Serebrier - Symphony No. 1

José Serebrier Symphony No. 1 for Orchestra

Score

After early musical training in Montevideo, Uruguay, where I began to compose and to conduct, I was honored to be invited to study with Aaron Copland at Tanglewood in 1956. After an idyllic six weeks, and then a month in New York, I was to start my first year at the Curtis Institute in Philadelphia, studying with Vittorio Giannini. During those four weeks in New York I worked intensely on my first symphony, which was my second orchestral work. I was 17. The Symphony, together with my earlier saxophone quartet, went on to win a BMI Young Composer Award that year. I had decided to write a one-movement symphony with connected sections in different tempi, feeling that the idea of a multiple-movement symphony of largely unrelated sections no longer applied in the middle of the 20th century. I had had very little exposure to contemporary music, except for the festival of American music I organized in Montevideo the year before, in which I included everything from Varèse to Cage. They both fascinated me. Curiously, I hadn’t discovered Ives just yet.

The following year, while walking towards school, I bumped into cellist Harvey Wolf. Literally -- my score fell to the floor. Wolf was on his way to the airport to join the Houston Symphony. He instinctively asked if he could carry the score with him to show to Leopold Stokowski, who had just hired him as the last cellist in the orchestra. I had another copy, so I agreed, not expecting anything from this gesture. A couple of days later, the Curtis telephone operator started giving me messages to call Mr. Stokowski. I was sure it was a joke, as I used to leave messages for other students to call Bernstein or Rubinstein. Eventually, the Institute’s Director, Efrem Zimbalist Sr, called me to his office. “What are you doing? Maestro Stokowski called me to say he’s been trying to reach you urgently for two days!” We called from his office. There was this highly accented voice telling me: “We tried doing the premiere of the Charles Ives Fourth Symphony but it proved impossible. Orchestra can’t get past first bars. Need a premiere. Press invited: Time magazine, Life, UPI, AP. We do your symphony premiere instead. Please bring music. Rehearsals start in two days.”

The premiere of my first symphony took place in Houston on November 4th, 1957. The concert also included Debussy’s Épigraphes antiques, Rachmaninoff’s Rhapsody on a Theme of Paganini with Leonard Pennario as soloist, and Stokowski’s own orchestration of Mussorgsky’s Pictures at an Exhibition (it was the first time I heard it; I later recorded and filmed it). But another, more momentous event took place that evening: the USSR had launched the first man-made object in space, the Sputnik. Although the symphony was a big success with the public and the critics, the interviews with Time and Life magazines never came out. Space science filled the news for weeks and weeks.

It was with great surprise and joy that I learned of the 2010 CD release of the Stokowski premiere of my first symphony, taken from the original broadcast so long ago. Incredibly, its release coincided with my own first actual studio recording of this early work for Naxos in 2010.

—José Serebrier

Recorded in 1957 by the Houston Symphony with conductor Leopold Stokowski, released on CD in 2010 (Guild 2347) Recorded in 2009 by the Bournemouth Symphony Orchestra with conductor José Serebrier, released in 2010 (Naxos 8559648)

José Serebrier established himself as a significant composer very early in his career. Following the premiere of his Symphony No. 1, he was awarded two consecutive Guggenheim Fellowships at 19 and 20, he remains the youngest person to have ever obtained these awards in any field. Subsequent awards for his compositions include a Rockefeller Foundation award as Composer in Residence with the Cleveland Orchestra, at the invitation of George Szell; a Harvard Musical Association Commission Award (for Fantasia for string quartet); a Pan American Union Publication Award (for Elegy for Strings); a National Endowment for the Arts Commission (Orpheus x Light, a ballet for the Joffrey Ballet); a BMI Young Composer Award (for his Symphony No. 1); and commissions from the American Accordionists Association and others. Serebrier’s works have been recorded by Leopold Stokowski, Sir John Eliot Gardiner, and many others, and are available on BIS, Reference Recordings, Naxos, Warner Classics, Decca, Universal, RPO Records, Toccata Classics, SOMM Recordings, Cedille, and Sony. He is one of the most recorded classical artists in history.

For further information: www.joseserebrier.com www.peermusicClassical.com

INSTRUMENTATION Piccolo 2 Flutes 2 Oboes English Horn 2 Clarinets in B Bass Clarinet in B 2 Bassoons Contrabassoon 4 Horns in F 3 Trumpets in B 3 Trombones Tuba Timpani Percussion (3 players) Xylophone, Cymbals, Suspended Cymbal, Tam-tam, Snare Drum, Bass Drum, Rattle, Triangle, Chimes Harp Celeste Organ Strings

Duration: ca. 18 minutes

SYMPHONY NO. 1 Andante moderato Piccolo

3 4

Flute 1.2

3 4

Oboe 1.2

3 4

English Horn

3 4

Clarinet in Bb 1.2

3 4

Bass Clarinet in Bb

3 4

Bassoon 1.2

3 4

Contrabassoon

3 4

Horn in F 1.2

3 4

Horn in F 3.4

3 4

Trumpet in Bb 1.2

3 4

Trumpet in Bb 3

3 4

Trombone 1.2

3 4

Trombone 3/ Tuba

3 4

Timpani

3 4

Percussion 1

3 4

Percussion 2

3 4

Percussion 3

3 4

in one movement

3 4 Celesta

3 4 3 4

Harp

3 4 3 4

Organ

3 4

Violin I

3 4

Violin II

3 4

Viola

3 4

Violoncello

3 4

Andante moderato

p lamentoso, molto espressivo Double Bass

3 4 p lamentoso, molto espressivo © Copyright 2010 by Peer International Corp.

International Copyright Secured All Rights Reserved

José Serebrier (1956)

2 8

Vln. II mp Vla. p

mp Vc. più p Cb. più p

16

Vln. II

Vla.

