4 4
3 4
4 4
3 4
4 4
Vln. I
3 4
4 4
Vln. II
3 4
4 4
3
S. sa
ve runt,
pri ma
ve runt et
to
ta
li ter
a mo
ve runt.
3
A. sa
ve runt,
pri ma
ve runt et
to
ta
li ter
a mo
ve runt.
3
T. sa
ve runt,
pri ma
ve runt et
to
ta
li ter
a mo
ve runt.
3
B. sa
187
Ob. 1 2
4 4
ve runt,
pri ma
ve runt et
q = 50
to
ta
li ter
a mo
ve runt.
a2
3 4
4 4
p
C Tpt. 1
4 4
3 4
4 4
3 4
4 4
3 4
4 4
p
C Tpt. 2
4 4 p p
Mach
4 4 Dis missed, de prived
and
to tal ly re moved
by
For tune and For tu
na
My
hate
ful
G od dess
please
33
F airouz - T he New Prince - Prologue
accel.
193
q = 72
a2
Fl. 1 2 p
pp
Ob. 1 2 p
F You will find
me
You will find
me
but
Mach love me
as
I
fall
to ward my
grave
q = 72
accel. Vln. I
p
pp
Vln. II
Vla.
Vc. p
Cb. p
199
Fl. 1 2 3
F not
in this life
Mach I will not
lie
I
may be scorned
by luck
na ked to the world
but
Vln. I 3
Vln. II
Vla.
Vc.
Cb.
34
F airouz - T he New Prince - Prologue 204
Fl. 1 2 3
3
Mach Mach
ia
vel
li
will re
main
but
Mach
ia
vel
li
will re
Vln. I 3
3
Vln. II
Vla.
Vc.
Cb.
210
I
rit.
q = 50
accel.
Fl. 1 2 a2
C Tpt. 1 2 p intense
Tbn. 1 p intense
Tbn. 2 p intense
Tbn. 3 p intense
Mach main
rit.
clothed
in the
robes
of
truth
I
q = 50
accel.
Vln. I
Vln. II
Vla.
Vc.
Cb. p
35
F airouz - T he New Prince - Prologue
217
a2
Bsn. 1 2 ff 3
3
3
C Tpt. 1 2 ff
3
f
Tbn. 1 ff
Tbn. 2 ff
Tbn. 3 ff
Timp. ff
Pno.
ff
Vln. I
Vln. II 3
Vla. ff
Vc. ff
Cb. ff
3
36
F airouz - T he New Prince - Prologue
223
q = 120
A Cl. 1
A Cl. 2
Bsn. 1
Bsn. 2
3
3
3
3
3
3
3
C Tpt. 1 2 ff 3
a2
3
3
f
Tbn. 1 2 ff
f
f
Tbn. 3 ff
f
f
Timp. Snare Drum Perc.
Pno.
f
ff
f
f
fff
f
q = 120 3
3
3
3
3
3
3
3
3
3
3
3
Vla.
Vc. 3
Cb.
3
3
3
3
3
3
3
3
3
3
3
37
F airouz - T he New Prince - Prologue
228
A Cl. 1
A Cl. 2
Bsn. 1
Bsn. 2
C Tpt. 1 2 ff 3
3
3 3
3 3
3
3
3
3
f
3
3
3
3
Tbn. 1 2 ff
3
f
Tbn. 3 ff
f
Timp.
Perc. ff
fff
Pno.
3
3
3
f
f
3
3
3
3
3
3
3
3
3
Vla.
Vc. 3
Cb.
3
3
3
3
3
3
3
3
3
3
3
38
F airouz - T he New Prince - Prologue
J
molto rall.
a tempo a2
233
Fl. 1 2 3
fff
3
3
3
3
3
3
3
3
3
3
3
Ob. 1 fff
Ob. 2 fff
A Cl. 1 fff
A Cl. 2 fff
Bsn. 1 2
Bsn. 1 fff
Bsn. 2 fff
C Tpt. 1 2 3
3
3
3
3
3
3
3
fff
Tbn. 1 2 fff
Tbn. 3 fff
Timp.
Perc. fff
fff
Pno.
J
molto rall.
a tempo
Vln. I
Vln. II
3
3
3
3
Vla. 3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
Vc. 3
3
3
3
Cb. fff
39
F airouz - T he New Prince - Prologue
238
Fl. 1 2 3
3
3
3
3
3
3
3
3
3
Ob. 1
Ob. 2 a2
3
3
3
3
3
3
3
3
3
3
A Cl. 1 2
Bsn. 1 2
C Tpt. 1 ff
C Tpt. 2 ff
Tbn. 1 ff
Tbn. 2 ff
Tbn. 3 ff
Timp.
Pno.
fff
Vln. I
Vln. II
Vla. 3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
Vc.
Cb.
40
F airouz - T he New Prince - Prologue
accel. 243
Fl. 1 2 3
3
Ob. 1
Ob. 2
3
3
A Cl. 1 2
Bsn. 1 2
C Tpt. 1
C Tpt. 2
Tbn. 1
Tbn. 2
Tbn. 3
Timp.
Pno.
accel. Vla. 3
3
3
3
Vc.
Cb.
41
F airouz - T he New Prince - Prologue
K
q = 160
249
Bsn. 1 2 3 cresc.
3
C Tpt. 1
C Tpt. 2
Tbn. 1
Tbn. 2
Tbn. 3
Timp. p cresc.
Pno.
K
q = 160
Vla.
Vc. cresc.
Cb. cresc.
3
3
3
3
3
3
3
3
3
3
42
F airouz - T he New Prince - Prologue
254
Fl. 1 2 f a2
Ob. 1 2 f 3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
A Cl. 1 2 mf
f
Bsn. 1 2 3
3
3
3
3
3
3
3
3
3
3
3
f
3
3
3
3
3
3
3
3
3
3
3
3
Timp.
f
Pno.
Vln. I ff 3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
Vln. II mf
Vla. 3
mf
Vc.
Cb.
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
43
F airouz - T he New Prince - Prologue
258
Fl. 1 2 fff
Ob. 1 2 3
3
3
3
3
3
3
3
3
3
3
3
3
3
ff 3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
A Cl. 1 2 ff
Bsn. 1 2 3
3
3
3
3
3
3
3
ff
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
Timp. f
ff
Pno.
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
Vln. I 3
3
3
3
3
3
fff 3
3
3
3
3
3
3
3
3
3
Vln. II fff
Vla. 3
3
3
3
3
3
3
3
fff
Vc. fff
Cb. fff
3
3
3
3
3
3
3
3
44
F airouz - T he New Prince - Prologue
262
Fl. 1 2 ffff
Ob. 1 2 3
3
3
3
3
3
fff 3
3
a2
A Cl. 1 2 fff
Bsn. 1 2 3
3
3
3
fff a2
C Tpt. 1 2 fff
3
a2
Tbn. 1 2 fff
3 3
Tbn. 3 fff
Timp. Large Tam Tam
ff
f
fff
Perc.
fff
Pno.
3
3
3
3
3
3
3
3
Vln. I 3
3
fff 3
3
Vln. II fff
Vla. 3
3
3
3
fff
Vc. fff
Cb. fff
3
45
F airouz - T he New Prince - Prologue
Act I Scene 1 We are in a timeless future. A calendar projected on a screen cloaking the stage marks the year as 2032. The costumes are contemporary, stylish, modern Italian—Gucci and Armani, evocative of the political and media worlds of Manhattan or London or Amsterdam. Machiavelli is wearing the sleek garb of a media man trying to make his name in the world. Fortuna is a chic, sexy woman dressed in a power suit and black pump heels. She looks like a woman who could run a publishing company or a movie studio. Machiavelli steps gingerly onstage, as if trying out his muscles and joints after 500 years; he is mystified, looking at his modern clothing, at the surroundings, wondering where he is.
q = 60
Fl. 1 2
a2
4 4
Ob. 1 2
4 4
A Cl. 1 2
4 4
Bsn. 1 2
4 4
C Tpt. 1 2
4 4
Tbn. 1 2
4 4
Tbn. 3
4 4
Timp.
4 4
Perc.
4 4
pp
p
pp
p
4 4 Pno.
4 4
F
(seductively) Life begins at five hundred, Your somnambulant excellence. But you will be very dead, Unless you find a new audience.
4 4
Mach
4 4
Vln. I
4 4
Vln. II
4 4
Vla.
4 4
Vc.
4 4
p
Rea
I am so dead
q = 60
p
Cb.
4 4
der ship
is
the
46
F airouz - T- he New Prince - A- ct I Scene 1 F airouz T he New Prince Prologue
6
Fl. 1 2
Pno.
F on
ly must
for
such
as
us
Was my masterwork, Il Principe, ever published?
Mach
Vln. I
Vln. II
Vla.
Vc.
Cb. p
A 11
q = 69
Fl. 1 2
A Cl. 1 p
f
p
p
f
p
A Cl. 2
a2
Bsn. 1 2 f
p
p
Pno.
p
3
F D ear
des per ate sir,
T he
P rince
was pub lished
Five
years
af ter your death
3
p
A
q = 69 Vln. I f
Vln. II p
f
p
p
f
p
Vla.
Vc. f
p
f
p
Cb.
peo ple have read it e ver
47
F airouz - T- he New Prince - A- ct I Scene 1 F airouz T he New Prince Prologue
15
A Cl. 1
A Cl. 2
Bsn. 1 2
3
3
F since
p
Bet ter than that sir
it
is des pised
it
has
3
Mach A nd is
it
loved?
Vln. I 3
Vln. II
Vla.
Vc.
Cb.
3
been
vil
i fied
Au thors dream of be ing ha ted like this
48
F airouz - T- he New Prince - A- ct I Scene 1 F airouz T he New Prince Prologue
18
Fl. 1 2 p
A Cl. 1 ff
p
ff
p
A Cl. 2
Bsn. 1 2 ff
p
Xylophone
Perc. p
Pno.
p
F You've been banned my dear
for
four hun dred and
se
ven
ty
three
years
Vln. I p
ff
Vln. II ff
p
ff
p
Vla.
Vc. ff
p
ff
p
Cb.
Dear be
sot
ted
au
thor
You must be
49
F airouz - T- he New Prince - A- ct I Scene 1 F airouz T he New Prince Prologue
20
A Cl. 1 f
A Cl. 2 f
Bsn. 1 2 f
Xyl.
f
Pno.
f
F re
le vant
P ost it on the In
ter net
"T he N ew P rince: Five Hun dredth An ni
ver sa ry" e di tion
T hat I can sell It will go
f
Mach I
crave
3
Vln. I p
f
Vln. II f
Vla. f
Vc. f
Cb. f
suc
cess
pub lish me.
50
F airouz - T- he New Prince - A- ct I Scene 1 F airouz T he New Prince Prologue 23
rit.
B q = 60
accel.
A Cl. 1 p
A Cl. 2 p
Bsn. 1 2 p
p
Pno.
(dusting off a 500 year old book)
p
F vi ral
Frank ly sir, frank ly sir,
frank
ly sir, frank ly sir your cha rac ters put
me to sleep
Ce
sa
re
p
Mach Love
me, Love
me. P ub
lish
me, Love
me
q = 60
rit.
accel.
Vln. I p
Vln. II p
Vla. p
Vc. p
Cb. p
q = 80
28
q = 60
A Cl. 1 f
A Cl. 2 f
Bsn. 1 2 f
f
Pno.
(turning through the pages)
F Bor gia
Fran
sce
so
Sfor za Fer di nan of A ra gon Hon est ly
q = 80 Vln. I f
Vln. II f
Vla. f
Vc. f
Cb. f
Who
are these peo ple?
q = 60
I want
51
F airouz - T- he New Prince - A- ct I Scene 1 F airouz T he New Prince Prologue
32
A Cl. 1 p
A Cl. 2 p
Bsn. 1 2 p Cymbals
Perc.
p
p
Pno.
p seductive
F bank
a
ble names.
Find a new prince Mack, find a new prince p (arms crossed, petulant)
Mach T hey are my prin ces
T hey tell my sto ry.
Vln. I p
Vln. II p
Vla. p
Vc. p
Cb. p
It's
52
F airouz - T- he New Prince - A- ct I Scene 1 F airouz T he New Prince Prologue
36
A Cl. 1
A Cl. 2
Bsn. 1 2
Perc.
Pno.
F Two
Vln. I
Vln. II
Vla.
Vc.
Cb.
T hou sand T hir
ty Two. T here's
got
to be some one mo
dern for you
to ad vise.
53
F airouz - T- he New Prince - A- ct I Scene 1 F airouz T he New Prince Prologue 39
A Cl. 1
A Cl. 2
Bsn. 1 2
Pno.
F
Do a rewrite. Make your manifesto T he candidate's libretto. Catch the buzz! Venti espresso. p
Mach Per haps I might con ceive
Vln. I
Vln. II
Vla.
Vc.
Cb.
a
few
new
chap ters. T hey must
be
true
they
54
F airouz - T- he New Prince - A- ct I Scene 1 F airouz T he New Prince Prologue
44
poco mosso
a tempo
accel.
2 4
A Cl. 1 f
p
2 4
A Cl. 2 p
f
2 4
Bsn. 1 2 f
p
2 4 f
Pno.
p
2 4 p
2 4
F T ruth is fine f
Mach ia
vel,
if
it
sells
Re
mem ber this
e
p
be true
but al
so
new
a tempo
poco mosso
tion is
2 4
Mach must
di
accel. 2 4
Vln. I f
p
f
p
Vln. II
Vla.
2 4
p
f
2 4
Vc. f
2 4
p
2 4
Cb. f
p
55
F airouz - T- he New Prince - A- ct I Scene 1 F airouz T he New Prince Prologue
C 48
A Cl. 1
A Cl. 2
Bsn. 1 2
q = 76
2 4 2 4 2 4
4 4 ff
4 4
ff
4 4
ff
2 4 Pno.
F
2 4 2 4
4 4 ff
4 4
ff
Ho
4 4 lo
gra
phic
C Vln. I
Vln. II
Vla.
q = 76
2 4 2 4 2 4
4 4 ff
ff
4 4 4 4
ff
Vc.
Cb.
2 4 2 4
4 4 ff
ff
4 4
T hree
D Five Hun dredth Ann
i
ver
sa
ry
signed
by the au thor for
a
56
F airouz - T- he New Prince - A- ct I Scene 1 F airouz T he New Prince Prologue 51
A Cl. 1
A Cl. 2
Bsn. 1 2
Tbn. 1 f
Tbn. 2 f
Tbn. 3 f
Susp. Cym.
Perc. p
Pno.
I'll find you a co-author, A ghost-writer for a ghost! How’s that? I know just the fellow for the post.
F fee
The familiar face of Henry Kissinger strides on stage, still eager for success despite his years. f
Kissinger I am Doc tor
Mach
Vln. I
Vln. II
Vla.
Vc.
Cb.
And who might he be, T his humble apprentice scribe?
Hen
ry
57
F airouz - T- he New Prince - A- ct I Scene 1 F airouz T he New Prince Prologue
56
A Cl. 1
A Cl. 2
Bsn. 1 2
Tbn. 1
Tbn. 2
Tbn. 3
Perc.
Pno.
3
Kissinger K is sin ger
Vln. I
Vln. II
Vla.
Vc.
Cb.
I
need no
in
tro
duc tion
but I like one just the
same
I
am
a
dip
lo mat and ad
58
F airouz - T- he New Prince - A- ct I Scene 1 F airouz T he New Prince Prologue
rit.
60
A Cl. 1
A Cl. 2
Bsn. 1 2
Tbn. 1
Tbn. 2
Tbn. 3
Perc.
Pno.
3
Kissinger vi ser
Friend of beau ti ful wo men
and
pow
er ful
men.
Like yourself, perhaps. I am available. T he illegal we do immediately. T he unconstitutional takes a little longer.
rit. Vln. I
Vln. II
Vla.
Vc.
Cb.
F airouz - T- he New Prince - A- ct I Scene 1 F airouz T he New Prince Prologue
D 65
q = 60
Fl. 1 p
Fl. 2 p a2
Ob. 1 2 p
A Cl. 1 p
A Cl. 2 p
Bsn. 1 2 p a2
C Tpt. 1 2 p
Tbn. 1 p
Tbn. 2 p
Tbn. 3 p
Xyl. p
Pno.
p
I like this man. What say you, Doctor Henry? If you are to be my assistant scribe, I need a test, some wit from your tongue.
Mach
D
q = 60
Vln. I p
Vln. II p
Vla. p
Vc. p
Cb. p
59
60
F airouz - T- he New Prince - A- ct I Scene 1 F airouz T he New Prince Prologue
67
Fl. 1
Fl. 2
Xyl.
Pno.
69
Fl. 1
Fl. 2 a2
Ob. 1 2 p
Xyl.
Pno. p
Kissinger T he
Vln. I p
most
fun
da men
tal
prob
lem
of po
li tics
is not
the
con trol
of
61
F airouz - T- he New Prince - A- ct I Scene 1 F airouz T he New Prince Prologue 71
Fl. 1 p
Fl. 2 p
Ob. 1 2 p
A Cl. 1 p
A Cl. 2 p
Bsn. 1 2 p a2
C Tpt. 1 2 p
Tbn. 1 p
Tbn. 2 p
Tbn. 3 p
Timp. p
Xyl. p
p
Pno.
Kissinger wick
ed ness,
but
the
li
mi
ta
Vln. I
Vln. II p
Vla. p
Vc. p
Cb. p
tion
of right eous ness
62
F airouz - T- he New Prince - A- ct I Scene 1 F airouz T he New Prince Prologue 73
Fl. 1
Fl. 2
Ob. 1 2 3
A Cl. 1
A Cl. 2
Bsn. 1 2
C Tpt. 1 2 3
Tbn. 1
Tbn. 2
Tbn. 3
Xyl.
Pno.
Vln. I 3
Vln. II
Vla.
Vc.
Cb.
F airouz - T- he New Prince - A- ct I Scene 1 F airouz T he New Prince Prologue 75
Fl. 1
Fl. 2
Ob. 1 2
A Cl. 1
A Cl. 2
Bsn. 1 2
C Tpt. 1 2
Tbn. 1
Tbn. 2
Tbn. 3
Xyl.
Pno.
Mach
Vln. I
Vln. II
Vla.
Vc.
Cb.
(smiling, as if hearing a student's recital) O h yes, clever man, T hat works.
63
64
F airouz - T- he New Prince - A- ct I Scene 1 F airouz T he New Prince Prologue 77
Fl. 1
Fl. 2
Ob. 1 2
A Cl. 1
A Cl. 2
Bsn. 1 2
C Tpt. 1 2
Tbn. 1
Tbn. 2
Tbn. 3
Xyl.
Pno.
Kissinger
Vln. I
Vln. II
Vla.
Vc.
Cb.
It is not what is true that counts, But what is perceived to be true.
F airouz - T- he New Prince - A- ct I Scene 1 F airouz T he New Prince Prologue 79
Fl. 1
Fl. 2
Ob. 1 2
A Cl. 1
A Cl. 2
Bsn. 1 2
C Tpt. 1 2
Tbn. 1
Tbn. 2
Tbn. 3
Xyl.
Pno.
Mach
Vln. I
Vln. II
Vla.
Vc.
Cb.
Ho-ho! Most excellent. I might have written it myself.
65
66
F airouz - T- he New Prince - A- ct I Scene 1 F airouz T he New Prince Prologue 81
Fl. 1
Fl. 2
Ob. 1 2
A Cl. 1
A Cl. 2
Bsn. 1 2
C Tpt. 1 2
Tbn. 1
Tbn. 2
Tbn. 3
Xyl.
Pno.
Kissinger
Vln. I
Vln. II
Vla.
Vc.
Cb.
(cavalier, sing-song, like a comedian's patter) T he nice thing for me A bout being a celebrity I s that, if you bore people, T hey think it's their fault.
67
F airouz - T- he New Prince - A- ct I Scene 1 F airouz T he New Prince Prologue 83
Fl. 1
Fl. 2
Xyl.
Pno.
Me, I have known only ignominy. But I take your point.
Mach
Vln. I
Vln. II
Vla.
85
Fl. 1
Fl. 2
Xyl.
Pno.
f
Kissinger pow
Vln. I
Vln. II
Vla.
er
is
the
ul
ti mate
a
phro de
si ac
the
68
F airouz - T- he New Prince - A- ct I Scene 1 F airouz T he New Prince Prologue 87
Fl. 1
Fl. 2
Xyl.
Pno.
Kissinger ul
ti mate
a
phro de
si ac
the
ul
ti mate
a
phro de
si ac
Vln. I
Vln. II
Vla.
Vc. ff
Cb. ff
89
rit.
q = 44
Fl. 1 2
E q. = 40 6 8
a2
4 4
p
Pno.
6 8
4 4
6 8
4 4
mp
(taking Kissinger's hand and raising it next to his) J ust so, Doctor Henry, You pass my test. You shall be My scribe and jester.
6 8
Kissinger
rit.
E 6 8
Vln. I p
pp
p
4 4
4 4
p
6 8
Vln. II
(Kissinger nods to his mentor)
4 4 p
pp
Vla.
6 8
4 4
Vc.
6 8
4 4
Cb.
6 8
4 4
69
F airouz - T- he New Prince - A- ct I Scene 1 F airouz T he New Prince Prologue
95
Ob. 1 2
4 4
q = 80 accel.
q = 108
a2
3 4
pp
4 4
A Cl. 1 2
4 4
Mach
3 4
pp
p
3 4
Mach: N ow, all we need is a prince A worthy, needy prince... ...whom we can advise on
4 4
Vln. I
a2
how
to be
q = 80 accel.
wise
q = 108
3 4
pp
4 4
Vln. II
3 4 pp
Vla.
4 4
3 4
Vc.
4 4
3 4
Cb.
4 4
3 4
101
F
a2
Fl. 1 2 pp
Ob. 1 2 p
A Cl. 1 2
Pno.
pp
pp F A midst
this pro
test
and
un
rest
our
un
hum
ble
F Vln. I
Vln. II
3
3
3
3
3
3
3
3
3
3
Vla. pp
Vc. pp
Cb. pp
3
3
70
F airouz - T- he New Prince - A- ct I Scene 1 F airouz T he New Prince Prologue 108
Fl. 1 p
Fl. 2 p
Ob. 1 2
A Cl. 1 2 p
Bsn. 1 2
p
Pno.
p F prince
ar
rives
here
in
rio
tous N ew Co lum bi a
You
called
it
Shang
hai
p Mach Where?
Vln. I p
Vln. II p 3
3
3
3
3
3
3
Vla. p
Vc. p
Cb. p
3
3
3
3
3
3
3
3
3
3
3
3
3
3
71
F airouz - T- he New Prince - A- ct I Scene 1 F airouz T he New Prince Prologue
115
Ob. 1 2
A Cl. 1 2
p
Pno.
F one of the
T ri
ca pi tals
of
A
me ra si
o
pi a
a
long
with
Mi
a
mi and D u
Vln. I
Vln. II
3
3
3
3
3
3
3
3
3
3
Vla.
Vc. p
Cb. p
3
3
3
3
3
3
3
3
3
3
3
72
F airouz - T- he New Prince - A- ct I Scene 1 F airouz T he New Prince Prologue
122
6 8
Ob. 1 ff
6 8
Ob. 2 ff
6 8
A Cl. 1 ff
6 8
A Cl. 2 ff
6 8 ff
Pno.
f
6 8
ff
6 8
F bai
O ur
man
is
sore
tes
ted
he
needs
ad
vice.
Will he love me, this prince?
Mach
6 8
Vln. I
6 8 ff
6 8
Vln. II
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
ff
6 8
Vla. ff
6 8
Vc. ff
6 8
Cb. ff
G
accel.
q. = 69 129
Tbn. 1 2
6 8 p
Tbn. 3
6 8 p
F
6 8
O nly if you help him play. Politics is not croquet. So look: You have a best-selling book to rewrite.
p
You
sales
and life
de
pend on your
wit.
73
F airouz - T- he New Prince - A- ct I Scene 1 F airouz T he New Prince Prologue
Act I Scene 2 President Wu enters, surrounded by a cheering throng. He looks like a cross between a pop starand an Eastern despot. Big, virile, sunglasses, cape over his shoulders. Fortuna, our publisher and vamp of destiny, takes his coat and receives a tip, as if she’s a mere valet. Wu’s face and physique are Amer-Asian, a fusion of East and West. He is the rock star as politician in the synthesized, polyglot, global world. The set is a futuristic political rally, with banners in twenty languages and references to events unknown to us, but evocative of the world's stormy course: sectarian strife between Muslims and non-Muslims; the dangers of growing ecological menace as oceans rise, climate changes and populations are stressed. All these political issues should be hinted subtly, through sound and light, images that draw the future as a place just over the hill. The music swells as the president arrives. Behind him, we see that the mass has begun to divide. On one side, liberal posters proclaim: "Liberty," "Save the Planet." On the other, conservative posters demand: "Jobs!" "Prosperity," "Order," "Security through Strength." We see that the world of 2032 is divided by ideology and sect, into "red states" and "blue states," no less than ours. Wu is facing a crisis: His global kingdom is beset by war; his personal life is tarnished by scandal. He seeks escape, as desperate leaders often do, by raising a mass movement that will unite and exhaust his people in revolution.
q. = 80
a2
Fl. 1 2 fff
Ob. 1 2
A Cl. 1 2
Bsn. 1 2
Tbn. 1 2 ff
Tbn. 3 ff
Timp. ff
Bass Drum Perc. ff
fff
Pno.
f
F Get
to it!
q. = 80 Vln. I
Vln. II
Vla.
Vc.
Cb.
