Bermel - Migration Series

Page 1

DEREK BERMEL

MIGRATION SERIES for Jazz Ensemble and Orchestra

The Migration Series was commissioned for the American Composers Orchestra and the Jazz at Lincoln Center Orchestra through Music Alive, a national program of the American Symphony Orchestra League and Meet the Composer. Funding for Music Alive has been provided by The Andrew W. Mellon Foundation and The Aaron Copland Fund for Music.



ABOUT MIGRATION SERIES The Migration Series is a concerto for jazz band and orchestra, influenced by many of my compositional heroes, including Charlie Parker, Stevie Wonder, Sarah Vaughan, Eric Dolphy, Thelonious Monk, John Zorn, and the rappers Rakim and Mos Def. While writing the work, I kept in mind the individual voices of the members of the Lincoln Center Jazz Orchestra, and worked closely with them in the rehearsal process. The piece is in five movements, with three connecting interludes, and is dedicated to Wynton Marsalis, whose music-making has been a great inspiration to me. It was as a child in New York that I first encountered the 'Migration Series', a set of 60 paintings by Jacob Lawrence (1917-2000) depicting the Great Migration of African-Americans from South to North during the early decades of the 20th Century. The paintings have remained etched in my consciousness ever since, and as I began work on this piece, many of the sounds in my head evoked memories of the series. Because Lawrence didn't regard the paintings as separate entities, but instead as components of a larger cycle, it felt natural for me to focus on the shapes, colors, moods, and atmospheres evoked by groups of scenes within the series, rather than individual paintings. In this grand American story, I gravitated toward the larger themes, those of determination, mystery, despair, and hope; Lawrence's unique sense of perspective and distance – his generosity and universality of narrative – allowed the space for me to add music. The first movement is inspired by the wide open Southern landscapes and the theme of the railroad depicted in Lawrence's paintings. The music builds on a relentless four-note ostinato in the strings which combine with a short funk riff in the trumpet. The movement builds as a slowly expanding series of diatonic chord changes evolves and the texture becomes layered in polytonality. A short solo piano interlude leads to the more lyrical second movement; this section reflects Lawrence's depictions of the emotional pulse prior to migration, the overwhelming disbelief and despair stemming from the prejudices and hardships endured by the former slaves and their families. The music begins as a Gospel ballad, transformed by a trio of rapping trombones which anticipate the vocalizations of the third movement. Another interlude, this time for solo clarinet and bass, leads to the third movement; This section takes as its point of departure the conversational "call and response", the excitement of rumors in the air and impending change captured by Lawrence in several of the paintings. This vitality is expressed rhythmically by swinging chromatic tone clusters heard in the three trombones (presaged in mvt. II), then later by four bass clarinets, four trumpets, and finally by the whole jazz band. With development of contour, rather than melody, the movement emphasizes gestures of rhythm and syncopation over pitch – i.e. the central interplay is the conversational banter(characteristic of dub or hip-hop music), rather than on the melody-chord relations typical of 'song' forms. Partway through the movement, echoes of the first 'landscape' ostinato reappear in the strings, as the chatter leads to the migratory journey. The fourth movement follows immediately without pause. Lawrence illustrates the migrants' arrival in the Northern cities, accompanied by joy and expectation, but also by violence, rejection, and new incarnations of poverty. The new urban energy manifests itself in the manic bebop lines of the saxophones - with the cooler serenity – in the strings and harp – recalling the depictions of a simpler, rural life in the South. A trumpet interlude leads out of the fourth movement, picks up steam as a conversation runs throughout the ensemble, into the fifth and final section, a musical and visual summation based on material presented in the earlier movements; this last section evokes the text accompanying Lawrences final painting: "And the migrants kept coming." – Derek Bermel


Instrumentation Reed I Reed II Reed III Reed IV Reed V 4 Trumpets in Bb 3 Trombones Piano Electric Guitar Upright Bass Drums Solo Clarinet in Bb/Composer (Movement III) Oboe (also English Horn) Bassoon 4 Horns in F Tuba Timpani (also Percussion III in Movement V) Percussion (2 players) Vibraphone Marimba Glockenspiel Conga Suspended Cymbal 2 Metal Cowbells (hi & lo) Triangle Tambourine Cabasa Clave Rainstick Sleighbells Maracas Metal Brazilian shaker Caxixi (if available) Egg shakers Harp Strings

Stage Diagram (from the premiere performance)


To Wynton Marsalis

The Migration Series

Derek Bermel

I. Landscape

  

Reed II

 

Reed III

 

Reed IV

 

Reed V

  

  

 

Cool swing (h = 76)

Reed I

Trumpets in Bb I-II

Trumpet in Bb III-IV

4. solo

 

  

p warmly

    

 





 

   

Trombones I-II

 

Trombone III

  

Drum Set

 

   

Electric Guitar



  

Piano

Upright Bass

Oboe/ English Horn Bassoon

Horns in F I-II

p pointed

   

 

  

     

   



   



 



 



   

  



 

sim.

Horns in F III-IV

 

Tuba

  

  

  

Timpani

Percussion (2 Players)

Harp

   

    

p pointed

la metà  arco,   

Violin I

  

arco, la metà p

  

p pointed

  

Contrabass

  

 

 

 

  

 

 

 

p pointed





  

arco p pointed

Violoncello

pizz.

  

p pointed pizz.

Viola

arco

Violin II

Cool swing (h = 76) p

3   

3    

 3 

3    

 



 

 

  

© Copyright, 2006 by X Pyre Music All Rights for the World Exclusively Adminsitered by Songs of Peer, Ltd.





 3 

3    

 3 

3    

p


2  

Reed II

Reed III

Reed IV

Reed V



 

8 Reed I

Tpt. I-II

(4.)

 

Tpt. III-IV

U. Bass

Eng. Hn.

Bsn.

Hn. I-II

Hn. III-IV

Timp.

 





 

 

  

    

 





 

 



 



   

  





 



 



 

 



 



 

 

 

 

 

 

 

 Vln. II

(arco)

(pizz.)

 

(arco)

 

Vla.

(pizz.)

Vc.



 

 

 

3   

3    

3   

3      

 



 

 



 



   

 3  

 

 

  

Vln. I

Cb.

    

Hp.

    

 Perc.

  

 

Pno.

 

Dr.

E. Gtr.

Tbn. I-II

Tbn. III

3   


3  

Reed II

Reed III

Reed IV

Reed V



 

15 Reed I

Tpt. I-II

   (4.)

Tpt. III-IV





 

 

Tbn. III

Pno.

U. Bass

Eng. Hn.

Bsn.

Hn. I-II

Hn. III-IV

Timp.

Hp.

Vln. I

3.

 

   





 



 



   

  





 

 



 



 

 

 

 

 

 

 

 

 

 

  3 

  3 



 

  

  



 

 

 

 

 

3   

 

 

3   



3

3

   

Vc.

 

Vla.

(flz)

Vln. II

Cb.

 

 Perc.

mp

Dr.

E. Gtr.

mp

Tbn. I-II



 


4 A

 

Reed II

Reed III

Reed IV

Reed V



 

21 Reed I

Tpt. I-II

  

Tpt. III-IV

 



 



U. Bass

Eng. Hn.

Bsn.

Hn. I-II

 



 

 

mp

 

 

 

 



 

 



 

 

 



 





   

 





 

 

 

 1.  

   

p pointed

Cabasa p

  

mp

 

tutti div. á 4

   p

(p)

 

(pizz.)

(p)

 

 

  

 

 

 

 3

 

3   

 

 

3   

3



 



 

 

  

  

 

p

 

 

Vc.

 

 

  

(p)

Vla.

  

(arco)

 

 

 

(pizz.)

 

3

(arco)

Vln. II

A

(p)

 

p

Vln. I

(l.v.)

p warmly



 

 

 

   

Cb.

Vibraphone

Hp.

1.



 

 

 arco (motor off)   Perc.





3.

Timp.

 

p pointed

Hn. III-IV

 

Pno.

  

Dr.

E. Gtr.

Tbn. I-II

Tbn. III


5  

Reed II

Reed III

Reed IV

Reed V



 

26 Reed I

Tpt. I-II

 

Tpt. III-IV

 

Tbn. I-II

Tbn. III

U. Bass

Eng. Hn.

Bsn.

Hn. I-II

Hn. III-IV

Timp.

Perc.

 

 

 



 



 



 

  

 

 

 



 

 

 



   

 





 

 





 

 



 

 



3

 

  



  

   

  

 

Vln. II

   

 

Vc.

 

 3

 

 

 

3

3



 





 

 

3

  

   

 

 

 

 

 

  p

 

 

 

 

 

mp

 

Vla.

     3

 3

   



   

 sim.

 



Vln. I

Cb.

Hp.





 

 

 

Pno.



Dr.

E. Gtr.



 

 

 

 

3

 

 3


6  

Reed II

Reed III

Reed IV

Reed V



 

31 Reed I

Tpt. I-II

    

Tpt. III-IV

(1.)

  

Tbn. I-II

Tbn. III

Pno.

U. Bass

Eng. Hn.

Bsn.

Hn. I-II

 



   

mf

 

 

 

 

 

 

 

 



 



 



 



   

  



 

 

 

 

sim.



(Cabasa)

3    

  

 

(arco)

(pizz.)

 

Vc.

(arco)

  

 

 

 

 3       3

  

  



  

  

 

3     



mp

 3 

3    

3   

3    



 

 

 

 

  



 

  

(pizz.)

      

 

3

 

  

 

     

Vla.

3

sim.

 

mf

 

Vln. II

 

 (1.)  

 

 

Vln. I

Cb.

 (Vibes) 

Hp.

sim.

Perc.

(3.)

Timp.



Hn. III-IV

Tba.

Dr.

E. Gtr.



 

 

3

 


7

B

 

37 Reed I

Alto Sax

        mp

Reed II

Soprano Sax

Reed III

Tenor Sax

Reed V



 

Tpt. I-II

Tpt. III-IV

Tbn. I-II

          

 



á2

 

mf

   

  

   

   

  

 

    

 

 

 

mf

smooth

p

 



p

mf

smooth

 p

        

mp

Reed IV

mf

smooth

      mp

 

 

 

 

      

 



     

  

   

   

  

 

    

 

mf

Tbn. III

  

   

Play-slowly solidify groove

 

Dr.

E. Gtr.

   

 

p pointed

U. Bass

Eng. Hn.

Bsn.

Hn. I-II

Hp.



    

   

 

     

  

 

   

 

 2.  

 

 

 

 



 

mf

B

mf

Vln. I

  

mf

 

mp



mp

 

sim.

  

 

  

3   









 

  

  

 

 

 

  

  

 

  

  

 

 

 

  

  

 

 (l.v.)



mp

mp pizz.



 















3   

3    

3   

3     



 

 

 





 



 

 

3   

3    

3   

3    

 

     





   

 



    



mp



   

 

  

 



 

3

 

 

 

Vc.

mp

mp

mp

Vla.

 

  Vln. II



sim.

(mp)

 



 

mp

 

   

Cb.



   

   Perc.

(l.v.)

3. mp

Timp.

pizz.

1. mp 4.

Hn. III-IV

 



mp

  

 

Pno.

 


8  Alto Sax   

44 Reed I

  

 

mp

Soprano Sax

 

Reed II

  



 

 

mp

 

 

p

p



mf

  

  

 



 

 

mp

 

p

mf

 

p

mf

mp

 

mp

mf

Tenor Sax

 

mf

mp

Reed III

p



mf

 

p

Reed IV

Reed V



Tpt. I-II

 

 

Tpt. III-IV

   

Dr.

E. Gtr.

 

Tbn. I-II

Tbn. III



   

U. Bass

Eng. Hn.

Bsn.

Hn. I-II

Hn. III-IV

  

 

 

Timp.

Perc.

Hp.

 

 

 

 



 



 

 

 

 







      



 

 

 





  



 





 

 









 

  

3   











 















  

  

 

 

  

 

 

  

  

 

 

(pizz.)

 

(arco)

Vla.

(pizz.)

 

Vc.

  



  

3   

3    

3   

3    

 



 

 

  

 

 



 

 

Vln. II

 

 

(arco)

   



 

(2.)

  

Vln. I

Cb.

 

  

 



 







 

 

 



(4.)



  

 



  

 



 

Pno.

 



 


9  

50 Reed I

     

 

     

 

mp

Reed II

mf

mp

mf

    

Reed IV

Reed V



 

Tpt. III-IV

Tbn. I-II

Tbn. III

   

Dr.

E. Gtr.

   

 

Pno.

U. Bass

Eng. Hn.

Bsn.

Hn. I-II

Hn. III-IV

Timp.

Perc.

Hp.

  

 

   



 

   

       



 

 

 



 



 

 













 

 

  

  



  

  

  

 

  Vla.

 

p

 

  

   

 

 

 

  

   

 

 

 

 

 





  



 

 

  

 



 

    

 

      



(building)

 

 

 



 

 

     3

 3 

3    

 3 

3    



 













3

  

mf

  

 

 











  

 

 

 

  

  

 

 

 

  

  

 

 



 

 





 

   



Vc.

  

 

Vln. II

building

mf

 

 

  

 

mf

Vln. I

Cb.

  

mf



 

mp

p

 

 p

Reed III

Tpt. I-II

 

 3 

3    

3   

3    



 



 

 




10 C

 

Alto Sax

Flute

Reed III

Bb Clar.

Reed IV

Reed V



Bb Clar.

57 Reed I

Reed II

Tpt. I-II

Tbn. I-II

Tbn. III

 

U. Bass

Eng. Hn.

Bsn.

Hn. I-II

Tba.

Timp.

 

 



  

  





 





 





  

  



 



 

 



 



 



 

 

  mf

 



 

 

 



 

 

 



 

 

 

 

     

  

  

 

   

 

time; heavy! ride cymbal 

snare

mf



  

Eb solo (drone), rhythmic

 

   

 

 

 

  

   



 

Vln. I

  Vln. II

 

    

mp cresc.

  

mf

á2

mp cresc. á2

mp cresc.

 

 

3





 

 

 

3

 cowbell (stopped) use heavy stick



f meaty



   

 

  

  

 

 

 

 

 

 

   

 

 











 

 



   

  

  

 

3

 

 

 

 

 

 







 

  6

6

 

 

 

 

    

 

 

 

   

  

 

mf cresc.

 

6

 



  

 

 3

mf

6

 

 



6

 

 

 6

 

 

mf

 

f

 

 

 

  

 

 

 

 

   

6

 

 

 

 

 

(arco)

mf cresc.

(pizz.)

mf cresc. (arco)



 3

 

3   

 3

 

3   

 3

 

mf cresc.

Vla.

   



mf

 





6

C

     

mf cresc.

 

 

   

 

 

mf



Vc.

 

 

Cb.

 

Hp.



  Perc.

 



 

Hn. III-IV

     

2.



add distortion & flange

Pno.

mf

bass drum

E. Gtr.

 

mf

Dr.

 

mf

 

Tpt. III-IV

(pizz.) mf cresc.

mf cresc.

mf cresc.



 

 3  

 3



  

3    





 

 3

3      

 3

3      


11   

61 Reed I

Reed II

 

Eng. Hn.

Bsn.



 f









mp





 

 





 

 



f

mp

 



 





  

  





 

 



 

 



 

 

 

 

 

 

 

 

  



 











f

  

 

 

 

   

   

 

  

 

 

 





  

  









 



 

 







 

 

 

 

 

 

 

 

 

     

  

  

 

   

 

 

 

 

  

 

3

 

 

  

 

   

 

   

    



 

 

   

 3

 

   







 





   

 

mp

 

 

mp





 

f

 





mp



  mp

   



f



(Eb solo)





    

   

  





     





 

  

f



 

  



mp





f

 

mp







Dr.

U. Bass



   

Tbn. I-II

Pno.



 

Tpt. III-IV

E. Gtr.



Reed IV

Tbn. III

f

Tpt. I-II



Reed III

Reed V

1. 2.

Hn. I-II

3. 4.

 

Hn. III-IV

Tba.

Timp.





   

 

  Perc.

Hp.



 

Vln. I

   

 

  

Cb.

 

 

 

   

 

 





 



 

 

 

 

 

 

  

 

 

 

   

 

 

3   

 

 

3   



 3

 

 3



 3  

 

6

 

3    

 

 

 

 3 3

6

6

 

6

  

Vc.

 

 

6

 

 

 

  Vla.

 

6

  Vln. II

 6

 

6

 

 

 

 

 

 



 

 



 


12  Alto Sax.    

65 Reed I

mf

mf

    Flute

Reed II

mf

Reed IV

   

   

Bb Clar.

mf

Bb Clar.

Tpt. I-II

Pno.

U. Bass

Eng. Hn.

Bsn.

Hn. I-II

                        

Dr.

E. Gtr.

           

Tbn. I-II

Tbn. III

Tpt. III-IV

     

      

 

           

  

         

f

      

   

(Eb solo)

         

 



  

mf

f

     

 

f

f

mf

 

 

f

   

   

 

  mf

 

 

 

    

 



3



3

f

3

  arco

3

 

 

   

mf cresc.

 

 

 

  

arco

 

3

      

f

        f

      3

f

 3

f

 

    

 

   

 

 



3



3



3



3

  

 près de la table

      



       



             



3

 

mfp

    f

 

     

3

      p senza vib.

 

3

       f



 3            

 

 

3

3

senza vib.

       f



(l.v.)

p senza vib.

3

       

fp

 

f



  

     

mp

 

 

   

mf cresc.

 

p

mf

Cb.

f

mf cresc.

pizz.

fp

 

   

 

(pizz.)

fp

mf cresc.

   

fp

pp

 

 

fp

take oboe

mf cresc.

   

 

    

 

(arco)

Vc.

  

 

2. con sord. fp laid back

 

    

mf        

fill

  

 

 

    

 

   

    

Vln. I

Vla.

     

 

Vln. II



           

 

  

 

   

f

 

 

    

 

 

   

 

Cowbell

  

 

   

dim.

mf

f

 

f

      

  



mf

 

      

 

take Piccolo

   

mf

(l.v.)

dim.

 

Hp.

  

 

f

        

mf

Perc.

     



 

f

   

mf

Hn. III-IV

Timp.

 

mf

Tba.

   

  

f

     

mf

mf

 

 

Reed III

Reed V



    

senza vib.

        f

senza vib.

        f

senza vib.


13  

Reed II

Reed III

Reed IV

Reed V



Tpt. I-II

   

71 D Reed I

p

Tpt. III-IV

Tbn. I-II

 

 

 

 

 

 



   p

 

 

 

  

 

 

 

Flute

 

 

Dr.

E. Gtr.

Pno.

U. Bass

Ob.

Bsn.

Hn. I-II

 

Timp.

Hp.

p sub.

p

 

 

   

 

 

p

dim.

 



Claves

mp

mp

pp

 

 

 

 

 

 







Vln. II

p

Vla.

   p

 

 

 

Vc.

  

  

  

  

p

D   

Vln. I

Cb.

 Perc.

Hn. III-IV

Tba.

time; lighter, p improvise on hh

mf laid back



p

Tbn. III

 


14    

(Flute)

75 Reed I

 



 

 



 



 

 

 

 



 

Reed II

Reed III

Reed IV

Reed V



Tpt. I-II

 (2.)  

Tpt. III-IV

Tbn. I-II

Tbn. III

Pno.

U. Bass

Ob.

Bsn.

Hn. I-II

Hn. III-IV

Timp.





 









 

 





 

 

 

 



 

 

 

 

 

Hp.

  

 Perc.

Dr.

E. Gtr.

Sleighbells

mp

(Claves)

 

bisbigliando

 



 

 



 

 

 

 

 

 



 







Vla.

Vc.

Vln. II

Cb.

 

ppp

  

Vln. I




15   

79 Reed I

 



 

 



 



 

 

 

 





 

Reed II

Reed III

Reed IV

Reed V



Tpt. I-II

   

Tpt. III-IV

Tbn. I-II

Tbn. III

U. Bass

Ob.

Bsn.

Hn. I-II

Hn. III-IV

Timp.



 









 

 





    

 

C

clean sound

p light

  

p light

 

  

D

E



     

  

  

 C

  

 

  

  

   

 

 

 





 

  

p light

 

 

 

 E

 

  



p

p light

  

D

mp

  

 

D

E



  

 

  

   

 C

  

 

  

  

 

 

 









 

 

 D

  

 

 

 

 

 

 

 

 

 

 

  p



 

  p

 

 

 



 

 

 

 



 



 



 

 



 

  

 







Vln. I

Vla.

Vc.

Vln. II

Cb.

  

mp

 

(Cymbal)

 

 

 

Hp.



 Perc.

 

 

Pno.

 

Dr.

E. Gtr.




16  

83 Reed I

 

(Flute)

 



 

 



 



 

 

 

 





 

Reed II

Reed III

Reed IV

Reed V



Tpt. I-II

 

Tpt. III-IV

Tbn. I-II

Tbn. III

Ob.

Bsn.

Hn. I-II

Hn. III-IV

Timp.

Hp.

Vln. I





 





 

 





 

  

 

(l.v.)

Fade out

   

  

  

 

  



 

(Sleighbells)

(Claves)

p

p

 

 

 

 

 

 

arco (norm.)

 

   

 

mfp

Vln. II

pizz. (norm.)

 



 Vla.

 

Vc.

mfp pizz.

mfp arco (norm.)

(p)





(p)



3

 

 







3

 

 

 

 

 



(p)

arco

mfp

(p)

mfp

Cb.





 Perc.

 

U. Bass

Pno.

Dr.

E. Gtr.



(2.)



drums out


17 87 E  

 

Reed I

Reed II

Reed III

Reed IV

Reed V

Tpt. I-II

 

Piccolo

 

 



   4. solo

 

Tbn. I-II

Tbn. III

Pno.

U. Bass

Ob.

Bsn.

Hn. I-II

Hn. III-IV

Timp.

Hp.

Bb Clar.

p

 

 

 

 

 

 

 

 

  

incisive

  

Bb Clar.

p

incisive











mp

 mp

mp

  

(G maj+)

 

p



 

   

  

 

    

    

 incisive    

p

 

 

   



  

 

p

 

    

  

 

 

mp

  

mp

  

 



3      

incisive





 



mp





  

 

 

E  

pizz.

  

(arco)

  



incisive

 3  





3    

 

3    

 

3

3



 

  

  

 



mp

 mp

 

 



 

 

3       

  pizz.

  

 

 

  Vc.

   



 

(p)

p

incisive

   

 

Vla.

 

   (p)

pizz.

 

   p

(div.)

Vln. II

   

p

Vln. I

Cb.

incisive

  Perc.

p

 

   

Dr.

E. Gtr.

B dorian (or Bm)

Tpt. III-IV



 

  







3    

 


18  

93 Reed I

   

(Piccolo)

 

Reed II

p

 

 

(Bb Clar.)

Reed III

p

 

 

(Bb Clar.)

Reed IV

Reed V

Tpt. I-II

    

Tpt. III-IV

Ob.

Bsn.

Hn. I-II

Hn. III-IV

Timp.

Perc.

Hp.

 



 

 

 

 

 

  





mp

 mp

mp

 

 

  

 

 

 

pp

pp

pp



 

 

 

 

 

  

(E dorian)

       

p

  

 

    

  

 

 

 

  

  

 

 

 

 



     

   



 

 





p

 mp



3      



 

 



 

    

 

 

  

 

  



 



 





 

  (Sleighbells) 



  

     

    

(pizz.)

   



(arco)

  Vla.

(pizz.)

 

(pizz.)

3     

Vc.

3

3

    

   

 

(div.) 

 





  

  

   

 

 

pp

pp

mp

 

mp



(arco)

 

 

  

 

p

(arco)

   

 

p

 

Vln. II

  

  







 

  



  

3

 



mp

 

 



3

3

p

   

p



 

p



  

p

    

 

 

 

3

 

 

mp

 

 

mp con sord.

p

solo

 p

 

p

pp

p laid back

2. con sord.

 

   

pp

mp

 

 





   

  

Vln. I

Cb.



Flute

   



 

U. Bass

 

 

Pno.

 

Dr.

E. Gtr.

Tbn. I-II

Tbn. III

p


19 F

                     

99 Reed I

 

  

      

      

 

                     

Reed III

 

Reed IV

 

Reed II

Reed V

Tpt. I-II

  

Tpt. III-IV

 

Tbn. I-II

  

   

(B dorian)

Tbn. III

Ob.

Bsn.

Hn. I-II

laid back

 

   

 

 

Timp.

Perc.





 

1.

mp

  

  

   

  

 

mp

  

p

 

      

  

      

  

  

   p

(tutti arco)

   p

  

 

2.

