Page 1

DEREK BERMEL

ELIXIR For Orchestra

Commissioned by Betty Freeman for American Composers Orchestra Steven Sloane, music director; Robert Beaser, artistic director; Dennis Russell Davies, conductor laureate; Co-commissioned by the Westchester Philharmonic, Paul Lustig Dunkel, music director


Instrumentation 3 Flutes 2 Oboes (2nd Oboe = English horn) 2 Clarinets in Bb (2nd Clarinet = Bb Bass Clarinet) Bassoon Contrabassoon 4 Horns in F 2 Trumpets in C 2 Trombones Bass Trombone Tuba Percussion (3 or 4 Players) Player 1: Chinese Cymbal *, Sizzle Cymbal *, Rainstick Player 2: Deep Nipple Gong *, Mark tree (metal Wind chimes), Wind chimes (bamboo or glass), Rainstick Player 3: Vibraphone, Rainstick, Mark tree (metal Wind chimes), Wind chimes (bamboo or glass) Player 4: Mark tree (metal Wind chimes), Wind chimes (bamboo or glass), Rainstick (taking over from Players 2 & 3) 2 Harps Theremin Electric Bass Guitar (6 String Fretless) Strings * Cymbals and Gong are all played arco, as well as “normale”

Transposed Score

Perc. 3 (Vibraphone)

Perc. 1

Perc. 2

Theremin Hn. 4

Hn. 3

Tpt. 2

Tbn. 2

Bs. Tbn.

Tba.

C’bn.

Harp 1 Violins II (2 solos at back of section)

Electric Bass Guitar Harp 2

Violas

C’basses Violins I (4 solos at back of section)

Offstage Ensemble (House Left): 3 Flutes, Oboe 1 Clarinet 1 Trumpet 1

V’cellos

Offstage Ensemble (House Right): Oboe 2/ English horn Clarinet 2/ Bass Clarinet Bassoon Horns 1 & 2 Trombone 1


ELIXIR Derek Bermel

1

1 Flutes 1,2,3 G Oboe 1

G

Clarinet 1 in Bb

G

Trumpet 1 in C

2G

Offstage Ensembles

House Left

Oboe 2/ English Horn

1 G

Clarinet 2 in Bb/ Bb Bass Clarinet

G

House Right

2

G

Bass Trombone/ Tuba

2

 cresc.

pp

N › :: ' pp

: 2 N › : 'M2 pp

cresc.

Bamboo wind chimes

G

Viola

Violoncello

Contrabass

2

al



ƒ

Mark tree



sempre

al

Q 0

Cadenza misteriosa (ca. 20")

p

:: ²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²G 

Q 0

G

p

::²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²² 

Q 0

Violin II

 

Q 0

1 Violin I G



al

sempre

 cresc.

Sizzle cymbal



arco sempre

Rainstick

Theremin



::²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²² 

'

(arco) sempre

G

6-string Fretless Bass Guitar



Q 0

1 › :: ' N

-



Q 0

Deep Nipple Gong

Harps 1,2



Q 0

arco sempre

Perc. 3 (Vibraphone, etc.)



Q 0

Perc. 2 (Gongs, etc.)



Q 0

Chinese cymbal

Perc 1 (Susp. Cymbs.)

 

Q 0

Trombone 2



Q 0

Q 0

Trumpet 2 in C



Q 0

1 G



Q 0

Q 0

Horns 3,4 in F



Q 0

2



Q 0

G

Horns 1,2 in F

Contrabassoon

Q 0

Bassoon 1

Trombone 1

Cadenza misteriosa (ca. 20")

Q 0 Q 0 Q 0 Q 0 Q 0

© Copyright, 2006 by X Pyre Music All Rights for the World Exclusively Administered by Songs of Peer, Ltd.

p

    

    


2

Dreamlike ( q = 48)

2

Hps. 1, 2

  



    

 

pp sweetly rolled

    

Dreamlike ( q = 48)



 

 

   







 





 

  



   Vln. I   





   





   





 

 



la metà

pp poco sul tasto, molto legato la metà

Vln. II

pp poco sul tasto, molto legato la metà

Vla.

pp poco sul tasto, molto legato la metà, div.

