Bermel - Continental Divide by Peermusic Classical

Derek Bermel

Continental Divide for Chamber Orchestra

Piccolo, celesta, and xylophone sound an octave higher than the written pitch. bass clarinet, contrabassoon, electric guitar, bass, and electric bass all sound an octave lower than the written pitch.

When in bass clef, the horn part is written in " new " notation, so that it sounds as written (transposed down a fifth to F).

useful.

The ideal setup for the guitarist includes pedals for distortion and flange. A volume pedal is also harmonics are designated by a small 0 above the note (harmonics are notated at sounding guitar pitch , i.e. 8ve basso)

stopped notes (only on guitar) are notated with x-noteheads

(mm. 181- 194)

Acoustic string instruments should be amplified with external microphones. Pickups on the strings are less preferable, but possible. Electric instruments are least preferable. The electric bass part assumes a five-string fretless bass (with a low B string). such an instrument is not available, the fretting marks, designated by roman numerals, wil need to be shifted correspondingly, and the low notes played 8va. The symbol designates a pulled string when slapping. designates a gliss between two notes. If a gliss exceeds The notation the range of a particular string, the player should attempt to ensure as smooth a gliss as possible while switching strings. In general , the player should avoid splitting " glisses whenever possible, except as notated. The same basic rule applies for positions on the trombone. If there is no note following the gliss, the symbol designates a chromatic fall usually between a sixth and an octave. SYMBOLS WHICH MAY REOUIRE SOME EXPLANATION:

tambourine:

= shake

= hit

= thumb roll

= damp immediately (percussion, harp) = approximate note , usually a note not settled upon. = subito moHo vibrato, like a spring (strings) = stopped (brass, triangle)

= open (brass, triangle) or harmonics (strings, flute)

.. .

PERCUSSION DISCUSSION

large cowbell (pitched on D, if possible) snare drum (with brushes)

xylophone

hi-hat

chinese cymbal (with long decay) 1 a pst i c k )

wh i p (s

flexatone

ratchet

wood block (medium size) (pitched on high tambourine (soft sound) six ( ) t u n e d (b u t ton) g o n g s

triangle

- -

pit c

heda

gi!,

i!,

ai!,

*if all six gongs are not available, and gongs may be eliminated gi!

the

The following diagram shows a possible setup for the

brushes

whip

wood bl.

ratchet

flexatone

sticks tamb.

instrur:ents:

sn. drum

hi-hat ch.

cym.

The cowbell can be mounted, along with the triangle, in the central part of the setup, near the snare drum.

for Louis A.

'trfro +"Mi"'

J :: \2 t\in.

\ 2'/1.

it'.

INSTRUMENTATION:

flute/piccolo oboe/ english horn (F) clarinet (Bb) /bass clarinet (Bb) bassoon/ contrabassoon

horn (F) trumpet trombone tuba piano / celesta

harp electric guitar percussion: xylophone, snare drum , chinese cymbal tuned gongs (f#-b chromatic), hi- hat, wood block, tambourine, whip

(slapstick), flexatone, ratchet 2 violins

viola violoncello double bass/electric bass NOTES TO THE PERFORMERS: was inspired by the chapter

Continental Divide

Universe in Stephen Hawking

The Origin and Fate of the

Hawking describes a chaotic inflationary model" for the universe, in which expansion is not constant, but rather progresses in smaller bursts, each of which defines a new Brief History of Time.

phase transition.

Instead of moving through physical space, the elemental musical move through time at varied levels of pulse. particles At certain junctures-musical " phase transitions the rhythmic nature of the musical material undergoes dramatic transformations. As the movement progresses, particles flyaway from .the center at different speeds and collde in " in

Continental Divide

rapidly increasing entropy.