74
1 F airouz F airouz - T- he T he New New Prince Prince - A- ct Prologue I Scene 2 8
Fl. 1 2 a2
Bsn. 1 2 fff
C Tpt. 1 2 ff
Tbn. 1 2
Tbn. 3
Timp.
Perc.
Pno.
Vln. I fff
Vln. II fff
accel. 14
Tbn. 1 2
7 8
Tbn. 3
7 8
Timp.
7 8
Perc.
7 8
accel. Vln. I
7 8
Vln. II
7 8
75
1 F airouz F airouz - T- he T he New New Prince Prince - A- ct Prologue I Scene 2
A 22
q. = 92
A Cl. 1 2
7 8
Bsn. 1 2
7 8
a2
5 8
7 8
5 8
7 8
5 8
6 4
5 8
7 8
5 8
7 8
5 8
6 4
5 8
7 8
5 8
7 8
5 8
6 4
5 8
7 8
5 8
7 8
5 8
6 4
7 8
5 8
7 8
5 8
7 8
5 8
6 4
7 8
5 8
7 8
5 8
7 8
5 8
6 4
Vln. I
7 8
5 8
7 8
5 8
7 8
5 8
6 4
Vln. II
7 8
5 8
7 8
5 8
7 8
5 8
6 4
Vla.
7 8
5 8
7 8
5 8
7 8
5 8
6 4
5 8
7 8
5 8
7 8
5 8
6 4
5 8
7 8
5 8
7 8
5 8
6 4
a2 fff
fff a2
7 8
Tbn. 1 2
ff
7 8
Tbn. 3
ff
Pno.
A
q. = 92
Sul C
fff
7 8
Vc.
fff
7 8
Cb.
fff
29
Perc.
6 4
q = 126
3 4
2 4
p
6 4 Pno.
Vln. I
To T.-t.
6 4
3Tam-tam 4
2 4
7 8
p
3 4
2 4
6 4
3 4
2 4
7 8
3 4
2 4
6 4
3 4
2 4
7 8
3 4
2 4
6 4
3 4
2 4
7 8
3 4
2 4
6 4
3 4
2 4
7 8
3 4
2 4
6 4
3 4
2 4
7 8
3 4
2 4
6 4
3 4
2 4
7 8
3 4
2 4
6 4
3 4
2 4
7 8
p
6 4
6 4
q = 126 p
Vln. II
6 4 p
Vla.
6 4 p
Vc.
6 4 p
Cb.
6 4 p
76
1 F airouz F airouz - T- he T he New New Prince Prince - A- ct Prologue I Scene 2 35
Picc.
(‰=‰)
(‰=‰)
7 8
6 4
4 4
6 4
4 4
fff
7 8
Fl. 1
fff
7 8
C Tpt. 1 2
6 4
a2
4 4
ff
7 8
6 4
4 4
6 4
4 4
fff
Pno.
7 8
7 8
Vln. I
7 8
Vln. II
7 8
Vla.
(‰=‰)
6 4
fff
fff
(‰=‰)
4 4
6 4
4 4
6 4
4 4
6 4
4 4
6 4
4 4
fff
7 8
Vc.
fff
7 8
Cb.
fff
40
Picc.
4 4
Fl. 1
4 4
Tbn. 1 2
4 4
q = 63
B
ff
Tbn. 3
4 4 ff
WV
Vln. I
Vln. II
p soft, intimidating
4 4 4 4 4 4
Vla.
4 4
Vc.
4 4
Cb.
4 4
q = 63
Wu
B
fff
p
fff
p
Vir
tu
is
my
77
1 F airouz F airouz - T- he T he New New Prince Prince - A- ct Prologue I Scene 2 43
Picc. p
Fl. 1 p
Tbn. 1 2 ff
Tbn. 3 ff (Tam-t.)
Perc. ff
Pno.
fff
WV name,
Strength
Vln. I
Vln. II
Vla. p
Vc.
Cb.
is
what
I
claim
for
my
peo
ple
78
1 F airouz F airouz - T- he T he New New Prince Prince - A- ct Prologue I Scene 2 45
Perc. pp
p
Pno.
WV Wu
Vir
tu
is
my
name
Strength
is
what
I
claim
for my peo ple,
We
Vln. I
Vln. II
Vla. p
Vc.
Cb.
49
3 4
C Tpt. 1 2
4 4
a2
3 4
4 4
3 4
4 4
p
3 4
WV know
our glo
bal des
ti ny
is no
4 4 ac ci dent of his to ry, We
know our glo bal des
ti ny
is no
ac ci dent of...
Vln. I
3 4
4 4
3 4
4 4
Vln. II
3 4
4 4
3 4
4 4
Vla.
3 4
4 4
3 4
4 4
Vc.
3 4
4 4
3 4
4 4
3 4
4 4
3 4
4 4
p
Cb. p
79
1 F airouz F airouz - T- he T he New New Prince Prince - A- ct Prologue I Scene 2 54
Fl. 1 2
4 4
2 4 pp
Pno.
4 4
2 4
4 4
2 4
WV
flippant
pp
4 4 ...his to ry.
We are the new
ci ty on a hill
Luck is for the
weak
We are the new
ci ty on a hill
2 4
luck is for the
4 4
Vln. I
2 4 pp
4 4
Vln. II
pp
4 4
Vla.
2 4 2 4 pp
4 4
Vc.
2 4 pp
4 4
Cb.
2 4 pp
58
Bsn. 1 2
(‰=‰)
2 4
6 8
a2
9 8
6 8
9 8
6 8
ff
Timp.
2 4
6 8
ff
2 4
6 8
9 8
6 8
2 4
6 8
9 8
6 8
9 8
6 8
Pno.
ff thunderous
WV
2 4
6 8 weak.
Vln. I
2 4
T he
vir
(‰=‰)
6 8
tu ous
lead
er
makes his
own for tune, the
vir
tu ous
lead
er
makes his
own for
tune
9 8
6 8
9 8
6 8
9 8
6 8
9 8
6 8
9 8
6 8
ff
Vln. II
Vla.
2 4 2 4
6 8 6 8
ff
ff
Vc.
2 4
6 8 ff
Cb.
2 4
6 8 ff
80
1 F airouz F airouz - T- he T he New New Prince Prince - A- ct Prologue I Scene 2 63
Fl. 1
6 8
5 8
6 8
5 8
6 8
5 8
6 8
5 8
6 8
5 8
6 8
5 8
6 8
5 8
6 8
5 8
6 8
5 8
6 8
5 8
6 8
6 8
5 8
6 8
5 8
6 8
6 8
5 8
6 8
5 8
6 8
f
ff
6 8
Fl. 2
f
ff
6 8
A Cl. 1 2
accel.
f a2
6 8
C Tpt. 1 2
f
ff
Xylophone
6 8
Xyl.
ff
Pno.
Vln. I
6 8
Vln. II
6 8
Vla.
6 8
p
p
accel.
5 8
6 8
5 8
6 8
5 8
6 8
5 8
6 8
5 8
6 8
5 8
6 8
5 8
6 8
5 8
6 8
5 8
6 8
5 8
6 8
p
6 8
Vc.
sffp
6 8
Cb.
sffp
C 70
Mach
q. = 69 ff brash
6 8
5 8
6 8
5 8
6 8
Wel come
5 8 Wel come, my prince and
6 8 pre si dent
5 8 You are the ri
sing
C
q. = 69 6 8
5 8
6 8
5 8
6 8
5 8
6 8
5 8
Vln. II
6 8
5 8
6 8
5 8
6 8
5 8
6 8
5 8
Vla.
6 8
5 8
6 8
5 8
6 8
5 8
6 8
5 8
Vc.
6 8
5 8
6 8
5 8
6 8
5 8
6 8
5 8
Cb.
6 8
5 8
6 8
5 8
6 8
5 8
6 8
5 8
Vln. I
81
1 F airouz F airouz - T- he T he New New Prince Prince - A- ct Prologue I Scene 2 78
A Cl. 1 2
5 8
6 8
5 8
6 8
a2
pp
5 8
6 8
5 8
6 8
5 8
6 8
5 8
6 8
5 8
6 8
5 8
6 8
Pno.
Mach
Sun in the East
And the set
ting
Sun in the West
pp
pp sycophantic, desperate
You are the
Vln. I
5 8
6 8
5 8
6 8
Vln. II
5 8
6 8
5 8
6 8
Vla.
5 8
6 8
5 8
6 8
Vc.
5 8
6 8
5 8
6 8
Cb.
5 8
6 8
5 8
6 8
ri
sing
Sun in
the East
85
5 8
A Cl. 1 2 a2
5 8
Bsn. 1 2 ff
5 8
Tbn. 1 f
5 8
Tbn. 2 f
5 8
Tbn. 3 f
5 8
Timp. f
5 8
ff
Pno.
5 8 ff
5 8
Mach and
the
set
ting Sun in
the West
You con test the prin ces of old. T he Me di ci
and the
Bor
gia
are dust in your path to
5 8
Cb. ff
82
1 F airouz F airouz - T- he T he New New Prince Prince - A- ct Prologue I Scene 2 92
A Cl. 1 2
5 8
6 8
Bsn. 1 2
5 8
6 8
a2
p
p
Tbn. 1
5 8
6 8
Tbn. 2
5 8
6 8
Tbn. 3
5 8
6 8
Timp.
5 8
6 8
5 8
6 8
5 8
6 8
5 8
6 8
Pno.
Mach
p
glo ry
But
Vln. I
5 8
6 8
Vln. II
5 8
6 8
Vla.
5 8
6 8 p
Vc.
5 8
6 8 p
Cb.
5 8
6 8 p
great Wu,
there is brute ru mor of dys to
pi a
In your me
ta king dom of
A
me ra
si
83
1 F airouz F airouz - T- he T he New New Prince Prince - A- ct Prologue I Scene 2
D
99
a2
Fl. 1 2
5 8
6 8
5 8
5 8
6 8
5 8
5 8
6 8
5 8
5 8
6 8
5 8
ff
A Cl. 1 2 ff
Bsn. 1 2 ff ff
Mach o
pi a.
I
am your
D Vln. I
man,
Me ga Sire.
T here is no
5 8
6 8
5 8
5 8
6 8
5 8
5 8
6 8
5 8
5 8
6 8
5 8
5 8
6 8
5 8
weak
ff
Vln. II ff
Vla. ff
Vc. ff
Cb. ff
105
6 8
Fl. 1 2
5 8
6 8 p
6 8
A Cl. 1 2
5 8
ff
6 8 p
6 8
Bsn. 1 2
5 8
ff
6 8 p
6 8
Mach ness, Re gal or
Vln. I
5 8 per
6 8
6 8
so nal
ff ff
p
per
5 8
so nal,
no weak ness
to which I have not
born wit ness
6 8 p
Vln. II
Vla.
Vc.
Cb.
6 8 6 8 6 8 6 8
5 8 5 8 5 8 5 8
ff
6 8 6 8
p
ff
p
ff
6 8 p
ff
p
ff
6 8
84
1 F airouz F airouz - T- he T he New New Prince Prince - A- ct Prologue I Scene 2 111
Fl. 1
5 8
6 8
5 8
6 8
5 8
6 8
5 8
6 8
5 8
6 8
5 8
6 8
5 8
6 8
5 8
6 8
5 8
6 8
5 8
6 8
p
Fl. 2 p
Ob. 1 p
Ob. 2 p
p
Mach T hus,
T hus, I
have
pre
pared
for
you
a
mo dest gift...
O f my
Vln. I
5 8
6 8
5 8
6 8
Vln. II
5 8
6 8
5 8
6 8
Vla.
5 8
6 8
5 8
6 8
Vc.
5 8
6 8
5 8
6 8
5 8
6 8
5 8
6 8
p
Cb. p
116
5 8
Fl. 1 2
a2
6 8
5 8
ff
A Cl. 1 2
5 8
6 8
Bsn. 1 2
5 8
6 8
5 8 ff
5 8
ff ff
pp
5 8
Mach coun sel.
Wel
5 8
Vln. I
5 8
6 8 come
6 8
5 8 ff
Vln. II pp
Vla.
5 8
6 8
5 8
6 8
5 8 ff
pp
ff
5 8
Vc.
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pp
pp
5 8 ff
5 8
Cb.
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6 8
5 8 ff
85
1 F airouz F airouz - T- he T he New New Prince Prince - A- ct Prologue I Scene 2
E 121
Fl. 1 2
6 8
4 4
q = 120
fff a2
Ob. 1 2
6 8
4 4 fff
A Cl. 1 2
Bsn. 1 2
6 8 6 8
4 4 fff
4 4
fff
C Tpt. 1 2
Tbn. 1 2
6 8 6 8
a2
4 4
ff a2
4 4
fff
Tbn. 3
6 8
4 4 fff
Xylophone Perc.
6 8
4 4
ff
6 8
4 4 fff
Pno.
6 8
WV
4 4
6 8
(loud sigh) Even a great leader N eeds advice. O nce or twice.
p (spoken confidingly)
4 4
My world is af flic ted,
fff
Mach
6 8
4 4 Wel come my prince
and pres i dent!
E Vln. I
6 8
4 4 fff
Vln. II
6 8
p
4 4 fff
Vla.
6 8
4 4 fff
Vc.
6 8
Cb.
6 8
4 4 fff
fff
q = 120
4 4
my sub jects
con flic ted
86
1 F airouz F airouz - T- he T he New New Prince Prince - A- ct Prologue I Scene 2 127
3 4
Ob. 1 2 p
3 4
A Cl. 1 2 p
WV
3 4
A scandal they say surrounds me. Mere sex! YouTube is so petty.
Vln. I
3 4
Vln. II
3 4
Vla.
3 4
Vc.
3 4
Cb.
3 4
My order is untidy. In my...
132
Bsn. 1 2 p
Tbn. 3 p ff
p
which
binds
ff
p
WV grand
em
pire
of
home
Vln. I
Vln. II
Vla. p
Vc. p
ff
p
Cb. p
ff
p
up
A
sia
A
87
1 F airouz F airouz - T- he T he New New Prince Prince - A- ct Prologue I Scene 2 138
Bsn. 1 2 ff a2
Tbn. 1 2 f
Tbn. 3 f
Timp. f
f
p
Pno.
ff
WV me
ri
ca and
Eu
rope, the
sur
ly
tribes
now rage
and
fight!
Vln. I p
ff
p
ff
Vln. II
Vla. ff
Vc. ff
Cb. ff
88
1 F airouz F airouz - T- he T he New New Prince Prince - A- ct Prologue I Scene 2 143
Fl. 1 2 ff
Bsn. 1 2
Tbn. 1 2
Tbn. 3
Timp. Xylophone Perc. ff
Pno.
WV T hey must u
Vln. I
Vln. II
Vla.
Vc.
Cb.
nite!
T hey must u
nite
I
am
the
strong
man
who can
89
1 F airouz F airouz - T- he T he New New Prince Prince - A- ct Prologue I Scene 2 148
Fl. 1 2
Bsn. 1 2 p
Tbn. 1 2
Tbn. 3
Timp.
Xyl.
Pno.
p
p
WV lead
I know
But p
Mach Yes you are
Vln. I p
Vln. II p
Vla. p
Vc. p
Cb. p
where?
Hear the
crowd...
90
1 F airouz F airouz - T- he T he New New Prince Prince - A- ct Prologue I Scene 2
accel.
153
Bsn. 1 2
4 4
Tbn. 1
4 4 f
p
4 4
Tbn. 2
f
p
4 4
Tbn. 3 p
f
4 4 ff
Pno.
4 4 ff
4 4
WV T hey
rage
accel. Vln. I
for
de
ci
sions
in
both
di
rec tions
4 4 ff
Vln. II
4 4 ff
Vla.
4 4 ff
Vc.
Cb.
4 4 4 4
ff
ff
91
1 F airouz F airouz - T- he T he New New Prince Prince - A- ct Prologue I Scene 2
F
q = 120 q = 104
158
Fl. 1
3 4
4 4
3 4
4 4
3 4
4 4
3 4
4 4
3 4
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p
Fl. 2 p
Ob. 1 p
Ob. 2 p
Xyl.
p
3 4
4 4 p
Pno.
I need... advice.
WV
(gently, proudly) O f course you do, my president. I t is only a foolish prince who would be convinced He knows the answers before the test. He must study, examine, then decide.
Mach
167
Fl. 1
3 4
4 4
Fl. 2
3 4
4 4
Ob. 1
3 4
4 4
Ob. 2
3 4
4 4
A Cl. 1 2
3 4
4 4
3 4
4 4
3 4
4 4
3 4
4 4
WV
3 4
4 4
Henry Kissinger
3 4
4 4
3 4
4 4
3 4
4 4
3 4
4 4
So with my assistant, Dr. Henry, I have prepared a little dictionary O f advice for my prince. With some new chapters From unworthy‌me.
p
Xyl.
Pno.
T hank you, Mr....
K issinger. A nd it's D octor, A ctually.
A nd me!
solo
Vln. I
3 4
4 4 p
Vln. II
3 4
4 4
solo
p
92
1 F airouz F airouz - T- he T he New New Prince Prince - A- ct Prologue I Scene 2 a2
174
5 4
Fl. 1 2
4 4 p
p
5 4
Ob. 1 2
4 4 p a2
5 4
A Cl. 1 2
4 4
p
Pno.
(interrupting his assistant) Sire, if I may repeat a few dedicatory words I wrote a mere five hundred years or so ago:
Mach
5 4
4 4
5 4
4 4 p
5 4
4 4
Your mag
ni fi cence, Take this small
Vln. I
5 4
4 4
Vln. II
5 4
4 4
180
Fl. 1 2
pit tance, that you may ar
3 4
4 4
3 4
4 4
3 4
4 4
f
Ob. 1 2 f
C Tpt. 1
f
ff
3 4
C Tpt. 2
4 4 f
Bass Drum Perc.
ff
To Susp. Cym.
3 4 f
4 4
ff
3 4
4 4 ff
Pno.
fff
3 4
3 4
WV
f
(nonchalant) What is Fortune?
3 4 rive
at the great ness that
4 4 for
Vla.
Vc.
pro mi
fff
3 4 3 4
ses.
4 4 4 4 ff
fff
ff
fff
3 4
4 4 4 4
ff
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tune
3 4 ff
Vln. II
4 4
fff
ff
Mach
Vln. I
4 4
fff
3 4
4 4 ff
fff
93
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G 186
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Ob. 1 2
4 4
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3
fff
3
4 4 a2
4 4
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a2
A Cl. 1 2
4 4
3
fff
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a2
4 4 fff
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3
fff
4 4
3 3
ff
C Tpt. 2
Tbn. 1
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senza sord.
Susp. Cym (choke)
4 4 ff
4 4 4 4
ff
G 4 4
(choke) f
3
fff
3
6
ord.
q = 132 fff
ord.
fff
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(choke)
6
5
5
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3
(hard stick)
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Pno.
3
ff
ff
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3
ff senza sord.
ff
ff
Timp.
3
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3
ff senza sord.
4 4 fff fff
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5
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3 3
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94
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Picc. ff delirious
Fl. 1 ff delirious
Ob. 1 2
A Cl. 1 ff
5
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5
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Tbn. 1 f
f
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f
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f
Xylophone Perc. f delirious
ff
fff
Pno.
6
Vln. I ff delirious 6
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Vla.
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pizz.
ff
ff
Cb.
1 F airouz F airouz - T- he T he New New Prince Prince - A- ct Prologue I Scene 2 192
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Pno.
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95
96
1 F airouz F airouz - T- he T he New New Prince Prince - A- ct Prologue I Scene 2 195
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f
f
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ma accomp.
6
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6
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f
3
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Pno.
3
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ma accomp.
f
ma accomp.
Vln. II
Vla. f
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ma accomp.
ma accomp.
97
1 F airouz F airouz - T- he T he New New Prince Prince - A- ct Prologue I Scene 2
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a2 violent
3
3
3
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possibile
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3
f
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3
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3 3
98
1 F airouz F airouz - T- he T he New New Prince Prince - A- ct Prologue I Scene 2
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100
1 F airouz F airouz - T- he T he New New Prince Prince - A- ct Prologue I Scene 2
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f
101
1 F airouz F airouz - T- he T he New New Prince Prince - A- ct Prologue I Scene 2
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pp
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pp
3
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Xyl. (molto)
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p
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pp
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pp
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arco
3
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Xyl.
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H 216
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103
1 F airouz F airouz - T- he T he New New Prince Prince - A- ct Prologue I Scene 2
219
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Fl. 1 f 3
6
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3
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3
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(molto)
C Tpt. 2 3
mf
f
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f
Vln. I (molto)
f
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f
Vla. (molto)
f 6
6
Vc. f
Cb. p
f
6
6
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104
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Picc. pp
Fl. 1 mp
pp
Ob. 1 2
A Cl. 1 2 a2
p 6
6
6
6
6
Bsn. 1 2 mp
pp
Tbn. 1
Tbn. 2
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Xyl. pp
Vln. I pp
Vln. II pp
Vla.
6
pp 6
6
6
6
Vc. 6
6
6
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mp
6
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Cb. pp
6
6
pp
6
105
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225
Picc.
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Ob. 1 2 3
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6
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Xyl.
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Picc.
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Xyl.
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106
1 F airouz F airouz - T- he T he New New Prince Prince - A- ct Prologue I Scene 2
I 229
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mf 3
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3
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f
II.
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mf
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f
I Vln. I mf
f
mf
f
mf
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Vln. II
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mf 6
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Picc.
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6
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Xyl.
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Picc.
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Timp. f
Xyl.
Pno.
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1 F airouz F airouz - T- he T he New New Prince Prince - A- ct Prologue I Scene 2
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Picc.
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3
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Xyl. 3 3
Pno.
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1 F airouz F airouz - T- he T he New New Prince Prince - A- ct Prologue I Scene 2
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Xyl.
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Pno.
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1 F airouz F airouz - T- he T he New New Prince Prince - A- ct Prologue I Scene 2 241
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Xyl.
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Xyl.
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Xyl.
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q = 60
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251
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Ob. 1 2 ff
A Cl. 1 2 ff 6
6
6
6
6
6
6
6
Bsn. 1 ff
Bsn. 2 ff
Tbn. 1
Tbn. 2
3
Tbn. 3
Xyl. ff
ff
Pno.
6
6
6
6
rit.
q = 60 Vln. I 5
5
5
6
5
5
5
6
ff
Vln. II ff
Vla. ff 6
6
6
6
Vc. ff 6
6
6
p
6
Cb. ff
p
118
1 F airouz F airouz - T- he T he New New Prince Prince - A- ct Prologue I Scene 2
Act II Scene 1 Fortuna enters, as publisher and stage director, accompanies by Henry Kissinger, who acts as narrator for this opening chapter of “The New Prince.” He’s an eager showman, gesturing alternately to the box where President Wu is seated and to the stage where the drama will be enacted. Above the set, painted across a banner, or illuminated in lights or a video projection, are the words: “Chapter One: Why Princes Should Beware of Revolutions” and then, trailing along, like a streaming sub-hed, “Revolutions, Like Children, Are Lovable When Young, but Become Dark and Surly When They Age.” This first chapter should have the raucous energy of a circus or a magic show, with tricks of light and image to enhance the history that Machiavelli and his alterego, Kissinger, wish to impart. We should feel in the boisterous chorus and the reactions of Wu, the raw ideological battles and charismatic personalities that drive politics, eternally.
q = 44 Fl. 1 2
4 4
5 4
4 4
5 4
4 4
5 4
4 4
Ob. 1 2
4 4
5 4
4 4
5 4
4 4
5 4
4 4
A Cl. 1 2
4 4
5 4
4 4
5 4
4 4
5 4
4 4
Bsn. 1 2
4 4
5 4
4 4
5 4
4 4
5 4
4 4
Tbn. 1 2
4 4
5 4
4 4
5 4
4 4
5 4
4 4
5 4
4 4
5 4
4 4
5 4
4 4
5 4
4 4
5 4
4 4
5 4
4 4
4 4
5 4
4 4
5 4
4 4
5 4
4 4
4 4
5 4
4 4
5 4
4 4
5 4
4 4
4 4
5 4
4 4
5 4
4 4
5 4
4 4
p
Tbn. 3
4 4 p
Timp.
4 4 Snare Drum
Perc.
Pno.
Kiss.
4 4
Most princely prince and president. Your realm is in ferment. My mentor appoints me to impart this first testament. If a surly public demands action— revolution-- Instead, sweet sire, be contrarian. “Choose the right side of history,” they will say. N ay! For history has no side. N or is it a straight line to anywhere, up or down. T hat is illusion. It is a circle, a wave, a recursive function. It comes back to where it began and starts again, toward the same dysfunction.
q = 44
5 4
4 4
5 4
4 4
5 4
4 4
Vln. I
4 4
5 4
4 4
5 4
4 4
5 4
4 4
Vln. II
4 4
5 4
4 4
5 4
4 4
5 4
4 4
Vla.
4 4
5 4
4 4
5 4
4 4
5 4
4 4
Vc.
4 4
5 4
4 4
5 4
4 4
5 4
4 4
Cb.
4 4
5 4
4 4
5 4
4 4
5 4
4 4
119
11 FFairouz airouz F airouz -- TT-he he T he New New New PPrince rince Prince --Act A- ct Prologue II I Scene Scene2
7
A Cl. 1 2
4 4 4 4
Bsn. 1 2
a2
p a2
5 4
4 4
5 4
4 4
p
Tbn. 1 2
4 4
5 4
4 4
Tbn. 3
4 4
5 4
4 4
9
Fl. 1 2
Ob. 1 2
4 4 4 4
a2
pp a2
pp
A Cl. 1 2
4 4 pp
Bsn. 1 2
4 4 pp
C Tpt. 1 2
a2
4 4
pp
4 4 Pno.
