Girls & Boys – Programme

25 FEB – 14 MAR 2021 DRAMA CENTRE THEATRE

STARRING

NIKKI MULLER SET DESIGN BY

WAI YIN KWOK

LIGHTING DESIGN BY

JAMES TAN

SOUND DESIGN BY

JING NG (Ctrl Fre@k)

DIRECTED BY

TRACIE PANG PRODUCED BY

TRACIE PANG & ADRIAN PANG

DRAMA CENTRE THEATRE | 25 FEB – 14 MAR 2021 GIRLS AND BOYS was first presented by The English Stage Company at The Royal Court Theatre, London on 8th February 2018.

The duration of this performance is approximately 1 hour and 40 minutes, with no intervals.

ADVISORY 16 (MATURE CONTENT & COARSE LANGUAGE)

It’s been exactly a year since we were able to be in the same room with you, totally live and in the flesh, and we sincerely hope that all is as well as can be with you and yours.

Secondly, the fact that you have made the effort to turn up for our first live production in 12 months, fills us with enormous gratitude. So, from the bottom of our collective Pang family hearts – THANK YOU. And thirdly, what a bizarre 12 months it’s been! It was the year that acronyms like “WFH”, “SHN” and “LOA” became part of our everyday lingo, each one usually accompanied by “WTF”. It was the year we became refugees in a virtual no-man’s land called “Zoom”. It was also the year livelihoods were decimated, lives were cruelly cut short, and life as we know it became unknowable.

Pandemic frontliners and essential workers went beyond the call of duty, literally to save lives, and to make life for the rest of us more liveable. We owe them big time, more than ever.

Meanwhile, as “non-essential” pariahs of the community, theatre practitioners upchucked at the word “upskill”, pissed our pants at “pivot”, and raised a collective third digit at “digitalize”.

But after we got over our initial petulance, we made efforts to upskill (though exactly what skills we upped remains dubious), we did our best to pivot (more like pirouette, actually), and, like deranged scientists, we each experimented with the Frankenstein’s monster known as digital theatre, with varying degrees of monstrosity.

For Pangdemonium, we saw all this as part of our 2020 Season’s theme of “Evolution”. In order to survive this “pangdemic”, we have had to adapt, improvise, strategize, endure, and soldier on. Just as every single individual making a living in the arts has had to. Just as every person in whatever occupation trying to feed themselves and their loved ones in these dire circumstances, has had to.

The saying “we’re all in the same boat” ceased to apply, because the fact is that each one of us has had to create our own makeshift lifebuoy to navigate this unprecedented shitstorm.

It’s been survival of the fittest of the unkindest kind.

And here we are, somehow still surviving. One lifebuoy that kept us afloat was the fact that so many of you were telling us how much live theatre meant to your lives, and how much you missed it. We know that theatre does not save lives; but we believe that by telling stories that explore the myriad complexities of our shared human experience, theatre has the power to help us better understand ourselves and one another, and to make life a little easier to bear.

On behalf of the entire theatre family, we want to express our profound appreciation to the many of you who extended positivity, encouragement and kindness in so many different ways over this challenging period, including those adventurous souls who consensually engaged in our summer fling with digital theatre, and for still respecting us the morning after.

So, after being buffeted through dark waters for a year, we’re grateful to come full circle, back into the light, back to dry land, and back on stage, to share Girls and Boys with you – this story of one woman’s extraordinary life.

Pangdemonium has always told stories that champion the human spirit and the will to survive. And if there is a quintessential story of survival, this one is it. We hope it speaks to you in a personal way, and that whatever darkness you might be living through – pandemic-related or otherwise – you find some light out of it.

Here’s to a much better year ahead for all of us.

Thank you for your faith, your love, and your patience.

Lots of love,

Artistic Directors’ Message

First things first: How the f*** are you?

“This is a really, really tough play for the audience...”

“Writers are weird. We are always working, we plunder our own relationships so lots of people can come and take a peek. If you’ve got any hope of writing anything good, what you have to do is put a secret in what you are writing.

Sometimes a few.

