"Ja, Frau Chefin" - Catalogue

“Ja, Frau Chefin” Curated by Hi-Noon

a group exhibition

“Ja, Frau Chefin” Curated by Hi-Noon

A group exhibition with:

Rut Blees Luxemburg Ingrid Berthon-Moine Jonny Briggs Sarah Dobai Gaspar Gorodisch Melanie Issaka Liane Lang Margarita Gluzberg

Yushi Li Liz Orton Sista Pratesi Loreal Prystaj Sophy Rickett Eva Stenram Bowei Yang Simon Popper

Gaspar Gorodisch

Biography Gaspar Gorodisch (b. Buenos Aires, 1996) is an emerging Argentinian artist working at the intersection of sculpture and experimental ceramics. After studying music at the Escuela de Música Contemporánea (CABA) and industrial design at UADE (CABA), he shifted his focus to ceramics, studying with Danny Meisinger (USA) and Simon Levin (Italy), and apprenticing with Adam Field in Helena, Montana (USA). In 2024, he completed a residency at Guldagergaard, Skælskør, Denmark, and his curatorial projects include Claytopia (2025), where he presented “Lo que sale del fuego”. Gorodisch currently lives and works in London.

Statement Gaspar Gorodisch’s practice centres on themes of rupture, repair, and resilience. Living with long-term physical injuries, he has described clay as an “empathetic medium that records pressure, resistance, and fracture”. Damaged pieces are repaired rather than discarded, with breaks intentionally left visible as part of each object’s history. Through this materially driven process, his sculptures foreground fragility as a site of strength, balancing vulnerability with formal invention.

Collapsing Goblet 1 2024

Argentinian Stoneware, White Speckle Glaze, Oxidation Firing

10.5 x 9 cm diameter £600 inc VAT

Goblet 2 2024

Argentinian Stoneware, White Speckle Glaze, Oxidation Firing

10.5 x 7 cm diameter £600 inc VAT

Leaning Dish 3 2024

Stoneware, Shino Glaze interior, Wood Fired Soda Kiln

8 x 9 cm diameter £600 inc VAT

Fragmented vessel 4 2024

Stoneware, Unglazed, Wood Fired Soda Kiln

14 x 10 cm diameter £600 inc VAT

Anfora 5 2025

Stoneware, Porcelain Inlay, Oxidation Fired

10 x 10 cm diameter £640 inc VAT

Anfora 6 2025

Stoneware, Oxidation Fired

9.6 x 8 cm diameter £640 inc VAT

Anfora 7 2025

Black Stoneware, Oxidation Fired

9.3 x 8.5 cm diameter £640 inc VAT

Collapsing goblet 8 2025 Black Stoneware, Oxidation Fired 11.5 x 10 cm diameter £600 inc VAT

Porcelain goblet 9 2024

Porcelain, Celadon Glaze interior, Wood Fired Soda Kiln

10 x 9.5 cm diameter £690 inc VAT

Sad goblet 10 2025

Stoneware, Ochre Glaze, Oxidation Firing

8 x 8 cm diameter £640 inc VAT

Anfora 11 2025

Speckled Stoneware, Squiggle Motif, Ochre Glaze, Oxidation Firing

10.7 x 8.2 cm diameter £690 inc VAT

Anfora 12 2025

Red Stoneware, Oxidation Firing

11 x 7.3 cm diameter £690 inc VAT

Broken vessel 13 2025

Stoneware, Ochre Glaze, Oxidation Firing

8 x 8 cm diameter £600 inc VAT

Almost broken vessel 14 2025

Speckled Stoneware, Ochre Glaze, Oxidation Firing

9 x 7 cm diameter £540 inc VAT

Broken vessel 15 2025

Stoneware, Ochre Glaze, Oxidation Firing, Metal Hardware

9.5 x 9.4 cm diameter with hardware, 6.5 cm diameter without hardware £600 inc VAT

