Country Reunion m a g a z i n e
May 2021
Tony Jackson
Bill Owens Cowboy Bill Doyle Lawson
George Lindsey Nadine’s Corner
Diner Chat Hager Twins
Linda Davis Glen Campbell
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November 2020
Tony Jackson: Banker Turned Country Music Tony Jackson is almost certainly the only major bank executive ever to abandon a prominent IT job in finance at a Fortune 500 company to embark on a career in Country music. The banker turned performer, who guest stars on “Larry’s Country Diner” on May 27, released his debut album, “Tony Jackson,” in May 2017, and has been moving growing his fanbase ever since. The son of a Navy man, he led a baseto-base existence, at one point living with his family in Rota, Spain, for three years. His earl y musical background was sketchy at best. “I sang 'White Christmas' in the Christmas play in the sixth grade,” he recalled. “Everybody seemed to love it, but I was a wreck. My mother forced me to sing in the church choir, but I was kind of buried in the voices along with everybody else.” This was basically his entire musical resume until 10 or so years ago when a friend whose band had lost its lead singer asked Jackson to try out for the spot. “I did,” he said, “and I was hooked after that.” Two weeks after graduating from high school, Jackson joined the Marines. “I told my dad I was joining because I was sick of taking orders,” he said with a wry grin. “I was a computer and electronics geek as a teenager. When I talked to the recruiter, he told me the Marine Corps had just started a computer science school in Quantico, Virginia. Fortunately, I scored high enough on the entrance exam to go to that school.” It was a smart move. When he finished service, a prominent bank in Richmond snapped him up to work in its Information Technology division, initially assigning him the lowly chore of re-setting passwords. “I was way overqualified,” he says, “so I got promoted fast. I was a senior vice president by my early 30s.” It was while in the Marines that he first started paying serious attention to country music. “My mother listened only to gospel,” he said. “My dad was into jazz, hip hop, R&B, new jack Page 4
swing – stuff like that. But Armed Forces Radio played everything. When I was living in Spain when I was 10 to 13, Randy Travis came over there on a USO tour. Some friends and I were out there early when they were setting up the stage, and we actually got to talk to him before we realized he was the guy who’d be performing later. He was really cool to us. In the Marine Corps, when my friends and I played music for each other, we were all homesick. So when you’d listen to these country songs that talked about family and home and heartbreak, it would really grab you.”
countryreunionmagazine.com
May 2021
A song that particularly appealed to Jackson was George Jones’ heartbreaking 1974 hit, “The Grand Tour.” When Jones died, Jackson and some friends went into a Richmond studio and recorded it. In the process, they also made a performance video that eventually wound up on YouTube. By sheer accident, singer Donna Dean Stevens saw the video and instantly decided Jackson should do “The Grand Tour” on the “Old Dominion Barn Dance,” which she had just resurrected. After she witnessed Jackson’s standing ovation, an honor that hadn’t yet been accorded to any of the show’s headliners, she offered to co-manage and co-produce him with noted talent mana ger Jim Del la Croce. A commanding performer in her own right, Stevens recorded for Mercury Records in Nashville as Donna Meade. She is also the widow of Country Music Hall o f Fa m e m e m b e r Jimmy Dean and a zealous guardian of his vast musical legacy. Stevens and Croce then whisked Jackson to Nashville, where he recorded most of “Tony Jackson” at the hallowed RCA Records Studios. The respect Jackson has already earned within the music community is evident throughout the “Tony Jackson” album. It features songs and/or performances by Rock and Roll Hall of Fame members John Sebastian, Steve Cropper and Dr. John “Mac” Rebennack, Country Music Hall of Famers Vince Gill, Bill Anderson and Conway Twitty and Nashville Songwriters Hall of Fame luminary Norro Wilson. Since the highly-praised debut album’s release, the affable singer has already been invited to perform on the Grand Ole Opry (multiple times) and at CMA Fest, and has appeared on several national TV shows. His initial videos from the album excited more than 62 million Facebook views and 1.1 million shares seemingly overnight. Prior to Covid-19, Jackson toured tirelessly in support of his music. Page 5
Rolling Stone magazine cited Jackson’s single, “County Road,” as one of the 10 Best Country and Americana Songs to Hear Now stating that the “fiddle, harmonica, pedal steel guitar fill this lessknown James Taylor salute to the rolling ribbons of backwoods blacktop, but it’s Jackson’s voice – which could easily pass for Taylor’s classic croon—that packs the biggest punch.” It is ease with which Jackson makes every song— even the familiar ones—distinctly his own that sets him apart. Who else would dare to try and then succeed in bringing a fresh layer of emotional urgency to such a classic as Jones' “The Grand Tour” or Twitty's eternal “It's Only Make Believe?” On the first-time and lesser known songs, Jackson mints his own c l a s s i c s . Wi t h i t s sweeping steel guitar fl o u r i s h e s and ambient barroom clatter, he transforms John Sebastian and Phil Galdston's “Last Call” into the sweetest, most affectionate separation ballad imaginable. With reverence and a twinkle in his eye, he enlists Sebastian and Vince Gill in revivifying (after 50 years) the Lovin' Spoonful's 1966 romp, “Nashville Cats.” “When asked if we should recut the song,” Sebastian begins, “I said absolutely but we have to get Vince Gill, Paul Franklin and today’s real Nashville Cats in on the session and fortunately that session was preserved on video,” he beams. After capturing perfectly, the excitement of new love in Anderson's “I Didn't Wake Up This Morning,” he moves on to a memory-stirring homage to Merle Haggard, Hank Williams Jr. and Willie Nelson in “They Lived It Up,” a lyrical scrapbook from Anderson and Bobby Tomberlin. Jackson shines as a keen-eyed songwriter in his own right with such memorable excursions as “Drink By Drink,” “Old Porch Swing” and “She's Taking Me Home.” Learn more about the singer and his music at tonyjacksonmusic.com. May 2021