Vc. 3

Cb.

molto accel.

24

Vln. I mp

cresc.

Vln. II cresc.

Vla. cresc.

Vc. mp

Allegro comodo

cresc.

poco rall.

32

Vln. I mf

f

mf

3

p

mf

f

mf

3

p

mf

f

mf

3

p

mf

f

mf

Vln. II

Vla.

Vc. p

3

40

Tempo primo (Andante)

1.

Bsn. 1.2 p Tbn. 3 Tbn. 3/ Tuba pp Timp. mf dolce

Tempo primo (Andante)

(

Vln. I

(

Vln. II

(

Vla.

(

Vc.

(

Cb.

47

a2

Fl. 1.2 mf 1.

Cl. 1.2 p

a2 Bsn. 1.2

Cbsn.

1.

Hn. 1.2 pp Tbn. 3/ Tuba

Timp.

p

4 52

Fl. 1.2

Cl. 1.2

Bsn. 1.2 pp Cbsn. ppp a2 Tbn. 3/ Tuba pp stacc.

con sord.

Vln. I p con sord.

Vla. p

pizz.

Vc. pp

pp

pizz.

Cb. pp

pp

Allegro giocoso

57

Picc. f (a 2) Fl. 1.2 f 1.

Bsn. 1.2 mf

Cbsn. mf

Allegro giocoso

(

p

(

Vln. I

p

Vla.

Vc.

Cb.

5

63

Picc.

Fl. 1.2

a2 Bsn. 1.2

Cbsn.

1.

Hn. 1.2 p

69

Fl. 1.2

Bsn. 1.2

Cbsn.

Hn. 1.2

1.

Tpt. 1.2 mf 1.

Tbn. 1.2 mf Tbn. 3 Tbn. 3/ Tuba

mf

6 74

Picc. mf Fl. 1.2

Bsn. 1.2

Cbsn.

Hn. 1.2

Tpt. 1.2

Tbn. 1.2

Tbn. 3/ Tuba

Xylophone Perc. 1 f

poco rall.

80

Picc.

3

Fl. 1.2 3

1.

Bsn. 1.2

Cbsn.

Hn. 1.2

Tpt. 1.2 a2 Tbn. 1.2 (Tbn. 3) Tbn. 3/ Tuba

Timp.

Perc. 1

7

Subito tempo primo (Andante) 86

Picc. ff (a 2) Fl. 1.2 ff

a2

Bsn. 1.2 ff a2 Hn. 1.2 a2

ff

Hn. 3.4 ff

Tbn. 1.2 f

(

Tbn. 3/ Tuba f Timp. ff Cymbals

(

Perc. 2 f l.v.

Tam-tam Perc. 3 mf l.v.

Subito tempo primo (Andante) senza sord.

Vln. I ff senza sord.

Vln. II ff senza sord.

Vla. ff pizz.

arco

Vc. mf

ff

pizz.

arco

Cb. mf

ff

8 92

(

Picc. f

Fl. 1.2 f

mf a2

Cl. 1.2 f

mf

p

mf

p

B. Cl. f

(a 2) Bsn. 1.2

mf

f Cbsn. f

mf

(a 2) Hn. 1.2 f

(a 2) Hn. 3.4

f

(

(

Tbn. 1.2

(

Tbn. 3/ Tuba

Timp.

To Snare Drum

_

Perc. 3

Vln. I f

mf

f

mf

Vln. II

Vla. f

mf

Vc. f

mf

f

mf

Cb.

9 99

Picc. ff (a 2)

p

_

Fl. 1.2

ff

Ob. 1.2 ff

Cl. 1.2 ff

B. Cl. ff a2 Hn. 1.2 (a 2)

ff

Hn. 3.4 ff

Solo 1. (con sord.)

,

( )

(

Tpt. 1.2 mf

p

poco

a2

Tbn. 1.2 sff

ff a2 Tbn. 3/ Tuba

sff

ff

Timp. ff

pp

p

Cyms.

Perc. 2 ff

(

Vln. I p

(

Vln. II p

(

Vla. p

(

Vc. p Cb. p

pp

10

105

Picc.

Fl. 1.2

Ob. 1.2

Cl. 1.2

B. Cl.

Hn. 1.2

Hn. 3.4 a2 senza sord.

Tpt. 1.2 ff Tpt. 3 3

ff

Tbn. 1.2 sff

sf

sf

3

Tbn. 3/ Tuba

sff

ff Tbn. 3

sf

sf

sf

sf

ff

3

Timp.

Perc. 2 Snare Drum Perc. 3 mf 110

1.

Hn. 1.2 3.

Hn. 3.4

(a 2) Tpt. 1.2

Tpt. 3

Tbn. 1.2

Tbn. 3/ Tuba

Perc. 3

11 116

Picc. ff

5

5

(a 2) Fl. 1.2 ff a2

a2 Ob. 1.2

5

ff a2 Cl. 1.2 ff

5

Hn. 1.2

Hn. 3.4 (a 2) Tpt. 1.2 f Tpt. 3 (a 2) Tbn. 1.2 f a2 Tbn. 3/ Tuba

f

Timp. ff Cyms.

Perc. 2 Tam-tam l.v.

Perc. 3 mf

Vln. I 9

ff intenso Vln. II ff intenso Vla. 6

ff intenso

9

Vc. ff intenso Cb. ff intenso

to Bass Drum

_

f To Tam-tam

12

121

Tpt. 1.2

Tpt. 3

Tbn. 1.2 Tbn. 3/ Tuba Timp.

(Cyms.)

_

Perc. 2

f l.v.

Bass Drum Perc. 3 ff Vln. I sff

Vln. II sff

Vla. sff Vc.

Cb.

128

E.Hn. mf molto espressivo

p

mf 3

3

B. Cl. p senza espressione

molto espr. p

2.

molto espr.