   

Vcl.

Cb.

  

pp poco sul tasto, molto legato

8

Hps. 1, 2

Vln. I

  

 

      p

       p

    p

     

Vcl.

 Pc. 1 (Cymbs.)

   



18

 

p

  

Hp. 1

Hp. 2

Th.

 



 

  

 

 



 

 

 

p

 p

(à 2)     2 Solo Vlns. Ia 

p sempre molto legato (à 2)

2 Solo Vlns. Ib

 

p sempre molto legato

2 Solo Vlns. II     (à 2)

p sempre molto legato tutti, div. (sempre)

   

Vln. I

 

p sempre molto legato tutti

 

Vln. II

  

Cb.

  

 sim.

pp

 sim.

 



 

 





  

  

 

 

    



 







 

 

 



 



 



pp poco sul tasto, molto legato



mp

 

mp

   



pp











 





  





 

 



 

 







 

 sim.

pp

 sim.



pp



pp

  



 

 

   

 

 

 

 

    





 

 



 

  

      

   

 

mp

  

  









 

 

 

 

  

 

   

div.

 

  

   

  

 

 

 

 

 

 

 

 

 

 

 

  

  

mp

  

 

 

 

   

 



  

mp

 







unis.









 

div.





 

la metà

 

 

 

 

div.

 



 

mp

  

mp



  

mp

 

  

 

mp

 

  

 

mp

 

 

 

  

 



 

 

 

    

   

  



 

mp

  



mp

pp





mp

(pedal on each chord sempre)

 

 

mp

Chinese cymbal (arco)



p sempre molto legato

   





 





 



p sempre molto legato tutti

 

  



 

  

 

  

 

 





p sempre molto legato tutti, unis.

Vcl.



 

  

  



p sempre molto legato tutti

Vla.

 

p

 

pp

Vibraphone (motor on)

Pc. 3 (Vib.)



 

p



 

p

Cb.

  

    

Vla.

p

Vln. II

  



 

  

   

  

mp

 

mp

       

mp

 


3

Pc. 1 (Cymbs.)

26

Pc. 2 (Gong, etc.)

Pc. 3 (Vib.)

Hp. 1

Hp. 2

Th.



pp







mp



soft yarn mallets



mp

Mark tree



p

 

 

  

 

 

   

 

   

 



 

mf

  

     

  

 

 

 

 

 

 

 

 

 

 

  

  

 

  

 

 

   

 





  



 

   

  

 

 



  

 

 

 

 

 

 

 

 

 

 

  

  

  

 



 

 

    

 







 

  

  

 

  

 

  

   

  

 

 

 

 

 

 

  

 

 

 

  

 

 

 

p

p

p

(l. h. 8va basso sempre)

p

    Ia  p

2 Solo Vlns. Ib

p

II

p

 sim.  

Vln. I

p

 sim.  

Vln. II

 

 

  

 

 

 

  

 

  



div. á 4





(trem.)

 



  sim.



p

 sim.

  p

unis.  sim.

p

 

p

trem.

mf

mf

  div. ord.

mf

   

(ord.)

 

Vcl.

 

mf

   



 sim.

Vla. (div.)

 

  

p

Cb.







mf

mf

mf

  mf



mf

 



   

  

mf

 

 



 

 





 div.

 

mf

mf

div.

div.

     

  

     

div. á 2



 

unis.







 



  



  


4

Pc. 1 (Cymbs.)

34

Pc. 2 (Gong, etc.)

Pc. 3 (Vib.)

Hp. 1

Hp. 2

Elec. Bass

mf

mf

(l.v.)

(l.v.)