Between mm. 197 and 210, the basic pulse remains unchanged; the

metric modulation to tempo 108 is mainly for notational purposes (to avoid a slew of dotted notes), and corresponds roughly in a ratio of 4:3 with the original tempo of 80. Bearing this relation in mind when conducting this section may

facilitate a smoother transition. The Continental Divide is the point in America where water flows to different oceans. I wrote it while traveling back and forth between Amsterdam and New York. The premiere was given on March 10, 1997 by the Pittsburgh New Music Ensemble, Edwin London conducting.

commissioned by the Pittsburgh New Music Ensemble

CONTINENTAL DIVIDE (1996)

d= 80

Derek Bermel

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23-

,. ,.

:"'j !;'

..a

flute

~H..

F1/P;c. "I 1

7If

~H.. T Ob. /E.

I "I

7If

:I.Bs. Cl.

Bn.lCbn. "So

M!:

Hn.

"So

M!:

"So

'" 10

Tpl.

w/cup

mute

keep gliss as smooth as possible

Trb.

Tba.

8va------------

L""

u----nun

n.n_un n_nnn_L""

__nun_

----______n___-

----__--___n_n_n_

-_u__----___n_n______---

L""

Pno.lCel.

EI.Gtr.

!i snare drum

Perc.

H+'

7Ip

ard.

keep gliss as smooth as possible

VIn.

7If ard. VIn.

7Ip pizZo VIa.

7If pizzo Vel

7If pizzo Bs. /E. Bs.

7If

24-

keep gliss as smooth as possible

~.Q

(;;)'

) "

",,

!:'

:- + :: +

.--- -=

'j j j

.,,

~!.

=: "j) + :: +

!:' -

'j ,

Same Tempo Fl./Pic. oJ

to eng. hn. Db. iE. oJ

to Bb claro :1./Bs. CI. oJ

bsn.

"" to bsn. Bn./Cbn.

Hn. oJ

rude, laid back

(sempre legato) -

Tpl.

. t'

t. ;P

Trh.

smoov

Tba. t'

t. "

Same Tempo

El. Gtr.

tnangle 0 + 0 ' 7Ipj)'j

pJJJ

== 0 'j pj JJ

:: 0+

1 'j ;j,

7IP),

1=718 'j pJ J

'j 1

Perc.

S,anie Tempo VIn.

oJ " r VIn.

VIa.

Vel

to elec. bs. Bs.lE.Bs.

25-

~~~

) .,,

~!:

. """

'",.

,,. "'--

"..

~!:'

-= -= -=

'"".

Fl. /Pic.

eng. hn.

rude, lai!back

Db. iE.

:1./Bs.

rude, lqLdback

Bn.lCbn.

7Ip

Hn.

Tpl.

oJ. sempre 71p

Trb.

Tba. i.

Pno.lCel.

EI.Gtr.

tri.

j:71 '1 p.J .J '1 1

7Ip P

0+ 7Ipj)

'1 P.J

.JJ

'1 .J .J '1

j=7I

'1 p.J .J '1 1

Perc.

(w/foot)PP

VIn.

Via.

,.I Vel

7If Bs.lE.Bs.

26-

r:1

) . ."

"* ,,-'"

. " ~

~ ~

"'-

i to piccolo

funky

Fl. /Picc. if

";1' Ob./E.

7Ij Bb claro

funky

to bs. cl.

~i"

::l./Bs.

7If

Bn.lCbn.

7If funky Hn. if

Tpt.

oJl1V

Trb.

Tba.

7If

Pno.lCel.

81.afunky

I .. i

ELGte.

(tri.

0 + "; 7/Pj)

1..

j J l

7Ip

(g;umb roll) ==

tambourine01,

'1 j

)) '1

Perc.

'1 J J

'1 J J '1 J '1 (J)

(h. Vin.

VIn.

Via.

..r Vel

ulA elec. bs.

slap

VII L:::

Bs. fE.Bs.

27-

"..

...

-;--

:; "j

;;

" ..

at:

piccolo FLIP ;c.

7If

Db.

7If

=l.1B

Bn./C bn.

159 Hn.

pI.

oJ.

b'!

7If

rb.

I';f

Pno.lC

r-~ El.Olr

T 1..

'\tamb.

..'1

JJJ

1 J

shaken (nat stirred)

'1 J J '1 J '1 (J) J,

Perc

(tamb. 2-

(h.

'f\ Vln.

Vln.

Via.

(Si

pizzo Vel.

''if

1T1

(not slapped)

XI~~

Bs. /E. Bs.

7If

28-

IXi-~#

- - -

- .. - ,.

"..

Fl. /Picc.

Of -

Ob. /E.

7Ip

OJ -

7If

:1./Bs. CI.

I -=

Bn.lCbn.

7Ip

Hn.

Tpt oJ ,

f;'

7Ip

7If

Trb

7If

Tba tj

8"m..-.

rfJ :Hi'

Pno.lC

Et G tr.

oJ -

" -r1 I (tamb. (tamb.

.. ,.yt -

yt ,... ,. yt -=

yt =-n

)J J

J, 'j

J J J

J J

re. :J

163 Vln

Vln

VIa.

Vel

VII

slap L -=t BS.

Bs.

.J L1J..J

-1" 7If

VI -.

ard.

I rTi

~'i

7IP1 L 1..

7If

29-

