ABOOK MAGAZINE Issue 25

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有 團隊

限公

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22 港墘路

湖區 北市內 1666 台 4 10 6 5 7(02)2 555 Te l : 6 5 7-1 2 ) k .c c 2 0 aboo @ Fa x : ( e i n .c c l : an book a . w Emai w ite : w We b s

1巷39

-1號

監製 Supervisor :

攝影總監

張艾嘉

Photography Director : 林炳存 Joshua Lin

營運長 CEO :

攝影編輯

林炳存 Joshua Lin

Photography Editors : 張騰元、陳冠璋、ASH

創意總監 Creative Director :

後製編修

尹培袞 Sean Yin

ASH

發行人

造型總監

Publisher :

Styling Director :

林炳存 Joshua Lin

林夢薇 Monfi Lin

總編輯

編輯策劃

Editor in Chief :

Special Project Managers:

林炳存 Joshua Lin

趙欣、桑科

翻譯編輯Translation Editors :

顧問團隊

姜怡帆 Annie Chiang

Consultants :

姜怡如 Connie Chiang

陽帆、廖鎮漢、詹仁雄、林知佑、廖曉喬

英國特駐

色彩管理 :

Overseas Editor :

王振昇

Linda Cooper 行政管理 : 採訪編輯

張騰元

Assistant Editor : ASH

執行公關 : 星予公關

視覺主編 Design Director : Alex Chang

跟我們談談關於你自己

LK A T P

K MA

E-U

m

ia

我從事彩妝八年了，主要

秀，雜誌，廣告，跟設計

做顧問，主要是研究各 品。

如何會從事彩妝工作

我從小就喜歡各類藝術

美術系，學過平面設計

紀錄短片，課外也修服

我的興趣太廣泛，而

之後還是沒有很明確

敦，就想說選個學費

飛去倫敦學了一年彩

真的就是這樣。這是

堅持多年的興趣，我

一旦投入就會盡全力

是什麼原因驅使你 境又是如何引響你

我很討厭上學，在

不太記得，就是一

的我只拿過畫筆

畫。在倫敦的環

邊的朋友都是創

路上，路人的穿

風格，美學是很

上的，不管穿得

你。跟我在美術

台灣的環境還是

怎麼做」，“別

包袱，在倫敦的

由，這對創作

在創作時，有 方或是特別注

除非是自己單

妝很少會是單

歡在畫面中搶

我特別重視。

己

要是做時尚，我做服裝

攝影師負責光線和構圖，造型師髮型師模特兒也都會 有想法，彩妝可以讓整個畫面更有衝擊力，但前提必 須很清楚大家的目標藍圖。

計師合作。我也替雜誌

各國時尚趨勢和彩妝產

作？

這行業很好玩，但不好走。這就像是創業，我們都

從事彩妝工作多年，最難忘的是

的事情很多，太多難忘的經驗了。

搬到洛杉磯之後

有很多機會接觸到名人，跟 Lady Gaga 工作簡直畢生 難忘。我記得有一次幫她拍MV，搭舞台的人沒有把

計，也擔任過導演拍攝

玻璃板的接縫處理好，Gaga跳舞時，膝蓋被割傷，

服裝設計的相關課程。

我拼命幫她止血可是一塊皮都掉了，根本止不住，但

而且喜新厭舊的，畢業

是她好像沒感覺，繼續練習一直跳，然後傷口就越來

確的目標。我很喜歡倫

越糟，我簡直是追著她在止血，一邊急著找人來修舞

費最便宜的科目念吧!就

台。我跟她工作很多次，她敬業的程度簡直是超人，

彩妝。聽起來很扯，但

她只專注在她負責的部分，其他部分全權交給專業，

是我人生目前唯一一個

完全不過問，也從來不抱怨。

我是那種行動力很強，

力的人。

工作過程中最享受的是

你出國闖蕩，外國環 你的創作發想？

試新產品吧，廠商都會寄很多東西給我，常常有打開 聖誕禮物的驚喜感。我喜歡研究產品質地，研究它們 在不同光線下的效果，也喜歡把不同產品混合，製作 自己要的感覺。

一個入門吧，畢竟當時

筆，連自己的臉都很少

對於藝術與商業的彩妝有什麼看法

環境對我影響很大，身

創作者，即便只是走在

可以隨心所欲創作當然很棒，但是大部份的時候還是

穿著和動作都有自己的

要考慮商業價值，畢竟是工作。我不排斥以商業為取

很自然發生在每件事物

向的創作，只要客戶和團隊信任我，在市場可以接受

得多怪異都沒有人judge

的條件下創作出自己風格，已經相當滿足了。有時間

術系的日子有點像，但

我會跟理念相近的朋友單純創作，作品中有故事有

是多少有「別人告訴你

想法，才會有藝術價值，不然就只能算是技術上的習

別人怎麼看待你”這些

作。

的生活幾乎是完全的自

作的影響絕對是很大。

有什麼特別堅持的地 注重的細節

是自己的品牌，產品好是基本的，但是經營品牌還 要有好的形象，要做公關，要做廣告，也要有心

我記憶力是超級差的人，但是對於工作很奇怪，記得

術，大學很自然就選擇

在學校學了什麼我其實

給年輕彩妝師或是熱愛彩妝的朋友的 一些建議

彩妝師該如何培養好的眼光與美感 我喜歡這個問題！雖然我沒有答案，哈哈！謝謝你沒 有問我如何精進彩妝技術

。我發現很多新進彩妝師

會執著於技術，一直上課，一直買產品。但這真的

單純創作，不然在工作中彩

不是重點。我是覺得各國時尚周的趨勢一定要關心，

單一主角，我沒有特別喜

研究一下大師們為什麼在這樣的場地，這樣的設計

搶功，所以跟團隊的溝通

理念和主題下選擇這樣的妝容。彩妝師是artist，

。客戶會有市場的考量，

想法還是比技術重要的多。

理準備剛創業時的虧損，不要太快被打敗。

a lot as everyone around me was very creative. Even walking on the streets you’d notice individuality and people with unique styles of their own. No matter how weird you dressed, no one would judge you. That’s sort of different than Taiwan in the biggest way, as we’re more used to people telling you what to do, or worrying too much about what people think of you. In London, all of these constraints are non-existent. Life is so free there. I think that has been the biggest influence.

Tell us about yourself.

I’ve been in the makeup industry for 8 years. Mainly I work in the fashion industry on fashion shows, editorials, commercials, and with designers. I’m also a consultant for a magazine, where I provide insight on global fashion trends and cosmetic products.