  

mf

Gong (arco)

     









(l.v.)

p

  

  

 

  

 

   

 

 

 

 





mf

(8ba sempre)

  

  

 

 

 

  

 



 

 

 

f



 



f



 p

 



 



 

 

 

 

 

 

    





     

   

  

 

   

 

 

   

 



 



  



f

  

  

 

 

  

  

  

  

 

  

  

 

 

 

 

   

  

   

   

 

 

 

 

 

 

 

 

 

 

   

  

 

(á 4)

 

 







 

 

  div. á 4

  

 

 

 



 

 div.  



 



  

  

 

   



 

 

 

  

  

  

 

f

f

f

 

f

 

  

f

 



 

div.

 

      

  

 

 

  

unis.

 f

       

 

unis.



 

    

mp

      



  



 

(div. á 2)

Cb. (div.)



 

  

Vcl. (div.)

 

Vla. (div.)



   

    Ia 

Vln. II

 

mf

Vln. I

p



  

mf

 

II

 

mf

2 Solo Vlns. Ib



  

Th.

 

Rainstick

    

   

div.

 

 

f

 

  





 





 



 



 

 



 

  

f div.

  

(á 2)

 

f

 

(div. á 2)

 

 

f

 f

f

f



    

  

 









   unis.

unis.  



   


5

Pc. 1 (Cymbs.)

42

Hp. 2





p



mp

mf

 

 

  

 

       

 Bamboo Wind chimes



 

   

 

 

 

 

  

 

   

 

 

  

 

   



 

  



 

    

  



   

 

 

  

  

 

 

   



    





  

 



 

 



    

 

 

 







 





 

 

  

  

  

  

  

 

 

 

 

 

  

 

 

  

mf

mf

f

f

 

 

 



    Ia 

  

  

 

 

 

  

  

 

  

 

 

 

 

mf

mf

mf

II

 

 

f

  

2 Solo Vlns. Ib

   

 

 

Th.

(l.v.)

 

 

Elec. Bass



mp

 

  

Hp. 1

Sizzle cymbal (arco)

Pc. 2 (Gong, etc.)

Pc. 3 (Vib.)

mf

mf

 

 

div.

f

f

  f

 

unis.

f

f

 Vln. I  

 

  

 

 

  

   mf

  

  

 f



  

 

 





 





 







 

 







  

 



   

 

  

 

  

  





mf

Vln. II

unis.

Vla. (div.)

mf

  

unis.

mf div. á 4

Vcl.

     mf

  Cb.    mf



   

 

div.

div.

f

f

f

  

 

  

   

 

 





tutti, norm.

f

div. f



unis.

 



 

unis.

 


6

 Fl. 2  50

(H. L.)

(H.

Ob. 2/ R.) Eng. Hn

F. Hns. 3,4

Hp. 1

Hp. 2

Elec. Bass

 

(l.v.) p

 

 

  

 

 

 

 



 

 

 

 

p

p

p

(8ba sempre)

p

take English horn

3

 

 

 

 

  

 

 

 

  

   

pp









pp

pp

Chinese cymbal (arco)



pp

 

 

 

 

 

 

   

 



  

  

 

 

  

  

   

 

  

  

 

 

 

 

  

 

 

  

 

 

p

  p

(tutti, ord.)

 

 

 

   

div.







 

unis.

  

unis.



 

 



 

p tutti, norm. (div. á 2) p

p

  

 Vln. I  

  

p

Vcl.

mp

mp

  

p

Vla.

p

3

3

 

p

Vln. II

3

    

II

3

         

  

  

2 Solo Vlns. Ib

 

p

   

pp

 

p

Cb.

3

Th.

Ia

 

 

Pc. 2 (Gong, etc.) Pc. 3 (Vib.)

 

Tbn. 2

Pc. 1 (Cymbs.)

       

 

C Tpt. 2

B. Tbn./ Tba.



 

  unis.

 

div.






7

 Fl. 1  55

Fl. 2

H. L.

Fl. 3

Offstage Ens.

Ob. 1

Pc. 1 (Cymbs.) Pc. 3 (Vib.)

