León - Hechizos

TANIA LEÓN HECHIZOS for Chamber Orchestra

TANIA LEÓN HECHIZOS for Chamber Orchestra

Hechizos – Performance Instructions Hechizos is performed in the following order 1. Prologue One: Percussion and Keyboards (only) play mm. 1-50; complete stop - long pause, then…

2. Prologue Two: Brass, Percussion and Keyboards (only) play mm. 2-50 complete stop - long pause, then…

3. Hechizos: Entire ensemble (all instruments) plays mm. 1 – End. SCORE in C Duration: ca. 20 minutes

A mi madre, Dora Ferrán

HECHIZOS

Maestoso ( = 68)

Tania León 1994

Fl.

Ob. Cl.1 in A Bs. Cl. 6

6

Prologue Two 2

straight mute

6

7

6

7

Hn. in F straight mute

7

Tpt. in B 6

7

6

straight mute Tbn.

6

Hechizos 3 Prologue One 1

7 7

Prologue Two 2

Bongos with backs of mallets

Agogos

1.

6

Zurdo with backs of mallets

(secco) (rim)

5

Low Timbales with sticks

Perc.

2.

(secco) 5

Low T.Tom

Hechizos 3 Prologue One 1

2

Cel.

6

Guitar

Maestoso ( = 68)

secco 6 5

0

Vn.

5

6

5

Va.

sul pont.

poco a poco ord.

sul tasto, alla punta Vc.

Cb. © Copyright 1995 by Southern Music Publishing Co., Inc. International Copyright Secured.

Printed in U.S.A. All Rights Reserved.

6

2

Più mosso (

5

= ca. 76)

Fl.

Ob.

Cl.1 in A

Bs. Cl. 6

4

6

Hn. in F Tpt. in B

Tbn.

1.

Marimba

Perc. / 2.

/

Rim of Tom-tom Roto-tom /

Cel.

7

Guitar

Più mosso ( Vn. 6

Va.

Vc.

Cb.

6

= ca. 76)

3 9

fltg.

ord.

fltg.

ord.

←

= →

Fl.

Ob.

Cl.1 in A sub.

Bs. Cl.

Hn. in F

Tpt. in B Tbn.

1.

6

Perc.

6

Mar.

2.

/

Cel.

5

5

Guitar

←

= →

Vn.

Va.

Vc. II suono reale Cb.

6

4 14

6

6

6

6

6

← =

→

← =

→

Fl. sempre 6

6

6

Ob. sempre 6

Cl.1 in A 3

Bs. Cl. 6

Hn. in F Tpt. in B Tbn.

1.

Perc.

6

6

2.

6

Cel.

6

6

senza Ped. Guitar

Vn.

Va.

Vc.

Cb.

5

( ← =

= 76)

Calmo, statico ( = 52)

→

17 Fl.

Ob.

to B Clarinet Cl.1 in A

to Tenor sax.

Bs. Cl.

Hn. in F

Tpt. in B Tbn.

1.

Perc.

Timb. (rim)

2.

Tom-toms

Roto-toms with stick

5

Tom-tom rim with stick

Low tom with B.D. beater

Cel.

Guitar

( ← =

= 76)

Calmo, statico ( = 52)

→

Sempre leggiero, con sord.

Vn.

IV Va.

Vc. / pizz.

Cb.

= 80 – 86

6 20

3

Fl.

5

Ob.

Clar. in B

Cl.1 in B

3

Ten. Sax.

3

5

Ten. Sax.

3

Hn. in F Harmon mute

5

Tpt. in B

Tbn. 3

3

1.

Perc.

2.

sempre /

Cel.

Guitar

III

A tempo,

Vn.

Va.

gl.

Vc.

suono reale Cb.

= 52

7 23

3

3

=

3

Fl.

3

5

3

Ob.

3

3

3

5

Cl.1 in B

3

3

Ten. Sax.

3

Hn. in F

3

3

3

Tpt. in B

Tbn. 3

3

1.

