Bermel - A Short History of the Universe

DEREK BERMEL A Short History of the Universe (as related by Nima Arkani-Hamed) for Bb Clarinet and String Quartet

PROGRAM NOTE During my tenure at the Institute for Advanced Study in Princeton, I have attended several lectures on the subject of space-time, gravity, and the multiverse by the renowned theoretical physicist Nima Arkani-Hamed. Nima’s talks – always expansive, extroverted, and inspiring – describe phenomena at both tiny and enormous ends of the cosmic scale.

His depictions (and diagrams) of gravity are exciting and dynamic, and I wondered how they might be expressed in musical terms. As I had been discussing with the phenomenal JACK quartet the possibility of writing a clarinet quintet for them + me, it seemed like the perfect opportunity.

Inspired by Nima’s powerful sense of cosmological narrative, “A Short History of the Universe” presents musical depictions of our constant companion gravity, expressed both horizontally (in time, i.e. duration/speed) and vertically (in space, i.e. pitch/contour).

Glissandi on the clarinet and in the strings spring away from and bounce back to the original notes. By exploring various ways of stretching and compacting, or "curving" musical spacetime, I hope to evince a sort of general relativity for the ears.

Derek Bermel, January 2013

DURATION: 18 minutes

COMMISSIONING INFORMATION “A Short History of the Universe (as related by Nima Arkani-Hamed)” was commissioned by Wolf Trap Foundation for the Performing Arts for premiere performance on January 11, 2013 at the Barns at Wolf Trap. Many thanks to the JACK Quartet, Peter Robles, and Wolftrap for helping to make this commission possible.

NOTES TO THE PERFORMERS

• Within a slurred glissando, the second pitch, notated in parentheses, is a ‘target’ note that is not articulated:

• A slight diminuendo on each such slurred glissando is achieved by lifting the bow off the string just before the ‘target’ note is reached. In the first movement, a more pronounced “bounce” is indicated with a separate decrescendo above the staff, as in the following example:

• These decrescendos above the staff apply only to the slurred pair of notes, in contrast with (conventional) dynamics placed below the staff, which apply to the phrase. Target notes can also follow long glissandi, indicating an approximate ending pitch:

• During such passages, time may be marked via headless stems, as follows:

• When mordents are indicated on double-stops, the trill applies only to non-drone (i.e. melodic) notes.

OTHER INDICATIONS

¼ tone sharp…………………. ¾ tone sharp…………………. ¼ tone flat……………………. ¾ tone flat……………………. mordent………………………. fluttertongue………………….. fall-off………………………… scoop………………………….. doit (“squeal”)…………..……..

CONTENTS

I. Multiverse

2

II. Heart of Space

28

III. Twistor Scattering

41

A SHORT HISTORY OF THE UNIVERSE (as related by Nima Arkani-Hamed) *Decrescendos above staff apply only to note indicated. Dynamics below staff are global.

Rimbalzando (q=80) Clarinet in Bb

5 8

3 4

DEREK BERMEL (2013)

I. Multiverse q=120

5 8

3 8

mp

mf pizz.

Violin I

5 8

p

5 8

3 8

3 4

mp

mf

pizz.

Violin II

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p

5 8

3 8

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mp

Viola

5 8

3 4

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Violoncello

5 8

3 4

3 8

mf

5 8 pizz.

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q=80

5

2 4

q=120

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mp © Copyright 2013 by X Pyre Music All rights for the World Exclusively Administered by Songs of Peer, Ltd.

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26

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5 8

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q=120 35

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3 8

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4 4 f

q=144

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4 4

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3 4

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Meno mosso 45

4 4

q=72

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2 4

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4 4 fp arco

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4 4

2 4

4 4 fp

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4 4

2 4

4 4

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4 4

f arco, sul tasto

4 4

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47

3 4

5 8

4 4

mp

p

4 4

5 8

3 4

5 8

3 4

sim.