  

 

   

  

  

 

 

        

 

   

   

 

 

 



 

  

  

 

  

  

  

  

   

 

 

 

  

  

 

 

 







 







3     



arco  



p

(arco)

 

3    

p



 

  

3   

p

   





 

 



 

(div.)



 

1.

 

             

 

(div.)

              

 

 

 

3     

 

Vla.

(G maj7)

  p

Cb.

         

 

p div. arco norm.

 

3. (open)

F arco norm.  





 



p

p

Vc.

 

Vln. II

Vln. I



  



 

Hp.

1. (open)



 

  

             

p

Hn. III-IV

             

 

U. Bass

Dr.

Pno.

           sporadic hints at the beat

E. Gtr.

 

3    


20 105 (Flute)   

 

 



  



 

 



 

 



 



 

 

 

 

Reed I

Reed II

Reed III

Reed IV

Reed V



Tpt. I-II

 

Tpt. III-IV

 

Tbn. I-II

  

  



Tbn. III

 

   

 

U. Bass

Ob.

Bsn.

Hn. I-II

 

 

 

  



  

  

 

   

 

 

    

 2.

 

   

Timp.

  





 

 

 

 



 

  

   

 

 

 

 

 

 

  

 

 

 



  

 

1.

 

 

 

  



  

 

 

  

  



 

  

 

   

 

1.

 

 

Claves

Vln. II

  

 

 



    

  

  

(pizz.)

 

3    

  

 

3

  

  3

mp

  

 3









  

3   

  

 

  

   

 

 

  

  





 

  

3    

3    

 

 

 

   

p

 

   



 

 





 

    

(arco)

 

 

3







   

Vc.

    

Vla.

3.

 

 

 

Vln. I



     

(p)

 

 

 

 

 



  

   

Cb.

 

Sleighbells

Hp.

 

  Perc.

3.

Hn. III-IV

(E dorian)

Pno.

 

Dr.

E. Gtr.


21   

110 Reed I

  



 

 



 



 



 



 

 





 

Reed II

Reed III

Reed IV

Reed V



Tpt. I-II

   

Tpt. III-IV

Tbn. I-II

 

Tbn. III

 

 

Dr.

E. Gtr.

    

 

  

 

Ob.

Hn. I-II

Hn. III-IV

Timp.

 

 

 

  

 

 

 

  

   

 

  

2.

 

 

  



 

  

  

 

  

  



 

 

 

  

  

 

  

  

 

  

 

 

   

 

 

 

  

 

 

  

  

 

 

 

  

 

  

 

 

 

Vla.

  Vc.

 

 



  

3   

  





  

3    

 



mf

2.

 

mf

 

 

 



  3

  

   



  

  

 



3

  

 

  









3    

 



 

  

    

 

  

 



 

 

mp smooth



   

Vln. II

 

 



Piccolo

 



mf

   

Vln. I

Cb.

 

 

 

Hp.

  Perc.

Eng. Hn.

Bsn.

  

U. Bass

Pno.

(C lydian (^))

3

 

3

   


22 G

Reed I



   

115

Flute

  

Picc.

Reed II

Reed III

Reed IV

 

Soprano Sax.

Soprano Sax.





mp smooth

   

con sord.

Tpt. I-II

 

 

 

Tbn. III

 

E. Gtr.

Pno.

U. Bass

Eng. Hn.

   

 





Hn. I-II

 

 

Timp.

 

 

  

  

 1.

mf



 

 



 

  



   

 

   

 

       

mp

     

mp

 



 

  

 

 

arco

  

2.

 

 

 

    

 

Claves

  

   

3

 3

   3

mp misterioso

G  

   

3

   

    3

   3

   

  

 

       

mp

(pizz.)

 

mp

 

3

   3

mp

  

3

3

      

       3

      3

  

   

 

 

 

  

  

 

 

 

  

  

 







3    





3     



 

 

 

div.     mp

   3

mp

Cb.

3

unis.

   

3

 

 

3

 

mp

 

 

mp

mp (arco)

  

3

 

mp

 

  

4.

 

3

   3

 

  

3

    

mp



 

 





 



  



3

 

 

 

  

 3

 



 

 

  

2..

   

 



  

 

 

G maj 7

mp



 

 

mp



 

 

 



 

(G maj 7)

fill out chords

mf



mf

    

mf

 

mp

Vc.

 

 

Vla.

     

Vln. II

 

 

mf

Sleighbells

Vln. I



mp

 

Bm (or B dorian)

 

Hp.

mp

Perc.

 



 

 

 



  

 

mp

Hn. III-IV

 

mp

Bsn.

 

mf



more solid time

Dr.

 

 

 



 

 

  

 

  

Tbn. I-II



     

 



(Bm or B dorian)

 

 

 

  

 

Tpt. III-IV

con sord.



Bb Clarinet

Reed V

take Soprano Sax


23  

120 Reed I

  



 

Reed III

Reed V

Tpt. I-II

    

Tpt. III-IV

 

Tbn. I-II

 

Tbn. III

 

Pno.

U. Bass

Eng. Hn.

Bsn.

Hn. I-II

Hn. III-IV

Timp.

 

  

  

 

 

 



  



 

 

  



   

 

    



   

 

 

 



 

 

2.

 

  

 

mf

 

mp

 



 

 

  



 

 

 

 

 

 

 

 



  

 

 

 

  



 

 

  

 



 

 

 

 

 

  

   3

     3

       3

Vln. I

Vln. II

  

  

  

3

   3

   

3

   3

  

3

   

   3

 

   

       3

   3

   3

   

 

 

 

 

 

  

  

  

 

 

 





 

 

 

 3  

3







 3   



  

3

3

  

 

      

3

 

 3

   

  

3

3

   



mp

3

  

Vla.

  

Vc.

3

3   

mp



   









    

 

   



 

1.

 

 

(3, 4)



3

  

3

  



 

(E 9)



 



  

 

 

3     

 



3    

 

 

 

 







 

D9

 

 

mf

 

mp



 mf

mp

   

Cb.

 



 

  1.

 

  

 

Hp.

 



  Perc.



   



 

 

 

 

 

Dr.

E. Gtr.

 



Reed II

Reed IV

3

       3

 3





 

 

 

 

 

3    


24  

125 Reed I

 

Piccolo

Reed II

Reed III

 

Reed IV

 

Soprano Sax.

Tpt. I-II





 

    

 

Tpt. III-IV

 

Tbn. I-II

  

  



Tbn. III

 

Dr.

E. Gtr.

Pno.

U. Bass

Eng. Hn.

Bsn.

Hn. I-II

Hn. III-IV

Timp.

 

 

 

 

 



 

 

mf

 

 

 

 

 

 

 

 

C lydian

 

 

 



   



 



 

 



 

 

 

2.

 

 

  



 

 



   

 

   

(C lydian)

 

 

  





 

(2.)  3    3       

  

Vln. II







 

 

 

   

    3

 3

   3

  

    3

3

3

   3

  

3

  

3     

3      



  

3

  

3    

  

   3

    3



3

  

 

   

    

   

 

 

 

  

   

    

  

 

 

 

  

  



 



 



3      



 



 3







 

 

      3

  

 

3       

3     

3

 

  

3

3

   

  

3

  

 

Vla.

3

   

   3

 

3   

 

3   

Vc.

  

3

    

Vln. I





 



 

 

 

 

 

 

 

 

 





 

 

 

 

 

 

mf





   

 

 

   

     

Cb.

 



 

mp

 mf

mp



   

Hp.

  

  Perc.



  

mp

 

  

Soprano Sax.

Bb Clar.

Reed V

Soprano Sax.

3       



 

 


25   

130 Reed I

Reed II

Reed III

Reed IV

Reed V

Tpt. I-II

U. Bass

 

  

   

 

 

mf

 

 

 



mf

 

  

 



 

Bsn.

Hn. I-II

Tba.

Timp.

 

 

 

 

 

 



 

 

 





 

mp

mp

 

 



 

 

1.

cresc.

 

take Flute

mf

 

 



 

take Bb Clar.



 

 

  





take Bb Clar.

 

mf

 

 

 

 

  mf

 

     3

   

 

  



 



 

 

 3

  

3

  

cresc.

   3

   3

3       

 

  

   3

    3

    3

3

 

 

cresc.

 3







  

3

  

     

  

   

 

  

  

 

3

  

   







3     



 

cresc.

3

3

 

cresc.

arco

 

cresc.

3

3

 

  

 

   3

      

3    

mf

  

 

3      3    



3

 

  

mf

 

  

    cresc.

cresc.

(1, 2)

mf

3

  



cresc.

   

cresc.

3     

 

cresc.

 

cresc.

    

 

3

 

  

cresc.



Vla.

     

3    

cresc.

3   

 

3

3

mf



 

  

 

3

3

    

  

 

   

3



   

  

3

  

fill

cresc.

(C lydian/F)

 

 

cresc.

 

   

 

Cb.

 

 

cresc.

  

Vc.

      

cresc.

 

Vln. II

   

  

  

Vln. I

 



 

 

Hp.

 mf

 

  Perc.

 

 

mp

C lydian/F

 



(mp)

   

Hn. III-IV

   

 

 

cresc.

Eng. Hn.





mf

mp





mp



mp

 

Dr.

Pno.

   

  

Tbn. I-II

E. Gtr.

 

 



Tpt. III-IV

Tbn. III

arco


26 H  

  



  

135 Reed I

Reed II

Reed II

Reed III

Reed IV

Tpt. I-II

Tbn. III

Bb Clar.

Bb Clar.

  



      

 

      

 

 

  

   

Eng. Hn.

Hn. I-II

  

    

 

     

  



 

 

 

 

   



 

 

 

 

     

mf

 

                

  

 

improvise on Bb drone; funky!

  

     

 3           3         

3

  

3

Conga mute slap bass

  

mf (swung)

 

Vln. I

 

mf

  

 

 

tone

 

 

 

 

 

H  

 

 

  Vln. II

mf

pizz.

  mf

tutti div.

Vla.

   mf

Vc.

   mf

Cb.

   

mf

  

 

 3         

3

  

 

 

 

 

   

 

  





     



 

   

     

   



3

 

3

3    3            

 

 

   

   

     

  

    

 

   

   

 

  3

3

     

 

 3         





 

       

 

 

        

 



3     

3       

 

3

3

 

3

   

 

 3         

 

3

             

  

3

 3       

3

 

   

 

 

 

 

 

 

 

       



   

 

 



 

 

3  3          

3

 3        

3

3

 3       



 

3

 





 3       

  

       



   



 

     

  

 

 

   



     

             

      

 

     

   

     

 

3



mf

 

   

    

mf

 

  

3

 

mf

     

     



           

3

  

 

  

 

3    3            

  

 3         

3 3           3



 

 

3

mf

arco

 

mf

  

 

3

   

 3         

  

3

 

            

 3       



     

 

    3           

mf

 

3

   

 



  Sleighbells 

Hp.

3     3           

mf

Perc.

       



f

   







      mf

     

 

  

f



3

Timp.

   

  

f

         

3

Tba.

 

 

f

     

 w/ distortion     

Hn. III-IV

2.

mf

f

  

 

   

 

mf

mf

    



f

          

f

Bsn.

mf

end solo

  

U. Bass

mf

mf

time; heavy funk

Pno.

      

Dr.

E. Gtr.

 Flute

 

f

mf

      

Tbn. I-II

     

take Flute



Tpt. III-IV

 

   

Bb Clar.

Reed V

Flute

3     3     3     


27      

  

141 Reed I

Reed II

Tpt. I-II

U. Bass

Eng. Hn.

Bsn.

Hn. I-II

   

 

mf

   

    



    

mf

mf



     

  

mf



 

f

f

  

    

  



    

  

mf

     



f

       

     

mf

f

     



 

mf

mf

         mf

 

mf

f

    

 

f

mf

f

                f

mf

   

  



 

     

  



 

 

 

 

   

 

     

 

 

 

 

     

             

         

  

   

   

      

 

 

 

 

 3         

  

Vln. II

    

Vla.

  

Vc.

 

3

           

 

3

 3      

3

3

 

    

 

 

 

 

 

 

 

    

 

   

  3

3

 3           3         

3

 3       

3

        3

      

 

  

 

   

  3

 

 

 

 

 

(l.v.)

   

 

   

   

f

    

 

     

  

 

            3

 

3

         

   

 

3

f

3      

3

 

   

   

      

3

 

     

3

   

   

 

 

 

 

f

      

 

  

 

 

            3

f

f

Continued funkiness, but with lots of space

 3        3



    

          

   

 

 

 

 

3

 

 

         

    f

f

 

f

   

 



 

   

      

f

  

     

    

           

 

   



 

3

  

  

      

 

      

 

     

3

 

          

         

Vln. I

 3      

 

 

 

 3         

 

 



        

  

          



mf

       

f

  

 

Hp.

    







    

3

Perc.

     

f

Hn. III-IV

Timp.

 

f

3

Tba.

mf

mf

f

     

Dr.

Pno.

       

     

 

Tbn. I-II

E. Gtr.

 



f

 

Tpt. III-IV

Tbn. III

   

 

 

Reed IV



    

f

 

Reed III

Reed V

    



f

 

 



3

f

   

3     

f

 

3     

f

     3

f

 

 

 

 

   

   

arco

3

f

3

f

Cb.

  

 

 

 


28

Reed I

Flute

 

147

  

 Flute

Reed II

  

Bb Clar.

Reed III

    Bb Clar.

Reed IV

Bb Clar.

Reed V

Tpt. I-II



U. Bass

Eng. Hn.

Bsn.

 

f

f

  f

  f

    

 

  

     

 

 

    



 

mf

mf

   

f

  f

  f

     

   

    



 

   

    



 

     

  

  

 

    



 

 

   

  

   

 

mf

 

 

mf

 

mf

f

    mf

  f

f

  

   f

  



  

    

 

 

 

 

   

  

  

  

f

  

   

  

 

  

f

    

f

f

 

 

 

 

f

  

   

    



 

   

    



 

     

  

 

    



 

 

   

 

   

      mf

f

mf

f

     

mf

        mf

mf

 

 

  

            

laid back mp

        

   

arco

  

f

  

    



      

      



3    3        

 

 

 

    



      

       



 

 

3    

   3           

 

 

  3  3            

 

            3

 

 

3    3           

            3

 

            3

 

3   3  3            

 

           

 

 

   

       

       

Hn. III-IV

            3

 

 

3

3

 3

f

3

3

f

 



3

 

    

   

3

f

3

3

3

 3  3          

3

3

3

3



3

   

 

 

   

   

   

     

3

        

3

3

3

             

           

3

3

           3

 

   

   

   

   

        

           

 

 

3          

 

 

           

 

 

      

3

3

 

 3

3

3

3

   3             3

  3

3 3          

 

 

             

 

 

3

3

3

 

3

3    3         

arco

    3

f

3

 

3

 3

         

 

 

         

 

 

        

 

 

         

 

 

3

      

3

3

3

3

   3             3

   

  3            

 

3

           

 

 

3

3          

 

 

3

           

 

 

3

         

 

 

3

      

3

3

3 3          

3

 3  3             

 

  3   3    



3

3

 

Eb(#9)

3    

   

Vc.

 

 

Vla.

f

 

Vln. II

f

     

 

f

   

 

  

Cb.

 

 

   

f

  

Hn. I-II

Vln. I

  

f

mf



 

Hp.

 

 

 

Perc.

f

   

            3

Timp.

f

  

 

  

Tba.

f

        

       

  



  

   

  

f

 

 

 

    

  

     

 

  

 

f

 

    

 

  

f

mf

    

mf

  



     mf

 

Dr.

Pno.

f

         

Tbn. I-II

E. Gtr.

  

Tpt. III-IV

Tbn. III

  

 

                                            


29

I 

 

153 Reed I

Reed III

Reed V

Tpt. I-II





    (3.)

 

Dr.

E. Gtr.

Pno.

U. Bass

Eng. Hn.

Bsn.

Hn. I-II

 

  

 

 

 





 

 

  

 



 

 

 pp

 

pp

pp

keep time on h.h., lighter

  

Timp.

Hp.

pp

 



 



 

 





  

   

 



 

 



 

 

pp

   solo pizz

  

mf searching



    

pp

pp

pp

pp

 

 

mfp

 

senza vib.

   

  

 

  

 

 





pp

Vln. I

  



senza vib. pp

pp

pp

pp

pp

 



I    

Cb.

  

Vc.

 

  

Vla.

 

  

Vln. II

 Perc.

pp



 

  

pp

pp

Tba.

 

Hn. III-IV



 

 

  

Tbn. I-II

Tbn. III

   

Tpt. III-IV

mp laid back

Reed IV

 

pp

Reed II

 

 



 



  


30  

158 Reed I

 Flute 



 

 

 





 

  





 



 

 

 

 





 

Reed II

Reed III

Reed IV

Reed V



 

Tpt. I-II

 

Tpt. III-IV

Pno.

U. Bass

Eng. Hn.

Bsn.

Hn. I-II

Hn. III-IV

Timp.

Perc.

Hp.

  

  

 

 



 

 

 



 

 



 

 

 

Dr.

E. Gtr.

Tbn. I-II

Tbn. III

 

 

  

   G 



   

  



    



   

sim.

  

   G 



   

  

  

p light

 

    





p light

   

 

  

   

  

  



G 



 





 

 









Vln. I

Vln. II

Vla.

Vc.

Cb.

 

 

 

  

 

  



  

  



    


31  

163 Reed I

Reed II

 



 

  





 

 



 

 

 

 





 



 

 





 

dim.

 

Reed III

Reed IV

Reed V



 

Tpt. I-II

Tpt. III-IV

Pno.

U. Bass

Eng. Hn.

Bsn.

Hn. I-II

Hn. III-IV

Timp.

Perc.

Hp.

 

 



 

 



 

 



 

 



  

dim.

 

 

Dr.

E. Gtr.

Tbn. I-II

Tbn. III

  

   

    



  



 

    



     

    

   

  

  

  

 

 

  



G 

 

 

   

  



    



  

  

G 

  



   







 

f

 



 





  

 





Vln. I

Vln. II

Vla.

Vc.

Cb.



 

 


32  

168 Reed I

Reed II

  Flute



 



 

 

 

 





 

dim. al niente



 



Reed III

Reed IV

Reed V



 

Tpt. I-II

Tpt. III-IV

Pno.

U. Bass

 



 

 



 

 



dim. al niente

 

Dr.

E. Gtr.

 

Tbn. I-II

Tbn. III



  

  

G 

G

  





 



 

 

  

 

   







 

 

   

   



 



 



 

Vln. II

Vla.

Vc.

Eng. Hn.

Bsn.

Hn. I-II

Hn. III-IV

Timp.

 Perc.

Hp.

Vln. I

Cb.

  


33  

173 Reed I

poco rall.

 

Reed II

 

Reed III

 

Reed IV

 

Reed V



 

 

 

 

 

 

 

 

 

Tpt. I-II

Tpt. III-IV

Tbn. I-II

Tbn. III

Dr.

E. Gtr.

 

 

  

p

Pno.

    

U. Bass

Eng. Hn.

Bsn.

Hn. I-II

Hn. III-IV

Timp.

Hp.

Vln. I

 

 

mp

   

   

p

   

 

     

  (l.v.)

   



 

    

   

 

   

mp

   

  

 

 

 

Piano solo: whole tone scale (interval m6) leading into Bb9(b5) to mmt II

 

 

 

 

 



 

 

 

 

 



 

 

 

 

 Perc.

         

 

 

poco rall.

Vln. II

 

Vla.

 

Vc.

 

Cb.

 


II. After a Lynching

34 Gospel Ballad (q = 76)

  

Reed II

 

Reed III

 

Reed IV

 

Reed V

  

  

Trumpet in Bb III-IV

 

Trombone I-II

 

Trombone III

  

Drum Kit

 

Electric Guitar

 

179 Reed I

Trumpets in Bb I-II

    

Piano

p swung, plaintive

    Eb

 

 

 

 

 



 

 

 

  

 

 



 

 

Eb

 

 

 



  



 

 

 

 

Ab/Eb

 

 

Ab/Eb

 

    

Db/Ab

 

Db/Ab

  



  

 

 

 

 

 

 



 

 

Ab

 

 

Ab

 

  

  

Horns in F III-IV

 

Tuba

  

   

Vibraphone

Rain Stick

Upright Bass

Oboe/ English horn

Bassoon

Horns in F I-II

Timpani

Percussion I

Percussion II

  

     

 

Harp

 

(Start English horn)

p swung, plaintive

Eb Fb G A# / Db Cb Bb

Gospel Ballad (q = 76)

  

 

 

 

Viola

 

Violoncello

 

Contrabass

  

Violin I

Violin II


35  

Reed II

Reed III

Reed IV

Reed V



 

185 Reed I

Tpt. I-II

Tpt. III-IV

Tbn. I-II

Tbn. III

Dr.

Elec. Gtr.

 

Pno.

U. Bass

Gm



Gm

 



 



 



 

Cm

 

 



 

F9





Cm

 

  



 

Bb9

 



F9

 

 Bb9



 

 

 



 

 

Eb

 

 

Eb



 

  











  



Ab

Ab

 

 

 

 



 

Vla.

Vc.

Ob./ E.H.

Bsn.

Hn. I-II

Hn. III-IV

Tba.

Timp.

Perc. I

Perc. II

Hp.

Vln. I

Vln. II

Cb.


36  

Reed II

Reed III

Reed IV

Reed V



 

191 Reed I

Tpt. I-II

Tpt. III-IV

Tbn. I-II

Tbn. III

Dr.

 

ballad (brushes)

mfpp

Elec. Gtr.

   

Pno.

U. Bass

G7

  



 

  

 

 

  

Cm7

  







G7





Cm7

 

 

  

 

  

D(#9)/F#

 

  

  

 

G+(#9)



 

 



 

 

G+(#9)

D(#9)/F#





  

Cm6

Cm6

(swung)

   

  Bb9

 

 



 

 



Bb9

 

 

 

 



 

Vla.

Vc.

Ob./ E.H.

Bsn.

Hn. I-II

Hn. III-IV

Tba.

Timp.

Perc. I

Perc. II

Hp.

Vln. I

Vln. II

Cb.

 


37  

Reed II

Reed III

Reed IV

Reed V



 

197 K Reed I

Tpt. I-II

Tpt. III-IV

Vincent

 

Tbn. I-II



 



 



 

p plaintive

Tbn. III

  

Dr.

 

p

Elec. Gtr.

 

U. Bass

Ob./ E.H.

Bsn.

Hn. I-II

p crisp



 



 

Eb

Eb

 

 



  

Ab/Eb

 

Db/Ab

Ab/Eb

 

Db/Ab



 

    

 

 



 

 

  

 



  Ab

 

 

Gm



 

 

 

Gm



Ab





 

  

 

  

 

 

 



 

  

Cm

Cm

 



 



 

3

p crisp

  

 



 





3

   

3

  



 



K  

Vla.

Vc.

Timp.

Perc. I

Perc. II

Hp.

Vln. I

Vln. II

Cb.

 

Hn. III-IV

Tba.



  

Pno.


38  

Reed II

Reed III

Reed IV

Reed V



 

203 Reed I

Tpt. I-II

Tpt. III-IV

  

Tbn. I-II

Tbn. III

 

Dr.

Elec. Gtr.

U. Bass

Ob./ E.H.

Bsn.

Hn. I-II



F9

F9

  

  

  

 



 

 

 

Bb9

  Eb

 

 

Ab

 

 



 

   

 

 

 

Ab



   

 

Eb

 

Bb9



 

 

 

  





  G7

G7

 

 



 



 

 

Cm



 

Cm

 



 

 

Hn. III-IV

Tba.



 

Pno.

 

3

  





3

  



3

  

3

 





3

 



 

Vla.

Vc.

Timp.

Perc. I

Perc. II

Hp.

Vln. I

Vln. II

Cb.

 


39  

209 Reed I

Reed II

Reed III

Tpt. I-II

L

Flute































 p sweetly

Flute

Bb Clarinet

Bb Clarinet

 p sweetly

p sweetly



 

Reed IV

Reed V

Tpt. III-IV

Tbn. I-II

p sweetly

 

 



 

 

4. solo



 



mp sweetly

pp







mp

Tbn. III

Dr.

Elec. Gtr.

 

U. Bass

Ob./ E.H.

Bsn.

Hn. I-II

 

Timp.

Perc. I

 

 

D(#9)/F#

 

 



play on cymbals (sticks)

 

 

D(#9)/F#

 

   





 

  

G+(#9)

 C^

  

p

C^

G+(#9)



 

Am9

 

 

 

 



Em7

Em7

  

Am9

 

  Gb9

 



 Ab9

Gb9

Ab9

 

 

 



3

   



mp

 Vibraphone motor on



 

 

    p sweetly 

  



Rain Stick

  

 



mp

(ped. sim.)

Vla.

Vc.