Playwright Dennis Kelly | Photograph: Martin Godwin/The Guardian

Dennis Kelly is very honest about his play Girls and Boys, “There are only two characters in this play: the actor and the audience,” says Kelly. “You risk running the audience out of the play when it gets hard.”

The going gets very hard indeed, and anyone reading this before actually seeing the play is strongly advised to not read any further. As Kelly says: “You can’t talk about the play without giving away what’s going on.” But he thinks we do need to talk about it – and it’s his job to do it.

Playwright’s Interview

Girls and Boys tells the story of an unnamed working-class woman who blags her way into the film industry, gets married and has two children. She and her husband build a life together, and then it all starts to crumble…

#Girls&Boys

The secrets don’t have to be profound, it’s not like you are telling people that you killed someone as a child. What you are doing is saying, ‘This is what I think’, and it is almost always something that you don’t tell your friends, family or partner.

But you do put it in a play for a whole bunch of strangers to come and have a look at. Or in a TV series for a million people to see.”

Kelly began work on Girls and Boys in a Naples airport while waiting, like the character in his play, for a flight. The play wasn’t commissioned by a theatre, but was something that Kelly felt compelled to write after wondering about the origins and effects of male violence. He sent the first draft to director Lyndsey Turner, and they developed it together before taking it to the Royal Court.

There has always been a dark side to Kelly’s work, from his 2003 debut, Debris, which featured a DIY crucifixion, through to DNA (about teenagers killing a classmate) to Channel 4’s brutally explicit thriller UTOPIA. Even his family shows, Matilda and Pinnochio, have baleful undertones. In Girls and Boys, he considers something almost unthinkable.

In Girls and Boys, the woman’s daughter, Leanne, spends her time painstakingly creating objects, such as the Eiffel Tower made out of mud, while her young son, Danny, runs around destroying his sister’s structures.

One of the quiet, unassuming pleasures of the evening is watching the mother trying to teach her children with all the unsung heroism that it requires.

“I’m not a fan of the phrase ‘toxic masculinity’,” says Kelly. “Men need masculinity and women need femininity. But there are men out there for whom asserting their masculinity means being unable to fail or bend but only to break.” Kelly believes it comes from a fear he recognises in his younger self.

“Up until my 30s, when I sorted myself out, I was terrified of admitting fear, but I was a very fearful person. You have to get past that, and when you do it brings a power, but lots of men don’t and never see past all the bullshit of the John Wayne myth.”

He thinks that’s the case of the unseen and unnamed husband in Girls and Boys. “He would probably think of himself as pretty liberal man. Even a feminist. I wanted to make them sympathetic and understandable as a couple. I didn’t want us to be able to blame her.”

“I said to her that I was shocked she had been OK to read the play.

But she was fine.

He adds that the play is not about the husband. “It’s about her.

There is another play about him,” he says, joking that it could be a sequel called Boys and Girls.

He is unapologetic for giving this woman centre stage.

I love Carey’s physicality. The way she picks up Danny and cradles him. Like the character, she’s a working mum with two kids and you see a working mum’s love, patience, irritation and guilt.

“We see that she is a woman with a lot of life, a woman with a voice. I really love her.”

I don’t think it terrifies her doing the play; she manages not to let it become her.”

For further reading on the themes explored in this play after you’ve seen it, please visit this link here.

Playwright’s Interview

When Kelly first met actress Carey Mulligan to talk about the role in the play’s London debut, he was taken aback to realise she was heavily pregnant.

In early drafts, Kelly thought of the play as a gender-inverted Medea but says that the character “deserves her own play, more than just a riff on a Greek play”.

Carey Mulligan in the 2018 Royal Court production of Girls and Boys | Photograph: Marc Brenner/Vogue.com

Page 3 – 4

Cast and Creative Team Nikki Muller

Dennis Kelly

Actress Nikki made her stage debut as Tai Tai “Alexis Li” in Michael Chiang’s High Class in 2013. She followed this up as sassy wildcat “Suzy DeSousa” in Dick Lee’s 70’s inspired hit musical, Hot Pants. Her debut with Pangdemonium came in Circle Mirror Transformation, and their kick-ass journey together continued with The Effect and Fun Home.