4 4 sim.

arco, sul tasto

3 4

5 8

4 4

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3 4

5 8

4 4 p

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9

49

3 4

3 8

6 4

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6 4

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3 4 fp

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6 4

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6 4

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11

55

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56

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3 4

5 4

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3 4

5 4

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3 4

5 4

ord., roughly

3 4

5 4

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2 4 f

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2 4 f

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12

Poco piĂš mosso 58

q=80

4 4

5 4

pp

4 4

5 4 fp

4 4

5 4 fp

sul tasto

4 4

5 4 pp

4 4

5 4

59

4 4

3 8

4 4 p

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4 4

3 8

4 4

4 4

3 8

4 4

4 4

3 8

4 4

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4 4

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4 4

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61

62

4 4

3 4

4 4

3 4

4 4

3 4

4 4

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4 4

3 4

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64

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7 8

9 8

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7 8

9 8 ff

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7 8

9 8

5 8

5 8 ff

7 8

9 8

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67

5 8 ff

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5 8

5 8 ff

4 4

3 8

4 4

3 8

4 4

3 8

4 4

3 8

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5 8 fpp

5 8 fpp

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5 8 pp

5 8

4 4

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15

69

3 4

4 4

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4 4

3 4

4 4

3 4

3 8

4 4

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4 4

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71

3 4

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5 8

3 8

5 8

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3 4 fmp

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5 8

3 8

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3 4

3 8

5 8

3 8

5 8

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16

73

6 8

2 4

5 8 mp

cresc.

5 8

2 4

6 8

5 8

2 4

6 8

5 8

2 4

6 8

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mp

75

6 8

2 4

5 8

cresc.

5 8

6 8 mf

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5 8

6 8

6 8

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5 8 mf ord.

ord.

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2 4 f

5 8

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3 4 ff

2 4

3 4

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6 8

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3 4

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6 8

2 4

3 4

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5 8

2 4

3 4 f

17

78

2 4

roughly

5 8

PiĂš mosso q=88 pp

f

2 4

roughly

5 8

roughly

fp

5 8

2 4

5 4

4 4 fp

f roughly

5 4

4 4

f

2 4

5 8

sul tasto

4 4

roughly

5 4

pp

f

2 4

5 4

4 4

5 8

5 4

4 4

f

81

5 4

4 4

5 4

4 4 f sub.

5 4

4 4

f sub. ord.

5 4

4 4

f sub. sul tasto

5 4 pp

ord.

f sub.

4 4

18 accel.

82

p

4 4

mp

p

p

mp

f

4 4

2 4

6 4

2 4

6 4

2 4

6 4

sul tasto

4 4 p

mp

sul tasto

6 4

2 4

4 4 mp

84

6 4

2 4

4 4

f

7 8

6 4 mf

f

p

6 4

7 8

6 4

7 8

6 4

7 8 p

7 8

6 4 mf

f

19

85

2 4

7 8 mp

7 8

2 4

7 8

2 4

7 8

2 4 mp

2 4

7 8 mp

86

2 4

9 8

2 4

9 8

2 4

9 8

2 4

9 8

2 4

9 8

20

Cadenza 87

(long)

3 4

9 8 mp

9 8

(non trem.)

mf

(non trem.)

fmp

(long)

3 4

fmp

9 8

p tentativo

f

(long)

3 4 mf

ord.

(long)

3 4

9 8 mp

mf ord.

(long)

3 4

9 8 mf

f

90

7 8

2 4

7 8 mf

93

stringendo...

7 8

5 8

7 8

mf

97

mp

6 8

6 8 f

accel. poco a poco

PiĂš lento

rall.

2 4

9 8 f

100

mp

p

7 8 mp

7 8 mf

21

(accel.)

103

7 8

6 8

5 8

3 4

f

rit.

106

3 4

piĂš mosso

A tempo

Lento subito

3 4

7 8

5 8

6 8

ff apocalyptic p sub., tentativo

mf sub.

f

mp

Much slower

rit.

110

6 8

2 4 mf

114

6 8

7 8

f

2 4 ff deliberately

2 4

3 4

2 4

3 4

q=108

poco a poco accel...

