Bermel - Voices

Derek Bermel

Voices for Clarinet & Orchestra

for my father on his 70th birthday

NOTES TO THE CONDUCTOR ABOUT TEMPI:

Tempo in the first movement may be quite flexible; it should ebb and flow with the natural rhythm of speech. Clarity of gesture (at times to the point of exaggeration) and the dynamic of call and response - statement and resulting commentary - should be the determining factors in dictating tempi. In the second movement (after the cadenza) the main pulse should always be felt in duple meter, moving steadily without rubato (rubato is written into the solo lines). The pulse may quicken as the intensity of the 11 song" continues. In the last movement, the rhythm should stay strict, though it can be slightly slower at the 11 double-time" sections (and at the end, when the "double-time" material returns. The feeling should always be laid back. The second movement is played attacca, the third after a very short pause. NOTES TO THE PERFORMERS:

I. The gestures in the first movement are meant to approximate talking and laughing sounds. Occasional verbal cues are therefore included with the music; the rest of the subtext is left up to the imagination. At the notations wa, wow, etc., brass players should manipulate the hand, hat, or plunger so as to most accurately reproduce the particular vocal formant. A glissando from one note to another indicates a legato connection between the two notes. Often a glissando is followed by a small note in parentheses; this note should not be articulated; it merely. serves. as a rough guide to the final pitch level of the glissando. String players should take the glissed group in one bow, wind players in one slurred phrase. Glissandi start immediately following the note's attack, and are often accompanied by a decrescendo; this decrescendo should not, however, affect the dynamic of the following note(s). On wind instruments, lip glisses (as opposed to finger-glisses) are preferred. Harp glisses on one note are accomplished by sliding along the stopped string from the neck toward the board. Grace notes immediately before an accent should be played especially quickly. The parts marked bebop throughout the first movement are only inflected as such; they are not rhythmically "swung." The only swung material occurs in the first movement at the brief section marked sultry (brass), and in the final movement at the section marked "light and funky" (solo clarinet, electric guitar and electric bass). II. All grace notes should be played extremely fast as though they were "flipped" . vocal inflections in Irish folk music. Strumming in violin II (but not on 'cello .... ) is best accomplished by holding the instrument like a guitar. The pianist needs a bass drum mallet, unless that part is to be played by a percussionist (which is feasible). III. The accents· and inflections originate from big band music and funk. Grace notes, again, are played just before the beat. The lower double bass split requires instruments with a low C-string. The "ride" cymbal in the drum set can be played separately by Percussionist 1. A five-string fretless electric bass is suggested; octave substitutions can be made in slapped sections at the discretion of the performer. All string divisis are inside/ outside unless otherwise notated. The electric guitarist should have wa-wa and distortion pedals and, if possible, a whammy bar. One "clean" setting and a minimum of two distorted settings is ideal.

·sYMBOLS WHICH MAY REQUIRE SOME EXPLANATION:

r r

glissando. glissando (strings), fall off (winds). glissando (strings), doit (winds). glissando (winds). quarter tone sharp. quarter tone flat. dampen immediately. harmonics. fluttertongue (winds), tremolo (strings, percussion).

'

breath mark (winds).

+

stopped.

0

open (winds), harmonic (strings), resonance trill or alternate fingering (solo clarinet). molto vibrato. strumming direction.

f

note of unspecified pitch, stopped notes (electric guitar--the rhythm sounds, but not the pitch). snap pizzicato (strings)

p T

pulled notes in slapped sections (electric bass) thumb (electric guitar, bass guitar)

INSTRUMENTATION:

Piccolo Flutes 1 & 2 Oboes 1 &2 English horn in F Clarinet 1 in Eb and Bb Clarinet 2 in Bb and bass clarinet in Bb · Alto Saxophone in Eb Bassoons 1 & 2 Contrabassoon Horns 1 - 4 in F Trumpets 1-3 Trombones 1 & 2 Bass trombone Tuba Piano Harp Electric guitar Electric bass Timpani Percussion 1-Glockenspiel, Flexatone, Anvil (w/perc. 3), Tambourine, Afuxe (Cabasa), Sleigh bells (opt.), Ratchet (mounted), Button gong (C# & E-mounted), Tuned gongs (F & B--mounted), Lion's roar (mounted). Percussion 2-Marimba, Large bass drum, Suspended cymbal, Cuica, Cowbell, Agogo bell, Clave, Slapstick (wlperc. 3), Button gong (C# & E--mounted), Police whistle. Percussion 3-Xylophone, Drum set (Snare drum, Bass kickdrum, Tomtom, Hi-hat, Ride cymbal), Castanets, Anvil (or brake drum--w I perc. 1), Slapstick (w I perc. 2), Vibraslap. Solo clarinet in Bb and A Violin I (14) Violin II (12) Viola (12) Violoncello (12) Double bass (8)