How did you get into the industry?

As a kid, I’ve always liked different types of art. In university I naturally chose an Art major and studied graphics design as well. I’ve even directed my own documentary and took courses in fashion design. My interests are quite vast and I tend to like the new and am bored with the old. When I graduated I was still not very clear as to what I wanted to do. I liked London, and merely thought that I should go and study there.

I chose the cheapest course I could find and flew to London and studied makeup for a year. It sounds insane, but that’s really how it happened. Makeup is the only thing in my life right now that I’ve actually stuck with. It’s a great interest of mine and it’s something I’m very determined and involved in.

What made you want to travel abroad?

What’s it like overseas and how has it inspired you creatively?

I really hated going to school. I actually don’t remember much of what I’ve learned in school. Going to London was sort of like an initiation for me.

In the past, I rarely wore makeup and was truly an amateur. The environment in London influenced me

When you’re working, what do you pay the most attention to?

Unless it’s for my own portfolio, I don’t believe that the makeup artist should be the main character, but rather teamwork to me is the most important. I think my priority is to have the ability to fully communicate with the team as everyone brings something important to the project. Clients tend to have market considerations in mind, whereas the photographer focuses on lighting and composition.

The hair stylist and model may have their own ideas as well, so I think it’s very important that everyone is on the same page and understands the ultimate goal.

What do you enjoy most about your job?

Trying new products. Clients send me a lot of samples and every time it’s like opening Christmas presents. I love playing with and testing new products. I like putting different products together and creating something new.

How is artistic or commercial makeup application different?

Of-course it’s great to be able to do whatever you want to do, but most of the time you still have to have the business side of it in mind. Work is work. I don’t mind doing so called more commercial work, as long as the client and the team trusts me. I’m already very luck to be able to get booked and to have people like my work. Sometimes when I have time I’ll get together with other makeup artists to purely create; there has to be a story behind the creativity in order to have artistic value. Or else, to me it’s just technical application and nothing else.

How can a makeup artist develop a good eye for beauty and aesthetics?

I like this question! Though I don’t have an answer!

Thank you for not asking me about how to improve technical skill. My observation is that a lot of new makeup artists focus a lot on technique. They take alot of classes and buy alot of new products, but to me all of that is actually not that important. I believe what’s most important is whether you pay attention to global trends. Understanding why makeup masters from around the world choose certain looks, colors, and applications is very important. A makeup artist is essentially an “artist”; the idea behind it all is much more important than the technique.