3 4

7 8

2 4

7 8

3 4

7 8

2 4

7 8

mp deliberate

2 4

7 8

3 4

3 4

mf

7 8

2 4

mp deliberate

2 4 2 4

3 4 3 4

mp deliberate

mp deliberate

3 4

mf

7 8

7 8

2 4 mf

3 4

7 8

2 4

mf

mp

mp

7 8

22

(accel.)

a tempo

3

119

3

3

5 8

7 8 f

mp

5 8

7 8 mp

mf

f

mp

5 8

7 8 mp

mp

f

mf

5 8

7 8 f

mf

mp

7 8

mp

mp

f

mf

mp

(accel.)

123

5 8

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f

2 4

ff

f

ff

2 4

5 8 mp

mf

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f

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2 4

5 8 mp

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mf

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ff

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2 4

5 8 mf

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5 8 mf

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f

ff

ff

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2 4

3

5 8

23 (q=144) 127

3

3 4

3

f

Meno mosso (come prima) (q=72)

ff

pp sub.

3 4

4 4 fpp

f

3 4

4 4 fpp

f

sul tasto

3 4 ff

f

sul tasto

f

mf

3 8

fpp

mf pizz.

3 8 fpp

4 4

f

3 8

mp

4 4

ord.

mp

mf

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3 8

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7 8 f

7 8

5 8 mf

mp

7 8

5 8

3 8

2 4

f

mf

mf

7 8

5 8

3 8

2 4

f

5 8

3 8

2 4

mf ord.

mf

3 8

2 4

7 8

5 8

3 8 f

pizz.

4 4

pp sub.

ff

2 4

3 8

4 4

4 4

poco a poco accel...

q=120

4 4

4 4

pp sub.

3 4

131

4 4

mp

mfs

24

136

Meno mosso (come prima) (q=80) accel.

7 8

8 8

2 4

8 8

2 4

8 8

2 4

q = 120 p

arco

7 8

pp

3 8

3 8

p

arco

7 8

pp

3 8 p

8 8

7 8

3

3

2 4

3

3 8

mp

p 3

3

8 8

7 8

pizz.

2 4

p

3

pizz.

3 8

mp

(accel.)

139

(q=144)

3 8

2 4 pizz.

3 8

2 4 2 4

mf

3 8

2 4 mf

mp

arco

arco

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7 8

3 4

7 8

3 4

7 8

3 4

7 8

f

2 4 mf

3 4

f arco

2 4

mp

3 8

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p

3 8

mp

2 4

3 8

2 4

2 4

p

mp

3 8

p

3 8 mp

pizz.

3 8

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3 8

f

2 4

mp

3 4 mf

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7 8 mp

25

144

sempre accelerando al fine

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5 8

3 8

5 8

3 8

5 8

3 8

5 8

3 8

5 8

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f

5 8

3 8

3 8

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5 8

3 8

3 8

5 8

5 8

3 8

mf

7 8

mp

3 8

5 8

mf

6 8 mf

mp

7 8

mp

7 8

148

mf

6 8

7 8

3 8

5 8

7 8 mp

mf

mp

mp

mf

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3 8

5 8

7 8

6 8

7 8

mp

mf

mp

6 8

7 8

3 8

5 8

7 8

6 8

7 8

f

26

152

2 4

5 8 ff

2 4 ff

3 8

3 8

2 4

3 8 p

f

ff

p

f

2 4

5 8

pizz. ff

ff

3 8

2 4

3 8

3 8

2 4

3 8

p pizz.

2 4

5 8

p

3 4

9 8

Presto

3 4 f

mf

3 8

3 4

9 8 mf

3 8

3 4

9 8

mf

9 8

mf

9 8

f

f

3 4

5 8

3 4

5 8

3 4

5 8

3 4

5 8

3 4

ff

3 4 f

5 8 ff

3 4 f

mf arco

3 4

3 4 mf

arco

3 4 mf

3 8

3 4 mf

mf

3 8

3 8

2 4

3 8

2 4

5 8

3 8

2 4

p

5 8

156

3 8

ff

27 molto rit.

