in The Palm Beaches
A guide presented by the Cultural Council for Palm Beach County
A
& A Venue FOR PALM BEACH COUNTY Arts & Culture
TOP: COLLECTION OF ELOISE JANSSEN BOTTOM: PAINTING BY ALDO CHERRES, COLLECTION OF CHRISTY POTTER
5 FROM THE PRESIDENT & CEO
6
COLLECTORS OF ARTISTS
A look at the collectors who champion and sustain Palm Beach County–based professional artists
11
THE COLLISION OF ART & AI
Palm Beach County-based professional artists reflect on how artificial intelligence has impacted their practice
16
SURE SHOT
Photographer Harry Benson shares the stories—and the spontaneity—behind some of his famous imagery
19
GALLERY & STUDIO GUIDE
A curated selection of some of our favorite galleries and studios
ON THE COVER: Katherine Hofmann, And They Flew Painted Across the Sky (detail)
Some of this content was originally published in art&culture magazine, produced three times a year by the Cultural Council for Palm Beach County Annual donors to the Council receive a complimentary subscription. For more information on art&culture, visit palmbeachculture.com/magazine.
601 Lake Avenue, Lake Worth Beach 561.471.2901 palmbeachculture.com
President & CEO
DAVE LAWRENCE
Senior Vice President
JENNIFER SULLIVAN
Associate Vice President of Marketing & Cultural Tourism
LAUREN PERRY
Director of Artist Services
JESSICA RANSOM
Director of Marketing, Content & Special Publications
NICK MURRAY
Publisher
TERRY DUFFY
Editorial Director
DAPHNE NIKOLOPOULOS
Editor
MARY MURRAY
Digital Imaging Specialist
LEONOR ALVAREZ MAZA
Contributing Writers
NILA DO SIMON
SUSIE STANTON STAIKOS
Contributing Photographer
JERRY RABINOWITZ
Production Director
SELENE M. CEBALLO
Production Manager
LOURDES LINARES
Digital Pre-Press Specialist
GEORGE DAVIS
Advertising Design Coordinator
MICHAEL KRAMER
PUBLISHED BY PALM BEACH MEDIA GROUP NORTH P.O. Box 3344, Palm Beach, FL 33480 Tel: 561.659.0210 • Fax: 561.659.1736 | www.palmbeachmedia.com ©2026 Palm Beach Media Group North Inc. All rights reserved.
WHERE TRAVEL MEETS COLLECTING
Dear Fellow COLLECTOR,
One of the most meaningful ways to experience The Palm Beaches is through its art. Beyond the beaches, resorts, and renowned cultural destinations, this community is home to an extraordinary range of Palm Beach County-based professional artists whose work reflects the beauty, energy, and individuality of this place.
Collecting artwork created here offers something more than a memorable purchase. It gives you the opportunity to form a lasting connection to The Palm Beaches through original works shaped by the people who live and create in this community. Whether you are visiting for a season, returning year after year, or discovering the destination for the first time, bringing home a piece by a Palm Beach County-based professional artist allows the experience to stay with
you long after your trip ends.
This guide is designed to help you explore that opportunity. Inside, you will find galleries, artist studios, and exhibitions across The Palm Beaches, along with countless ways to discover work that speaks to you personally. From paintings and sculpture to photography, ceramics, and mixed media, our cultural landscape offers something for seasoned collectors and first-time buyers alike.
Collecting local art is also an investment in the creative life of this destination. Every purchase directly supports Palm Beach County-based professional artists and helps sustain the vibrant cultural community that makes The Palm Beaches such a dynamic and inspiring place to visit. In that way, collecting becomes part of a larger story—one that celebrates creativity, supports artists, and strengthens the identity of Florida’s Cultural Capital®.
I hope this guide inspires you to look closely, ask questions, and discover artwork that captures your experience in a way no souvenir ever could. The Palm Beaches are filled with remarkable talent, and there is no better way to remember your time here than by taking home a piece of it.
HAPPY COLLECTING!
DAVE LAWRENCE
President & CEO, Cultural Council for Palm Beach County
COLLECTORS OF ARTISTS
BY JESSICA RANSOM
An artwork often lingers as a cherished vision in a collector’s memory—especially the “one that got away.” Years after encountering a series of expressive paintings by artist Connie Aronson depicting the lopsided buildings and cobblestone streets of a small French town, I tracked the artist down (via the white pages—remember those?!) and called to ask whether she was represented by a gallery. Instead, she invited me to her home and converted barn studio in the Connecticut hills to meet her and see her work. I became a devoted collector of this artist, whose signature style encompassed hand-matting her vibrant paintings with layers of Japanese washi paper and meticulously creating patterned frames with her own designs.
LEFT: COLLAGE BY JENNIFER O’BRIEN, COLLECTION OF CHRISTY POTTER, ABOVE: PAINTING BY CONNIE ARONSON, COLLECTION OF JESSICA RANSOM, BELOW: COLLECTION OF ELOISE JANSSEN
Art collectors can be driven by the thrill of the hunt or by more fundamental factors such as price, media, style, or even the location and availability of the artist or gallery. But often, it is the visual capture that occurs when someone sees a work of art that moves them.