Perc.

2.

Cel.

Guitar = Vn. sub. ord.

/ sul pont. (alla punta)

6

6

Va. 5

sul pont. (alla punta) 6

Vc.

Cb.

6

7

sub. ord.

7

5

6

9 5

29 Picc.

5

6

5

5

6

Ob. 6 5 6

Cl.1 in B 6 5 5

Bs. Cl.

+

senza mute

0

slow vibrato

+

0

Hn. in F senza mute Tpt. in B

Tbn.

1.

Perc.

Timb., w/ sticks

2.

Pno.

3

Guitar gl.

gl.

Vn. sub.

5

Va. sub.

5

arco

gl.

Vc.

arco Cb.

10

Meno mosso (

32

= 66)

fltg.

Picc.

4

Ob.

Cl.1 in A Bs. Cl.

+

5

0

+

Hn. in F

Tpt. in B Tbn.

1.

Marimba, med. mallets

Perc.

Roto-tom w/ hands

2.

5

Tom-tom

Pno.

Guitar

Meno mosso (

= 66)

pizz.

Vn.

pizz.

Va.

pizz.

arco

pizz.

Vc.

pizz.

Cb.

arco

pizz.

11 fltg.

6

35 Picc.

Ob. 5

4

6 5

Cl.1 in B 6

Bs. Cl.

Hn. in F con sord. (metal) Tpt. in B con sord. (metal) Tbn.

1.

Perc.

Timb. sticks Roto-toms Conga Tom-toms

2.

(leggiero) 4

Pno. 4

4

Guitar Strings: PiĂš mosso, ad libitum arco, sul pont.

6

con sordino

5 0

Vn. 6

/

6

5

arco, sul pont. con sordino

5

6

6

Va. 5

/

arco, sul pont. con sordino

6

4

Vc. 5

con sordino

(pizz.)

Cb. /

5

12 39

=

(

= 66)

Picc.

Ob.

Cl.1 in B

Bs. Cl.

7

7

7

7

7

7

Hn. in F

fltg.

Tpt. in B

Tbn.

1.

Perc.

Mounted Maracas w/ hands

2.

Roto-toms (w/ sticks)

Pno.

Guitar repeat measure 36, ad lib.

Vn. sempre Va. sempre Vc. sempre Cb. sempre

13 fltg.

42 Picc.

5

7

Ob. / Cl.1 in B /

Bs. Cl. / 0

+

Hn. in F

gl.

fltg.

4

Tpt. in B

fltg.

8

Tbn. sub.

Tamb.

Perc.

Pno.

Guitar

Vn.

Va.

Vc. Cb.

/

14

Senza misura

fltg.

Meno mosso ( = ca. 64)

Mosso ad libitum 45

breve to Flute

fltg.

Picc.

Ob.

to Cl. in A

Cl.1 in B

Cl. in A

to Ten. Sax. Bs. Cl.

0

+

Hn. in F senza sord.

Tpt. in B senza sord.

Tbn.

1.

w./ mallets (Zurdo) Rim of Zurdo w/ wood of mallet T.-t., Maracas

= 76 4

4

Perc.

Marimba

2.

Ad libitum to Harpsichord

Pno.

Guitar

Meno mosso ( = ca. 64) Senza misura Vn.

Va.

Vc. Cb.

breve

49

15

Pi첫 mosso ( = 70)

Senza misura lunga

Flute

Fl. 3

5

lunga

5

Ob. / 6

6

lunga

= 64

6

5

Cl.1 in A /

/

simile

5

Ten. Sax.

lunga Hn. in F

Tpt. in B

lunga

straight mute

6

Tbn. 3

lunga 1.

Perc. sempre 2.

Poco pi첫 mosso ad libitum

lunga

Harpsichord 5

5

Hpsch.

3

3

/ Poco pi첫 mosso, ad libitum ord.

Guitar

Senza misura lunga

senza sord.