Perc. II

Hp.

p

L

Vln. I

Vln. II

Cb.



p

 

Hn. III-IV

Tba.

    

Pno.


40  

215 Reed I

 

Reed V

Tpt. I-II

Ob./ E.H.

Bsn.

Hn. I-II

Timp.

Perc. I

Perc. II

 



 

 

 

 

 



 





 

 











 

 

C^  

 

 

 

  



Em7

Am9

Em7

Am9

C^  

  

Abm9

 



  

 

Abm9

  

 





 



Db7 (b5)



Db7 (b5)



 

  

Gbm7







Gbm7











 

 

 

  p

 

 

 



p

  

 

  

   mp

   p



p

 

Vla.

Vc.

Hp.

Vln. I

Vln. II

Cb.

 

Hn. III-IV

Tba.

 

   

U. Bass



Dr.

Pno.





Tbn. I-II

Elec. Gtr.

 

 

 

Tpt. III-IV

Tbn. III

(Bb Clar.)

Reed IV





(Bb Clar.)

Reed III



(Flute)

Reed II



(Flute)


41   

221 Reed I



(Flute)







 

mp

(Bb Clar.)

Reed III

 

Reed V

Tpt. I-II

mp

 

 





3



 

Db/Ab

3





Ab



3

 

 

 

  

F7 (b5)

 F7(b5)

    

 

w/ sticks

   Fb^

 

   

Fb^

ballad



 

 



 

 

Eb^

  

   

 

 Eb^

etc.

 

 

 

Ab/Eb

mp

Db/Ab



  

Ab/Eb

 





 

Db/Ab



 

mp

3

  

3

  

mp plaintive



mp crisp

   3

  

Ab



 

   

Ab

  

 

  



 

 

   

3





3



3

 

   

 



   

   pp

p sempre dolce







mp



 

mf

M   

3

 

  

3

mp plaintive

Vln. I

 



p crisp

 

 

Vla.



 

p crisp

Vc.

   3

 

 



 



 

 



mp crisp

3

  



 



 

 



 

 

3

 

 





3

 

 



3

mp plaintive

 

 





 

3



p crisp



p crisp

Vln. II

 

   

mp



  

 

 

Hn. III-IV

Cb.

Hp.

Bsn.

Perc. II

Perc. I

Timp.

  

more impassioned

 

Tba.

Ab/Eb

Eb

Ob./ E.H.

Hn. I-II

Vln. I cue

Wynton

 

U. Bass

 

Dr.

Pno.

mp

Tbn. I-II

Elec. Gtr.

 



Tpt. III-IV

Tbn. III

 

 

(Bb Clar.)

Reed IV

 mp

(Flute)

Reed II

M

 

 











3

 

3

   


42  

Reed II

Reed III

Reed IV

Reed V



 

227 Reed I

Tpt. I-II

Gm

Tpt. III-IV

Tbn. I-II

Tbn. III

3

 

Cm

U. Bass

Ob./ E.H.

Bsn.

Hn. I-II

Timp.

Perc. I

Perc. II

Hp.





Bb9

 

 3

Eb



  

3

 

3

 

Gm



Gm

 

  

Cm

  

 

 

  

Cm

3

  

  

 

 

F9

  

3

 



  

3

 

Bb9

 

  

p



 

  Eb





 

  



  





 

 

 

 

 



3

p

 

  

3

 



 

 

 

 

  

 

  

Ab

 

Ab

  

  



 

p

Eb

3



   

   

 

  

 

  

 

 

  



  



 



 

3

mp

mp

mp

p

 

  

  

Bb9

   3

 F9





mp

3



p



    

3

Vln. I

Vln. II

  

  

3

 

 

 

 

 



 

 

 

 



3

  



 

 

 



 

  

3

  

  

 

Vc.

3



   

3

  

3

 



 

 

 

 



 



  

  

 3



  



3

   

3

  



 



 

 



 

Vla.

Cb.



Ab

  

Hn. III-IV

Tba.

F9

3

 

Pno.



  

Dr.

Elec. Gtr.

  

  



3



 



 



 

 

  



    3

   



3

    3


43  

Reed II

Reed III

Reed IV

Reed V



 

233 Reed I

Tpt. I-II

G7

Tpt. III-IV

Tbn. I-II

Tbn. III

 



3

Bsn.

Hn. I-II

Tba.

Timp.

Perc. I

Perc. II

Hp.





G+(#9)



 

3

3

G7

G7

3

3

3

3

3

3

3

3

3

Cm

D(#9)/F#

 





3

 

3

3

 

 



 

3

3

D(#9)/F#

 

 



3

 

 

 

3

 

3





   

 

 

 

  

  



 

 

  

  

   

 



 

 

 

p

mp

3

3

3

3

3

3

3

3

G+(#9)

  



 

 

 

   

       

 

 

 

 

  

 

  

  



3



3

 

 

 

mp

 

 



  

   

 



G+(#9)

 

3

  

3

 

Cm

   

 

3

 

Hn. III-IV

 

 

D(#9)/F#

 

Ob./ E.H.

 

start to bring out triplet rhythm

U. Bass



Dr.

Pno.

Cm

3

start to bring out triplet rhythm

Elec. Gtr.





 

3

 

 

 



Vln. I





 



 

 





 



 

 

Vln. II

Vla.

 

Vc.

Cb.

 

 



3

 

  



3

 

 

3

 



 



 



 



 

 

 



 



 

 

 



3

3

 

 

 



 




44  

Reed II

Reed III

Reed IV

 

237 N Reed I

Bb Clarinet

mp

  

Bb Clarinet

Reed V

Tpt. I-II

  

Tpt. III-IV

mp

Tbn. III







 3        mf conversational feel triplet e's in 4/4  3 3         3

 

mf conversational

feel triplet e's in 4/4

     

3

 

 

 

 

3

 

 

3

 

 

 

 

    f

3

 

f

 

3

 

3

  

 

3

3

 

Pno.

U. Bass

Eng. Hn.

Bsn.

Hn. I-II

 

     

    3

 

 

   

3

mf

 

C^9

3

  

3

 

3

3

3

3   

 

 

 

3

    

 

 3   

 

  

f

3

  

 

 

 

3

3

3

  

3

3



 

 

3

3



 3

3

 



 

Em



 

f

3

mf

3

3  



 

  

3

 

   

 

 

   

3

   

 

3

3

3   

3

 



 

 

 



mf

   

3

mf

p

 









   

 

3

  

3

  

  

3

 

3



 



 

 

  

3

sul pont.

 

3

  

 

mf

 

 

3

3



 3



mf

 

(ped. sim.)

3

 

sim.



mp 3

 

p

 



 

3

3

 3  

 3   









mf

Vln. I

sul pont.

 

 

mf

mf

 

mf

 

mf

3

pizz.

pizz.

3

  

3

3

 

 

3





  

 

 

3

 

3

 

 

3

  

3

 

mf

 

3

 

mf

   

 

Vc.

3

mf

Vla.





mp

Vln. II

 

 

3



Ab9



 

3

mp



 

 3          mf f  3      

Am



mf

3

3

3

 3

 

mf

N   

Cb.

 

mp

Hp.

   mf

mp

Perc. II

f

C^9

mf motor on

Perc. I

  

Hn. III-IV

Timp.

   

mf

Tba.

mf

 

 

3



Elec. Gtr.

3

 

use wah-wah pedal; blend with trombones

feel triplet e's in 4/4

 

C^9

 

Dr.



feel triplet e's in 4/4

Tbn. I-II



3

  3

 

 

3

 

  3

 

 

3

  

3

  

3

  

  

3  


45  

Reed II

Reed III

241 Reed I

 





 

  





 

(Bb Clar.)

Reed IV

(Bb Clar.)

Reed V

Tpt. I-II

 

Tpt. III-IV

 

Tbn. I-II

Tbn. III

     

Dr.

Elec. Gtr.

U. Bass

Eng. Hn.

Bsn.

Hn. I-II

Timp.

Perc. I

 

3

 

3

3

 

3

3

   3

3

 

 

  

mf

3

 

3   3

3

 

 

            

3  

3

3

3

 

3

    3

    

   

3

 

3

 3  

3

 

 

 

3

 

3

 

3

3 

3

 

3

 

 

 

3

3

 

     

       

 3

3 

3

3

3

  

 

  

     

   

3

  

3

3  

3

  3      f insistent      f insistent

   

3

f

 

3

  

  

3

 

3

 

 

 

3

 

3





  

3





 

  

 

 

 



 

  



3

 

   

 

 

 3

Vln. I

  3

3

3

 

 

 



3

 



3

 



      

 3   











 



 

3

3

 3  

 3   





 

  

3

3

3

3

 

      3

3

   3

3

 3



3

3

 3  

3

3



 

3

 

3

 

 

 

 

  

3

  3

 

3

3

 3

 

 

  

  

3

3 

 

 

3

3

3

 

3

Vc.

3

3

  

Vla.

 

  

Vln. II

 



 3

 

 

 

3

 

 

   3





3

3

       3      3       

 

 

 

 



   

 

Abm9



 

3



 

3

 

Em7



  

 3     

 3

 

Am7

   

 

   

  

Cb.

 

3

mf

3

3

Hp.

 3     mf     

mp

Perc. II

C^

  

 

Hn. III-IV

Tba.

  

Pno.

 

3

 



















3  


46  



Reed II



Reed III



245 Reed I

 

 







  





 



(Bb Clar.)

Reed IV

(Bb Clar.)

Reed V

Tpt. I-II

 

Tpt. III-IV

Tbn. I-II

Tbn. III

        

Dr.

Elec. Gtr.

  

  

Pno.

U. Bass

Eng. Hn.

Bsn.

Hn. I-II

Timp.

Perc. I

 

3 3

 

3

3

   

 

 

3

3

 

   

3

 

 

   3      3

3

 

 

  

3

3



3







3



3

3

ff

 

 ff

 

  

 

3

 

3

 3   

 3  

 



3 3



mf

 3

 







         3

mf

3  

  



  

3  

f

3 3

 

 

    

 

 

3 3

f

3

3

 

3

F7(b5)



    

3



3

 

 



  

3

3

 

3

3 3  

  

  3



  

mf

 

3

3

  

3

 

3   



   

mf

E^



   3              mf  3  3      

 



 3  

3           3

 

3



3     





 

 



 



3 3

3

3

 3  

 3

 

 3  







 

 





 

 



 

 

 



 

 



 

 

 



3



 





     

   

3

 



 

3

 





  



mp

 

 

 

  

3







 3







3

 3  

 3





 3  



 3  



 

3

  3

 3   

 3  

 3  



  











 



 











 



 

  



3

3

Vln. I

  

  

3

3

Vln. II

  

  

 

3

Vla.





 





 







 

  



3

3

3

  

3

 

  

3

  

3

Vc.

 

  

   

3

3

3

3

3

Cb.

 

 

3

3

3

 3          f     

   

Hp.

 

3

 

mf

Perc. II

 









 3

 3  3   3                 ff  mf   3          

Gbm7

Db7(b5)

   

 3   3                 

 

Hn. III-IV

Tba.

3

3





  







  

 3

 







 



3

 



 

3



 


O

K < iiq = iq >

   

249 Reed I

47

q = 120

Alto Sax

super laid back

 

f mean

Reed II

Alto Sax

  



 

 

 

 

 

 



 

 

  

 

 

 

 

 

 

 

 



super laid back

f mean Tenor Sax super laid back

Reed III

  

Reed IV

 

Reed V

  

  

 

f mean

Tpt. I-II

Tpt. III-IV

Tbn. I-II

Tbn. III

      f mean     



 

 

  

 

 

      

 

 



   funky

 

 

kickdrum

Elec. Gtr.

Pno.

U. Bass

Ob./ E.H.

Bsn.

Hn. I-II

       mean  f   

Timp.

  

         arco  

     

Vln. II

Vla.

  

 

mf

  



f

 



 

 

  

 

    

  

 

  

 

  

  



fp

     

p

    



mf

 

q = 120

mf ma sempre intenso

      f

mf ma sempre intenso

f

mf ma sempre intenso

         

f

f mean arco

   

 

   

 

 

 

 

mf ma sempre intenso

   



 

 



 

 

f mean

pizz.    

 

  

K < iiq = iq > f



 

  

f

      

   

près de la table

   

O

 

 



  

 

       

pizz.

Cb.

  

    Vc.

 

 

 

    

 

Vln. I

 

f

 

mf Glockenspiel

Hp.





  



mf

Perc. II

 

Triangle

Perc. I

 

   f

fp

Tba.

  

  



   

f

fp

Hn. III-IV

snare

mf

 

mf

f mean

Dr.

   

    

  

 

    


48  

Reed II

Reed III

Reed IV

Reed V



 

252 Reed I

Tpt. I-II

Tpt. III-IV

Tbn. I-II

   

Tbn. III

  

Pno.

U. Bass

Ob./ E.H.

Bsn.

Hn. I-II

Timp.

Perc. I

Perc. II

  

3

 

  

3

 

  

ff

 

3

  

  

3

3

 

  

  

3

f

ff



 3

 

 3

 

 

3

 

 

3

 

 

 









 

 

  

  

Vln. I

Vln. II

   

 

 

 

 

    

  

    

 

  

 

 

  

 3    3



3

 

 

 

3 3

  ff 

 

 

  3

ff

 

 

 

 

   

Vc.



3

Vla.

3

3

f

 3

 

 



  

 



3

  

3

f  3



  

     

Cb.

3

 

 

Hp.

3

 

Hn. III-IV

Tba.

3

 

   3 3

ff

Dr.

Elec. Gtr.

    

3

 3 



f

 3



ff

3

  3

 

 

f

 3

3

 

 f


49   

254 Reed I

(A. Sax)

(A. Sax)

(T. Sax)

 



f

 

Reed II

 



 

f

 

Reed III



f

 

     

  

 



 

     

  

  

 

  



 



 

 

 

 ff

ff

ff

Reed IV

Reed V



 

Tpt. I-II

Tpt. III-IV

  

Tbn. I-II

Tbn. III

  

Dr.

  3 3

3 

  

snare

Pno.

U. Bass

Ob./ E.H.

Bsn.

Hn. I-II

 

Timp.

Perc. I

Perc. II

3

3

3

 

 

3



  

 

3

3

 3

  



 

  3



3      3 3     

 3

 

  

  



 



 

 

f

3

 

f

3

 

f

3



3







 

 

 



 

  3 

 

 

 

ff

  

 

 

 

 

ff

 

ff

3



 





 

 

  

3







 

 

3









  

   

 

   

 

  

 

 

  

    

   

 

 

 

 

 

Vla.

Vc.

Cb.

 



 

 3

 





 





Vln. II



 

 

Vln. I

3

 

  

 

   

 

Hp.

  3

    

Hn. III-IV

Tba.

 

   

bass

Elec. Gtr.

  

3

3  

 3

  

  


50  

Reed II

Reed III

Reed IV

257 P Reed I

Reed V

Tpt. I-II

   

Tpt. III-IV

Tbn. I-II

Tbn. III

Pno.

U. Bass

Eng. Hn.

Cbsn.

Hn. I-II

f



























f

 

harmon mute mf

harmon mute

 

mf



    

Timp.

Perc. I

Perc. II

   

 Vln. II

3

f

  

(free cresc./dim. - "swells"or "waves" of sound.)

3

f

   



 

mp intenso

 3    3     

 

  3     

    

sfzmp arco div. a 3

  

sfzmp

  sfzmp

C#m#11(b5)

C#m#11(b5)



3

  

3

   

A(b13)(b5)

A(b13)(b5)





3

 

 

 

A(b13)(b5)

 



3

  

 

 

 

 



 

 

 3   3   3          

l.v.

 

sfzmp

 



 

 

rain stick

sfzmp

Vla.

  3   

 

C#m#11(b5)



(free cresc./dim. - "swells"or "waves" of sound.)



 mf

harmon mute

E(#9)

mf

sfzmp

mf

sfz (mf)

sfzmp

Cb.

E(#9)

a3 P div.     

Vc.

2. harmon mute

mf

Vln. I

 

E(#9)

Bb13(b9)

  

Hp.

 

 

   

 

mf

Tba.

 

 

 

Hn. III-IV

 

improvise on changes with guitar

 



improvise on changes

Bb13(b9)

 



mp echo

 

mp echo

sfz mp

 





Bb13(b9) with piano



Baritone Sax

        

Dr.

Elec. Gtr.

Tenor Sax

  

 3    

 

 3   3   3   3             

 3   3   3   3             

 

 

  

  

 

 

 







 

  

  



cresc.

 cresc.

cresc.

cresc.

cresc.

cresc.

 cresc.


51  

Reed II

Reed III

Reed IV

 











Reed V

  













261 Reed I

(T. Sax)

(B. Sax)

Tpt. I-II

   

Tpt. III-IV

 

cresc.

  

 

 

 

 





 

 

1., 2. (harmon mutes)

Tbn. I-II

   

cresc.

cresc.

mf

Tbn. III

 

Dr.

 

cresc.

Elec. Gtr.

Pno.

U. Bass

Eng. Hn.

Cbsn.

Hn. I-II

Timp.

Perc. I

Perc. II

Hp.

 

 

F13(#11)

F13(#11)

  

Ab^#9(b5)

3

 



  

   

 

3 

 

 

3 

 

 

3 

 

 

3 

 

 

B(#11)





3

  



 



3 

 

 

3 

 

 

3 

 

 

3 

 

cresc.

 

3 

 

 

3 

 

 

 

  

  

(cresc.)

Vln. II

  

 

 

 







sim.

(cresc.)

(cresc.)

(cresc.)

Vla.

  (cresc.)

Vc.

 

   

  

  

 





(cresc.)

(cresc.)



3 

 

 

 

 

cresc.

3



cresc.

 

 

Vln. I

3



    

Cb.

 

 

  

3

 

  







 

B(#11)

 3

B(#11)



   

Ab^#9(b5)

 

  

Ab^#9(b5)

 F13(#11) 

Hn. III-IV

Tba.

 

 

cresc.

mf

3 

 


52

q = 76

264 Q                   Reed I   Flute

mf Flute

                 

Reed II

mf

Reed III

 

Reed IV

Reed V

                                                               

 

  



   

     

   

 

mp

    



mp

  

   

(T. Sax)

 

f

(B. Sax)

f

Tpt. I-II

     

remove mutes

remove mutes 4. solo

f

    

Tpt. III-IV

 

Am9

Em7

Ab9



Gb9



f

   

Tbn. I-II

remove mutes

remove mutes

f

Tbn. III

     f

 

Am9

Em7

Dr.

Elec. Gtr.

C^

 

Pno.

U. Bass

Eng. Hn.

Cbsn.

               

mf

    

C^

  



   

 

Am9

f

 

3

Hn. I-II

     

 

3

  





Ab9



 

    



mp

Gb9 

 



 

Ab9



  

f



Em7

Gb9

                               

3

 



 

3

 



 



mf

Hn. III-IV

 

Tba.

 

Timp.

mf

mf

       mf

Perc. I

    Vibraphone motor on

Perc. II

Hp.

    

mf

  

 



                  

 

mf

Vc.

Cb.

                               

  f

 

f

f

 

 





wistfully

 

mf

 

 

  

 

mf

sfzmp

 3

 



sfzmp

sfzmp



div. a 2



   

mp

wistfully



   

   

    

               

 

    Vla.

P sim.

q = 76

 



   Vln. II

Q      

Vln. I

  

3

 

mf 3

 



3

 




53  

268 Reed I

               

(Flute)

mf (Flute)

                

Reed II

mf

                mp

   

       

mp

 

               

 

f               

 

f

      

        mf

               mf

Reed III

Reed IV

Reed V



 

Tpt. I-II

Am9

C^

Tpt. III-IV

Tbn. I-II

Tbn. III



Elec. Gtr.

 

Hn. I-II

Timp.

Perc. I

Perc. II

Hp.

                mf

 

Em7

Am9

               

                  

 

Abm9

 

      

f

Em7

 

Am9

 3

 

mp

  



 



 Abm9

 





 

   



 

mf

                 mf

  

               

 

      

 

  

f

  

               

mp

  

 





mf

   



Vln. I

 

 

 



Vln. II

 



mp

  

Vla.

 

mp

Vc.



 



 

 



  

mp

Cb.

3

 



3

 

     



   





   



mf



3



 

Hn. III-IV

Tba.

C^

C^   



Cbsn.

Abm9

Eng. Hn.



 

U. Bass

Em7

Dr.

Pno.



   


54  

272 Reed I

 

(Flute)

f (Flute)

             

                 

Reed II

f

 

                              

f

   f

mf

f

                              mf

f

             

              

Reed III

Reed IV

Reed V



 

Tpt. I-II

Db7 (b5)

Tpt. III-IV

Tbn. I-II

Tbn. III

U. Bass

Eng. Hn.

Cbsn.

Hn. I-II

 

Timp.

Perc. I

Perc. II

       f

    

  



  

F7 (b5)

f

 









f

 



F7 (b5)

 3

 



mf





 

3

                  

 

 Fb^

                                 

Gbm7



Gbm7

 

Fb^



 



 

 3

 

 

 

  

Hp.

Db7 (b5)

(b5)  Db7 

Hn. III-IV

Tba.

Fb^

 

       f

    

  



   

 

  

  





                                  f



mf

f





 

               



 

Vln. I

 

 



 



 

Vln. II

 





mf

  

mf

Cb.

 



  







  

 

  

  

mp

mf

Vc.

mp

  

Vla.

mp





3

 





 3

 

 





F7 (b5)

Pno.



Dr.

Elec. Gtr.



Gbm7



 



 3

 


55 276 R  Reed I

  

(Flute)



(Flute)

 

Reed II

   

Tenor Sax

Reed III

f

   

Tenor Sax

Reed IV

f

   

   

    

   

     

      

Baritone Sax

Reed V

Tpt. I-II

    4.

Pno.

U. Bass

Ob./ E.H.

Eng. Hn.

Cbsn.

Hn. I-II

Hp.

f weeping

mf



mp

 p

sempre dolce

3

Ab/Eb

  

   

  

  



  

3

f plaintive

  

 

 

  

3





3

  





 



Db/Ab

Ab



 



Db/Ab

    

        

         

 

3

     

 

  

 

 









mf

mf

                        

Ab

Ab

Ab

  

 

  

 

  

 

 

                      Db/Ab

   

 

 

 

  3

 





   



mp



 

  

3

3

 



3

  



 

 

 3

 

   

   

 

3

3

f plaintive

 

 

 



  

div. a 2

f

 

  

mf

   

 

  



 



  

p

 

 

 



f



 

  

 

  



    

 

f



     

  

mf

Cb.





mp

   

 



Ab/Eb



mp



 

                    

   

Vla.

Vc.



    Vln. II

 

 



  

Ab/Eb

 

  

f

Db/Ab

 

Eb 

f

  

 

     

  

f

        

 

  

Eb

       

 

R    

Vln. I

 

Tba.

Perc. II



 

 

f weeping

 

Perc. I



 

Hn. III-IV

Timp.

 

   

 

3

 

Eb 

  



  

                   



Ab/Eb

    

Dr.



Vln. II cue

Eb

  



Wynton: begin solo sparsely, respond to trombones

  

Tbn. I-II

Elec. Gtr.

    

Tpt. III-IV

Tbn. III

f

   

 

 



 

 

 

 

 



3



 

3

   


56  

280 Reed I

 

Reed II

(T. Sax)

 

   (B. Sax)



 

3

  

 

  

Tbn. I-II

 



 



 

 

 

ff



 

Elec. Gtr.

Pno.

 

U. Bass

Ob./ E.H.

Bsn.

Hn. I-II

Timp.

Perc. I

Perc. II

Hp.

 

 

Gm

Gm

 

 

                    mf    f

    

 



3

 

 

 

         

 

        

   



  



 

  

 

                        

Cm

Cm

Cm

 

   

 



   

      

Bb9



 

3

 

 

 

 

 

                      

F9

F9



  

 

mf



mf

Bb9

Bb9

 

  

  3

   

p

  

   

 

  

 

   

  



   



 

 

 

 

 

 

 

 

 

  



3

 

  mp



 

Bb9

   

 

unis.

 

 

 

Vln. I

 

3

Vln. II

 

  

3

  

3

Cb.

 

  

 

 3

unis.

 

  

3 3

   

 



div.

  

 

 

 

 

  

Vc.

 

Vla.

 



  

 3

 

 

div.

 



3

  

       

                       

   

F9

  

 F9

 

Hn. III-IV

Tba.

                      Gm

      

  

 



 



  

f

Dr.

   

 

    

Cm

ff

f

Tbn. III

     

 Gm

Tpt. III-IV

ff

        ff

Reed IV

Tpt. I-II

 

Alto Sax

(T. Sax)

   





Reed III

Reed V



   


57  

284 Reed I

Reed II

 (A. Sax) 

           mf

(T. Sax)

Reed IV

Reed V

Tpt. I-II



(B. Sax)



 

Tbn. I-II

Dr.