Bsn. 1.2 pp non espr.

3

Timp. p

p

(

Perc. 2

p Perc. 3 mp

mp

p

( )

pp sul tasto

( )

Vc. ff

mf

p

( )

dim.

pp

dim.

ppp sul tasto

( )

Cb. ff

mf

p

dim.

pp

dim.

ppp

134

13 p

( (

Bsn. 1.2 pp molto espr.

(Cyms.)

Perc. 2 pp

ppp to Sn. Dr.

Perc. 3

Vc.

Cb.

140

1.

Fl. 1.2 pp non espr.

E.Hn. p molto espr.

p molto espr.

1.

Cl. 1.2 pp non espr.

B. Cl.

pp molto espr.

Timp. p

(

Vc. perdendosi

(

Cb. perdendosi 149

E.Hn. p 1.

Bsn. 1.2 p Timp. pp

ppp

Sn. Dr.

Perc. 3 pp

2 Soli div.

Vla. pp

pizz.

Vc. p pizz.

Cb. p

14

157

E.Hn.

(Sn. Dr.) Perc. 3 ppp

pppp

Vc. dim.

pp

ppp

dim.

pp

ppp

Cb.

Allegro

164

1.

Ob. 1.2 p E.Hn. pp Susp.Cym. Perc. 2 pp Perc. 3 pp

Allegro Cb.

170

1.

Fl. 1.2 p Ob. 1.2

E.Hn. 1.

Cl. 1.2 p

B. Cl. pp

Perc. 2

Perc. 3

15 176

Picc. mf

a2

6

2 4

Fl. 1.2 5

mf

1.

2 4

(

Ob. 1.2

2 4

mp

2 4

E.Hn. mf cantabile Cl. 1.2

2 4

B. Cl.

2 4 1.

2 4

Bsn. 1.2 p cantabile Perc. 2

2 4

Perc. 3

2 4

183

Picc.

2 4 6

Fl. 1.2

2 4

Ob. 1.2

2 4

E.Hn.

2 4

Cl. 1.2

2 4

B. Cl.

2 4

Bsn. 1.2

2 4

5

a2 5

1.

p

5

a2

f Vln. I

Vln. II

p molto cantabile

6

5

2 4 2 4

mf

5

mf Vla.

5

2 4 mf

Vc.

2 4

arco

mf Cb.

2 4

5

arco

mf

16

188

Picc.

7

f

3

(a 2) Fl. 1.2 7

f

3

(a 2) Ob. 1.2 f

5

5

5

7

5

5

5

7

5

5

5

7

E.Hn. a2 Cl. 1.2 f B. Cl. f

a2 Bsn. 1.2 f Cbsn. f

a2

Hn. 1.2 f

a2

Hn. 3.4 f Tpt. 1.2 f 3

3

f 3

3

3

3

Tpt. 3

Tbn. 1.2 Tbn. 3

f

Tbn. 3/ Tuba f Timp. mf

f

(Susp. Cym.) Perc. 2 f

Rattle

(BD)

Perc. 3 f Vln. I f

7

7

f

7

7

Vln. II

Vla. 6

Vc. 7

Cb.

17 193

5

Picc.

6 5

Fl. 1.2 6

(

Ob. 1.2 6

6

(

Cl. 1.2 6

6

(

B. Cl. 6

6

Bsn. 1.2

Hn. 1.2

Hn. 3.4

Tpt. 1.2

Tpt. 3

Tbn. 1.2

Perc. 2 To Sn. Dr. Perc. 3

Vln. I

Vln. II

Vla.

Vc.

Cb.

18 198

(

Picc.

(

Fl. 1.2

(

Ob. 1.2 6

6

6

6

6

(

6

Cl. 1.2

(

B. Cl.

Bsn. 1.2

Hn. 1.2

Hn. 3.4

Tpt. 1.2 3

Tpt. 3 3

Tbn. 1.2 3

Perc. 2

Vln. I 3

3

3

3

3

3

Vln. II

Vla.

Vc.

Cb.

19 205

(

Picc.

7

(

Fl. 1.2 7 6

(

Ob. 1.2

6

Cl. 1.2 6 6

6

B. Cl.

Bsn. 1.2

Hn. 1.2

Hn. 3.4

Tpt. 1.2 3

3 3

Tpt. 3 3

1.

Tbn. 1.2 3

3

to Tam-Tam Perc. 2

Hp.

glis s.

. iss gl

Vln. I 3

5

3

5

Vln. II

Vla. 3

Vc.

Cb.

20 211

Picc.

Fl. 1.2

Ob. 1.2

Cl. 1.2

B. Cl. (

,

)

Bsn. 1.2

(a 2)

1.

(a 2)

3.

Hn. 1.2

3

Hn. 3.4

Tbn. 1.2

3

Timp.

(Xylo.)

Perc. 1 Sn. Dr. Perc. 3

Hp.

Vln. I

Vln. II

Vla.

Vc.

Cb.

21 219

3 4

Fl. 1.2

1.

p

3 4

Bsn. 1.2

ppp

3 4

3

Hn. 1.2 (3.)

(1.)

3 4

Hn. 3.4

to BD

3 4 gl iss

.

Perc. 3

Hp.

niente

3 4

3 4

Vln. II

3 4

Vla.

3 4

Vc.

3 4

(

Cb.

3 4

(

(

(

Vln. I

(

3 4

225

( Fl. 1.2

(

1.

Ob. 1.2 p E.Hn. p 1.

(

Bsn. 1.2 p Hn. 1.2 p

231

E.Hn.

Bsn. 1.2

Hn. 1.2

22

237

poco rall.

Subito andante

poco rall.

rall. poco

(

E.Hn.

( )

(2.)