Hp. 2

Elec. Bass

        

 

3

p



p

3



 

take Bass Clarinet

    



       

3

3

 



mp









p

 

 

 

 

 

  

pp

 pp

 

 

    

p

 

 

  





 

 

 

 

 

 

  

 

 

 

     

  

mp

 

mp

mp

mp

  

 

mp

 

mp

  

 

 

 



  

  mp

 

 

    mp

 

 

 

 

pp

  

mp

div.

pp

 

mp

 

 

mp

  

mp

mp

  

 

  

(8ba sempre)

mp

   

 

 

3

3

 

3

mp

3

mp

 

3

3

3

 

  

Vcl.

 

   

mp



    

Vla.

p

3

3

 

    

Vln. II

3

    

mp

 

 

3





 

 

     

 

mp

 3

   

3

   Ia 

Cb.

 

p

    

   

  

Vln. I

  

 

II

   

2 Solo Vlns. Ib

 

 

Hp. 1

mp



  

Bsn. 1

B. Tbn./ Tba.

 

Tbn. 2

3

C Tpt. 2

3

3

  

 

F. Hns. 3,4

 

    

Cl. 2/ Bs. Cl

Hn. 1

   p

H. R.



Cl. 1

 

mp

p

p

p

p

p

   p

 

 

p

p

unis.

unis.

p

p

p

p     p

3

3


8

 Fl. 2  59

    mp

Fl. 3

mp

H. L.

Ob. 1

Offstage Ens.

Cl. 1

C Tpt. 1

Ob. 2/ Eng. Hn

3

3

 

3

Elec. Bass

Ia

3

 

3

 

p (eco)

 

   

  

           

3

3

p

p

3

3

 

      

3

p

3

 mp

mp 3

 mp

   

3

mp

3   



mp

3





3



3

 

 





mp





  

p

p

p



 

p (Chinese cymbal, arco)





p

   

     

 

 

 

 

  



  

 

  

 

   

  

   

 

   

  

  

 

  

 

   

  

 

    

div.

 

div.

norm. trem. norm. trem.

3



 



  3

 

    

  

  

 

 

  

 

 

 

  div. á 4

div.

   

  

    

   

3



 

3

mf



mf

 

3

mf



3

3

mp



 3

mp



3

mp

3

3

3

mp



 

 

3







 

 

 

Vcl.

Vla.



Vln. II

3

(Bass Clarinet)

 

Vln. I



II



  3

(English horn)





3



 



mp

2 Solo Vlns. Ib

Cb.

Tbn. 2

Hp. 2



 

C Tpt. 2

Hp. 1

Pc. 3 (Vib.)



 

Pc. 1 (Cymbs.)

 

p (eco)

3

B. Tbn./ Tba.

3

Hn. 1  

F. Hns. 3,4

Bsn. 1

Hn. 2





Cl. 2/ Bs. Cl

H. R.

3

    

 




9

  62

Fl. 1

Ob. 1

H. L.

Offstage Ens.

Cl. 1

C Tpt. 1

H. R.



Ob. 2/ Eng. Hn

 

Cl. 2/ Bs. Cl Bsn. 1

Hn. 1

Hn. 2

Tbn. 1

F. Hns. 3,4

  mf

 

 

 

3

 

mp

 

mf

 3

3

 

 

3

3

mf



mp

3



mp

Elec. Bass

mf

3

   

   3 3 

 

mp  



 

mp

 

mp crisp, relaxed

mp

  



 

   



mp    



mp

mp

mp

mp

(l.v.) mp

mf



 



  

    mf

   mf

  mf

  mf





 p

  

    

 



 

 

 

 

 

 

 



 

   

 

  

  

 

 

 

   

 

  







soft yarn mallets mp

Rainstick

 

 

Sizzle cymbal

   

 

mf

mf

p

 

  



mf

 

 

p

mf

 

 

mf



p

 



  

2 Solo Vlns. Ib 

 

mf

 

  





 

  

mf

 

  

mf





   

  

 

mf

 

p



 

10

3



    Ia 

Cb.

mf

  

3



Vcl.