Any tips for young makeup artists or makupe enthusiasts?

This industry is fun but is also a difficult road to take. It’s like starting your own business, as we are our own brand. Good products are the basic elements, but you have to have a good personal image in order to have a successful brand. You have to invest in PR, marketing, and be prepared to be at a financial deficit. But don’t give up.

PHOTOGRAPHY / 楊林 HAIR / ABBY CHANG MAKEUP&STYLING / HALU HUANG MODEL / ADA IZRAELSKA ILLUSTRATION / 楊林

SUMMER HOMEWORK

HUMAN STRUCTURE

童年記憶裡的哩哩摳摳

COMMUTE TO SCHOOL

ADVENTURER

MODELS AND PUZZLES

MEMORY OF GRANDFATHER’S HOUSE

SCRAPBOOK

PHOTOGRAPHY / A YUAN CHANG HAIR / ODYE @ FOUR HAIR CONCEPT MAKEUP / 詹惟晴 STYLING / TOBY YANG MODEL / 王寧@ CATWALK

REPSYCHO

蕾絲上衣 Salvatore Ferragamo 花裙子 SHIATZY CHEN 鞋 Salvatore Ferragamo

蕾絲上衣 Salvatore Ferragamo 花裙子 SHIATZY CHEN

藍色泳裝 JOHN YUYI by rbk.shop 刷色外套 Bottega Veneta

涅槃投入烈火的失控，是以生命和美 麗的終結換取詳和與幸福…絢麗的腐 敗是華麗的誕生，追求的是一種衝突 的和諧，呈現精準的失控。

Conflict Aesthetics 呈現腐敗與美麗 的強烈對比，在衰敗的靈魂中找尋重 生的勇氣。

連身印花衣 agnes b. 鞋 Salvatore Ferragamo

PHOTOGRAPHY / KUAN MAKEUP / SHIN ASSISTANT / KITE & MIKI HAIR / LIREN WEI @FLUX REEL STYLING / FAN MODEL / GINTARE @ PACE TIMO MODEL ELENA @ DOLLS MODEL DESIGNER / CEPHAS / FANJINRUEI

TO CONTROL OR TO

O BE CONTROLLED

控制與被控制與失控 總以為被控制著制約著 所以反抗掙扎 直到失去所謂的控制 才發現並不比控制 所以失控 在控制與被控制與失控之間 不斷徘徊

to control and be controlled and be out of control people always think they are controlled by someone or something, thus they resist and struggle... till one day they realize that there is no difference between being controlled and being out of control cuz in the end, they get out of control and don’t care about anything any more...

Sacred Trends PHOTOGRAPHY & DESIGN / TANER TUMKAYA MODEL / SYLVIA SAKELLARIDIS

PHOTOGRAPHY / ASH MAKEUP / OSWALD HUANG HAIR / PO TSANG HO STYLING / EROS WU / BLANC YUA MODEL / LUU CHENG

SHATTERED LIKE GLASS 玻璃般的破碎

PHOTOGRAPHY / JOSHUA LIN HAIR & MAKEUP / MONFI LIN STYLING / MONFI LIN FASHION DESIGNER / 周裕穎

YOUTHFULNESS GONE WILD 撒野青春的失控

NiNi NaNa DiDi /

/

PHOTOGRAPHY / ASH HAIR / DERECK CHEN MAKEUP / OSWALD HUANG STYLING / JUBY CHIU MODEL : 歐陽娜娜 SPECIAL THANKS : AGARIC GARDEN PROVOCATEUR

是音樂愛上妳 還是妳愛上了音樂？ 我很幸運的是很早就發現了自己喜愛的事物，對於音樂這件事就像是我被它選上了一 樣，這一生注定跟音樂綁在一起。

音樂、戲劇、學業，是如何取捨、時間又是如何分配運用？ 按著規劃隨機應變！音樂也好、拍片也好，要做好一件事總是需要投入非常多的時間 而時間卻總是不夠用，在這些選擇中我們都必須做出取捨，對我而言就是把一切都攤 開後再刪減規劃，但也不硬性自己一定要全盤照著走而是「順著走」。