Elec. Gtr.

Pno.

U. Bass

Ob./ E.H.

Cbsn.

Hn. I-II

 



 

Perc. I

Perc. II

Hp.

Vln. I

 

 

3

  

 

 



    

    



 



 





 

    

 

  



3



 

                      

 

Eb

Eb





  

 

   

  

 

 

 

 

 

 



 

Ab

Ab

 

  



 

    mf

                        Ab





         

  

  

 

 

 

 



 

 

 G7

 

 

f

Eb

  

 Ab



f



  



      33 





3 

Cm



                      

G7

G7



3

 

 

 

 



mf

G7

 

   

Cm

Cm

  

   

mf



  

mf



3

   

  

 

 



 

 

  

 

  





  

 



mp

 

 

3

mf

3



Vln. II

  

 

  

f

unis.   

 

  

  

mf

Vla.

   mf

Vc.

f

  f

3

 

 3

 

   3

3

3 3

 

 

 

 



  



  

  

 

 

3

   



3

3

  

3

 

 

 

 



  

 

  

 3

 3

 

 

div.

unis.

 

 

 

 

3

 

 

3

 

    

 

mp

 f

 

 

  

  f

 

  



 

 

  



Cm

  



                       

 



 





 

 

 

 

3

 

f

Cb.

 

Hn. III-IV

Timp.

mf

Tba.



 Eb

Tbn. III

 

Tpt. III-IV

mf

Reed III



3

 

 

3

 


S

58

FREELY (on cue)  

Sherman: signify/cue (to end); cosign

288 Reed I

 

(A. Sax)

  

 

Reed II

 

Reed IV

 



(B. Sax)



 

 









  



 

 

 

 

 

  

  

 

 

 

  

3



G+(#9)



 









 



 

Tenor Sax



 

 

ff sempre Wynton: continues solo to end; cosign

3.





ff sempre





  

 



 

  

 

Dr.

 

Elec. Gtr.

 

 

 

Pno.

U. Bass

Eng. Hn.

Cbsn.

Hn. I-II

Timp.

Perc. I

Perc. II

Hp.

D(#9)/F#

D(#9)/F#

  



 

 



 

 

  

  

  

 



 

 Eb13(b9) 

G+(#9)

G+(#9)

improvise freely f

Eb13(b9)

 

   

    3

 p

   

  

 

 

  

 

  

 

  

 

mp



  

     

3

3

 

  

A(b9)



A(b9)

A(b9)

mf Rainstick

f





 

  

 

 

 

 

3

 

3

 

 

3

3



 

 



 

3

 

 

 

 

 



 

 

 

 

 

 

 

  

  

cresc.

 

   

gliss .

  

 

ffmp

  

 

ffmp

   

 

 

 

ffmp



cresc.

cresc.

cresc.

ffmp

cresc.

ffmp

   

 

  

 

 

 

  

 

 

  

 

 

 

 

ffmp

  

ffmp

arco

  

ffmp

  

ffmp

3

cresc.

. gliss freely.... gliss Eb Fb G A# / Db Cb Bb

FREELY (on cue)



cresc.

S

     

Vc.

 

  

Vla.

fmp

 

 

Vln. II

fmp

fmp



sfmp cresc. poco a poco Triangle

 

  



Vln. I

 



3



 

 

f

improvise freely

f

 

 

improvise (tremolo)

 





cresc.

mp

 Eb13(b9) 

A(b9)



  

G+(#9)

cresc.

crash cymbal

 

Cb.

 

   

 

f sempre



   



mf

   

Hn. III-IV

Tba.

D(#9)/F#

 

 

 

mp



   

1., 2.

A(#9)

 

mf

Tbn. III

 

 

 

Tbn. I-II

Eb13(b9)

Eb13(b9)

D(#9)/F#

ff

 

Tpt. III-IV

(T. Sax)

Tpt. I-II

Reed III

Reed V

 

cresc.

cresc.

 

cresc.

 

cresc.

 

cresc.

 


59   

292 Reed I

Reed II

Reed III

Reed IV

Reed V

F#m#11(b5)

 

Gb^(#11)



 

 





 

 





 







 

D(#11)(b5)

f

 f

  f

 



f

 

Bb13(#11)







 

Db^(#9)

Gb^(#11)

 



  

 

f

 



 

 

Tbn. I-II

Db^(#9)



   

Tpt. III-IV

Bb13(#11)

 

F#m#11(b5)

Tpt. I-II

D(b13)(b5)





 



 

   

f

f

Tbn. III



 

 

   chords trem.....

Pno.

U. Bass

Eng. Hn.

Cbsn.

Hn. I-II

 

F#m#11(b5)

Perc. I

Perc. II

Bb13(#11)

 

Db^(#9)

f

D(#11)(b5)

Bb13(#11)

Db^(#9)

D(#11)(b5)



 



       

(cresc.)



(cresc.)

   

 



Bb13(#11)



3

 

Db^(#9)

  f

Gb^(#11)

f

 

 

Gb^(#11)

f







 

 

 



  

 

 

 







   f 

 

 

 

f

 f

      f

 

   

gliss.

s. glis

gliss .

. gliss

s gli

f

Vln. I

 

 

 

  

 

 

 

  

   

 

 

  

(cresc.)

(cresc.)

(cresc.)

Vln. II

 

 

 

 

 

 

   f

  

 

 

 

   f

   

(cresc.)

   

(cresc.)

f

 

(cresc.)

Cb.

f

  

(cresc.)

Vc.

 

f

  

(cresc.)

Vla.

  

 

 

 

f

 

 

 

3

f

 

 

 

  

3

 

(cresc.)

Hp.

Gb^(#11)

 

  

 F#m#11(b5) 

Hn. III-IV

Timp.

D(#11)(b5)

 

F#m#11(b5)

(cresc.)

Tba.

 

  

 



f

Dr.

Elec. Gtr.



  

(cresc.)

 

    

 

 

 

       

f

    f

     f

   f

s.

gli s

s.


60

III. A Rumor Moderate swing (h = 66)

Reed I

   

297

(Vamp)

(Vamp)



 



Reed II

  



 



Reed III

  



 



Reed IV

  



 



Reed V

   



 



   



 



Trumpet in Bb II

  



 



Trumpets in Bb III

  



 



Trumpet in Bb IV

  



 



Trombone I-II

  



 



Trombone III

   



 



Drum Kit

  



  



 



  



 



  



 



  



Trumpet in Bb I

Electric Guitar

Piano

Upright Bass

Solo Clarinet in Bb

   



   



   

 

On cue:

 

On cue:

  

pizz.

 

  mf

 

  

 

 



   



Horns in F III-IV

  



Tuba

        

Bassoon

Horns in F I-II

Timpani

Percussion I

Percussion II

Harp

 

 



ad lib. more & more

  mf

  

Oboe

(snare/ rimshot)

Funk

 

  



   

 



 



 



 





 





 





 





 



  



 



  



 



   

   

Moderate swing (h = 66)

   



 



Violin II

  



 



Viola

  



 



Violoncello

  



 



Contrabass

   



 



Violin I

(Vamp)

(Vamp)


T

 

301 Reed I

61

Orchestra Cue 

Reed II

Reed III

Reed IV

Reed V



 

Tpt. II

Tpt. III

Tpt. IV

Tpt. I

Tbn. I-II

Tbn. III

E. Gtr.

Pno.

U. Bass

Bsn.

Hn.

Timp.

Perc. I

Perc. II

Hp.

Vln. I

 

 (b.d.)









 

   

 

 

 

continue solo as interjections get steadily sparser

 



begin "call & response' solos over vcl. & Cbs.

begin "call & response' solos over vcl. & Cbs.

 

 

 

 



T

 

Orchestra Cue

Vln. II

Vla.

Vc.

Cb.

pizz.

3    

pizz.

mf

    3

mf







3

 

 

3

 



 





 

Hn.

Tba.

Bb Clar. Solo

Ob.

 

 

Dr.

begin "call & response' solos over vcl. & Cbs.

 




62  

Reed II

Reed III

Reed IV

Reed V



 

Tpt. II

Tpt. III

Tpt. IV

Tbn. I

Tbn. II

Tbn. III

306 Reed I

Tpt. I

 

"Wa"

"Wa"

"Wa"

"Wa"

 

"Wa"

 

"Wa"

mp conversational

 

 

 

 

"Wa"

"Wa"

 

mp conversational

 

Dr.

E. Gtr.

Pno.

U. Bass

 



 



 

 

fill





"Wa"

mp conversational

 





 

 

 

 

 

 

 

 

 



 

Vln. II

Vla.

Vc.

 

3    



Cb.

 

3    

Bsn.

Hn.

Hn.

Tba.

Timp.

Perc. I

Perc. II

Hp.

Vln. I

 



3    



3    

  

 

 

Ob.

 

Bb Clar. Solo

3

 

 

3

   


63 311 U  Reed I 

Reed II

Reed III

Reed IV

Reed V



 

Tpt. II

Tpt. III

Tpt. IV

Tpt. I

"W-"   

Tbn. I

mf

"W-"    

Tbn. II

    

Tbn. III

 

mf

E. Gtr.

Pno.

U. Bass

 

"Wa"



 

"Wa"

  

"Wa"

mf "W-"



 

"Wa"



 

"Wa"







"Wa"

 

"Wa"

  

"Wa"

 

"W-"

"W-"

"Wa"



 

"W-"

mf

mf

Dr.

mf

"W-"

mf

"W-"

 

"W-"

  







"W-"

"W-"

"W-"

  

  

 

"Wa"

"Wa"

 



 

 

"Wa"

 

"Wa"

 

"Wa"

"W-"

"Wa"

 

 

"W-"

"W-"





"Wow"





"Wow"



"Wow"



 



 

mf

 

 

 



U  

Vln. II

Vla.

3

3

Bb Clar. Solo

Ob.

Bsn.

Hn.

Hn.

Tba.

Timp.

Perc. I

Perc. II

Hp.

Vln. I

Vc.

 

Cb.

 

  

 

   


64  

Reed II

Reed III

Reed IV

Reed V



 

Tpt. II

Tpt. III

Tpt. IV

315 Reed I

Tpt. I

Tbn. I

Tbn. II

Tbn. III

 

Dr.

E. Gtr.

Pno.

U. Bass





 

"W-"

 

 

 



 









(etc...)

 

(etc...)

"W-"   

(etc...)

"W-"

 



 



 



  



 

 

 

 









 

 

 

 

 

 



 









 

 







 

mf

 

 

 



 

Vln. II

Vla.

3

3

Bb Clar. Solo

Ob.

Bsn.

Hn.

Hn.

Tba.

Timp.

Perc. I

Perc. II

Hp.

Vln. I

Vc.

 

Cb.

 





 

   


65  

Reed II

Reed III

Reed IV

Reed V



 

Tpt. II

Tpt. III

Tpt. IV

319 Reed I

Tpt. I

Tbn. I

Tbn. II

Tbn. III

 

Dr.

E. Gtr.

Pno.

U. Bass





 



(mf )





(mf )

  (mf )





 

 

  

   

 

  

 

  

 

 



 





  





  





 





   



 



 

 

 

 



 

Vln. II

Vla.

3

3

Bb Clar. Solo

Ob.

Bsn.

Hn.

Hn.

Tba.

Timp.

Perc. I

Perc. II

Hp.

Vln. I

Vc.

 

Cb.

 





 

   


66  

Reed II

Reed III

Reed IV

Reed V



 

Tpt. II

Tpt. III

Tpt. IV

323 Reed I

Tpt. I

  



 



  

 

Tbn. I

Tbn. II

Tbn. III

 

Dr.

E. Gtr.

Pno.

U. Bass

Bsn.

Hn.

Timp.

Perc. I

Perc. II

Hp.

Vln. I



 

 



  

 

 

 



 

 







   

 

 

 

 

 





 



 

 

 

 

 

 

 

 

 











 

 

 

  

(3., 4.)

mf

 



 

pizz.

Vla.

 

Vc.

 

 3

 

3

 

   

  

 

  

 

mp

(mf )

Vln. II

Cb.

 

 

Hn.

Tba.

 

Bb Clar. Solo

Ob.



 

3

3

3

  mf

mf

mf


67 327 V  Reed I 

Reed II

Reed III

Reed IV

Reed V



 

Tpt. II

Tpt. III

Tpt. IV

Tpt. I



Tbn. I

 

f



Tbn. II

f

Tbn. III



f

steady time

Dr.

(mf )

Pno.

U. Bass

Bsn.

Hn.



 

  

p

  

  



  



 

 

 

 

 

 

 

 

 

 

  

 

 

  

  

     

3  3

 

3

 

  

  

 

 

 



V  

Vln. II

Vla.

Vc.



Cb.



 

Perc. I

Perc. II

Hp.

Vln. I

  

 

 

  

mf

Timp.

Tba.

 

 

 

 

Hn.

 

mf



 

mf

 

mf

Bb Clar. Solo

Ob.



funky (wa-wa pedal)*

E. Gtr.







* mostly muted; tight strumming, no pitches, with an occasional atonal "wa" or "wow."

 

3

3

3

 

    


68  

Reed II

Reed III

Reed IV

Reed V



 

Tpt. II

Tpt. III

Tpt. IV

331 Reed I

Tpt. I

  

Tbn. I

  

Tbn. II

Tbn. III









  

 

 

 

 

  

  

   f

f

f

 

  

  

  

 



 

 

  

    

 

 

 

 



 



 

  

     

     

    

Dr.

 

E. Gtr.

 

Pno.

U. Bass

Bsn.

Hn.

Timp.

Perc. I

Perc. II

Hp.

Vln. I



 

 

   

3

 

 

   

 

3

  

 



 

Vln. II

 

Vla.

 

Vc.

Cb.

Hn.

Tba.

  

Bb Clar. Solo

Ob.

 

 

3

3

3

 

mf

 

mf

 

mf

 

mf

 

 

 

 

 

 

3

3

3

     


69  

Reed II

Reed III

Reed IV

Reed V



 

Tpt. II

Tpt. III

Tpt. IV

335 Reed I

Tpt. I

  

Tbn. I

  

Tbn. II

Tbn. III

   

  

     

  







  

 f



f

 

  

 

 

  

 

 

 

f



  



 

  











 



 



 





 







  

  



 









Dr.

 

E. Gtr.

 

Pno.

U. Bass

Bsn.

Hn.

 

Perc. I

Perc. II

Hp.

Vln. I



 

 

   (mf)

Timp.

Hn.

Tba.

 

Bb Clar. Solo

Ob.

  

   

(mp)

3

   

 

3

  

 



 

Vln. II

Vla.

 

Vc.

 



Cb.

 

3

3

3





   

 

 

 

 

 

 

3

3

3

     


70  

Reed II

Reed III

Reed IV

Reed V



 

Tpt. II

Tpt. III

Tpt. IV

339 Reed I

Tpt. I

Tbn. I

Tbn. II

Tbn. III

 

  

 

  

  

 

  

 

  

   

  

  

 

 

 

 



   



  

  

  

 



mp

 



 

 

mp

 





 

 



mf

 

 



mf

   

 

 

 



  

f



  f

f

mf

mp

  

  

 

Dr.

 

E. Gtr.

 

Pno.

U. Bass

 



mf

 

 

 

Hn.

Tba.

 



 

Ob.

Bsn.

Hn.

  

  

(mf)

Timp.

Perc. I

Perc. II

Hp.

Vln. I

Vln. II

Vla.

Vc.

Cb.

 

 

 

 

 

  

3

 

 

 

3

3

 

  

 

  

 

(mp)

 

  

f

Bb Clar. Solo

f

  

 

mf

3

 

 

 

3

3

 

  

 

f

f

f


71 343 W  Reed I 

Reed II

Reed III

Reed IV

Reed V



 

Tpt. II

Tpt. III

Tpt. IV

Tpt. I

  

Tbn. I

Tbn. II

Tbn. III

 

Dr.

E. Gtr.

Pno.

U. Bass

Bsn.

Hn.

 



   

  

 

 





 









  



 

 

 



  

  

  

 



  

 

 

 

 

    

  

     

  

 

 

 

 

 

 

  

  



f jovially macabre



























 













 

 

  

 

 

 

 

 

   mp

3

  

3

  

  

3

3

 

 3

 

3

  

   

(près de  f jovially macabre la table)        3

 

 3

  

3

 

 

 (f )

3

3

3

   

 3

 3

      

3

 3

 3

     

3

   

3

   

 3

 3

Vln. II

Vla.

Vc.

Cb.



  

3

 

 

 

3

3

 

  

 

  

 

 

3

 

3

  

3

  



mp



W  

Vln. I

mf

mf

  



mf

mf

mf

Tba.

Hp.

 





Perc. II

 





Glock.





Hn.

Timp.

 

 

  

Bb Clar. Solo

Ob.



 

3

 

 

 

3

3

  

 

 

   

 

 


72  

Reed II

Reed III

Reed IV

Reed V



 

Tpt. II

Tpt. III

Tpt. IV

347 Reed I

Tpt. I



 

Tbn. II

Tbn. III



 

Tbn. I



 





 

 

  

  

  

 

 

 



 

 



 

f

 

 

f

 

 

  

   

        



 

mf



f



 



   

     

 

mf

 





mf

  





 

 

 

  

  

f

 

  

f



f

Dr.

 

E. Gtr.

 

  

 

 

  

 



Pno.

U. Bass

Bsn.

Hn.

Timp.

Glock.

Perc. II

Vln. I



 

 

 

 

  

 

 

 

  

  

 



 

 

 

   

3

 

 

3

 

    

  

 

3

f

  

  



      

 

 



3

mf 3

 

 

3

3

 

 

    

  3      

3

 

  

3

 

Vla.

Vc.

   

 

3

3

3

 

 

 

 

3

  3

  3

 

     

 

   

  3

 3



3

 

 

  

  

 

 

  

3

  

3

 



 

 





   

 

3

3



3

 

3

  

 3



 3       

3    

 

 

3

   



Vln. II

Cb.

 



f

Hp.

Hn.

Tba.

     

Bb Clar. Solo

Ob.

3

 

 

 

  

 

 

 

 

 

3

3

3

 

  

3

 

 

 

    f

 

 

 

f

f

 


73  

Reed II

Reed III

Reed IV

Reed V



 

351 Reed I

Tpt. I

Tpt. II

Tpt. III

Tpt. IV

  

Tbn. I

Pno.

U. Bass

Bsn.

Hn.













 





 

 



 

"Derby hat" or plunger mute

 

 

 











 

 

 

"Wow"

 

 

 

"Wow"

  

 

"Wa"

f

"Wa"

f



 



 

 

 

 



 



 

  

 

 

 

 

 

  

 



 



 

 

 

  

 

  

Hn.

(1., 2.)

 

 

f

f



  

3

 

 

3

mp

mp

f

   

    

mf

f

mf



 

Vln. II

Vla.

Vc.

Tba.

Timp.

Perc. I

Perc. II

Hp.

Vln. I

Cb.

    

 

 

 



f

  

"Wow"

Bb Clar. Solo

Ob.



"Derby hat" or plunger mute

  

"Wa"

Dr.

E. Gtr.



 

Tbn. II

Tbn. III

"Derby hat" or plunger mute

 

  

  

  

   


74  

Reed II

Reed III

Reed IV

Reed V



 

  

 

 

 

 

 

 

 

 

 

 

 

 

 

 

  

   

355 Reed I

Tpt. I

Tpt. II

Tpt. III

Tpt. IV

 

Tbn. I

  

 

 

 

Tbn. II

Tbn. III

 

 

 

 



 



 

 

 



 

  

     

  

   

  

  

    

 

f

f

  f   

 

 

f

f

    

f

  

 

f

  



 



 



 

 

 

 

3

3

3

 3       

3

 3

 3



 



 



 



  

   

mp

3

mp

   mp

Dr.

 

E. Gtr.

 

Pno.

U. Bass

Bsn.

Hn.

Vln. I

 

Atonal improvisation: walking bass in high register

 

 

3       

  

 

 

 

 

3

    

 

3

   

 

3

   

f

3

     f

   

3



 

Vln. II

3

3

  

   

3

  

 

3

  

Vc.

Cb.

3

 

 

Vla.

3

 

3

3

 



improvise on the following figures

Tba.

Hp.

Perc. II

 

 

 

Perc. I

 

Hn.

Timp.

 

 

Bb Clar. Solo

Ob.

  

 

 

 

 

 

 


75  

359 X Reed I

 

Bass Clarinet

Reed II

 



mf

Reed III

 

Reed IV

 

Reed V

 

Bass Clarinet

 

 

 

mf

Tpt. I

Bass Clarinet

 



mf

 

3

mf

Bass Clarinet

3

3

 3

       

   

 

  

   

 

  

 

 

 

  

  

 

 







 

   









   

   

 



 



 



 



   

Tpt. III

Tpt. IV

Tbn. I

  

Tbn. II

  

  

mf

E. Gtr.

 

 

Pno.

U. Bass

Ob.

Bsn.

Hn.

Timp.

Perc. I

Perc. II

Hp.

Vln. I

(wa -wa)

 

 

  

 



mf unnerving

 



  



 





 

(as written)

 





 

  

  

  







  





 

 

 





continue atonal walking bass add improvisations

 

 



X  pizz.    

Vln. II

 

Vla.

 

















































 

p pizz.

p pizz.

p pizz.

3

 

 

 3  

 

 

 

3

 

mf

 

 

3    

    

 

   

 

3

3

 

 

 

 

   

 

 

 

3

3

3

 



3

f



3

f



f

3

 

 

 

 

 

 

mf

mf

Vc.

p

Cb.

 



 

 

Hn.

Tba.

 

 

3



 



 

3

  



3

Dr.

 

Keep the funk



3

 

Tpt. II

Tbn. III



3

 

3

 

ff

 

 

ff

3

 

 

ff


76  

363 Reed I

Reed II

 

 

Reed III

 

 

 

 

   

 

 

  

 

 

Reed IV

 

 

 

Reed V

 

 

Tpt. I

 

 

 

 

 

 

 

 

 

 

  

 

  

 

 

 

 3

 

3

 

 

3

 

3

 

 

 

 

 

 

 

  

 

 

 

 

 

 

 

  

 

 

 

 

 

 

 

 

 

 

 

 

 

  

Tpt. IV

 

 

Pno.

U. Bass

Ob.

Bsn.

Hn.

Timp.

Perc. I

Perc. II

Hp.

 

 

 

 

 

  

  

  

  

 

 

 

mf

mf

    

   



  

 

  



 





  

 

 



 

 



  

 

  

kick bass hit w/ reeds/tpts.



 

 

  

 

 

 3 

mf

     

3     

     

 



  

















 

 

 3 

 

    Vln. II

  Vla.

Vc.

   

mf

 3

  

f

  

f

3

f

















poco gliss



poco gliss



poco gliss





poco gliss















mf

mf

mf

"Derby hat" or mf plunger mute

Vln. I

Cb.

"Derby hat" or plunger mute

 

Hn.

Tba.

mp

Dr.

E. Gtr.

 

mp

"Derby hat" or plunger mute

mp

Tbn. III

 

 

 

Tpt. III

Tbn. II

 

 

Tbn. I

  

 

Tpt. II

   

   

 

 

  














77  

367 Reed I

 

Reed II

 

Reed III

 

Reed IV

Reed V

Tpt. I

 

  

Tpt. IV

Tbn. I

Tbn. II

Ob.

Bsn.

Hn.

Timp.

Perc. I

Perc. II

Hp.

  

  

 

 

 

mf

 

mf

 

mf

 

       

mf

 

 

  

  

      

 3



3



 3



 3



  

 

  

   

 

mp eco

3

 

  

 

3

 

mp eco

3

   

mp eco

 

 

 3  

   

3   

   

3

 

mp eco

 

3

 

   

   

 

 

 

 

       

   





 

 

   

   

   

        

 

f



 3





mp eco

 

 

 

 

 

3

3

3

3

    

3 

3  

 

   







 

  

 





 





 





  

 

  

 

 

  

 



 

 



  







molto  gliss 



molto gliss

mf

Vln. I

  Vln. II

molto gliss mf

molto gliss

mf

mf



















 3   mp

  

 

  

 









   

   

   

 

 





mp

3 

mp

mp

 3    mp

mp eco



3mp eco

3

f



3

 3   

 

   

Vla.

Vc.

3

Cb.





3 mp eco

 





 

3

3

f





  

Hn.

Tba.

  

U. Bass

  

 

Dr.

Pno.