In Palm Beach County, artist studios and artwork are easily accessible and offer collectors the benefit of interacting with the people whose work they acquire.
Christy Potter served as the administrator for the public art program in West Palm Beach in the 1990s, when the program first started. At that time, she had the opportunity to meet many local artists serving on the committee and working in the community. Potter was inspired by the previous owner of her townhome, a major collector who had covered every wall with art.
In building her own collection, Potter likes to do a deep dive into an artist’s work and understand the inspiration behind a particular piece.
LEFT: ELOISE JANSSEN IN HER HOME WITH WORK BY CHRISTINA BARRERA BELOW: WORK BY RENÉE REY, COLLECTION OF HIRBOD HUMAN
RIGHT: HEAVEN SINGS BY MAXINE SPECTOR, COLLECTION OF CHRISTY POTTER
BELOW: CERAMIC WORK BY JAY HATFIELD, COLLECTION OF HIRBOD HUMAN
One of her favorite works, by artist Terre Rybovich, features the vibrant plumage of a painted bunting, a bird that visits Potter’s yard every year. She also collects three-dimensional works by ceramicist Sara Lerner and the whimsical head sculptures of Maxine Spector. Potter is a fan of the Cultural Council for Palm Beach County’s May Open Studios and looks forward to meeting new artists in their spaces. All of the work she has purchased has a place in her home and holds strong meaning as a representation of the artists, many of whom have become her friends. Several years ago, Potter saw an image of a large painting by Maxine Spector and asked the artist about her references in making the work. Spector spoke of spirituality and an appreciation of a higher power after visiting churches in her husband’s native Germany and seeing the light pouring through stained-glass windows in the many churches they visited.. That clinched the deal for Potter, who was convinced to acquire the titled Heaven Sings. It is a piece that brings her great joy each time she sees it hanging in her home. During several visits to Cuba
in recent years, Potter researched local artists and, in some cases, arrived on their doorsteps asking to see their work. Fortunately, the artists graciously welcomed her into their homes.
A multi-hyphenate creative originally from Iran, Hirbod Human has lived in California and Toronto but now calls Palm Beach County home. Human considers himself a patron, and his collecting practice spans earlycareer artists and recent art school graduates, outsider makers, as well as mid-career and long-established figures working across the globe. He notes that a collection is like breadcrumbs, a visual diary of your life. As a writer, filmmaker, and scholarcurator, Human looks closely at the artwork he encounters, valuing time in artist studios and galleries where he can build meaningful relationships with the makers behind the work. His collection reflects this layered approach, including Palm Beach County artists alongside national and international voices.
Human’s philosophy is that people find their own voice through the artwork. He believes artists have a unique ability to bring people together
through shared questions rather than fixed answers. Ultimately, Human sees collecting as a way to support the community in which you live while contributing to a broader global cultural conversation. A connector deeply embedded in the creative life of Palm Beach County, he delights in introducing artists to new audiences and people to one another, continually fostering community, connection, and dialogue.
Often, artists are avid collectors of other artists’ work. Having trained their brains to actively consider artwork, the process of its creation, the framework employed, and even color or glaze choices, artists have a critical eye for work that speaks to them. West Palm Beach–based artist Eloise Janssen studied archaeology and studio art and merged those disciplines in her sculptural work by reframing waste as an artifact of contemporary life. She collects, deconstructs, and reconfigures cast-off objects— maybe a yogurt cup or a bottle cap—and then displays them as archaeological finds.
While working at the nonprofit organization YoungArts and as a resident of Treefall Studios in the Northwood neighborhood of West Palm Beach, Janssen has encountered many other
working artists who challenge each other to learn and grow. Janssen, like other collectors, finds work that speaks to her. Because she studied printmaking, she is often drawn to that medium. Another artist who spoke to her was Andrew Kozlowski because the work, which she discovered at the Small Press Fair in Miami, contains pseudo-artifacts and feels like a faux relic. While she has purchased works directly from artists she wishes to support and, like many, has traded with other artists for her own work, Janssen is also building her collection through local purchases from galleries such as MTN Space in Lake Worth. Her first major artwork purchase from that gallery was by South Florida-born Colombian artist Christina Barrera.
Initially captured by the emotions inspired by a work of art, collectors often begin by appreciating the qualities of an individual piece and proceed to engage the creator. They are, in fact, collectors of artists.
ABOVE LEFT: WORK BY DENNIS CHURCH, ABOVE RIGHT: COLLECTION OF ELOISE JANSSEN
Photographer
HARRY BENSON
reflects on his decades-long career and an exhibition of his legendary portraits in Boca Raton
BY PAIGE BOWERS
SURE SHOT
Dolly Parton putting on her makeup. The Beatles pillow fighting at the Georges V in Paris. Princess Diana crouching down to smile at a curly-haired little girl. These are but a few of the iconic images taken by Harry Benson, the Scottish-born photographer with a flair for capturing celebrities and politicians in their element—and
some of the most pivotal moments in history. They are also among the shots on display at The Boca Raton resort until August 2026 as part of the exhibition Harry Benson: Royalty, Rebels, and Rockstars, presented by the Sponder Gallery.