3



mp

Vla.



mf

 

Vln. II



  

Vln. I





II







       

Hp. 2

mp





Pc. 2 (Gong, etc.)

Hp. 1





mp







Tbn. 2

Pc. 3 (Vib.)

  

C Tpt. 2

Pc. 1 (Cymbs.)



mp

mp

B. Tbn./ Tba.



(div. á 4)

 

 

 

  

 

 

 





unis.

 


                                 65

10

Fl. 1

10

10

 

Fl. 2

               

mp crisp, relaxed

(H. L.)

Cbsn.

10

f

10

                      10

mf crisp, relaxed

C Tpt. 1

f

          

Ob. 1   

 

Cl. 1

 

10

10

Fl. 3

10

 10



10

mf crisp, relaxed

10

f



  

Pc. 3 (Vib.)

Hp. 2

Elec. Bass

 

 

  f

 



  f

  

 



   

mf (l.v.)

mf Mark tree

Gong

mf soft mallet (l.v.)

Rainstick

  

mf

 

mf  mf

    

   

     

 

 

 

 



mf

 

mf

  

mf

  

    Ia     

  

 Vln. I   

 

 

   





div. á 2

 





div. á 4

  

 

 

div. á 2

 

2 Solo Vlns. Ib

 

   

II

div. á 2

Vln. II

   

Vla.

Vcl.

Cb.





f   



 

f



 

   

 f



mf

    

Th.





f

   

Hp. 1



mf

       

Pc. 2 (Gong, etc.)



B. Tbn./     Tba.  Pc. 1 (Cymbs.)







mf

C Tpt. 2    Tbn. 2

mf

  

F. Hns. 3,4



f

             

 

 

   





 



 


  67

Fl. 1

Fl. 2

H. L.

Offstage Ens.

C Tpt. 1

Ob. 2/ Eng. Hn

 

Bsn. 1



 

f

      f 

   



Tbn. 1

  

  



 

    

   



   f

 







 

 

 



 



 

 

 

 





 







  







 

 



   

 

 



  

 



 

 

 



sempre f 

   

sempre f

 

  

 

 

    

Pc. 2 (Gong, etc.)

Pc. 3 (Vib.)

Hp. 1

Hp. 2

Elec. Bass

Th.

   

Gong (arco)

    

 

     

   

       



II

Vln. I

Vln. II

Vla.

 

 

  

  

  

   

 

 

      

     (div.)     

   Cb.  

 



   

(div.)

Vcl. (div.)

    

  

      Ia 2 Solo Vlns. Ib

    

 

(div. á 4)

mf

 

mf



 

 



 







 Bb Clarinet

    

  

f



 

f

 

f



(l.v.)

 

    



 f





    

 

  

 

  



mf mf

  

  



f

f

      

f

 

   f

   f

 

f

 

f

div. á 4



 

 

f

 

 

f

 







f

f

  f

 

mf crisp, relaxed

 

f

      

mf crisp, relaxed

 



mf crisp, relaxed



f

f

 

f

 

mf

f

f

 

    

f

       

   



 

  

 

 



mf crisp,

f

  

 

 



    

  

   relaxed

 



 





  

  

 

      

 

 

 

 



mp

mp

  

    



  

  

  



    



(yarn mallets)

 

Sizzle cymbal

  







Pc. 1 (Cymbs.)

 

   Tbn. 2 



 



B. Tbn./ Tba.



    

11





    

 

C Tpt. 2



    





 



   

    











    

   

  

  





   

take Bb Clarinet



F. Hns. 3,4



sempre f



Cbsn.



sempre f  

 



  

sempre f

 



 

 

 

 

 

sempre f  

 



 









 







 

  



 

 

f

 







 

  

 



f



 

 



 

  

  

 

 

 

 

 

 

Hn. 2  

 

 



 

 

 

f

Hn. 1

 

 

(Bass clarinet)

Cl. 2/ Bs. Cl

H. R.





 

 



  





  



 

Cl. 1



Ob. 1



Fl. 3



 

f


12

   71

Fl. 1

 

Fl. 2

H. L.

Ob. 1

Offstage Ens.