PoR
4 4
pp
Prince of Revolution as SAVONAROLA pp
4 4
O l'I
Kiss.
4 4
See him now, Savonarola, fanatic prince of revolution, Spinning his believers, telling them he speaks with G od, Bidding them throw books and jewels into the blaze. His eyes an inferno, too. N iccolo warned in his days
(pp)
T hat this priest would ru in Flo rence with his god fired ways.
120
11 FFairouz airouz F airouz -- TT-he he T he New New New PPrince rince Prince --Act A- ct Prologue II I Scene Scene2
A 13
A Cl. 1 2 p
Timp. p
Perc.
p
Pno.
p (mesmerizing)
gliss.
gliss.
PoR tal
ia! O Prin ci pi! O pre
A Vln. I p
Vln. II p
Vla. p
Vc. p
Cb. p
la
ti
del la chie sa
l'i
ra
di
Di
o
è
su
di
121
11 FFairouz airouz F airouz -- TT-he he T he New New New PPrince rince Prince --Act A- ct Prologue II I Scene Scene2 17
A Cl. 1 2
Timp.
Perc.
Pno.
3
PoR vo, Non vi è al cu na sper an za per voi, A
me
no che
non vi sia con ver ti to
al Sig nore
Rav ve
Pious Weepers
p
SA l'i
ra
di
Di
o
l'i
ra di Di
o
Di
o
l'i
ra di Di
o
Pious Weepers
p
TB l'i
Vln. I
Vln. II
Vla.
Vc.
Cb.
ra
di
122
11 FFairouz airouz F airouz -- TT-he he T he New New New PPrince rince Prince --Act A- ct Prologue II I Scene Scene2 22
Fl. 1 2 p
f
Tbn. 1 2 p
f
p
f
Tbn. 3
(Snare Dr.)
Perc.
p
f ff
PoR de te vi
pri ma che la
spa da
sguai na ta
es se re
See him now cavort in the brown shirt of Adolf Hitler,
Kiss.
Vln. I p
ff
p
p
ff
p
p
ff
p
p
ff
p
Vln. II
Vla.
Vc.
Cb.
accel. 26
Perc.
Kiss.
A face I know too well, from a Hell I fled. T hese book-burners would torch the dead In a trans
form ing pyre
accel. Vln. I
Vln. II
Vla.
Vc.
Cb.
of
rage
and de sire
T hey
123
11 FFairouz airouz F airouz -- TT-he he T he New New New PPrince rince Prince --Act A- ct Prologue II I Scene Scene2 29
Perc. ff
Kiss. feed their bon
fire
with a hu man fuel,
a head y mix
that pro claims we can all
be
cleansed
through
pol i tics.
Vln. I
Vln. II
Vla.
Vc. Cb.
B 32 a2
q = 63
Fl. 1 2 ff
Bsn. 1 2 ff
C Tpt. 1 2 f
Perc.
Pno.
ff
as HITLER ff
PoR Je
de Ge walt,
Je
de Ge walt
D ie
nicht
ein er fest
en
geis
ti gen
Grund
SA
NAZIS{
Je
de
Ge
walt
Je
de
Ge
walt
TB
B Vln. I
q = 63
ff
Vln. II ff
Vla. ff
Vc. ff
Cb. ff
la
ge
124
11 FFairouz airouz F airouz -- TT-he he T he New New New PPrince rince Prince --Act A- ct Prologue II I Scene Scene2
35
Fl. 1 2
Bsn. 1 2
C Tpt. 1 2
Perc.
Pno.
PoR ent sprießt,wird schwank end und un
Vln. I
Vln. II
Vla.
Vc.
Cb.
si cher sein.
Ihr
fehlt
die
Sta
bil i
tät,
die Sta bil i
tät,
die
125
11 FFairouz airouz F airouz -- TT-he he T he New New New PPrince rince Prince --Act A- ct Prologue II I Scene Scene2
38
Fl. 1 2
Bsn. 1 2
C Tpt. 1 2
Perc.
Pno.
PoR nur
Vln. I
Vln. II
Vla.
Vc.
Cb.
in ei
ner fa na
ti schen
Wel tan schauung, fa
na
ti schen, fa
na
ti schen
Wel tan schauung zu
ru
hen ver
126
11 FFairouz airouz F airouz -- TT-he he T he New New New PPrince rince Prince --Act A- ct Prologue II I Scene Scene2 42
Fl. 1 2 p
Ob. 1 2 p
Bsn. 1 2
C Tpt. 1 2
Perc.
p
Pno.
PoR mag We warn you, princely W u, that even you...
Kiss.
A re
Vln. I p
Vln. II p
Vla. p
Vc.
Cb.
C
127
11 FFairouz airouz F airouz -- TT-he he T he New New New PPrince rince Prince --Act A- ct Prologue II I Scene Scene2 a2
46
a2
Fl. 1 2 p
Ob. 1 2
A Cl. 1 2 p
Bsn. 1 2 p
Timp. p
Perc.
Kiss. close
C Vln. I
Vln. II
Vla.
Vc. p
Cb. p
to the iron fenced pri son na tion forged
by
Mao.
128
11 FFairouz airouz F airouz -- TT-he he T he New New New PPrince rince Prince --Act A- ct Prologue II I Scene Scene2 49
a2
a2
Fl. 1 2 p
A Cl. 1 2
Bsn. 1 2 p
Tbn. 1 2 p
Tbn. 3 p
Perc.
p
Pno.
p
Kiss.
I , K issinger, opened Mao’s escape from death and re
vo
lu
tion
to
Vln. I p
Vln. II p
Vla.
Vc.
Cb.
the
glit tering wealth that to day
a dorns the
129
11 FFairouz airouz F airouz -- TT-he he T he New New New PPrince rince Prince --Act A- ct Prologue II I Scene Scene2 53
Fl. 1 2
3 4
Bsn. 1 2
3 4
accel.
4 4 4 4
ff
Tbn. 1 2
3 4
4 4
Tbn. 3
3 4
4 4
Timp.
3 4
4 4 f
3 4
Perc.
4 4
f
3 4 Pno.
3 4
4 4 ff
ff
3 4
Kiss. Chi
nese na
tion
Migh
ty Wu:
His
4 4
to ry does not al ways pro gress;
it re curs.
Vln. I
3 4
Vln. II
3 4
accel. ff
4 4 We
4 4 4 4
ff
Vla.
3 4
4 4 ff
Vc.
3 4
4 4 ff
Cb.
3 4
4 4 ff
130
11 FFairouz airouz F airouz -- TT-he he T he New New New PPrince rince Prince --Act A- ct Prologue II I Scene Scene2 57
A Cl. 1 2
4 4
q = 72 p
4 4
Bsn. 1 2
p
4 4
Perc.
p
4 4 Pno.
4 4
4 4
Kiss.
p
p
coun
Vln. I
4 4
Vln. II
4 4
Vla.
4 4
sel
de ceit
and
cun ning
lest
we
cre ate
a
curse
that
q = 72
p
4 4
Vc.
4 4
Cb.
p
p
61
q = 80
accel.
A Cl. 1 2
Bsn. 1 2
Perc.
Pno.
Kiss. makes
accel. Vln. I Vln. II
Vla.
Vc.
Cb.
mar
tyrs of
us
all
as we seek
q = 80
God
here
on
131
11 FFairouz airouz F airouz -- TT-he he T he New New New PPrince rince Prince --Act A- ct Prologue II I Scene Scene2
accel.
65
5 4
Fl. 1 2 ff
5
5 5
5
5 4
Ob. 1 2 ff
5 4
A Cl. 1 2
ff
5 4
Bsn. 1 2 ff
5 4
Perc. f
Pno.
5 4
ff
5 4 ff
5 4
Kiss. Earth.
accel. 5 4
Vln. I ff
Vln. II
5
5 5
5 5
5 5
5 5
5 5
5
5 4
ff
5 4
Vla. ff
Vc.
5 4
ff
5 4
Cb. ff
132
11 FFairouz airouz F airouz -- TT-he he T he New New New PPrince rince Prince --Act A- ct Prologue II I Scene Scene2
D 68
Picc.
5 4
4 4
q = 120 ff
Fl. 1
5 4
4 4 ff
C Tpt. 1 2
5 4
4 4 f
Perc.
5 4
4 4 f
5 4
4 4
5 4
4 4
Pno.
ff
PoR
5 4
as MAO
4 4 Gé
D Vln. I
5 4
q = 120
4 4 ff
Vln. II
5 4
4 4 ff
Vla.
5 4
4 4
Vc.
5 4
4 4
Cb.
5 4
4 4
ming
bù
shi
q ng
kè
chī
fàn,
133
11 FFairouz airouz F airouz -- TT-he he T he New New New PPrince rince Prince --Act A- ct Prologue II I Scene Scene2 71
Picc.
2 4
4 4
Fl. 1
2 4
4 4
C Tpt. 1 2
2 4
4 4
Tbn. 1 2
2 4
4 4
2 4
4 4
2 4
4 4
2 4
4 4
2 4
4 4
2 4
4 4
f
Tbn. 3 f
Perc.
Pno.
PoR Gé
ming
Red Guards
bù
shi
q ng
kè
chī
fàn,
ff
Bù
shi
zuò
wén
zhāng,
2 4
4 4
2 4
4 4
Vln. I
2 4
4 4
Vln. II
2 4
4 4
Vla.
2 4
4 4
Vc.
2 4
4 4
Cb.
2 4
4 4
SA Gé
ming
Red Guards
bù
shi
q ng
kè
chī
fàn,
ff
TB Gé
ming
bù
shi
q ng
kè
chī
fàn,
134
11 FFairouz airouz F airouz -- TT-he he T he New New New PPrince rince Prince --Act A- ct Prologue II I Scene Scene2 75
Picc.
4 4
2 4
4 4
Fl. 1
4 4
2 4
4 4
C Tpt. 1 2
4 4
2 4
4 4
Tbn. 1 2
4 4
2 4
4 4
2 4
4 4
4 4
2 4
4 4
4 4
2 4
4 4
4 4
2 4
4 4
4 4
2 4
4 4
f
Tbn. 3
4 4 f
Perc.
Pno.
PoR
Gé
SA
bù
shi
q ng
kè
chī
fàn,
4 4 Gé
TB
ming
ming
bù
shi
q ng
kè
chī
ming
bù
shi
q ng
kè
chī
shi
zuò
wén
zhāng,
2 4
4 4
2 4
4 4
fàn,
4 4 Gé
Bù
fàn,
Vln. I
4 4
2 4
4 4
Vln. II
4 4
2 4
4 4
Vla.
4 4
2 4
4 4
Vc.
4 4
2 4
4 4
Cb.
4 4
2 4
4 4
135
11 FFairouz airouz F airouz -- TT-he he T he New New New PPrince rince Prince --Act A- ct Prologue II I Scene Scene2 79
Picc.
4 4
Fl. 1
4 4
Bsn. 1 2
4 4 ff
C Tpt. 1 2
4 4 f
Tbn. 1 2
4 4 f
Tbn. 3
4 4 f
Perc.
4 4 4 4
Pno.
4 4
PoR
SA
TB
4 4 Bù
shì
huì
huà,
huì
huà
xiù
huā,
Bù
shì
huì
huà,
huì
huà
xiù
huā,
Bù
shì
huì
huà,
huì
huà
xiù
huā,
huò
zuò
cì
xiù.
4 4 cì
4 4
Vln. I
4 4
Vln. II
4 4
Vla.
4 4
Vc.
4 4
Cb.
4 4
huò
zuò
xiù.
136
11 FFairouz airouz F airouz -- TT-he he T he New New New PPrince rince Prince --Act A- ct Prologue II I Scene Scene2 83
Picc.
2 4
4 4
Fl. 1
2 4
4 4
C Tpt. 1 2
2 4
4 4
Tbn. 1 2
2 4
4 4 f
2 4
Tbn. 3
4 4 f
Perc.
Pno.
PoR Tā
bù
2 4
4 4
2 4
4 4
2 4
4 4
2 4
4 4
néng
zuò
jīng,
Zuò
Vln. I
2 4
4 4
Vln. II
2 4
4 4
Vla.
2 4
4 4
Vc.
2 4
4 4
Cb.
2 4
4 4
yōu
rán
ér
wēn
róu,
137
11 FFairouz airouz F airouz -- TT-he he T he New New New PPrince rince Prince --Act A- ct Prologue II I Scene Scene2 87
Picc.
2 4
Fl. 1
2 4
Perc.
2 4 2 4
Pno.
2 4
2 4
PoR Su
y
wēn
hé
shàn
liáng,
l
mào,
nèi
li n
hé
2 4
SA nèi
li n
hé
2 4
TB nèi
li n
hé
Vln. I
2 4
Vln. II
2 4
Vla.
2 4
Vc.
2 4
Cb.
2 4
138
11 FFairouz airouz F airouz -- TT-he he T he New New New PPrince rince Prince --Act A- ct Prologue II I Scene Scene2
E 91
Tbn. 1 2
2 4
4 4
2 4
Tbn. 3
q = 44
sffp
4 4
5 4
4 4
5 4
5 4
4 4
5 4
sffp
Perc.
2 4
4 4
5 4
4 4
5 4
2 4
4 4
5 4
4 4
5 4
4 4
5 4
4 4
5 4
5 4
4 4
5 4
4 4
5 4
4 4
5 4
4 4
5 4
4 4
5 4
5 4
4 4
5 4
p
Pno.
WV
2 4
4 4
5 4
2 4
4 4
5 4
Great men sometimes make G reat mistakes,
sffp
2 4
PoR
4 4 t n
dàng.
2 4
SA
t n
mìng
shì
bào dòng.
dàng.
2 4
TB
Gé
t n
dàng.
E
q = 44
Vln. I
2 4
4 4
Vln. II
2 4
4 4
5 4
4 4
5 4
Vla.
2 4
4 4
5 4
4 4
5 4
Vc.
2 4
4 4
5 4
4 4
5 4
5 4
4 4
5 4
p
2 4
Cb.
4 4 p
97
Tbn. 1 2
5 4
4 4
5 4
Tbn. 3
5 4
4 4
5 4
5 4
4 4
5 4
5 4
4 4
5 4
4 4
5 4
Pno.
WV
5 4
p
But we must dare
and do
this
is
the
es
sence
of
Vc.
5 4
4 4
5 4
Cb.
5 4
4 4
5 4
what we
call
"vir
tue."
139
11 FFairouz airouz F airouz -- TT-he he T he New New New PPrince rince Prince --Act A- ct Prologue II I Scene Scene2
Act II Scene 2
Picc.
4 4
q = 100 fff
1.
Fl. 1
4 4 ff
fff 6
Ob. 1 2
4 4 fff
ff
A Cl. 1
A Cl. 2
Bsn. 1 2
4 4 ff
fff
ff
fff
4 4 4 4
4 4
fff
a2
f
Tbn. 1 2
4 4
ff
a2
ff
Tbn. 3
ff
4 4
Timp.
4 4
Perc.
4 4
ff
4 4 ffff possible
4 4
q = 100 Vln. I
Vln. II
4 4
ff
4 4 ff
Vla.
4 4
Vc.
4 4
3
ff
ff
Cb.
4 4
3 3
ff
Pno.
fff
3
ff
C Tpt. 1 2
fff
arco
ff
140
12 FFairouz airouz F airouz -- TT-he he T he New New New PPrince rince Prince --Act A- ct Prologue II I Scene Scene2 1
q =tentative 92
6
becoming more certain
timbral trill
A Cl. 1 p
5
p
A Cl. 2
p
Bsn. 1 p
mf
Pno.
FORTUNA:
(fleeting across the stage with a flirtatious wave) Bold Wu, whom your new advisers in vain instruct, Perhaps you’re truly bold enough to try your luck
F
KISSINGER: (looking to Machiavelli, in despair) It’s modern, this affair, set in a place called Tahrir Square. Watch with us now, most esteemed Khazar, how the boy of revolution becomes what he meant to destroy.
Kiss.
13
energico
A Cl. 1 f
A Cl. 2 f
Bsn. 1 f
Pno.
f
ff
WU VIRTU
WV
I am ruler of men, not a copybook and pen. I don’t take dictation. But I will watch, dear tutors, and then ignore, your final gutless warning tale of revolution.
Vln. I f
Vln. II f
Vla. f
Vc. f
Cb. f
It’s modern, this affair, set in a place called Tahrir Square. Watch with us now, most esteemed Khazar, how the boy of revolution becomes what he meant to destroy
141
12 FFairouz airouz F airouz -- TT-he he T he New New New PPrince rince Prince --Act A- ct Prologue II I Scene Scene2 1
17
Picc. ff
Fl. 1 2 ff a2
Ob. 1 2 ff
A Cl. 1 ff
A Cl. 2 ff
Bsn. 1 ff
Vln. I ff
Vln. II ff
Vla. ff
Vc. ff
Cb. ff
The set is transformed into Tahrir Square in Egypt. At first, we see it in the guise of the Arab Spring of February 2011, with crowds jeering at a giant poster of President Gen. Hosni Mubarak, the military dictator they want to depose. Then the Square, circa 2012, is filled with Muslim Brotherhood devotees of President Mohammed Morsi, as lights flash the date of his election in June 2012. Then it becomes the scene of the bloody coup against Morsi, illuminated for the audience as July 2013. And finally, we see the crowds chanting adoringly toward a poster of President Gen. Abdel-Fattah al-Sisi, as the wheel of revolution and counter-revolution comes full circle. The different figures in this process are illuminated in different corners of the square, each under the spotlight as he speaks a part of the story.
A 21
q = 108
Picc.
A Cl. 1
A Cl. 2
fff
Pno.
A q = 108 Vln. I 5
ff
Vln. II 5
ff 3
3
3
3
3
3
Vla. 3
Vc.
Cb.
3
3
3
3
3
142
12 FFairouz airouz F airouz -- TT-he he T he New New New PPrince rince Prince --Act A- ct Prologue II I Scene Scene2 1
24
A Cl. 1
A Cl. 2
Pno.
ff
SA Ash ff
TB Ash
Vln. I 5
5
5
5
5
5
5
5
5
5
Vln. II
3
3
3
3
3
5
5
3
Vla. 3
Vc.
Cb.
3
3
3
3
3
143
12 FFairouz airouz F airouz -- TT-he he T he New New New PPrince rince Prince --Act A- ct Prologue II I Scene Scene2 1
27
Picc. ff
Fl. 1 ff
a2
3
3
Ob. 1 2 ff a2
3
3
3 3
3
3
3 3
3
3
3 3
3
3
3 3
3
3 3
3
3
3
A Cl. 1 2
ff a2
Bsn. 1 2 ff Tambourine
Perc.
f
Pno.
SA sha
'b
yu
rīd
is
qā
an
ni
ām
Ash
sha
'b
yu
rīd
is
sha
'b
yu
rīd
is
qā
an
ni
ām
Ash
sha
'b
yu
rīd
is
TB
3
3
Vln. I ff
3
3
3
3
3
3
3
3
3
3 3
3
Vln. II ff
3
3 3
3
3 3
3
3 3
3
3 3
3
3 3
3
Vla. 3
Vc.
Cb.
3
3
3
3
3
144
12 FFairouz airouz F airouz -- TT-he he T he New New New PPrince rince Prince --Act A- ct Prologue II I Scene Scene2 1
accel. 30
Picc.
4 4
Fl. 1
4 4 3
3
3
3
3
3
4 4
3
A Cl. 1 2
4 4
Bsn. 1 2
4 4
Tbn. 1 2
4 4
Ob. 1 2 3
3 3
3
3 3
3
3
3 3
3
3
3 3
3
3
3 3
3
3
3 3
3
3 3
3
3 3
3
3 3
3
3
f
4 4
Tbn. 3
To Xyl. Perc.
4 4 4 4
Pno.
4 4 4 4
SA qā
an ni
ām
Ash
sha
'b yu rīd
is
qā
an ni ām
A sh sha
'b yu rīd
is
qā
an ni
ām
4 4
TB qā
an ni
ām
Ash
sha
'b yu rīd
is
qā
an ni ām
A sh sha
'b yu rīd
is
qā
an ni
ām
accel. 3
3
3
3
3
3
4 4
3
4 4
Vln. I 3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
Vln. II 3
3 3
3
3 3
3
3
3 3
3
3 3
3
3 3
3
3 3
3 3
3 3
3
4 4
Vla. 3
3
3
3
3
3
3
3
3
3
Vc.
4 4
Cb.
4 4
145
12 FFairouz airouz F airouz -- TT-he he T he New New New PPrince rince Prince --Act A- ct Prologue II I Scene Scene2 1
35
Picc.
Bsn. 1 2
4 4 4 4
q = 120
3 4
4 4
3 4
4 4
3 4
4 4
3 4
4 4
3 4
4 4
3 4
4 4
3 4
4 4
3 4
4 4
ff
a2
ff
C Tpt. 1 2
4 4
a2
a2
f
4 4
ff
Pno.
SA
4 4
3 4
4 4
3 4
4 4
4 ff 4
3 4
4 4
3 4
4 4
Ghour
TB
Mu ba
4 4
rak,
ghour!
3 4
Ghour!
A la shan misr'
4 4
it
shoof
in' noor
Ghour
Vln. I
ff
Vln. II
4 4
q = 120
rak,
ff
G hour Mu ba
4 4
Mu ba
ghour!
G hour!
3 4 rek! Mu
ba
rak,
4 4 Ghour! Ghour!
3 4
4 4
3 4
4 4
3 4
4 4
3 4
4 4
3 4
4 4
3 4
4 4
3 4
4 4
3 4
4 4
3 4
4 4
3 4
4 4
ff
Vla.
4 4 ff
Vc.
4 4 ff
Cb.
4 4 ff
146
12 FFairouz airouz F airouz -- TT-he he T he New New New PPrince rince Prince --Act A- ct Prologue II I Scene Scene2 1
41
Ob. 1 2
a2
4 4
rall.
3
ff
Bsn. 1 2
4 4
C Tpt. 1 2
4 4
Tbn. 1
4 4 f
Tbn. 2
3
4 4 f
Tbn. 3
4 4 f
Timp.
4 4 f
4 4 Pno.
4 4
SA
TB
Journalist: "Who are you? What is this spring? What do you want?`
4 4 A la shan misr'
it
shoof
in' noor
A la shan misr'
it
shoof
in' noor
4 4
Vln. I
4 4
Vln. II
4 4
Vla.
4 4
rall.
ff
Vc.
4 4
Cb.
4 4
147
12 FFairouz airouz F airouz -- TT-he he T he New New New PPrince rince Prince --Act A- ct Prologue II I Scene Scene2 1
B 47
q = 104 a2
A Cl. 1 2 p
Xylophone Xyl. p
HANNAH KAMAL, young, veiled, fierce (takes mic from Journalist) p
HK I'm Han nah K a mal
B
I'm twen ty se ven
We
are the E gypt ian
Youth re vo lu tion
O ur i de o lo gy
Is our na tio na li ty
q = 104
Vln. I p
Vln. II p
Vla. p
Vc.
Cb.
53
HK We
are the young
P ha raohs
We say
G hour
Vln. I
Vln. II
Vla.
Vc. p
Cb. p
Mu ba
rak! Mu ba
rak go out! He
sells
our souls, he makes us live
in the dark
148
12 FFairouz airouz F airouz -- TT-he he T he New New New PPrince rince Prince --Act A- ct Prologue II I Scene Scene2 1
C
accel.
q = 120
59
Fl. 1 ff
fff
ff
fff
Fl. 2
Ob. 1 2 fff
A Cl. 1 2 fff
a2
Bsn. 1 2 ff
fff
a2
C Tpt. 1 2
Tbn. 1 f
ff
f
ff
f
ff
Tbn. 2
Tbn. 3
Timp. ff
ff
Xyl. ff
fff
Pno.
ff
HK Ghour
Mu ba
rak! Mu
ba
Mu ba
rak!
Ghour
Mu ba
rak!
Ghour
rak go
out!
Let
E
Mu ba
rak! Ghour
Mu ba
Mu ba
rak!
gypt
see
the
light!
ff
SA Ghour
rak!
Ghour
Mu ba
rak! G hour
Mu ba
rak!
G hour
Mu ba
rak!
ff
TB Ghour
accel.
C
q = 120
Vln. I fff ff
Vln. II fff ff
Vla. ff
fff
Vc. ff
fff
ff
fff
Cb.
149
12 FFairouz airouz F airouz -- TT-he he T he New New New PPrince rince Prince --Act A- ct Prologue II I Scene Scene2 1
65
a2
Ob. 1 2 fff a2
3
ff
A Cl. 1 2 fff
Bsn. 1 2
C Tpt. 1 2 ff
Tbn. 1
Tbn. 2
Tbn. 3
Timp. f (shouting as he sings, half speech, half sermon) My people of great Egypt, We all are happy and we celebrate T his great democracy, T he elections and triumph of the will of our nation.
Morsi
Vln. I ff
Vln. II ff
Vla. ff
Vc. ff pizz.
Cb. ff
150
12 FFairouz airouz F airouz -- TT-he he T he New New New PPrince rince Prince --Act A- ct Prologue II I Scene Scene2 1 a2 70
Fl. 1 2 pp a2
Ob. 1 2 pp a2
A Cl. 1 2 pp
Timp.
p
Pno.
Morsi
"I will drain the swamp in Allah's name. I will never disobey Him na tion
dolce
Vln. I p
Vln. II 3
Vla.
Vc.
Cb.
151
12 FFairouz airouz F airouz -- TT-he he T he New New New PPrince rince Prince --Act A- ct Prologue II I Scene Scene2 1
rall.