Almost broken vessel 16 2025

Speckled Stoneware, Ochre Glaze, Oxidation Firing

9 x 8 cm diameter £540 inc VAT

Smokey anfora 17 2025

Stoneware, Slip Smoke Gesture, Porcelain Inlay 11 x 8 cm diameter

£600 inc VAT

Smokey anfora 18 2025

Stoneware, Slip Smoke Gesture, Porcelain Inlay

11 x 7 cm diameter £600 inc VAT

Smokey anfora 19 2025

Stoneware, Slip Smoke Gesture, Porcelain Inlay

11 x 7 cm diameter £600 inc VAT

Smokey anfora 20 2025

Stoneware, Slip Smoke Gesture, Porcelain Inlay

11 x 7.5 cm diameter £600 inc VAT

Madame sur la coline 2 2025

Stoneware, Porcelain Cast Figurine, Oxidation Fired

18 x 9.5 cm diameter £1,440 inc VAT

Madame sur la coline 3 2025

Mixed Stonewares, Black Clay Cast Figurine, Oxidation Fired

21 x 8.5 cm diameter £1,560 inc VAT

Broken vessel 23 2025

Speckled Stoneware, Ochre Glaze, Oxidation Firing

10.5 x 6.5 cm diameter £540 inc VAT

Pushed vase 24 2025 Stoneware, Oxidation Firing 21.4 x 21 cm diameter £600 inc VAT

Spinning Vessel 25 2025 Stoneware, Black Slip, Oxidation Firing

8 x 9 cm diameter £100 inc VAT

Spinning Vessel 26 2025 Stoneware, Black Slip, Oxidation Firing

8 x 9 cm diameter £100 inc VAT

Spinning Vessel 27 2025 Stoneware, Black Slip, Oxidation Firing

8 x 8 cm diameter £100 inc VAT

Spinning Vessel 28 2025

Stoneware, Porcelain Inlay, Oxidation Firing

9 x 12 cm diameter £100 inc VAT

Spinning Vessel 29 2025

Stoneware, Crayon Glaze, Oxidation Firing

55 x 75 cm diameter £100 inc VAT

Spinning Vessel 30 2025

Stoneware, Crayon Glaze, Oxidation Firing

75 x 80cm diameter £100 inc VAT

Sophy Rickett

Biography Sophy Rickett is an artist who works with photography, writing and video installation. Since graduating from the Royal College of Art in 1999, she has had solo exhibitions in numerous galleries and institutions including Kettle’s Yard, Cambridge, De La Warr Pavilion, Bexhill; Nichido Contemporary Art, Tokyo; Chateau de Lichtenberg, France; Arnolfini, Bristol; Museum of the History of Science, Oxford. Group exhibitions include Baltic Mill, UK; Centre Rhenan d’A rt Contemporain, Alsace, France; Galleria Civica, Modena, Italy; Centre Pompidou, Paris; Il Museo di Trento, Italy; Moscow Museum of Modern Art, Russia; Fitzwilliam, Cambridge.

Research awards include recent commissions from London’s Cuming Collection and the Institute of Astronomy, Cambridge. She is the recipient of two AHRC awards (2010, 2012).

Her work is held in many private and public collections including UK Government Art Collection; Pompidou Collection, Paris; Victoria and Albert Museum, London; Federal Reserve, Washington; Fondazione Sandretto Rebaudengo, Italy.

Statement ‘Thin Fluid’ playfully explores the slipperiness of the photographic medium, and the inevitability of its failure to ever fully capture or retain its subject. The work depicts a minimal composition of nine spheres on an elliptical plinth, with a tenth sphere appearing, not as an image, but as an object, on the outside of the frame. This sphere, seemingly escaped from the image, alerts us to the sophisticated conceptual games that photographic representation invites us to engage with.

Ashes 2024

Silver bromide print, scustomised stained oak frame, artglass glaze 40 x 27 cm

£3,430 inc VAT

Thin Fluid 2021

Giclee Print, Custom painted Oak Frame, artglass glaze 31 x 38 cm Edition of 10 £1,630 inc VAT

Tree (Kenfig Burrows) 2019

Black and white silver bromide print, framed in oak

47 x 34 cm £3,600 inc VAT

Common Blue 2013

Fibre based silver bromide print

20 x 25 cm Edition of 50 £600 inc VAT

Comma on bracken/ The Death of a Beautiful Subject 2011

Fibre based silver bromide print 20 x 25cm Edition of 50 £600 inc VAT

Melanie Issaka

Biography Melanie Issaka is a visual artist and freelance photographer living and working in London, UK. She graduated from The Royal College of Art with a Photography MA. Specialising in image making, she developed a social practice concerned with documentation, representation and archiving with reference to the intersectionality of Race and Gender, as well as exploring the materiality of print and lens-based media. Her work is exhibited internationally, most recently at the Lagos Fotofestival.