The Swiss-Filipina landed her first TV job when she was 15 years old, hosting MTV@Mbassy. She co-hosted Studio Disney on Disney Channel and at 20, was nominated as “Best Entertainment Presenter” at the Asian Television Awards. She’s since been nominated twice in the same category.

At Fox Sports Asia she covered F1, MotoGP and tennis adventures around the world. She’s broadcasted to over 600 million homes in the opening and closing ceremonies of the 28th South East Asian Games.

Nikki’s in her element at Marvel Studios events, sharing the stage with the likes of Robert Downey Jr. and Samuel L. Jackson.

She’s hosted travel and business programs for Channel News Asia and talked food science on Mediacorp’s The Food Detectives, now on National Geographic. She recently appeared in HBO’s Westworld, sharing the screen with Aaron Paul (Breaking Bad) and Evan Rachel Wood.

Cast and Creative Bio #Girls&Boys

Tracie Pang Director Tracie trained at Croydon College, London, and has clocked up more than 25 years working in theatre throughout the UK and Asia. In Singapore, she set up The Little Company, for whom she wrote and directed numerous productions for children aged 3–14. She was Associate Artistic Director for Singapore Repertory Theatre from 2006-2010.

In 2010 Tracie founded Pangdemonium Theatre Company with her husband Adrian. At the Straits Times Life Theatre Awards, she won the Best Director Award for Pangdemonium’s Falling, and received nominations for Pangdemonium’s The Full Monty; Dealer’s Choice; Rabbit Hole; Next to Normal; Fat Pig; Tribes and Dragonflies, and also for SRT’s The Dresser; The Snow Queen and The Pillowman. Other productions she has directed for Pangdemonium include Closer; Spring Awakening; Swimming with Sharks; Gruesome Playground Injuries; The Rise & Fall of Little Voice; Frozen; Circle Mirror Transformation; Chinglish; The Effect; Rent, The Pillowman, Tango, Fun Home, The Father, Peter and the Starcatcher, Late Company, This is What Happens to Pretty Girls, Urinetown: The Musical, The Son. Tracie was awarded the 2015 AWA International Woman of the Year for The Arts, and the 2017 Women’s Weekly “Great Women of our Time” Award for Media and the Arts.

Playwright Dennis Kelly is a British writer for film, television and theatre. He is perhaps best known for co-writing BBC Three’s sitcom Pulling, for cowriting Matilda the Musical (Tony Award for Best Book of a Musical) with comedian Tim Minchin, and for the controversial Channel 4 conspiracy thriller Utopia.

His plays include Girls & Boys, From Morning to Midnight, The Ritual Slaughter of Gorge Mastromas, Things That Make No Sense, True Love, Sums and Christmas, The Gods Weep, The Prince of Homburg, Orphans, Our Teacher’s a Troll, D.N.A., Murder at Gobbler’s Wood, Taking Care of Baby, Love and Money, After the End, Osama the Hero, Rose Bernd and The Fourth Gate.

Jing Ng (Ctrl Fre@k) Sound Artist & Composer Awarded the National Arts Council Scholarship, Jing graduated with first class honours from Rose Bruford College (UK) specialising in Performance Sound.

Having designed for various companies and productions over 10 years of practice, he aspires to provide a wholesome sonic experience for the audience - what, why and how you listen through a live performance. Nominated for Best Sound Design in the 2018 Singapore Straits Times Life Theatre Awards for Dragonflies (Pangdemonium Theatre Company Ltd).

Cast and Creative Bio

Wai Yin Kwok Set Designer

James Tan Lighting Designer James Tan (Pangdemonium’s Associate Artist/ Independent Lighting Designer) was conferred The Young Artist Award and awarded Arts Professional Scholarship by The National Arts Council of Singapore.

He was recipient of Arena Stage - The Allen Lee Hughes Lighting Design Fellowship, United States Institute for Theatre Technology (USITT) YD&T Lighting Design Award, USITT Commissioners Grant & International Association of Lighting Designers (IALD) - Education Trust for IALD Enlighten Americas and The Straits Times Life Theatre Awards - Best Lighting Design 2017/2018. Master of Fine Arts in Lighting Design, UC San Diego.