76
Fl. 1 2 f
ff
Ob. 1 2 6
f
ff
A Cl. 1 2
3
ff
Bsn. 1 2 f
ff
ff
fff
Tbn. 2
Tbn. 3
Pno.
ff
Morsi Fear non div.
the day of J udge ment the day we
rall.
Vln. I f
ff
Vln. II f
ff 3
Vla. f
ff
f
ff
Vc. p
arco
Cb. p f
ff
re turn to
152
12 FFairouz airouz F airouz -- TT-he he T he New New New PPrince rince Prince --Act A- ct Prologue II I Scene Scene2 1
D 83
q = 100
Fl. 1 2
3 4
4 4
3 4
4 4
3 4
4 4
3 4
4 4
p
A Cl. 1 2 p p
Morsi him p
SA Al
lah
u
akh
p
3 4
TB Al
D
bar,
lah
u
4 4 akh
q = 100
bar,
3 4
4 4
3 4
4 4
Vla.
3 4
4 4
Vc.
3 4
4 4
Cb.
3 4
4 4
Vln. I p
Vln. II p
accel. 85
Fl. 1 2
4 4 cresc.
SA
cresc.
4 4
Al
TB
accel. 4 4 cresc.
Vln. II
4 4 cresc.
Vla.
4 4
Vc.
4 4
Cb.
4 4
u
akh
bar,
lah
u
akh
bar,
cresc.
4 4
Al
Vln. I
lah
153
12 FFairouz airouz F airouz -- TT-he he T he New New New PPrince rince Prince --Act A- ct Prologue II I Scene Scene2 1
87
Fl. 1 2
3 4
SA
3 4 Al
lah
u
4 4 ff
akh
bar, ff
3 4
TB Al
lah
u
akh
4 4 4 4
bar,
Vln. I
3 4
4 4
Vln. II
3 4
4 4
Vla.
3 4
4 4
3 4
4 4
3 4
4 4
f
Vc. f arco
Cb. f
q = 120 89
Fl. 1 2
4 4 ff
Xyl.
4 4 ff
q = 120 Vln. I
4 4 ff
Vln. II
4 4 ff
Vla.
Vc.
4 4 4 4
ff
ff
Cb.
4 4 ff
154
12 FFairouz airouz F airouz -- TT-he he T he New New New PPrince rince Prince --Act A- ct Prologue II I Scene Scene2 1
9
93
Xyl. 5
AL-SISI
Al-Sisi
Vln. I ff
Vln. II ff arco
Vla. ff arco
Vc. ff arco
Cb. ff
97
Picc. fff a2
A Cl. 1 2 fff
Xyl. fff
Al-Sisi
T he Armed Forces, Based on its insightfulness,
Has been called by the Egyptian people for help,
Vln. I fff
Vln. II fff
Vla.
Vc.
Cb.
155
12 FFairouz airouz F airouz -- TT-he he T he New New New PPrince rince Prince --Act A- ct Prologue II I Scene Scene2 1
E 103
Picc.
A Cl. 1 2
Xyl.
ff
Al-Sisi not
to
hold
the
reigns
of po
wer
E Vln. I
Vln. II
Vla. fff
Vc.
Cb.
108
Picc.
A Cl. 1 2
Xyl.
Al-Sisi ci
vil
re spons i
Vln. I
Vln. II
Vla.
Vc. fff
Cb. fff
bil
i
ty
and ans wer the
call
of our no
ble
ci ti zen ry
but
to
dis
charge
our
156
12 FFairouz airouz F airouz -- TT-he he T he New New New PPrince rince Prince --Act A- ct Prologue II I Scene Scene2 1 113
Picc. fff
A Cl. 1 2 fff
Xyl. fff The Armed Forces, Based on its insightfulness, Has been called by the Egyptian people for help,
Al-Sisi
Vln. I fff
Vln. II fff
Vla.
Vc.
Cb.
119
Picc.
A Cl. 1 2
Xyl. ff
Al-Sisi not
to
hold
the
reigns
of po wer
but
to
dis
charge
our
ci
vil
re spons i
Vln. I
Vln. II
Vla. fff
Vc. fff
Cb. fff
157
12 FFairouz airouz F airouz -- TT-he he T he New New New PPrince rince Prince --Act A- ct Prologue II I Scene Scene2 1
F
124
Picc. fff
Fl. 1 fff
Ob. 1 2 fff
A Cl. 1 2 fff a2
Bsn. 1 2 fff
Tbn. 1 ff
Tbn. 2 ff
Tbn. 3 ff
Timp. ff
Xyl. ff
fff
Pno.
Al-Sisi bil
i
ty
and ans wer the
call
of
our no
ble
ci ti zen ry
F Vln. I fff
Vln. II fff
Vla. fff
Vc. fff
Cb. fff
158
12 FFairouz airouz F airouz -- TT-he he T he New New New PPrince rince Prince --Act A- ct Prologue II I Scene Scene2 1
q = 60 129
Ob. 1 2 fff a2
A Cl. 1 2 fff
Bsn. 1 2
C Tpt. 1 2 ff
Tbn. 1
Tbn. 2
Tbn. 3
Timp. f MACHIAVELLI
Mach
(pleading as much as counseling) Beware revolutionary panache, my prince. Some things that appear virtues will ruin you.
q = 60 Vln. I
Vln. II
Vla. p
Vc.
Cb.
©
And some
159
12 FFairouz airouz F airouz -- TT-he he T he New New New PPrince rince Prince --Act A- ct Prologue II I Scene Scene2 1
The lights come back up on a teeming, tumultuous crowd. President Wu ignores his counsellor and descends to the stage, trying to calm the people, barking out a series of contradictory slogans that are repeated and chanted by the crowd, even though they make little sense. He seeks the mantle of leadership that he imagines as “virtue." 134
Fl. 1 2 f
p
fff
Ob. 1 2 f
A Cl. 1 2 f
fff a2
Bsn. 1 2 f
fff
C Tpt. 1 2 f
C Tpt. 1 f
C Tpt. 2 f
Tbn. 1 2 f
f
ff
Tbn. 3 f
ff
Timp. Xylophone
ff
Xyl. f
fff
fff
Pno.
ff
Mach vi
ces you will
see, Bring Sec
u
ri ty and pros pe ri ty
Vln. I 3
ff
f
fff
ff
f
fff
3
Vln. II arco
Vla. ff
fff
arco
Vc. fff
ff arco
Cb. ff
fff
160
12 FFairouz airouz F airouz -- TT-he he T he New New New PPrince rince Prince --Act A- ct Prologue II I Scene Scene2 1
138
Fl. 1 2 fff
Ob. 1 2 fff
A Cl. 1 2 fff
Bsn. 1 2 fff
C Tpt. 1 2 ff
Tbn. 1 2 ff
3
3 3
fff
ff
ff
3
3
3 3
ff
fff 3
Tbn. 3 ff
fff
ff
ff
ff
fff
Timp. ff
Xyl. fff
fff
Pno.
fff
ff
WV free dom
sec
Vln. I fff
fff
Vln. II fff
fff
arco
Vla. fff
fff
arco
Vc. fff
arco
fff
fff
fff
Cb.
u
ri ty
12 FFairouz airouz F airouz -- TT-he he T he New New New PPrince rince Prince --Act A- ct Prologue II I Scene Scene2 1
161
rit.
a2
142
Fl. 1 2 p
a2
Ob. 1 2 p
A Cl. 1 2
Bsn. 1 2
C Tpt. 1 2
Tbn. 1 2
Tbn. 3
Pno.
p
p
WV dig ni
ty
pros per
i
ty
Ri
vers
of
con
crete
T he
rit.
fu
ture
Vln. I Vln. II
Vla.
Vc.
Cb.
q = 52 145
Fl. 1 2 pp
Ob. 1 2 pp
Xyl. pp
Pno.
pp
WV bloom pp
S. Free
dom sec
u
ri
ty
D ig
ni
ty
pros per
i
ty
T he
ri
vers
of
con
crete the
fu
ture
in bloom
dom sec
u
ri
ty
D ig
ni
ty
pros per
i
ty
T he
ri
vers
of
con
crete the
fu
ture
in bloom
Free pp
dom sec
u
ri
ty
D ig
ni
ty
pros per
i
ty
T he
ri
vers
of
con
crete the
fu
ture
in bloom
Free
dom sec
u
ri
ty
D ig
ni
ty
pros per
i
ty
T he
ri
vers
of
con
crete the
fu
ture
in bloom
pp
A. Free pp
T.
B.
in
162
12 FFairouz airouz F airouz -- TT-he he T he New New New PPrince rince Prince --Act A- ct Prologue II I Scene Scene2 1
Act III Scene 1 Fortuna sashays once more onto the set, and like a TV director, she cues screens that project more of those tawdry “You Tube” video images of President Wu; then she conjures tabloid headlines about sex and scandal, and we hear a din of gossiping voices offstage. Finally. Fortuna calls forth the bannered title of this next installment: “Chapter Two: Why Princes Must Control (or Conceal) Their Human Desires.” The curtain is withdrawn to reveal the set. Scene One is set in a Manhattan drawing room of the 1790s, fine silk curtains, well-made furniture from London, portraits of Dutch ancestors on the wall. A proper home for a revolutionary war hero, and secretary of the Treasury and his Dutch heiress wife. The drawing room opens to a garden and beyond that, the teeming metropolis of downtown New York. Just beyond to the west, along the river, appear two faint and mysterious beams of light. Machiavelli is in his box. He sings to President Wu, but then descends to the stage.
Picc.
4 4
q = 88 p
Fl. 1
4 4
Ob. 1 2
4 4
A Cl. 1 2
4 4
Bsn. 1 2
4 4
Perc.
4 4
p
4 4 p
Pno.
4 4
Mach
Vln. I
(imploring his prince) Are you ready for a delicate lesson, sire? A prince must have heat to light a fire. But sometimes the embers are deep. T hey burn in his cock and balls. T he fire destroys him there, Before he can light the world. Beware, my prince, the inner fall.
4 4
4 4
q = 88 p3
Vln. II
4 4
Vla.
4 4
Vc.
4 4
Cb.
4 4
3
3
3
3
3
3
3
163
12 FFFairouz airouz airouz F airouz ---TTThe -he he T New he New New New PPPrince rince rince Prince ---Act Act A- ct Prologue II II I IScene Scene S cene2 11
q = 126
accel.
8
Picc.
Fl. 1 a2
Ob. 1 2 p
a2
A Cl. 1 2 p
Bsn. 1 p
Pno.
A man's private parts Belong to his private life, surely.
WV
I have prepared for you a twinned novella From the miracle country, which was America.
A fantasy, my prince.
Mach
q = 126
accel. Vln. I 3
Vln. II
Vla.
Vc.
Cb.
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
164
12 FFFairouz airouz airouz F airouz ---TTThe -he he T New he New New New PPPrince rince rince Prince ---Act Act A- ct Prologue II II I IScene Scene S cene2 11 14
Picc.
Fl. 1
Ob. 1 2
A Cl. 1 2
Bsn. 1
Pno.
We start long ago with the man who made this nation. It was not Washington, or even Lincoln, But Alexander Hamilton. Yes: He gave America its money, its bank,.
Mach
Vln. I 3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
Vln. II p
Vla.
Vc. Cb.
A
q = 88
19
Picc. p
Fl. 1 p
Ob. 1 2
A Cl. 1 2
Bsn. 1
Timp. f
ff
p
Pno.
(haughtily)
f Its vision, its empire. Yet I will show you that he was a creature O f forces he could not control Could not touch, or understand
WV
We
ff
are mo dern now. A man's cock Is outside history. So take stock:
Mach
A
q = 88
Vln. I 3
Vln. II
Vla. Vc. Cb.
3
3
3
3
3
3
3
p 3
3
3
3
165
12 FFFairouz airouz airouz F airouz ---TTThe -he he T New he New New New PPPrince rince rince Prince ---Act Act A- ct Prologue II II I IScene Scene S cene2 11
23
Picc.
Fl. 1 Xylo.
Perc. p
Pno.
3
Mach Watch
the
great
est
wea
ver
of
the
A
me
ri can
dream
Be
Vln. I 3
3
3
3
3
3
3
3
3
3
3
3
Vln. II p
Vla.
Vc. p
Cb. p
26
q = 58
To Bass Dr.
Bass Drum
3 4
Perc.
p
3 4 Pno.
p
3 4 f
3 4
Mach set by
in ner night mare
His wife
q = 58 Vln. I f
E
li
za
a
waits
3 4
sfp
3 4
Vln. II f
sfp
Vla.
3 4
Vc.
3 4
Cb.
3 4
his
re turn
from the bat tle field of the Re vo
lu tion
166
12 FFFairouz airouz airouz F airouz ---TTThe -he he T New he New New New PPPrince rince rince Prince ---Act Act A- ct Prologue II II I IScene Scene S cene2 11
q = 46 a2
31
4 4
Bsn. 1 2 p
4 4
Timp. p
4 4
Perc. ELIZA HAMILTON (to the chorus and to us)
4 4
T hey think me a princess, Because I married a prince: Colonel Hamilton T he hero of our independence. I married genius, ambition, T he very brick of greatness and power. How could I know this tower Was built with a mortar of shame.
EH
Machiavelli jumps down on stage to mingle with the players. Kissinger sits beside the president, holding his hand.
4 4
Mach
CHORUS
Revolutionary Press
4 4
T. p
4 4
B. Bas
36
C Tpt. 1 2
4 4
q = 108
boy.
Bas
tard
boy.
A "nose" as
long
as
his
a2
f
Tbn. 1
tard
3
3
3
4 4 ff
Tbn. 2
4 4 ff
Tbn. 3
4 4 ff
Susp Cym.
Perc.
f
4 4 f
Bass Dr.
T.
4 4
ff
Bas
B.
4 4
tard
boy!
Bas
tard
boy!
A
"nose"
as
long
as
his
leg,
tard
boy!
Bas
tard
boy!
A
"nose"
as
long
as
his
leg,
ff
Bas
leg
167
12 FFFairouz airouz airouz F airouz ---TTThe -he he T New he New New New PPPrince rince rince Prince ---Act Act A- ct Prologue II II I IScene Scene S cene2 11
40
Picc. ff 3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
Fl. 1 ff a2
3
C Tpt. 1 2 3
3
3
3
3
3
3
Tbn. 1
Tbn. 2
Tbn. 3
Perc.
T. Bas
tard
boy!
Bas
tard
boy!
A
nose
as
long
as
his
leg
and
Bas
tard
boy!
Bas
tard
boy!
A
nose
as
long
as
his
leg
and
B.
B f (spoken with courage)
44
3
colonel led the bayonet charge at Yorktown. Sure death it was. Glory was his mistress then.
EH My dear est 3
T. al ways stick ing his
peg
in
to
a
new
pud ding.
peg
in
to
a
new
pud ding.
3
B. al ways stick ing his
B Vln. I f 3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
Vln. II f
Vla. f
Vc.
Cb.
168
12 FFFairouz airouz airouz F airouz ---TTThe -he he T New he New New New PPPrince rince rince Prince ---Act Act A- ct Prologue II II I IScene Scene S cene2 11 49
Ob. 1 2 f T he vanquished Cornwallis ordered his band to sound: "T he world turned upside down."
EH
Vln. I
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
Vln. II
Vla.
Vc. f
Cb. f 55
Ob. 1 2
Bsn. 1 ff
sffp
ff
sffp
Bsn. 2
C Tpt. 1 2 a2
f 3
3
3
3
3
3
3
Tbn. 1 2 f
sffp
f
sffp
Tbn. 3
f
Susp Cymbal
Perc. Bass Drum
Pno.
EH
f
sffp
ff
sffp
ff
sffp
ff
sffp
In a week, Hamilton was in my bed again.
Vln. I
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
Vln. II
Vla.
Vc.
Cb.
169
12 FFFairouz airouz airouz F airouz ---TTThe -he he T New he New New New PPPrince rince rince Prince ---Act Act A- ct Prologue II II I IScene Scene S cene2 11 61
q = 69
3 4
Picc.
accel.
4 4
q = 88 p
3 4
Fl. 1
4 4 p
3 4
Bsn. 1
4 4 f
3 4
Bsn. 2
4 4 f
3 4
C Tpt. 1 2 3
3
4 4 f
3 4
Tbn. 1 2
4 4 f
3 4
Tbn. 3
4 4 f
f
Perc. f
3 4
4 4
3 4
4 4 ff
Pno.
EH
3 4
4 4
3 4
4 4
At
ALEXANDER HAMILTON
ff
(bursts through the door in uniform)
AH
p (leads him to bed; gazes at him) A nd he was back. But he was not.
3 4
4 4 I am back, my sau cy lit tle char mer!
Vln. I
3 4
q = 69
accel.
4 4
ff
Vln. II
3 4
4 4 ff
Vla.
3 4
4 4 ff
Vc.
3 4
4 4 ff
Cb.
3 4
4 4 ff
q = 88
170
12 FFFairouz airouz airouz F airouz ---TTThe -he he T New he New New New PPPrince rince rince Prince ---Act Act A- ct Prologue II II I IScene Scene S cene2 11 67
Picc. pp
Fl. 1 pp
pp
Pno.
(they fall asleep in each other's arms)
EH night a sleep he shook,
I
won dered at the de mons but I could not re shape the hard
clay of my he- ro solo
Vln. I pp
Vln. II
Vla.
Vc.
Cb.
171
12 FFFairouz airouz airouz F airouz ---TTThe -he he T New he New New New PPPrince rince rince Prince ---Act Act A- ct Prologue II II I IScene Scene S cene2 11
73
q = 60 q = 92
C
Picc.
Fl. 1
Bsn. 1 fff
Bsn. 2 fff
Tbn. 1 ff
Tbn. 2 ff
Tbn. 3 ff
Bass Drum
Perc. f
ff
Pno.
(sits up suddenly, as if awakening from a dream) f fff
tortured!
AH Bas
q = 60 q = 92
tard boy!
C
Bas
tard
boy!
"son
of a whore of the Ca
tutti
Vln. I fff
Vln. II fff
Vla. fff
Vc. fff
Cb. fff
rib
be an."
Bas
tard
172
12 FFFairouz airouz airouz F airouz ---TTThe -he he T New he New New New PPPrince rince rince Prince ---Act Act A- ct Prologue II II I IScene Scene S cene2 11
rall.!
80
Picc. ff
Fl. 1 ff
A Cl. 1 f
fff
f
fff
A Cl. 2
Bsn. 1 fff
Bsn. 2 fff
Tbn. 1
Tbn. 2
Tbn. 3
Timp. ff
Perc. ff
Pno.
fff thunderous
sub f
fff
AH boy!
Bas
tard
boy!
I hear
the
lads
on
St.
Ne vis
"son
of a whore of the Ca
rib
be
an
rall.! Vln. I fff
sub f
fff
sub f
fff
sub f
fff
sub f
fff
sub f
fff
Vln. II fff
Vla. fff
Vc.
Cb.
173
12 FFFairouz airouz airouz F airouz ---TTThe -he he T New he New New New PPPrince rince rince Prince ---Act Act A- ct Prologue II II I IScene Scene S cene2 11 86
A tempo (q = 92)
rit. f
Pno.
f
AH
A tempo (q = 92)
A ban doned by my fa ther at
rit.
e
le ven
My mo ther dead of
Vln. I p
f
p
f
p
f
Vln. II
Vla.
Vc. f
Cb. f
q = 63
91
Ob. 1 2 p
a2
A Cl. 1 2 p
Bsn. 1 2 p
Tbn. 1 pp
Tbn. 2 pp
Tbn. 3 pp
Pno.
pp
(like an exhalation)
3
p
AH fe ver when I was twelve,
A ban doned
"D ead...
q = 63 Vln. I p
Vln. II p
Vla. p
Vc. p
Cb. p
A
lone
pen ni less
with out
friend or pro tec tor
174
12 FFFairouz airouz airouz F airouz ---TTThe -he he T New he New New New PPPrince rince rince Prince ---Act Act A- ct Prologue II II I IScene Scene S cene2 11 97
q = 56
rit.
Picc. pp
p
pp
p
Fl. 1
pp
Pno.
p
pp
p
3
loss.
Love
AH Love
is
is
loss.
What is
q = 56
rit. Vln. I
Vln. II
Vla.
Vc. p
pp
Cb. p
pp
105
Picc.
2 4
4 4
Fl. 1
2 4
4 4
2 4
4 4
2 4
4 4
Pno.
morendo
ppp
2 4
AH dear
will
dis
ap
4 4 pear
Mach
2 4
4 4
Vln. I
2 4
4 4
Machiavelli appears
(stealing on stage) I know you, brother prince. We are marked by poverty and shame. In whore-mongering, we find release.
In the blackness our stain disappears.
pp
Vln. II
2 4
4 4 pp
Vla.
2 4
4 4 pp
Vc.
2 4
4 4 pp
Cb.
2 4
4 4 pp
175
12 FFFairouz airouz airouz F airouz ---TTThe -he he T New he New New New PPPrince rince rince Prince ---Act Act A- ct Prologue II II I IScene Scene S cene2 11
D
q = 132
111
a2
Bsn. 1 2 pp
pp
Pno.
Who are you, sir? How dare you presume?
AH
(confides) I am your counsellor, sire. I hold up the...
Mach
mir ror
Men
of low for tune rare ly
rise
with out
force
or
de
D
q = 132
Vln. I
Vln. II
Vla.
116
Bsn. 1 2
3 4
4 4
3 4
4 4
3 4
4 4
3 4
4 4
3 4
4 4
3 4
4 4
f
Tbn. 3 f
f
Pno.
EH
f
Mach cep
tion
force
a lone
is
ne
ver e nough though de
cep
tion
can
be
176
12 FFFairouz airouz airouz F airouz ---TTThe -he he T New he New New New PPPrince rince rince Prince ---Act Act A- ct Prologue II II I IScene Scene S cene2 11 121
Picc.
rit.
q = 58
4 4
pp
4 4
Fl. 1
pp
4 4 p
Pno.
pp
4 4 p
4 4
EH
You ff
p
4 4
Mach
Steel
your self
sir.
You are
rit.
a
man who knows how
not
to
be good.
q = 58
4 4
Vln. I
ff
p
pp
ff
p
pp
ff
p
4 4
Vln. II
4 4
Vla.
pizz.
4 4
Vc.
p pizz.
4 4
Cb.
p
125
a2
Ob. 1 2 p a2
6
6
6
6
6
6
6
6
A Cl. 1 2 p (
)
EH found your
war,
(dressing Hamilton)
Mach
Vln. I
Vln. II
Vla. arco
Vc. p
Cb.
my
dear
one.
You
framed
our
vic
tory
But the shakes and whis pers of those dreams ne ver left you
177
12 FFFairouz airouz airouz F airouz ---TTThe -he he T New he New New New PPPrince rince rince Prince ---Act Act A- ct Prologue II II I IScene Scene S cene2 11
E 128
q = 132 p
Pno.
EH
(strides off, briefcase in hand) K isses, to all. T he business of government i
AH
E
q = 132
Vln. I p
Vln. II p
Vla. p
Vc. p
Cb. p
132
Picc. p
Fl. 1 p
Tbn. 1 2 p
Tbn. 3 p
Pno.
EH
When he was away, in Philadelphia, My darling founder,
I heard the rumors, certainly. Hamilton was a man for the ladies.
Vln. I 3
3
3
3
3
3
Vln. II
Vla.
Vc.
Cb.
178
12 FFFairouz airouz airouz F airouz ---TTThe -he he T New he New New New PPPrince rince rince Prince ---Act Act A- ct Prologue II II I IScene Scene S cene2 11
138
Picc.
Fl. 1
Tbn. 1 2
Tbn. 3
Pno.
EH
What secret, there? And there were whispers of one, Maria Reynolds, who had him in a mad embrace.
Vln. I 3
3
3
3
3
3
Vln. II
Vla.
Vc.
Cb.
179
12 FFFairouz airouz airouz F airouz ---TTThe -he he T New he New New New PPPrince rince rince Prince ---Act Act A- ct Prologue II II I IScene Scene S cene2 11
F 142
q = 60
Picc.
Fl. 1
Tbn. 1 2
Tbn. 3
Glockenspiel
Glock. p
Pno.
But I was his queen, what mattered these door mice?
EH
(steals furtively inside a door, he looks like a haunted man now, not the hero we have watched) N ot love, but something else I cannot escape.
AH
F
q = 60
Vln. I
Vln. II
Vla. pizz.
Vc. p pizz.
Cb. p
180
12 FFFairouz airouz airouz F airouz ---TTThe -he he T New he New New New PPPrince rince rince Prince ---Act Act A- ct Prologue II II I IScene Scene S cene2 11
149
3 4
Ob. 1 2
4 4
q = 69
accel.
p
Glock.
3 4
4 4
3 4
4 4 p
Pno.
3
AH Is it the hun ger to be caught
and in ex po sure to be freed that com
3 4
4 4
3 4
4 4
pells me
3 4
Mach
p
4 4
It
3 4
Vln. I
4 4
is
an ad dic
tion my
q = 69
accel. p
3 4
Vln. II
4 4 p
3 4
Vla.
4 4 p
Vc.
3 4
4 4
Cb.
3 4
4 4
q = 80
accel.
155
3 4
Ob. 1 2
4 4
3 4
4 4
ff
3 4
3 4
4 4 ff
Pno.
3 4
4 4
3 4
Mach prince this ill I can not
Vln. I
4 4
4 4 cure in my self. Much less you. Since you can not be
3 4
3 4
accel.
ff
3 4 wise, then dis guise.
4 4
4 4
You
can not es cape.
3 4
She ar rives!
q = 80
4 4 She ar-
4 4
ff
Vln. II
3 4
4 4
3 4
4 4 ff
Vla.