Bsn. 1.2 ff ( ) Cbsn. ff Tbn. 1.2 ff

( (

Tbn. 3/ Tuba ff 3

3

3

3

Timp. ff Tam-tam

l.v.

(

Perc. 2 (BD)

to Sn. Dr.

mf

Perc. 3 ff

poco rall.

Subito andante

rall. poco

sul ponticello

norm.

poco rall.

Vln. I

Vln. II pizz.

Vla. p

ff sul ponticello

norm.

pizz.

Vc. p

ff sul ponticello

norm.

pizz.

Cb. ff

p

23

a tempo (andante) 244

(

(

Ob. 1.2 p E.Hn.

(

(

Cl. 1.2

(

p

p B. Cl.

(

p

Solo

( )

(

Bsn. 1.2 p

(

Cbsn.

2.

(

(

Tbn. 1.2 pp

Tbn. 3

3.

(

Tbn. 3/ Tuba

pp To B. Dr.

Perc. pp

a tempo (andante) Vla.

Vc.

Cb. pp

254

p

Solo

Fl. 1.2 Solo

mp

B. Cl. p 1.

Bsn. 1.2 p

mf

(

Tbn. 1.2

Tbn. 3.

(

(

Tbn. 3/ Tuba

Vc. arco Cb. p

p

24

263

Picc. fff a2 Fl. 1.2 fff

6

a2 Cl. 1.2 fff

7

fff

7

B. Cl. a2

Bsn. 1.2 fff Cbsn. fff a2 Hn. 1.2 fff a2 Hn. 3.4 fff a2 Tpt. 1.2 ff 3 3

Tpt. 3 ff

Tbn. 1.2 ff 3

3

ff 3

3

a2 Tbn. 3/ Tuba

Timp. ff 3

Perc. 2

arco Vc. fff Cb. fff

to Sn. Dr.

25

267

Picc.

5

Fl. 1.2 7 6

Cl. 1.2 6

Solo

6

B. Cl. 6

mp

Bsn. 1.2 f

p ( )

( )

Cbsn. f

Hn. 1.2 mf Hn. 3.4 mf

(

Tpt. 1.2

(

Tpt. 3 2.

Tbn. 1.2 Tbn. 3 Tbn. 3/ Tuba

Timp. p Perc. 1 (Tam-t.)

(

Perc. 2 mf l.v.

Sn. Dr.

Perc. 3 pp

Vc. mf Cb. mf

p

26

273

B. Cl. 2.

Bsn. 1.2 p Cbsn.

Timp.

(Sn. Dr.)

to B. Dr.

Perc. 3 ppp

arco con sord.

Vla. mp

niente con sord.

Vc. mp Cb. pp

284

Vla. p

Vc. con sord.

Cb. p

294

Solo

B. Cl. Solo 1.

p

Bsn. 1.2 p Solo Timp. p

Perc. 2 p

(

(Tam-t.)

Vla. pizz.

Vc.

Cb.

27

Poco più mosso 302

a2

Cl. 1.2 mf cresc.

f

mf cresc.

f

mf cresc.

f

mf cresc.

f

B. Cl.

Bsn. 1.2

Cbsn.

a2

sim.

Hn. 1.2 f

mf (a 2)

sim.

Tpt. 1.2 mf

f

Timp.

Poco più mosso Vln. I f

Vln. II f senza sord.

Vla.

arco

f senza sord.

Vc. p

f senza sord.

pizz.

arco

Cb. mp

p

f

28 311

Cl. 1.2 f B. Cl. f Bsn. 1.2 f Cbsn. f a2 Hn. 1.2 f Tpt. 1.2

Timp. sf

f

ff

mf

BD Perc. 3 ff

sf

Vln. I ff sf Vln. II ff sf Vla. ff

sf

Vc. ff

sf

Cb. ff

sf

mf

29 317

Picc. f a2 Fl. 1.2 f a2 Ob. 1.2 f E.Hn. f (a 2) Cl. 1.2 f B. Cl. a2 Bsn. 1.2 ff Cbsn. ff

(a 2) Hn. 1.2

(a 2) Hn. 3.4

Tpt. 1.2 f

f

Tpt. 3 f a2 Tbn. 1.2 f a2 Tbn. 3/ Tuba

Timp.

Perc. 3

f

30

322

Picc.

6

3

6

3

a2 Fl. 1.2

Ob. 1.2

E.Hn.

Cl. 1.2

B. Cl. f Bsn. 1.2 f Cbsn. f

(

Hn. 1.2 f

(

Hn. 3.4

Tpt. 1.2 3

3

Tpt. 3

Tbn. 1.2 Tbn. 3/ Tuba

Timp. f

mf

ff Solo Cyms.

(

Perc. 2 f l.v.

(BD) Perc. 3 ff

f

Vln. I f

6

3

ff

Vln. II f

6

3

ff

Vla. f

3

ff

6

Vc. ff

f

3

6

Cb. f

ff

3

3

31

rall. (b)

330

Picc. fff frenetico

9

a2 Fl. 1.2 fff frenetico (a 2)

7

Ob. 1.2 fff frenetico

6

E.Hn. a2 Cl. 1.2

B. Cl.

Bsn. 1.2

Cbsn. a2 Hn. 1.2

Hn. 3.4 ff Tpt. 1.2 Soli

ff

Tbn. 1.2 ff Solo Tbn. 3 Tbn. 3/ Tuba ff Timp.

rall.

Vln. I

Vln. II

Vla.

Vc.

32

Poco più mosso - Marcial

336

4 4

Cl. 1.2

p

,

a2

(

4 4

(

( )

4 4

Bsn. 1.2

,

( )

Cbsn. a2

4 4

Tbn. 1.2 (Tbn. 3)

p

4 4

Tbn. 3/ Tuba

4 4

3

Timp.

p

Tam-tam

4 4

Perc. 2 f l.v.

l.v.

mf

Poco più mosso - Marcial

4con sord.