161

3 4

3 8 f

ff

2 4

f

3 8 ff

5 8

f

f

3 4

3 8

2 4

3 8

5 8

3 4

3 8

2 4

3 8

5 8

3 4

3 8

2 4

3 8

5 8

f

ff

3 4

f

ff

3 8

2 4 f

ff

166

3 8

5 8 f

ff

3 4

2 4

f

ff

q=60

f

4 4

3 8

mf

p sub.

ff

sul tasto

ff

mf

ff

2 4

mf

ff

ff

mf

2 4

4 4

ff

ff mf

ff

___ ___

sul tasto ___

p sub.

4 4

3 8

3 4

sul tasto

p sub.

4 4

3 8

3 4

_____ _

p sub.

ff

3 8

3 4

2 4

4 4

3 8

3 4

2 4

sul tasto

p sub.

28

II. Heart of Space Misterioso, poco rubato (q = 52)

Clarinet in Bb

2 4

3 4

2 4

Violin I

2 4

3 4

2 4

3 4

2 4

con sord.

Violin I

2 4

p doloroso, un poco espr.

Viola

2 4

3 4

2 4

con sord. pp

Violoncello

2 4

3 4

2 4

pizz.

p

6

3

p

3

p

3

29

12

2 4

3 4

con sord.

2 4

3 4

p doloroso, un poco espr.

2 4

3 4

p

2 4

3 4

p cresc.

3

3 4 p

17

strum slowly

2 4 mp

mp

5

3 4

2 4 p dolce,espr.

3 4

2 4

3 4

2 4

mp

mp

3 4

2 4 mp

3 4

arco

2 4 mp

30

22

pizz.

27

arco

pizz.

arco

2 4

3 4

mp dim.

cresc.

2 4

3 4 cresc.

mf

2 4

3 4 cresc.

mf

2 4

3 4

mf

cresc.

3 4

pizz.

arco

2 4

pizz.

arco

mf

31 rit.

32

7 4 p dim.

pp

7 4 pp

dim.

7 4 pp

dim.

7 4 pp

7 4 pp

Rustico, lontano 38

q = 52

molto vib.

3 4

4 4

7 4

3 4

4 4

7 4

3 4

4 4

3 4

4 4

3 4

4 4

7 4 mf

7 4

5

senza sord. molto vib.

5

5

p calmo

7 4

molto vib.

p calmo

32

poco riten.

Stringendo 42

3 4

4 4

A tempo, misterioso (q = 60-63) molto vib.

7 4

2 4

mf

3 4

4 4 4 4

senza sord. molto vib.

5

7 4

2 4

5

mf

senza sord. molto vib.

3 4

2 4

7 4

3 4

2 4

7 4

mp

4 4 mp

mf

mp

3 4

4 4 mp

mf

p

7 4

2 4 mp

p

46

5

4 4

5 5

5

4 4 4 4 4 4 4 4

33

49

3

3

3

3

3 4

2 4

3 4

2 4

mp dim.

mp dim.

2 4

3 4 dim.

mp

2 4

3 4 mf

mp dim.

2 4

3 4 mf

53

mp dim.

Un poco movendo

2 4 pp

p

ord.

2 4 p ord.

2 4

p

p

ord.

2 4 mp diminuendo

2 4

p

p

34 poco rit.

58

2 4

3 4

2 4

3 4

pp

p hovering al sord.

3 4

2 4 p

pp

p

2 4 p

p

al sord.

3 4

pp

3 4

2 4

62

2 4

3 4 3 4

al sord.

q = 52 mp espr.

con sord.

2 4 mp misterioso

mf

mp

mf

mp

con sord.

2 4

3 4 p hovering

3 4

2 4

3 4

2 4

con sord. p misterioso ord.

pp

mp

35

66

mp

mf

mf

mf

mf

mf

mf

3

3

mf

70

3

3

3

f appassionatamente

3

3 4

2 4

3 4 mp

p

mp

mf

mp

mf

mp

espr.

3 4

2 4

3 4

3

3 4

2 4

3 4

3 4

3 4

2 4

3 4

3

3

mf

3

2 4 3

3

3 4

36 poco rall.