All instruments are in concert pitch unless notated otherwise. Contrabassoon, Electric guitar, electric bass, and double bass sound one octave lower. Piccolo and xylophone sound one octave higher. Glockenspiel sounds two octaves higher. This is a transposed score Timing: 17-18 minutes.

i) id ii) she 11toved thru the fair iii) j allllll on toast

Commissioned by tile American Composers Orchestra with funds provided by the Mary Flagler Cary Charitable Trust

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Derek Bermel

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Hp.\~~~~~~~~~~~~§§~~~~~~~~~~~~~~~~g~IISSI~ORlO~RC:~aun~n[~~V~ltRiffi~CW~II~Wni~RR:~~V~.,~~ ~

Giocoso grotesco (tempo I)

-

plzz.

-----.e-"'"'1

pizz. Vln.2

I

-

11'.:il"'

ltt!tti

piz~

Dbl.bs.

r'

-

-

-

;...,iol

·"If

p. 15

CID

II

Pice.

-~

Fl.

_: ., .,

Ob.

. II

Eng. hn.

"

Cl.l

~

., .,

CJ . 2(Bb)

II

A. ax. Bn. Ct>n."

CID

II

Hn s. 1·2 ~

_II

Hn s. 3-4

er _11

Tpt. 1 ~-

Tpt. iJ

J'

l..ttft_

Trb.

Perc. I

.>

ja.

II

SolocI.

I=

*w

..... ~

" J' CID

II

pizz.

~-

'

pizz•

.f,

Vln.l Vln.2 iJ

VIa.

-

.

:...•

plzz.l'.,

ni77_J'~ Vel.

nl7.7.~~ Dbl.ba.

_J•

p. 16

r-t~

~~ j:;;;j-

~

~

J

-=:::::

;,...j

:::::::-

-

.~!"""-'!

/'~!!'"'""'!

'" ~! '"'" '! ~

'"......"

.....,._

......

__.,

J

.f1.,._

J'__.. f

...... l'..\

......

Hn1.3·4

-

..

I

•

p. 17

Ob.

Cl. 2(Bb)

A.sx. Bn.

c.ID

~··)~~~~~m~~m II

"•·)="==~=~== Perc. I

CID

II

accel.-------Tempo. I ·

-DiZZ - e - - 1

Vln. I -

"

I pizz.

II

Vln.2

tJ

. pizz.

slnlsler

m1

VIa.

. plzz.

p slnlsler

.

Vel.

. olzz. Dbl. bs.

.dni.fter

p

.

p

p. 18

-

1Tlle-\ _>"

1!"""'1

:::;:...vI

~..::--

--,.......,

P•

,.......,

"· "·

. .

.

11•

.

11•

...

+ 3

A. ax.

Cbn.

CID

a2.

II

t.

,

........

Hns .1-2 Hn s.3-4

~

.,

senzasp~·

II.

Tpl. 1

.., . .... -

-

"''-""

·~:..~·

~

Tpt.

J

4.

.,

Trb.

II.

-

gllss 1 n one slnno

..

.

.,

Marimba

_ft

CID

.arco ~ div.i-

_A

pizz.- _ _

Vln.1

J"

~

arco dlv.i

pizz.

-

11lf_

Vln.2 i)

p'f!~

·,....

VIa.

-

Vet. Dbl. bs.

-

-

-p,;~

,....

,...,

areo

di~.- ....

f'

f'

m/...::::.

I

arco div.

arcof~ f

p. 19

51 CID

bebopE:t~

II

PI cc.

~ -.r

Fl.

~ ...

b~bo:,l~:t€.

~

~--..

d

711

II

~

r:

~

~

Ob.

~

sits. hn.

~

cJ. 1

Bbcl.

b~bnn~ ..

Bbcl.

b~bnn

tr

II

C'l.2 (lJb)

tr

II

Mbn!

•

11!"""-

•jji

~

li.,

lflll

/'

~

T·~

A. ax.

tr

1i

v

Sn. oeorJ.

*..: .. r };e

Cbn.