妳享受拍電影的過程嘛？如果哪天必須做出音樂與戲劇決擇，妳會如 何取捨呢？ 從12歲開始好奇「拍戲」這件事到現在愛上「演戲」這件事，我享受劇組的氛圍、享 受整個電影成形的節奏。 很多人都問過我會不會因為拍戲就不再碰音樂了，其實音樂對我而言就好比食物一 樣，是必需也是生活，是不可分離的！

生在這麼和諧歡樂的家庭，妳曾經叛逆過嘛？ 我覺得「沒有」！有時候又覺得該更有態度而非只是個“YES GIRL”。

妳最喜歡媽媽做的哪道菜？ 蔥燒排骨！

假設沒有音樂也沒有戲劇，妳還會想往哪些方向發展？ 時尚界的藝術家！

在忙碌生活當中，妳有什麼小嗜好？ 沒有工作的空檔裡最喜歡「說走就走」的行程，爬山也好騎車運動也好。

妳喜歡旅行嗎？ 喜歡！希望在結婚之前一定要用背包客的方式走遍喜歡的國家。

Did music fall in love with you or did you fall in love with music?

I am pretty lucky to have found my calling early in life, regarding music it seems as if I was chosen by it, I believe I was destined to be tied to music in one way or another.

Between music, acting, and school, how do you manage your time?

I just plan and go with it! To succeed in music or acting or anything else in life, you really need to put in the time, but often there is just not enough time to do everything.

We have to learn to give and take. What I do is just lay everything out and choose what can or can not fit into my schedule, however, sometimes it’s best to just go with the flow.

Do you enjoy making movies? If one day you had to choose between music and acting how would you make the choice?

At the age of 12 I was curious about “making movies” and now I’m in love with “acting” in movies. I really enjoy the environment of a film set and the tempo in which a film is made. A lot of people ask me whether or not I’d give up music now that I’m also an actor, but really that’s impossible because music to me is like food, a necessity!

You have such a happy and harmonious family, were you ever rebellious?

I don’t think so! Sometimes I do feel I should have more of an ‘attitude’ instead of always being a “Yes Girl”.

Which one of your mom’s dishes do you like the best?

Onion braised short ribs!

If you were not involved in music or acting, which other profession would you see yourself pursuing?

An artist in the fashion industry!

You have such a busy life, what are your favorite hobbies?

When I don’t have work lined up, I love to just get up and go do whatever my heart pleases, whether it be mountain climbing, cycling, or any type of sports.

Do you enjoy traveling?

Yes! I hope to be able to backpack to different countries around the world before I get married!

PHOTOGRAPHY / ALEXANDER SUPERTRAMP MAKEUP / HALU HUANG HAIR / ODYE @ FOUR HAIR CONCEPT STYLING / BOB JIAN MODEL / CHINCHIN HSU @ INSENZE MODELS SPECIAL THANKS / LUCY’S ACCESSORY

THE FROG PRINCE 你不是青蛙，你是我的的專屬寵愛。

你不是青蛙，你是我的的專屬寵愛。 You are not a frog. You are my one and only love.