73

3 4

2 4

3 4

pp dim.

3 4

2 4

3 4

p

mp dim.

3 4

2 4

3 4

p

mp dim.

2 4

3 4

(trem.)

3 4

mp dim.

p

3 4

2 4

3 4

mp dim.

p

Estatico (q = ca. 54) molto vib.

78

7 4 f

(niente)

5

senza sord. molto vib.

7 4

5

f senza sord. molto vib.

7 4

3

mf

f molto legato

7 4

molto vib.

mf

7 4

molto vib.

f

37

80

5

2 4

5

2 4

5

5

2 4 Freely, vascillating tempo (faster than marked)

2 4 f

2 4

82

Stringendo

un poco riten.

2 4

6 4

7 4

2 4

6 4

7 4

2 4

6 4

7 4

2 4

6 4

7 4 mf

2 4

7 4

6 4 mf

38 a tempo 84

7 4

molto vib.

5

f

7 4 f

5

7 4 f

Faster tempo than marked

7 4 f

7 4 f

85

5

4 4

5

5

4 4 5

4 4 4 4 4 4

39

87

4 4

dim. poco a poco

3

3

4 4 dim. poco a poco

4 4

3

3

4 4 dim. poco a poco

4 4

89

3

3

3 4 mp dim.

p doloroso, misterioso ord.

ord.

3

dim. poco a poco

3 4 3 4

pp

3 4 ord.

mf

3 4

40

92

3 4

2 4

4 4

2 4

4 4

2 4

4 4

2 4

4 4

con sord.

3 4

pp sub.

3 4

2 4

4 4

2 4

4 4

3 4

2 4

4 4

2 4

4 4

3 4

2 4

4 4

2 4

4 4

p

mp

96

4 4

rit.

3 4

4 4 start as wide vib; speed up to glissando trill

3 4

4 4

4 4 pp

p dim. al fine

4 4

3 4

4 4

3 4

4 4

3 4

4 4

pp dim al fine

4 4 pp dim al fine

4 4 pp dim al fine

perdendosi

41

III. Twistor Scattering Mordents are always placed on melodic (non-drone) notes only.

Con fuoco (q = 176)

5 8

7 8 f

5 8

7 8 f *) here, mordents are placed on lower notes

6

7 8

5 8

7 8

5 8

7 8

5 8

5 8

5 4

4 4

8 8

2 4

7 8

5 8

5 4

4 4

8 8

2 4

7 8

5 8

5 4

4 4

8 8

2 4

7 8

5 8

5 4

4 4

8 8

2 4

7 8

*)

f sempre

5 8

5 4

4 4

8 8

2 4

7 8

42

12

5 8

7 8

7 8

2 4

7 8

4 4

5 8

7 8

7 8

2 4

7 8

4 4

5 8

7 8

7 8

2 4

7 8

4 4

5 8

7 8

7 8

2 4

7 8

4 4

5 8

7 8

7 8

2 4

7 8

4 4 mf

19

A

5 8

4 4

7 8

8 8

*) here, mordents are placed on upper notes

4 4

5 8

8 8

7 8

4 4

5 8

8 8

7 8 f

4 4

5 8

8 8

7 8

4 4

5 8

8 8

7 8

f

*) mordents on melodic notes only (upper notes)