Cl. 1

C Tpt. 1

        

10

Ob. 2/ Eng. Hn

10

f

10

f

p

         f

p

            

Cl. 2/ Bs. Cl

Hn. 1

 

Tbn. 2 B. Tbn./ Tba. Pc. 2 (Gong, etc.) Pc. 3 (Vib.)

mf crisp, relaxed

Hp. 2

Elec. Bass



f

mf

 

 

p

  f

f

10                        10

10

10

                        f 10

mf







 

     



mp

 

 





 



    

   

 



   

2 Solo Vlns. Ib

II

Vln. I

      

 

Vln. II    

div. á 2

           

div. á 4

   

 

  

 

   

  div. á 4

   

        



(Gong, arco)

  f



10

mf

10

  

     

10

10



10                             10

   Ia 

Cb.

 

 

10

Vcl.

10

                      

   

Vla.

mf

 

Th.

10

Hp. 1

f

          



C Tpt. 2

       

p

f

mf

  F. Hns. 3,4    Cbsn.

f

10

10                                

p

          

mf

10

10

f

mf crisp, relaxed

Bsn. 1

p

10                               

          

10

f

               

f

H. R.

           

 

 

  

  

 

  

 

 

mf

 

mf


                                     10 10 10 f                                73

Fl. 1

Fl. 2

10 10

 

Fl. 3

H. L.

 



10

Offstage Ens.

            

mf

10

f



mf





mf



 

F. Hns. 3,4   



 

C Tpt. 2

mf

  

Tbn. 2

Pc. 2 (Gong, etc.) Pc. 3 (Vib.)

  

Hp. 1

Hp. 2

Elec. Bass

Th.

    

  

    



 





f

f

 



f





   



 





   



 



  



mf sub.

     

mf sub.

mf sub.

   

   

  

 

 

mf sub.

mf sub.

     

f

f

    





  

 



 







  p

 mp

(l.v.)

p

 

 

 



 

  

 

 

 



 

mf

mf

  mf

 

mf

   

 

  

mp

 

mp

 

mp

mp

 

mp

  

mf

mf

   

mp

mp

 

mf

 

   

mf

 

    

mp

mp

  

mp

  

mp

  

 

  

mp

  

mp

   

mf

p

Mark tree

   

      

p

p

mf

mf

     

mf

   

mf

  

(div. á 4)

f

mf

(div. á 2)



f



mf

  

    

13

mf

 

   Cb.  

f

mf

  

(div. á 2)

f



    

mf



 

   Vcl. 



mf

 

 

   

 

f





 Vln. I  

Vla.

    

p

  II 

Vln. II

    

    Ia  2 Solo Vlns. Ib

 

    



  



     

 

 

mf



 

    

 

mf

B. Tbn./ Tba.

  



mf

mf



10

       

mf



 

         



             

mf



f

10

                      mf                        mf  





Hn. 2

Cbsn.

f

f

                       

  Bsn. 1

Tbn. 1

10

10

Ob. 2/ Eng. Hn

Hn. 1

mf

mf

H. R.

f

            

                          

 

10

mf

C Tpt. 1

Cl. 2/ Bs. Cl

f

10

10

Cl. 1

10

                          

mf

 

Ob. 1

10

 

   


14

 Fl. 1  

f

Offstage Ens.

C Tpt. 1

 

  

  

  

  

f





  

 





Hn. 1    

Hn. 2

 

Bsn. 1

Tbn. 1

Pc. 1 (Cymbs.)

Hp. 1

Hp. 2

Elec. Bass

  

  

mf sub.

 

mf sub.

mp

 

 

 

 



 

    Ia 

     





mf







mf

 mf



   









 

 



 

 mf

   



 

mf

 



 



 

f

f   

 f



 

10

take Oboe





 





10



 



   



 



 



 

 



  

mf



mp



Bamboo wind chimes

mp



 

 

 

 









mf



mf

 

    

mf

 

mf

 

 

   

mf

  

 

 

 

mf

mf

 

 

 

 

mf

mf

   

  

mf

 

  mf

 

mf

  



   



div. á 4

 

 

 

mf sub.