Statement ‘Locating The Personal’ is a series of photograms; selfportraits that set out to question the representation of the Black female figure within the Western canon of photography. Through encounters with material, I mark my presence. In negotiating between personal levels of visibility, I claim space. In making these images, bodily surfaces such as hands are illuminated, simultaneously being brought in and out of focus.

The prints bear the physical traces of the artist’s physical interaction with the material.

Locating the Personal, 1 2022

Unique Photograms. Artist Made Frame, metal 90 x 40 cm £1,370 inc VAT

Locating the Personal, 2 2022

Unique Photograms. Artist Made Frame, metal 90 x 40 cm £1,370 inc VAT

Locating the Personal, 3 2022

Unique Photograms. Artist Made Frame, metal 90 x 40 cm £1,370 inc VAT

Bowei Yang

Biography Bowei Yang (b.1994 Hangzhou China) is an artist based in Beijing and London. His work explores the queer scene in China, through the lens of staged memories of his childhood. Bowei Yang received his Bachelor’s Degree in Photography from Beijing Film Academy and his MA from the Royal College of Art in London in 2019.Honoured as one of the Foam Talents 2021 he is exhibiting his work internationally, including in China, France, Japan and the UK. Statement “The shadow of collective identity is where the individual identity lies. By gazing at the fragility of one’s shadow, one can accept the surroundings like a fluttering butterfly.”

Zhang and the other side of a butterfly 2021 Silver bromide print, artist made frame, metal

29 x 23 cm Edition of 20 £1,030 inc VAT

Sarah Dobai

Biography Sarah Dobai’s is an artist based in photography, film & text.

Recent solo exhibitions/ projects include ShockAbsorber at Danielle Arnaud, The Donkey Field at Whitechapel Gallery , Imperial War Museum, CAST, Glassyard Gallery (Budapest), Principles & Deception at Or Gallery (Vancouver) & FILET (Hoxton) and The Overcoat bookwork, published

by Four Corners Books.

Sarah Dobai lives and works in London is a Reader in Photography, Text and Film-based Practice at University of the Arts London.

Statement ‘Harri with headphones’ (2019) pictures a young woman listening to music. This portrait draws on mystical approaches to portraiture - that can be found in the Scandinavian school of paintings - where the sitter seems to be transported into another realm.

‘Harri with headphones’ shows the central position of photography and sound in relation to current debates around realism, illusionism and authorship.

Film Still from TDF 2021/2026

Black and white pigment print on Hahnemuhl fine art paper 20 x 24.5 cm (F: 22 x 26cm) Edition 1 of 20 £990 inc VAT

Eva Stenram

Biography Eva Stenram (SE/GB) is a visual artist who lives in Berlin. She studied in London at the Royal College of Art and the Slade School of Fine Art. Stenram’s art practice revolves around photography and postproduction, investigating the codes, desires and ideologies at play within the construction of the photographic image. She frequently uses archive material from popular culture and other analogue and digital sources that are in general public circulation. Using a variety of reproduction methods and montage techniques, she displaces her source material’s original meaning and lets the work open up new interpretations. Her work is ultimately about being a viewer, a consumer of images. Stenram’s work has been exhibited worldwide, her solo exhibitions include Cadastral at Fotografisk Center in Copenhagen, New Meridians at Literaturhaus in Berlin and Positions at Siobhan Davies Dance in London. Stenram’s work is in the collections of Moderna Museet in Sweden, the Victoria and Albert Museum and Tate Gallery in the UK, and the Norton Museum in Florida.

Statement In Eva Stenram’s work, bodies are often fragmented and fuse with their surroundings, camouflaging or becoming a part of an interior or landscape. In *Home Town* the body of a nude model has been partially covered by a new textile pattern constructed from the photographed fabric that the woman’s body rests upon. *Home Town* is part of a series of works, collectively titled *Offcut*, that reconfigures details from found vintage erotic photographs and renders them in a new, often material form.

Home-Town 2015

Silvergelatin print in walnut frame, artglass glaze 34 x 26 cm Edition of 50 £1,200 inc VAT

Ingrid Berthon-Moine

Biography Ingrid Berthon-Moine is a French visual artist based in London whose work primarily uses sculpture and painting to examine the construction of gender identity. In 2020 she created the online project ‘I Lack it, I Like it’ where she interviews womxn, who work in the artistic and creative fields, on their notion of lack(s). Most recently her work was exhibited at the ‘Drawing Biennial’ at the Drawing Room, London (2021).