Selected Theatre Lighting Design Credits: Dragonflies & Next to Normal (Pangdemonium), Merdeka & Public Enemy (W!ld Rice), Disgraced & Hello Goodbye (Singapore Repertory Theatre), Red (Blank Space Theatre in collaboration with Esplanade – Theatres On The Bay) and Lord of the Flies (Blank Space Theatre with Sightline Productions). Selected Events Lighting Design: From Singapore to Singaporean: The Bicentennial Experience (Singapore Bicentennial Office), OCBC Garden Rhapsody: Rainforest Orchestra – Asia & Australia Edition (Gardens

By The Bay) & The Art of the Brick® Exhibition by Nathan Sawaya (MBS ArtScience Museum). International & Regional Tour: Relatively Speaking (The British Theatre Playhouse) & God of Carnage (Singapore Repertory Theatre). Selected Public Artwork: Yellow @ Lorong Halus Bridge (Commissioned by Public Art Trust for Rewritten: The World Ahead of Us).

Wai Yin is a Designer from the UK with over 15 years of experience in theatre and events. Wai Yin is happy to be working with Pangdemonium again on Girls & Boys. She previously designed The Weight Of Silk On Skin, Tango, The Effect and Dragonflies, which was nominated at The Straits Times Life Theatre Awards 2018 for Best Set Design.

She has also collaborated on multiple Singapore-based shows for the last 7 years with I Theatre, Wild Rice, SRT, and LASALLE College of the Arts. Occasionally she mentors and lectures at NAFA and UWCSEA. Wai Yin was Resident Senior Designer for Resorts World Sentosa for 3 years and participated in creating largescaled entertainment experiences at Universal Studio Singapore, such as Halloween Horror Nights and Christmas. Production designs for the theme park included Elmo TV Time, a new Sesame Street show which was nominated for Best Theatrical Production for IAAPA Brass Ring Awards in 2018.

She was also involved in designing for Resorts World Sentosa Casino, Ballroom, Hotels and S.E.A Aquarium.

Ctrl Fre@k Show Design Company Ctrl Fre@k is a show, system design and management company specialising in areas like performing arts, themed attractions and commercial events.

They seek to provide wellresearched, ingenious and high quality design solutions that increase the production value of every projects that they undertake.

Their expertise in both hardware and software based production equipment, bridging creativity and methodical workflow enables them to tailor-make solutions to specific requirements.

Page 7 – 8

Girls and Boys Production Team Cast NIKKI MULLER Woman

Creative Team TRACIE PANG Director DENNIS KELLY Playwright WAI YIN KWOK Set Designer JAMES TAN Lighting Designer JING NG (CTRL FRE@K) Sound Artist & Composer CTRL FRE@K Production Sound Design

Production & Stage Management Team

Girls and Boys Team

CAT ANDRADE Stage Manager DEENA SHAQINAH Assistant Stage Manager LILIANA ZORRILLA SOLK Assistant Stage Manager/ Costume Coordinator OOPS & UNDO Technical Managers RAYMOND GOEI (CTRL FRE@K) Sound Operator TAI ZI FENG Lighting Apprentice ENQI CHEE (ROADIE PTE LTD) Lighting Board Programmer

Pangdemonium Team TRACIE PANG Artistic Director/ Managing Director ADRIAN PANG Artistic Director KIMBERLY WONG Company Manager CRISPIAN CHAN Creative Director/IT MARK WAITE Head of Education CLARISSA TAN Fundraising Manager KRISTAL ZHOU Marketing Manager JASPER LIM Creative Designer LEAH SIM Production Manager SUNITHA NAYAR Production Manager CAT ANDRADE Company Stage Manager

KUSUM SANDHU Sales & Ticketing Manager GUILLAUME VAUTRIN Accounting Manager GUINEVIERE LOW Company Administrator NICOLE TAN Philanthropy Consultant BRIAN NAI Education Assistant JAMES TAN Associate Artist

Pangdemonium Board RAEZA IBRAHIM AUN KOH TAN KHENG HUA JOHN CURRIE DEBBIE ANDRADE TRACIE PANG ADRIAN PANG

The Son (2020) Company Photo

#Girls&Boys

The Mother Page 9 – 10

Education and Outreach Pangdemonium is excited to introduce adult, youth, and children’s theatre classes under our new Education and Outreach programme. If you have a passion for performance, this is the place for you!