3 4
4 4
3 4
4 4 ff
Vc.
3 4
4 4
3 4
4 4
Cb.
3 4
4 4
3 4
4 4
181
12 FFFairouz airouz airouz F airouz ---TTThe -he he T New he New New New PPPrince rince rince Prince ---Act Act A- ct Prologue II II I IScene Scene S cene2 11
G 161
Ob. 1 2
q = 58
4 4
p
A Cl. 1
4 4 p
A Cl. 2
4 4 p
Bsn. 1 2
4 4 (Glock.)
Glock.
4 4 p
4 4 p
Pno.
p
4 4 Maria Reynolds, Hamilton’s illicit lover, emerges from the chorus, dressed in a low-cut vampy gown, looking like a modern hooker though she stalks 1790 Philadelphia.
MR
4 4
p
Come to my arms, brave haun ted man
(strictly in time)
I
know your shame.
p
Mach
4 4 rives!
G
q = 58
Vln. I
4 4
p
Vln. II
4 4 p
Vla.
4 4
Vc.
4 4
Cb.
4 4
I
live there.
Do I
182
12 FFFairouz airouz airouz F airouz ---TTThe -he he T New he New New New PPPrince rince rince Prince ---Act Act A- ct Prologue II II I IScene Scene S cene2 11
168
Picc. p
Fl. 1 p
A Cl. 1
A Cl. 2 a2
C Tpt. 1 2 p
to Susp. Cym
Glock. p
p
Pno.
p
MR look
like your mo ther?
I
think so.
E nough of the
pe des tal in the light,
En
ter the dark
ness he ro p
3
AH You know me. I do not pre-
Vln. I
Vln. II
Vla.
Vc.
Cb.
183
12 FFFairouz airouz airouz F airouz ---TTThe -he he T New he New New New PPPrince rince rince Prince ---Act Act A- ct Prologue II II I IScene Scene S cene2 11
accel.
173
A Cl. 1 cresc.
A Cl. 2 cresc.
p
Pno.
(seductively, but menacingly puts cuffs on his wrists)
3
MR Caught, and re leased You have ar rived. You will not es cape.
My
smell
is on you.
A nd perhaps, from time to time, You can give my poor cuckold husband, J ames Reynolds, a few bills, T o ease his wrongs and ills.
3
AH tend
You know me. I do not pre tend
accel. Vln. I cresc.
Vln. II cresc.
q = 132
180
A Cl. 1 fff
A Cl. 2 Susp. Cym.
fff
Perc. ff (as she strips off her clothes) I need more, For you to adore.
MR
(greedily) And more. fff
AH
(reaches for his wallet) A bribe!
(showers her naked body with bills) Yes.
I
q = 132 Vln. I fff
Vln. II fff
will
184
12 FFFairouz airouz airouz F airouz ---TTThe -he he T New he New New New PPPrince rince rince Prince ---Act Act A- ct Prologue II II I IScene Scene S cene2 11
H
q = 120
187
Picc. fff
fff
Fl. 1 fff
fff 3
A Cl. 1 fff 3
A Cl. 2 fff a2
Bsn. 1 2 fff
Glockenspiel
To Glock. Perc.
ff
fff
Pno.
AH ne ver
es
cape! fff
(The journalists surround them as they orgasm)
SA (The journalists surround them as they orgasm) fff
For
cocks
and cunts
and
For
cocks
and cunts
and
TB O
beau
ti ful, for
H
q = 120 Vln. I
Vln. II
Vla. fff
Vc. fff
Cb. fff
spa cious skies, for
am ber waves of
grain,
185
12 FFFairouz airouz airouz F airouz ---TTThe -he he T New he New New New PPPrince rince rince Prince ---Act Act A- ct Prologue II II I IScene Scene S cene2 11
q = 69
193
Picc. p
Fl. 1 p
Glock.
Pno.
He did escape, my husband. In the only way he could clear his name.
EH
SA bas
tard runts
a
bove
the
frui
ted
plain.
bas
tard runts
a
bove
the
frui
ted
plain.
TB
q = 69 Vln. I
Vln. II
Vla.
Vc. p
Cb. p
186
12 FFFairouz airouz airouz F airouz ---TTThe -he he T New he New New New PPPrince rince rince Prince ---Act Act A- ct Prologue II II I IScene Scene S cene2 11
rit.
199
q = 54 q = 66
Picc.
3 4
Fl. 1
3 4 a2
3 4
Ob. 1 2 p
3 4
A Cl. 1 2
3 4 Pno.
ff
He published to the world his shame, And was not its prisoner anymore.
EH
N o detail too sordid. If he left one word unsaid, T he blackmailers would use it to torment him more. N hi d
(hold pedal down and let sound vibrate)
3 4
3 4
Me, the least. (Fortuna dashes across the stage, dressed in the clothes of Hamilton’s time, pointing an accusatory gossip’s finger at Eliza.)
3 4
F
q = 54 q = 66
rit. Vc.
3 4
Cb.
3 4
206
Pno.
EH
F
rit.
3 4
4 4
3 4
4 4
3 4
4 4
3 4
f
q = 46
pp
I 3 4
4 4
3 4
4 4
3 4
4 4
3 4
4 4
3 4
4 4
3 4
4 4
My
4 4
wounds
a dorn his
p
great
3
ness
He whose pro
tec
tion
is
my
3 4
4 4
3 4
4 4
I 3 4
4 4
3 4
4 4
4 4
3 4
4 4
4 4
3 4
4 4
4 4
3 4
4 4
4 4
3 4
4 4
Art thou a wife?
Vln. I
3 4
rit.
4 4
q = 46 pp
Vln. II
3 4
4 4
p
3 4 p
Vla.
3 4
4 4
3 4 p
Vc.
3 4
4 4
3 4 p
Cb.
3 4
4 4
3 4
187
12 FFFairouz airouz airouz F airouz ---TTThe -he he T New he New New New PPPrince rince rince Prince ---Act Act A- ct Prologue II II I IScene Scene S cene2 11
212
Picc.
4 4
3 4
4 4
5 4
4 4 p
Fl. 1
4 4
3 4
4 4
5 4
4 4 p
Timp.
4 4
3 4
4 4
5 4
4 4
4 4
3 4
4 4
5 4
4 4 p
Pno.
EH
4 4
3 4
4 4
5 4
4 4
3 4
4 4
5 4
des
ti ny
and de
vo
tion
4 4 pp
for tune may be a wo man,
4 4 but so is
p
vir tue
Vln. I
4 4
3 4
4 4
5 4
4 4
Vln. II
4 4
3 4
4 4
5 4
4 4
Vla.
4 4
3 4
4 4
5 4
4 4
Vc.
4 4
3 4
4 4
5 4
4 4 p
Cb.
4 4
3 4
4 4
5 4 p
4 4 p
188
12 FFFairouz airouz airouz F airouz ---TTThe -he he T New he New New New PPPrince rince rince Prince ---Act Act A- ct Prologue II II I IScene Scene S cene2 11 For Michael Stuart Couper
Act III Scene 2 The stage is dark. The Orchestra plays a sensual musical theme that animates this chapter of "The New Prince." At the sound of the music, Machiavelli steals up from the stage and opens the back door of the presidential box to find Wu in the arms of a beautiful woman in lingerie. Wu throws a robe on her and hands her on to Kissinger. The president opens the window to the crowd below, which is surging forward. Wu is transformed in an instant from furtive lover to would-be Sun King. He barks orders to his guards to quell the protestor. Kissinger discreetly escorts the woman in lingerie out a side of the box, giving her his card as she goes.
Fl. 1 2
4 4
Ob. 1
4 4
Ob. 2
A Cl. 1
A Cl. 2
q = 132
q = 76
ff
p
ff
p
4 4 4 4 ff
p
ff
p
4 4
Ten. Sax.
4 4
Bsn. 1 2
4 4
Tbn. 1 2
4 4
Tbn. 3
4 4
Timp.
4 4 Congas
Perc.
4 4
ff
p
4 4 Pno.
4 4
Mach
4 4
Vln. I
4 4
Vln. II
4 4
Vla.
4 4
Vc.
4 4
Cb.
4 4
Have you heard a word, my prince?
q = 132
q = 76
Have you digested this counsel I have lived?
189
12 FFFairouz airouz airouz F airouz ---TTThe -he he T New he New New New PPPrince rince rince Prince ---Act Act A- ct Prologue II II I IScene Scene S cene2 12 1 8
6 8
Fl. 1
q. = 40
9 8 p
6 8
Fl. 2
9 8 p
6 8
9 8
6 8
9 8
A Cl. 1 2
6 8
9 8
A Cl. 1
6 8
9 8
Ob. 1 ff
p
Ob. 2 ff
p
ff
p
p
6 8
9 8
Bsn. 1 2
6 8
9 8
C Tpt. 1
6 8
9 8
6 8
9 8
6 8
9 8
6 8
9 8
6 8
9 8
6 8
9 8
A Cl. 2 ff
p
f
C Tpt. 2 f
Timp. f
ff
Pno.
ff
p Filed for later consideration.
WV Heard, seen, di ges ted
It is old thinking. T his is
Twen
6 8
Vln. I f
ty
q. = 40
thir
ty
two
Sex is just
a
9 8
p
6 8
9 8
Vla.
6 8
9 8
Vc.
6 8
9 8
Cb.
6 8
9 8
Vln. II f
p
190
12 FFFairouz airouz airouz F airouz ---TTThe -he he T New he New New New PPPrince rince rince Prince ---Act Act A- ct Prologue II II I IScene Scene S cene2 12 1
A 16
Ten. Sax.
q = 63
9 8
4 4
3
p
9 8
Perc.
p 3
Pno.
WV
3
3
3
3
3
3
3
4 4
9 8
4 4
9 8
4 4
three let ter word.
E ven for
9 8
Mach
3
3
(Congas)
4 4
9 8
3
p
you.
4 4
Since you did not see the lesson the first time, My priapic prince, I will show it twice.
T his time (snaps his fingers) with a modern man, An American of your century.
A
q = 63
9 8
Vln. I
4 4
9 8
Vln. II
4 4
Vla.
9 8
4 4
Vc.
9 8
4 4
p
p
pizz.
p
9 8
Cb.
pizz.
4 4
p
q = 50 q = 116
rit.
22
3
3
3
3
3
3
3
Ten. Sax.
Perc. 3
3
3
3
3
f
Pno.
(into the phone) Not you, congressman. Hold on a minute.
BC No I
Mach
don't want
to
A n exquisite politician, but needy. A nearly fatal flaw, you will see.
rit.
q = 50 q = 116
Vln. I
Vln. II
Vla.
Vc. pizz.
Cb. p
(M ues the phone and turns back toward her) N o, because it would be sex,
191
12 FFFairouz airouz airouz F airouz ---TTThe -he he T New he New New New PPPrince rince rince Prince ---Act Act A- ct Prologue II II I IScene Scene S cene2 12 1
q = 50
29
a2
q = 76
Fl. 1 2 p
a2
A Cl. 1 2 p 3
3
Ten. Sax.
p
Pno.
p
Hillary Clinton stirs slightly at the muffled noise from the other room. She doesn't know what it isand doesn't want to. Her aria begins as a low rumble of anger but rises to something clear and firm. She's declaiming policy, but this is her nightingale song.
HC
We box it off.
Why the parade, little Niccolò?
WV (He emerges alone, caught in the lights, zipping his trousers, at once boasting and ashamed) 3
BC
3
if I went…all the way. No Sex.
J ust be cause I
could
Because with these Clintons, magical couple, you can almost believe it's true.
Mach
q = 50
q = 76
Vln. I p
Vln. II
Vla. arco
Vc. arco
Cb.
192
12 FFFairouz airouz airouz F airouz ---TTThe -he he T New he New New New PPPrince rince rince Prince ---Act Act A- ct Prologue II II I IScene Scene S cene2 12 1
B
q = 120
36
Fl. 1 2
Ob. 1 f
Ob. 2 f
A Cl. 1 2 f
C Tpt. 1 f
C Tpt. 2 f f
BC From
B
q = 120 Vln. I f
Vln. II
Vla.
Vc. p
Cb. p
this
joy
ful
moun tain top
193
12 FFFairouz airouz airouz F airouz ---TTThe -he he T New he New New New PPPrince rince rince Prince ---Act Act A- ct Prologue II II I IScene Scene S cene2 12 1
a2
42
Fl. 1 2 f
Ob. 1
Ob. 2
A Cl. 1 2
Bsn. 1 2
C Tpt. 1
C Tpt. 2
ff
Pno.
f
HC From
this
joy
ful
moun tain top
From
this
joy
this
joy
BC From
Vln. I
Vln. II f
Vla. f
Vc.
Cb.
194
12 FFFairouz airouz airouz F airouz ---TTThe -he he T New he New New New PPPrince rince rince Prince ---Act Act A- ct Prologue II II I IScene Scene S cene2 12 1
48
Fl. 1 2 p
ff Bass Dru,m
Perc. f
p
HC ful
moun tain top
of
ce
le
bra
tion p
ff
tion
We hear
BC ful
moun tain top
of
ce
le
bra
a
Vln. I p
Vln. II
Vla. ff
Vc. ff
Cb. ff
55
Fl. 1 2
A Cl. 1 2 ff a2
C Tpt. 1 2 f
Susp. Cym
Perc. Bass Dr.
BC call
to
ser vice in
the
val
ley
We
Vln. I ff
Vln. II ff
Vla.
Vc.
Cb.
have
heard
the
195
12 FFFairouz airouz airouz F airouz ---TTThe -he he T New he New New New PPPrince rince rince Prince ---Act Act A- ct Prologue II II I IScene Scene S cene2 12 1
C
61
A Cl. 1 2 ff
C Tpt. 1 2 f
Perc.
ff
HC We hear
a
call
to
ser
vice in
the
val
ley
We
have
BC trum pets
We ff
C Vln. I ff
Vln. II ff
Vla. ff
Vc. ff
Cb. ff
67
A Cl. 1 2
C Tpt. 1 2
Perc.
HC heard
the
heard
the
trum pets
We
have
changed
We
have
changed
BC
Vln. I
Vln. II
Vla.
Vc.
Cb.
trum
pets
have
196
12 FFFairouz airouz airouz F airouz ---TTThe -he he T New he N New N ewew PPPrince rince rince Prince ---Act Act A- ct Prologue II II I IScene Scene S cene2 12 1
D
72
A Cl. 1 2
C Tpt. 1 2
To Glock. Perc.
p
Pno.
p
HC the
guard
And
now,
each
in
our
own
way, p
BC the
guard
And
now,
each
D Vln. I p
Vln. II p
Vla. p
Vc. p
Cb. p
in
our
own
way,
197
12 FFFairouz airouz airouz F airouz ---TTThe -he he T New he New New New PPPrince rince rince Prince ---Act Act A- ct Prologue II II I IScene Scene S cene2 12 1
78
a2
A Cl. 1 2 ff
Bsn. 1 2 ff
ff
Pno.
ff
HC Each
in
our own
way
And
with God's
help
We
must
ans
must
ans
ff
BC Each
in
our own
way
A nd
with
God's
help
We
Vln. I ff
Vln. II ff
Vla. ff
Vc. ff
Cb. ff
198
12 FFFairouz airouz airouz F airouz ---TTThe -he he T New he New New New PPPrince rince rince Prince ---Act Act A- ct Prologue II II I IScene Scene S cene2 12 1
85
A Cl. 1 2
Bsn. 1 2 a2
C Tpt. 1 2 f
Pno.
HC wer
the
call
We
must
ans
wer
the
call
We
must
ans
BC
Vln. I
Vln. II
Vla.
Vc.
Cb.
wer
199
12 FFFairouz airouz airouz F airouz ---TTThe -he he T New he New New New PPPrince rince rince Prince ---Act Act A- ct Prologue II II I IScene Scene S cene2 12 1
E
q = 108
a2
90
Fl. 1 2 ff a2
fff
ff
fff
ff
fff
Ob. 1 2
A Cl. 1 2
Bsn. 1 2 ff
fff
C Tpt. 1 2 ff
fff a2
Tbn. 1 2 ff
fff
Tbn. 3 ff
fff
(Congas) Perc. p
Pno.
HC the
call
MONICA LEWINSKY
(admirably frank, with a mix of pride and disgust) I am assistant to the P resident For Blow J obs.
ML
BC wer
the
call
E
q = 108
Vln. I
Vln. II
Vla.
Vc. pizz.
Cb. p
200
12 FFFairouz airouz airouz F airouz ---TTThe -he he T New he New New New PPPrince rince rince Prince ---Act Act A- ct Prologue II II I IScene Scene S cene2 12 1
rit.
96
3
q = 69
Ten. Sax. p
Tbn. 1 p
f
p
p
f
p
p
f
p
f
p
Tbn. 2
Tbn. 3
Perc.
Pno.
p
f
A few months ago, he did me With a cigar,
ML
p
How strange men are.
So that it would not be “sex.”
q = 69
rit. Vln. I
Vln. II
Vla.
Vc.
Cb. f
p
F
q = 112
103 a2
Fl. 1 2 p
Perc. (singing solemnly in the next room) We have been re-elected. Welfare is reformed. Budgets are balanced.
HC
p
T he mar kets as cend
F
q = 112
Vln. I p
Vln. II p
Vla. p
Vc.
Cb.
We are in the up lands T his is what I al
ways
201
12 FFFairouz airouz airouz F airouz ---TTThe -he he T New he New New New PPPrince rince rince Prince ---Act Act A- ct Prologue II II I IScene Scene S cene2 12 1 110
Fl. 1 2
Tbn. 1 p
Tbn. 2 p We hear moans that mix into the aria that Hillary is singing. Clinton crumples toward Lewinsky and her famous blue dress, which will become the prime exhibit in his trial for "high crimes and misdemeanors." The lights go dark in the anteroom and come up on Hillary Clinton, downstage.
HC dreamed.
Vln. I
Vln. II
Vla.
Vc.
Cb.
G 117
q = 100
Fl. 1 2 p
Ob. 1 p
Ob. 2 p
Pno.
p
p
You know, we've been married For twenty-two-years. Twenty-two. I learned a long time ago T hat the only people who count in a marriage A re the two who are in it.
HC
G
q = 100
Vln. I p
p
p
p
p
p
Vln. II
Vla.
Vc. p
arco
pizz.
p
p
Cb.
202
12 FFFairouz airouz airouz F airouz ---TTThe -he he T New he New New New PPPrince rince rince Prince ---Act Act A- ct Prologue II II I IScene Scene S cene2 12 1
124
3
3
Ten. Sax. p
Perc. p 3
Pno.
Vln. I
Vln. II
Vla.
Vc.
Cb.
3
3
3
3
3
3
3
3
3
203
12 FFFairouz airouz airouz F airouz ---TTThe -he he T New he New New New PPPrince rince rince Prince ---Act Act A- ct Prologue II II I IScene Scene S cene2 12 1
H
q = 116
130
Fl. 1 2 f 3
Ten. Sax.
Tbn. 1 f
Tbn. 2 f
Tbn. 3 f
Timp. f
Perc. 3
3
3
3
3
3
3
3
Pno.
HC
We know everything there is to know A bout each other. The stage lights darken and the set shifts to something closer to a legal trial. Bill Clinton is dressed as if for a funeral. He comes downstage and sits in something that between a witness box and a TV interview set.
BC I
want you to lis ten to me
H
q = 116
Vln. I ff
Vln. II ff
Vla. ff
Vc. ff arco
Cb. ff
204
12 FFFairouz airouz airouz F airouz ---TTThe -he he T New he New New New PPPrince rince rince Prince ---Act Act A- ct Prologue II II I IScene Scene S cene2 12 1 136
Fl. 1 2
Ten. Sax. ff
Tbn. 1
Tbn. 2
Tbn. 3
Timp. To Xylo. Perc. p
BC I'm gon na say this a gain
I
did not have
sex
u al re la tions with that wo man
Miss
Le win sky
Vln. I
Vln. II
Vla.
Vc.
Cb.
142
q = 116
q = 72
rit.
a2
Bsn. 1 2 pp pp
p
BC I
rit.
ne ver told
a ny one to
lie
N ot a sin gle time
q = 72
N ot a sin gle time
q = 116
Vln. I p
p
p
p
p
p
Vln. II
Vla.
Vc. p
p
Cb. p
pp
p
205
12 FFFairouz airouz airouz F airouz ---TTThe -he he T New he New New New PPPrince rince rince Prince ---Act Act A- ct Prologue II II I IScene Scene S cene2 12 1
accel.
q = 144
149
I
a2
q = 108
A Cl. 1 2 ff
Bsn. 1 2
3 4
4 4
3 4
4 4
ff
3 4
BC Not a sin gle time
4 4
N e ver.
q = 144
accel.
p
3 4
p
ff
Not a sin gle time
3 4
p
3 4
N ot a sin gle time
I
q = 108
Vln. I
3 4
4 4
3 4
3 4
4 4
3 4
3 4
4 4
3 4
3 4
4 4
3 4
3 4
4 4
3 4
ff
Vln. II ff
Vla. p
ff
Vc. ff
p
ff
p
Cb.
155
A Cl. 1 2
3 4
4 4
3 4
4 4
3 4
4 4
Bsn. 1 2
3 4
4 4
3 4
4 4
3 4
4 4
BC
3 4
4 4
3 4
4 4
3 4
4 4
ne ver
N ot
a sin gle time
ne ver
Vln. I
3 4
4 4
3 4
4 4
3 4
4 4
Vln. II
3 4
4 4
3 4
4 4
3 4
4 4
Vla.
3 4
4 4
3 4
4 4
3 4
4 4
Vc.
3 4
4 4
3 4
4 4
3 4
4 4
Cb.
3 4
4 4
3 4
4 4
3 4
4 4
206
12 FFFairouz airouz airouz F airouz ---TTThe -he he T New he New New New PPPrince rince rince Prince ---Act Act A- ct Prologue II II I IScene Scene S cene2 12 1 161
Fl. 1 2
J
a2
4 4 ff
4 4
Ob. 1
ff 1.
4 4
A Cl. 1 2
p
4 4
Ten. Sax.
pp
4 4
Timp.
ff
4 4 Pno.
4 4 4 4
Mach
ff
p
He understands the deceit part, T his prince, he survives, but...
to what end?
J 4 4
Vln. I
ff
4 4
Vln. II
ff
4 4
Vla.
ff
4 4
Vc.
ff
4 4
Cb.
ff 168
Ob. 1
Ob. 2 a2
A Cl. 1 2
Bsn. 1 2
Timp.
Vln. I
Vln. II
Vla.
Vc.
Cb.
207
12 FFFairouz airouz airouz F airouz ---TTThe -he he T New he New New New PPPrince rince rince Prince ---Act Act A- ct Prologue II II I IScene Scene S cene2 12 1
K
174
Ob. 1
Ob. 2
A Cl. 1 2
Ten. Sax. p
Bsn. 1 2 p
Timp. p
Xylophone Xyl. p
Pno.
p
K Vln. I
Vln. II
Vla.
Vc. p
Cb. p
180
3
Ten. Sax. p
f
Bsn. 1 2 f
Timp. f
p
f
p
f
p
Vc.
Cb.
208
12 FFFairouz airouz airouz F airouz ---TTThe -he he T New he New New New PPPrince rince rince Prince ---Act Act A- ct Prologue II II I IScene Scene S cene2 12 1
L
q = 54
187
Ob. 1 2 p
A Cl. 1 2 p
Chimes
To Xyl.
Chim. mp
ff
ff
Pno.
p
p
3
BC
L
"N ot ap prop pri ate..."
q = 54
"Cri ti cal lapse of judge ment..."
"Per so nal fai lure on my part..."
Vln. I pp
Vln. II pp
Vla.
Vc.
Cb.
rit.
193
Ob. 1 2
A Cl. 1 2
Pno.
p
p
HC When he 3
BC "Le
gal
ly
ac
cu rate..."
rit. Vln. I
Vln. II
Vla.
Vc. p
Cb. p
198
209
12 FFFairouz airouz airouz F airouz ---TTThe -he he T New he New New New PPPrince rince rince Prince ---Act Act A- ct Prologue II II I IScene Scene S cene2 12 1
M
q = 50
a2
Ob. 1 2 3 3
HC told me, It was a ter ri ble mo ment
I could hard ly breathe
I could hard ly breathe
G ul ping for air,
I star ted
M
q = 50 Vln. I p
Vln. II p
Vla.
Vc. p
Cb. p
202
accel.
q = 72
Ob. 1 2
f
Pno.
3
f
HC cry ing
and yel ling at him
accel.
"What
q = 72
Vln. I f
Vln. II f
Vla. f
Vc.
Cb.
do you mean?"
"What
are you say ing?"
"Why
did you
210
12 FFFairouz airouz airouz F airouz ---TTThe -he he T New he New New New PPPrince rince rince Prince ---Act Act A- ct Prologue II II I IScene Scene S cene2 12 1
rall.
206
a tempo (q = 72)
a2
A Cl. 1 2 ff
Bsn. 1 2 ff
ff
Pno.
3
ff
HC lie
to me?"
"What do you mean?"
rall.
"What
are you say ing?"
a tempo (q = 72)
Vln. I ff
Vln. II ff
Vla. ff
Vc. f
ff
Cb. f
ff
rit.
210
q = 50
A Cl. 1 2
Bsn. 1 2
Tbn. 1 p
Tbn. 2 p
Pno.
p
HC "W hy
did you
lie
rit. Vln. I
Vln. II
Vla.
Vc.
Cb.
to me?"
q = 50
Al
though I was heart bro ken and dis a
211
12 FFFairouz airouz airouz F airouz ---TTThe -he he T New he New New New PPPrince rince rince Prince ---Act Act A- ct Prologue II II I IScene Scene S cene2 12 1
rit.