台客 劇場 Taiwan Minute

當初是如何發覺自己對於影像創作的熱情，又是如何踏上

我特別堅持的就是一個好的故事，故事的整體我特別重視

導演這條路？

ending，一個好的故事ending很重要，尤其是峰迴路轉的 故事鋪陳是我最喜歡的！無論短片或是長片，只要ending

啟發我踏上導演這條路的應該是音樂吧！我小時候就很喜

夠好，我認為就會被口耳相傳，而這個行業最重要的就是

歡用MIDI合成音樂！覺得音樂裡面有一種力量，也是一種

需要被分享、被看見！所以，選擇畫面，譬如封面的影像

能夠最BASIC的一種方式呈現故事！同時音樂也具有改變

或是標題相當的重要！

文化的力量和影響。 我對於藝術領域方面的都很有興趣，同時發現到在音樂的

非工作時段的休閒喜好是？

領域是最能夠結合不同專業的領域呈現，音樂的領域結合 影像、寫作、戲劇、攝影以及聲音，是一個全部協調的藝

我喜歡跟我的兒子發呆！因為也不可能發呆很久，我們會

術總和，啟發我踏上導演的這條路。

一起想出點子，然後去實踐它！但是因為我的休閒喜好跟 我的工作是重疊的，所以在工作期間就是我玩樂的時間，

因為對於藝術領域的喜愛，所以在南加大念書的時候，主

譬如最近我拍攝一個baby環島的紀錄片，趁這個時候我就

修電影，畢業之後，很幸運的遇到了貴人，願意給我機會

會帶我家人一起去環島旅行！

讓我不斷嘗試，從rp、剪接、副導…等，一路學習，最後 就成為導演了！

在影像數位化後的爆炸時代裡，你會給深陷其中的熱血青 年什麼建議？

身為導演我認為影片可以給觀眾the full experience of storytelling...我喜歡故事創意的呈現，喜歡美術、建築、

我的建議很簡單：就是拍！所有的經驗都是要不斷的累

藝術、音樂。這是我認為當人類不需要追求基本需求的時

積，而且需要有勇於嘗試的勇氣，不斷的挑戰自我，這點

候，可以盼望的滿足！很幸運的是我的興趣正好是我的工

相當的重要！

作，所以在工作的時候不會倍感生活的壓力，樂於工作。

每年度審視自己過去的作品跟去年的比較，去審視自己是 否有挑戰自我成功？是否有在技巧鑽研上更加進步？這是

我認為電影是一個很高的目標，因為電影是可以改變文

我建議各位熱血青年每年必須要做的功課！

化、改變很多人行為的媒體，一種文化的現象，在我的內

現在因為影像數位化的關係，進入這個行業的門檻也變得

心深入認為非常重要，所以我更想嘗試去突破，這是身為

比較低，而且現在有YOUTUBE，所以也不用像以前找發

一個導演的社會責任。

行通路。

覺得自己的影像風格是屬於哪種類型的？希望自己的創作

所以我的建議就是不斷的嘗試，剪接、上傳YOUTUBE，

能傳達給觀眾什麼樣的感覺

看觀眾的反應！MALCOLM GLADWELL 提出10000個鐘頭 的法則，就是你需要花10000個鐘頭在你的專業上才能變

我的拍攝風格應該是－將人的人情味最忠實的呈現！我喜

成高手！你的前1000張照片，或前一百部電影可能會很

歡拍人的臉，主管鏡頭、snorricam以及一些你想不到的

爛，但是這是過渡期！你也可以COPY你崇拜的filmmak-

角度或camera movement...但是我還在學習，如何將不同

er...一開時你只是COPY手法，在觀察久一點，你就會開時

的風格滿滿雕塑呈現，譬如混合紀錄片跟mv剪接，這種

COPY他的思維！這時候就會融合你自己的生活經歷，發

嘗試。因為忠實的呈現、真實的紀錄，所以我後來又接觸

現你的個人STYLE！

紀錄片的這個領域。目前我很喜歡用很cinematic的手法 拍戲劇！我最想做的事情是拍攝喜劇，我認為影像的傳達 是要讓觀眾開心，看到我所想表達呈現出來的idea，然後 放聲大笑，我就會感到滿足，或是透過影像可以給予一個 正面的力量，影像是一個正面訊息的傳達。 影像發想的同時，有什麼特別堅持的地方或是特別注重的 細節

How did you realize your passion for film? How did you get into directing?

Probably because I became overwhelmed with the power of music at an early age. And then my mom bought me a synthesizer, so I dabbled with synthesizing multiple tracks to create a bigger story of musical notes if you will.

So this synthesis of elements can be enhanced further if you add the visual realm which is then filmmaking. So in filmmaking you can add music, photography, fashion, set design, dance and etc...just to portray a story. Story is tremendously important because it moves the human race.

What’s your film style? What do you hope to convey to the audience through your work?

I like camera movement and POV. My favorite camera is a GoPro because you can put it anywhere and be really creative. I think my style is changing though. Because of Youtube and the fact that people want autheticity more than cinematic and polished style I am exploring more documentary ways of capturing a true experience. Also I think an ending to a story is really important because it portrays the creators deepest intention.

What’s most important to you, or what do you pay most attention to when coming up with a film idea?

The story is the most important to me. I pay great attention to the ending, especially ending with something interesting and leading to a discovery, is what I really like.

Doesn’t matter if it’s a short or a full- length film, as long as the ending is good, then it will be liked, and shared, and thus seen! So it’s very important when choosing, for example, an image for the cover as even the title is extremely important.

What do you like to do when you’re not working?

Family time baby! Its fun to spend time with your kids obviously, but making art is also time consuming. Both things are a pleasure to do, as both are gifts. Art is a gift to people receiving the art and time spent with kids definitely trumps any material gift you may give to your kids.

So its a tough balance. But if we could eradicate the need for sleep we could maximize this life? I thought so, but as I am getting older, sleep is important, but enough tangents...