~~~~ ~~~~ ~~~~~~~~ ~~~~~~

..'(

"-4 FIJPicc.

7If

to oboe Ob. /E.

bs. claro :LlBs.

7If

Bn.lCbn.

Hn.

Tpl.

Trb.

Tba.

l- ~

to celesta Pno.lCel

1-=

.. U:

ELGIr.

7If

(tamb.

snare drum

(wfbrushes)..

jJ -

Per. 7Ip

(h.

strmmed VIn.

ll T

11J

strmmed VIn.

strmmec

le :.11 J

"ped

IIf

Via.

I r strmme Vel

I1J BS./E.

- J.

7If

30-

11 I T TTT

.,,- .-- ".--

) :

Fl. /Pic.

"'-

, ,

".. .. -- "'

"' ....

!: ..,+-~

,.....

7If

obo Ob. IE.

at: ::l./Bs. CI.

I I'll

,. H*

Bn.lCbn.

7If

Hn.

Tpl.

Trb.

Tba.

celesta

p (legato)

Pno.lCel.

w/distartian

distartan aff

ELGIr.

V -

7If-

7If

Perc.

tambourine

i,. Ji I

II I II

10 I

1or=r=

II I II

10 I

VIn.

#IL

I,~

#tc

VIn.

,.I

If-

I b. Via.

I f'

I i

Vel.

jo I

I r-

I L

1'11

I i

"tc

l 1

11 I

I 1

I LJ

I LJ (not slaoDe

Bs. /E. Bs.

'" I

Y1'

"r I .l.J 1 4

31-

...... ..,............... =: ......... ....,........... ............................................................. ..

to flute Fl. /Pic.

Db. iE.

:1./Bs. CI.

Bn.lCbn.

7If .nun

Hn.

Tpl.

(approx. nates) Trb.

7Ip

Tba.

7Ip

to piano cresc.

EI.Gtr.

Perc.

(tam b.

Vln.

Via.

Vel

Bs.lE.Bs.

32-

7If

) ',,

.. .. .

--. --..

::..

flute ~ Fl/p;c.

~~ i-

iOb. /E.

to Bb claro :1./Bs. CI. tJ

Bn.lCbn.

slow

J.'"

w/eup

mute

brutal, abrupt

Hn.

"'f

7Ip slow

(t)

u'"

w/cun

mute

brutal abY',-t

Tpl.

'"f

7Ip slow

Trb.

"'f

--;r

.Jf

Tba.

-=7IP::

;ow

lipgliss

-:~l Pno.lCel.

fl-

f (legato)

1!": 8"'12-

--_nun_-----

j bii stred slowly

(L. H. mutes)

ELGtr.

7Ip

7If

snare drum

w/sticks Perc.

arca

pizzo Vln.

arca

pizzo Vln.

area Via.

pizzo

arca

Vel

Bs. fE. Bs.

33-

--..

Fl./Pic.

Db. iE.

:1./Bs.

Bn.lCbn.

Hn.

7Ip

Tpl.

7If

7Ip

Trb.

Tba.

E1.GIr.