214
q = 40
Tbn. 1
5 4
4 4
Tbn. 2
5 4
4 4
5 4
4 4
3
vulnerable
cold
HC poin ted with Bill, Still my long hours a lone made me ad mit to my self that I loved him
rit.
q = 40
I loved him. He was not
on ly my hus band. He was al so my
Vln. I
5 4
4 4
Vln. II
5 4
4 4
Vla.
5 4
4 4
Vc.
5 4
4 4
Cb.
5 4
4 4
N 218
Pno.
HC
4 4 4 4
q = 50
p
As Machiavelli listens to Hillary, he is moved to leave Wu's box and descend to the stage. He places himself at her feet, where he sings an aria to Hillary Clinton. Fortuna watches him from the wings. As she hears him sing, we sense that she is coming to realize Machiavelli’s genius.
4 4 pre si dent
Mach
p
4 4
She has come
N Vln. I
Vln. II
Vla.
4 4
q = 50 p
4 4
p
4 4
p
Vc.
4 4 p
Cb.
4 4 p
to my place,
212
12 FFFairouz airouz airouz F airouz ---TTThe -he he T New he New New New PPPrince rince rince Prince ---Act Act A- ct Prologue II II I IScene Scene S cene2 12 1 223
ff
Pno.
ff
p
p
Mach mia
bri ga
ta
She
is
be yond
good
and e vil could she
be,
Could she be
mia
bri ga ta could she
Vln. I ff
p
ff
p
ff
p
Vln. II
Vla.
Vc. ff
p
ff
p
Cb.
228
A Cl. 1 2 ff
To Chimes Xyl. ff
ff
Pno.
ff
Mach be
my
new
prince, who
knows on ly strength,
she con ceals
what she tru ly feels,
she con ceals
what she tru ly feels,
Vln. I ff
Vln. II ff
Vla. ff 3
Vc. ff 3
Cb. ff
But per
213
12 FFFairouz airouz airouz F airouz ---TTThe -he he T New he New New New PPPrince rince rince Prince ---Act Act A- ct Prologue II II I IScene Scene S cene2 12 1 232
Tbn. 1 p
Tbn. 2 p
Tbn. 3 p
p
Mach haps
she is in a no ther place Where tem
pered vir tue reigns, Where tem
pered vir tue reigns, Where
Vln. I p
Vln. II
Vla.
Vc.
Cb.
237
Ob. 1 p
pp
p
pp
Ob. 2
pp
3
Mach tem
Vln. I
Vln. II
Vla.
Vc.
Cb.
pered vir
tue reigns
T he hus band Bill.
He has a warm heart, Ve ry
214
12 FFFairouz airouz airouz F airouz ---TTThe -he he T New he New New New PPPrince rince rince Prince ---Act Act A- ct Prologue II II I IScene Scene S cene2 12 1
O
241
Ob. 1 p
Ob. 2 p
p
Pno.
p
Mach nice
throw it a way,
But the wife,
Hil
la ry,
has
a
cold
heart
more pre cious than a
dia mond, A
O Vln. I p
Vln. II p
Vla. p
Vc. p
Cb. p
accel.
246
Ob. 1
Ob. 2 a2
C Tpt. 1 2 ff Chimes
Perc. ff
ff
cresc.
Pno.
3
Mach cold
heart more pre
cious be
cause it stays true
accel. Vln. I cresc.
ff
Vln. II cresc.
ff
Vla. ff
Vc. ff
Cb. ff
12 FFFairouz airouz airouz F airouz ---TTThe -he he T New he New New New PPPrince rince rince Prince ---Act Act A- ct Prologue II II I IScene Scene S cene2 12 1 251
A Cl. 1 2
3 4
q = 76
a2
215
4 4
ff
Bsn. 1
3 4
4 4 ff
Bsn. 2
3 4
4 4 ff
C Tpt. 1 2
Tbn. 1 2
3 4 3 4
4 4 a2
4 4
ff
Tbn. 3
3 4
4 4 ff
Timp.
3 4
4 4 ff
Perc.
Pno.
3 4
4 4
3 4
4 4
3 4
4 4
q = 76
Vln. I
3 4
4 4
Vln. II
3 4
4 4
Vla.
3 4
4 4
Vc.
3 4
4 4
Cb.
3 4
4 4
216
12 FFFairouz airouz airouz F airouz ---TTThe -he he T New he New New New PPPrince rince rince Prince ---Act Act A- ct Prologue II II I IScene Scene S cene2 12 1
256
Ob. 1 2
4 4 ff
A Cl. 1 2
4 4
Bsn. 1
4 4
Bsn. 2
4 4
Timp.
4 4
Perc.
4 4 4 4
Pno.
4 4
Vln. I
4 4
Vln. II
4 4
Vla.
4 4
Vc.
4 4
Cb.
4 4
217
12 FFFairouz airouz airouz F airouz ---TTThe -he he T New he New New New PPPrince rince rince Prince ---Act Act A- ct Prologue II II I IScene Scene S cene2 12 1
259
Fl. 1 2 ff
Ob. 1 2
A Cl. 1 2
Bsn. 1
Bsn. 2
C Tpt. 1 2 ff
Pno.
Vln. I
Vln. II
Vla.
Vc.
Cb.
218
12 FFFairouz airouz airouz F airouz ---TTThe -he he T New he New New New PPPrince rince rince Prince ---Act Act A- ct Prologue II II I IScene Scene S cene2 12 1 262
Ob. 1 2 fff
A Cl. 1 2 fff
Bsn. 1 fff
Bsn. 2 fff
C Tpt. 1 2
Tbn. 1 ff
Tbn. 2 ff
Tbn. 3 ff
Timp. ff
Pno.
Vln. I fff
Vln. II fff
Vla. fff
Vc. fff
Cb. fff
219
12 FFFairouz airouz airouz F airouz ---TTThe -he he T New he New New New PPPrince rince rince Prince ---Act Act A- ct Prologue II II I IScene Scene S cene2 12 1
Act IV Scene 1 Fortuna prances onto a stage once again obscured by a curtain. She does her magic, as Machiavelli’s editor and stage director. She displays the title of this final episode: “Chapter Three: Why Princes Should Avoid a 'Clash of Civilizations.” Machiavelli paces below President Wu's box. Wu is anxious to conclude his lessons and beckons to his advisor. We hear offstage the noise of crowds, angrier than before, and we hear music, not just in English but in Arabic and Urdu and Hindi and Chinese. Angry voices.
q = 108
rit.
Fl. 1 2
Ob. 1 2
A Cl. 1 2
Ten. Sax.
Bsn. 1 2
Timp.
Perc.
Pno.
fff
S. T he bar ri er
of fear
is
bro
ken.
We must have dig
ni ty.
War will
cleanse us
our gods com
of fear
is
bro
ken.
We must have dig
ni ty.
War will
cleanse us
our gods com
of fear
is
bro
ken.
We must have dig
ni ty.
War will
cleanse us
our gods com
of fear
is
bro
ken.
We must have dig
ni ty.
War will
cleanse us
our gods com
fff
A. T he bar ri er fff
T. T he bar ri er fff
B. T he bar ri er
q = 108 Vln. I
Vln. II
Vla.
Vc.
Cb.
rit.
220
12 FFFairouz airouz airouz F airouz ---TTThe -he he T New he New New New P Prince PPrince rince rince Prince ---Act A Act A-ctct Prologue II III IVIScene Scene Scene S cene2 112
7
q = 72
A
a2
A Cl. 1 2 p a2
Bsn. 1 2 p
3
3
p
Mach A
prince must have
no
o
p
S. mand
it
We want
blood.
On
ly
blood
it
We want
blood.
On
ly
blood
it
We want
blood.
On
ly
blood
it
We want
blood.
On
ly
blood
p
A. mand p
T. mand p
B. mand
q = 72
A
Vln. I p
Vln. II p
3
Vla. p
Vc. p
Cb. p
ther
ob jec
tive,
No
o
ther
221
12 FFFairouz airouz airouz F airouz ---TTThe -he he T New he New New New P Prince PPrince rince rince Prince ---Act A Act A-ctct Prologue II III IVIScene Scene Scene S cene2 112 14
A Cl. 1 2
Bsn. 1 2 3
3
3 3
3
So I advised the Medici. But there is a war enfolding thee, My prince, T hat would tear apart the very glue O f life.
Mach thought, no
o ther pro
fes
sion
But
that
of
3
war
Vln. I p
Vln. II
3
3
3
p
Vla.
Vc.
Cb.
22
3
A Cl. 1 2
Bsn. 1 2 3
3
ff
Mach T hat would break the world in two
Ob
3
Vln. I
3
Vln. II
3
Vla.
Vc.
Cb.
3
222
12 FFFairouz airouz airouz F airouz ---TTThe -he he T New he New New New P Prince PPrince rince rince Prince ---Act A Act A-ctct Prologue II III IVIScene Scene Scene S cene2 112 29
B
Fl. 1 2 p
A Cl. 1 2 p ff
Bsn. 1 2 ff
p
f
pp
f
pp
3
C Tpt. 1 2
Tbn. 3
Pno.
ff (
p
)
p
3
Mach servee
and
hear,
Ob
serve
and
hear
and
I
B Vln. I ff
p
ff
p
ff
p
ff
p
ff
p
Vln. II
Vla.
Vc.
Cb.
will show
you
two
men
a
223
12 FFFairouz airouz airouz F airouz ---TTThe -he he T New he New New New P Prince PPrince rince rince Prince ---Act A Act A-ctct Prologue II III IVIScene Scene Scene S cene2 112 35
Fl. 1 2 ff 3
A Cl. 1 2 p
Bsn. 1 2 3
f
p
C Tpt. 1 2 f
pp
f
pp
Tbn. 3
to Celesta
ff
Pno.
(
ff
)
3
p
Mach like in rage and
fear
ob
serve
and
hear,
ob
serve
and
hear
and I will show
3
Vln. I ff
p
3
Vln. II ff
p
3
Vla. ff
p
ff
p
ff
p
Vc.
Cb.
you
Two men a
224
12 FFFairouz airouz airouz F airouz ---TTThe -he he T New he New New New P Prince PPrince rince rince Prince ---Act A Act A-ctct Prologue II III IVIScene Scene Scene S cene2 112
q = 80
rit.a2
43
Fl. 1 2 p
A Cl. 1 2
Bsn. 1 p
Bsn. 2 p
Celesta
To Pno.
p
Cel.
Mach like
in
rage
and
fear,
a
q = 80
rit. Vln. I
Vln. II
Vla.
Vc.
Cb.
49
1.
one only
Bsn. 1 2 pp
Mach
like
in
rage
and
fear.
12 FFFairouz airouz airouz F airouz ---TTThe -he he T New he New New New P Prince PPrince rince rince Prince ---Act A Act A-ctct Prologue II III IVIScene Scene Scene S cene2 112 The set rumbles and the Tower shakes, as the first plane, heavy with fuel, bursts the skin of the building. The rumble and searing heat are simulated, with the wailing of the victims jumping from widows, until the South Tower collapses--bringing it down onstage in a hideous pile of rubble. People are screaming, running, struggling to understand the incomprehensible, some panicking but more stopping to help and comfort others. As the dust settles stage left, we move back stage right to Jalalabad with Bin Laden who is already preparing to flee. He points toward what he knows is the ruin half a world away.
C
q = 132
Piccolo a2
55
Picc. 1,2 fff
Ob. 1 2 a2
A Cl. 1 2 fff
Ten. Sax. fff
Bsn. 1 2
C Tpt. 1 fff
C Tpt. 2 fff
Tbn. 1 2 fff
Tbn. 3 fff
Timp. mf
Susp. Cymbal
Perc. f
Pno.
fff
C
q = 132 Vln. I fff
Vln. II fff
Vla. fff
Vc. fff
Cb. fff
225
226
12 FFFairouz airouz airouz F airouz ---TTThe -he he T New he New New New P Prince PPrince rince rince Prince ---Act A Act A-ctct Prologue II III IVIScene Scene Scene S cene2 112
58
Picc. 1,2
A Cl. 1 2
Ten. Sax. a2
Bsn. 1 2 fff
C Tpt. 1
C Tpt. 2
Tbn. 1 2
Tbn. 3
Timp.
Perc.
Pno.
Vln. I
Vln. II
Vla.
Vc.
Cb.
6
6
227
12 FFFairouz airouz airouz F airouz ---TTThe -he he T New he New New New P Prince PPrince rince rince Prince ---Act A Act A-ctct Prologue II III IVIScene Scene Scene S cene2 112
61
Picc. 1,2 3
A Cl. 1 2
Ten. Sax.
Bsn. 1 2 6
6
C Tpt. 1 3
C Tpt. 2 3
Tbn. 1 2 3 3
Tbn. 3
Timp.
Vln. I
Vln. II
Vla.
Vc.
3
Cb.
6
228
12 FFFairouz airouz airouz F airouz ---TTThe -he he T New he New New New P Prince PPrince rince rince Prince ---Act A Act A-ctct Prologue II III IVIScene Scene Scene S cene2 112 64
Picc. 1,2
A Cl. 1 2
Ten. Sax.
Bsn. 1 2 6
C Tpt. 1
C Tpt. 2
Tbn. 1 2
Tbn. 3
Timp.
Vln. I
Vln. II
Vla.
Vc.
Cb.
6
6
229
12 FFFairouz airouz airouz F airouz ---TTThe -he he T New he New New New P Prince PPrince rince rince Prince ---Act A Act A-ctct Prologue II III IVIScene Scene Scene S cene2 112 67
Picc. 1,2 3
3
6
A Cl. 1 2
Ten. Sax.
Bsn. 1 2 6
6
6
C Tpt. 1 3
3
6
3
3
6
C Tpt. 2
Tbn. 1 2 3 3
Tbn. 3
Timp.
Vln. I
Vln. II
Vla.
Vc.
3
Cb.
230
12 FFFairouz airouz airouz F airouz ---TTThe -he he T New he New New New P Prince PPrince rince rince Prince ---Act A Act A-ctct Prologue II III IVIScene Scene Scene S cene2 112 70
Picc. 1,2 6
A Cl. 1 2
Ten. Sax. 6
Bsn. 1 2
C Tpt. 1 6 6
p
ff
p
ff
p
ff
C Tpt. 2 ff
p
Tbn. 1 2 p
Timp.
Perc.
Vln. I
Vln. II
Vla.
Vc.
Cb.
ff
p
ff
12 FFFairouz airouz airouz F airouz ---TTThe -he he T New he New New New P Prince PPrince rince rince Prince ---Act A Act A-ctct Prologue II III IVIScene Scene Scene S cene2 112
D 75
Picc. 1,2 ff
11
fff
A Cl. 1 2 fff
Ten. Sax. fff
C Tpt. 1 p
fff
p
fff
p
fff
C Tpt. 2
Tbn. 1 2
Tbn. 3 fff
Timp. fff
Perc.
fff
Pno.
D Vln. I fff
Vln. II fff
Vla. fff
Vc. fff
Cb. ff
fff
231
232
12 FFFairouz airouz airouz F airouz ---TTThe -he he T New he New New New P Prince PPrince rince rince Prince ---Act A Act A-ctct Prologue II III IVIScene Scene Scene S cene2 112 78
Picc. 1,2
A Cl. 1 2
Ten. Sax. 6
Bsn. 1 2 fff
C Tpt. 1
C Tpt. 2
Tbn. 1 2
Tbn. 3
Timp.
Perc.
Pno.
Vln. I
Vln. II
Vla.
Vc.
Cb.
233
12 FFFairouz airouz airouz F airouz ---TTThe -he he T New he New New New P Prince PPrince rince rince Prince ---Act A Act A-ctct Prologue II III IVIScene Scene Scene S cene2 112
81
Picc. 1,2 3
A Cl. 1 2
Ten. Sax.
Bsn. 1 2 6
6
6
C Tpt. 1 3
C Tpt. 2 3
Tbn. 1 2 3 3
Tbn. 3
Timp.
Vln. I
Vln. II
Vla.
Vc.
3
Cb.
234
12 FFFairouz airouz airouz F airouz ---TTThe -he he T New he New New New P Prince PPrince rince rince Prince ---Act A Act A-ctct Prologue II III IVIScene Scene Scene S cene2 112
84
Picc. 1,2
A Cl. 1 2
Ten. Sax.
Bsn. 1 2 6
C Tpt. 1
C Tpt. 2
Tbn. 1 2
Tbn. 3
Timp.
Vln. I
Vln. II
Vla.
Vc.
Cb.
6
6
235
12 FFFairouz airouz airouz F airouz ---TTThe -he he T New he New New New P Prince PPrince rince rince Prince ---Act A Act A-ctct Prologue II III IVIScene Scene Scene S cene2 112 87
Picc. 1,2 3
3
A Cl. 1 2
Ten. Sax.
Bsn. 1 2 6
6
6
C Tpt. 1 3
3
3
3
C Tpt. 2
Tbn. 1 2 3 3
Tbn. 3
Timp.
Vln. I
Vln. II
Vla.
Vc.
3
Cb.
236
12 FFFairouz airouz airouz F airouz ---TTThe -he he T New he New New New P Prince PPrince rince rince Prince ---Act A Act A-ctct Prologue II III IVIScene Scene Scene S cene2 112
E
90
to Flute
Picc. 1,2 6
6
6
6
6
6
6
6
A Cl. 1 2
Ten. Sax.
Bsn. 1 2
C Tpt. 1 3
C Tpt. 2
Tbn. 1 2
Tbn. 3
Timp.
E Vln. I
Vln. II
Vla.
Vc.
Cb.
3
3
3
3
3
3
3
237
12 FFFairouz airouz airouz F airouz ---TTThe -he he T New he New New New P Prince PPrince rince rince Prince ---Act A Act A-ctct Prologue II III IVIScene Scene Scene S cene2 112 a2 94 Flutes
Fl. 1 2 fff
flutter
Ob. 1 2 fff
A Cl. 1 2 fff
Ten. Sax.
Bsn. 1 2 fff
C Tpt. 1 3
3
3
3
3
C Tpt. 2
Tbn. 1
Tbn. 2
Tbn. 3 fff
Vln. I
Vln. II
Vla.
Vc.
Cb. fff
3
3
3
3
3
3
3
3
3
3
3
238
12 FFFairouz airouz airouz F airouz ---TTThe -he he T New he New New New P Prince PPrince rince rince Prince ---Act A Act A-ctct Prologue II III IVIScene Scene Scene S cene2 112 98
To Picc.
Fl. 1 2
Ob. 1 2
A Cl. 1 2
Ten. Sax.
Bsn. 1 2
C Tpt. 1 3
3
3
3
3
3
3
3
3
C Tpt. 2
Tbn. 1
Tbn. 2
Tbn. 3
Pno.
Vln. I
Vln. II
Vla.
Vc.
Cb.
fff
3
3
3
3
3
3
3
12 FFFairouz airouz airouz F airouz ---TTThe -he he T New he New New New P Prince PPrince rince rince Prince ---Act A Act A-ctct Prologue II III IVIScene Scene Scene S cene2 112 Piccolo 102
Picc. 1 2 p
a2
Ob. 1 2 fff
A Cl. 1 2
Ten. Sax.
C Tpt. 1 3
3
3
3
3
3
3
3
sffp
C Tpt. 2 sffp
Tbn. 1
Tbn. 2
Tbn. 3
Timp. fff
Pno.
Vln. I
Vln. II
Vla.
Vc.
Cb.
239
240
12 FFFairouz airouz airouz F airouz ---TTThe -he he T New he New New New P Prince PPrince rince rince Prince ---Act A Act A-ctct Prologue II III IVIScene Scene Scene S cene2 112
F
rit.
106
Picc. 1 2 fff
A Cl. 1 2 fff
Ten. Sax. ff
C Tpt. 1 ff
C Tpt. 2 ff
Tbn. 1 2 ff
Tbn. 3 fff
Perc.
rit.
F Vc. ff
Cb. fff
(rit.) 110
Picc. 1 2
A Cl. 1 2
3
Ten. Sax. ffp 3
C Tpt. 1 ffp 3
C Tpt. 2 ffp
Tbn. 1 2 ffp
3 3
Tbn. 3 ffp
Perc.
(rit.) Vc. fp
3 3
Cb.
241
12 FFFairouz airouz airouz F airouz ---TTThe -he he T New he New New New P Prince PPrince rince rince Prince ---Act A Act A-ctct Prologue II III IVIScene Scene Scene S cene2 112
(rit.) 114
Picc. 1 2 fff
5
5
5
5
5
5
5
5
5
5
5
5
Ob. 1 2 fff
A Cl. 1 2 3
Ten. Sax. ff
Bsn. 1 p
C Tpt. 1 ff
C Tpt. 2 ff
Tbn. 1 2 ff
Tbn. 3 ff
Perc.
Pno.
p
(rit.) Vln. I fff
Vln. II fff
Vla. fff
Vc. ff
Cb. fff
3
3
3
3
3
3
3
3
3
3
3
242
12 FFFairouz airouz airouz F airouz ---TTThe -he he T New he New New New P Prince PPrince rince rince Prince ---Act A Act A-ctct Prologue II III IVIScene Scene Scene S cene2 112 117
q = 54
Flute
G
to flute
Picc. 1 2 p
5
Ob. 1 2
A Cl. 1 2 3
Bsn. 1
Perc.
Pno.
OSAMA BIN LADEN
p
OBL T here
q = 54
is
A me ri
ca,
struck by G od
G
Vln. I p
Vln. II p
Vla. p
123
A Cl. 1 2 p
Bsn. 1
a2
Tbn. 1 2 pp
pp
Pno.
pp (whispered)
OBL sof
test
spot
Its grea test
buil dings were des
troyed
T hank God for that
Vln. I pp
Vln. II pp
Vla. pp
in its
243
12 FFFairouz airouz airouz F airouz ---TTThe -he he T New he New New New P Prince PPrince rince rince Prince ---Act A Act A-ctct Prologue II III IVIScene Scene Scene S cene2 112 128
Fl. 1 2 pp
Ob. 1 2 pp
Bsn. 1
OBL T here
is
A
me
ri
ca
filled with fear from its
north
to
its south
from its
east
to
its west
Vln. I
Vln. II
Vla.
Vc.
Cb.
133
Bsn. 1 3
con sord.
C Tpt. 1 p con sord.
Tbn. 1 3
p con sord.
Tbn. 2 p
Tbn. 3 p
Timp. p
Pno.
p
p
OBL T here is A me ri ca
T oo strong to de stroy
but ea sy to pro voke and
short
of
breath
Vln. I
Vln. II
3
Vla. p
Vc. p
Cb. p
3
T hank God for that
244
12 FFFairouz airouz airouz F airouz ---TTThe -he he T New he New New New P Prince PPrince rince rince Prince ---Act A Act A-ctct Prologue II III IVIScene Scene Scene S cene2 112 139
Ob. 1 2 pp
A Cl. 1 2 pp
Bsn. 1
senza sord.
3
C Tpt. 1 pp senza sord.
Tbn. 1 pp senza sord.
Tbn. 2 pp
Tbn. 3 pp
Timp. pp
Susp. Cym
Perc.
Pno.
pp
pp
f
pp
OBL T hank God for that.
T his
day
Vln. I pp
Vln. II pp
Vla. pp
Vc.
Cb. pp
has
split
the
world
in
two,
A
me
ri ca
will
ne ver
245
12 FFFairouz airouz airouz F airouz ---TTThe -he he T New he New New New P Prince PPrince rince rince Prince ---Act A Act A-ctct Prologue II III IVIScene Scene Scene S cene2 112 144
Ob. 1 2
A Cl. 1 2
Bsn. 1
3
C Tpt. 1
Tbn. 1 3
Tbn. 2
Tbn. 3
Timp.
Perc.
p
Pno.
(whispered)
pp
OBL dream a gain.
Vln. I
Vln. II
Vla.
Vc.
Cb.
How un
health y
is
the bed
of
ty ran ny
T hankGod for that
T hankGod for that.
246
12 FFFairouz airouz airouz F airouz ---TTThe -he he T New he New New New P Prince PPrince rince rince Prince ---Act A Act A-ctct Prologue II III IVIScene Scene Scene S cene2 112
Act IV Scene 2 Ground Zero. American flags hang from every window. The chorus sounds a low lament as the curtain opens, a continuing dirge of sadness for the lost souls of September 11, 2001. We hear sirens and commotion as police and Secret Service make way for a visitor. It is Vice President Dick Cheney, his face an implacable mask of will and determination. He sings in a voice that is measured but insistent. He believes that his job is to ignore sentiment and small rules, and obey the larger laws of strength and survival. Behind him in a pinstripe suit, among his aides, is the familiar figure of Machiavelli.
q = 80 Fl. 1 2
Ob. 1 2
A Cl. 1 2
Bsn. 1 2
Tbn. 1 p
Tbn. 2 p
Pno.
q = 80 Vln. I
Vln. II
Vla.
Vc.
Cb. p
247
12 FFFairouz airouz airouz F airouz ---TTThe -he he T New he New New New P Prince PPrince rince rince Prince ---Act A Act A-ctct Prologue II III IVIScene Scene Scene S cene2 12 1
A 9
Fl. 1 2 p
A Cl. 1 2 p
Ten. Sax. p a2
Bsn. 1 2 p solo
C Tpt. 1 f
Tbn. 1
Tbn. 2 p
p
Pno.