“Both my wife, Gigi, and I are very pleased to be represented by the Sponder Gallery,” Benson says. “The exhibition in Boca Raton is very unique, very different from a regular gallery presentation. It’s more like sitting in a friend’s living room surrounded by favorite photographs of interesting people.”
Benson has had a rollicking career on assignment for magazines that include Life, Time,
Newsweek, Town & Country, Vanity Fair, Paris Match, GQ, W, Esquire, People, Vogue, and Architectural Digest. Frank Sinatra once glared at him because he was in the way when he and Mia Farrow arrived at Truman Capote’s Black and White Ball in 1966. The very next year, Barbra Streisand berated him after he left an assigned area for photographers to get a better picture of her performing. Occasional abuse aside, Benson has always gotten close and gotten the shot.
“I don’t know what I would have done if I had to work for my living,” Benson says. “Because for 60-plus
I DON’T KNOW WHAT I WOULD HAVE DONE IF I HAD TO WORK FOR MY LIVING. BECAUSE FOR 60-PLUS YEARS, I HAVE GOTTEN TO DO WHAT I LOVE.” —Harry Benson
years, I have gotten to do what I love.”
Born in Glasgow in 1929, Benson acknowledges that he wasn’t a good student in “regular school.” When his father gave him a Coronet Cub box camera one year for Christmas, he found something he really loved doing. He was about 12 years old then, he says, and a big fan of James Cagney movies and Life magazine. War photojournalism was making an impression on him, and he still remembers the front-page picture of a boy crying in front of the ruins of his house, which had just been bombed by the
Germans. Sensing his son’s passion for pictures, Benson’s father enrolled him in the Glasgow School of Art.
After graduation, Benson’s first job was as a wedding photographer. “It wasn’t a bad way to learn,” he recalls. “It teaches discipline. There was a certain order that had to be followed: photos of the bride and groom alone, then with their parents, then with the wedding party, followed by the guests and the first dance.”
Then, newspapers beckoned. Benson’s first published photograph was of a young roe deer, and he remembers the
ABOVE: PRINCESS DIANA, GLASGOW (1992)
LEFT: HARRY BENSON: ROYALTY, REBELS, AND ROCKSTARS INSTALLATION AT THE BOCA RATON
ABOVE: ANDY WARHOL AND BIANCA JAGGER, THE FACTORY, NEW YORK CITY (1977). NOTE HOW THE FOCUS SHIFTS FROM WARHOL TO JAGGER.
thrill of seeing the man next to him on the bus open the Glasgow Evening Times to his picture. He moved to London, where there were at least seven daily papers at the time, and plenty of pressure to beat the competition on news stories. Working for The Daily Express, Benson took whatever assignment came up, getting as close as he could to the action to get the best shots. He was about to go to Africa on assignment when the night editor called and told him he’d be going to Paris instead, and with The Beatles, to boot.
It was the beginning of Beatlemania, and Benson’s images of the mop-topped quartet came to define the madcap excitement of that time. While in Paris, the band found out that “I Want to Hold Your Hand” went to No. 1 in the United States. John Lennon snuck up behind Paul McCartney and hit him with a hotel pillow. Ringo Starr and George Harrison joined in. Benson started shooting, and one of the most widely seen and beloved photos in pop culture was born.
“Everything is timing,” Benson says of his approach. “You have to come in with an idea, and if you can get a person to move, it releases them as soon as you start taking a photograph. Your time is ticking along. You only have so much time no matter who they are. People feel awkward if you don’t give them encouragement
BETTER IN BOCA
The Boca Raton resort traces its origins to 1926, when it debuted as the 100-room Cloister Inn, though the hotel’s first brochure touted it as the Ritz Carlton Cloister. Designed by Addison Mizner, the original Cloister portions of the resort remain, having been meticulously restored and enhanced as part of a major renovation project to mark The Boca Raton’s centennial. Other overhauls and additions that have debuted in recent years include a reimagination of the Beach Club, a renovation of the Tower, an array of new dining concepts, and the Harborside Pool Club, which boasts three pools, a lazy river, water slides, cabanas, and more. thebocaraton.com, 855.874.6551
Originally known as the Baker Sponder Gallery, the Sponder Gallery has been a part of the Boca Raton and greater South Florida art communities for 35 years. Today, the gallery’s president, Deborah Sponder, and her colleagues represent a roster of established and mid-career artists, with a focus on Post-War and contemporary paintings, photography, and sculpture. The Sponder Gallery operates out of The Boca Raton, with exhibitions and viewings open by appointment. spondergallery.com, 561.350.0004
or suggestion, but you need to keep them moving. I am always looking for unexpected surprises. You have to be prepared for those.”