 

 

Tpt. III

E. Gtr.

  

 

Tpt. II

Tbn. III

  

   

  as written


78  

371 Reed I

 

Reed II

 

3

 

 

3

mf

 

 

Reed III

3

mf

 

Reed IV

3

Reed V

Tpt. I

 

3

 

3

 

 

mf 3

 

 

 

mf



 

3

   







   

     

   

 

 

 

 



  

5:4











3  

  3

3   





5:4

f heavy





5:4

f heavy







f heavy



5:4



f heavy

 



  3











3

 



f



Tpt. III

Tpt. IV

Tbn. I

Tbn. II

Tbn. III

Ob.

Bsn.

Hn.



  

 

 

  

 



 



 3

 



 3



  

 

improvise

 





 

  

 





 



 

 

  

 









 

 



U. Bass

3

 

 

Pno.

Dr.

E. Gtr.

   

 

    mf

 

3

Tba.

Timp.

Perc. I

Perc. II

Hp.

 



  

Vln. I

  Vln. II

 Vla.

Vc.

Cb.

3

  















 

 3 

3

 

3

 

 3 

f

3

f

f

 

3

    





 

 

   

   

   

 

 



   











 



mp

pizz

arco

mp

 mp

pizz

mp arco

 mp

pizz

 

mf

Hn.



f



3

f

Tpt. II



3     

f

mp

 


Y

 

375 Reed I



mp

 

Reed II

 

mf obnoxioso

 

Reed III

 

Reed IV

 



 



mf obnoxioso

 





 

mf obnoxioso

Reed V

Tpt. I

 

 





   

 

  

 

 



  

  





  



 





 

 

 



 

 

 

 

 

 

mf obnoxioso

 

 

79



 

 

 



 





 3

 

3

 3

 

3

   

 

 

 

 

 

 

 

 

 

 

 

 

Tpt. II

Tpt. III

Tpt. IV

w/plunger mute

 

w/plunger mute

  

w/plunger mute

Tbn. III

Dr.

 

E. Gtr.

  

Tbn. I

Tbn. II

Pno.

 

U. Bass

Ob.

Bsn.

Hn.

 

Timp.

Perc. I

Perc. II







 

mf obnoxioso

 





 



 





3

 

  

 

 

 

 

 

  

 

 

 

 

 

 



3





 





 



 



f

3

3

3

 

Vla.

Vc.

3

  

3

  

3

 

 3

  

3

 

3

  

3

  



 

     

 

p

1/2 arco, 1/2 pizz. (al fine)

Vln. II

  

p

3

3

 

 3

  

unnerving

Y arco    

Vln. I



mp

 



 

 

  

p

 







p

 p







pp

pp

 

 



 

3

 

  



   

3







 

 



mp

Cb.

 

 

mf obnoxioso "Wow" 

  

mf obnoxioso "Wow" 

Kick it w/ tbns.



E dorian

 

Hp.

 

Hn.

Tba.

E drone

 

"Wow"

 



3

  

3

 


80  

379 Reed I

  

Reed II

  

Reed IV

Tpt. I





 





 



  



 

    

Reed III

Reed V





 

 

 







    

 







  







   

 







  







 

 







 







 

 







 



 



 





 





 











 









 



 



 



 

Tpt. II

Tpt. III

Tpt. IV

Tbn. I

 

Tbn. II

 

Tbn. III

  

Pno.

U. Bass

Ob.

Bsn.

Hn.

Timp.

Perc. I

Perc. II

 

sim.

sim.

sim.

  

 

 

 

 

 

 





    

 

 





 



 





 

















 

  

 

 



3

  

3

 

3

3

 

 3

  

3

  

 3

 



3

 

 3

 

     

 

  

3

  

3

 

 3



3

 

   

Vln. I

  

 

  

3

 



 

 

Vln. II

Vla.

Vc.

  

 

Cb.



 

 



Hp.

 

  

Hn.

Tba.

 

Dr.

E. Gtr.





3

3

 


 

383 Reed I

 

Reed II



3

 



more intensely echo

 

Reed III

   

3

more intensely echo

 

Reed IV

Reed V

3

 

 

  

 

3

 

Tpt. II

"Derby hat" or plunger mute

 

Tpt. III

Tpt. IV

Tbn. I

Ob.

Bsn.

Hn.

Timp.

Glock.

 

3



 3

3

mf

  

  

3

mf

 3  

   

3

 

 3

 

3

 

 

   

3

3

   

3



 

3

 3





echo 3



echo 3



echo 3

 

3

3

 

 

  

 

  

   

 3  

 

3

 

3   



  

  

   

 

   





echo 3

 

mf

3

  mf

3

   mf

3

 

mf

 

 

    

 

 

  

 

 

 

 

f



   

   

 

 

 

 f

  f



 

 

 

  

 

 

 

 

 

 

   

  















 

 







 

 

  

 

3

   

 

3

3

3







  



 

 





 

3   

   

3   

 

  mp   

3

 

 3

  

3

 

 3

 

 3

  

3

 

3

 

 

 3

  

3

  

 

     

 

 

3

  

3

 

 3

 



3

   

3

  



  

 

Vln. II

Vla.

Vc.

  



   

Vln. I

  

 

Cb.

 

f

 

f

 



 











f

 

 

 

f







 





 

  

3



cowbell (stopped, heavy stick on lip)

Hp.

3

 

p

Perc. I

 

 

Hn.

Tba.

   

 

 

 

3



mf

U. Bass

3



Dr.

Pno.

3

   

3



Tbn. II

E. Gtr.



more intensely echo 3

"Derby hat" or plunger mute

Tbn. III

3

more intensely echo 3

"Derby hat" or plunger mute

Tpt. I





 

81

3

  

3

 


82  

387 Reed I

Reed II



 

Reed III

Reed IV

 

Reed V

 

Tpt. I



  

  



   

 

3

3 



3

3



3

  

3

     

 3





 

  

3



3

3

3



3

3

  3

  3

3

 





 





  

  mf

 

   mf

 

 

mf

   f

f

 





  



 

 



  



 



 

 

 



 

 

 

 

 

 

 

 

f

Tbn. I

Tbn. II

  

Tbn. III

 

 3

  3

 

     

  

 

 

 

mf

ff

 

Dr.

  

ff

ff

 



ff

  

Ob.



Tpt. IV

U. Bass

3

  3

 

3

Tpt. III

Pno.



 

Tpt. II

E. Gtr.

3

 



 

3

 

 

3

3

 

 

 

3

 

  

3

3

 

3

3

 3

 3

 

 

 

 

 



















f

 

 



 









 





 





 











Hn.



Hn.

 

Bsn.

Tba.

Timp.

Glock.

Perc. I

Hp.

       

 

3

  

3

  

     

Vln. II

Vc.

Cb.

3

  

 

   3

 

 3

 

 3

 

   3

 

 3

   3

 

3

 

3

  

 

    3

3

   3

 

3



  

 

  

      

  



 

Vla.

Vln. I

 

 3

 




391 Z  Reed I

 

mf

   

Reed II

  f

Reed III

    f

Reed IV

Reed V

Tpt. I

f

 

 

Tpt. II



 

3

3  

 

 

 

3  

3



3

3   

 



3

3    



3

3

3

3

 



 



  



  



 

 

 

 

 

 

mf

 

 

 

mf

mf

mf

83



 





 











 

   



 

 

   

 

 

  

 



 

  

 



 

f

  

  

  

 

 

 

mf

mf

Tpt. III

mf

Tpt. IV

Tbn. I

Tbn. II

senza sord.

senza sord.

senza sord.



3

Tbn. III

3 





mf

3

 



3





3



f affirming 3



f affirming



f affirming

 

  





Dr.

 

E. Gtr.

 

Pno.

 

U. Bass

Ob.

Bsn.







 

  

 











mf

Tba.

Timp.

Glock.

 2.

 

3. mp

Hp.

 

  

 

    3

3

  

3

 

3

 

mp



mp

   f



 



 

 

  



 



 

3

 

3

3

  3 

  

3.

4.

2.

 

 

3

 3

  

3

 3

  

      

  

3

 

 3  

3

  

3



3

 

 

3

  

3

 



 

 3  

 

  3

 

 3

  

3

  

3

 



  

  

  







  

 

4.

3

 

 

  

 



 

pizz.

  

 

mf

Cb.



mf

arco

1.

 

mp

Vc.

  

mp pizz.





 

 Vla.

mp

mp



mp

Z    

Vln. II

  

Vln. I



 

mp

Perc. I

mf

  

  

 mp  

Hn.

1.

Hn.







3

 

 

  



 

3

  

 


84  

395 Reed I

Reed II

   ff

Reed III



    





ff

Reed IV

  ff

Reed V

Tpt. I

 

    







 

 

 

 

 

   

   

 

 

 

 

 

 

  

 

 

 

 

  

 

 



       

 



 



 

  



  



 

  

 

  

  

 

  

  

  

 

 

 

 

 

 

 

 

 

 

  

f

 





 

  

 

f

senza  sord.   



 

  

 

 

3



  

 sord. senza   



f

3



3

 



  

senza  sord.   

3



 

 



 

f

Tbn. III

 

 



f

Tbn. II

 

 



 

f

  

Tbn. I



 

ff

f

Tpt. IV



   



Tpt. III



   

  

Tpt. II

 

3

    

f (respond)

3    

    f (respond) 3



3

 

f (respond)

 

 



 



 

3

3

 

 

 

Dr.

 

E. Gtr.

 

 

  





Pno.

U. Bass

Ob.

Bsn.

Hn.

 

  

Timp.

Glock.

Perc. I

Hp.









  

 

Vln. II

 Vla.

3

  



3

 

 3

  

3

 

 







4.



  

  

3

 

 3

 

 3

 

  

3

  

3

 

4.

 

3

  

 

3

 

 3

 

 3

  

3

  

3

 

 

  

  

  

3

 





  



 3



  

   

 

 

 

  







3.

3



2.

  



 



 

 







 

3



1.







 





 3      

 3      

Vc.



 



3. 2.

 

Vln. I







  

    



 



   

Cb.



 

 1.  

Hn.

Tba.

 

 

 

 

 

3

  

3

 



 

3


 

399 Reed I



 

85



Reed II

Reed III

Reed IV

 

Tpt. II

Tpt. III

Tpt. IV

Reed V

Tpt. I



  

Tbn. I

 





     

 



  



 

3



 

 

 

 



 



  





 



 

  

 3

   

 3



 





3



Tbn. II

  

Tbn. III

   



Dr.

 

   

E. Gtr.



Pno.

U. Bass

Ob.

Bsn.

Hn.

Timp.

Glock.

Perc. I

Hp.

 

  

 





 

3



  







  



 

 

  

3

3

 



 

3

 

3. 2.

 

 

4.

1.

 

 

3. 2.

 

 

4.

 

 

  

3

  

 3

  

 

Vln. II

 Vla.

  

3

3

 

3

 

3

 

3

 

 

 



 

  

  

3

 





 

 



  

  

  

   

 

 

 

3



   

Vc.

  

Vln. I

 



3

  

3



  



3

Cb.







3

  

 1.  

Hn.

Tba.

   

 

3



 



 

 

3

3

  

3

 



 


86  

403 Reed I

Reed II

 

Reed III

 

Reed IV

 

Reed V

  

Tpt. I



  

f

Tpt. III

 f

Tbn. II

Tbn. III

  



Pno.

U. Bass

Ob.

Bsn.

Hn.



f legato, dragged

Timp.

Glock.

Perc. I

Hp.

 

f legato, dragged







f legato, dragged





f legato, dragged

  3

   

3

  



    









  

   

 

3



  

  

 









  

  3





 







3  















 











   

  

3







  

 



 3

   



3      3

    3

   

 

 













   







 



 3    

3

   



3      3     

   3   3       

3







 

 

3. 2.

 

 

3. 2.

 

 

4.

 

  

 

 

 



 

  

 

    



 

      



3

  

  

 

  

3

 

3

 

 

 

3

    





3

 



 

 











3

Vc.

Vla.

Vln. I

Vln. II





 



 

4.



1.

 



  





 3



 





 

 3     









 





  





 







 







  

Cb.

 

 3







 3



 



 



















 





 

 









 1.  

Hn.

Tba.

 

  f legato, dragged    







  



atonal, clipped chords with distorion (rock/funk fuzz)

E. Gtr.







f legato, dragged

 

Dr.

f legato, dragged

 

  



 







f



Tbn. I



 

    

Tpt. IV





f

  

Tpt. II

 

3

 

     3



 

 

3

 


87  

407 AA Reed I

 3

Reed II

 

Reed III

 

Reed IV

   



3

3

Reed V

Tpt. I

3     

  

con sord. (straight mute)

 3 3         



con sord. f icy 3 (straight mute)

 

3 3          

 

Tpt. II

con sord. f icy 3 (straight mute) 3

3 3           f icy

 

Tpt. III

con sord. (straight mute)

 

Tpt. IV

Tbn. I

 

Tbn. II

 

Tbn. III

Pno.

U. Bass

Ob.

Bsn.

Hn.

Timp.

Perc. I

Perc. II



3

3

3

3

3

E drone

 

 3   

3  3

3

     3

 



ff 3

  ff 3

ff

f

3

3



3

 

3

 

3

 3    

  3

   3      3 3       3 3       3

3

3

3     3    

3 3       3 3      

3

etc...

3

etc...

3

3

3

mf tense

3

cresc.

3         

 3    

3 3         

        

    

 3

    3

 3

3

 

 

3

3

mf

 

 3

 3

3  3         

3

  3

  

 

3

3

 

 

 

  3

 

cresc.

 3    

cresc.

3

 

3  3       

3

3

cresc.

 3

3

   3

   

3

 

   3   3    

3

3

 3

3



  

  

   

3    

3

 

3    

 

3

3

 

sub. mf

3

3



 

3    

3

3

sub. mf

  

sub. mf

sub. mf

 3      

      3  

       mf

3

3

         3

3

3

mf cresc.



sub. mf

3

AA   

 3   

 

mf



3 3 3 3 3 3  3   3    3   3   3                                  

 

3 3   3    3           

3

 

3

higher cowbell or clave

Vln. I

 

 

       

  mf

3

mf

mf

3

  

(triple tongue)



3

  

mf

    mf

3

    

 3 ff

 

Cb.

   

     3

3

  

Vc.

3

3

3

        3 f 3         f 3  3       f 3 3        

3

mf   

Vla.

   

 3

   

 

3

 

Vln. II

3

3

  3

    

 3 3            3 f icy  3 3 3             Emphasize triplet pulse



    

3

 

3 3 3 3                     

    3

Emphasize triplet pulse

Hp.

3

 

Hn.

Tba.



   

Dr.

E. Gtr.

3           f icy

 

3

3   

  3

3  

  3

3    

3    

    

3  

3

    

  3



3



 3  

3  

3   

3  

3  

3  

3    

3    


88  

Reed II

Reed III

Reed IV

Reed V



411 Reed I

Tpt. I

  

Tpt. II

Tpt. III

Tpt. IV

 

 





3

3 f

 

     



     3

3

3        

f

3

 3

 

3

 



  

  

3



 

 

33

   

    3



 3   

  

3



3

f

3

3   

 

3   

 

3   

 

3            

3        

3

f

 

   

 

   

     

   

3

3

 

   

3   

  3  3  3          

3    

3    3  3          

3   

3   

3

3    3  3           3

3

3 3  3                 3

Tbn. I

Tbn. II

Tbn. III

E. Gtr.

Dr.

     

                       3

3

Ob.

Bsn.

Hn.

Timp.

Perc. I

Perc. II

 

 

    



 

 

3

 

 

3

f (piu cresc.)

Vln. II

3

f (piu cresc.)

3

f (piu cresc.)





3

3





 3



3

3



3

  

3

3

3

 

  

                  3

3

3

3

 

   3  3  3          

3

3

     

 

3

 

  

 

 

3

3

3    3

  

  

 3

3

3

 3

  

  

3

3

   3

3

 3

 

3

  



  

 

 

3

         

 3   

 

 

          3

 3    

 3

3    3  3            

3

3        

getting heavier to the end

 

  

3



    

 

   



  

3

  

3



3

3

 

3

 

 

3

 

3 3       3     

f (piu cresc.)

  

f (piu cresc.)

3   

f (piu cresc.)

      3  

3

f (piu cresc.)

3

 

f (piu cresc.)

Vc.

f (piu cresc.)

 3      

Vla.



3

3  3    3  3           

f (piu cresc.)



                              

 

   

Vln. I

3

   

  

3

Cb.

3

3

C drone

Hp.

Hn.

Tba.

 

3

 

 



U. Bass

3

3

Pno.

f (piu cresc.)

 3  

3   

3   

3  

3  

3   

3    

3    

 3    

3   

 3    

3  





 3  

  3

3   

3  

3  

3   

3    

3   


89  

Reed II

Reed III

(RIV) TS III

Reed V



415 Reed I

Tpt. I

 

Tpt. II

Tpt. III

Tpt. IV

 

Tbn. I

Tbn. II

Tbn. III

 

Dr.

E. Gtr.

Pno.

U. Bass

Ob.

Bsn.

Hn.

3



 

ff ominously

  

con sord.

ff ominously

3

 

  

3

3

 

3

3

3

 3

  

     



3



3



3

  

3

 

Perc. I

Perc. II

A drone



 

Vln. I

   

  

3

 



3



3

  

3

 

   

3



3



3

    3

  

 

3



  

 

 3



 



 

  

 

 





3

 

  

3

 3

3

3

 3

 3

  

3

mf

 

 

  

3

 

  

     

 3

 3

 3

 3

  

  

  

3

 

  

3

ff piu cresc.

  

  

3

 

3

ff piu cresc.

 

  3

3

  

  

3

 

3

  

 

3

 

3

 

3

  

3

 3

 

 

  3

3

  

  

3

 

  

   

3

 

 

  

3

3

3

 

 

3

   

  

 

3

 



ff piu cresc.

ff piu cresc.

 

3



   

ff piu cresc.

ff piu cresc.

 

3

ff piu cresc.

 



ff piu cresc.

 

3

ff piu cresc.

3   

   3

3

3

mf

3

cresc.

ff piu cresc.

mf

 

3

3

  

 

3

Cb.

  

3

3



mf cresc.

Vc.

3





 

Vla.

3

 

 

Vln. II

Hp.





mp ominously

Timp.



   

3

 

mp ominously

Tba.

 

 3

 3  

 

Hn.

  

3

  

ff ominously 3 con sord.

3

   

  

con sord. 3

ff piu cresc.

 



3  

  3



3  

3

 

 

 

3

3  

 

3

 



3

 

 

3  

  3

3

3

 



3  

3  3

  

3

3


90  

3

3

3

418 Reed I

Reed II

Reed III

Reed V

Tpt. I

Ob.

Bsn.

Hn.

Timp.

Perc. I

Perc. II

Hp.



 

3

3

 3

 

3

 



 

 

 

3

3



 3





  

3

3

3

3

3

 

 

3

 

   



  

  

  

f ominously

f ominously

 

3

 

  

 

 

3

f ominously



 

3

  

f ominously

3

 

 

 











cresc.



cresc.



cresc.



cresc. 3

cresc. 3

cresc. 3

cresc. 3

cresc. 3

cresc. 3

3

3

 

3





 



3

 





3

 



3

 



 







 



 





3

3

3

3

3

 

3

3

3

3

3

 

3

 



3

 



3

 



 

3

 



 

3

 







3

 



 

3

 

3

 



 

3

 



 

3

 

 

   

 

 3

   

  



3

cresc.



  

3

  

 3

  



   

3

3

   

 



3

  

3

  

 

3

3

3

   

 

 

 

 

 

3



3



3



3



3



 3

 

 



   

3

 

   

 

 



3

3

3

 

3

3

  

3



 

3

 



  

3

  

 



  

3

3

3

 

3

3

3

 

F drone



 

3

3

3

3



f ominously

  

3

3

3

3





 

f cresc. sempre

 

 

 

 

f

 

 

 

3

3

 

 

f cresc. sempre

3

 3

  

 

 

3

3

3

 3

  

 

 

3

 3

  

3

3

3

   

3

 3

  

 

3

 

 

3

3

3

 

 

  3

3

3

 3

  

3

3

  

 

3

 

3

 

3

 



   3

3

 

 

3

 

 

 





   

 



 3



 

3

3

 



3

3

3

 

3

3

   

3

 

3

3

f cresc. sempre

 

3

 

3

 

 

f



f cresc. sempre







3



 

 

  

f ominously

(Clusters, played with fists) f ominously

 





3

  

3

   

 3

3

 

Cb.

Vln. I

Vc.

3



 

Vla.

3

Vln. II

 

  

   

Hn.

Tba.

 

 

Dr.

U. Bass

  

f ominously

Tbn. II

Pno.

Tbn. I

E. Gtr.

Tpt. IV

Tbn. III

 

Tpt. III

3



f ominously



Tpt. II

 

f ominously

(RIV) TS III

3

 



  3

  3



  3

 

 

3

3

  3

  3


91   

421 Reed I

3 

 

Reed III

 

 

(RIV) TS III

 

3

Reed V

 

 

Tpt. IV

 

Ob.

Bsn.

Hn.

ff cresc.

 

ff cresc.

 

ff cresc.



ff cresc.

 ff cresc.

 ff cresc.

3

   

ff cresc.

3

 

3

 



 

 

3

 

ff cresc.

3

 



3 

 

3

 

ff cresc.

3 

    

ff cresc.

3 

U. Bass



3

3

 

 

3

3

 

3

 

3

   

3

3

 

3

   

3

  

3

 

3

 

3



 



 

3



 



 

 

3

3

3

 

 

3

 

3

 

   

  

   

 3

 

3



   



     

3



3





3 3 3 

3

3







3

3

  3





3

 

   

   

   

    

 3



 



 

 

 

3



3

 3

3

  







3





  

3





3

3





3

3

 

   

  







3







  

  

3

3





fff



fff

fff

    

fff



fff

fff

 



 fff  fff



fff



fff

  

 

  

3

  

 



3

fff

fff

3



3

   3

3

3

3



3

3



 

3

3

 

3

3

3

3

3



3



3

3

3

 



3

3









   



3

    

3

3



 

3





3 

 

3

 3





3

3

3

 

  

 

 

3

 





 

3

 

3

 

 

3

 

Dr.

Pno.

ff cresc.

 

Tbn. II

E. Gtr.

 

Tbn. I

Tbn. III

ff cresc.

 

 

Tpt. III

3

  

Tpt. II

ff cresc.

3 

Reed II

Tpt. I



fff



fff

fff

   

 

fff

ff

 

Hn.



ff

Tba.

Timp.

Perc. I

Perc. II

 

3



cresc.

 

3

 

3

cresc.

  3

   

cresc.

3

 

3

 

 

3

 

3

3

3

 

3

 

fff

fff

3

3

 fff



 

  

fff

fff

 fff

cresc.

 

 fff

cresc.

Vla.

 

3

cresc.

 

  



3

Vc.

   

  

  

3

3

 



 

 

3  

3

3

cresc.

Cb.

ff

cresc.

3

 

3

    

Vln. II

3

 

cresc.

Vln. I

  3

3

   

Hp.

 

fff



3

 

 3

 

3

fff


IV. Riots and Moon Shines

Madly swung q = 120

        

423 (RI) Alto Saxophone I

ff

             

 

     

ff

            

 

    

         

 

     

 

ff

(RII) Alto Saxophone II

(RIII) Tenor Saxophone II

(RIV) Tenor Saxophone III

(RV) Baritone Saxophone

Trumpets in Bb I-II

  

   

          

   

ff

         ff

  

      

    

 

  

f

f

f

   

f



 

ff

         

f

  ff

ff

           

  

ff

           

  

ff

          

  

     ff

f

f

f







ff

   

   

   

ff

   

   

                   f

3

f

3

f

3

                

  3                 f

ff

f            ff

               

    



             f   3

Trumpet in Bb III-IV

 









Trombone I-II

 









Trombone III

  









 





         distortion

Electric Guitar

ff

Drum Kit

Piano

Upright Bass

  

    

ff

    

  p

f

 

 

         pizz.

  

ff

   

ff

       

    

ff





          ff

    

   

 

mp

      ff

           f ff

         f          f

ff

     

     

 

ff

   

   

   

    ff

        

 







 

 

 

 

 







  









Horns in F III-IV

 









Tuba

  

















  









  









 









 

















 









 









 









Viola

 

 







Violoncello

 



 

 

 

Contrabass

  









Oboe

Bassoon

Horns in F I-II

Timpani

Percussion I

Percussion II

Harp

  

   

  

Violin I

Violin II

Madly swung q = 120


                

               



              

3

(RII) AS II

3

(RIII) TS II

3

(RIV) TS III

(RV) BS

Tpt. I-II

  

3

3

3

3

3

3

3

3

3

3

           

 3

3

3

3

3

3





3

3

3

3





3





    

 3 3

3

 3

3

3



3

  



3

 3

3

   

   

gliss.



 

gliss.