43

25

2 4

5 8

mp

7 8

2 4

4 4

7 8

f

5 8

2 4

7 8

4 4

2 4

5 8

2 4

7 8

4 4

2 4

5 8

2 4

7 8

4 4

2 4

7 8

mf

7 8

mf

7 8 f

mp

31

p

mp

7 8

2 4

4 4

7 8

2 4

5 8

mf

f

7 8

8 8

7 8

5 8

7 8

8 8

7 8

5 8

7 8

8 8

7 8

5 8

7 8

8 8

7 8

5 8

7 8

8 8

7 8

5 8

44

36

41

5 8

5 4

4 4

7 8

4 4

5 8

5 4

4 4

7 8

4 4

5 8

5 4

4 4

7 8

5 8

5 4

4 4

7 8

4 4

5 8

5 4

4 4

7 8

4 4

fp

fp

4 4

4 4

5 8

7 8

5 8

2 4

3 4

7 8

4 4

5 8

7 8

5 8

2 4

3 4

7 8

meno f

mf

4 4

5 8

fp

f incisive mordents as before

7 8

2 4

5 8

meno f mordents as before

4 4

5 8

5 8

7 8

III II

3 4

fp

7 8

f incisive

2 4

3 4

7 8

f incisive

meno f

mordents as before

4 4

5 8

7 8

5 8

2 4

3 4 f incisive

7 8

45

47

7 8

5 8

7 8

5 8

7 8

5 8

ff crudo

ff crudo

2 4

5 8

2 4

5 8

2 4

5 8

2 4

5 8

2 4

5 8

ff crudo

meno f

5 8

7 8 meno f

ff crudo pizz.

7 8

mf bouncy

52

3 4

5 8 f

mf

2 4

f

6 8 pizz.

3 4

2 4

3 4

2 4

3 4

2 4

6 8 pizz.

6 8 arco

6 8

mf

3 4 mf

f

2 4

6 8

46 Misterioso (l'istesso tempo, e = e)

B 57

mormorando

3 4

6 8

pp

6 8 6 8

arco, non vib. p arco, non vib.

3 4

non vib.

3

mp pp sub.

mp

p

3

pp

p

p

3 4

6 8 p

3 4 p

mfp

mfp

mfp

mp

mp pp sub.

2 4

mp pp sub.

p

2 4 mp pp sub.

2 4

3 4 p

3

2 4 2 4

3 4

6 8 6 8

3 4

3

3 4

6 8

3 4

p

3

3 4

6 8

mfp

6 8

6 8

mf p sub.

6 8

3 4

6 8

3

6 8

3 4 mp

mp

6 8 mf p sub.

6 8

3

6 8

3 4 mp

pp

6 8

mf p sub.

6 8

3 4

3

3 4 mp

3 4

3

mf p sub.

6 8

mp pp sub.

6 8

3

mp

6 8

3 4

6 8

mp pp sub.

arco, non vib.

3

pp

3 4

p

63

3

mp

mp pp sub.

p

6 8

3

3 4

p

6 8

3

3 4

6 8

mp pp sub.

47

70

2 4

3

3

2 4

3 4 pp

3

3

3

3 4

2 4

6 8

2 4

3

6 8

3

mp

3

3 4 p

mf p sub.

2 4

3 4 p

mf p sub.

mp

3 4 p

3 4

3

3 4

6 8

2 4 mp

pp

6 8

mf p sub.

3 4

3 4

3 4

p

2 4 mp

2 4

3

6 8

mf p sub.

3 4

2 4

3

2 4 mp

76

3

mp

2 4

3

3

3

pp

3

3

3

mp

3

3

2 4

3 4 mfp

mp

mf

mp

mf

mp

mf

mp

mf

2 4

3 4 mfp

2 4

3 4 mfp

2 4

3 4 mfp

48

82

3

3

3

3

p

3

3

3

3

3

3

3

mf 3

mp

ord.

sfzp

p

f

sfzp

ord.

p

sfzp

f

sfzp

f

sfzp

ord.

p

sfzp ord.

p

88

3

mp

flt.

3

2 4 f

sfzp

2 4 f

p

sfzp

f

sfzp

f

mp legato ma intenso

2 4 f

p

mf

sfzp

f

sfzp

mf

2 4 f

p

mf

sfzp

sfzp

f

f

sfzp

sfzp

mf

f

2 4

mp legato ma intenso

49

95

102

3 8

sul pont.

C

mf

3 8

sul pont.

2 4

f

3 4

7 8

mf

3 8

3 4

7 8

2 4

f

3 4

7 8

2 4

mp intenso

mf intenso

mf ord.

3 8

3 8

2 4

sul pont. mp intenso

mf intenso

f

mf

pizz.

2 4 mfp

3 4

7 8 arco

7 8

mf bouncy

mf

f

mf

3 4

50 ord.

109

3 4

2 4

5 8

f

3 8

2 4

3 8

2 4

3 8

2 4

ord.