Previously her work has been shown at the ICA, London, Espace Temoin, Switzerland and the Stadtmuseum München. Her work is in many private collections as well as the British Museum Collection and the National Irish Visual Arts Library.

Statement Ingrid Berthon-Moine follows the statutory canons of classical Greek sculpture, which celebrated small and taut genitals to reflect an ideal of sexual self-control and a civilized mind. ‘Marbles’ evokes the richness of language which incorporates the body, to testify, to con-test and to pro-test.

Marbles 4 2021

C-Type Print, window mount, bleached walnut frame, artglass glaze 30 x 30 cm Edition of 12 £940 inc VAT

Loreal Prystaj

Biography Loreal Prystaj’s work focuses on alchemy, exploring the interconnected cycles of life, death, and rebirth that resonate between consciousness and mysticism. Through a multidisciplinary approach— encompassing photography, moving images, and sculpture—she merges storytelling with self-portraiture to examine relationships between nature, the body, and the psyche. Rooted in psychoanalysis, archetypal symbolism, and surrealism, her process draws on dreams, mythology, and sacred texts to investigate metamorphosis as a symbol of shifting states of consciousness. Graduating with an MA in Photography from the Royal College of Art in 2019, her work has been exhibited internationally, including at Photo London, Arles Photo Festival, and MIA Art Fair.

Statement While revisiting her family home in American suburbia after a period of time away, Loreal Prystaj became re-acquainted with motifs and interior decorations that are used in the life-long act by women to ‘play house’. Here the artist embodies the tropes of a respected interior and performs as a ‘prop’, to transform these familiar spaces of genteel femininity into a charged room, where the forbidden is made visible. She says: “I attempt to reclaim these estranged and alienating domestic spaces and turn the gaze back to destabilize suburban normality and attempt to free myself and the next generations from the restrictions disallowing women to feel liberated.

4th of July 2019

Silver bromide print, stained oak frame, artglass glaze

33 x 22.5 cm Edition of 30 £2,060 inc VAT

Figure Study, Manhattan 2019 Silver Bromide Print, Black metal frame

33 x 25 cm Edition of 30 £2,060 inc VAT

Rut Blees Luxemburg

Biography Rut Blees Luxemburg is renowned for her photographic work that deals with the representation of the city and the phenomenon of the luminous. Her work has been shown in landmark exhibitions such as elles at Centre Pompidou, and A Handful of Dust curated by David Campany.

Solo exhibitions include Phantom at Tate Liverpool and London Dust at the Museum of London. Her large-scale public work Silver Forest - a photographic urban landscape in cast concrete - is placed on the façade of Westminster City Hall in London. Blees Luxemburg’s photographs are held in many public and private collections including Tate London, V&A Museum, London, Art Gallery of New South Wales, Australia. She is a Professor in urban aesthetics at the Royal College of Art and created the iconic cover for The Streets’ Original Pirate Material.

Statement Ledoux’s Donkey is from Rut Blees Luxemburg’s series *The dark intestine of Nicolas Ledoux. * The series is a sideways approach towards the French revolutionary architect’s oeuvre. Revolving around the Saline Royale, his hybrid factory - part panopticon, part anticipated ruin - Rut Blees Luxemburg exhibits nocturnal chimera of the imperfect Utopia. “In Arc-et-Senans lies the gates to the underworld, a semicircular fragment of a parallel reality, an alchemical symbol, a tinderbox of revolution, a pastoral factory, a time crystal, or a prescient example of an artist defining an aesthetics of work.” Dennis Goodwin.

Ledoux’s Donkey 2020

Photograph cast in concrete 10 x 15 cm £860 inc VAT

Monument, Dakar 2002-2019

C-Type Print in bespoke frame 51 x 66 cm £2,740 inc VAT

Jonny Briggs

Biography Since finishing his studies at the Royal College of Art, London in 2011 Jonny Briggs has gained significant esteem for his radical and playful work. He has received numerous awards including Saatchi New Sensations 2011, Foam Talent 2014 and a NESTA Creative Sparks Award.

