III ENCUENTRO INTERNACIONAL DE COMPOSITORES

DE COMPOSITORES

CSM «Manuel Castillo»

Del 27 al 30 de marzo de 2023

Programa general de clases magistrales y conciertos

Lunes,27demarzo

Centro de Estudios Hispanoamericanos: Sala «Rafael Yuste» (c/Alfonso XII, 16, Sevilla)

8:30-10:30. Inauguración del Encuentro a cargo del director del centro, Israel Sánchez, y primer encuentro con Simonetta Sargenti (Conservatorio «Guido Cantelli» de Novara, Italia): Music and space: towards accessible and sustainable tools for real time mixed composition, improvisation and performance.

10:30-11:00. Descanso.

11:00-13:00. Encuentro con Cosimo Colazzo (Conservatorio «Federico Bonporti» de Trento, Italia): «Francisca». Composición y Dramaturgia musical. Entre historia y presente, género y diversidad.

13:00-14:30. Encuentro con Franceso Mantevi (Conservatorio «Giuseppe Verdi» de Milán, Italia): Augmentation Design for Developing Euphonium Practice and Mechanics.

Conservatorio Superior «Manuel Castillo»: Edificio Baños (c/Baños, 48, Sevilla).

17:00-19:00. Masterclasses privadas con los profesores del Encuentro (I): Mario Garutti (Edificio Baños, aula 25) y Simonetta Sargenti (Edificio Baños, aula 23). Sede a determinar.

19:30-21:00. Concierto 1. Obras de Mario Garuti y de estudiantes de Composición del CSM «Manuel Castillo». Con la participación de Lester Rodríguez.

Martes,28demarzo

Centro de Estudios Hispanoamericanos: Sala «Rafael Yuste» (c/Alfonso XII, 16, Sevilla).

8:30-10:30. Encuentro con Mario Garuti (Conservatorio «Giuseppe Verdi» de Milán, Italia): Casta, caustica, stocastica. Analisis de piezas del propio Garuti y de una obra de Xenakis.

10:30-11:00. Descanso.

11:00-13:00. Encuentro con Simonetta Sargenti (Conservatorio «Guido Cantelli» de Novara, Italia): Perception, listening and meaning: a proposal of analysis of electroacoustic music.

ENCUENTRO INTERNACIONAL

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III ENCUENTRO INTERNACIONAL DE COMPOSITORES

CSM «Manuel Castillo»

Del 27 al 30 de marzo de 2023

13:00-15:00. Encuentro con Daniela Terranova (Conservatorio «Jacopo Tomadini» de Udine, Italia). Sound Gestures of Silent Matter.

Conservatorio Superior «Manuel Castillo»: Edificio Baños (c/Baños, 48, Sevilla).

17:00-19:00. Masterclasses privadas con los profesores del Encuentro (II): Daniela Terranova (Edificio Baños, aula 25) y Roberta Vacca (Edificio Baños, aula 23).

19:30-21:00. Concierto 2. Proyecto de colaboración entre el área de Percusión y el departamento de Composición «Percumposition». Obras de estudiantes de Composición escritas para estudiantes de Percusión (Edificio Baños, aula 14).

Miércoles,29demarzo

Centro de Estudios Hispanoamericanos: Sala «Rafael Yuste» (c/Alfonso XII, 16, Sevilla).

8:30-10:30. Encuentro con Cosimo Colazzo (Conservatorio «Federico Bonporti» de Trento, Italia): Teatro musical. «La locandiera, Musicape e il giovin signore». Lo cómico como la clave para la crítica social y política.

10:30-11:00. Descanso.

11:00-13:00. Encuentro con Roberta Vacca (Conservatorio «Alfredo Casella» de L’Aquila, Italia): Azio Corghi. Un maestro per la vita.

13:00-15:00. Encuentro con Cesare Saldicco (Conservatorio «Giuseppe Verdi» de Milán, Italia). Formalizing spirals: algorithms for instrument solo with electronics.

Conservatorio Superior «Manuel Castillo»: Edificio Baños (c/Baños, 48, Sevilla).

18:00-20:00. Masterclasses privadas con los profesores del Encuentro (V): Mario Garuti (Edificio Baños. Aula 25) y Daniela Terranova (Edificio Baños: Aula 23).

19:30-21:30. Masterclasses privadas con los profesores del Encuentro (III): Cosimo Colazzo (Edificio Baños. Aula 25) y Roberta Vacca (Edificio Baños: Aula 23).

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III ENCUENTRO INTERNACIONAL DE COMPOSITORES

CSM «Manuel Castillo»

Del 27 al 30 de marzo de 2023

Jueves,30demarzo

Espacio Santa Clara (c/Becas s/n, Sevilla).

10:00-12:00. Encuentro con Roberta Vacca (Conservatorio «Alfredo Casella» de L’Aquila, Italia): Compongo dunque s(U)ono: ludus e logos nella composizione musicale.

12:00-14:00. Encuentro con Daniela Terranova (Conservatorio «Jacopo Tomadini» de Udine, Italia). Hearing Colours.

Instituto San Isidoro (c/ Amor de Dios, 28, Sevilla).

16:30-18:00. Encuentro con Mario Garutti (Conservatorio «Giuseppe Verdi» de Milán, Italia). «Sibille sull'ellittica». Analisis de piezas del propio Garuti y de una obra de Ligeti.

18:00-19:30. Encuentro con Cesare Saldicco: Análisis y comentario de obra de los estudiantes.

Conservatorio Superior «Manuel Castillo»: Edificio Baños (c/Baños, 48, Sevilla).

20:00-21:30. Concierto 3. Obras de los profesores del III Encuentro, interpretadas por Cosimo Colazzo, Alfonso Padilla, Ignacio Torner y Elena Fernández (aula 14).