®II

Hn s. 1-2

~

/'

•

-

-

~

·~i:J~.

tt·-

>

-ll·~~~p~

lf"-11 lj•

lj•.J:,...

~J5EI

=

I,;.;:: 8• ._,.

1

r

eea:

~

-.r ft

Hn s.3·4 i) ft

Tpt. 1

~ -.,-

Tpt. Trb. Bs.trb.&tb.

Cit?

...tJ

Pno•

H~

ft

l

A

tJ

~

El.gtr.

l El. bs.

®

-

Tlmp.· A

=ii

Poro.·l

tl

II

Pero. 2 t)

Porc.3

" b11bnn

Solo cl.

I

--.r Jf~··*IPJ'f•j•

® II

Vln.1

~ Vln.2 VIa.

Vel. Dbl.bs.

p.20

iiiiiiiii ~

A-

--.r

fit'

ll·~~

-----

~ ''1~"-·i~'l·b~J;

~

1r•

lddd!g;

1-4

-

3

+ 2

-looiiiOl

A.sx.

Hna.3-4

Tpt. J

Trb.

Perc. 1 1\

Perc. 2

® vln. 1 vln.2

II

arco

~

arco

B"':J·-----.., ~ ~

e

8i·---~-~

~~.f~

J •

•

IP-

11

I~

~ ~

t)

VIa.

"'unlll.l'~

J

Vel. DbI. bs,

p.21

2

Hp.

I£11VIischievous

+ 3

L£J J =60

poco accel.---

iJ

(

d

~

~

at tho frog ill A

sarcastically)

ttlJ~J~

Vln.l

7

VIa.

i .

p.22

;v.::J

MJ ischievous .• ••

,.._ ,,__

:=~=: H.-.~ iJ. _;.:

=60

poco acceJ.--....

Vln.2

Vet.

, ~~

. Ll.

c::=:.. ------------------------------------- J= 72

a tempo

@)

"

Pice.

3

+ 2+2

2+3

2+3

~ Fl. t)

Jl.

Ob.

~ Eng. hn.

.., "

Cl. 1

~

Ct. ~(Bb)

t)

II

A. ax. t)

Bn. Cbn.

®

II

Hns. 1·2 t)

II

Hns.3-4 t)

"

Tpt.l

~ ..

Tpt.

·····- ··- ............

..

... .....

- ...

-

Trb.

..

-

.

..

with plun&~r echo>)'Yfa

t)

.

..

..

..

--J--;;,

wa

'18 -

..

..

..

..

..

wa ........... ..

·-·-··-..-·--· .......

'pp

--

-..

·--· .. -- ··---· ...........

....

....

..

·~· -~

..

.-

...

Bs. trb. & tb.

A

Pno.

)

.., 1\

Hp.

l

t)

. .

~

,

El.gtr.

El.ba.

® Tlmp, II

Pore, I t)

Poro.2

Pcro.3

II

Solocl.

I

CID Vln.l Vln.2

t)

-

·p~

a tempo II

:; ; -

~quJm.>

.........~

,.....,......., ,.....,.......,

.f

'1~~;

-=:::::::

poco accel. ------------------------------------·

p'!

J --

. . ~

r

~~:~·>

~

.

~*~

-= mp'Pk. 11fl' .c::::.

1ttp

72

.., " t)

II

VIa. t)

i.lln...

-

__ ....__________··-·-·--··-... ........ .

~-

•.,,,.,...., ·•·•• •~· ... ,,......~ ... ~ •. ...,..,,.._,,vo,-....... ,,.•,..,, .•,, ,\''•''·"'•• ,•,••,·•.....,, ·'''•''·' '•• ,,.•,••,' •,, '•,

....................................... •.•.:•........

. :.•.· ......·•.·.··.. :.·.·.··...

...... ,·•...·.·.·.··.. ··.··•.. :.·.·.··

..

.. .. ..

Vel. Obi. bs.

p.23

Tempo I J =66

_

~ ~e

@"

~'tl ~;

Pice,

-' II

Fl.

.-

f

-~~

tel

.l!~

,r::::f:W !:. ~ ;~.

~ Ob.

~ Ena.hn.

~ Cl.l

~

.f ~

Bbcl.

Cl. 2(Bb)

~ A. ax. i)

Bn.

~: .--...:

·>

Cbn.

~

.f

.

II

.

'...

...

-

'"'

wa

......,. ~~.~ ..J~:.J! ------·

.........