What suggestions would you give to young people in this digital era?

Just start making a bunch of films, videos, photographs or whatever you are into. You can copy someone who inspires you too. I like that book, “Steal like an artist”...the lesson I take from that book though is at first you steal

the artist’s style and maybe external ways of expression.

But after you assimilate the artist, you start to steal the artists way of thinking, and add your own style into that.

Then you become the great artist linked to that prior artist’s artistic family tree. That probably made no sense in the space allowed to express the book, so, get the book.

Other than that, just keep doing what you are passionate about or what you might think you are good at. According to Malcolm Gladwell you are never really good at anything unless you spend 10,000 hours engaging in that specific thing. So get to work!

自我介紹 我是林冠廷，在美國生長，現在回臺灣。「台灣混搭文化』很適合像我這種人來 貢獻，在林炳存公司期間拍過許多藝人，包含范曉宣、江蕙、伍佰、何潤東、 曹格。則電視節目拍過Discovery

Channel，並入圍金鐘獎。目前拍電視廣告居

多，也開始擁有自己的youtube 平台「台客劇場」。 CF: MOS BURGER, ROOTS, BURGER KING, ASUS TV: Discovery 台灣無比精彩 Taiwan Revealed MV: 江蕙，何潤東，伍佰，許志安，范曉萱，曹格，蘇永康 台客劇場 www.youtube.com/c/tkstorytw 導演經歷 www.taiyuanfilms.com 台原影片有限公司 台北市西寧北路79-3號

I grew up in LA, but I’ve been back in Taiwan for the last 15 years.

Taiwan has a remix culture and I am glad to be a contributer.

Under Joshua Lin, I had the priviledge of working with many top celebrities. I was also nominated for a golden clock award for a documentary I directed for The Discovery channel. Right now I am working on my Youtube channel, Taiwan Minute,it is my gift as a Taiwanese American to the world.

精準的失控是攝影的溫度 攝影是關係溫度的體現，視覺表達的 呈現，攝影師精準的失控，呈現最瘋 狂的一面。 絕不按表操課，找尋失控的畫面，那 是攝影師的筆觸，寫下萬變的故事。 唯有失控才能寫下戲劇人生的序曲， 這不是盡頭是起點，不斷的突破失控 的界線，才能抵達攝影天堂的盡頭。 我失控，故我在

Controlled Chaos Is Like The Temperature Of Photography And Photography Is All About The Demonstration Of Colors And Temperature.

The Photographer’s Ability To Capture The Precise Moments Of Chaos, Is Their Way Of Writing A Million Different Stories Without Following The Books.

To Be Out Of Control Is The Only Way To Write The Overture Of Life.

It’s Not An End But A Beginning. The Disappearance Of Boundaries Is The Only Way To Photographic Paradise.

I Was Out Of Control, Therefore I Am.

矯型的綺戀 The Love of Body and Self PHOTOGRAPHER / 徐浩秦 MAKEUP&HAIR / EDDI HSU MODEL / 林家安、郭家豪、徐子洋、 柯敏茹、小美、楊欣樺 DESIGNER / 吳宜蓁 SPECIAL THANK / 葉昱呈

關於自己的一切 _ 關於缺陷 雖然不可愛，但終究是自己生命的一 部分，記載了自己不完美的脊椎S型側 彎及牙齒矯正。 關於缺陷美也是可以不完美而玩美 以皮革去塑體態，皮條去束縛象徵穿 著鐵衣矯正，頭飾以金屬器材表達矯 正牙齒，顏色以深藍及黃色為主，深 藍色代表了負面矯正時束縛壓抑，因 對自己的不自信沮喪但也表達了矯正 時的穩定感，黃色代表了正面重拾自 信愉悅和接受自己愛自己 關於你、我、他，接受自己並愛自己

It’s everything about one’s self and about the imperfections.

There’s nothing cute about it, but it’s ultimately a part of you and a part of your life. To document the body’s abnormality, whether it is scoliosis or the need of braces; defective beauty can also be marvelous.

Perfection itself is imperfection.

The use of leather to sculpt the body and to symbolize the bracing products used to treat scoliosis.

The headpiece is metal based and stands for dental braces. The colors we use here are mainly dark blue and yellow. The dark blue is meant to represent the negative feelings of oppression and constraint; the yellow represents a positivity that comes from regaining confidence when one starts accepting themselves for whom they are.

It’s about you, me, them, and the acceptance of us.

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