4

Vln. I

p

4 4

Vln. II

con sord.

p

4 4

Vla.

con sord. p

4 4

Vc.

sfp

(p)

4 4

Cb.

sfp 341

(p)

5 4

4 4

Tbn. 1.2

5 4

4 4

Timp.

5 4

4 4

Vln. I

5 4

4 4

Vln. II

5 4

4 4

Vla.

5 4

4 4

Vc.

5 4

4 4

5 4

4 4

Cl. 1.2 1.

( ) Cb.

( )

33

Calmo Tempo I (Andante tranquilo)

346

Ob. 1.2

1.

5 4

p doloroso 1. Solo

(

5 4

Cl. 1.2 p doloroso

5 4

Timp.

Calmo Tempo I (Andante tranquilo)

P.G.

5 4

(

Vln. I P.G.

5 4 (

Vln. II P.G.

5 4 (

(

Vla.

5 4

(

P.G. Vc.

P.G.

5 4

(

)

Cb.

351

3 4

Ob. 1.2

Solo

3 4 (

E.Hn. p cantabile

1. Solo

3 4

Bsn. 1.2 p cantabile, lamentoso

34

Poco più mosso

356

Cl. 1.2

3 4

a2

fff B. Cl.

3 4 fff

Bsn. 1.2

3 4

mp

fff Cbsn.

p

1.

3 4 fff

Tpt. 1.2

3 4

(a 2)

ff Tpt. 3

3 4 ff 1. con sord.

Tbn. 1.2

3 4 pp

ff Tbn. 3/ Tuba

3 4 ff

Timp.

soft mallet

3 4 ff

f

mf

p

Tam-tam Perc. 2

Perc. 3

3 4 3 4

f

ff

Vln. I

3 4

Poco più mosso

f Vln. II

3 4

Vla.

3 4

f

f Vc.

sul pont.

3 4 f

Cb.

2. con sord.

pp sul pont.

3 4 f

pp

pp

35

364

Cl. 1.2 p

B. Cl.

Bsn. 1.2

(2.)

Tbn. 1.2

Timp. con sord. sul pont.

Vln. II con sord. (sul pont.)

pp

Vla. pp Vc.

Cb.

371

1.

Fl. 1.2

,

1.

( )

Ob. 1.2 p

,

( )

Cl. 1.2

Tbn. 1.2

Timp. con sord. sul pont.

Vln. I pp

Vln. II

Vla.

Vc. p Cb.

p

36 376

a2

Fl. 1.2 mp Ob. 1.2

Cl. 1.2 con sord.

Tpt. 1.2 p senza sord. 1.

Tbn. 1.2 p Timp.

Vln. I

Vln. II

Vla.

Vc.

381

Fl. 1.2 1.

Ob. 1.2 mp Tpt. 1.2 p

3

2.

Tbn. 1.2 p Timp.

Vln. I

Vln. II

Vla.

Vc.

Cb.

37

385

Allegro molto Picc. ff 1.

Fl. 1.2 ff Ob. 1.2 ff E.Hn. ff 1.

Cl. 1.2 ff

ff

ff

B. Cl. ff

ff

a2

Bsn. 1.2 ff

ff Cbsn. ff 1. Solo Tpt. 1.2 ff Tpt. 3 a2 Tbn. 1.2 ff sub.

Timp. ff sub.

Cyms.

Perc. 2 ff l.v.

to Triangle

Perc. 3 ff

Allegro molto pizz.

Vln. I fff pizz.

Vln. II fff pizz.

Vla. fff pizz.

Vc. fff sub.

Cb. fff sub.

fff

38 389

Picc. a2 Fl. 1.2 a2 Ob. 1.2

E.Hn. a2

6

Cl. 1.2

B. Cl.

Bsn. 1.2

Cbsn. ff

a2

Hn. 1.2 ff

a2

Hn. 3.4 ff

(

Tpt. 1.2 Tpt. 3 a2 Tbn. 1.2 f marcato

a2 Tbn. 3/ Tuba ff Timp. ff

fff

Xylo.

Perc. 1 ff

Susp. Cym. Perc. 2 f

Tgl.

f

Perc. 3 ff arco Vln. I arco

f

fff

f

fff

Vln. II arco Vla. f

6

arco

5

fff

Vc. f

fff

f

fff

f

Cb. f

39

393

Picc. f a2 Fl. 1.2 f

(a 2)

Ob. 1.2 ff E.Hn. ff a2 Cl. 1.2 6

f

B. Cl. f (a 2) Hn. 1.2 f marcato

(a 2)

Hn. 3.4 ff

Tpt. 1.2 f Tpt. 3 f

Tbn. 1.2

( )

( )

( )

( )

( )

( )

Vc.

Cb.

3

40 400

Picc. ff

Fl. 1.2 ff Ob. 1.2 ff

E.Hn. ff

Cl. 1.2 ff

B. Cl. ff a2 Bsn. 1.2 ff marcato

sf

Cbsn. ff marcato

sf

Hn. 1.2

Hn. 3.4 1.

( (

Tpt. 1.2

f Tpt. 3 (a 2) Tbn. 1.2 ff a2 Tbn. 3/ Tuba ff Vln. I ff marcato

sf

Vln. II ff marcato

sf

Vla. ff marcato

sf

Vc. ff

sf

ff

sf

Cb.

41 405

(,)

Picc.

(,) Fl. 1.2 (,)

(a 2) Ob. 1.2

(,) Cl. 1.2 (,) B. Cl. (,)

(,)

Bsn. 1.2 sf

(,)

Cbsn. sf Hn. 1.2 ff Hn. 3.4 ff Tpt. 1.2 ff (sempre a 2) (,) Tbn. 1.2 ff

sf

(,)

Tbn. 3/ Tuba sf Timp. ff Tam-tam Perc. 2 f l.v.