One unexpected surprise: his wife, Gigi, whom he met almost 60 years ago while covering Prince Philip at a Houston charity event. By then Benson had moved to New York, because it had been his dream to live in America. Gigi, then a graduate student at the University of Texas, was at the event with her parents. She says that the moment Harry stepped into the elevator, she looked at her mother, “because he was really cute.”
Two years later (“but it feels like it was two weeks,” Gigi says), Harry and Gigi married. They had two daughters together, Wendy Benson Landes, an actress, and Tessa Benson Tooley, a film producer
and animal rights advocate. Now Gigi helps Benson with his files, copywriting, and paperwork, which, she says, “is quite a lot to do” because of the sheer volume of pictures he has taken.
“She’s my wife who does all the work,” Benson says playfully.
Not that Benson has had much idle time. He has photographed royalty, politicians, cultural icons, and major historical moments. He chronicled the Civil Rights Movement of the 1960s, the fall of the Berlin Wall, and the aftermath of Hurricane Katrina. He was there when Bobby Kennedy was shot, capturing the ensuing chaos.
“He was looking at me and he was dying,” Benson recalls. “The Kennedy people asked me how I could do this. But I did this, and I had done it before. I was getting punched in the side of the head, but I wasn’t going to walk away from a hellish situation. I’ve been in other situations where people tried to get my film off me. And I told myself I didn’t go 2,000 miles to get my film taken off me.”
He was also there when President Richard Nixon resigned, documenting his disgrace and his wife’s tears.
“Nixon was inherently shy, but he was always considerate and would make room in the plane for me on important presidential trips, including the ones to Russia, Egypt, and Israel,” Benson says.
“Mrs. Nixon was very kind, and the staff loved her. She never forgot a birthday or to ask someone who had been ill how they were feeling.”
ABOVE/OPPOSITE PAGE: BARBRA STREISAND, CENTRAL PARK, NEW YORK CITY (1967)
LEFT, TOP: FRANK SINATRA AND MIA FARROW, TRUMAN CAPOTE’S BLACK AND WHITE BALL, NEW YORK CITY (1966)
LEFT: BERLIN KISS (1996)
In 1976, Benson went to Dolly Parton’s home in Nashville to photograph her. She was finishing her makeup, when Benson realized he had his shot. He told Dolly to keep doing what she was doing, and though the lights weren’t set up yet, Benson says the image of her in front of a window, leaning toward the mirror and putting on lipstick, was his favorite from that session. There is no mistaking her silhouette for anyone else’s. Benson cautions that you can’t get too friendly with the people you cover, because they’ll start ignoring what you want them to do, or telling you what they’d like to do instead. That is a recipe for disaster, he says.
“Someone says they want to meet you for dinner or breakfast or a drink. You think you’re getting to know them, but in reality, they’re getting to know you and how you can be manipulated.”
Yet it’s clear that there are subjects like the Nixons, for example, for whom he has some affection, no matter how businesslike he is or how quickly he gets
down to work. He has had to be competitive over his long career, but there are countless anecdotes about people—like the actress Sharon Stone—who have been absolutely charmed by him. After Benson spoke with Queen Elizabeth II about his love of dogs (he and Gigi have two: Daisy, a pug, and Tillie, a dachshund), Her Royal Highness let him play with her corgis. For all his tough talk, he has a tender heart, one with an eye toward connecting, building trust, and finding a common humanity.
“The most important thing is to know when to move in close,” he says. “Don’t hang back like a baby. Get in there and get the best, clearest picture because that’s why you were sent. You do it because you realize if you miss the opportunity, you’re going to be up against some embarrassment. Maybe the person doesn’t want to be photographed, or maybe they don’t want to be photographed in a certain situation. But I’m getting paid to get close.” ‡
The Collision of AI and Art
BY JESSICA RANSOM
PALM BEACH COUNTY–BASED ARTISTS REFLECT ON HOW ARTIFICIAL INTELLIGENCE HAS IMPACTED THEIR CREATIVE PROCESS
Artists crochet, sculpt, photograph, paint, write, weave, and more— fabricating objects they once only envisioned in thoughts and dreams. In short, they are analog creators. But as their work comes to fruition, they each use specific tools to achieve their vision. For some, artificial intelligence (AI) has become another tool in the creative process. The artists featured here do not seem particularly concerned about the influence of AI on their work. What they are interested in is their niche, and what they exude is that peculiar intensity to double down on what they do, be it
acting, writing, painting, sculpting, or photography. They want to challenge the viewer—ask questions, not give answers—and try to make sense of the world in their own original way.