 

gliss.



 

gliss.



  3

  

 

ca. 8-10"

improvise (go crazy....!)

 

fff

 

improvise (go crazy....!)

fff

 

improvise (go crazy....!)

fff



 

improvise (go crazy....!)

 

fff improvise (go crazy....!)

fff



 

 

 

Tpt. III-IV

 

 

 

Tbn. I-II

 

 

 

Tbn. III

  

 

   

  

improvise (wild, beboppy licks...)

E. Gtr.

mf

Dr.

   

U. Bass

 

fff

mf

 

 

fff

 

 

improvise (go crazy....!)

  

Pno.

improvise (wild, beboppy licks & clusters)

mf

 

 

  

 

fff

  

mf

 

 

 

 

 

  

 

 

Hn.

 

 

 

Tba.

  

 

 

 

 

  

 

 

  

 

 

 

 

 

 

 

 

Ob.

Bsn.

Hn.

Timp.

Perc. I

Perc. II

Hp.

Vln. I

Vln. II

Vla.

Vc.

Cb.

  

   

          

fff

  

improvise (wild, careening beboppy licks)

        



Tranquil q = 90 

 

 























 

 













    

  

pp

   

 

p

  

    



(RI) AS I









               

429

93

q = 90 ca. 8-10" Tranquil  

  

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

  

 

 

 

     

 

pp

p

 

 

 



  

 

 

 

 

 

p

p

p

p




94  

434

 





Ob.

Bsn.

Hn.

Timp.

Perc. I

 

 

p

f

p

 

p

f

f

     

 

        











 

                     mp f         



 

  

 

p

pp

 

 







            







  



        

   





       

              



       

            

            

 

     

    

    

f

  

mf











  





  







f

     

   

 











 

























 











 

 



































  

 

susp. cymbal

     

  







  

  

  



  

 

 

 

 

  







 



  































 





 



 



Vla.



Vc.

   

Madly swung q = 120

Vln. I

Vln. II

f

p



 

Cb.

 

  

   

Hp.

 

      

f

pp

Perc. II

f

  



Hn.

Tba.

 

p



U. Bass

 

E. Gtr.

Pno.

 

Tbn. I-II

Dr.

 

Tpt. III-IV

Tbn. III

 

(RIV) TS III

Tpt. I-II

 

(RIII) TS II

(RV) BS

(RII) AS II

Madly swung q = 120

 



(RI) AS I

 

  



 

  



 

  




   

noyze bytes, fluttertongues, & slap tongue interspersed

440 (RI) AS I

(RII) AS II

(RIII) TS II

(RIV) TS III

(RV) BS

Tpt. I-II

 

 

 

 

 

 

 

 



noyze bytes, fluttertongues, & slap tongue interspersed

noyze bytes, fluttertongues, & slap tongue interspersed

  

noyze bytes, fluttertongues, & slap tongue interspersed

  

     

noyze bytes, fluttertongues, & slap tongue interspersed



Tpt. III-IV

 

Tbn. I-II

 

 

  

 

Tbn. III

E. Gtr.

Dr.

Pno.

U. Bass

 

95

ca. 15-20"

wild improvisation using distortion & whammy bar



 

ff wild improvisation

        

        

ff

 

 

 

 

wild improvisation

wild improvisation

Wistful q = 50

 







 







 







 







 







 







 







 



 







 





 







 







 







 







     

  

small gesture (aftershock)

p

 



1. solo

   



mf bluesy



  

    

 





poco port.

  

 

 







  

 

 







  

 

 







Hn.

 

 

 







Tba.

  

 

 







 







  

 

mp



Ob.

Bsn.

Hn.

Timp.

Perc. I

Perc. II

      

   

  

Hp.

Vln. I

Vln. II

Vla.

Vc.

Cb.

  

improvise (go crazy!)

 

 

improvise (go crazy!)

improvise (go crazy!)

 

 

 

improvise (go crazy!)

     

ca. 15-20"

   

susp. cymb.    p

 



mp

 

p

 

 

mp

p





 







 







Wistful q = 50

  

 

 







 

 

 







 

 

 







 

 

 







p









p

 

 

 

 



 





 

 

 

 



 





  



 

 

 

 



 





 



 

 

 

 

 





 

 

 

  

  

  



p

p

p

p arco

p



   





 

  






96  

446 (RI) AS I

(RII) AS II

(RIII) TS II

Tpt. I-II

U. Bass

Ob.

Bsn.

Hn.

Timp.

Perc. I

 









  

Hp.

   







  



poco port.

mf

 



  

           

 

 

 

 

mf

   

 

 

       



 

   

      

 

 

  





f



      















add bits of bebop color to saxes (use brushes)













 

 

 

 



 













 





 

 

 

  

 

p

mp

mp

add bits of bebop color to saxes & drumset

  

C^

mp

 

mp

pp













 













  



    



  



  

 

  



  



Vc.

 

 



Vln. II

Vla.







 

  







  

 



 



Mad swing q = 120

mp

mp

  

mp

 

 

mp

mp



 

mp

mp

pp

pp

pp

pp

pp

pp

pp

f

         

 

f

  f



 

f

 

    

   

Vln. I

Cb.



mf

p

Perc. II

mf



Hn.

Tba.



E. Gtr.

Pno.





Tbn. I-II

Dr.



 

Mad swing q = 120



Tpt. III-IV

Tbn. III





(RIV) TS III

(RV) BS




97     

452 (RI) AS I

 

(RII) AS II

 

(RIV) TS III

Tpt. I-II

  

Tpt. III-IV

Tbn. I-II

Tbn. III

E. Gtr.

Dr.

Pno.

U. Bass

Ob.

Bsn.

Hn.

Timp.

Perc. I

Perc. II

Hp.

   

 

 

   

 

  

   

 

 

 

 

 



   

     

     

 

 

     

 

     

 



mf

   

 

 

 

 

  

 

  



mf

 

 



         



 

mf



mf

 

 

mf

flute solo



  

3

p gently









     



 

mp



mp

 











mf

p







 





 







 













 

slowing to 





Vln. I

 

Vln. II

  Vla.

  Vc.

Cb.



 

 

slowing to

Hn.

Tba.

 

   

(RIII) TS II

(RV) BS

  

(RII) Fl. II

 

 

       


98   

458 (RI) AS I



    

(RII) Fl. II

Wistful q = 50



   

 

  3

 

 



 



  

    

  

3



 



     



 



 

 

 



 

 

(RIII) TS II

 









(RIV) TS III

 









(RV) BS

  









  









 









Tpt. I-II

Tpt. III-IV

        

mf bluesy

  

  

     

           



   

            

  

   

    



    

poco port.





 







 

 

E. Gtr.

 









Dr.

 









 

 

 

  

Tbn. I-II

Tbn. III

Pno.

U. Bass

Eng. Hn.

p





p

Bsn.

Hn.

 

Hn.

Tba.

Timp.

Perc. I

(3&4)

 

   

   

Hp.

F^

Eb(#11)

 

F^

Eb(#11)



D9

Db(b9)

 



 



 



   





p

p





 

p

 

 



mp

poco port.

 

  

  

 





 

 

      

      

      



 



 

p

 

mp



 

p

   





 





Vln. II

 





p



 

  







 







  



p



p



  



 





  





   



 





    

      









   





    





   

  

  



poco port.







  



 







 

 

mp



        



 



p

mp

 



  

 







 

 

p

 

   pp









 





 





 

 

 

 





 



 





 

 





 

 

 





 





 

p





  









  

  

 



 

  



   



   



 



  



      

  









 

  

    

  



 





p

   



p

pp

 



  p

  

p





 

Vc.



3

mp

     

1. solo

  

Vla.

Wistful q = 50

 

p

    





  

mp





 





 

   

  

  



  

     

 

 

   



 

Cb.

 

Vln. I



 



Ab7

  

  

 



C^

p

Perc. II



   





 

solo dreamily in highest 8ves, remotely from chord changes interact w/flute

Ab7

  (1&2) 

C^

mf bluesy

  



 

poco port.



       


99 Madly swung q = 120

  

464 (RI) AS I

(RII) AS II

 

alto sax

  

mf

f

(RIII) TS II

(RIV) TS III

(RV) BS

Tpt. I-II

Tpt. III-IV

Tbn. I-II

      

mf

mf

 f

 

  f



   

f

mf

  

    

 

 mf

 

 f

 



mf

 

mf

 

 

 

  

 

pp

pp

 

  

pp

 

 

 

p

 f

bebop brushes again (w/saxes) mp

   C^

  

 

   

     







mp

 

Tba.

  

mp

   

mp

     

  

mp

          

pp

 

 



pp

pp

  

 



 

pp



Hn.

pp

 

 

   

 

Madly swung q = 120

 

 

 

 

 

 

 

 

  

 

     

 

   

   

mp

Cb.

Vc.

 



Vla.

mf alto sax



Vln. II

f

Vln. I

  

 

Hp.

mf

Dr.

Perc. II



Perc. I

Timp.

 

Hn.

mf

Bsn.

f

mf

 

Eng. Hn.

 

mf

E. Gtr.

U. Bass

mp

Pno.

 

  

tenor sax



mp

Tbn. III

  

  

(cut off when necessary for change to alto sax)

(RII) Fl. II


100  

470 (RI) AS I

        f

(RII) AS II

          f

(RIII) TS II

        f

(RIV) TS III

(RV) BS

Tpt. I-II

 

Tpt. III-IV

Tbn. I-II

Tbn. III

E. Gtr.

Dr.

U. Bass

Eng. Hn.

Bsn.

Hn.

Timp.

Perc. I

Perc. II

Hp.

f

             f

      

                                                               

f

                f mf

     f

  

  

     

     

                      

     

  

 

mf

  

p



         mf

     

   sub mp



         f

        

p

mf

mp

     

        

 

   

   sub mf



        

f

mf

 

 

 



 

 

p

mf

 

mp

            

f

 

mf

Vln. I

Vln. II

Vla.

Vc.

Cb.

        ff

 

        

       

        

     

 

 

     

          

Hn.

Tba.

          



Pno.

f

                    f

 

    

                    


   

  

  

         

 



 

  

         

 

     

  

           

476 (RI) AS I

 

(RII) AS II

   

(RIII) TS II

 

(RIV) TS III

(RV) BS

Tpt. I-II

  

Tpt. III-IV

Tbn. I-II

Tbn. III

E. Gtr.

Dr.

Pno.

U. Bass

Ob.

Hn.

Timp.

Perc. I

Perc. II

Hp.

f

 

f

f

      f

  

3

3

3

3

3

3

 

 

f

 

  

3

3

          3

3

3

3

3

3

3

3

3

    3

3

   3

3

  

3

 

 3

3

 3

3

           

 3

    

 

 3 3

   

       

 3

 3

 3

 3 3

   

   

3

 3

  

gliss.



. gliss



. gliss

3





     



improvise (go crazy....!)

ca. 5-8"   

 

improvise (go crazy....!)   fff  

improvise (go crazy....!)

 

 improvise (go crazy....!)   

fff . gliss

 

fff

3 3

fff

3

   



 

improvise (go crazy....!)

fff

 



 



 



 

 

 

mf

ff

 

 f

 

ff

 

improvise (go crazy....!)

 

 

 

 

 

 

mf

ff

  

 

ff

improvise (go crazy....!)

improvise (go crazy....!) mf

ff

ff

  

       

  

 

   

improvise (go crazy....!)

improvise (go crazy....!)

  

 

    

 

 

 

 



 

 



 



 



 

 



 

  



 







 



 



 

 

ca. 5-8"

 





 



 



 



 



 



 



 



 

Vln. I

Vln. II

Vla.

Vc.

Cb.



Hn.

Tba.

 

   

Eng. Hn.

Bsn.



 

  

101

 

  

 

       

  

        

        


102   

481 (RI) AS I

Wistful q = 120 

          

 

mf

f

           

(RII) AS II

 

(RIII) TS II

 



(RIV) TS III

 



(RV) BS

  

 

  



 



Tpt. I-II

Tpt. III-IV

Tbn. I-II

Tbn. III

 

 

mp

E. Gtr.

Dr.

 

 

  

Pno.

U. Bass

Ob.

   

      

solo: sparse & twinkling in highest 8ves of piano

mf

Bsn.

     

Hn.

Timp.

Perc. I

Perc. II

Hp.

Vln. I

Vc.

Cb.







 ff

 

  

 

 

 

f

  



 

F#(#9)/C#





   

mp

 

     

mf

  

   

 



 







f

F^

       

 

 

ff



 

 

 

 





 

    

 

  



 

       

    mf

 

 



  



mp

 

 

  





p





p



 

 

p

   

 

    

   p

mp









  

   

 



 



  

p

 

 

  

  

 

  

 p

 p

 

mp

 



 

  





 

  



 

 

  



 



 

 

  



 

 

 



p

 

 

  



 

 

 



 

 

  



 

 

 







 

 



 

 

 



 

  

 



  

  

 



  

 



 

mf

 

 

   

 

  

mf

   

mf



 

p



mf

 

 

mf

 

mp



mf



  



  



  

  

ff

1. solo mf bluesy



        

 





 

mf



mp





 

F#13(b9)/A#





 

  

 

  

 

   



p

 

mf

  

  

p 2.

 

 

Wistful q = 120 

 

  

 

p

 

   

ff

 

p



  

 

 

        f

 

p

   

mf

Vla.



 

mp

mf

Vln. II

   

  



  

mp

mp

 

   

   



 

  

f

 











  

                



f





 

  



  



mf

mf

Hn.

Tba.

 

B#11(#9)

 

 

              

mf

mp

C#m^9



continue improvising, interspersed; follow saxes

  







f



   

mf

  

mp



mp

mp

mp

mp

mp

mp

 

mp

 

p

p

p

p


103                         mf f  mf f

487 (RI) AS I

                     f  mf mf f    

(RII) AS II

(RIII) TS II







 





(RIV) TS III







(RV) BS









Tpt. I-II

 













Tpt. III-IV

  

Tbn. I-II

pp

Tbn. III

Dr.

Pno.

U. Bass

Ob.

Bsn.

Hn.

Timp.

Perc. I

Perc. II

Hp.



 

   







 

  F^

 

Eb(#11)

 

 

 

 



 

  



 

  

 

 















     

    ff





   

















 



mp

  





 



 





 

ff

 

 



  

 





 





 



 





  









 

 

 

p







  

 





  



 



 



















 

  



 

  

  

mp



  



 

 

 

  



 

 

 







 

 



 







D9



  

 







f





  



 







mf

poco port.

   





  

 







f

mf

 



                      f  mf mf f   

f

 





Eb(#11)

f

 







   



  









   

   







p

  

 



















  

 

























  

 



mp



  





 

   



 

 



  

 





 

 

  

 



 

 









 

 



 

 



 

 

 

 

 



Vla.





 





 

mp

Vln. II

   

Vc.







 





mf

Vln. I

Cb.

   



  

                 

mf

 

Hn.

Tba.

   

E. Gtr.



 

 


104   

493 (RI) AS I



Mad swing q = 120 

     mp

(RII) AS II

 

 

 

(RIII) TS II

(RIV) TS III



 



mp



         

mf

    

mp

 

   

 

 

  

mf

    

     

mf

 

mp



mp

mp



 

 

  



   

  

 

 

 mf

 mf

 

 mf

   

  



 

 

       



Tpt. III-IV

 



Tbn. I-II

 

Tbn. III

 

Dr.

 

U. Bass

Ob.

Bsn.

Hn.

Hn.

Tba.

Timp.

Perc. I

Perc. II

Hp.

Vc.

Cb.

pp

  

susp. cymb.

into manic bebop rhythm (mirror saxes)

p

mf

 

  

 

C^

 



  





        



 



 



       





 

 

 

pp

pp

pp







 

 

 

pp

     

  

  



 



 



 

   

Vla.



Db(b9)

  Vln. II

pp

  

   

Vln. I

 

   

E. Gtr.

Pno.

mf

 

 

 

 

Mad swing q = 120 

 

pp

pp





 







  

 

 





   

pp

 

 

pp

pp

pp

pp

pp

    

  

Tpt. I-II

    

  

mf

(RV) BS

 


105   

499 (RI) AS I

  

(RII) AS II

 

(RIII) TS II

Tpt. I-II

    

Tpt. III-IV

Tbn. I-II

Tbn. III

E. Gtr.

Ob.

Bsn.

Hn.

Timp.

Perc. I

Perc. II

Hp.

Vln. I

 

 

 

 

 

 

  





  

 



  

 

 

 



 

  

 

 

  







   

  





    

f

   

 

 f

 

 

   f

     



  

  

   

f

     

      

     

f

 

   

 

 

    

    



         

       

 

 

 

 wide vib!!   

ff

 

ff

   wide vib!!   

ff

 

ff

 

ff















  

   

          

    

 



 





     

 

 

 

manic improv.

 

more manic....



manic improv.

mf

 



improv.  manic 





    (whammy bar)    ff

   ff   

tomtom

ff



mf

       

ff

    



 

 



 

 



            





f

f



 



 

mp



f



  



 

 

 

 



 

 

 























  

 

   



    



    



   



    



   



    



 

    



 Vln. II

  Vla.

  Vc.

Cb.

 

Hn.

Tba.

 

 

U. Bass

 

Dr.

Pno.

 

  

(RIV) TS III

(RV) BS

 

 

 

pp la metá

  pp

 pp

 pp

pp

pp


106  

505 (RI) AS I

ca. 10-12" Tranquil q = 90  



(RII) AS II

 



(RIII) TS II

 



(RIV) TS III

 



(RV) BS



 



 

 



 



 



 



 



Tpt. I-II

Tpt. III-IV

Tbn. I-II

Tbn. III

E. Gtr.

Dr.

Pno.

U. Bass

Ob.

Bsn.

Hn.

Timp.

Perc. I

Perc. II

Hp.

p

pp

 



 



 



 

 

 

 

 

 

 



 



 



 

 



 



 



 



 





 

ca. 10-12"

 

Vln. I

 

 

 

 



 

 

 

 







  

 

 

 



  

 

 

 



 



Vln. II

Vc.

 

Tranquil q = 90 

Vla.

  

Cb.

sporadic improvisations on cymbals with brushes and/or soft mallets

 

Hn.

Tba.

 

 



 

 



 

 



 

 

 



 




V. Still Arriving

(RII) Alto Saxophone II

(RIII) Tenor Saxophone II

Trumpets in Bb I

Add Reed I solo; conversational and in continual outbursts. Adjust as other players enter.



Add Reed II solo; conversational and in continual outbursts. Adjust as other players enter.

 



 



Add Reed III solo; conversational and in continual outbursts. Adjust as other players enter.

Add Reed IV solo; conversational and in continual outbursts. Adjust as other players enter.

 

(RIV) Clarinet in Bb III

(RV) Baritone Saxophone

Open band solo

  

511 (RI) Alto Saxophone I

107

     

 Add Reed V solo; conversational and in continual outbursts. Adjust as other players enter.

 Add Trumpet I solo; conversational and in continual outbursts. Adjust as other players enter.



 

Trumpet in Bb II

 

Trumpet in Bb III

Add Trumpet II solo; conversational and in continual outbursts. Adjust as other players enter.

 Add Trumpet III solo; conversational and in continual outbursts. Adjust as other players enter.



Trumpet IV begins solos; conversational and in continual outbursts. Adjust as other players enter.

 

Trumpet in Bb IV

 

Trombone I

Add Trombone II solo; conversational and in continual outbursts. Adjust as other players enter.



Add Trombone III solo; conversational and in continual outbursts. Adjust as other players enter.

 

 Add Drums solo; conversational and in continual outbursts. Adjust as other players enter.

 

Drum Kit

Electric Guitar



 

Trombone II

Trombone III

Add Trombone I solo; conversational and in continual outbursts. Adjust as other players enter.



Add Guitar solo; conversational and in continual outbursts. Adjust as other players enter.

 



Add Piano solo; conversational and in continual outbursts. Adjust as other players enter.

 

Piano

Double Bass



 

 Add Bass solo; conversational and in continual outbursts. Adjust as other players enter.

 



  

 

Horn in F II

 

 

Horn in F III

 

 

Horn in F IV

  

 

 

 

 

 

  

 

Violin II

 

 

Viola

 

 

 

 

Horn in F I

Harp

Violin I

Violoncello

 

Open band solo


108 BB      

  

  

  

    

512 (RI) AS I

(RII) AS II

(RIII) TS II

(RIV) Cl. III

(RV) BS

Tpt. I

Giocoso misterioso (q = 90) cue in from interlude, then vamp until cue

       

Tpt. II

  

Tpt. III

  

Tpt. IV

  

Tbn. I

Tbn. II

Tbn.

  

  

Tbn.

  

  

Tbn.

  

  

Tbn.

  

  



mp

   

   



  

egg shakers or caxixi

mf straight 8ths, chugging along

Pno.

Hn. I

Hp.

Vln. I

 



  

mf

  

  



 



 



  



                                     

Brazilian (cylindrical) shaker

mf straight 8ths, chugging along

 



 



Giocoso misterioso (q = 90) cue in from interlude, then vamp until cue

   

BB 

 



 



 



Vln. II

Vla.

Vc.

  

   

Hn. III

Perc. II



  

Hn. II

Hn. IV

mp

Dr.

E. Gtr.

mf

  

mf

mp

Tbn. III




109  



 

Tpt. II

Tpt. III

Tpt. IV

518 (RI) AS I

(RV) BS

Tpt. I

Tbn. I

 





 



mp

 

mp

 

Dr.

 

Tbn. II

Tbn. III

     

mp







 

E. Gtr.

Pno.



 

Hn. II

Hn. III

Hn. IV



Hn. I

Perc. II

  

 

Vln. II

Vla.

Hp.

Vln. I

Vc.


110  

524 (RI) AS I



 

Sax.

Sax.

Tpt. II

Sax.

Tpt. III

Sax.

Tpt. IV

(RV) BS

Tpt. I

Tbn. I



 

mf

Tbn. III

 

mf

 

Dr.

     

      

 

 

 





 





 











 

 



mp

        

                       

             

mp

mp



Pno.



 



 

mf sinister

Hn. III

mf sinister

 

mf sinister

Hn. IV

Perc. II

 

 

 

 

 

 

 

                

low cowbell (yarn mallet)



 

Saxes

Saxes

Vln. II

Vla.

Vc.

Cb.

Perc. III

Hp.

Vln. I

mf





pochiss. dim.



 

mf

Hn. II

mf

Clarinet

E. Gtr.

Hn. I

mf

Soprano Sax

mp

mf

Tbn. II

      

mp

(RIII) Cl. II

Alto sax

mp

(RII) Sop. Sax. II



 

 

(l.v.)

mf sinister

        

 

 

Saxes 

Saxes 

Saxes 

        

              

                             


111    

530 (RI) AS I

mp

  

(RII) Sop. Sax. II

(RIII) Cl. II

(RV) BS

Tpt. I

            p

              mp

p

               

               

Tpt. IV

               

                                

mp

mf

      



 

 

 

 

 



 

 

mf

mf

mf

mp

 



         



 



        



        



  

  

  

E. Gtr.

Pno.









Hn. I

 

Hn. II

Hn. III

Hn. IV

Perc. II

Perc. III

Hp.

Vln. I

  

       



     mf     





mf





mp

 

 

 

Vc.

mf

 

Vla.

  

   

mf



Vln. II

Cb.

                             

CC           

    

           



   



         



   



  

mf warmly



 

mf warmly



 

 



 

   

                 

                   

               

        

               

       

mf warmly

         

 mf

      

     

mf

 

          

Dr.

Tpt. III

pp

               

Tbn. III

pp

Tbn. II

mp

           mp p

Tpt. II

Tbn. I

pp



  

CC


112    

536 (RI) AS I

  

(RII) Sop. Sax. II

(RIII) Cl. II

 

    

      

       

p

mp



 

 

mp

p

    

mp

p

mp

                   

mp

p

mp

    

p

mp

mf

mp



mp

 

mf

p

     

                       mp p

                              mp mf mp p

p



 

Tpt. II

Tpt. III

Tpt. IV

(RV) BS

Tpt. I

Tbn. I

Tbn. II

Tbn. III

    

 

       

 

      

    

   

 

     

   

   

 

Dr.

mf

mf

mf

    

E. Gtr.

Pno.



Hn. I

 



Hn. II



Hn. III



Hn. IV



Perc. II

Perc. III

Hp.

Vln. I

 

 



  

Vln. II

Vla.

Vc.

 

      mf      mf          mf 



  







mf

    

       mf

    

    

   

      







pochiss. dim.

      

mf

       mf

     

mf

 (l.v.)       

    





   

  

 


113   

541 DD (RI) AS I

(RII) Sop. Sax. II

 

(RIII) Cl. II

 

(RIV) TS III

 

                

mp

mf

    

         

              

              

mp

mp

(RV) BS

Tpt. I

   

Tpt. II

Tpt. III

Tpt. IV

  

mp

Tbn.