+---~

Hns.l-2

~ Hn•• 3-4

~

bg

Tpt.l

allss. ord. ...-""' .f~- - •

" Hp.

-.,

./ Perc. I

.f~

Rum.~h.

•

Perc.2

T:mpol J=66

®

II

atthc froa div.

::;~ ~~

at the froa dlv.

J

vln. I

vln.2

F~~ _~ii:=:i-:Jii'a~

lr--":;31

...

,.,.,.

atthefrosr dlv.

~ L~l

Y

at the rroa Dlzz

~e J~

y 'F'" r~

l....-:::Jlfa

Vel. Dbl.bs, r

JJ'

p.24

.f~

~ ~

VIa;

I

.

I

-

~~

ITI JMisterioso =72 ®

..

Pice.

3 + 2

2+3

..

..

-iJ II

A.

~ Ob. ·~

Eng. hn.

--: CI.J

~ Cl. 2(Bb)

"

A ....

A. ax.

. ., ...

;

."

.. ......

."

'

... ········ ........

..... ...

·'

........ ...... ... ... ....... ········ .......... .......... ... ...

,,

..

·'

.·

.... ...•. •'. •'

-·~·

... .

"

..

.•

iJ Bn.

Cbn.

@)

"

Hns; 1-2

-tJ II

Hns.3-4

~ Tplol

~ Tpt. tJ

Trb. Bs. lrb. & lb.

"

Pno.

..,

)

A

Hp.

)"

.

.

..

. ....

. . ........ .. . ........

. ..

....

..

El.glr.

l El.bs.

CID

,-Ji' s

d

t

a

n

,

Tlmp.

lP

Lion's roar lnr

i

"ii"roll" with finger

Perc. 1

'-.r]l

Culca

....,

~

Perc.2

p

"

Perc.3

1\

Solo cl. iJ

J --

12 CID ,. Misterioso Vlh.l

3. soli 8"1~-::--..::.----- .. mollo sui pont/{ 1=........._,....

..,

p

A

Vl11.2 iJ

VIa. ..

.,"

p~iV;)

Vtl.

P(~. Dbl. bs.

..

,.

p

,._...

.

.

.

·... --

'L,;,;,;..J

..

..

..

-

,.......

--

. . . od

·mp ..

.......

..

...

..

...

-·

,.

·····

..

•..

....... . ................. ·•

....

111p

...

. --;, ~

p

-

..:.q"~

-

p.25

cw

II

Pice. tJ II

Fl.

~

reed onlv

~

reed only

a2.-

Ob.

11lf

Eng. hn.

11lf

~ Cl.l tJ II

Cl. 2(Bb) tJ II

A. sx. tJ

reed only a2. -

Bn.

reed onlv

11lf

Cbn.

11/f

@

1'1

Hns. 1-2

~ Hns.3-4

... II

Tpt.l

-~ ...

Tpt.

.

~nly mout~flece a2.p .wno·olunRer

\

-

Trb. ~~ly

mouthP.iece 2 P no plungei') a •

,...._

Bs. trb. & tb.

p

Pno.

): II

Hp.

)~ .I

El.gtr.

v

El. bs.

@ Tlmp.

Perc. l Perc. 2 Snare drum

w/brushes

Perc.3

Solo ct.

I

ppP-=:::

l=-

1. solo

ord~;:::::--.._,..........

1'1 t)

GD '10"'.....

8""··-------·

Vln. 1 tJ II

I. solo

P<>CO sui

pent.

p

~~ ~YI~~

Vln.2

p

tJ II

VIa. t)

Vel. Dbl. bs.

. p ....... ......._ p

), 26

........

,....., -~

,........

,.......

~

,..........

p'p

su pom~·~{) 1. solo 'I o=~

,

'I

~

gil altri --,;p

--=. -=-

•

'd

•

.

,......,

.

,......,

mp~ ~ ....,.m

.!!!"""'-

..

,

p

Fl.

v

a2. mouthoiece onlv

II

flz.

Ob.

Eng. hn.

,.!,wa rf'1

w- W:;.!P w-

(while

remo~~~~~ ~t)

Cl.l

~ .;pdJlJ-t:J •.I ~ . Cl. 2(Bb) A. ax.

mouthoiec +bocal only a2.

tlz.'mp<J (t!!ls

Bn. oL

---

n .. ·mp<.J [1!!1•?

+ hni'AI nnlu

Cbn.