Corey Lamb
OF COREY LAMB
Like many artists working today, Corey Lamb (an associate professor at Florida Atlantic University in Boca Raton) has discovered images of his paintings in online databases scraped from the internet. Still, he remains confident that his physical paintings and others’ can captivate viewers in ways that AI-generated work cannot. While Lamb acknowledges that many people, including artists, must consider how AI might affect their careers, he primarily sees AI as a malleable tool that, if used effectively, favors the clever. He has created an exercise for his graduate professional development seminar in which he challenges students to create both a persona and a career for an imaginary artist in one week. Using AI to generate images and create social media helps the students realize just how hard it is to get visibility online—and harder still to create something new that will garner
COURTESY
FROM LEFT: ARTIST AND ASSOCIATE PROFESSOR COREY LAMB AT HIS FLORIDA ATLANTIC UNIVERSITY OFFICE; THE MONKEY BUSINESSMAN (2025), SERGE STROSBERG.
attention. Perhaps their personal creations, those objects that bare their souls, may be what sets them apart. coreylamb.com
Serge Strosberg
In his recent series of paintings, Serge Strosberg places famed architect Addison Mizner’s pet monkey, Johnnie Brown, on tennis courts, golf courses, beaches, and iconic Palm Beach landmarks. Strosberg finds AI to be a useful tool to push his pace of production and generate hundreds of images, a few of which might serve as jumping-off points for his paintings. He imbues his oil paintings with life and soul through his expressionist style. Over time, he has found that, based on his prompts, the technology is better able to create images that are more appropriate to his vision. Strosberg believes it is wrong to see AI as an enemy. Rather, it is just another tool that people should try to use intelligently to push themselves to create something more interesting. reimaginingpalmbeach.com
Sea Change Collective
Theater is a communal art experience that requires performers and audiences to interact.
For that reason alone, each performance is unique. The installation and performance artist, actor, and writer Autumn Kioti Horne considers the use of AI to be outsourcing an artist’s creativity. They note that with writing there is no object to point to (unless the writer is using a typewriter), and they are concerned about having work scraped from the internet. Kioti Horne acknowledges that nothing is original in art and considers living, researching, and absorbing other forms of art to be their best sources for inspiration and creation. Their partner in the group Sea Change Collective, Suzanne Ankrum Harris (a 2024 Cultural Council Artist Innovation Fellow), similarly references reading poetry, engaging with others, and the experiences of daily life as source material that they will often incorporate into the physical theater performances they create. seachangecollectivetheatre.org
Kelvin Small III
Kelvin Small III (a recipient of the Cultural Council for Palm Beach County’s Emerging Artist Prize) is a photographer who exclusively works with large-format film cameras and puts a great deal of time into the production of his prints. He
BELOW: SEA CHANGE COLLECTIVE’S DEAR CROMBIE, I HOPE THIS FINDS YOU WELL SITE-SPECIFIC THEATRICAL EXPERIENCE.
talks about getting his hands dirty and feeling the object. He is not concerned with his images being scraped or manipulated via AI because he feels that, even as an emerging artist, he has begun to establish his own visual language. Similarly, he documents his work and creates limited editions of his prints. He notes that if a work is not signed or there is no edition then it’s not real. He talks about learning skills in photography and continuously adding to the repertoire of creative ways he can use film and his prints to further evolve his style. @kelvinsmall_iii
Angelo Caruso
In many ways, Angelo Caruso is a digital artist. His 2024 work Traverse is generated from more than 200 AI stills stitched together to form a video that zooms endlessly into a multitude of landscapes. Caruso composed and performed the music, which takes the viewer through these landscapes. He also created a tactile rendering of both the music and video landscapes that gives viewers (especially those who are sight impaired) an opportunity to experience this AI-supported work in a way that is definitively analog. createbuildconnect. com
AND ABOVE: INSTALLATION AND TACTILE SCULPTURE FOR
Each artist brought up something that concerns them about the impact of AI on the world. Lamb is worried about gatekeeping and the limitations to access that
are likely to occur as more powerful systems are hidden behind paywalls. He argues that AI needs to remain open-source and available to everyone. Both Kioti Horne and Ankrum Harris have serious concerns about the environmental impacts of large data centers and their increased power demand and carbon emissions. The performers also recognize that there is concern among film and television actors that their voice or likeness may be used and that current legal protection is insufficient. Everyone expressed a concern about blind spots in our knowledge and understanding of AI technology and its many potential uses. For now, it seems they primarily remain hopeful that they can opt in to use it in positive ways and expand their own practices.
LEFT
ANGELO CARUSO’S TRAVERSE, A WORK THAT BRIDGES THE WORLDS OF AI AND ANALOG. BELOW: VIDEO STILL FROM TRAVERSE (2024), ANGELO CARUSO.