(snare) Perc.

pizzo

area

arca pizzo

Vln.

pizzo

area

Vln.

area

area Via.

pizzo Vel.

Bs. /E. Bs.

34-

area

izz.

;-~

-= -

---- - _

::....

,,-

..-

~ ......

.. ~

;:,

to piccolo Fl./Pic.

leoato

Db. iE.

Bb claro

ato

;: L!!Lk;:,

::I./Bs. Cl.

legato Bn./Cbn.

Hn.

Tpt

7Ip

Trb

to cples

Pno.lC

~=t 81!O

--__--_n__non n--_--

distartian aff ELG If.

W -i t. n

OJ:7

Pt.

chi lese cymbal

nare . . 7 -1.

ere.

7If

Of:7

7Ip

cres

area

pizzo In. I

--owbell

- i.

In. 2

P'"

pizzo Via.

area

pizzo

Vel.

XII

XI H..

/E. Bs.

35-

~~;:

~~~

:: ~=;

;.,

... .

piccolo

FLlPic.

7If lega/2

Ob. /E. 7Ip

legato

800------

.. t

~ ~f

:1./Bs. Cl. 7Ip

leg Bn.lCbn. 7Ip

Hn.

Tpl.

7Ip

;:UC

gre

(aDen)

-i

Trb.

Tba.

celesta Pno.lCel.

81)12--------------

!i *

w/distartan

heavy 8i

l;;-:" 3--

distartian aff ard.

2gato EI.Gtr.

7Ip

(snare) Perc.

~I':

b.'

L" ,

ard.

Vln.

7Ip

ard. Vln.

7Ip area

Via.

7Ip

ji:

area t

I ~"":

ard.

Vel.

7Ip

1-Bs. /E. Bs. ll..

36-

sua._-

,, ==-=

-,.

...~~~ ....

-"' " -

- *

J =108 '1E

Fl. /Picc.

'1#

ift:

Ob. /E. OJ

==f

"unn

(8'" )n

_____n___nn

:1./Bs.

Bn.lCbn. ==f

via

sardo

Hn.

via sard,

insert straight mute

Tpl.

Trb.

f:=p

7If

Tba.

1P uu_nn-

(8"')

- U ,

Pno.lCel.

"j 71,

7If

--nn-

nnm

"'m

un_un-

unnno

----------------------n

to piano 7Ip

"nnn

7If

3-. E1.Gtr.

-.-- 3

iI chinese cymbal -; (l.v.

Per. 7Ip

=108 Vin.

slowgliss; don t settle on pitches

OJ-= slowgliss; don t sette on pitches

VIn.

VIa.

Vel

oJ-= oJ-= oJ-=

r-3-,

r- 3

r-3

t ring

Bs. /E. Bs. I HI'

(bnd strig)

37-

-- -- --

) :

-- --

ppp

Fl. /Picc.

ObJE.

::l.Bs. Cl.

Bn./Cbn.

Hn.

Tpl. OJ

Trb.

Tba.

~:r

~=i

(0 "

Pno.lCel.

slow phlange (control volume wlkob)

add feedback

EI.Gtr.

7If

Perc.

r- 3--

r-3

VIn.

VIa.

Vel

Bs. fE.Bs.

38-

ppp""

:-.

-- -- ~:;-.

,,_

:-.

.. "--'*

,,-;;- ~-" "- .. -. ~~~ ,,~(~ -

-,-

.., ., -"

#;:

. '_

..~ "j

F1/PK:.

.0 (slow fall) Db. iE.

7Ip

iL-

(slow fall)

H.,..-

Islow ram

:1./Bs. CI.

7Ip Bn.lCbn.

7Ip

Hn.

Tpl.

Trh.

Tba. M.

(8"" )ououounounmm

H.,(b)t ..

__nnu___n__u___-_u_-----------____--unu______u_----------------------_u

nou

-----_u_-------__------n____nnn___n

ilf

nnn

Pno.lCel.

.. it

oJ EI.Gtr.

Perc.

~'o

,-3

,,4'

VIn.

r- 3--

,-3--

VIn.

VIa.

Vel.

Bs.lE.Bs.

39-

.. .: . .,..;.

. #'

.:,

~--,

.. -!

;; --..

..' "-, "j.

Tempo I (piccolo)

;; = =~:.

(d =

80)

l' h 'i

FLIP ice. ;; -- ii

light, pOinte

f:'f::. .....iI;".

~;. ;"t: t:' Db.

:1./Bs. Cl.

Bn.lCb