BD

Perc. 3 f ( ) Vln. I ( )

( )

Vln. II

Vla. ( )

( )

( )

Vc. sf Cb. sf

( )

( )

42

(

411

Picc.

(

Fl. 1.2 (,)

(

Ob. 1.2

(

Cl. 1.2

(

B. Cl.

(

Bsn. 1.2 (,)

(

Cbsn.

( (

Hn. 1.2

(

(

Hn. 3.4 a2

(

Tpt. 1.2

(

Tpt. 3

(

Tbn. 1.2

(

Tbn. 3/ Tuba

Timp. p cresc. molto

f

(mf)

fff

ff

Susp. Cym..

Perc. 2 p cresc. molto

(mf)

ff

f

( )

(

( ) Vln. I

(

Vln. II

(

Vla. ( )

( )

(

Vc.

(

( ) Cb.

43 417

2 4

Picc.

Solo p innocente, stacc.

1.

2 4

Bsn. 1.2

p sarcastico soft mallett

2 4

Timp.

pp

ffff secco

2 4

Perc. 2

Triangle

p

fff secco

2 4

Perc. 3 fff

2 4 p

Cel.

2 4 6 Soli div., pizz.

2 4

Vln. I

2 stands only div. pizz.

2 4

Vln. II

2 4

Vla.

2 stands only div.pizz.

p

p

2 Soli pizz.

2 4

Cb.

pp 423

3 4

Fl. 1.2

1.

4 4 p

Bsn. 1.2

3 4

4 4

Cbsn.

3 4

4 4

Timp.

3 4 (Tgl.)

Perc. 2

p innocente

4 4

3 4

4 4

3 4

4 4

p

Cel.

pp

3 4

4 4

Vln. I

3 4

4 4

Cb.

3 4

4 4

44

428

Picc.

4 4

2 4

Fl. 1.2

4 4

2 4

Bsn. 1.2

4 4

a2

2 4

sim.

p stacc.

Cbsn.

stacc.

4 4

2 4

sim.

p stacc.

Tbn. 3/ Tuba

a2

4 4

2 4

simile

p stacc.

Perc. 1

Perc. 2

4 4

2 4

p

2 4

4 4 p

2 4

4 4 Cel.

Vln. I

Vln. II

Vla.

4 4

pp

2 4 tutti, div. pizz.

4 4 4 4 4 4

tutti pizz.

tutti arco

2 4

p

2 4 p

2 4

sim.

p

Vc.

4 4

arco

2 4

sim.

p

Cb.

4 4

tutti arco

p

2 4

sim.

45

433

sim.

Picc. mf stacc. a2

sim.

Fl. 1.2 mf stacc. sim.

Ob. 1.2 mf stacc. sim.

E.Hn. mf stacc.

sim.

Cl. 1.2 mf stacc. sim.

B. Cl. mf stacc.

(a 2) Bsn. 1.2

Cbsn.

Tpt. 1.2 p stacc.

Tpt. 3 p stacc. (a 2)

simile

Tbn. 1.2 mf stacc.

Tbn. 3/ Tuba

arco unis.

sim.

Vln. I stacc. arco div.

Vln. II stacc.

Vla.

Vc.

Cb.

sim.

46 p

440

Picc. p stacc. a 2.

Fl. 1.2 p

p stacc.

a2 Ob. 1.2 p E.Hn. p

(a 2)

a2 Cl. 1.2 p stacc.

sim.

B. Cl. p stacc.

1.

a2

(p)

p

Bsn. 1.2

Cbsn. p 1.

Hn. 1.2 p 4.

Hn. 3.4 p

a2 Tpt. 1.2 mf

p

mf

p

Tpt. 3

Tbn. 1.2 mf Tbn. 3/ Tuba

mf

pp

p

Perc. 1 mf pizz.

Vln. I pizz.

Vln. II pizz.

Vla. pizz.

arco

pizz.

arco

pizz.

Vc. p pizz.

Cb. p

47 447

Picc. p stacc.

Fl. 1.2 p stacc. (a 2) Ob. 1.2 p E.Hn. p Cl. 1.2

B. Cl. a2 Bsn. 1.2

Cbsn. a2 Hn. 1.2 p a2 Hn. 3.4 p Tpt. 1.2 a2 Tbn. 1.2

Tbn. 3/ Tuba

Perc. 1 p arco Vln. I p arco Vla. p Vc.

Cb.

48 455

Picc. mf a2

5

mf

5

Fl. 1.2

a2

1.

Cl. 1.2 p

cresc.

p

cresc.

B. Cl. a2 Bsn. 1.2

Cbsn. (a2) Hn. 1.2

(a 2) Hn. 3.4

Tpt. 1.2 (a 2) Tbn. 1.2

(

p cresc.

Tbn. 3/ Tuba

a2

p

Perc. 1

sim.

Vln. I p crescendo

arco sim.

Vln. II p stacc.

crescendo

Vla. p

arco

Vc. p arco

crescendo

Cb. p

crescendo

49 463

Picc.

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

f

3

3

f

3

3

f

3

f

3

Fl. 1.2 (a 2) Ob. 1.2 mf a2 Cl. 1.2 mf

3

3

B. Cl. mf

f

a2

Bsn. 1.2 f Cbsn. f (a 2) Hn. 1.2 f (a 2) Hn. 3.4 f Tbn. 1.2 cresc.

mf

cresc.

mf

Tbn. 3/ Tuba

Perc. 1

Vln. I mf

f

3

3

f

3

3

Vln. II mf Vla. f sim.

Vc. mf

f sim.

Cb. mf

f

50 470

Picc.

6

5

stacc.

6

5

stacc.

6

5

stacc.

6

5

stacc.