Pi첫 mosso ( = 70)

Vn. 5

lunga

/ senza sord.

5

Va. / senza sord.

Vc. /

5

l.v.

3

lunga

senza sord. arco Cb. /

5

l.v.

16 52 Fl. 5

/ Ob. /

3

4

sub.

3

Cl.1 in A 3

3

3

Ten. Sax. 3

3

3

/

Hn. in F

Tpt. in B

Tbn.

3

Maracas

1.

3

6

Marimba

Perc.

3

2.

3

Congas w/ sticks

Guiro Timbale Roto-toms 3

Hpsch.

3

Guitar

Vn.

Va. 3

/ Vc. pizz.

Cb. 3

sempre

5

17

( = 70) ( = 70)

fltg.

58 Fl.

Ob. 3

Cl.1 in A

Ten. Sax. 3

Hn. in F

Tpt. in B

Tbn.

3

3

1.

Perc.

/

/

2.

3

Hpsch.

Guitar

( = 70) ( = 70) Vn.

Va. 3

pizz.

Vc.

arco Cb. 5

3

5

18 fltg.

63 Fl.

fltg.

Ob.

fltg.

Cl.1 in A

(

= )

Ten. Sax. 4 4

Hn. in F

Tpt. in B

Tbn.

Maracas 1.

Maracas Bongos Castanets Tom-Toms

Rim Zurdo Zurdo

Perc.

2

2

Guiro

2.

4

Hpsch.

Guitar

Vn.

Va.

Vc. /

Cb. /

19

67

( = 70) ( = 70)

fltg.

Fl.

fltg.

Ob.

fltg.

Cl.1 in A ( =

←

= →

←

= →

3

←

= →

3

←

= →

←

= →

)

to Sop. Sax

Ten. Sax.

9

Hn. in F

Tpt. in B 9

Tbn.

( =

1.

)

Mar.

Perc.

Rim of Tom-tom

2.

Roto-tom ←

= →

to Celesta

Hpsch.

secco

←

= →

Guitar

( = 70) ( = 70)

= 80 – 86 (sempre leggiero) alla punta (sul tasto) (III)

secco

arco Vn.

3

arco Va.

arco Vc.

Cb. /

/

/

20 70

(

= )

(

= )

(

= )

(

= )

(

= )

Fl.

Ob.

Cl.1 in A 3

Sop. Sax.

Hn. in F Tpt. in B Tbn.

1.

6

Perc. (

= )

2.

Guiro

Conga w/ sticks

3

6 6

to Piano

6

Hpsch.

6 6

6

gl.

Guitar 3 0

Vn.

Va.

Vc.

Cb.

gl. 5

21

Senza misura

= 74–76 ←

74

= →

Fl.

Ob.

to Clarinet in B Cl.1 in A

Soprano Sax Sop. Sax.

straight mute Hn. in F

6

/

/

= 74–76 straight mute Tpt. in B 3

Tbn.

1.

Mar.

Rim Zurdo, Zurdo

3

Perc.

secco Maracas, Timbale

2.

Roto Toms

to Marimba

Pno.

lunga 6

gl.

gl.

Guitar

Senza misura

= 74–76

←

= →

Vn.

Va. 6

Vc. 6

Cb.

22 ← =

79

→

(

= 74 – 76)

Fl. 7

6

Ob. 7

6

Cl.1 in A 3

Sop. Sax.

Hn. in F 3 3

Tpt. in B

3

Tbn.

(Maracas) 1.

presto possibile

(Mar.)

(soft mallets)

3

Perc.

marcato 2.

Mar.

7

Piano

6

Pno. 5

senza Ped. Guitar 6

← =

ord.

Vn. 6

Va. 6

6

arco Vc.

arco Cb.

I.

→

(

= 74 – 76)

23

Senza misura 15”

82 Fl. 4

4

Ob.

4

Cl.1 in B

Sop. Sax. 7

Hn. in F 4

Tpt. in B 4 4

Tbn.