Trb

Tba

rt' (8"' )m

~:i

~7J .n_ mnn --u----un

uuu----

n______--------------------__--___n_-

nnmnnnnmm.

#i:

TeIio

(d = 80)

\TPo

(d = 80)

Pno./Ce

slow phlange

EI.Gtr

7Ip

Perc.

r-3-VIn.

r- 3-VIn.

VIa.

Vel

Bs. fE. Es.

40-

ti:

.... ;: .. .

"!.

--- --

.... ...

, fI FL/Pic. ii

fI t. Db. iE.

,k.

..11

,k.

..11

L, , f.

.k.

ji ji;:

ght, !o!nted ::l.Bs. Cl.

ii-

-- ii ,; .. ji ..

..II ..I.

.. it

..I.

Bn.lCbn.

Tpt.

Trb.

Tba.

O.lcel.

El. Gtt.

rc.

VIn

VIn.

Via.

Vel.

Bs. /E. Bs.

41-

., .

!!.

Fl. /Picc.

Db. iE.

:1./Bs. CI.

Bn.lCbn.

stopped

light, pointed

round, relaxed Tpt.

straight mute

round, relaxed

Trb.

straight mute

light, p inte

Tba.

mm_n.n nnmnnnnnmnm.___ :nmmnmmnmnmnmnnm__..........m.mnn EI.Gtt.

button gongs (tuned) Perc.

lush, lots of bow VIn.

lush, lots of bow

Vln2

lush, lots of bow VIa.

lush, lots of bow Vel.

Bs. fE.Bs.

42-

:.m

:.mmn___ nnnnm.mnnmm.mnnm.m....

!!.

\-'

"! .

"i. Fl. /Picc.

Db. iE.

:1./Bs. CI.

Bn./Cbn.

Tpt.

Trb.

Tba.

15",nmnnmnnnnmnnnnnnmmnnnnnnnmmm_n .n..mnnnmnnnnnnmmmm nn.nm.mnmmm__..-._

nnmmm.mnnmm'n'm..._.nn..nmnmmnnnnnnmmnmmmmnm.

n..nmmnmm.mnnnn.n-

EI.Gtt.

Perc.

VIn.

Via.

Vel.

Bs. /E. Bs.

43-

!!.

""-

Fl. /Pic.

Ob. iE.

:I.Bs. CI.

Bn.lCbn.

Tpt.

Trb.

a bit heavie Tba.

--h.hh...." ;;..--Uh. h.-..__----_____.h.__Uh._-____.nu.......nnnn.unnn_nuuu"UU'-.n.nnn..nu_nn._unnnnn_nnnu_non.n_nnnnn_._"",""'--UU--O--""" El.Gtr.

(button gongs)

chinese cymbal

(soft malet)

Perc. mf

VIn.

Via.

Vel

Bs.lE.Bs.

44-

(l.v.

!!.

~""

'"-

Fl./Pic.

Ob.iE.

:1./Bs.

Bn.lCbn.

even heavier

,- 3--

,3-,

r- 3--

Tpt.

r- 3--

,- 3 Trb.

even heavier

Tba.

EI.Gtt.

button gongs (tuned) ifno avaiable)

r- 3 --

Perc.

r- 3 -Vln.

,- 3--

r-3

,- 3--

r- 3--

VIn.

Via.

r- 3 --

Vel

Bs. /E. Bs.

45-

-":

FL/Pic.

Ob. iE.

:l./Bs. CI.

Bn.lCbn.

(open)

via sardo Tpt.

,-3-, Trb.

via sardo Tba. 8"'1%----.-------------_____n_n--___-

EI.Gtr.

Per.

slow fall VIn.

,- 3-,

slow fall

VIn. 2

slow fall Via.

,- 3-, Vel.

Bs. /E. Bs.

46-

slow fall

=.. == --- ~.. ..~ jj,

. ,,

~":

"-:

== == == == == == ~.

' ...

;;.. .== .. . ':

.. ..

'!.

FLlPicc.

Db.iE.

:LlBs.

cresc.

Bn.lCbn.

cresc.

Hn.

cresc.

Tpt.

cresc.

Trb.

Tba.

mp cresc. h_mmnm____

(8",)m fI

. hnnnnnm_m

;: t:

F-jj' "'

mhnmn

.. h

a. ":I!

f: E~.. ..~

Pno

fI fI (8

Bl.Otr.

:')un :_m;- n

m.mnm_

=-n

nm_mnmnnnmnm

. unnmm

nmnnmm

uuunnm:-m_

! #i

ii ==

mmum

. u.mumnmmnm_n -

00 00 m_mn umnnnm- 00

nnmm

mmuuun

Pere.

VIn.

VIa.

Vel

Bs. /E. Bs.

47-