3 4

2 4

5 8

f

*mordent on upper note

3 4

2 4

5 8 f

3 4

mf *mordent on upper note

f

3 4

mp

3 8

2 4

5 8

mf

f

115

2 4

3 8

2 4

5 8

2 4 mf sempre

5 8

2 4

3 4

5 8

2 4

3 4 mf ben legato

5 8

3 4

2 4 f

mf ben legato

5 8

2 4

3 4

5 8

2 4

3 4

f

mf ben legato

51

121

126

3 4

2 4

3 4

7 8

3 4

2 4

3 4

2 4

3 4

7 8

3 4

2 4

3 4

2 4

3 4

7 8

3 4

2 4

3 4

2 4

3 4

7 8

3 4

2 4

3 4

2 4

3 4

7 8

3 4

2 4

7 8

2 4

3 4

2 4 f

f sul pont.

3 4

2 4 f

3 4

2 4 f

mf sul pont.

2 4

mf

2 4

3 4

2 4

7 8

2 4 ord.

f

7 8 7 8

mf

3 4

2 4 f

2 4

pizz.

f bouncy

7 8

52

132

7 8 (sul pont.)

7 8

sul pont.

7 8 7 8

3 4

7 8

3 4

7 8

3 4

7 8

3 4

7 8

f

7 8 7 8

pizz.

ord.

7 8 7 8

f

136

7 8

3 4

7 8

D

7 8

Cascading (q = 192)

2 2

3 4

p crisp, non legato

fp

2 2

arco

3 4

p crisp, non legato arco

2 2

3 4 p crisp, non legato

3 4

2 2 fp

2 2 fp

p poco legato

p

3 4 p poco legato

53

140

3 4

2 2

3 4

2 2

mp

3 4

3 4

mp

mf

2 2

3 4 3 4

mp

3 4

2 2

3 4 mp

3 4

mp

2 2

3 4 mp

144

mp

3 4

2 2

3 4

mf

3 4

2 2

3 4

3 4

2 2

3 4

2 2

3 4

3 4

mf

mf

3 4

mf

3 4

2 2 mf

mf

54

148

Meno mosso ma sempre con intensità q = 168

3 4

4 4

3 4 sfp

ff

4 4

3 4

sfzp

p

f

3 4

4 4

3 4

sfzp

sfzp

f

p

f

3 4

4 4

3 4

sfzp

sfzp

f

f

p

3 4

4 4

3 4

sfzp

151

sfzp

f

3 4

sfzp

f

fp

f

fp

f

fp

fp

fp

f

f

fp

fp

f

fp

f

fp

fp

fp

f

f

fp

fp

f

f

fp

f

fp

f

fp

f

5 8

7 8

3 4

fp

5 8

7 8

3 4

f

5 8

7 8

3 4

fp

5 8

7 8

3 4

p

5 8

7 8

3 4

f

fp

f

fp

55

154

fp

f

fp

f

f

fp

f

fp

fp

4 4

6 8

fp

f

fp

4 4

6 8 fp

f

4 4 f

fp

2 4 fp

fp

6 8

2 4

f

4 4 f

2 4 fp

fp

6 8

2 4 fp

4 4

6 8

2 4

fp

f

E 158

e = e

6 8

f

G. P.

Poco piĂš mosso, misterioso (q = 176)

6 8

3 4 p sempre legato

mp pp sub.

non vib.

6 8 f

p sempre legato

6 8

3 4 mp pp sub.

non vib.

6 8 f

6 8

p sempre legato

mp pp sub.

3 4

f

6 8 f

6 8

3 4

3 4

sul pont. 3

3

pp sul pont. 3

mp

pp

3

mp

3

3

6 8

3

3

6 8

56

163

mp

mf p sub.

p

mp

mf p sub.

p

mp

mf p sub.