COURTESY OF ANGELO CARUSO
COURTESY OF ANGELO CARUSO
GALLERIES & STUDIOS
PALM BEACH
ACQUAVELLA In its 100-year history, New York–based Acquavella has provided international collectors and museums with works from old masters through to the nineteenth, twentieth, and twenty-first centuries. 340 Royal Poinciana Way Suite M309, acquavellagalleries.com, 561.283.3415
ADELSON GALLERIES With locations in New York and Palm Beach, Adelson Galleries is a familyrun enterprise that showcases living artists with strong aesthetic, technical, and academic merit. 318 Worth Ave., adelsongalleries.com, 561.720.2079
BRINTZ GALLERY Founded in 2014, Brintz exhibits and promotes established, mid-career, and emerging artists from the United States, Europe, and Africa, with a focus toward painting and sculpture. 375 S. County Road, brintzgallery. com, 561.469.7771
CAVALIER GALLERIES With spaces in Greenwich, Nantucket, New York, and Palm Beach, Cavalier Galleries presents traditional and representational works as well as modern and contemporary art across a range of mediums. 235C Worth Ave., cavaliergalleries.com, 561.770.3165
z C+C PHOTOGRAPHY
GALLERY Displaying fine art photography by leading creatives based in New York, Nantucket, and Palm Beach. 313 1/2 Worth Ave., candcgallery.com, 561.770.3168
CHASE EDWARDS GALLERIES
Chase Edwards showcases contemporary painting, sculpture, and photography from acclaimed established and mid-career artists. 290 S. County Road, chaseedwardsgallery. com, 516.697.5163
CONTESSA GALLERY With a mission grounded in passion, integrity, and education, Contessa
LEGEND
Gallery aims to help its patrons develop meaningful collections. 216 Sunset Ave., contessagallery.com, 216.956.2825
z DTR MODERN DTR Modern has strong relationships with some of today’s modern masters and showcases works by blue-chip artists from the last 100 years. 408 Hibiscus Ave., dtrmodern.com, 561.366.9387
EDWARD AND DEBORAH POLLACK FINE ART The Pollacks specialize in important Floridian and other tropical paintings created between 1850 and 1980. 205 Worth Ave. Suite 202, edwardanddeborahpollack.com, 561.655.1425
EVEY FINE ART Established in 2019, Evey Fine Art carries a diverse portfolio of investment art as well as creations by emerging talent from Latin America and Europe. 24o S. County Road, artevey.com, 561.675.0208
z WOMEN-OWNED OR OPERATED z SHOWING PALM BEACH COUNTY ARTISTS
AMY DURING, NON PLAYER CHARACTER AT KRISTIN HJELLEGJERDE GALLERY
FINDLAY GALLERIES Founded in 1870, Findlay Galleries is the second oldest art gallery in the United States and opened its Palm Beach location in 1961. The gallery represents more than 100 artists and artist estates, presenting bimonthly exhibitions featuring works from a wide range of styles, including impressionism, l’Ecole de Rouen, L’Ecole de Paris, mid-century American abstraction, and European modernism alongside a highly regarded stable of contemporary artists. 165 Worth Ave., findlaygalleries.com, 561.655.2090
FRASCIONE GALLERY Owned and operated by a fourth-generation art dealer who hails from Italy, Frascione Gallery offers works by Old Masters as well as a curated representation of modern and contemporary art. 256 Worth Ave. Suite O, frascione.com, 305.632.3611
GALERIA OF SCULPTURE
Peruse museum-quality art glass by American and European artists, including unique furniture pieces. 11 Via Parigi, galeriaofsculpture.com, 561.659.7557
z GALLERY BIBA Paintings, sculptures, and works on paper by modern and contemporary masters abound at Gallery Biba. 224A Worth Ave., gallerybiba.com, 561.651.1371
z HOLDEN LUNTZ GALLERY
Holden Luntz exists to acquire and present the work of significant photographers who are defining or expanding the parameters of photography, as well as images by such iconic pioneers as Diane Arbus, Berenice Abbott, Horst P. Horst, and Robert Mapplethorpe. 332 Worth Ave., holdenluntz.com, 561.805.9550
z JENNIFER BALCOS GALLERY
This new addition to the Palm Beach gallery scene boasts blue-chip artworks as well as an array of upand-coming talent. 292 S. County Road, jenniferbalcosgallery.com, 404.441.5745
ODITTO GALLERY Open by appointment only, the fully hybrid Oditto Gallery offers digital certificates with every piece of art purchased. 205 Worth Ave., odittogallery.io, 561.490.3221
PROVIDENT FINE ART If you are building a collection or divesting of pieces, this gallery offers a range of helpful services. Provident Fine Art is highly regarded for its expertise in nineteenth- and twentieth-century French and American impressionism, post-impressionism, modern, and contemporary art. 226A Worth Ave., providentfineart.com, 561.833.0550
z RUSSECK GALLERY With roots in Philadelphia, Russeck Gallery now operates on Worth Avenue and specializes in paintings, sculptures, and major works on paper by twentieth-century artists, as well as paintings and sculptures of the late nineteenth- and early twentieth-century American West. 203 Worth Ave., russeckgalleries.com, 561.832.4811