DICK CHENEY
DC We
have
been
at
tacked
by a
ruth
A Vln. I p
Vln. II p
Vla. p 6
Vc. p
Cb. p
248
12 FFFairouz airouz airouz F airouz ---TTThe -he he T New he New New New P Prince PPrince rince rince Prince ---Act A Act A-ctct Prologue II III IVIScene Scene Scene S cene2 12 1
16
Fl. 1 2
Ob. 1 p
Ob. 2 p
A Cl. 1 2
Ten. Sax. p
Bsn. 1 2
C Tpt. 1 3
3
Tbn. 1
Tbn. 2
Tbn. 3 p
Triangle
Perc.
p
Pno.
3
DC less
e
ne
my
wil
ling to slaugh ter
in no cents
in
an
eff
fort
to
bring
A
Vln. I
Vln. II
Vla.
6
6
6
6
6
6
Vc.
Cb. p
me
249
12 FFFairouz airouz airouz F airouz ---TTThe -he he T New he New New New P Prince PPrince rince rince Prince ---Act A Act A-ctct Prologue II III IVIScene Scene Scene S cene2 12 1
B 22
Fl. 1 2
Ob. 1
Ob. 2
A Cl. 1 2
Ten. Sax.
Bsn. 1 2 agitato
3
C Tpt. 1 ff
Tbn. 1
Tbn. 2
Tbn. 3
Perc.
Pno.
ff agitato
3
DC ri
ca
to
her knees
we
are
at
war
we
must
work the
dark
side
we are deal ing with
B Vln. I
Vln. II
Vla.
6
Vc.
Cb.
6
6
6
6
6
250
12 FFFairouz airouz airouz F airouz ---TTThe -he he T New he New New New P Prince PPrince rince rince Prince ---Act A Act A-ctct Prologue II III IVIScene Scene Scene S cene2 12 1 28
Fl. 1 2
A Cl. 1 2
Ten. Sax.
Bsn. 1 2
C Tpt. 1 3
Tbn. 1
Tbn. 2
Pno.
3
DC e vil
peo
ple
who
Vln. I
Vln. II
Vla.
6
Vc.
Cb.
6
dwell
in the
sha dows
plan
ning
251
12 FFFairouz airouz airouz F airouz ---TTThe -he he T New he New New New P Prince PPrince rince rince Prince ---Act A Act A-ctct Prologue II III IVIScene Scene Scene S cene2 12 1
C 34
Fl. 1 2
A Cl. 1 2
Ten. Sax. 2.
Bsn. 1 2
C Tpt. 1 p
Tbn. 1
Tbn. 2 Bass Drum with soft mallet Perc. ppp
Pno.
p
DC vio
lence and de
struc
tion
We have
no
al
ter na
C Vln. I
Vln. II
Vla.
Vc.
Cb.
tive
but to
meet
the e ne my where he
252
12 FFFairouz airouz airouz F airouz ---TTThe -he he T New he New New New P Prince PPrince rince rince Prince ---Act A Act A-ctct Prologue II III IVIScene Scene Scene S cene2 12 1 39
Fl. 1 2 p
A Cl. 1 2 p
a2
2.
Bsn. 1 2 p
p
C Tpt. 1 p
Tbn. 1
Tbn. 2 p
Perc.
ppp
ppp
p
DC dwells
We
must
and we will
We
must
and
we
will
use
e very
Vln. I
Vln. II
Vla.
Vc.
Cb. p
p
poco rit. 46
Bsn. 1 2
C Tpt. 1
Perc. (dim.)
DC means
at our dis
po sal
to en
sure
the
free
dom
and se
cur
i
ty
poco rit. Vln. I
Vln. II
Vla.
Vc.
Cb.
of
12 FFFairouz airouz airouz F airouz ---TTThe -he he T New he New New New P Prince PPrince rince rince Prince ---Act A Act A-ctct Prologue II III IVIScene Scene Scene S cene2 12 1
D
253
The lights illuminate two people who are tasked with carrying out Cheney's decision to use every means necessary: John Yoo, the Justice Department lawyer who wrote the memo defining torture; and a CIA medical officer attending the first waterboarding session with Abu Zubaydah at a secret site in Thailand. Yoo, the Justice Department attorney is seen in half-light as he prepares his memo explaining why waterboarding and other "enhanced interrogation techniques" are not torture.
q = 40
52
4 4
Fl. 1 2
Ob. 1 2
4 4
Bsn. 1 2
4 4
pp
p
p
4 4
C Tpt. 1 pp
2 different Susp. Cymbals
Perc.
4 4
John Yoo
4 4 lunga
W hat is "torture," A s a matter of law? T he infliction of severe pain must be the defendant's precise objective.
4 4
DC the
(scrape with coin)
A
mer i can peo
ple
D
q = 40
Vln. I
4 4
Vln. II
4 4
Vla.
4 4
Vc.
4 4 lunga
4 4
Cb. pp
A CIA medical officer is seen in half light, depicting a cable from a "black site" in Thailand on August 2002, the day the torture of Abu Zubayda begins. As he composes his cable, we see behind him, through a veil of gause, the act of waterboarding, with the screams and grunts and curses interwoven with the CIA officer's careful prose.
58
Fl. 1 2 p
Ob. 1 2 p with soft mallets
Timp. p
Perc.
Pno.
John Yoo
p
But even if the defendant knows that severe pain will result from his actions, If causing such harm is not his objective, he lacks the requisite specific intent.
Vln. I Vln. II Vla.
Vc. p austere
Cb. p austere
254
12 FFFairouz airouz airouz F airouz ---TTThe -he he T New he New New New P Prince PPrince rince rince Prince ---Act A Act A-ctct Prologue II III IVIScene Scene Scene S cene2 12 1
64
E
Fl. 1 2 p
Ob. 1 2 p
Timp.
Perc.
Pno.
CIA MEDICAL OFFICER Longest time with the cloth over his face so far Has been seventeen seconds. T his is sure to increase shortly.
CIA
E
And
so
it
be gins:
Vln. I Vln. II
Vla.
Vc.
Cb.
71
Fl. 1 2 p
Ob. 1 2 p
Timp.
Perc.
Pno.
Vln. I
Vln. II
Vla.
Vc.
Cb.
255
12 FFFairouz airouz airouz F airouz ---TTThe -he he T New he New New New P Prince PPrince rince rince Prince ---Act A Act A-ctct Prologue II III IVIScene Scene Scene S cene2 12 1
F 77
a2
A Cl. 1 2 p
Bsn. 1 2
Perc.
F Vln. I
Vln. II
Vla.
Vc.
Cb.
83
A Cl. 1 2
Bsn. 1 2 p
Perc. p
DC We have an
ob
li
ga
tion
to
do
what
it
takes
to
de
fend
A
me ri
ca
Vln. I pp ghostly
Vln. II pp ghostly
Vla. pp ghostly arco
Vc. pp ghostly arco
Cb. pp ghostly
256
12 FFFairouz airouz airouz F airouz ---TTThe -he he T New he New New New P Prince PPrince rince rince Prince ---Act A Act A-ctct Prologue II III IVIScene Scene Scene S cene2 12 1
88
OBL You have tried
pre ven ting us from li ving
You have tried
pre ven ting us from li ving
an
Vln. I
Vln. II
Vla.
Vc.
Cb.
a2
91
5 4
A Cl. 1 2 p a2
5 4
Bsn. 1 2 p
5 4
OBL hon
ra
ble
life,
You
have
tried
pre
ven
ting
us
from
li
ving
an
hon
ra
ble
257
12 FFFairouz airouz airouz F airouz ---TTThe -he he T New he New New New P Prince PPrince rince rince Prince ---Act A Act A-ctct Prologue II III IVIScene Scene Scene S cene2 12 1
93
A Cl. 1 2
G 4 4
5 4
p
Bsn. 1 2
5 4
4 4
Timp.
5 4
4 4 p
Perc.
Snare Drum
5 4
Snare Drum
4 4 p
5 4 Pno.
OBL
4 4 p
5 4
4 4
5 4
4 4 life
Vln. I
5 4
But
you
will
not de ny
G 4 4 p
Vln. II
5 4
4 4 p
Vla.
5 4
4 4 p
Vc.
Cb.
5 4 5 4
4 4 4 4
p
p
us a
mar
tyrs death!
You will
not de ny
us a
258
12 FFFairouz airouz airouz F airouz ---TTThe -he he T New he New New New P Prince PPrince rince rince Prince ---Act A Act A-ctct Prologue II III IVIScene Scene Scene S cene2 12 1
97
accel.
A Cl. 1 2
Timp.
Perc. ff
Pno.
OBL mar
accel. Vln. I
Vln. II
Vla.
Vc.
Cb.
tyr's death!
N o you will
not de ny
us
a
mar
tyr's death!
You
You
259
12 FFFairouz airouz airouz F airouz ---TTThe -he he T New he New New New P Prince PPrince rince rince Prince ---Act A Act A-ctct Prologue II III IVIScene Scene Scene S cene2 12 1
q = 80 101
Fl. 1 2 ff
6
6
6
6
6
6
6
6
6
6
6
6
6
6
6
6
6
6
6
6
6
6
6
Ob. 1 2 ff
A Cl. 1 2 ff
Bsn. 1 2 ff
Timp.
Pno.
ff
6
ff (screaming pitches distorted)
OBL will
q = 80 Vln. I
Vln. II
Vla.
Vc.
Cb.
not
de
ny
us
a
260
12 FFFairouz airouz airouz F airouz ---TTThe -he he T New he New New New P Prince PPrince rince rince Prince ---Act A Act A-ctct Prologue II III IVIScene Scene Scene S cene2 12 1
103
Fl. 1 2 6
6
6
6
6
6
6
6
fff
6
6
6
6
6
6
6
6
Ob. 1 2 fff
A Cl. 1 2
fff
Bsn. 1 2 fff
C Tpt. 1 2 ff
Tbn. 1 ff
3
3
3
3
ff
3
3
3
3
Tbn. 2
Tbn. 3 ff
Timp. fff
6
Pno.
6
6
6
fff
6
6
6
OBL mar
tyr's
Vln. I fff
Vln. II fff
Vla. fff
Vc. fff
Cb. fff
6
261
12 FFFairouz airouz airouz F airouz ---TTThe -he he T New he New New New P Prince PPrince rince rince Prince ---Act A Act A-ctct Prologue II III IVIScene Scene Scene S cene2 12 1 105
Fl. 1 2 6
6
6
6
6
6
6
6
6
6
6
6
6
6
6
6
Ob. 1 2
A Cl. 1 2
Bsn. 1 2
C Tpt. 1 2
Tbn. 1 3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
Tbn. 2
Tbn. 3
Timp.
6
6
6
Pno.
gliss.
OBL death!
Vln. I
Vln. II
Vla.
Vc.
Cb.
6
6
6
6
6
262
12 FFFairouz airouz airouz F airouz ---TTThe -he he T New he New New New P Prince PPrince rince rince Prince ---Act A Act A-ctct Prologue II III IVIScene Scene Scene S cene2 12 1
108
q = 46
H
p
OBL I
did
the
right. I was strong
vir tue was my guide
p
DC I
q = 46
did the right. I was strong
vir
tue was my guide. I
H
Vln. I p
Vln. II p
Vla. p Solo 1
Vc. pp Solo 2
pp
Vc. pp Solo 3
Cb.
113
ff
3
OBL I did
the
right peo ple fol lowed
vir tue was my guide the wea pons
must be hard
when the ends
are
so
just
ff 3 3
DC did the right peo ple fol
lowed
vir
tue was my guide the wea pons
must be
hard when the
ends
are so
just
the
Vln. I
Vln. II
Vla. tutti
Vc. p
ff
p
ff
Cb.
263
12 FFFairouz airouz airouz F airouz ---TTThe -he he T New he New New New P Prince PPrince rince rince Prince ---Act A Act A-ctct Prologue II III IVIScene Scene Scene S cene2 12 1
117
Fl. 1 2 p p
3
OBL What did I
miss?
T he strong man
does
not look back
ward 3
p
DC strong man
does not look back
ward.
vir
tue is his
guide
What
did
I
miss?
Vln. I p
Vln. II
a2
120
Fl. 1 2 3
a2
Bsn. 1 2 p
3 3
3
OBL vir
tue
is
his
guide
the
wea
pons
must be
hard
when the
ends
are so
DC T he
end
of
war
Vln. I 3 3
Vln. II
is war
just. I
264
12 FFFairouz airouz airouz F airouz ---TTThe -he he T New he New New New P Prince PPrince rince rince Prince ---Act A Act A-ctct Prologue II III IVIScene Scene Scene S cene2 12 1
123
I a2
A Cl. 1 2 ff a2
Bsn. 1 2
ff
C Tpt. 1 2 f
Tbn. 1 2 f Susp. Cym f
Perc. f Bass Drum
ff
Pno.
ff
OBL did the
right.
I was strong
vir
tue was my
guide.
vir tue was my
guide
I
did
the
right peo ple fol lowed
ff
DC I
did
the
right.
I was strong
I
did
the
right peo ple fol lowed
126
A Cl. 1 2
3 4
4 4
Bsn. 1 2
3 4
4 4
C Tpt. 1 2
3 4
4 4
Tbn. 1 2
3 4
4 4
Perc.
3 4
4 4
3 4
4 4
3 4
4 4
3 4
4 4
3 4
4 4
Pno.
3 3
OBL vir
tue
was
my
guide
the
wa pons
must be
hard
when the
ends
are
so
just
3
DC vir
tue
was
my
guide
the
wea pons
must be hard
when the
ends
are
so
just
265
12 FFFairouz airouz airouz F airouz ---TTThe -he he T New he New New New P Prince PPrince rince rince Prince ---Act A Act A-ctct Prologue II III IVIScene Scene Scene S cene2 12 1
130
A Cl. 1 2
a2
4 4 p
4 4 Pno.
p
4 4 p
OBL
4 4
3
3
What did I miss? p
DC
war
3
4 4
W hat did I miss?
Vln. I
the end of war is
W hat did I miss? T he
the
end
of war is war
What did I miss?
4 4 4 4 p
Vla.
4 4 p
Vc.
Cb.
4 4 4 4
of war
is
war.
If
end
of war
is
war.
If
3
p
Vln. II
end
p
p
p
p
T he
266
12 FFFairouz airouz airouz F airouz ---TTThe -he he T New he New New New P Prince PPrince rince rince Prince ---Act A Act A-ctct Prologue II III IVIScene Scene Scene S cene2 12 1 134
a2 3
Ob. 1 2 p
A Cl. 1 2 pp
Pno.
pp
3
3
WV T he wea pons 3
OBL there are
on
ly li ars,
then whose
sto
ry will you be lieve? 3
DC there are
Vln. I pp
Vln. II pp
Vla. pp
Vc. pp
Cb. pp
on
ly li ars,
T hen whose
sto
ry will you
be lieve?
must be
hard
when the ends
are so
267
12 FFFairouz airouz airouz F airouz ---TTThe -he he T New he New New New P Prince PPrince rince rince Prince ---Act A Act A-ctct Prologue II III IVIScene Scene Scene S cene2 12 1
J
accel.
138
q = 108
Pno.
WV just.
T he end of war is
war. (throws up his hands)
Mach D oes a ny one lis ten? Can
a ny power bend the chain of
prince
ly er ror?
fff
S. T he bar ri er
of fear
is
of fear
is
of fear
is
of fear
is
fff
A. T he bar ri er fff
T. T he bar ri er fff
B. T he bar ri er
rit. (Machiavelli looks to Kissinger, in Wu's box, and summons him.) Nimble Henry, I despair. Can our diplomacy ever repair T he rigid folly of the doctrinaire?
142
Mach
p
S. bro ken.
We must have dig ni ty. War will
cleanse us.
our gods com
mand
it.
We want
blood.
On
ly
it.
We want
blood.
On
ly
it.
We want
blood.
On
ly
it.
We want
blood.
On
ly
p
A. bro ken.
We must have dig ni ty. War will
cleanse us.
our gods com
mand p
T. bro ken.
We must have dig ni ty. War will
cleanse us.
our gods com
mand p
B. bro ken.
We must have dig ni ty. War will
cleanse us.
our gods com
mand
268
12 FFFairouz airouz airouz F airouz ---TTThe -he he T New he New New New P Prince PPrince rince rince Prince ---Act A Act A-ctct Prologue II III IVIScene Scene Scene S cene2 12 1 (Kissinger bounds down to the stage, eager, as ever, to assist.)
q = 54
149
Kiss. A
match
less di plo mat
known by all
for his
S. blood
T he
bar ri er
of fear
is
bro
ken.
We must have
dig
ni ty.
War
will
cleanse
us
blood
T he
bar ri er
of fear
is
bro
ken.
We must have
dig
ni ty.
War
will
cleanse
us
blood
T he
bar ri er
of fear
is
bro
ken.
We must have
dig
ni ty.
War
will
cleanse
us
blood
T he
bar ri er
of fear
is
bro
ken.
We must have
dig
ni ty.
War
will
cleanse
us
ud al
Fai
A.
T.
B.
154
Kiss. sage
coun
sel
Bin
La
den's bet ter
coun try man
P rince
Sa
sal
S. our
gods
com
mand
it
We
want
blood.
On
ly
blood
our
gods
com
mand
it
We
want
blood.
On
ly
blood
our
gods
com
mand
it
We
want
blood.
On
ly
blood
our
gods
com
mand
it
We
want
blood.
On
ly
blood
A.
T.
B.
160
3 4
Fl. 1 2 p
3 4
Ob. 1 2 p
3 4 Pno.
3 4 PRINCE SAUD AL FAISAL
p
3 4
P. Saud I
be lieve,
I
be lieve,
I
be lieve,
I
be
269
12 FFFairouz airouz airouz F airouz ---TTThe -he he T New he New New New P Prince PPrince rince rince Prince ---Act A Act A-ctct Prologue II III IVIScene Scene Scene S cene2 12 1
K 165
Fl. 1 2
3 4
4 4
Ob. 1 2
3 4
4 4
A Cl. 1 2
3 4
4 4
a2
p
Bsn. 1 2
a2
3 4
4 4
p
3 4
4 4
3 4
4 4
3 4
4 4
Pno.
P. Saud
lieve,
I
be
lieve,
S.
3 4
4 4
A.
3 4
4 4
T.
3 4
4 4
B.
3 4
4 4
3 4
K 4 4
Vln. I
p
Vln. II
3 4
4 4 p
Vla.
3 4
4 4 p
Vc.
Cb.
3 4 3 4
4 4 4 4
p
p
I
be lieve,
I
be lieve,
I
be lieve,
I
be lieve,
I
be lieve,
I
be lieve,
I
be lieve,
I
be
270
12 FFFairouz airouz airouz F airouz ---TTThe -he he T New he New New New P Prince PPrince rince rince Prince ---Act A Act A-ctct Prologue II III IVIScene Scene Scene S cene2 12 1 170
Fl. 1 2
Ob. 1 2
A Cl. 1 2
Bsn. 1 2
Pno.
3
P. Saud lieve
there can ne ver be
a clash of cul
tures
be tween us,
it
is
a
con
tra dic
tion
in terms.
Ci vil i
p
S. T he bar ri er of fear is bro ken,
we must have dig ni ty war will cleanse us.
T he
we must have dig ni ty war will cleanse us.
T he
we must have dig ni ty war will cleanse us.
T he
we must have dig ni ty war will cleanse us.
T he
p
A. T he bar ri er of fear is bro ken, p
T. T he bar ri er of fear is bro ken, p
B. T he bar ri er of fear is bro ken,
Vln. I
Vln. II
Vla.
Vc.
Cb.
271
12 FFFairouz airouz airouz F airouz ---TTThe -he he T New he New New New P Prince PPrince rince rince Prince ---Act A Act A-ctct Prologue II III IVIScene Scene Scene S cene2 12 1 174
Fl. 1 2
Ob. 1 2
A Cl. 1 2
Bsn. 1 2
Pno.
P. Saud za
tions
are not
com pet
ing
pro ducts
in some mar ket place but ra
ther
the ef fort
of hu
man
S. bar ri er of fear is
bro ken
we must have dig ni ty war will cleanse us
T he
bar ri er of fear is
bro
ken
we must have
bar ri er of fear is
bro ken
we must have dig ni ty war will cleanse us
T he
bar ri er of fear is
bro
ken
we must have
bar ri er of fear is
bro ken
we must have dig ni ty war will cleanse us
T he
bar ri er of fear is
bro
ken
we must have
bar ri er of fear is
bro ken
we must have dig ni ty war will cleanse us
T he
bar ri er of fear is
bro
ken
we must have
A.
T.
B.
Vln. I
Vln. II
Vla.
Vc.
Cb.
272
12 FFFairouz airouz airouz F airouz ---TTThe -he he T New he New New New P Prince PPrince rince rince Prince ---Act A Act A-ctct Prologue II III IVIScene Scene Scene S cene2 12 1
accel. 177
Fl. 1 2
Ob. 1 2
A Cl. 1 2
Bsn. 1 2
Pno.
P. Saud gen
ius built on con tri bu tions
from our
coun
tries.
I
be lieve,
I
be
lieve,
I
be lieve,
S. dig ni ty
war
will
cleanse
us
T he
bar ri
er of fear
is
bro ken
we must have dig ni ty
war will cleanse us
dig ni ty
war
will
cleanse
us
T he
bar ri
er of fear
is
bro ken
we must have dig ni ty
war will cleanse us
dig ni ty
war
will
cleanse
us
T he
bar ri
er of fear
is
bro ken
we must have dig ni ty
war will cleanse us
dig ni ty
war
will
cleanse
us
T he
bar ri
er of fear
is
bro ken
we must have dig ni ty
war will cleanse us
A.
T.
B.
accel. Vln. I
Vln. II
Vla.
Vc.
Cb.
I
be
273
12 FFFairouz airouz airouz F airouz ---TTThe -he he T New he New New New P Prince PPrince rince rince Prince ---Act A Act A-ctct Prologue II III IVIScene Scene Scene S cene2 12 1
L
q = 54
q = 80
180
Fl. 1 2
3 4
4 4
Ob. 1 2
3 4
4 4
A Cl. 1 2
3 4
4 4
Bsn. 1 2
3 4
4 4
a2
p
Pno.
f
P. Saud lieve,
I
be lieve,
I
be lieve
S. bro ken
A. bro ken
T. bro ken
f
bro ken
3 4
4 4
p
no
3 4
4 4
3 4
4 4
3 4
4 4
3 4
4 4
hu man gen
we must have dig ni ty war will cleanse us
B. bar ri er of fear is
4 4
we must have dig ni ty war will cleanse us f
bar ri er of fear is
3 4
we must have dig ni ty war will cleanse us f
bar ri er of fear is
4 4
So
f
bar ri er of fear is
3 4
we must have dig ni ty war will cleanse us
L Vln. I
3 4
q = 80
4 4
q = 54 p
Vln. II
3 4
4 4 p
Vla.
3 4
4 4 p
Vc.
Cb.
3 4 3 4
4 4 4 4
p
p
ius can not
be
claimed by
274
12 FFFairouz airouz airouz F airouz ---TTThe -he he T New he New New New P Prince PPrince rince rince Prince ---Act A Act A-ctct Prologue II III IVIScene Scene Scene S cene2 12 1
185
Fl. 1 2
Ob. 1 2 a2
A Cl. 1 2 p
Bsn. 1 2
Pno.
P. Saud a
Vln. I
Vln. II
Vla.
Vc.
Cb.
ny sin
gle na
tion or creed.
So
no
hu man gen
ius can not
be
claimed.
So
I
be
lieve
So
275
12 FFFairouz airouz airouz F airouz ---TTThe -he he T New he New New New P Prince PPrince rince rince Prince ---Act A Act A-ctct Prologue II III IVIScene Scene Scene S cene2 12 1
M
accel.
191
Fl. 1 2
Ob. 1 2
A Cl. 1 2
Bsn. 1 2
Pno.
Citizens, Brothers, I hear you! I am you!
WV (Saud stretches out his hands, like a sheik leading prayers, in a supplication and admonition)
P. Saud no
hu man gen ius can not
be mo no po lized
So
I
be
lieve
ff
S. Wu must die!
Wu must die!
ff
A. Wu must die!
Wu must die!
ff
T. Wu must die!
Wu must die!
ff
B. Wu must die!
M
accel.
Vln. I
Vln. II
Vla.
Vc.
Cb.
Wu must die!
276
12 FFFairouz airouz airouz F airouz ---TTThe -he he T New he New New New P Prince PPrince rince rince Prince ---Act A Act A-ctct Prologue II III IVIScene Scene Scene S cene2 12 1
q = 80
198
S. Wu must die! T he bar ri er
of fear is
bro ken.
We must have dif ni ty. War will cleanse us
our gods com mand
it
Wu must die! T he bar ri er
of fear is
bro ken.
We must have dif ni ty. War will cleanse us
our gods com mand
it
Wu must die! T he bar ri er
of fear is
bro ken.
We must have dif ni ty. War will cleanse us
our gods com mand
it
Wu must die! T he bar ri er
of fear is
bro ken.
We must have dif ni ty. War will cleanse us
our gods com mand
it
A.
T.
B.
N q = 63 ff
206
(brightening with false hope) p
WV will
I
S. blood.
On
ly
blood
blood.
On
ly
blood
blood.
On
ly
blood.
blood.
On
ly
blood.
A.
T.
B.
N
q = 63
Vln. I p
Vln. II p
Vla. p
Vc. p
Cb. p
is
sue
a
state
ment
in
277
12 FFFairouz airouz airouz F airouz ---TTThe -he he T New he New New New P Prince PPrince rince rince Prince ---Act A Act A-ctct Prologue II III IVIScene Scene Scene S cene2 12 1
q = 132 210
f
3
WV which
I
dis
cuss
star ting
a
new
phase
to re
gain
the
q = 132 Vln. I f
Vln. II f
Vla. f
Vc. f
Cb. f
a2
213
A Cl. 1 2 p Glockenspiel
Glock. p
p
Pno.