3 4

6 8

p 3

3

pp

3

pp

169

3

3

6 8

3 4

3

3

6 8

3 4

mp 3

3 4

6 8

mp

3 4

6 8

3 4 mfp

3 4

6 8

3 4 mfp

3 4

6 8 mfp

pp

3 4

3

3

6 8

3 4

3

mp

3

pp

mp 3

pp

3

3

3

6 8

2 4

3 4

2 4

3 4

mp pp sub.

p 3

3 4

mp pp sub.

p

3 4

2 4 mp pp sub.

p

3 4

3 4

6 8

3 4

6 8

3 4

6 8

3 4

6 8

3 4

6 8

3 4

6 8

3 4

2 4

3

3

3 4

2 4

3

3

3 4

mp 3

pp

3

3

mp

57

174

mp

3 4

mf p sub.

mp

p

3 4

6 8

2 4

6 8

mf p sub.

3 4 3 4

3 4

p

3 4 p

3

3

3

pp

3

2 4

3

3

6 8

3 4

2 4

3

3

6 8

3 4

mp 3

3

3

3

pp

179

2 4 mf p sub.

mp

3 4

6 8

2 4

3 4

mp

4 4

3 4

3 4

4 4

3 4

4 4

3 4

3

4 4

mfp

p

mfp

p

mfp

p 3

pp

3 4

3

3

4 4

3

3

mp

3

3

3

3

3

3

3

3

pp

mp

3

pp

3

3

3

pp

58

182

mf

p

2 4

mf

2 4 mf 3

3

3

3

3

mp

3

3

3

3

3

3

mp

3

3

p

F

2 4

4 4

Scorrevole (q = 144) K

e= x

3

2 4

3

2 4

4 4

p

4 4

p pi첫 a pi첫 sul pont 3

pi첫 a pi첫 sul pont 3

mp

accel.

mp morendo

4 4

2 4

mp morendo

4 4

2 4

mp morendo

4 4

3

3

3

3

2 4

mf

4 4

3

mf

3

3

3

2 4

3

4 4

3

4 4

mp

p

3

185

4 4

2 4

molto sul pont.

p molto sul pont.

p

59

q = 168

189

sul pont.

mp

p sul pont.

mp

p

mp

mp

193

4 4

4 4 p

4 4 p

4 4 p

p

4 4

60

196

mp

mf

mp

mf

mp

mf

mp

mf

198

12 16

mp

12 16

mf

mf

mp

12 16 12 16

p

mf

12 16 p

mf

61

200

12 16 mf

mf ord.

12 16

mf

f

ord.

12 16 f

mf

12 16 f

12 16 f

203

f

f

f ord.

mp

mf

f

ord.

mp

mf

f

62

206

6 16

9 16

6 16

9 16

6 16

9 16

6 16

9 16

6 16

9 16

Ruvido q = 176 209

9 16

7 8

5 8 ff crudo

9 16 9 16 9 16

5 8 5 8

ff crudo

ff crudo

f con intensità

7 8 f con intensità

7 8

5 8 ff crudo

9 16

7 8

f con intensità

7 8

5 8 ff crudo

f con intensità

63

213

218

accel.

2 4

4 4

5 8

2 4

4 4

7 8

5 8

2 4

4 4

7 8

5 8

2 4

4 4

7 8

5 8

2 4

4 4

7 8

5 8

7 8

4 4

2 4

7 8

5 8

4 4

2 4

7 8

5 8

7 8

5 8

7 8

5 8

7 8

5 8

cresc.

4 4

2 4 cresc.

4 4

2 4 cresc.

4 4

2 4 cresc.

64 q = 200 224

G

5 8

2 4

5 8

2 4

5 8

2 4

5 8

2 4

ff

7 8 7 8

ff

5 8

2 4

5 8

7 8

2 4 ff

5 8

2 4

5 8

7 8

2 4 ff

5 8

2 4

5 8

7 8

2 4 ff

229

8 8

7 8

8 8

7 8

8 8

7 8

8 8

7 8

8 8

7 8

65

molto rit.

234

7 8

3 4

7 8

3 4 f

7 8

3 4

7 8

3 4

7 8

3 4

f

f

q = 120 rit.

238

f

ff

ff

ff

ff

f

ff Princeton, NJ, Jan 2013 (revised 2017)