1.

Perc.

2.

6

6

/

15”

Pno.

senza Ped.

Repeat 5X, like sporadic improvisations.

Each repeat a different interpretation.

Guitar

Senza misura 15” Vn.

Va.

Vc.

Cb.

24

Allegro ( = ca. 74) 85

( = 116) ( = 116)

Subito più mosso ( = 96)

Fl. 6

6

6 6

Ob.

6

Cl.1 in B

6

to Bs. Cl.

6

6

Sop. Sax.

senza mute

+

0

Hn. in F 6

6

6

6

Tpt. in B

6

Tbn.

6

1.

Percussion also stops

Perc.

Timbale Rim with sticks

secco sempre secco

2.

High Conga Low T-t.

Roto Toms

/ Harpsichord

Hpsch./ Pno.

cresc.

Piano

Guitar

Allegro ( = ca. 74)

Subito più mosso = 96

( = 116) ( = 116)

Vn.

Va. / Vc.

sul tasto Cb. 6

secco

25 8va

fltg.

90 Fl.

Ob.

Cl.1 in B

Bs. Cl. Harmon mute (stem out)

Hn. in F

Tpt. in B

Tbn.

1.

Perc.

Maracas 2.

4

/

Hpsch./ Pno.

Guitar

Vn.

Va.

Vc.

Cb.

/

26

8va

fltg.

95 Fl. 6

Ob.

Cl.1 in B Bass Clarinet Bs. Cl. 0

+

Hn. in F / Tpt. in B /

Tbn. / 1.

Perc.

5

2.

Hpsch./ Pno.

4

Guitar

Vn. 4

Va.

Vc.

Cb.

4

27 99 Fl.

Ob.

Cl.1 in B

Bs. Cl.

Hn. in F

Tpt. in B

Tbn.

1.

Perc.

dim.

2.

Hpsch./ Pno.

Guitar l.v.

Vn. 4

Va.

Vc.

Cb.

4

Poco meno mosso ( = ca. 84 - 88)

28 103 Fl.

3

/ 3

Ob. / 3

Cl.1 in B /

Bs. Cl. 3

/

0 Hn. in F 3

/ Tpt. in B 3

Tbn. /

Tamb.

Maracas Agogos

1.

Perc.

Maraca 2.

Guiro Clave Roto Toms

Harpsichord

Hpsch./ Pno.

=

Guitar

Poco meno mosso ( = ca. 84 - 88) Vn. cresc.

Va.

Vc. cresc. pizz.

Cb.

slap

gl.

arco

29 107 Fl. 3

3

3

3

Ob.

3

3

Cl.1 in B

Bs. Cl. 3 3 3

Hn. in F

3

Whispa mute

3

Tpt. in B

Tbn. 3

3

1.

Perc.

2.

Hpsch.

to Piano

secco Guitar

Vn.

Va.

Vc.

Cb.

30 111

=

to Picc.

Fl.

Ob.

Cl.1 in B

Bs. Cl.

+ Hn. in F

Tpt. in B

3 3

3

3

6

Tbn.

Mar.

1.

Perc.

Bongos Med. T.-t.

Clave T.-t. Rim

2.

Guiro

Low T-t.

Piano

Pno.

7

secco senza Ped. Guitar

=

col legno

arco, sul tasto

5

Vn. 3

3

col legno

3

3 3

arco, sul tasto

Va. 3

col legno

arco

III

Vc.

pizz.

arco

II

Cb. scorrevole

31

Lively, ritmico ( = 84 – 88)

114 Picc.

Ob.

Cl.1 in B

Bs. Cl.

+ Hn. in F Tpt. in B 3

3

3

3

3

Tbn.

Agogos Zurdo

1.

Mar.

Perc.

2. secco

/

Pno.

Guitar

3

ord. 3

3

/ arco

3

ord. 3

3

/ arco

3

ord.