 

mf sub.

 

 

mf





 

mf sub.

mf

mf

  



 

f

 

   

      





f

 

         

mf

f

10

   

 

 

             

10

  

    

 



 

  

 

 

 

 

  



 

    

  

div. á 4





     



  

Cb.



 

Vcl.



10

mf

 Vln. I  

Vla.



  

Vln. II



10



  

II



                 



Rainstick

 

2 Solo Vlns. Ib

 

mf sub.

10





p

  

Th.

mf

 





mf

   

  

mf sub.



Sizzle cymbal, arco

Pc. 2 (Gong, etc.) Pc. 3 (Vib.)

  

mf

10

mf

5

 

                            

mf sub.

   

Cl. 2/ Bs. Cl

 



  

Ob. 2/ Eng. Hn

H. R.

f

 

 



 

Cl. 1

f

H. L. Ob. 1

   



 

Fl. 3

 

f

 

Fl. 2



  

 

76

 

mf




15

  Fl. 1  

  



79

Fl. 2

 Fl. 3  

H. L.

Offstage Ens. H. R.

Cl. 2/ Bs. Cl

 

Bsn. 1

 

Tbn. 1

mf



mf



3

mf  





 



 

 

mf







 











mf





 



3



3 



 



3

 3









 

 





  



 

 





 

 

  



3

        





f







 







f

 f







f

f

 

 (l.v.)

p

    





f

3

 

3





f



 

f    f

 





f



 

Pc. 2 (Gong, etc.)



 



Hp. 1



 

Pc. 1 (Cymbs.)

Pc. 3 (Vib.)

 



  

Hn. 2



 

Hn. 1

 

Cl. 1

Ob. 2/ Eng. Hn

Ob. 1

C Tpt. 1

 

f

f





 





 

Rainstick

p

   



mp

p





mp

p

 

mp



p

mp

p





mp

p

   





 

p

mp

mp

p

mp

p





 

mp

mp

p

 

mp

p

       



 









p

 

 

 





  

 



    Ia 

  

  

   

2 Solo Vlns. Ib

  

   

II

 Vln. I   

   

Vln. II

         

Vla. (div.)

Vcl.

Cb.

     

 (á 2)   



    

p

 

 



(loco)

pp

 

p

 

 

  p

  

    p poco sul tasto

  

  

 

(unis.)







   

  

 

   

 

(á 2)

  

p

 



 

 

 

  

 

p

  







Th.

p

      Elec. Bass  

p



mp



Hp. 2

  

   



   

 

p poco sul tasto (unis.)

p poco sul tasto (unis.) p poco sul tasto (unis.)

p poco sul tasto (unis.) p poco sul tasto


16

 Fl. 1  83

                            

mp cresc.

H. L.

Offstage Ens. H. R.

Ob. 2/ Eng. Hn

                

3

Tbn. 1

mp

Pc. 1 (Cymbs.) Pc. 3 (Vib.)

Hps. 1, 2

Th.

Ia



mf

       

3

mf

3

3

  3

 

mp

3

mf

3



3

   3

 

 

   

3

 



  

    



  

     

3

                mp cresc. 10 10

10

10

10

10

10

                     mp cresc.                     mp cresc.

   3

10

10

                   

mp cresc.

  

3

mp

3

mp

           

mp cresc.

Chinese cymbal (arco)



pp

   

 

 

  





  

    

   

  

 

  

 

  

unis.

   

2 Solo Vlns. Ib

II

á2

(tutti)

Vln. I

(tutti)

Vln. II

 

Vla.

Vcl.

Cb.

mp

3

 

mf

3 3            

Hn. 1

3

            

3

mp



Bsn. 1

 

3

 

Cl. 1

 

 

Ob. 1

C Tpt. 1

Fl. 2

10

10

 

unis.