~~~

) :

-":

~~~~

.. ..~ #

;=- ..

~.-":

. jj' "

-A

Fl. /Pic.

Ob. iE.

:1./Bs. CI. OJ

Bn.lCbn.

Tpt OJ

mp cresc.

Trb

Tba.

mp cresc.

: I

::)m fI (

EI.GIr.

Perc.

VIn.

Via.

Vel,

Bs. fE.Bs.

48-

CA.

:un

:im

:mm

nmnmu

mum_m

u__n_n--#i:

i' u

mmnnnm 11;:

#i:".

d....

:uum.

Huon

!!-

!!.

...

'! ':

-; "'

"' -:

.0. FI./Picc.

Ob. iE.

:I./Bs. Cl.

bl' #G

Bn.lCbn.

.-b --

.-d

Tpt.

Pt" w/plunger

Trb.

f-;

Tba.

(gW)m

----u--_n--n-

Pno.lCel -_--___--n___

(8'

heavy distorton

distorton off

add feedback

E1Gtt.

JP:

~i-

snare drum

Perc. cres n.nnnnnn_.n_n_n '-""nn.....-

suI

tasto

...........nnnnmn.n.mnnnm.m.n""

ft..jj -.

VIn.

ft.:

suI tasto

VIn.

suI tasto# Via.

suI tas Vel

Bs. /E.

49-

!!.

p..

~:: --

.__

~.. ..

~...

...

~::

lazY

F1/Pic.

0-6--

r-6- r-6-

lazY

Ob. iE.H

r-.J

.-6

.!zY

:l./Bs. Cl.

,-6-. P*

b-.

r-6--

Bn.lCbn.

withp

lazY

Tpt. tJ

' 3 --

r3-: r3..

,3,

Trb.

,3,

If 3 -- r 3 A!

..azY

Tba. 3-' J-

8"""

Pno.lCel.

lazY

E1.Gtt.

(snare)

triangle !

Perc.

n.nnnnnm.mnmm-. cen uunonuuu_u--onnu...-..----.-.-_ d'.Uu.....unn.uunn..nnn..nnn.nn.n..n.nun.......n....

-'nnm =nm .n...m ord. (senza vibr.

fI~. Vln.

sub.

VIn.

VIa.

ub. 71

ord. (senza vibr. Vel.

;'b. mf

It: BS.fE.Bs.

50-

!!.

,,-

..-

- -- '-g. --.. .. ... -

# #

#..

p!"/'

..~-

'-..--

"' --

Fl./Pic.

r-6-- r-..--

- r-

Ob. iE.

r-6-- r-6 :1./Bs. Cl.

. D#

r-6

6--

,-6-- ,-6--

Bn.lCbn.

ifp vig

'9ly

r- 3-- ,-

vigj

3--

Tpt.

Ijj+--i:.

w/plunger - g

r 3"+0

I jj+ Trb.

1; 3

r-3

to:.

w/plunger

IA 3--

Tba. ff

f'" Pno.lCel.

r-"E--

r-6--

EI.Gtt.

1I.

snare drum Perc.

VIn.

sub. p

VIn.

7-,

sub. P

!I' VIa.

sub. P

VeL

sub. P

Bs. /E. Bs.

51-

!!.

) "

" '-

...

"":.'"

(p)..

lazy Fl. /Picc

r-6--

lazy

Ob. iE.

mp cres

:1.lBs.

mp;;. .!ZY

r-6--

Bn.lCbn '1

.- 3--

lazy

0..

1'! Tpt.

,3-, t'"