Fl. 1.2

Ob. 1.2

Cl. 1.2 6

5

B. Cl. stacc.

Bsn. 1.2

Cbsn.

Hn. 1.2

Hn. 3.4 (a 2) Tpt. 1.2 f Tpt. 3 f Tbn. 1.2

Tbn. 3/ Tuba BD Perc. 3 mf

Vln. I 3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

sim.

3

3

3

3

Vln. II

sim.

Vla. f

Vc. f

f

f

f sim.

f

f

f

f sim.

Cb.

sim.

51 476

sim.

Picc. sim.

Fl. 1.2 sim.

Ob. 1.2 sim.

Cl. 1.2 sim.

B. Cl.

Bsn. 1.2

Cbsn.

Hn. 1.2

Hn. 3.4

Tpt. 1.2

Tpt. 3

Tbn. 1.2 sonoro Tbn. 3/ Tuba sonoro Sn. Dr. Perc. 2 mf Perc. 3

Vln. I 3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

Vln. II

Vla.

Vc.

Cb.

52

483

Picc. legato Fl. 1.2 legato

3 4 3 4 3 4

Ob. 1.2 legato

3 4

Cl. 1.2

legato

3 4

B. Cl.

legato ( ) Bsn. 1.2 ( ) Cbsn. (sempre a 2) Hn. 1.2

Hn. 3.4

Tpt. 1.2 stacc.

Tpt. 3 stacc. ( )

( )

Tbn. 1.2 ff ( )

( )

Tbn. 3/ Tuba ff Timp. f Perc. 2

Perc. 3

Vln. I

Vln. II

Vla.

Vc.

Cb.

53 489

2 4

( )

Picc.

3 4

2 4

( )

Fl. 1.2

3 4

2 4

( )

Ob. 1.2

3 4

2 4

( )

Cl. 1.2

3 4

2 4

( )

B. Cl.

3 4

Bsn. 1.2

Cbsn.

Hn. 1.2

Hn. 3.4

Tpt. 1.2

Tpt. 3

Tbn. 1.2 Tbn. 3/ Tuba Timp.

Perc. 2

Perc. 3

Vln. I sim.

Vln. II

Vla.

Vc.

Cb.

54 496

Picc.

6

Fl. 1.2 6

2 4 2 4 2 4

Ob. 1.2 6

Cl. 1.2 6

5

5

5

5

5

2 4

5

5

2 4

B. Cl.

5

5

5

6

( ) Bsn. 1.2

2 4

3 4 6

( )

5

5

( )

Cbsn. (a 2) Hn. 1.2 (a2) Hn. 3.4 ( ) Tpt. 1.2 ( ) Tpt. 3 ( )

( )

( )

( )

Tbn. 1.2

Tbn. 3/ Tuba

Timp.

Perc. 2

Perc. 3

sim.

Vln. I

Vln. II

Vla.

Vc.

Cb.

55 503

Picc.

5

5

5

5

6

5

5

5

5

6

Fl. 1.2 6

Ob. 1.2 5

5

5

5

5 6

Cl. 1.2 5 5

5

5

5 6

5

B. Cl. 5

5

Bsn. 1.2 5

Cbsn.

Hn. 1.2

Hn. 3.4

Tpt. 1.2

Tpt. 3

Tbn. 1.2

Tbn. 3/ Tuba

Timp.

Perc. 2

Perc. 3

Vln. I

Vln. II

Vla.

Vc.

Cb.

5

5

6

56

510

Picc.

5

5

5

5

5

5

5

5

5

5

5

5

Fl. 1.2 5

Ob. 1.2 5

5

5

5

5

5

5

Cl. 1.2

B. Cl. 5

Bsn. 1.2 5

5

5

Cbsn.

Hn. 1.2 sonoro

( )

sonoro

Hn. 3.4 sonoro

sonoro

Tpt. 1.2

Tpt. 3 sonoro Tbn. 1.2 sonoro Tbn. 3/ Tuba

sonoro

sonoro

Timp.

Susp. cym..

Perc. 1 p cresc. poco a poco Perc. 2 Perc. 3

Vln. I

Vln. II

Vla.

Vc.

Cb.

mf

57

(q = q.)

516

Picc.

5

5

5

5

5

fff

Ob. 1.2 5

5

5

5

5

5

6 8

B. Cl. 5

6 8

5

5

5

Bsn. 1.2 5

fff

6 8

Cl. 1.2 5

fff

6 8

Fl. 1.2 5

6 8

fff

5

fff

6 8 fff

Cbsn. fff Hn. 1.2 ff Hn. 3.4 ff Tpt. 1.2 ff Tpt. 3 ff Tbn. 1.2 ff Tbn. 3/ Tuba

6 8

Timp.

ff

ff Perc. 1 f

sempre cresc. poco a poco Perc. 2

f Perc. 3 f

(q = q.)

Vln. I

6 8

Vln. II

6 8

fff

fff Vla.

6 8 fff

Vc.

6 8 fff

Cb.

6 8 fff

58 521

Picc.

Fl. 1.2

Ob. 1.2

Cl. 1.2

B. Cl.

Bsn. 1.2

Cbsn.

Hn. 1.2

Hn. 3.4

Tpt. 1.2

Tpt. 3

Tbn. 1.2

Tbn. 3/ Tuba

Timp.

Perc. 1

Perc. 2

Perc. 3

Vln. I

Vln. II

Vla.

Vc.

Cb.

59 525

2 4

Picc.

Fl. 1.2

2 4

Ob. 1.2

2 4

fff

fff

fff

p

fff

ffp

fff

fff

2 4

Cl. 1.2

B. Cl.

2 4

Bsn. 1.2

2 4

Cbsn.