 

 

 

 



  

mp cresc.


17

 Fl. 1   85

 

Fl. 2

             

          

H. L.  

Offstage Ens.



10

  

mf cresc.

Hps. 1, 2

Th.

Ia

  

 

10

 

            

mf cresc.



   

mf cresc.



 

        

mf



  

   f

f

       

  

   f

mf cresc.

               

        

   

  

   

  

  

 

 

    



 

    

  

f

 

 

   





 

f

  

f

f

 

f



 





 

 

f

mf cresc. (l.v.)

p

    

 



   

  

   

 

 

 

Vln. I

  

div.

Vln. II

Vcl.

mp

mp

mp

  

  

 

 

  

  

mp

mp

mp

 





 

mp

mp





mp



 

  



 

  



 

Vla.



  

  

   

    

II

 

  





    

f





f

f

  



    

2 Solo Vlns. Ib

Cb.

10

    

         

Hn. 2

Pc. 3 (Vib.)

10

10

mf

Pc. 1 (Cymbs.)

10                              mf

 

Bsn. 1

Tbn. 1



10

10

 

Hn. 1

10                

    

  f

10

                          mf

  

Cl. 2/ Bs. Cl

H. R.

10

10                      mf          

Cl. 1

Ob. 2/ Eng. Hn

mf

10

C Tpt. 1

mf

10

Ob. 1

    10          

          

 

mf

10

10

Fl. 3

 

div.

mp

mp

unis.

mf

mf


18

 Cl. 1   88

(H. L.)



 



mf

C Tpt. 1

(H. R.)



Bsn. 1

Pc. 1 (Cymbs.)

    

Pc. 3 (Vib.)

Hp. 1

Hp. 2

Th.

Ia



 



(l.v.)

p

     



  

 

 

 

 

 

   

 



  

 

p

 

 

   

 



p

 

 

p



pp

mp

    

 



  

 

mf

mf

      

 



mf

    

mp

solo

 3



    

p

3



   3

pp

Gong

with soft mallet (l.v.)

p

   

   

   

   

    

  

  

  

    

  

  

  

     p

  

  

  

 



p

   



p

     p

  

pp

pp

  

pp

  

  

  

  

  

  

  

 

 

 

 

 

 

  

 

  p

 

 

  



  

 

  

p

p

II

p

  

Vln. I

p

  







  

div.

unis.

Vln. II

p

p

mp

p

 

mp



mp

unis.



p



  p



mp

pp

pp

pp

pp

pp

 



  

  

  



  

  

p



  

 

 

   

pp

 

 









pp



div.

  Vla.   p

   Vcl. 

mp

p

unis.

div.

mp

mp

mp

p

p



p

pp

  

  

    

2 Solo Vlns. Ib

Cb.

Sizzle cymbal, arco

Pc. 2 (Gong, etc.)

mf

 mp




19

Cadenza misteriosa (ca. 30")

Fls. 1,2,3

Ob. 1

Cl. 1

C Tpt. 1



Offstage Ens.

H. L.

H. R.

 

  95

Ob. 2/ Eng. Hn

 

Cl. 2/ Bs. Cl

Bsn. 1

Cbsn.

     

   

 



 

F. Hns. 3,4

C Tpt. 2

     

Tbn. 2 B. Tbn./ Tba.

 

Hn.

Tbn. 1

 

 

 arco sempre

Pc. 1 (Cymbs.)

    

Pc. 2 (Gong, etc.)

   

Chinese cymbal

p

dim.

p

     

Hp. 1

Hp. 2

Elec. Bass

p

dim.

   

 

Vln. II

Vla.

Vcl.

Cb.

 

sempre

al

ppp



sempre Bamboo wind chimes

Cadenza misteriosa (ca. 30")

Vln. I

dim.

Th.

Sizzle cymbal

Gong

Rainstick

Pc. 3 (Vib.)

 Mark tree

al

ppp

 

sempre

al

           

   

 

   

ppp

Bermel - Elixir  
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