-lZY

Trb.

,3-,

r3,

..zy

E'" Tba.

mp-

gva

Pno.!Cel

I J

lazy E1.Gtt.

snare drum

rj""gJ Perc.

(snare) ord. (senza vibr.

.A Vln. V.

sub. mf

VIn.

t:.

ord. (senza vibr. Via.

sub '

r "nF\ Vel.

BS./E. Bs.

52-

mf ord. (sem

vibr.

!!.

) "

.".

!:' -.,

;.;-

...

tt: FLlPic.

Ob. iE.

r-5:6-:l.Bs. Cl. 11' pi

t; r-5:6--

fi.

Bn.lCbn.

Tpt.

17/ I~~..

Trb.

t (mull)

sung pitches Tba.

11'

-if

A i: PnoJCel.

fi.

r.o

.o.

fi.

EI.Gtt. mf

rim and snare I Perc.

-A VIn.

17...:rJ

VIn. mf

fI VIa.

.o.

Vel.

Bs. /E. Bs.

53-

!!.

r-t:".

b!'

~fI

Fl. /Pic.

fl' Ob. iE. .J

#rr:

t:'

r: f

:1.lBs. CI.

r-6--

Bn.lCbn.

Tpl. OJ

straight mute

1:'

/1'

to'

Trh.

r: -Tba.

"I!. 15= .mmnnm.._

--..mmnnnmm --n --..uumnnnnnmmm.mnmm.mmmmmm........uommmmmmnmmmm.....nunmmmuu..mm.mumn....u.umnnnnu....mnmnnnm..........uununnnnmmnnnn

Pno.!Cel.

f,:

~'-t

1:'

I.:

~fI

bf:

L~t:

E1.Gtr.

phone

--u_----

u__n___

/I...

C. . IN

Per.

3-fI f? VIn.

3-VIn. oj

,3--

.- 3 Via.

3--

r- 3-I~

Vel

.. k. L Bs. /E. Bs.

54-

~fI L:;

1: --

.1:-

!!.

;:..

-' ~

=:. .;;

;:.

OM! of control

--. ..

)J JJ

any tone e-t; I-

.A /Pice.

iL. Ob. iE.

I!:l./B Cl.

/t;

to cbsn.

1..

Bn.lCbn.

JlL'

6-A,

pt.

to. rb.

I"".

t..

1'.

....muo..n....mnuououonn....n_

Poo./C

L~"

fI 1-. EI.Gtt

(8" )..mmm

--uuo

nnn

wood block

(hard mallet)

snare drum

barely a whisper

.r .

Perc

~12

- fI

VIn.

VIa.

I L;: Vel

to bi ~ Bs. /E. Bs.

55-

!!.

...

.. -=' -.

-. --

~... ...

!:' !:'

,--

jj-

~.. ... --

..'

~~~ ... ... . q.. .".

-.,

E E

1--

F!/Pic.

H..

~fI

Ob. iE.

E _

:l.Bs. Cl. OJ

contrabsn.

!:' f'

fl'

Bn./Cbn.

#t.

ft'

Tpt. "J -J

ft' Trb.

-J.

!I.

ft'

Tba.

f.'

~fI'

I. .

Pno.lCel.

b.". ~.Q.

EI.Gtt.

snare drum Perc.

H.. VIn.

VIn.

I.. Via.

Vel

*If only a four-string

bass is avaiable , play the remaining music 8va. Bs. /E. Bs.