SAMUEL OWEN GALLERY In addition to three locations in New England, Samuel Owen Gallery resides on Royal Poinciana Way and represents contemporary artists who reflect upon the twentieth- and twenty-first-century zeitgeist. 253 Royal Poinciana Way, samuelowen. com, 561.249.1876
SOTHEBY’S PALM BEACH
Sotheby’s carries an array of luxury goods, from fine art to fine jewelry and automobiles. 50 Cocoanut Row Suite S101, sothebys.com/palmbeach, 561.710.8830
z SUROVEK GALLERY Surovek Gallery identifies “the acquisition and sale of American works of art” as its “foremost goal,” offering American paintings, drawings, watercolors, and prints from the nineteenth and twentieth centuries. 349 Worth Ave. 8 Via Parigi, surovekgallery.com, 561.832.0422
TAGLIALATELLA GALLERIES
This gallery has become synonymous with modern and contemporary art, specializing in recent Pop and street art movements. 313 1/2 Worth Ave., taglialatellagalleries.com, 561.833.4700
WYNN FINE ART Open by appointment only, this gallery inside the Esplanade boasts works by such masters as Pablo Picasso and Andy Warhol. 150 Worth Ave. Suite 224, wynnfinert.com, 561.356.6818
GALLERIES & STUDIOS
WEST PALM BEACH
z z ARTPRENEURS GALLERY
This artist-run gallery aims to merge business success, community, and individual creativity. 408 Northwood Road, artpreneursgallery.com, 561.206.4024
z GAVLAK This contemporary gallery focuses on the representation of women, LGBTQ+, and BIPOC artists. A stable of more than 20 artists includes Marilyn Minter and Betty Tompkins. 2406 Florida Ave., gavlakgallery.com, 561.833.0583
z JF GALLERY Nestled in the Antique Row district, this art gallery provides framing services and exhibits new works by nationally and internationally lauded painters and sculptors. 3901 S. Dixie Hwy., jfgallery.com, 561.460.2462
z KRISTIN HJELLEGJERDE
GALLERY Stop by to view an eclectic mix of works by emerging and established international artists. 2414 Florida Ave., kristinhjellegjerde. com, 561.922.8688
z MARY WOERNER FINE ARTS
In addition to personal collection services such as restoration, framing, and installation, Mary Woerner sells contemporary paintings, drawings, sculptures, objects, mixed media, and graphics. 3631 S. Dixie Hwy., marywoernerfinearts.com, 561.832.3233
z PALM BEACH ARTIST
COLLECTIVE Shop original works by Florida artists online or by appointment at the gallery inside Studio 1608. 1608 S. Dixie Hwy., palmbeach.artistcollectives.org, 415.990.2220
z PAUL FISHER GALLERY Open by appointment only, the Paul Fisher Gallery hosts viewings of works by Joseph Conrad Ferm, Karl Momen, Bruce Helander, Jordi Molla, and more. 433 Flamingo Dr., paulfishergallery. com, 561.818.3235
z THE PEACH Discover local creatives at this art collective, which often hosts open studios, workshops, and special events. 3950 Georgia Ave., thepeachwpb.com, 561.532.0900
z PRYOR FINE ART With an eye toward curating works that collectors will enjoy living with, Susie Pryor showcases diverse pieces by emerging and midcareer artists. 501 Palm St. Unit A, pryorfineart.com, 561.660.8748
AMY MAGEE, BASKING IN DAPPLED LIGHT , FINDLAY GALLERIES
z STUDIO 1608 Founded by local artists and nestled between the Norton Museum of Art and Antique Row, Studio 1608 is home to seven full-time working artist studios and a 1,000-square-foot gallery space. 1608 S. Dixie Hwy., studio1608.com, 561.346.2505
TW FINE ART Presenting thoughtprovoking projects and emerging, mid-career, and historically significant artists on a global scale. 2412 Florida Ave., tw-fineart.com, 561.331.8972
WHITESPACE Open seasonally, Whitespace is the private contemporary art exhibition space of Elayne and Marvin Mordes, who have been collecting works for more than 40 years. 2412 Florida Ave.,,whitespacecollection.com, 561.331.8972
NORTH PALM BEACH
ART DE VIVRE This Pop Art gallery specializes in works by French artists but also represents creatives from across Europe. 210 N. Congress Ave.. artdevivregallery.com, 561.203.0919
PALM BEACH GARDENS
CALL OF AFRICA’S NATIVE VISIONS GALLERIES Native Visions specializes in works by internationally acclaimed environmental and wildlife artists, including David Longmead and Margaret Gradwell. 4600 PGA Blvd. Suite 105, nativevisions.com, 561.741.1600
ONESSIMO FINE ART Showcasing fine art, sculpture, and contemporary glass from old and modern masters plus established contemporary artists. 4530 PGA Blvd. Suite 101, onessimofineart.com, 561.355.8061
z STUDIO E GALLERY For collectors wanting to discover a not-yet-famous talent or an internationally known artist, this is the place to browse original works in glass, bronze, mixed media, and paintings. 4600 PGA Blvd. Suite 101, studioegallery.com, 561.799.3333
JUPITER/TEQUESTA
z ARTISTS STUDIOS & GALLERY
Now operating out of a new location, this gallery displays works by local artists who capture Florida’s coast and wildlife. Plaza 222 S. Dixie Hwy. 1 Suite 7, artistsgallerytequesta.com, 561.339.3314