3

Lively, ritmico ( = 84 – 88)

arco

Vn. 3

3

3

arco

Va. 3 3

3

sul tasto

3 3

/ arco

Vc.

pizz.

Cb.

/ arco

pizz.

32 = 117

Piccolo

Picc.

Ob.

Cl.1 in B

Bs. Cl.

Hn. in F

senza sord.

Tpt. in B

Tbn.

1.

Perc.

2.

Roto-toms (secco)

3

Celesta Cel. / Pno.

Piano

senza Ped. Guitar

8va

= Vn.

Va.

Vc. 3

Cb. 3

33

lunga

121 Picc.

Ob.

Cl.1 in B

Bs. Cl.

lunga Hn. in F

Tpt. in B

Tbn.

Marimba Maracas

1.

Perc.

7

2.

Cel./ Pno.

3

3

Marimba/ maracas/ Roto-tom

5

lunga

Piano

n

/

Guitar

lunga Vn. /

n

/

n

/

n

/

n

Va.

Vc.

arco Cb.

34 125

Senza misura, poco allegro

Picc.

Ob. Senza misura (lirico, moderato) 3

4

3

Cl.1 in B

Bs. Cl. 2

Adagio +

3

0

0

+

3

0

+

Hn. in F (slow hand gliss.)

Tpt. in B Tbn.

1.

Perc.

Sempre allegro (leggiero) 2.

1

Celesta 3

to Piano

Cel. Piano

senza Ped.

5

(Calmo andante)

Guitar

Senza misura, poco allegro Vn. senza vib.

Va.

Vc.

Cb.

dolce

35 127

= 76 – 80

( =

)

( =

)

( =

)

fltg.

fltg.

Picc.

Ob.

Cl.1 in B

Bs. Cl.

+

0

Hn. in F

+

0

gl.

Tpt. in B gl.

con sord.

gl.

Tbn. 3

1.

Maracas Timbales

Perc.

2.

Roto-toms Conga Low Tom

w/ sticks

5 3

Pno.

Guitar (as fast as possible)

= 76 – 80 Vn.

gl.

con sord.

gl.

pizz.

arco

gl.

pizz.

Va. l.v. con sord.

3

pizz. gl.

gl.

pizz.

arco

Vc.

pizz. gl.

Cb. 6

arco

gl.

36

= 131

= fltg.

fltg.

fltg.

Picc.

5

Ob.

Cl.1 in B

Bs. Cl.

0

+ gl.

Hn. in F

gl.

gl.

w/ metal mute Tpt. in B gl.

Tbn.

gl.

gl.

gl.

Bongos Agogos Maracas Cast.

Tom-toms

1.

Perc.

6

2.

Pno.

Guitar

=

=

gl.

Vn.

arco

gl.

Va.

arco

gl.

Vc.

pizz.

Cb.

gl.

arco

gl.

pizz.

l.v.

arco

134

37

Senza misura (Allegro ad lib.) fltg.

to Flute

Picc.

Ob.

Cl.1 in B

Bs. Cl. cresc. = 132 11

= 160 0

29

0

0

Hn. in F

= 160

= 132 11

Tpt. in B

Tbn.

1.

Perc.

2.

Pno.

Guitar

Senza misura (Allegro ad lib.)

Vn.

= 80 Va.

Vc. = 80 Cb.

pizz.

29

0

38 136

= 80

=

Fl.

Ob.

Cl.1 in B

Bs. Cl.

Hn. in F Tpt. in B senza sord.

Tbn.

1.

Mar.

Perc.

2.

Celesta

Pno.

Guitar

= 80 Vn.

Va.

Vc.

Cb.

=

39 139

Senza misura, ca. 9”

ca. 7”

Fl.

Ob.

Cl.1 in B

Bs. Cl.

Hn. in F

Tpt. in B

Tbn.

Maracas 1.

Cast.

Guiro as fast as possible

at 3rd repeat

Perc.

2.

Marimba, Timbales Maraca, Roto-toms

as fast as possible

Cel.

l.v.