  





 

mp





p

  

mf

mp

p

mf

mp

p

mf

mp

        

        mf

    

mp

 

mf

 

  

      

  

 

  

           

  

 

  

          

  

 

   

         

  

 



 





 

 

    



 









    

 









  

        

  

    

 









 

    







  





Pno.



 

 

mf

 

 

 

 

mf

 

mf

Hn. IV

Perc. II

Perc. III

Hp.

Vln. I

 

 



 

mp

 

 





mf

poco dim.

 

 

   

 

 

mf

  

 





 

poco dim.

  

 

  

 

mf

                                                                    

mp

                                                                          

mp

                                                                         

mp

Vc.

 

Vla.

mf

    

DD   

Vln. II

p



 

mp

p

 

Hn. III

Hn. II

p

 

    

E. Gtr.

Hn. I

mp

  

mf

Tbn.

  mp

change to drumset here, straight 8ths, chugging along...

Dr.

     mp

mf

 

               mp

p

mf

 

Tbn. II

mf

Tbn.

   

p

mp

  

mf

    

Tbn.

mp

           p mp mf mp

  

mf

p

mp

Tbn.

 

Tbn. I

Tbn. III

mp



pizz. mp



 





 


114   

546 (RI) AS I

        

       

   

mp

(RII) Sop. Sax. II

 

 

mf

mp

(RIII) Cl. II

    

mp

 

(RIV) TS III

(RV) BS

 

mf

      p

         

    

mf

mp

          

        

mp

mf

mp

                  mp mf mp p mp

mf

mp

p

mf

         

mp

mf

 

Tpt. II

Tpt. III

Tpt. IV

Tpt. I







  

Tbn. I

    

Tbn. II

    



 



 

 





Tbn. III

      

Dr.

f

f



 

  

 

  

 

f



 

  



 

 





 

 



   

   

   

   

 

 

 

 

 

 

 

E. Gtr.

Pno.



 

Hn. I

Hn. II

   

  

   

  

 

  

f pointed

Hn. IV

Perc. II

Perc. III

Hp.

Vln. I

 

 

 



   



   

 f pointed

f pointed

f pointed

Hn. III

 

 

f





poco cresc.

 



 

 

f

 

 

  

 

 



 



 

  

 

  

f

                                                                              mf

Vln. II

                                                                               mf

Vla.

                                                                               mf

Vc.



mf



 



 



 

 

 



 


115   

551 (RI) AS I

(RIII) Cl. II

(RIV) TS III

Tpt. I

 

    

 

  

Perc. III

mp

Vln. I

mf

        mp

mp

   mf



mp

p

  



pp



p

             

 

 

Sax.

Sax.

   

 

   

   

mp

p

  



mf

mf

 

 

mf

mp

   

mp

mp

mf

mf

mp

                                                      



mp



mp





mp

 

 

  

 



 

 

  

  



 

 

mf



 

mf

 





 

  

mf

 

 

 

 

Tpt. 1

  

               

      

     

 oboe mf

   

  

  



  

mf



  

   

mf





 





  

 



    

 



 

  

  



mf

  

(l.v.)

mp

  

mf

mp

  

   

mf

pochiss. dim.

mf

mp

  

mf

EE FF                                                                                                     p mp mp         

Vln. II

                                  p                                         mp

mp

                                                                                                  p mp

Vla.

mp

Vc.

Play

mf

 

mf

mf





   

 

mp



Play

  

  

    

mf

Strum 16ths

Play, pizz.

Play

mf

 

mf



mp

mf

     



   

mf

mf

mf

Play

mf

Tbn. 3

   

mf

f

                             mf

mp

 

 

       

                                        

 

                                            

 

f

mf

                                        

mf

FF          f       

                        mf mf

 

mp

pp



mp

mp

pp

Sax.

mf

                           mp mp mf mp mf                                mp mp mf mp mf                             mp

mp

Hp.

             

pp

Hn. III

Perc. II

p

Hn. II

Hn. IV

mp

Dr.

Hn. I

mf

Tbn. II

Ob.

mp

pp

Tbn. I

U. Bs.

p

Sax.

Tpt. IV

Pno.

mp

 

Tpt. III

E. Gtr.

mf

    

 

Tpt. II

Tbn. III

mp

EE 

    

              

 

(RII) Sop. Sax. II

(RV) BS

               

 



mp

 

 p

 

 

    div.    

   

arco mp

div. mp


116  

556 (RI) AS I

(RII) Sop. Sax. II

(RIII) Cl. II

Tpt. I

   

     

Perc. II

Perc. III

Hp.

Vln. I

 



  

   



 

                   

mf

mp



     

 



 

 

(mf)

mp



   

 

  





     

mp

     mp 

   

 

    

 

    

       mp mf

  

 



 

 

  

mp

mp

 

  







mf



mf

  



 

 

           

                 

  

           mp

        

   

mp

 

mf

 

     

   

     

   

     mp 

  

    



  

    mp

mf

   

mf

 

mf

 

 

  





 





 

    

  

    

   

 

  

mf

 

    

     mp

   

mf

  mp

 

mp

    



mf

mp

 

 

        

    

mp

 

    

mp



     

 

(mp)

          mp            

mp



  

mp

mp

       

mp

                    

         



       

  

mp

  

     

 

     

        

mf

 



    

mp

 

 

mf

        

 

mp

mf

        



  

mf

mp

      

mp

     

  

        

        

     

   

mf

  





  

mf

pochiss. dim.

mf

 

       mf       

mp

mf

mp

mp



     

mp





mp



mp

   

  

        mp mf

    



    

  

 

mf

  

mp 

mf

       

(mf)

   

mf

 

mp

 

   

 



   



   

mp

  

     

  

    

 

 

mf

 

    



      

       

    mp 

  

       

 

       



 

mf

       

    

   

       

  

  

 

  

f

        mp       

         

    (mf)

         

Vc.

(mf)

       

mp

mf

     

 

       

   

                   

Vla.

 

 

   

f

mp

mp

  

mf

 

mp

            

 

        

   

     

 

mf

    

mf

 

f

mf

     

mp

       

mf



Vln. II

Cb.

     

    

               

        

 

Hn. III

   

Hn. II

Hn. IV

f

    



mp

f

 

Dr.

Hn. I

mp



Tbn. II

Ob.

mp

mp

 

Tbn. I

U. Bs.

   

f

 

Tpt. IV

Pno.

 

  

Tpt. III

E. Gtr.

mp

  

  

Tpt. II

Tbn. III

 

 

(RIV) TS III

(RV) BS



 



mp





 

 

  

mp

pochiss. dim.

0 0                                                                          mp p mf mp mf

                                                                            mp p p mf                                                                           p mp p mf            pizz.       arco                      mf



pizz. mf Vc. pizz.

  mf

mp

   

mp

  

   mp

p

  p

   p

   

    

 



   

  

mf

 

 

mf

 

mf

f

mf

mp

mf

          

 

  

 

    

  

pizz.     

    

f

mp

f


117   

561 (RI) AS I

Tpt. I

 

   

Tpt. II

Tpt. III

mf



  



  



  

Tpt. IV

Tbn. I

     

  

   mf

   

Tbn. II

mf

Tbn. III

E. Gtr.

Pno.

U. Bs.

Ob.

Bsn.

Hn. I

   

Hp.

Vln. I



 

  

mf



 

 

     

 

 

  

 

 

        

   

    

 

 

 

 

 

 

 

mf

mf

 

                



    

               

  

  

                

 

 

     

  

  

     

 

            

                     

       

         



   

    

  

     

     



    

 



 

 

 

 

  

 

 

 

 

mf

 

f

    



    



Vc.

f

      f         f   f      f

          

f

    

 

    

 

  





  

     mf

  

mf

   

   

mf

   

mf

       mf

 

 



 

 



 

 

mf

mf

mf

 

        mf

 

 

    

  

mf



f

       

mf

       

mf

  



 

    



  



f

f

mp

mp





mf

  f 



            

 

  

   f

     f

f

    



                      

f

  

              f               

     f

  

   

 

  



mf



 





           mf

  mf

   

     

      

       mf        mf

mf



   

 

  

  

   

  

 

f



f

unis.                                     f

f

f

f

  

mf



  

       

                                                   mf    f                            div.                                  mf f   div.                                 mf f arco    arco pizz.    unis.                                            (pizz.)

p (accent backward motion)                       



ff

f

mf susp. cymbal (yarn mallet)

f

    

ff

f

    

f



f

       

           

ff

     

  

   



f

f

  

         

   

    

          

   

        

     f           

  

     

f



 

    

    

        

  

          

Vla.

f

f

    



       

f

f

 



       



         

 

  



f

mf

f

 

    

 

 

 

  

    

mf

                 

Vln. II

Cb.

  

   

 

Perc. II

Perc. III

 

 

f

            

mf

  

 

  



   

Hn. IV

 

       

      

   

   

 

         

     

Hn. III

Perc. I

mf

    

Hn. II

Tba.

      

Dr.

f

f

mp

 

             mf

   

        

f

mp

     mf

(RIV) TS III

 

 

(RIII) Cl. II

(RV) BS

mp

 

(RII) Sop. Sax. II

     

mf sub.

 

mf sub.

 

mf sub.

                mf sub.

                mf sub.

arco                             f

mf sub.


118                

      

566 (RI) AS I

(RII) Sop. Sax. II

(RIII) Cl. II

(RIV) TS III

(RV) BS

Tpt. I

   

Tpt. II

Tpt. III

Tpt. IV

Tbn. I

 

  

f



ff

ff

  

ff

p

 

 



ff

Tbn. III



  

 

    

Dr.

E. Gtr.

  

Pno.

U. Bs.

Ob. Bsn.

Hn. I

   

Hn. IV

mp

mp



ff

mp



ff

mp (quick mute)

Hp.

Vln. I

 

 



(quick mute)

ff

      

  

 



ff

ff



 

  

 

 

C Fb

 

   

(l.v.)

  ff

ff



 

p

p

  mp

        

  

        

 

        



         

    

 

 

mp

mp

  

p

    mp     mp      mp

  

p

p

       

    

 

    

  

      mp   

 

    

  

 

p

vibraphone (motor on)

 

    

    

 

  

mp

GG

           

                            

                            

pp

                             f

pp

pp

                            f

pp

f

pp

f

 

         

f

Vc.



p

mp

 

mf

Vla.

mp

con sord.

p

             

                                      

Vln. II

p

mp

p

p

  

mf

mp



ff

mp

mp



f

f

p

          



  

p con sord.



f

 

  

  

ff

f

mp

 

p

p con sord.

  



mf

ff

f

Cb.

    

mp

ff

f

              

f





(quick mute)



   

Perc. II

Perc. III

Hn. III

Perc. I

 

Hn. II

Tba.



   

ff

 

p

mp

p

ff

Tbn. II

 

 

f

ff

 

mp

f



 

      p

     

ff

 

f

            

f

f

 

GG 

pp

 


119  

572 (RI) AS I

 

 

(RII) Sop. Sax. II

pp

 

            

p

 

(RIII) Cl. II

    

(RIV) TS III

mp

         

p

mp

  

                                

f

mf

mp

mf

f

mf

mf

mf

f

mf

mp

mf

f

mf

mf

                         

mf

                

mf

f

mf

pp

(RV) BS

Tpt. I

  

Tpt. II

Tpt. III

Tpt. IV

 

pp

Tbn. I

 

Tbn. II

 

  

Tbn. III

   

Bsn.

Hn. I

Hp.

mp

        



         

mp

mp

 

  mp

mp

    

 

  

p

 

p



    

p

  p 

  

 

 



       

  

           

D

B

 

  

    

  

 

sempre sostenuto

   

 

 mp

    

 



 

mp

 

  mp

    mp

  

 

  f

  

mp



 

 

 

  

Emi

 

  

  

  

mp

 

 

      mp

 

 



mp

mp

 

    

 



 

sempre sostenuto





sempre sostenuto

mp

sfz p

  

Abmi

sempre sostenuto



      

 



         

 



mp

mp

         

 p

        

p

p

   

f

         

p

mp

sempre sostenuto

        

 



  

sfz p

       

pizz.

mp

sempre sostenuto

sempre sostenuto

                 

Vla.

 

sempre sostenuto  

sempre sostenuto

mf

p



sempre sostenuto

   sfz p

mp

mp

sempre sostenuto

  sfz p

mf





mf

 

 

mf

mp

sempre sostenuto



sfz p

f



sempre sostenuto



 

sfzp

Cmi

f

   

sempre sostenuto

Vln. I

E

mf

mf

 

       C

f

 

 

sfzmp

mp

 

Vc.

sfzp

sfz p

Vln. II

sfzp



  

           

sfzp

   

       

       

sfzp

       

sfzp

       

sfzp

        

 

 

Cb.

         

Perc. II

Perc. III

         

Hn. III

Perc. I



mp

Hn. II

Hn. IV

       

E. Gtr.

Ob.

       

 

p

Dr.

 

mp



p

       

mp

 

        



p

   

mf

        



 

mf



mp

    

 

sfzp

sfzp

sfzp

        

sfz pp

       

sfz pp

        

       

         

         

  

 sempre sostenuto

mp

   

 



   

sempre sostenuto

  

 

mp

sempre sostenuto

mp

mp

 



sempre sostenuto

p

 



sempre sostenuto

 

 

 



 

 

arco

sempre sostenuto



p

sfz pp

sfz

 

p

 

p


120 HH                             f mf mp mp mf f                             f mf mp mp mf f                               

578 (RI) AS I

(RII) Sop. Sax. II

(RIII) Cl. II

f

mf

(RIV) TS III

 

(RV) BS

 

Tpt. I

  

Tpt. II

Tpt. III

mp

mf

 

 



 

  



     

 

mf

mf

Tbn. II

 

Ob.

Bsn.

Hn. I

 

 



 





  

   

C

   

    

mf

  

 

  



mf

   

 

mf



   



                            

  

  

  

 

    mf

  

 

mf

  



     f   

f      

          f

              f             

   

    

f

          f

           f

                f        

 

     

 

 

  





 

            

  

 

           

 

 

    

 

  

  

                     

     

  

f

f

f

f

      

  

  

     

  f

                  

f

   

  



     

    

  

f

  

mf

                                                             

 

         

 

  



 

  

 

 



         

     

mf

     

     

  

mf

   



      

     

             

f



     

     

  

 

  

    



   

          

  

  

  

                                                              

  

 



   

    

 mf















  











































mf

HH                                                                       

mf

      

mf

      

mf

 

 

 

 

  



      



  

    



mf

  

   





   

mf

            

   

  

    mf    

                      

             

mf

 

 

 

mf

 mf

   



mf

 

mf



 

 

    

Vc.

 mf

 

Vla.

mf



 

Vln. II

 

Vln. I



   

     

  

mf

 

   

       

  

Cb.

 

 mf 

Perc. II

Hp.

Hn. IV

Perc. III

Hn. III

Perc. I

 

Hn. II

Tba.

 

Dr.

U. Bs.

        

 

     

Pno.

  

mf

 

E. Gtr.



     

                    

   

mp

Tbn. I

f

             mf mp

Tbn. III

mf

         

 

Tpt. IV

mp

                     

mf

                               

 

             mf

                                                                 mf                                                                              

mp

                                   mp                                   mp

 mp

    



pizz.

  



    

       

                                        



   

 



mf

                    

  

mf

  

mf

 

mf


121  

583 (RI) AS I

(RII) Sop. Sax. II

(RIII) Cl. II

(RIV) TS III

(RV) BS



Tpt. I

        

mf



mf

Tbn. I

            

U. Bs.

Ob.

Bsn.

Hn. I

  

     

             

mf

 

 

 

       



   

 

   

 

Perc. I

Hp.

 

             

 

mf



mf

 mf

   

    

 

mf

 

 

mf

   

 





                                                                      

         

         

  



 

   

           

  



  





 mf  mf

 

    



  

  







     mf mf

      

      

  

 

    

                             



  

    

  

  







  

 

 

   

  

  

  

 





 

  mf

 

   

 

    

 

                        

 





   



    

fp



  fp

fp

    f

 

 

div.

         

 

  

 



  

 

 

  

 

 

strummed

mp

 

fp 

   

 

 

fp

fp



 vibraphone   (motor off)    



fp

      

 

div.

                              



   

  fp 

f

mp

mf



  fp    fp

  

 

 

mphovering

 susp. cymbal (w/mallet)     f

     

                           mp                                                mf                                                  mf                                             

                

 

   

    f

mp

Vln. II

hovering

                  

fp

II

     

   

        

                   

 fp    

       

  



fp

       

 

fp

         

    

  



fp

 

     

         

   

     

  

    



fp

      

  



                                                                 f lucid                        

  

 

 

   

           

     

   



      



                      

   

    

   

           

  

                             



    

     

  mf

  

     

 



Hovering

fp

                  

                

    





     

  

         

     

  



  

          fp                   fp      

Vc.

Vln. I

Vla.

   

 

     

 

   

      

 

Cb.

                          

mf

 

Perc. II

Perc. III

mf

 

Hn. IV

Tba.

  

mf

Hn. III

       

mf

                  mf                       

Hn. II





          

 



                 

     



Pno.

    

Dr.

E. Gtr.

      

                        

 

     

  

    

  

mf

Tbn. III

                      

mf

Tbn. II

   

 

  mf  

Tpt. IV

     

mf

mf

Tpt. III

    

mf

 mf     

Tpt. II

     

f lucid  

  

  

 



 

mp

 





Hovering                sul tasto

  II 



f               

p sulsub. tasto















 

 

 

 

 

 

mf

f              

mf

p sulsub. tasto



mf

f

p sub. sul tasto

mf

f

p sub.

               

tasto                sul   mf fp  tasto                 sul 

                      sul   tasto  mf fp pizz. arco                mf

fp

mf

fp

  

  

  


122  

Sempre fluido

JJ 





 



Tpt. II



Tpt. III



Tpt. IV



Tbn. I



Tbn. II





keep steady 16ths   

589 (RI) AS I

(RV) BS

Tpt. I

Tbn. III

Dr.

E. Gtr.

     

Pno.

Ob.

 

      

   



  

    

    

     

    

   



ppp

 

  

  

start to emphasize 4:3 in beat

        

   

    

 

  

 



Hn. II



Hn. III



Hn. IV





Hn. I

Perc. I

Perc. II

         

Hp.

Vln. I

  Vln. II

Vc.

     

        

               

Vla.

               mp sempre fluido marimba

    

 

    

    

 

 

  

      

    

        

p sempre misterioso



JJ   

   

  





            

 

   

    



         

      

  

           

pp



  



 







 

 







  



 

 

 

  

 



   

 

 



 

 

     



 



  

                  

 



mp sempre fluido

            

 

Sempre fluido

     

 

pizz.

mp cresc.



  

 

  


123  

 



 

 

 

Tpt. II

 

Tpt. III

 

Tpt. IV

 

Tbn. I

 

Tbn. II

 

 

595 (RI) AS I

(RV) BS

Tpt. I

Tbn. III

Dr.

E. Gtr.

    

Pno.

 

   

  

  

    

in 4, but still feeling the 3          

      



l.v.

     

   

    

 

 













 

 

Hn. II

 

Hn. III

 

Hn. IV



 

Hn. I

Perc. I

  

Perc. II

Perc. III

Hp.

 

     

      







 



     

       





 

  

                        

 

Vln. I

  Vln. II

Vla.













 

 

  

  

mf

               mf F = shake to forward

 

   

      

 

   







 

 

 

  

     



 

  

  

 

    

  

  

     

 

                                        mf

 



     

caxixi laid back (slightly swung) F B F B F B F B F B F B



      

B = shake backward                    





 



 

     

      



  

Vc.



  

Cb.

 



   

 

mf













 



 



 



 



 





 



 



 



 



 



mf

pizz. 




124  

601 (RI) AS I

 

(RII) AS II

KK





  

solo C#11(b9) like a whirlwind

 

 

B11(b9)







 







 







 











 

Tpt. II

Tpt. III

Tpt. IV

Tbn. I

Tbn. II

(RV) BS

Tpt. I

Tbn. III

   

Dr.



 

E. Gtr.

   

use tomtoms, kick w/rhythm section West African flavor

           

              

U. Bs.

f

Pno.



Ob.

Bsn.

Hn. I



 



  

Hn. II

Hn. III

Hn. IV

Tba.

Perc. I



 





Hp.

Vln. I





  



 



 



Vln. II

Vla.

Vc.

   

Cb.

 

 



 



 



f

aggressive

 



aggressive

   aggressive

 

  aggressive

 

  



       

 



 

  

 



 











 



 



 

 

 





 



 







       





    







       





    





       

   



  

 



 

  

 



 













 





 





 

 

 

 



 



  f

   

aggressive

       

aggressive



     





non div. on the string





  f





on the string





KK

 

 

          

     aggressive     aggressive

f



   

 

   

    





   f



 

   

     

      

on the string





 

non div. on the string



aggressive

 



 

f

            

  

 







    

   



  

   



 

 



 

 



 

  

 



  

 



 

 







 





 









 





 





 





 



 







 





 

 



 



 





 

 

 





 

aggressive

f

f





aggressive

f

 

 

 

  

 

f



aggressive

 

   

     

   

f

f



Perc. II

Perc. III

 

  

 



 

          



  



aggressive

 

U. Bs.

 



 





 



 





 







 

   





 

           

     



     

 





  





 

 

          





 

 

 





 



 





 







 

   





 

           

     



     

 





  





 

 

          





 

 

 





 



 





 







 

   





 

           

     



     

 





  





 

 

          





 

 

 





 



 

  

     





 

 



 

   

 









            



    







  

     

  





  

 



  


125  

607 (RI) AS I

 

(RII) AS II



 









 







 







 





 









 

Tpt. II

Tpt. III

Tpt. IV

Tbn. I

Tbn. II

(RV) BS

Tpt. I

Tbn. III

Dr.

Bsn.

Hn. I

    





                    

 

  

 

   



        



 



  



 



 

 



  

 



  



 







 





   











 



  





 







 









 





 

 





  

  

    

    

 

 



    

             

 

                        

Perc. II

















  



 



 



 





  



 

          





     

Vln. II

    

Vla.

      

Vc.

 



 



 

  

     





 

 



 

   

 











        





 



 



        





       

 

 

Cb.





Hn. IV

Vln. I

       





 

Hp.



 

Hn. III

Perc. III

    



  

 

Perc. I



Hn. II

Tba.

 



U. Bs.

Ob.



        

E. Gtr.

Pno.



                 

     







   





          





            

   



          



 

    

  

 

 



 

 

   

   

 

 



 

 

   

   







 





 

  





 

   

  





 

 

  

 





 

   



  

 



 







 

























 













 

    

   

 

  

  

   







































 



 



 



 



 



   

 



 







   

      







  

    

        

 

   

 

      

       

 

             

 



  

 

 



 

     

     



   

 

   

   



    



  

                                                                                                             









  

                    

    





 

  









 









 

 













        



        





 



 



 

  

 

  

 



 

 







 



          



 



 

  

 

  

        

 




126  

613 (RI) AS I

 

(RII) AS II



 









 





 







LL

 















Emaj/Bb





bring it down, polytonal style



 

Tpt. II

Tpt. III

Tpt. IV

Tbn. I

Tbn. II

(RV) BS

Tpt. I

Tbn. III

Dr.



Bsn.

Hn. I



                

   







   







           





          



           

   



        



 

   







           

lighter strum

mf

           

  



 

slowly move from 4 to 3...

   

     

  

 

mf

  



f

  



  



f

  

 



 

    

  

    

 

 

    

 

 



  



 



 

    

  





    

 

  

   

 









 

   mf

    f



 



   



  



     



  







      

  mf   





      

    mf

    f  



 





 



  



 

     

    f  



  

 



     



 

 

     

  

     

  mf 

    f   



      

   

     

  

   

 

  

  

 

                                                                                           





     







 



 

                          

Vla.

       

Vc.

 



 







   

        

  

 

 

 

   







 



 















   



    

    

 

  

 

   









 



 









  

 





      



        





 



 



 

   







     







 

                                        

    







 



 







 



 

mf

mf

 

     mf           f  

    

f

    f   





 

 

 







 











Vln. II

Cb.



 

Vln. I





Hn. IV

Hp.

       



 

Perc. III



Hn. III

Perc. II

    



    

Perc. I



  

Hn. II

Tba.



       

U. Bs.

Ob.



          

E. Gtr.

Pno.







  f

(shake)

(l.v.)