Join our adult classes – either for fun, or to take one of our prestigious London Academy of Music and Dramatic Art (LAMDA) accredited exam programmes. If you know any younger theatre lovers who are itching to tread the boards, we have a variety of classes for theatre enthusiasts from ages 5 to 18. Using theatre as the foundation, our programmes equip students with the knowledge, self-confidence, and lifelong speaking skills to express themselves in all situations – from the classroom to the boardroom!

We have something to suit both the beginner and the theatre obsessive, and everything in between.

Explore our course offerings below!

Term Classes LAMDA Education Programme Work towards an internationally recognised qualification in drama or public speaking and have fun in a safe and welcoming environment.

LAMDA examinations aim to provide a platform for individuals to explore their creativity while gaining confidence and a sense of achievement. Higher grades hold UCAS points and are applicable for American College Application Forms.

LAMDA examinations are optional.

For ages 5 – Adult

LAMDA Performance: Acting Learn the craft of acting, whilst having fun in a supportive environment. Led by a Pangdemonium-trained facilitator, you will explore the technicalities of voice, posture and presentation, leading to an eventual assessment with a LAMDA Examiner from the UK.

Education and Outreach

LAMDA Communication: Speaking Verse and Prose Learn the intricacies of language through the Speaking Verse and Prose programme where students learn about the difference in preparing and presenting two contrasting pieces and develop a love for literature and presentation.

#Girls&Boys

Creating for Stage Work with our talented team of facilitators to devise, produce and present your own piece of theatre. Gain confidence, learn to express yourself and make new friends under the creative guidance of an industry professional.

– Intermediate (Ages 8 – 12) A weekly, hour-long session working on a variety of age appropriate material in order to build and create a story to share.

Advanced (Ages 13 – 18) A weekly, 90-minute session where students devise their own material leading towards a production.

Creating Confident Communicators Gain the confidence and knowledge to prepare and present yourself in public and get your message across!

Work with our Speech and Presentation specialists to look at techniques that can help you in areas such as posture, projection, storytelling, vocal stamina and coping with those dreaded nerves.

For ages 8 – 18

A Play In A Week / Acting For Screen Experience working with some of Singapore theatre’s most creative industry professionals!

Introducing our holiday workshops where students get to write, produce and perform their own material for two different styles of dramatic medium, with a Pangdemonium twist.

Triple Threats Musical Theatre Workshop Our Triple Threats Musical Theatre Workshop is designed for youths who are interested in musical theatre.

The programme aims to impart the fundamentals of storytelling through music, expression through song, vocal instruction and movement culminating in a special showcase.

Our Facilitators Meet our fantastic team of facilitators, each with their own specialism in Arts Education.

Our students are definitely in good hands!

Mark Waite

Head of Education & LAMDA Representative (SEA)

Shona Benson

LAMDA: Acting & Communication

Marie Gabriel

LAMDA: Acting, Speaking Verse & Prose

Claire Glenn Workshop Leader

Our Triple Threats alumni have gone on to programmes in LASALLE and made their professional debut in shows like Fun Home and The Great Wall Musical.

Jaiwal Grewell

For ages 13 – 19

Sharda Harrison

Adult Classes For those with a passion for theatre, or if you are merely interested in taking up a new hobby, we have adult classes available for you too!

From gaining an internationally recognised certification in acting with the Adult LAMDA Programme, to simply meeting other like-minded would-be thespians in our Foundation: Acting programme, the option is yours.

Education and Outreach

Holiday Workshops

LAMDA: Acting & Communication

Adult Education

Serene Martin

LAMDA: Acting, Speaking Verse & Prose

Emil Marwa Adult Education

Ashie Singh

Public Speaking and Presentation Trial, private and corporate classes are available. For more information, contact us at education@pangdemonium.com.

If you would prefer to focus on presentation and communication – we have an adult class for you in our Confident Communication programme, which is also available for corporate clients in areas such as team building or professional development.