I,.".

56-

';.

...

.. #g

#-. *..

~"' ...

Fl./Pic.

H.. Ob. iE.

H.. :1./Bs. Cl. oJ

~fI' Bn./Cbn.

#t:.

fI' Hn.

mj"

Tpt. oJ

l.' Trb.

(7'

fl'

p.r,

Tba.

#iJ;

.r,

1. Pno.lCel. ff

(7' W. 8011:--

~;t.

~ .1

EI.Gtt.

chinese w mba1

(chin. W

Per.

(snare)

nare )

i=: VIn.

VIn.

Via.

Vel

Bs. /E. Bs.

11'

57-

!!.

--. ~--

...

..---- .... --

....

, ~

.. ;;&, ...-; ...

..'.. !! ,.. "'

. ~

~ ..

ro E

. ,

...

... .".

.. .. . ~ ..j,' \,.". .,,

-; -~... ~..- ,., == =: --

-;- ---~,..'

p.. .".

- ..

m Em

Fl. /Picc.

"" m I-~--

fff

I-~--

~e:

ro t

Ob.iE. ff

#e:

~fI ~

#e:

:l.lBs.

- mf

Bn.lCbn.

t' ,..=

t'- f ff".

7/.

ff f -

fff

.. 4

Tpt.

'", II,

Trb.

h"'

.' M;7/.

LJ.

Tba.

If.' .' 7/.

ff f

jj f .'W it

i-J

ff f

t!'a.

Pno.!Cel.

. ~1I

-f'

EI.G1r.

chm.

F':

ff f

Perc.

(snare

, a...--..,

H..

#e'

ff j

- ff f

H.. #

ff f

VIn.

ro'

ro' VIn. 2

ff f

VIa.

ff f Vel

- ff f

Bs. fE. Bs. Ji f

58-

-- --

;; --... .. --... -- -- --~~~ .. --

!!.

...~..

,.. ~,. ...

". j,

-.. -..

p-. p-..

". ,. !:

-- --

... ,:. j:-!:

ppp

-- --

.,.

slow fall rc

Fl. /Pic.

:' slowfall t:

t~rc

Ob.iE. ff

; slow fall 1= r:

:1./Bs. CI.

. r-

~I!. ". :1 Bn./Cbn.

ffU: == U:

ji~.

H..

H.. ji

slowfaU

Tpt. ff

straight mute Trb.

dim. al fine (doit)

Tba.

i/"

Pno.!Cel.

11...

11... 8110.-

A jj

11...

8110--

lowfall

~jI "

E1.Gtt.

(chin cym.

m#.

jJ it

jJjJ

) jJ jJ

Per.

( nare) 4;

moltod

H..

oco. a peco ?rd. ;.

sul p ont

fau

H..

IL-

VIn.

suI ppnt. ".

It;

VIn. 1--

molt

r.mt. I. Via.

-mp

molto .

I;:

I .:. slow fall

sul pont , poco a poco or.

Vel

Bs. /E. Bs.

59-

!!.

,..

,,..

..'

".--.............. .# ..'

~,,

,,.,

...

Fl./Pic.

Ob. iE.

:1./Bs. CI.

Bn./Cbn.

Tpt.

Trb.

Tba.

5;)-

(pitched at

triangle high Pno.lCel.

E1.Gtt.

xylophone (willi ratta

lJ..-

,8" ~., A. ,.. Lb.. "

r:ld'

Per. .J 71p

~I'

..Al.

dim. poco a poco al fme

cti VIn.

piu a piu suI pont.

..Uh n..nnonnUUUnh..__n_u_'.".-n. .n.--___uon...----_..

unn_nnnnnunun........--..------ molto suI pont.

VIn.

VIa.

ord.

piu a piu suI pont.

.un.. -.n.nn_un--__--u...--.--o--......... .n.nnn__u_u....-.,....--............. .unon.nnoun--._....--.--.........

molto suI pont.

Vel. 14'

6-'

BS.fE.Bs.

11/95 Amsterdam - 9/96 New York 60-