-mp<.f flz. 11 +

ftz.'~<f/

---

---..-

nrtf.

n._-mp<J

ord. flz.111f~

---

Tpt.

mp<J Trb.

--

Bs. trb. & tb.

~~:~::::::::~~~~~~~~~~~~~~~~~~~~~~~~~ u~)~•r~~~~~~~~~ II

El.gtr.

Perc. 1

-

Perc. 2

-

Perc.3

w/o mouthplece(buzz lips on barrel)

1a~.,~~~§§§~§~~~~~~~~j~~~~~~~~~E~~~§~~~ T J~ 11

soroct.

CID

II

Vln.l

In <;!ounds at ooncert pitch)

_

~J.........

-

2. soli p

~ Vln.2

~ VIa. t)

Vel. Dbl. bs.

. -

•

.

......11lf

• ·•II • l

...

•

'

II •

~. .

.

.

..;. ~p~do

. --;p

~

p

-- ;--·====--p.27

+

2

3+2

Pice.

Ena. hn, CJ.I

Trb,

~~~~~~~~~~~~~~~~~~~~~~~~~ "

El.atr.

,

El.bs.

® Tlmp.

Perc.! Pero. 2 Perc.3

VIa. Vel.

p.28

-

--

CID

..

II

G p

.~

G.P.

~

G.P.

Pice, Fl.

Ob. -~

G.P.

Eng.hn. ··~·

O.P. Cl.1

~

G.P.

~

.0. P.

Cl. 2(Bb)

A. sx.

-.,

G.P.

Bn.

O.P. Cbn.

@

II

G.P.

~

G.P.

~

G.P.

Hns. 1-2

Hns.3-4

Tpt.l ·~

..

-

Tpl.

-

...

G.P.

.-

..

... . ..

O.P. .....

-

tT .

Trb.

·•·

..

. ..

...

.. . •·· .... . ... .. .. . ..

...

.

..

.. .. ...

.

-.

.

. . ·····

.............

. ..

....

G.P.

(plzz.) _

G. P.

(plzz.) ~ llll~

••

....

.. .. ..

..

...

.

...

G. P. Bs. trb. 8i. tb.

Pno.

II

G. P.

)~

O.P.

)~

Hp.

O.P.

.

El.gtr

!}

O.P. El.bs

@

G.P.

.

Tlmp

G.P.

Perc. I G.P.

Pcrc.2 O.P.

Perc.3

,...

II

Solocl.

I

-.,-,..-~

CID " Vln. 1 ··~

(arco)

~ 4. soli

In! *t~ mp

eerily ,

ord. (arco) 4. 4 son~~f,· sol

~

G.P.

*Y

~'-...

;'-....

~

G.P.

\1~::::~

G.P.

Vln.2 iJ II

VIa

VcI.

"

-v p --ft._J ~

~

===-

O.P.

Obi. bs -II.

mp

. p.29

FJ,

Eng. hn.

Cl. I

Bn. -~

-~

Tpt.l

soli

wawawa

with plunger

>

~tJ>;

-~-

'a

..waw,!'~lf ::- • _;i

wa

mpwawa wa ~~~

wa

111Pwa wa wa ~a 11ff wa ·w =1~~ d'l" ":' 11': ~

:~~

wa

11!f~~ja~ ~J'~t_

wa

. ~a'J..aw

Trb

soli ord.

with plunger

soli ord.

with plunger

wa~awa

>

>,

:;:~~~

d~

r_.

Trb.2

Bs. tbn.

wa 't"~a

Bs. lrb. & lb.

~

.....

·J;<

mp

11!f

J-=::: f

wa

... >

OW

-

~a ..;I{

wa

~a

~~)

...

;.

>~)

~

.... -~

(!i)

-)~:~~~~~~~~~~ II

"P·)~~~~~~~~m~~ ~

~

El. gl~ ~

;.!

EJ, bs.

"

CiD

p

p

>

>

,.,

......... ,.,

Timp. mpc:::::.

·,.v

L.......J

~

Perc. I ~

B.D. Perc. 2 ~

f Perc. 3

: jJ~ ~~=... :--

~

:::::::'ntr-=- p

Tempo I

®

J=66

tutti passionate/~~

II

Vln.t ~

Jutti

II

"passl~!Y

....-.---.,

Vln.2

~

VIa.

.,

,.......

P_

,.......

Vel. Dbl. bs. p

p.30

7

::::::-

==,.,-

J'

unls. ord. "passlo~l>

,..._

.

JC.~-~{" ~-~~-~l'~

......

--~-

•H•- -pII

.,---.

~ ~ ~· ~~

f~

-= ::-" .. ~

....

(_

-===

-

f

-~

....

Fl.

Ob.

CJ.I tJ CJ. 2(Bb)

" tJ

A. sx

"

Bn

Cbn

Hns.34 Tpl. J Tpl

w.-..w aw

-

wa

•--. -~

I'W,!-

.,.

Trb

Trb.2

w-~:.:-; ~ ,..-_J~{~~~. .

Bo,lri>.~~~~~~~Ji~/~...J~~~~~t::::=f:;::--:~~J'~~-=~:7~-~§~~~~~~~~~~~~~;!fill~~~~~~~ ~··)~:~~~~~~~~ ·~)~:~~~~~~~~~

® Vln.l

" ~

Vln.2 tJ

VIa.

" tJ

Vel. Dbl. bs.

p.31

Fl.

Eng. hn.

... II

Cl.l iJ II

Cl. 2(Bb)

•r II

A. sx. Bn.

Hns.3-4

... II

Tpt. 1

El. bs.

Perc. I

h.-

nrtf

·Solo ct.

•lllf'

C1i)

I

div. jab~e~ng erphatlcally

___ _ ,...---.e::::;: ...;; sui D

s~ D

r"l.iOii.J. ......_..

Vln.l > I

Vln.2

Vel.

p.32

--;:-.....,

L.._...

suJD

.,. _

-

..

I

II

Pice. tJ II

Ft. tJ II

Ob.

~ Eng. hn. t)

"

Cl. I

tJ II

Cl. 2(Bb) tJ II

A. ax. t)

Bn.

.......

Cbn.

......

@

"

Hns. 1·2

~

~ Hns.3-4

__.

t)

"

Tpt.l

t)

-.l

I "'""

Trb.

w-

1wa

loon

w-

wa

W'lJ-A-w

r-1

wai!J-.1-w

Trb.2 ;r

wa ~--r-

wa w-

I lin.

w.

-

~a

Bs. trb. &tb.

~)

r;,.,.,t

7

(@: 1>11

---

-\r.8::::==- -

=---

~.

==---

t)

II t)

Hp. )

3

1\1~

J

, -

El.gtr.

~

~

El.bs.

.11:-

----,...,

I

·>

~

s<=:: J' ---....:..J

--

!-:;

@ Timp. ~

-

Perc. I

B.D. Perc. 2

J(sempre)

Slapstick Perc.3

solocl.

.

vln. I

tJ _A

vln. 2 ·~

VIa.

tJ

Db1. bs.

"1. I