A recent site specific installation in Burgh House and Hampstead Museum and solo exhibition at the Photoforum Pasquart Photography Museum in Switzerland 2017 were received with acclaim. His work has been included in numerous group shows internationally, including Shanghai Centre of Photography, The Benaki Museum in Greece, Jerwood Space and Photographers’ Gallery in London, The Mark Rothko Centre in Latvia, L’Atelier Néerlandais in Paris, Centre Photographique in Normandy, The Marta Herford Museum in Germany, Fondazione Fotografia Modena, Hauser & Wirth Somerset and East Wing Gallery in Dubai.

Statement The image’s construction involved a photograph of my dad as a child, which I burst my ear through and re-photographed. The photo and frame are cut from the point of the ear - I think rather than the ear being passive to the mouth, it operates here as an ear that cuts. The title links to the extramission theory of vision - the once commonly held belief that instead of light entering the eye, invisible tendrils came out that would physically touch an object to see it (to touch with a look, leading to myths like the basilisk, Medusa etc). This image points towards a role reversal: an ear that can touch, that can destroy.

Extramission Hearing 2021

c-type print , bespoke lazer cut frame 14 x 14 cm Edition of 10 £1,710 inc VAT

Yushi Li

Biography Yushi Li is a Chinese artist based in London. Having recently finished her MA studies at the Royal College of Art she has won accolades for her ingeniously produced work. Li was part of the Bloomberg New Contemporaries exhibition in 2018 and received the Royal Photography Society Hundred Heroines Award.

Statement Leda and the Swan is a part of Yushi Li’s ongoing series Paintings, Dreams and Love. This photograph is inspired by the Greek mythology Leda and the Swan, in which the god Zeus turns himself into a swan to seduce and rape Leda. Looking at various old paintings of this subject in art history, Li tries to reflect on these representations of the staging of eroticism to make a contemporary portrayal of the desired body. Her desire, dreams and love for the desired body are illustrated in a photographic form, using animals and fantastic settings to imply the unconscious dimension of these scenes

Leda and the Swan 2022

handprinted c-type print in walnut frame

92 x 118 cm Edition of 3 £11,140 inc VAT

Liane Lang

Biography A recent site specific installation in Burgh House and Hampstead Museum and solo exhibition at the Photoforum Pasquart Photography Museum in Switzerland 2017 were received with acclaim. His work has been included in numerous group shows internationally, including Shanghai Centre of Photography, The Benaki Museum in Greece, Jerwood Space and Photographers’ Gallery in London, The Mark Rothko Centre in Latvia, L’Atelier Néerlandais in Paris, Centre Photographique in Normandy, The Marta Herford Museum in Germany, Fondazione Fotografia Modena, Hauser & Wirth Somerset and East Wing Gallery in Dubai.

Statement In Arc-et-Senans lies the gates to the underworld, a semicircular fragment of a parallel reality, an alchemical symbol, a tinderbox of revolution, a pastoral factory, a time crystal, or a prescient example of an artist defining an aesthetics of work. Dennis Goodwin.

The Eyes of Mary Anning 2023

Silver bromide print, stained oak frame, artglass glaze

29 x 41 cm Edition of 15 £860 inc VAT

Liz Orton

Biography Liz Orton is a visual artist working with photography, text and film to explore the relationship between images, knowledge and authorship.

Her work engages widely with archives, both real and imagined, to explore the tensions between personal and scientific forms of knowledge.

Statement This work is based on the gesture of recontextualising medical images in public settings. The original images are from Clark’s Positioning for Radiographers, the definitive guide for X-ray technicians, demonstrating how to correctly position bodies in parallel to the imaging plate. Chasing Intensities comprises six of these photographs displayed on lightboxes. The paper becomes opaque partially revealing the image on the reverse. This opacity is like an echo of the clinical gaze, seeing into the body and bringing new images to the surface.

Chasing Intensities ii 2022

C-type, metallic, dry mounted on aluminium

40 x 33 cm £2,490 inc VAT

Sista Pratesi

Biography Sista Pratesi (b. Aberdeen) studied at the Slade School of Art, London, and in 2002 was awarded the Abbey Fellowship at the British School at Rome. Her work has been exhibited widely in galleries and exhibitions including MACRO, Rome; Vane Gallery, Newcastle; Gimpel Fils, London; Galleria In Arco, Torino; BCA Gallery, County Clare; the Jerwood Gallery, London; and Artangel’s The Hobby Cave, London. Her films have also been presented in festivals and screening programmes including Lux Film Show; Folkestone International Film Festival; International Film Festival, Birmingham; Dreamers of Dreams, Bermondsey; and the Swedenborg Film Festival. Pratesi lives and works in London.