Guitar

Senza misura, ca. 9”

ca. 7”

Vn. / Va.

Vc.

Cb.

40 141

= 80

Senza misura =

Fl.

Ob.

Cl.1 in B

Bs. Cl.

0

as fast as possible senza mute Hn. in F molto as fast as possible Tpt. in B molto

Tbn.

1.

Perc.

9

2.

Cel.

Guitar

= 80 Vn.

Va.

Vc.

con sord.

Cb.

=

Senza misura

41 144

= 88

=

Fl.

Ob.

Cl.1 in B Bs. Cl.

Hn. in F

Tpt. in B

Tbn.

1.

Perc.

as fast as possible 2.

to Piano

Cel.

Guitar

= 88 con sord.

Vn.

con sord.

Va.

(senza sord.)

Vc.

Cb.

=

42 147

Meno mosso

Fl.

Ob. 3 3

Cl.1 in B

Bs. Cl. 3

Adagio +

0

0

+

3

0

+

3

Hn. in F straight mute metal Tpt. in B 3 3

Tbn.

Maracas Cast.

Guiro 1.

as fast as possible

Perc.

2.

Pno.

molto vibr.

Guitar

Meno mosso

3

senza sord.

3

Vn. 3

Va. 3

Vc. 3

Cb. 3

150

Senza misura

Calmo fltg.

43

= 92 – 96

fltg.

Fl.

Ob.

Cl.1 in B

5

Bs. Cl. 5

/ Hn. in F rall.

Tpt. in B

= 80 3

Tbn.

Tamb.

Cast. w/ Mallets Agogo Tom-tom

1.

5

Perc.

2.

Pno.

Calmo Guitar

Senza misura

= 92 – 96

Vn.

/ Va.

Vc.

Cb.

44 5

152 Fl.

Ob.

Cl.1 in B 5

Bs. Cl. 5 5

+

3

5

0

3

+ 6

Hn. in F 3

3

3

Tpt. in B 3

3

3

con sord.

Tbn.

Rim of Zurdo

1.

3

Perc.

Tom-toms

3

3

2.

Pno.

Guitar

Vn. poco a poco dim.

Va.

con sord.

Vc.

Cb.

Rim of Zurdo

Zurdo

3

154

6

5

poco rall.

7

45 6

Fl.

Ob. = 88

5

Cl.1 in B

7

6

= 74 fltg.

Bs. Cl. 5

5 3

3

6

3

3

3

3

Hn. in F

6

Tpt. in B 3

3

Tbn.

1.

3 3

3

3

Perc.

3

2.

Piano

3

Cel.

3

Guitar

poco rall.

Vn.

Va.

Vc.

Cb.

46

Senza misura

156 Piccolo

fltg.

Picc.

Andante (senza misura)

fltg.

Ob.

fltg.

Cl.1 in B

Bs. Cl.

Hn. in F Tpt. in B Tbn. brushes

Agogo T.-t.

1.

Perc.

Bongo

as fast as possible

2.

sempre = 66 to Celesta

Pno.

Poco adagio l.v.

Guitar

Senza misura Vn.

Va.

Vc.

Cb.

Lively ( 157

47

= 92)

5:

5:

Picc.

5:

Ob.

5

Cl.1 in B 7:

Bs. Cl.

(Presto – moderato)

+0

Hn. in F

senza sord.

Tpt. in B

senza sord.

Tbn.

Marimba Maracas

1.

Perc.

2.

sempre

Cel.

Guitar

Lively ( Vn.

Va.

Vc.

Cb.

= 92)

48

5:

5:

160

+

+

Picc.

5: Ob.

Cl.1 in B

n Bs. Cl.

Hn. in F

Tpt. in B

Tbn.

1.

Perc.

2.

Cel.

Guitar = 80 – 86 con sord., sul pont.

Vn. sempre leggiero = 92 senza sord., sul pont.

5

6

Va. 5

= 92 con sord., sul pont.