Page 11 – 12

Thank you for being our Friends White Knights

Heroes

Anthonia Hui & Leonardo Drago Holywell Foundation

Anonymous Azmeen Moiz Barry & YT Clarke Toh Bao En Tee Bee Tin Bernard Lau Carol Hall Catherine Cheung & Elvin Too Christian Peter Lukey Wee Chwee Heng Ferdinand de Bakker & Yoon Lai Cheng Jaime, Erin, Emily, Erica & Evelyn John Currie & Hong Sun Chee Jordan J Dea-Mattson Michelle Sassoon Ronald Gwee Ronald & Janet Stride Chan Sia Lin Goh Sze Wei Prof.Tommy Koh Valerie Uy Velasco

Winged Crusaders The Grace, Shua Jacob Ballas II Charitable Trust

Crusaders Jacqueline Ho, Esq Anonymous

Superheroes Anonymous Conrad & Andrea Lim Desmond & May Lim Harris Zaidi Oh Jen Jen Jim Rogers & Paige Parker Katherine Krummert & Shawn Galey Mrs Lee Li-Ming Smitha Menon

Friends of Pangdemonium #Girls&Boys

Champions Abel Teo Adinda Savitri & Erik Christianto Ajit R Nayak Alvin & Christina Liew Andress Goh Avalon Shipbrokers Pte. Ltd. Christine Gan Yam Churn Meng David Neo David & Nicola Arms Dirk van Motman Dominik von Wantoch-Rekowski Dorothy Ng Douglas & Christy Lee-OLoughlin Duncan Kauffman Ang Ee Yee Elisa Kang & Unsu Lee Elizabeth Oo

Lee Eng Hin & Saralee Turner Enterprise Assurance PAC Freddie Corbett Heng Gek Hwah Gerry & Sharon Craggs Gioia & Mark Battistoni Gretchen Liu Dr Irene Lim & Prof David Stringer Jake, Ta & Sasithon Jacobs James Andrade James & Rebecca Orme Dr Tan Eng Thye Jason Jupe Tsui Teh Kee Kerstin & Hendrik Kretzer Kevin & Dina Coppel Leslie Lee Mahita Geekie Mary Ann Tear Matthew Wong Kang Mei Ling Melanie Tan Michelle & Manish Bhatia Lim Mingcheng Nick & Nikki Weber Patricia Eng Rachel Low & Lim Wen Juin Richard Lingner Roopa Dewan Sardool Singh Seow Kim Seng Serene Oh Pang Siu Mei Susan Sim Suzanne Lim Dr Beh Swan Gin & Maisy Koh Khoo Teng Seen Tino, Kitch, & Jo Joerger-Ramos Winston & Valerie Kwek Chng Yi Ta & Judith von Prockl-Chng Yuen Law LLC Chia Yu Hsien & Linda Lim Yvonne Tham

Alan F Quadros Alicia Hah Andrew Lim Andrew Maul & Kelly Payfer Andrew Yap Anonymous Antonio Castellano Audrey Chng Audrey Phua Benedict See Toh Brian Selby & Angelina Chang Carla R Forbes-Kelly Catherine Sanger Charinne Char Cherilyn Chia Chang Chia Yi Chiming Ngu Chew Choon Ling Koh Choon Min Christopher Pang Foo Chuan Kit Clara Goh & Vincent Tan Corrine Hoo Cynthia Wong David Thian Frog Michaels Geoffrey Baker Grace Chiam Gregory Tan Indra Genevieve Thilainathan Jane Iyer Janet Y.K. Lim Jasmine Wong Javier Redondo & Paula Llamas Jeremy Yeap Ng Joo Kim Jorin Ng Julie Chua Kelvin Loh Kevin Chang Ang Kexin Khalijah Masud Lek Lee Hiah Ng Li Ya Gao Lu Luis Andia Lutian Family Lyn & Wee Kiat Phng Maryanne Gul Matthew Flaherty