Statement Sista Pratesi is an artist whose cross-disciplinary practice incorporates film, sound, embroidery, woven textiles, and painting. Her large-scale immersive installations evoke expansive, navigable worlds, recalling the experience of video games or simulation rides. Rich in texture and atmosphere, her work explores the borders between the real and the imagined, the familiar and the strange, and between expectation and lived reality. Reflecting on her 2025 series breakup stitches, the artist notes: “The embroideries and rugs are revealed to me through a dialogue of intuition and exploration.”

breakup stitches (melatonin) 2025 Embroidery 25 x 21 cm £720 inc VAT

breakup stitches (gabapentin) 2025 Embroidery

36 x 24 cm £960 inc VAT

wheat dreams 2025 Embroidery

34 x 24 cm £1,200 inc VAT

Yellow Snake 2025

Latch Hook Wall Hanging, Wool

480 x 36 cm £12,000 inc VAT

Margarita Gluzberg

Biography Margarita Gluzberg’s current practice is centred in drawing but has in the past expanded into many other mediums – from sound installation to performance and slide projection. Her solo projects include: 100nhsrooms with Vitalarts, 2020; In Paradise, Pushkin House, London, 2019; For Children Not For Children, Filet Space, London, 2018. He ongoing sound work ‘Actual Song of a Canary Bird’ was commissioned

by Artangel in 2020 (as part of Slow Dans events programme). Margarita Gluzberg’s work is held in many collections and exists in the form of several major private commissions. She studied at Ruskin School of Art, Oxford University and Royal College of Art, and is currently Senior Lecturer at the Royal Academy Schools, London. Her Welcome Trust project ‘Rock On Bones’ was performed at venues such as the De La Warr Pavillion and the Royal College of Art. Statement Margarita Gluzberg’s ‘Photosphere’ series features black and white photographs of one of her drawings, each print in the edition handtinted by the artist using pencils made in Eastern Europe in the 1950s, proposing a kind of time travel through the photographic lens, and the resurrection of materials from another era.

Photosphere (Orange on Blue) 2022

Drawing on photographic paper, bleached walnut frame 44 x 35 cm Edition of 12 £2,570 inc VAT

Photosphere (Pink on Orange) 2022

Drawing on photographic paper, bleached walnut frame 44 x 35 cm Edition of 12 £2,570 inc VAT

Simon Popper

Biography Simon Popper is a British artist who lives in California.

Simon Popper’s work can be broadly understood by its degrees of visual and linguistic separation, that is, through its titles (its naming) and the relations between what the works appear to be, what they are and what they might become. This often rests upon a hinge of wordplay or punning and visual tropes to break down or collapse objects and ideas characterised by a sense of the comedic or the deadpan – but in all seriousness – in a logic of displacement or derangement. The work of Simon Popper is an invitation to delinquency, an abandonment of one’s place anchoring a rational centred self into some altogether other self in another place, ordered and classified by systematic play and caprice if only for a moment. - David Bussel, curator.

Simon Popper’s work has been featured in numerous exhibitions at key galleries and museums, including Thomas Dane Gallery, London; Belmacz, London and most recently in the acclaimed show Mushrooms: The Art, Design And Future Of Fungi, Somerset House, London.

Statement This joyfull still life titled ‘Clementine’ is a celebration of the good things in the everyday, such as a winter fruit being unpeeled to be savoured and relished

Clementine 2023

Lino Cut, float mounted, bleached walnut frame

31 x 35 cm Edition of 25 + 1 AP £820 inc VAT

Paul Smith Space, found downstairs at 9 Albemarle Street, is a dedicated gallery presenting artwork which resonates with the company’s ethos of creativity, individuality, and curiosity. A full programme of exhibitions will see Paul Smith Space change periodically throughout the year, each time introducing an exciting new array of work.

For all art enquiries please contact: art@paulsmith.co.uk Katie Heller Art & Exhibitions Manager katie.heller@paulsmith.co.uk Audrey Dennis Gallery Assistant audrey.dennis@paulsmith.co.uk Paul Smith 9 Albemarle Street London W1S 4BL +44 (0)7553 352 959 +44 (0) 207 493 4565

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