z LIGHTHOUSE ARTCENTER
GALLERY & SCHOOL OF ART
Founded by a group of artists and the son of the founders of the Norton Museum of Art, the Lighthouse ArtCenter boasts a gallery that features curated exhibitions centered around works by local, national, and international artists. 373 Tequesta Drive, lighthousearts.org, 561.746.3101
z MAC ART GALLERIES MAC
Art Galleries offers a diverse collection of paintings, sculptures, photography, glass, and installations, and provides personalized guidance and in-home showings to clients. 4601 Military Trail Unit 101, macfineart.com, 561.429.4829 (more locations online)
z THE VILLAGE ART STUDIOS
This hidden gem has championed and sold the original works of local artists for 10 years. 578 N. U.S. Hwy. 1, instagram.com/thevillageartstudios, 561.310.8499
LAKE WORTH BEACH
z CULTURAL COUNCIL FOR PALM BEACH COUNTY The Cultural Council’s Lake Worth Beach headquarters is home to three gallery spaces with free, rotating exhibitions, all dedicated to celebrating and showcasing works by Palm Beach County artists. 601 Lake Ave., palmbeachculture.com, 561.471.2901
z z MTN SPACE In addition to special exhibitions, this artist-owned gallery offers curation, collection development, and art rental services. 111 N M St., mtnspace.com, 561.285.4883
z PALM BEACH ART, ANTIQUE & DESIGN SHOWROOM
This arts hub displays fine art and design objects from an array of international and national galleries, and also hosts special events, lectures, and exhibitions. 500 N. Dixie Hwy., palmbeachdesignshowroom.com, 561.229.0046
z STEIDEL CONTEMPORARY
Known for sculptural objects and emerging international collections, Steidel Contemporary hosts exhibitions showcasing mixedmedia makers, ceramists, and glass artists. 500 N. Dixie Hwy. Suite 305, steidelcontemporary.com, 561.283.2446
DELRAY BEACH
z ADDISON GALLERY In the Pineapple Grove arts district, this contemporary art gallery represents both established and emerging artists whose work the gallery describes as innovative, passionate, and uplifting. 206 N.E. 2nd St., addisongallery.com, 561.278.5700
z z AMANDA JAMES GALLERY
This boutique gallery is run by a husband-and-wife team of artists, James Knill and Amanda Johnson. 400 Gulfstream Blvd. #7, amandajamesgallery.com, 561.270.7832
THE ANNEX ART SPACE: A PROJECT OF MOCAART
This new venture is part of the Museum of Central American Art, which aims to bring awareness to the region’s modern and contemporary art. 290 S.E. 2nd Ave., mocaart.org, 561.808.8587
z ARTS WAREHOUSE
This arts incubator also holds exhibitions where local arts enthusiasts can discover new and exciting works by the artists who create within the warehouse and others. 313 N.E. 3rd St., artswarehouse.org, 561.330.9614
GALLERIES & STUDIOS
BLUE GALLERY Blue Gallery showcases heavy hitters in contemporary art, including artists who specialize in landscapes, abstracts, semi-realistic, realistic, and figurative styles. 600 E. Atlantic Ave., bluefineart.com, 561.265.0020
z DEBILZAN GALLERIES Artist William DeBilzan creates both paintings and sculptures featuring elongated figures, engaging textures, and a rich color palette. 38 E. Atlantic Ave., debilzan.com, 561.266.2090
z THE HEART OF DELRAY GALLERY Featuring works by more than 90 artists, including some who call Delray Beach home. 301 N.E. 2nd Ave., theheartofdelraygallery.com, 561.278.0074
POSH ART GALLERY This 4,000-square-foot gallery is home to a roster of more than 55 contemporary artists. 9089 W. Atlantic Ave. Suite 104, poshdesignstudio.net, 561.591.3680
ERICA PRINCE, THERE ARE MANY WAYS THINGS COULD GO (LEFT) AT MTN SPACE GALLERY AND MAIKEL MARTINEZ, THE LOST LANDSCAPES (BELOW), ROSENBAUM CONTEMPORARY
z ROSENBAUM
CONTEMPORARY At locations in Boca Raton and Palm Beach, Rosenbaum Contemporary features a nationally recognized, museumcaliber exhibition program of PostWar, modern, and contemporary masters in all mediums, with works by Thomas Hartmann, Hunt Slonem, and Mira Lehr, among others. 150 NW 51st St., Suite 150A, rosenbaumcontemporary.com, 561.994.9180 (more locations online)
z SPONDER GALLERY With a focus on Post-War paintings, sculpture, and photography, this gallery provides support and consulting in all aspects of collecting, including appraisal services. The Boca Raton, 501 E. Camino Real, spondergallery.com, 561.350.0004
BOCA RATON
z KESHET GALLERY Justin and Anabel Hochberg operate this contemporary art gallery that represents emerging and established artists. 8214 Glades Road, keshetgallery.com, 561.359.7918
z VERTU FINE ART This established gallery boasts Pop, abstract expressionism, and optical art as well as photography. 922 Clint Moore Rd., vertufineart.com, 561.368.4680
WENTWORTH GALLERY With locations across the East Coast, Wentworth Gallery features works by some of the world’s most acclaimed artists. 6000 Glades Road #1089, wentworthgallery.com, 561.338.0804