~~~

sui A L·....l~l

-_-c

= ~-~ " I

~~~~~ l

A I= I II=

j ~

.,~

~_h

Vel.

.....~-~,.#~·

I"

.....,

........,

J(sempre)

..J

-~=--

...!1

>

..

.. ,...,

-

,.....

wee-ow

.... ~

-...,...J~

/m

....., ~

•• ~

~

-.-

~-

:;-:==t= 1-

......

=:---....

--- -

-.-

li'.ool

f-

......

p.33

Bebop

3

+

~' Rh rl.

nrtl

!if:.

---t:F~f!~f~ ~~~--~~;If~~

-w.··JJ~

senza Pecf.

(@),.. vln. I

vJn.2 VIa.

~

"" f)

Vel. Obi • bs.

p.34

-

~

'1ltJ

Bebop

I

M~l..l

@

fl.

+

2

Pice.

A.

~ ~

Fl. 2

Ob.

1 .., A

Ob.2

Eng. hn.

~

Hns. 1-2 II'!

Hns.3-4

Tpt.

wlthoutj>l_u_rtge_r

IIA

'I'<

.L

82.

n

>

llhnmh mil•\ }

T~ .J

I!..,.Er.:.,_> -== 7" ..::::::::;.

Perc. I

Susp, cymb.

.r-==

-f~

Perc.3

®fl.

vln. I

_:

vJn.2 eJ fl.

VIa.

..,

Vel. Db I• bs.

p.35

With increasing intensity

3

@,.

., .,

Pice.

II

Fl.

t)

~i ---

A

.,

En g. hn.

Db cl......It

"

Ct. I

2

II!-

--"

"

Ob.

+

i ..

--------·-----------------------------------------------------

. ........ ~

~- ~--~1-

lt

t)

/~

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II'!:.

_,.

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