WV trust
of
those
who
lost
trust
p
Mach N o.
Vln. I
Vln. II
Vla. p
Vc. p
Cb. p
It will not
do. My
prince.
It will not do
278
12 FFFairouz airouz airouz F airouz ---TTThe -he he T New he New New New P Prince PPrince rince rince Prince ---Act A Act A-ctct Prologue II III IVIScene Scene Scene S cene2 12 1 220
Picc. p
Fl. 1 p
A Cl. 1 2
a2
Bsn. 1 2 p
Tbn. 1 p
p
p
p
p
p
p
p
Tbn. 2
Tbn. 3
Glock.
Pno.
Mach You are more feared than
Vln. I
Vln. II
Vla.
Vc.
Cb.
loved, My prince.
And
worse
you are
des
pised
You
are
des
pised,
My
279
12 FFFairouz airouz airouz F airouz ---TTThe -he he T New he New New New P Prince PPrince rince rince Prince ---Act A Act A-ctct Prologue II III IVIScene Scene Scene S cene2 12 1
226
A Cl. 1 2
Bsn. 1 2
Tbn. 1 p
p
p
p
p
p
p
p
p
Tbn. 2
Tbn. 3
Pno.
Mach prince,
My
prince
You have risked
all
But
you
Vln. I p
Vln. II p
Vla.
Vc.
Cb.
have
failed.
280
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They both vanish in an explosion, and two mobs surge onstage. They are the distillation of all the rage we have seen before. This is the "clash of civilizations" that Machiavelli warned against, but the tableau he has staged for Wu has only galvanized the enraged and the avengers. The mobs battle each other and surge toward President Wu's box, shaking its pillars and threatening to topple it to the ground. The competing chants of the chorus converge into one theme that is overpowering, frightening, and incoherent. Wu’s reign is threatened by this anarchy.
O 232
Picc. fff
Fl. 1 fff
Ob. 1 2 ff
fff
ff
fff
A Cl. 1 2 3
3
fff 3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
Bsn. 1 2 3
3
3
3
C Tpt. 1 2 ff
fff
Pno.
fff
S. T he
bar
ri
er
of
fear
is
bro
ken.
bar
ri
er
of
fear
is
bro
ken.
bar
ri
er
of
fear
is
bro
ken.
bar
ri
er
of
fear
is
bro
ken.
fff
A. T he fff
T. T he fff
B. T he
O Vln. I fff
Vln. II fff 3
3
3
Vla. fff
Vc. fff
Cb. fff
3
3
3
3
3
3
3
3
3
3
3
281
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Picc. f
Fl. 1 f
Ob. 1 2 f
A Cl. 1 2 3
3
3
3
3
3
f
3
f
Bsn. 1 2 3
C Tpt. 1 2
f
Pno.
f
S. We must have
dig
ni
ty,
dig
ni
ty
ni
ty,
dig
nit
ty
f
A. We must have
dig f
T. We must have
dig
ni ty,
dig
ni
ty
ni ty,
dig
ni
ty
f
B. We must have
dig
Vln. I f
Vln. II f 3
3
3
3
3
Vla. f
Vc. f
Cb. f
3
3
3
3
3
3
3
3
3
3
3
282
12 FFFairouz airouz airouz F airouz ---TTThe -he he T New he New New New P Prince PPrince rince rince Prince ---Act A Act A-ctct Prologue II III IVIScene Scene Scene S cene2 12 1 240
Picc.
Fl. 1
Tbn. 1 f
Tbn. 2 f
Tbn. 3 f
Pno.
S. War
will
cleanse
us
cleanse
us
War
will cleanse
War
will cleanse
our
G ods
com
our
G ods
com
us
our
G ods
com
us
our
G ods
com
A. War
will
T.
B.
Vln. I
Vln. II
3
Vla.
Vc.
Cb.
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
283
12 FFFairouz airouz airouz F airouz ---TTThe -he he T New he New New New P Prince PPrince rince rince Prince ---Act A Act A-ctct Prologue II III IVIScene Scene Scene S cene2 12 1 244
Picc.
Fl. 1 a2
3
3
3
3
3
3
3
3
3
3
3
3
A Cl. 1 2 f
Tbn. 1
Tbn. 2
Tbn. 3
Pno.
S. mand
it
our
G ods,
our
G ods
com
mand
it
We
want
A. mand
it,
our
G ods,
our
G ods
com
mand
it
We
want
T. mand it,
our
G ods,
our
G ods
com
mand
it
We
want
mand it,
our
G ods,
our
G ods
com
mand
it
We
want
B.
Vln. I
Vln. II
3
Vla.
Vc.
Cb.
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
284
12 FFFairouz airouz airouz F airouz ---TTThe -he he T New he New New New P Prince PPrince rince rince Prince ---Act A Act A-ctct Prologue II III IVIScene Scene Scene S cene2 12 1
248
Picc. p
Fl. 1 p 3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
A Cl. 1 2 p
Bsn. 1 2
Glock. p
Pno.
mf
p
S. blood,
on
ly
blood,
blood,
O ur
Gods
com
mand
it,
our
on
ly
blood,
blood,
O ur
Gods
com
mand
it, our
on
ly
blood
blood,
O ur
com
mand
it, our
blood,
blood,
O ur
com
mand
it, our
p
A. blood, p
T. blood,
Gods
p
B. blood,
on
ly
Gods
Vln. I p
Vln. II p 3
Vla. p
Vc. p
Cb. p
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
285
12 FFFairouz airouz airouz F airouz ---TTThe -he he T New he New New New P Prince PPrince rince rince Prince ---Act A Act A-ctct Prologue II III IVIScene Scene Scene S cene2 12 1
P 252
Picc. f
Fl. 1 f 3
3
3
3
3
3
3
3
3
A Cl. 1 2 f
a2
Bsn. 1 2 f
3
3
3
3
3
3
3
3
fff
Glock. f
Pno.
fff
f
A terrified President Wu, nearly toppled into this swirling throng of destruction, seizes Machiavelli by the collar and hauls him to the edge of the platform.
WV I
have
I
the sin ner
have the sin
ner.
He
f
S. G ods
com mand
it.
com
mand
it.
com
mand
it.
com mand
it.
f
A. G ods f
T. G ods f
B. G ods
P
Vln. I f
fff
Vln. II f
fff 3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
Vla. f
fff
Vc. f
fff
Cb. f
fff
286
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3
3
3
3
3
3
3
3
3
3
A Cl. 1 2 p
Bsn. 1 2 p
3
3
3
3
3
3
3
3
3
3
Tbn. 1 pp
Tbn. 2 pp
Tbn. 3 pp
Pno.
p
3
WV sweet
ly
calls
me
"prince"
But my peo
ple my
peo ple
He writes
with the black ink of
Vln. I p
Vln. II p 3
Vla. p
Vc. p
Cb. p
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
287
12 FFFairouz airouz airouz F airouz ---TTThe -he he T New he New New New P Prince PPrince rince rince Prince ---Act A Act A-ctct Prologue II III IVIScene Scene Scene S cene2 12 1 261
3
3
3
3
3
3
3
3
3
3
A Cl. 1 2
Bsn. 1 2 3
3
3
3
3
3
3
3
3
3
Tbn. 1
Tbn. 2
Tbn. 3
Pno.
3
3
3
WV death.
He would hu mil i ate you with his "truth."
He means
to des troy
all our G ods and be liefs.
Vln. I
Vln. II
3
Vla.
Vc.
Cb.
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
288
12 FFFairouz airouz airouz F airouz ---TTThe -he he T New he New New New P Prince PPrince rince rince Prince ---Act A Act A-ctct Prologue II III IVIScene Scene Scene S cene2 12 1
Q 266
Picc. p
Fl. 1 p 3
3
3
3
3
3
3
3
3
3
A Cl. 1 2
Bsn. 1 2 3
3
3
3
3
3
3
3
3
3
Glock.
Pno.
f
S. Pun ish him.
Si lence him.
K ill
him.
Pun ish him.
Si lence him.
K ill
him.
T hrow
him
down to us,
Si lence him.
K ill
him.
Pun ish him.
Si lence him.
K ill
him.
T hrow
him
down to us,
Si lence him.
K ill
him.
Pun ish him.
Si lence him.
K ill
him.
T hrow
him
down to us,
Si lence him.
K ill
him.
Pun ish him.
Si lence him.
K ill
him.
T hrow
him
down to us,
f
A. Pun ish him. f
T. Pun ish him. f
B. Pun ish him.
Q Vln. I
Vln. II 3
Vla.
Vc.
Cb.
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
289
12 FFFairouz airouz airouz F airouz ---TTThe -he he T New he New New New P Prince PPrince rince rince Prince ---Act A Act A-ctct Prologue II III IVIScene Scene Scene S cene2 12 1 271
to flute
Picc. p
f
Fl. 1 p nasal
f
3
Ob. 1 p 3
3
3
3
3
3
f 3
3
3
3
3
3
A Cl. 1 2 f
Bsn. 1 2 3
3
3
3
3
3
f
3
3
3
3
To Tam-t. Glock. f
f
Pno.
f
WV A nd
what
is
jus
tice
S. T hrow
him
down to us,
So we will have
just
tice.
T hrow
him
down to us,
So we will have
just
tice.
T hrow
him
down to us,
So we will have
just
tice.
T hrow
him
down to us,
So we will have
just
tice.
A.
T.
B.
Vln. I
Vln. II
3
Vla.
Vc.
Cb.
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
290
12 FFFairouz airouz airouz F airouz ---TTThe -he he T New he New New New P Prince PPrince rince rince Prince ---Act A Act A-ctct Prologue II III IVIScene Scene Scene S cene2 12 1 276
Fl. 1
Fl. 2
Ob. 1
3
3
3
3
3
3
3
3
3
3
A Cl. 1 2
Bsn. 1 2 3
3
3
3
3
3
3
3
3
3
Pno.
WV And what
is
jus
tice
for this man
who be lieves
no
thing,
no thing?
Vln. I
Vln. II
3
Vla.
Vc.
Cb.
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
291
12 FFFairouz airouz airouz F airouz ---TTThe -he he T New he New New New P Prince PPrince rince rince Prince ---Act A Act A-ctct Prologue II III IVIScene Scene Scene S cene2 12 1
R
281
Fl. 1 fff
Fl. 2 fff 3
a2
3
A Cl. 1 2 fff
Bsn. 1 2 3
3
a2
C Tpt. 1 2 ff
a2
Tbn. 1 2 ff
Tbn. 3 ff
Timp. ff
p
Tam-tam Perc.
fff
Pno.
fff
S. Strap
pa
do!
Strap pa do!
Strap pa do!
Strap
pa
do!
Strap pa do!
Strap pa do!
Strap
pa
do!
Strap pa do!
Strap pa do!
Strap
pa
do!
Strap pa do!
Strap pa do!
Strap
fff
A. Strap fff
T. Strap fff
B. Strap
R Vln. I fff
Vln. II fff 3
3
3
3
Vla. fff
Vc.
Cb.
292
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Fl. 1 fff
Fl. 2 fff
a2
A Cl. 1 2 fff a2
C Tpt. 1 2 a2
ff
Tbn. 1 2 ff
Tbn. 3 ff
Timp. ff
p
Perc.
Pno.
fff
S. pa
do!
Strap pa
do!
Strap pa
do!
pa
do!
Strap pa
do!
Strap pa
do!
pa
do!
Strap pa
do!
Strap pa
do!
pa
do!
Strap pa
do!
Strap pa
do!
A.
T.
B.
Vln. I fff
Vln. II fff
Vla. fff
293
12 FFFairouz airouz airouz F airouz ---TTThe -he he T New he New New New P Prince PPrince rince rince Prince ---Act A Act A-ctct Prologue II III IVIScene Scene Scene S cene2 12 1
Machiavelli's body is tossed to the waiting crowd, unified in blood lust. Kissinger bravely tries to come to his rescue, but he is hacked down. They carry Machiavelli upstage, to the leather straps that are fitted to him, as in the play's opening scene. He is cranked to the rafters and then dropped...in a spectacular, gut-wrenching image of cruelty and human incomprehension. The crowd rushes back toward the pavilion and takes President Wu on its shoulders, singing, chanting, and reveling. Fireworks illuminate the night sky upstage, banners wave proclaiming the triumph of belief and self-delusion. There is a final rousing chorus as President Wu is carried off the stage in triumph. 290
S
Ob. 1 2 fff a2
A Cl. 1 2 fff
Bsn. 1 2 fff Snare Drum
Perc.
Pno.
fff
fff
S. Won
drous mis er y,
Won
drous mis er y,
Won
drous mis er y,
Won
drous mis er y,
Won
fff
A. Won fff
T. Won fff
B. Won
S Vln. I fff
Vln. II fff
Vla.
3
3
3
3
3
3
Vc. fff
Cb. fff
294
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Ob. 1 2
A Cl. 1 2
Bsn. 1 2
Tbn. 1 ff
Tbn. 2 ff
Tbn. 3 ff
Perc.
Pno.
S. drous mis er
y,
war
un end
ing,
vir
tue re
war
ded
drous mis er
y,
war
un end
ing,
vir
tue re
war
ded
drous mis er
y,
war
un end
ing,
vir
tue re
war
ded
drous mis er
y,
war
un end
ing,
vir
tue re
war
ded,
A.
T.
B.
Vln. I
Vln. II
Vla.
3
3
3
3
3
3
3
3
3
3
Vc.
Cb.
295
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Ob. 1 2
A Cl. 1 2 p
Bsn. 1 2 3
3
3
3
C Tpt. 1 2 p
Tbn. 1 p
Tbn. 2 p
Tbn. 3 p
Perc.
Pno.
S. war
un end
war
un end
war
war
ing,
vir
tue
re war
ing,
vir
tue
re war
un end
ing,
vir
tue
re war
un end
ing,
vir
tue
re war
ded.
W on
drous mis er y,
ded.
W on
drous mis er y,
ded.
W on
drous mis er y,
W on
drous mis er y,
A.
T.
B. ded.
Vln. I
Vln. II
Vla.
3
3
3
3
3
3
3
3
3
3
3
3
Vc.
Cb.
296
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Ob. 1 2
A Cl. 1 2
Bsn. 1 2 3
3
3
3
3
3
3
3
3
3
C Tpt. 1 2
Tbn. 1 p
Tbn. 2 p
Tbn. 3 p
Perc.
Pno.
S. Won
drous mis er
y
war
un end
ing
vir
tue re
Won
drous mis er
y
war
un end
ing
vir
tue re
Won
drous mis er
y
war
un end
ing
vir
tue re
Won
drous mis er
y
war
un end
ing
vir
tue re
A.
T.
B.
Vln. I
Vln. II
Vla.
3
3
3
3
3
3
3
3
3
3
Vc.
Cb.
297
12 FFFairouz airouz airouz F airouz ---TTThe -he he T New he New New New P Prince PPrince rince rince Prince ---Act A Act A-ctct Prologue II III IVIScene Scene Scene S cene2 12 1 313
Ob. 1 2
A Cl. 1 2
Bsn. 1 2 3
3
3
3
3
3
C Tpt. 1 2
Tbn. 1 p
Tbn. 2 p
Tbn. 3 p
Perc.
Pno.
S. war
ded
war
un
end
ing
vir
tue
re
war
ded
war
un
end
ing
vir
tue
re
war
ded
war
un
end
ing
vir
tue
re
war
ded,
war
un
end
ing
vir
tue
re
A.
T.
B.
Vln. I
Vln. II
Vla.
3
3
3
3
3
3
3
3
Vc.
Cb.
298
12 FFFairouz airouz airouz F airouz ---TTThe -he he T New he New New New P Prince PPrince rince rince Prince ---Act A Act A-ctct Prologue II III IVIScene Scene Scene S cene2 12 1
q = 54
317
T
Ob. 1 2
A Cl. 1 2 p
Bsn. 1 2 3
3
3
3
C Tpt. 1 2
Perc.
Pno.
Fortuna: Wake up, wake up...
CIA The People march off, leaving the broken corpse of Machiavelli alone on a black stage. A body creeps toward him. It is Fortuna. She takes him from the straps, gently covers him with a cloak, nurses him, kisses and embraces him as the lights fall.
S. war
ded
Long
live
death.
war
ded
Long
live
death.
war
ded
Long
live
death.
war
ded
Long
live
death.
A.
T.
B.
q = 54
T
Vln. I p
Vln. II
Vla.
3
3
3
3
3
3
Vc.
Cb.
299
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Epilogue Machiavelli takes center stage, all alone, stripped down from any costume, simple white trousers and t-shirt. He has his arm around Fortuna, who appears as a loving wife, not a fickle sex goddess or publisher vamp but a loving companion.
q = 56 Fl. 1 2
5 4
Ob. 1 2
5 4
A Cl. 1 2
5 4
Ten. Sax.
5 4
Bsn. 1 2
5 4
C Tpt. 1 2
5 4
Tbn. 1 2
5 4
Tbn. 3
5 4
Timp.
5 4
Perc.
5 4 5 4
Pno.
5 4
p
5 4
F You have your luck at last.
q = 56
"T he
N ew
Prince"
is
pub lished.
It will live
for ev er, It will live
for ev
er, the
Vln. I
5 4
Vln. II
5 4
Vla.
5 4
Vc.
5 4
Cb.
5 4
300
12 FFFairouz airouz airouz F airouz ---TTThe -he he T New he New New New P Prince PPrince rince rince Prince ---Act A Act A-ctct Prologue EII Ipilogue II IVIScene Scene Scene S cene2 12 1
q = 48
rit. 7
F
5 4
4 4 in dex of banned books is o ver
5 4
Mach
thrown p (at peace)
4 4
I am
5 4
4 4
Vln. II
5 4
4 4
be ra
ted to
be
who I am,
a
think
er. A wri ter.
A
q = 48
rit. Vln. I
li
p
Vla.
5 4
4 4
Vc.
5 4
4 4
Cb.
5 4
4 4
p
p
p
13
5 4
F
A
4 4
I am your muse. My dar ling po et of life.
5 4
Mach man
who will
not
a
4 4 bide
fake gods but has
on ly
3 4
3
I
3 4 one
god who is truth
A
Vln. I
5 4
4 4
Vln. II
5 4
4 4
3 4
Vla.
5 4
4 4
3 4
Vc.
5 4
4 4
3 4
Cb.
5 4
4 4
3 4
18
F
3 4
4 4
want you to be
on ly who you are,
Vln. I
3 4
4 4
Vln. II
3 4
4 4
so go
in
to your stu
dy. T he dark
p
Vla.
3 4
4 4
Vc.
3 4
4 4 p
Cb.
3 4
3 4
4 4 p
ness has come
take
up your
301
12 FFFairouz airouz airouz F airouz ---TTThe -he he T New he New New New P Prince PPrince rince rince Prince ---Act A Act A-ctct Prologue EII Ipilogue II IVIScene Scene Scene S cene2 12 1
molto rit. 23
F pen.
go
in
to your stu
dy
take
up your pen
no
thing else
molto rit. Vln. I
Vln. II
Vla.
Vc.
Cb.
Fortuna hands him his Florentine robe, which is resplendent in the light. She walks with Machiavelli into a study that is illuminated as if it were the holy of holies, the very font of thought and life. Machiavelli sings a final aria, which is drawn from a letter he wrote to his best friend, Francesco Vettori, at the time he was composing "The Prince." It is one of the greatest letters ever written about creativity, and Machiavelli should sing it with a haunting voice, joined by Fortuna and the Chorus, so that it becomes a hymn to truth and life.
27
B Very slow, deliberate (q = 46)
Fl. 1 2 p
a2
Ob. 1 2 p
A Cl. 1 p
A Cl. 2 p a2
Bsn. 1 2 p to Celesta
Pno.
F with a haunting voice
pp
p
Mach
B Very slow, deliberate (q = 46)
When
eve
Vln. I
Vln. II
Vla. solo
Vc. pp
Cb.
p
302
12 FFFairouz airouz airouz F airouz ---TTThe -he he T New he New New New P Prince PPrince rince rince Prince ---Act A Act A-ctct Prologue EII Ipilogue II IVIScene Scene Scene S cene2 12 1 31
Perc.
mf
Cel.
p
Mach ning comes,
I re turn to my stu dy.
When
eve
ning comes,
I re turn
to my stu dy.
Vln. I p
p
Vln. II p
p
Vla. p
p
soli
tutti
Vc. tutti
p
p
p
Cb. p
38
Fl. 1
Fl. 2
2 4
4 4
2 4
4 4
p
p
A Cl. 1
2 4
4 4
A Cl. 2
2 4
4 4
a2
2 4
Bsn. 1 2 p
2 4
C Tpt. 1 p
2 4
C Tpt. 2 p
2 4
Perc.
4 4 f
p
p
4 4
f
4 4
f Glock.
4 4 p
Cel.
2 4
4 4
2 4
4 4
2 4
Mach On
the thre shold,
I strip
off the
mud
dy clothes
of
p
4 4
eve ry day, and
Vln. I
2 4
Vln. II
2 4
Vla.
f
2 4
put
4 4 f
f
4 4 4 4
f
Vc.
2 4
Cb.
2 4
4 4 f
mf
4 4
on
the robes
of
303
12 FFFairouz airouz airouz F airouz ---TTThe -he he T New he New New New P Prince PPrince rince rince Prince ---Act A Act A-ctct Prologue EII Ipilogue II IVIScene Scene Scene S cene2 12 1
C
43
Fl. 1
Fl. 2
A Cl. 1
A Cl. 2
Tbn. 1 p
Tbn. 2 p
Tbn. 3 p (Glock.) to Xyl.
Perc. to Piano
Cel.
pp
Mach court
and pa lace
And in this gra
ver dress
I
en
ter the courts
C Vln. I pp
Vln. II pp
Vla. pp
Vc. pp
Cb. pp
of the an cients,
I
304
12 FFFairouz airouz airouz F airouz ---TTThe -he he T The New he New New New P Prince PPrince rince rince Prince ---Act A Act A-ctct Prologue EII Ipilogue II IVIScene Scene Scene S cene2 12 1
48
Ob. 1 p
Ob. 2 p
Tbn. 1 p
Tbn. 2 p
Tbn. 3 p pp
p
Mach en
ter the courts
of the an cients
of the an
cients.
Being
Vln. I p
Vln. II p
Vla. p
Vc. p
Cb. p
53
3 4
Ob. 1
4 4 p
3 4
Ob. 2
4 4 p
3
Mach
3 4
wel comed by them, I taste the food that a
Vln. I
4 4 lone
3 4
is mine, and for
p
which
4 4 p
Vln. II
3 4
4 4 p
Vla.
3 4
4 4 p
Vc.
3 4
4 4 p
Cb.
3 4
4 4 p
I
was
born,
305
12 FFFairouz airouz airouz F airouz ---TTThe -he he T New he New New New P Prince PPrince rince rince Prince ---Act A Act A-ctct Prologue EII Ipilogue II IVIScene Scene Scene S cene2 12 1
58
Ob. 1 pp
Ob. 2 pp
pp
3
Mach and for which
I was born,
I
en
ter the courts
Vln. I pp
Vln. II pp
Vla. pp
Vc. pp
Cb. pp
63
Tbn. 1
Tbn. 2
Tbn. 3
Xylophone
Xyl. p
pp
Mach of the an cients
Vln. I
Vln. II
Vla.
Vc.
Cb.
of the
an
cients.
Being
306
12 FFFairouz airouz airouz F airouz ---TTThe -he he T New he New New New P Prince PPrince rince rince Prince ---Act A Act A-ctct Prologue EII Ipilogue II IVIScene Scene Scene S cene2 12 1 67
Xyl.
Pno.
3
Mach
3 4
D 4 4
3 4
4 4
3 4
4 4
3 4
4 4
wel comed by them, I taste the food that a
lone
is mine, and for
3 4
S.
p
which
4 4
ahh
ahh
Vln. I
3 4
D 4 4
Vln. II
3 4
4 4
Vla.
3 4
4 4
3 4
4 4
Vc.
I
was
born,
4 4
3 4
A.
p
ahh
ahh
ahh
ahh
ahh
ahh
ahh
ahh
ahh
ahh
ahh
ahh
ahh
ahh
p
p p
p
3 4
Cb.
4 4 p
Excruciatingly slow,
almost out of time (q = 36)
72
Timp. cresc.
pp
Pno.
cresc.
pp
3
p
pp
3
Mach and for which
I was born,
And in the gra ver dress
I
en ter the courts,
pp
S. ahh
ahh pp
ahh
ahh
ahh
A. pp
cresc.
ahh
TB ahh
Excruciatingly slow,
almost out of time (q = 36) Vln. I p pp
Vln. II pp
p
pp
p
Vla.
Vc. pp
Cb. pp
307
12 FFFairouz airouz airouz F airouz ---TTThe -he he T New he New New New P Prince PPrince rince rince Prince ---Act A Act A-ctct Prologue EII Ipilogue II IVIScene Scene Scene S cene2 12 1 78
lunga
Fl. 1 2 pp
a2
lunga
Ob. 1 2 pp lunga
A Cl. 1 2 lunga
Bsn. 1 2
lunga
C Tpt. 1 2 lunga
Tbn. 1 2 lunga
Tbn. 3
lunga
Timp. ffff
pp
lunga
Xyl. pp
lunga
pp
Pno.
lunga
ffff
pp lunga
Mach I
en
ter the
courts,
I
en ter
the courts
of
the an
cients.
ffff
lunga
S. ahh
ahh ffff
lunga
A. ahh
ahh ff
lunga
TB
lunga
Vln. I ffff lunga
Vln. II ffff lunga
Vla. ffff lunga
Vc. ffff
pp lunga
Cb. ffff