2 4

fff

fff

fff

fffp

fff

fff

Hn. 1.2 p Hn. 3.4 p Tpt. 1.2 p Tpt. 3 ff

ff

Tbn. 1.2 ff

ff Tbn. 3/ Tuba ff q = q. .

Timp.

ff

2 4 ffff

ff

Perc. 1 ff

ff

ff Perc. 2 ffff Perc. 3

Vln. I

Vln. II

ff

ff

fff

fff

2 4 2 4

Vla.

2 4

Vc.

2 4

Cb.

2 4

fff

fff

fff

fff

fff

fff

fff

fff

60

Andante (subito) 532

4 4

Picc. fff

4 4

Fl. 1.2 fff

4 4

Ob. 1.2 fff

4 4

Cl. 1.2 fff

4 4

B. Cl. fff

4 4

Bsn. 1.2 fff

4 4

Cbsn. fff

4 4

Hn. 1.2 ff

4 4

Hn. 3.4 ff

4 4

Tpt. 1.2 ff

4 4

Tpt. 3 ff

4 4

Tbn. 1.2 ff Tbn. 3/ Tuba Solo

4 4

ff

3

3

4 4

Timp. fff (Sn. Dr.) Perc. 2 p

4 4 4 4

f

4 4

Org. f

4 4 f

Andante (subito)

4 4

Vln. I fff Vln. II fff Vla. fff Vc. fff Cb. fff

4 4 4 4 4 4 4 4

61

(Andante) - CHORALE 536

Tbn. 1.2

4 4 f sonoro

Tbn. 3/ Tuba

3.

4 4 f

Timp.

4 4 mp

Perc. 2

4 4 pp

4 4 Org.

4 4 4 4

p

p

p

(Andante) - CHORALE -

Vln. I

4 4

sul tasto (III)

4 4

sul tasto

4 4

sul tasto

p

Vln. II

Vla.

Vc.

4 4 4 4

Cb.

4 4

p

p sul tasto

p sul tasto p pizz.

mp

( )

( )

62 1.

3 4

Fl. 1.2 p 1.

3 4

Ob. 1.2 mf

p 1.

Cl. 1.2 p

3 4

B. Cl. p 1.

3 4

Bsn. 1.2 p

3 4

Cbsn.

1. con sord.

3 4

(

Hn. 1.2 pp

3 4

3. con sord.

Hn. 3.4 pp

1.

Tpt. 1.2

3 4

(

544

3 4

f a2 Tbn. 1.2

3 4

Tbn. 3/ Tuba

3 4 Bells (Backstage)

3 4

Perc. 1 f sonoro

3 4 3 4

Org.

3 4 norm.

3 4

Vln. I pp

mp espr. norm.

3 4

Vln. II pp

mp espr.

3 4

Vla. mp espr.

poco

Vc. unis.

Cb.

sul tasto

mf

poco

norm.

pp

mf

poco

3 4 3 4 3 4

mf

63 551

Fl. 1.2

Ob. 1.2

Cl. 1.2

B. Cl.

Bsn. 1.2

Cbsn.

Hn. 1.2

_

Hn. 3.4

_

Perc. 1

Org.

Vln. I f Vln. II f Vla. f Vc.

Cb.

_

64

(

Fl. 1.2

4 4

(

Ob. 1.2

4 4

Cl. 1.2

(

559

4 4

(

Bsn. 1.2

4 4

Hn. 1.2

4 4

(

(

(

4 4

B. Cl.

4 4

(

Hn. 3.4 a 2 Soli

4 4

Tbn. 1.2 f sonoro

4 4

Timp. p

mp

4 4

Perc. 1

4 4 4 4

Org.

4 4 4 4

Vln. I poco a poco decresc.

4 4

Vln. II poco a poco decresc.

4 4

Vla. poco a poco decresc.

Vc.

4 4

Cb.

4 4

65

Hn. 3.4

4 4

a2

(

mf

( Tbn. 1.2

(

(

Hn. 1.2

4 4

a2

f

mf

4 4 sempre f

Timp.

4 4 mf

Perc. 1

f

4 4 mf

4 4 Org.

Vln. II

Vla.

Vc.

mf

f

mf

f

4 4 f

4 4

cresc.

f

cresc.

f

cresc.

4 4 4 4 f

Cb.

f

4 4 4 4

Vln. I

mf

cresc.

4 4 f

cresc.

div.

(

565

66 571

3 4

Picc.

fff Fl. 1.2

3 4

Ob. 1.2

3 4

Cl. 1.2

3 4

B. Cl.

3 4

ff

ff

ff

ff Bsn. 1.2

3 4

Cbsn.

3 4

ff

ff Hn. 1.2

3 4

_ f

ff

3 4

(

Hn. 3.4

Tpt. 1.2

3 4

Tpt. 3

3 4

Tbn. 1.2

3 4

ff

a2 ff

ff

ff

3 4

Tbn. 3/ Tuba ff Timp.

3 4

Perc. 1

3 4 3 4

Org.

Vln. I

3 4 3 4 3 4

ff

Vln. II

fff

3 4 ff

Vla.

3 4

fff

div.

fff

ff Vc.

3 4

Cb.

3 4

unis.

ff

ff

fff

577

67

poco rall.

poco rall.

Picc. fff Fl. 1.2 fff Ob. 1.2 fff

a2

Cl. 1.2 fff B. Cl. fff

a2

Bsn. 1.2 fff Cbsn. fff a2 Hn. 1.2 ff

a2

Hn. 3.4 ff

a2

Tpt. 1.2 ff Tpt. 3 ff Tbn. 1.2 ff Tbn. 3/ Tuba

a2 ff

Solo

Timp. ff Cyms.

3

Perc. 2 f secco

Sn. Dr.

secco

f

Perc. 3 f

Org.

poco rall.

Vln. I

Vln. II

Vla.

Vc.

Cb. fff

poco rall.