 



 







LL                                                    f mf                            mf

          f

                                       f mf unis. div.                                                f mf  



 



  








127  

619 (RI) AS I

  C7/A7

(RII) AS II









Db#9



(RIII) TS II



 



  

 

  

  

 

  

 

  

  

 

  

 

   

p

 

Bb(#11)



 

Alto sax 1

 

Alto sax 2

p



  

Tenor sax 1

p

(RV) BS

Tpt. I

(RIV) TS III

  

Tpt. II

Tpt. III

Tpt. IV

Tbn. I

Tbn. II

 

                       



    



Pno.



Hn. I

    

E. Gtr.

Bsn.

    

Hns.

Ob.

    

Hns.

U. Bs.

    

Hns.

 

    

Hns.

 

    

Hns.

   

Dr.



  

Vln. I



 





 















                           

 





  



 

  

  

 



   

 





mf 



mf



 

 p  Bari sax     



mp

  





 











 

  

 

  

  

 

  

     

  

     

  

     

 

     

 

     

  

 

 

      

saxes

  

 

    

A(&9)(b13) riff as desired G(&9)(b13)

   

 pizz. (strummed)

pp



pp



pp



pp



pp



pp

  

 

     

  

 

 

     

  

 

 

   

 

 

sim.

 sim.

 sim.



sim.

   

 

   

 

 

 

      

   

     

    

     

 

    

     

 

   

     

     

    

 

     

 

  

 

  

A(&9)(b13)

      

     

    

G(&9)(b13)

  

 

 

sim.

 

            

 

         













               

triangle laid back (slightly swung)

mp + = stopped

(sim.)

 

 

 









   



                                      



                                      



                                                                           



p

p

   

 

• = open

p

 





          p

pp

 

fundementally funky (understated)

p

Vc.

Tenor sax 2

Vla.



 

             

Vln. II





mf 

    



in quarter note pulse

mf

Hn. IV

Hp.

mf

Hn. III

Perc. III



  

Hn. II

Perc. I



mf

Tba.



p

Hns.

Hns.

Tbn. III

  

sim.


128    

   



   

   

625 (RI) AS I

(RII) AS II

   

(RIII) TS II

    

(RIV) TS III

(RV) BS

Tpt. I

    

   

  



    

     

 

     

  

  

        

     

     



 

   



   

      



    

 

Tpt. II

  

  

    

  

Sax.

 

  

 

  

 

  

 

  

 

   

 

 

 

       

              

 

        

mf

f

mf

f

            

 

    

f

         mf f       

  

mf

mf

 

 

f

 

joyfully

joyfully

Tpt. IV

Tpt.

Sax.

Tbn. II



Sax.

Tbn. III

     

     

 

    

     

     

 

   

     

     

 

    

     

 

 

 

 

 

 

 

 

 

E. Gtr.

 



           

U. Bs.

                           

        

Tpt.

Tpt.

 

         

   

       

   

arco                      mf

  

  

Hn. II

Hn. III

Hn. IV



Hp.

Vln. I

  

   

mf

 

Vln. II

Vla.

Vc.

     

Perc. I

f

   

 

Hn. I

f

  

          

      

 

f

mf

Tpt.

    

    

  

     

Dr.

Pno.



mf

 

     

 

  

mf

 

Tpt. III

Tbn. I

  

 

joyfully

Tpt.

Sax.

  

 

     

    

 

      

arco, div.       

arco, div.

mf

mf

mf

f

mf

     

f

       


129  

631MM (RI) AS I

(RII) AS II



 

 



mf

mf

(RIII) TS II



mf

(RIV) TS III

(RV) BS

Tpt. I



mf sempre

 mf sempre

     



   

   

  

 



   

  





   

  



        

   



 

  

 



 

  

 





 

  





 





     

     

            

 

   

     

     

      

mf

f

Tpt. IV

    

 

 



   

 









 



   

  

 



 



mf phunky



   

  









      

   

    

Nasty funk!

Dr.

E. Gtr.

Pno.

U. Bs.

mf

 

    

     

  

 

 

    

  

 

  

 



mf phunky

     

    

          

mf phunky

mf

    

     

         

    

    

f

 

   

Tbn. III



   

 

mf phunky

 

Tpt. III

Tbn. II

   

  

           

  

mf phunky



   

 

   



     

Tbn. I

  

   

   

   



 



Play

  

 

   

    

Tpt. II

   



f

  

  

 

    

  

  



  



  

 

  

     

 

continue in this vein, throwing some choice bits in RH

   

  

 

        

    

   

        

  

  



  

  

  

  

     

  

      



    



    

 



    

        

 

Hn. II

Hn. III

Hn. IV



Hn. I

Perc. I

  

brazilian shaker (or caxixi)

Perc. II





 

 

mf egg shakers laid back (slightly swung) F B F B F B F B F B F B F B F B

Perc. III

Hp.

Vln. I



               

mf

F = shake to forward B = shake backward

 

 

  

 

 

 

 

   

 



 

 



 

 

 



 

MM      

 

          

 

   

    

 

        

 

   

Vln. II

pizz.

mf

f

mf

f

       

       

    

       

    

    

Vc.

 pizz.      

       

    

    

      

      

      







  

  

  

(pizz.)

 

       

Vla.

Cb.

     

   


130  

637 (RI) AS I

(RIII) TS II

(RIV) TS III

Tpt. I



 



  

  

 

   

     

   

      

      

            

  



 

 



  



 

   

 

   

  

     

 

  

 

Dr.

      

 





   



 



  

       







 

Tpt.

 



  

Tbn. II

 

        

 

Tbn. I



 

   



 

Tpt. IV

U. Bs.





Pno.



 

Tpt. III

E. Gtr.



  

Tpt. II

Tbn. III

 

 

(RII) AS II

(RV) BS

 

"bring it way down!"

 p

"bring it way down!" p

p



 

  

sub.

 

"bring it way down!"



   

sub. p "bring it way down!" p

sub.

 





 











 



    

         





   





    

  

      

Solo (phunky)

  Bb9

Ab9



 

  

 

  

  



  

 

 

  



   

 

 

   



 

    

      

 

   

   

   

 

 

 

 



 

 

   

 

 

p

sub.

p

sub.

p

sub.

 

 

 

  

sub.

"bring it way down!"

       

    

sub.

   

bring it way down!

bring it way down!           p

 

sub.

bring it way down!

bring it way down!

 

 

    

 





Hn. II





Hn. III





Hn. IV











   



Hn. I

Perc. I

   

Perc. II

Perc. III

Hp.

Vln. I

 

 

 



 

 

 



 

 



 

 



 

Vla.

Vc.



  





p sub.

 

Vln. II

Cb.

       

         

        

      

       

    

p sub.

















    

    

    

            

 

            

 

        

 

p sub.

p sub.

p sub.

          



       



      




131  

642NN CONDUCTORʹS CUE (RI) AS I

   

(RIII) TS II

(RIV) TS III

 

  

 



   

 Tpt. 2

Tpt. II

 

Tpt. III

 

Tpt. IV

Tpt. I

  

 

(RII) AS II

(RV) BS



 

 

  

 

   

 

 

  

 

  

  

 

   

 

 

   

 

        mp



Tbn. II

Pno.

U. Bs.

 



  

  

 

  

   

 

 

   

      

    

mp

   

 

 

   

  

   

   

bring it back up...

bring it back up...

  

p sub.

  

  

 

   

   

 



 

          

 

con sord.



  

mf

seducente

  

  

  

  



  

  

 

  



  

   

 

 

   

   



  

    

   

    

      



   

  

   

   

Tpt. 4



   

Hn. III

Hn. IV



Perc. III

Hp.

Vln. I



















 





 

mp

  

 

 

mp



    

   

mp

 

 

  

mp



                pizz.

      

              

      

            

         

      

         

      

       

         

       

         

       

pizz.

pizz.

mp

mp

 



           

Vc.

Cb.

cresc. poco a poco...

Vla.

 

 

mp

NN CONDUCTORʹS CUE   

Vln. II

cresc. poco a poco...

 





        

    

  

       





 

 



mf

 





  

      





Hn. II



         



  





 

      



 

mp

Perc. II

 

mp

 

Hn. I

mp

   

Tpt. 4

  

mp

 

mp

 



 

   

bring it back up...          

  

     

 

 

  Tpt. 2

  

  

  

  

bring it back up...

   

 

     

 

    

  

   



  

 

  

Dr.

E. Gtr.

 

Tbn. I

Tbn. III

Tpt. 2

  

        

seducente



  

con sord.



     

continue solo...

 

mp

     

       

mp

     

mp


132  

647

 



(RII) AS II

 

(RIII) TS II

(RIV) TS III

(RI) AS I

(RV) BS

Tpt. I



 





   



Tpt. III

 

Tpt. IV

 



Tbn. II

Tbn. III

Pno.

U. Bs.

 

   

  

        

  

 

 

 

  

 

 

 

  

 

  

  

 

  

  

 

   

 

 

  

 

  

 

 

       

 

 



 

   

  

 

  

 

  

 

   

 

   



          



  

         

 

  

  



       



  



 

  

  

  

 

 

  

  

 

 

  

  







  

   

       



 

  

  

  

 

 

 



   

 

  

 

 

  





  

  

 

  

 

  

 



   

 



  

 

  





  

 

 

  

 

 

 



   

 

  

 

 

 

      

  

  

   

    

    

      

 

  

 



   

  

   

   

    

   

 

   

  

 

           

    

        

 

    

 



   

Hn. II

Hn. III

Hn. IV





  

 







  

 

 





 

  

 







  

 

 

 

 

 

 

 

 

   

 

      

      

Vc.

        

      

  



             

      

         

            



             

       

      

         

     

 

  

    

    

    

 

 



Vla.

Cb.



  

 

Vln. II

Vln. I



Hp.



Perc. III

 

       

Perc. II

 

      

 

Hn. I

      

continue solo...

 

      

 

Dr.

E. Gtr.

  



Tpt. II

Tbn. I

  



arco

 

  



   

arco

       

arco

  


133  

652 (RI) AS I

(RII) AS II

 

(RIV) TS III

Tpt. I



(RIII) TS II

(RV) BS



  

  

 

  

 

  

 

   

  

Tpt. III

 

Tpt. IV

  

  

       

  

  

 

   



   

f

giocoso

  

f

 

 

   

 



  

 

   

 

   

         

    

          

 

mf

 

 

A#9

G#9



 



 

 

  

f

  

 

  

 

    

 



   

 

  

 





  

 



  

 



   

 

  

      

  

      

 

 

  

 

 

 

 

 

  



 





  





  

  

 

 

 

     





  

  





   

continue solo until cue

 

 

giocoso

solo (cosign w/tpt. 3)

  

 

     

  

mf

 

    

  

  

giocoso

   

E. Gtr.

 

     

 

 



mf

 

 

con sord.

  



  

OO   

mf

 



 

mf



 

U. Bs.



Dr.

Pno.

       

 

Tbn. II

 

 

Tbn. I

   

 

 

Tpt. II

Tbn. III

  

A#9

G#9

  

  



      





  

 

   

  

 



 

 

 

 





 

 

  

 

mf

  

  

 

   

 

 

 

 

  

 

 

 

  

 

   

 



 

 

 

 

     

   

 

 

mf

mf

 

     mf mf

    

    

mf

          

 

 

  

  

  

    

    

 

 



     

   

  



  

 

  

 





Hn. II





Hn. III





Hn. IV







Hn. I

Perc. II

Perc. III

Hp.

Vln. I











 







 



mf

mf

 

 

 



 

 



 

 

 













 

Vln. II

Vla.

Vc.

Cb.

      

          



          

       

      

       

       

     

    

OOla metà (arco)                

    

 

                               

         

          

                      

    

       

mf

  

mf

mf

mf

la metà (arco)

     

mf

         

                          

       

     

    

       


134 CONDUCTORʹS CUE

   

656 PP (RI) AS I

 

(RII) AS II

 

(RIV) TS III

(RV) BS

Tpt. I

   

take Fl.

 

(RIII) TS II

take Fl.

take Cl.







G#9

take Cl.

    

  

      

  

  

      

Tpt. II

solo (cosign w/tpt. 3)

A#9

  

  

  

  

  

  





  

  

  

 

 

  

continue solo until cue

  

A#9

Tpt. III

Tbn. II

U. Bs.

Ob.

Bsn.

Hn. I

 

 

  

 

   

 

  

 

   

 

  

    

             

  

    

 

      

 

 flute

clarinet

 

 

  

      

 

  

      

 

  

  

 

 

 

   

 

  

  

 

   

 



 

 

 

  

 

   

 

   

  

 

 

 

    

   

  

  

  

           

  

    

 

 

remove mute

   

p

sub.

 



 



 



  

   

 

 

Vln. I

   

                               







 

mp sul tasto

           

mf

           

Vc.

       

mf

    

       

    



    

       

    

 

  

          

                            



 

    

       

                 sub. cresc.

p

f

f

f

               

mp sul tasto

Vla.

 

                                                             

Vln. II

                                                       mp sul tasto

f

CONDUCTORʹS CUE CONDUCTORʹS CUE PP         QQ                                                mp sul tasto

cresc.

 

 

              cresc.  p sub.

remove mute



 





             p sub. cresc.



 

           



senza sord.

back to original chugging feel, hits w/brass

   

f

 

senza sord.

f



senza  sord.  





  







f



 

senza  sord.  

 

  





f



remove mute

f

Cb.

remove mute

f

       

 

 

clarinet

remove mute

  

f

 

f

 

cresc.

sub.

 

   



  

f

 

p

cresc.

 

       p sub.



(continue solo)

  

f

Perc. III

 



    

flute

   

Hn. III

Perc. II

       



  

Hn. II

Tba.

   

Dr.

Pno.

  

  

Tbn. I

E. Gtr.

   

Tpt. IV

Tbn. III

G#9

Lo stesso tempo (Tempo I)

CONDUCTORʹS CUE

QQ 

 

 

 

          sub.  cresc.   

p







low cowbell



f

Lo stesso tempo (Tempo I)

la metà                 mp

 mf

 

cresc.

   

p la metà

             

mp cresc. la metà

             

mp

cresc.

                    f

              cresc.   

p sub.

       

senza sord.


135  

660 (RI) AS I

(RII) AS II

(RIII) TS II

(RIV) TS III

(RV) BS

Tpt. I

 

 

       

 

  

 

  

  

   

 

Hn. IV

Perc. I

Perc. III

Hp.

Vln. I

  

    

 

       

       

     

 

 



  

 

 



 



  

 



      







  







  





 

 

       

        

 

       

      



 

   

    

  



 

       



  

 



   

 

 



  

      

















       





 

f

          

     

         

    

 



 

    

         

 



 

      

         

f

      

f

      

        

     

  



      mp  cresc.        

 

                                                 

       

 

  





     

  

 

  

       

 





 

    

   

   

      

             

      

 

    

 

cresc.

      

      

         



              

     mp

     



f

 

  

   

   

     

    

      

   

   

     

      mp 

              

      

cresc.

      

   

         

 



   

 

             

   

     

  

     

 

      

         mf      triangle                                

mp cresc.





 

















 





 





                                                            tutti                             half f

mf (cresc.)

                                                      tutti (half)                           

Vln. II

mf (cresc.)

f

                                                                                                

Vla.

mp cresc.

Vc.

 

 

              

           



 



          

f



       

 

f

      

cresc.

 



          



        



  cresc.             

             

 



    

 

      

       

         

   

       

                          

         

 

    

 

 

     

      





    

      









 

    

          



 

           

 



   

 

          

       



       

 

Hn. III

          

     

  

Hn. II

   



U. Bs.





 

E. Gtr.

       



Dr.

Tba.

 

Tbn. II

Hn. I

 

            

       

Tbn. I

Bsn.



          

 

Tpt. IV

Ob.

         

  

Tpt. III

Pno.

   

         

    



Tpt. II

Tbn. III

 

                           

                                    


136 665               (RI) AS I 

(RII) AS II

(RIII) TS II

(RIV) TS III

(RV) BS

Tpt. I

   

Tpt. II

Tpt. III

       

  

 

  

 

 

 

Tbn. I

Tbn. II

  

 

Tbn. III

 

 

 

Dr.

E. Gtr.

Pno.

U. Bs.

Ob.

Bsn.

Hn. I

Hn. II

ff al fine

    

       

      

          

                            

             ff         



 



   

 



  

 

ff

ff

ff

 

    

  

       

           

 

 

 





 

    

  

 

  

  

  

  

  

 

   





 

 

 











 





 



 

     

     

   

   

   

   

       

       

       

       

 

3

3

ff al fine

3

3

3

ff al fine

3

3

3

ff al fine

3

3

3

con sord. (w/horns & reed 4)

       ff al fine 3

3 3       

3

heavy distortion

              

al fine               



ff 

  

ff

ff

 

ff al fine

  

                            

   

ff al fine

 

ff

al fine

3

         

3

     3

3

              

      

3

   3     ff al fine

p

3

       

3        ff   3     

              

3

    

    

          

3       ff 

3

  

3

3     ff  al fine 3        

al fine

                 

3

3

3  3       al fine  ff                  

          

                 

3

 3   

3       

    

vibraphone

                 

 3       

3 3       

3

ff

(l.v.)

       

 3        ff al fine 3                     

(l.v.)

       

3

       3

 3             

3

        

          

      

Con fuoco

 

 



  

                             

  

                   

RR                                                   

                  

ff al fine

ff al fine

               

ff al fine

                                    

                                                       

  3

    

  3

ff al fine

Vc.

3  3           

     

  ff      



3

ff

     



3

ff

   

 

         

(w/horns & tpt 4)

     al fine ff              

     

 marimba      

       

       

ff

      

ff

            ff

  

    

(stop)

       





  

        

         

ff al fine

ff

Vln. I

 

    



        

           

ff

       

 

    

ff

 

          

 

         

3



         

              

        

ff

                                 

 

 





               

Perc. II

Vla.

 

clarinet

  

 

     



ff ***Derek, Delete me!

        



       

      

ff al fine

    



  

          

   

     

  

ff al fine

ff



Vln. II

 

        

Hn. IV

Hp.

 

      



        

Perc. III

           

Hn. III

Perc. I

 



      RR        

Con fuoco

     

           

                    

Tpt. IV

   

  

                              

ff al fine

    

  3 3

  

    

  3

 3    

     3

    

3    


137  

670 (RI) AS I

(RII) AS II

(RIII) TS II

(RIV) TS III

(RV) BS

Tpt. I

    



  



   



  



  



  



3   3                 

       

 

3

Tpt. II

    



      

  

3 3        

3

Tpt. III

 

Tbn. I

  ff

Tbn. II

 

Tbn. III

  

E. Gtr.

Pno.

U. Bs.

Ob.

Bsn.

Hn. I

Tba.

Perc. I

Perc. II

Perc. III

Hp.

3

arco

  

3

     

ff

 



   



  



     

     

3

   

3

     

f

  

 

 

   

   

   

3    

  

3

  

     

3 3

3

3

3

3

     

 

       

    

3

3

 3     

  

 



3

    3

      

  



 

      

  





3

3    

3

  

3

3

3

3

    3

    3             

3    

  

3

   

      

3    

  

    3  3                    

   



   

    

  

  

3

3

3    

  

3

3

    3

3

       



   

     

   

 

3



 



3

3

            

             

      

3    

 3  

   

3

  

          3

  

           

      

    

      

 3   

3    

 3   

3

3

3        3

3



    

3

3

    3

3

       3

   3

   

   3    3                        

        

  

3

  

3

   

  

      

    3   3                    

     

3

3

3

   

    

   

3       

3

       

3

3

  

3

       

3

3

   

3

        

3    

   

   

3

    3                 



 

3    

3

      

    

 

    

3

    

3

     

               

 

  

3

      

    

 

3

        

       

3

3

     

    

3

 

     

3

  



 

3

 3   

3    

              

3

3    

  

       

         3 3                 

3

  

3

    

 



3

      

  

3

     

   

   

               

3

3

3

 

  

3



3

   

3

  

            

   

    

3

3

3

  

       

 

3

3

                      

3

   

3

3

3

3

    

3

      

3

           

       

    

3



     

 

     

  



  

   

  

3

  

3

 

  

 

3

      3 3 3                    



  

      

 





    

p

     

       

       

   

  

 

  

3       

3

  

  

3    

3

  



    

    3       

3

       

3

3

    

 

3

    

3

    3         

  

3

3

   

  

3

       

 

     

3

   





  

     

    

 

 

3

   

  

  

 

   

  

   

  

3

  

      

    

  



 

3

  

    

  

   



    

   

    

 

     

al fine

 

 

  

      

      3         

  

  



3 3   3                     

  

3

 

3

3

  

  

3

3     

3

3

  

   

  

             

  

                           

                            

          

                             

                             

3

     3

  

 

         

  

Vla.

3         



    



timpani

3

3

ff

        

Vln. II

      

 

  

 al fine    3  3                          



 

           al fine

3

 

Vln. I

  

 

  

3   3              3

 

Vc.

 

 

 



   

      al fine

3 3        

  

 

  

3  3        



 

3



  



 3   3                3 3

 

   

 

Hn. IV

 

   

      al fine

ff

     

Hn. III





ff

       

Hn. II

3

al fine

          

3



      

Dr.

3

3

3

Tpt. IV

3

 

 

     3    

    

  3

 

3

 

           al fine   ff

3    

    

  3

    

3

        

    

  3

3    

    

    

       

3

    

  3

3    

    

3

  

    

  3

3    

          

    

3

 

    

  3

3    

         

     3

 

  

 

  3

3    

            

     3

  

  3    

          


138 

674SS  (RI) AS I

  

(RII) AS II

(RIII) TS II

Tpt. I

Hn. I

    

 

 

 

 

  

 







 

 



 

 

 



 

   

  

 

 3    

 3   





  

 3   

   

 

   

 

 3   



  



 

   





 

 

 

 

 

   

 

 

 

 

 

 

 

 

 

  

 

  

   



   

  



 



 

   



 

 

 

 

 

    

 



 

    

 



 

 

 

       

 

 

      

   

3

3

    

 3  

      

 3   





 

 

  3     3    

  

       

3

 3            

 

3

    

  

 3          3

  

  

    

3

3

3

3

    3

3

      

3

              

3

 3      

      

3 

 

3

        

  

         

  

               

      

      

           

  



 

    

 

  

  



 SS   

    

 

  

  

    

 

 

  

 

 

 

  

3     

 

 

    

 

  

 

 

 

Vln. II

Vla.

3

3

3

3

 3    

    

 

  



 

 

  

 

 

         

 

     



 

 





 



solo ferociously until end of mvt. especially in open spaces

  

   

3

 

 



   

  

 









3

 

 

 

3



3



3

 



3



Vc.



  

Perc. II

Vln. I

 

3

Hp.

  



Hn. IV

Perc. III

3



Hn. III

Perc. I

 



 

Hn. II

Tba.

  

 

  

Dr.

Bsn.

3

Tbn. II

Ob.

 

  

Tbn. I

U. Bs.

 

Tpt. IV

Pno.

 3

 



Tpt. III

E. Gtr.

      

Tpt. II

Tbn. III

 

3     

(RIV) TS III

(RV) BS

 

  

 

 

 

 

              

            

 

  



 



 



 

 

 



 

 

 

 

  

  

     



  

 

  

 

 

 

 

 



 

  







 

 



 

 



 

        

      

        

 

 

 

  



            

   

  

 

 

 

 

 





 



 

  

           

  

  



 

 

 

 

  

 

  

 

 



  



 

 

 



 

 



 



 

 

 



  



  

 

  

 

            

  

 

  

  

 



 

 

  

 

 

 

 

 

 

  

 

 

 

   


139  

680 (RI) AS I

 



 



 



(RII) AS II

(RIII) TS II

 

(RIV) TS III

(RV) BS



  

  





 





 

 

 

 



   



 

 

  









 

 

Tpt. III

 

 



 

 

Tpt. IV

 











Tbn. I

 

 



 

 



 



Tbn. II

 







 











Dr.

 

 

 

 

 

 

E. Gtr.

  

 

 

  

   

 

 

  

  

 

 

  

 

 

 

 

 







Tpt. I

Tpt. II

Tbn. III

Pno.

U. Bs.

Ob.

Bsn.

Hn. I

  

  

Perc. III

Hp.

  

Vln. II

Vla.

Vc.

  

 

 

 

 

 

 

 

 



 

  





 

 













 















 



 



  

  

 

        





 

  

 

  

 

  

 

 

 

 

 

  

 

       

   

   



  

  

 



  

 

  

                    

  

Vln. I

 

Hn. IV

Perc. II

 

  

Hn. III

Perc. I



  

Hn. II

Tba.

 

  





   

        

      

      

         

      

      

      

      

   

 

 

 

 

 

 

  

 

 

 

 

 

 

 

 

  





   

 

 

  

 

 

 

 

  

 

 

  

 

 

 

 

 

 

  

 

 

 

 

 

 

  

 

 

 

 

 

  