Vc. 3

senza sord. pizz.

Cb.

49

Senza misura

Breve

163 (Presto - leggiero) Picc.

3

3

Ob. 3

2

Cl.1 in B /

/

Bs. Cl.

/ = 92 - 96

5

6

0

Hn. in F molto = 92 - 96 Tpt. in B molto 3 = 92 - 96 Tbn. molto

3

Castanet Bongo

1.

Perc.

Timbale

2.

Breve

Cel.

Allegro

accel.

open strings Breve slap stop

3

Guitar gl.

Senza misura Vn.

leggiero

Breve

gl. sempre cresc.

Va.

Vc. end with slap stop

= 100 Cb. slap

Music of Tania León ORCHESTRA

INSTRUMENTAL ENSEMBLE

Batá (1985) 7:00

A La Par (1986) 13:30 piano, percussion

Carabalí (1991) 17:00 Concerto Criollo (1980) 20:00

Arenas d'un Tiempo (1992) 12:00 clarinet, violoncello, piano

Kabiosile (1988) 8:00

Ascend (1983) 3:00 4 hn, 4 tpt, 3 tbn, tba, 3 perc

Para Viola y Orquesta (1994) 18:00 OPERA Scourge of Hyacinths (1994) 90:00 chamber opera in twelve scenes

Crossings (1992) 1:00 hn, 4 tpt, 4 tbn, tuba Haiku (1973) 25:00 flute, bassoon, 5 percussion

THEATER WORKS

Hechizos (1995) 15:00 fl/pic, ob, cl (A and B-flat), b cl/sop sax/ten sax, F hn, tpt (B-flat), tbn, 2 perc, pf/cel/hpsd, gui, vn, va, vc, cb

Maggie Magalita (1980) 25:00 fl, cl, vc, 2 perc, pf, gui

Indígena (1991) 8:00 fl, ob, cl, bn, hn, tpt, pf, perc, str

The Golden Windows (1982) 30:00 fl (pic, alto fl), ob (eh), tpt, perc

Journey (1990) 6:00 high voice, flute, harp

BALLETS

"Or like a..." (1994) 15:00 Baritone, violoncello, percussion

The Beloved (1972) 10:00 fl, ob, cl, bn, pf, vc, db Dougla [with Geoffrey Holder] (1974) 20:00 2 flute, percussion Tones (1970) 18:00 2-2-1-0; 1-0-1-1; timp-2 perc-pf; str CHORUS Heart of Ours - A Piece (1988) 8:00 Men's cho, fl, 4 tpt, 2 perc Two Cuban Songs

sin normas ajenas (1994) 12:00 fl (pic), ob, cl, pf, 2 perc, 2 vn, va, vc Parajota Delaté ("From T. to J.") (1988) 4:30 fl, cl, vn, vc, pf Parajota Delaté ("From T. to J.") (1990) 4:30 fl, ob, cl, bn, pf Permutation Seven (1985) 15:00 fl, cl, tpt, perc, vn, vc Pet's Suite (1980) 20:00 flute, piano

VOCAL ENSEMBLE

Pueblo Mulato (1987) 12:00 3 Songs on Poems by Nicolás Guillén Sop, ob, gui, db, perc, pf

Batéy [with Michel Camilo] (1989) 30:00 2 soprano, countertenor, 2 tenor, bass

Son Sonora (1993) 15:00 flute, guitar

De-Orishas (1982) 11:00 2 soprano, countertenor, 2 tenor, bass

Singin' Sepia (1996) 18:00 5 Songs on Poems by Rita Dove Sop, cl, vn, pf four hands

VOCAL SOLO To and Fro (1990) 8:40 medium voice, piano

INSTRUMENTAL SOLO Four Pieces for Violoncello (1983) 12:00 Momentum [piano] (1984) 7:50 Paisanos Semos! [guitar] (1984) 4:30 Rituál [piano] (1987) 7:00

U.S. $24.95

HL00229158