Melanie Song Kok Moi Lre Nathan Ong Nicholas Deroose Patrick Sum Paul Ong Ong Pei San Phyllis Tan Pierce Sim Kok Pooi-San Rajesh Achanta Rebecca Yeoh Regina Lim Richard Hartung Ronald JJ Wong Sandra Gwee Sangeeta Razu Sehr & Ashnil Dixit Shirin Tang Ang Siew Hui Low Siew Kheng Silver Rita Elaine Sharon Tan He Shimei Shuwen Koh Siva Govindasamy & Malini Sitaram Loh Soon Hui Sophial Foo Stephanie Chung Stephen W Uhr Steven Mizller & Patricia Meyer Chan Swee Chin Tasneem Rehana Haq Violet Huang Teo Wee Hwee Toh Wei Seng Koh Woon Teng & Alan Ng Lee Xin Yi

Friends of Pangdemonium

Pangdemaniacs

Pao Yah Chow Foo Yee Ling Ng Yichun Wei Yiming Tan Ying Jie Yvonne Soh Liew Zhi Hao Yap Zhi Jia Ang Ziqian

– We would like to express our sincere thanks to our new Friends who made their kind donations after this list went online.

Zouk | PangsGiving 2019

Page 13 – 14

Become a Friend of Pangdemonium!

Join our philanthropic friends and help us tell the stories that are inspiring, relevant and accessible for the young and young-at-heart.

At Pangdemonium, we believe in staging productions that have a global resonance and universal significance will help to foster a resilient and compassionate society.

Your support will not only go towards bringing stories to the stage, but also giving opportunities to our theatre practitioners as well as nurturing the next generation of artists and audiences.

You will be the first to hear about our latest projects, meet other like-minded patrons at receptions, receive complimentary premium seats, get discounts for all additional purchases, enjoy backstage tours, and much more!

It is only with the support of everyone where words can be brought to life, to build a theatre that empowers, stimulates and inspires.

Zouk | PangsGiving 2019

Friends of Pangdemonium #Girls&Boys

– Pangdemonium is a registered charity with IPC status and your cash donation is eligible for 250% tax deduction.

Donate today at donate.pangdemonium.com.

For more information on joining our Friends of Pangdemonium programme, please contact our Fundraising Manager, Clarissa Tan at clarissa@pangdemonium.com.

Support Us

Corporate Giving –

Strengthening Our Community At Pangdemonium, we are able to continue doing the work we do because our corporate partners believe in us.

For the past decade, Pangdemonium has shared the power of live storytelling with audiences from all walks of life. Even during unusual and challenging times, we continue to tell these stories.

And we are extremely grateful to companies like Alfa Tech and HCS Engineering, for standing with us in solidarity, and coming on this journey with us as corporate donors.

Corporate support is crucial in helping Pangdemonium fulfill our mission, by assisting in our day-to-day operations, keeping our high production values, and funding our education and outreach programmes.

In appreciation of your generosity, Corporate Donors will get to enjoy exclusive opportunities – from being able to demonstrate your commitment to the arts and the theatre community, to connecting

with clients and as an organization over meaningful experiences, increasing brand engagement, and achieving your organisation’s philanthropic and community outreach goals.

Corporate giving strengthens our community, and we welcome your solidarity and support, however great or small.

“We see similarities in our art form of construction and the theatre, so it felt like it was a natural place for us to invest in the community.”

Zack Wilson Managing Director Alfa Tech

– Pangdemonium Theatre Company Ltd is a registered charity with IPC status (Registration no.: 201229915M) and all cash donations are eligible for a 250% tax deduction.

Consider making an online gift today at donate. pangdemonium.com or contact our Philanthropy team at fundraiser@pangdemonium.com.

Tracie and Adrian would like to say a big thank you to the following for creating further pangdemonium with us on our production of Girls and Boys .

SUPPORTED BY

OFFICIAL STORAGE PARTNER

Pangdemonium Theatre Company is a recipient of support from the National Arts Council’s Major Company Scheme for the period 1 April 2020 to 31 March 2023 Page 15 – 16

Pangdemonium Theatre Company Ltd is a registered charity with IPC status.

Registration number: 201229915M Pangdemonium Theatre Company Ltd is a recipient of support from the National Arts Council’s Major Company Scheme for the period 1 April 2020 to 31 March 2023