Asistencia

 Total: 38 horas.

 Será obligatoria la asistencia a un mínimo de 25 horas para obtener 1 crédito de libre configuración.

 Por la asistencia a todas las sesiones, se ofrecerán 2 créditos de libre configuración.

 Prioridad para los alumnos matriculados en Composición del CSM «Manuel Castillo». Los conciertos serán de entrada libre hasta completar aforo.

 Precios:

o Alumnos y profesorado del CSM Manuel Castillo: Gratis.

o Alumnos matriculados en otro conservatorio superior u otras inscripciones: 40 euros.

 Formulario de inscripción:

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III ENCUENTRO INTERNACIONAL DE COMPOSITORES

CSM «Manuel Castillo»

Del 27 al 30 de marzo de 2023

DOCENTES

Cosimo Colazzo

Cosimo Colazzo (Melpignano, Lecce, Italia, 1964), licenciado en Piano (Conservatorio de Lecce, Italia), Composición (Conservatorio de Roma) y Dirección (Conservatorio de Milán), así como en Filosofía (Universidad de Lecce). Se especializa en Composición con Salvatore Sciarrino (1985-88), y recibe clases de Dirección de Pierre Boulez (Aviñón, 1988) y Peter Eötvös (Szombathely, 1988), así como de Composición con Luigi Nono (Aviñón, 1989). Realizó actividades de dirección artística y musical de la Orquesta Sinfónica de Irpinia, durante las temporadas sinfónica y de conciertos de 1985 a 1988, y es fundador, pianista y director de los conjuntos MotoContrario Ensemble y ArgoArt Ensemble, con los que ha realizado numerosos conciertos en Italia, y en el extranjero. Como compositor y como pianista, ha sido premiado en numerosos concursos nacionales e internacionales, presentando sus obras en varios festivales nacionales e internacionales (Italia, Europa, América del Norte y del Sur, Japón). Fue director del Conservatorio di Musica "F.A. Bonporti" (2005-2011), y tiene una intensa actividad musicológica. Actualmente es catedrático de composición en el Conservatorio Federico Bonporti de Trento y miembro de la facultad y artista en residencia en la Escuela Italiana en Middlebury College (EE.UU.).

PERSONAL WEB:

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III ENCUENTRO INTERNACIONAL DE COMPOSITORES

CSM «Manuel Castillo»

Del 27 al 30 de marzo de 2023

MarioGaruti

(ENGLISH) Born in Modena on 4 August 1957, he studied with U.Rotondi at Milan Conservatory and obtained his diploma with full marks in 1985 (where he currently teaches composition). He attended post-graduate courses at the Accademia Chigiana in Siena with Franco Donatoni (1982-83). His compositions, many of them published by BMG Ricordi, have won awards on numerous occasions: Gaudeamus (Amsterdam, 1983, 1985), RAI Competition (Milan, 1982), Fiocchi Competition (Milan, 1984), Berg International Competition (Vienna, 1985), Hambach Intern Comp. (1985), Carme Comp. (Milan, 1985), Petrassi Intern. Comp. (Parma, 1986). In 1982 he took part in the Venezia Opera Prima festival. From 1984 to 1994 he was regularly invited to the summer courses in Darmstadt, where he won the Stipendienpreis in 1984 and the Kranichsteiner Musikpreis in 1986 ("…e l'altro", Arditti String Quartet, cd Col Legno WWE 31896). He was given several masterclasses and he taken part in various seminars, including: 1983 at the Conservatory of Paris, 1992 St Petersburg, 1999 Damascus, 2000 Marina di Massa and in the University of Cremona. 2004 Musikhochschule Stuttgart and University of Milan. 2006 Conservatory of Vilnius, 2007 Conservatory of Granada, 2008 University of Malta, 2012 Conservatory of Pesaro, 2015 Conservatory of Seville. In 2021 he has organized in Milan a conference about Writing and Time named “I Cantieri di Chronos”. During the last three years he has a stable cooperation with the Teatro Massimo Bellini in Catania. His works are commissioned and performed at the most international festivals by prestigious interpreters such as Trio Accanto (Eclat Festival in Stuttgart, 1998), Giuliana Albisetti, Alter Ego Ensemble, Arditti String Quartet (Darmstadt, 1986; Biennale in Venice, 2009), Penderecki String Quartet, Icarus Ensemble, EX-novo Ensemble, Het Trio, Divertimento Ensemble, Baden Baden Sudwest Rundfunk Orchestra (dir M.Gielen), RAI Orchestra in Milan (dir. M.Valdès), Orchestra La Fenice of Venice (dir. G.Taverna), Pomeriggi Musicali Orchestra in Milan, Christopher Redgate, Brenda Mitchell, Annamaria Morini, Roberto Fabbriciani, Robert Szreder, Spazio Musica EnsembleMarco Rogliano, J. Faber, Paolo Tini, Stefano Scodanibbio, Steven Schick, Robert Szreder, Oscar Pizzo, Manuel Zurria, Stefano Vismara, Nicole Kern, Christian Dierstein, Carine Levine, ecc. He has also collaborated with the electronic music studios Agon and MMT (Westdeutscher Rundfunk, Cologne, 1994; Musica

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III ENCUENTRO INTERNACIONAL DE COMPOSITORES

CSM «Manuel Castillo»

Del 27 al 30 de marzo de 2023

Verticale, 1995, Rome). With Stefano Carrara he founded U.R.T.O. a multimedia group. The last work an opera-clip, "Moondata" has been played during the Festival "Di nuovo Musica" (Reggio Emilia 2000). He also plays violin in the 'Opus Orchestra', an improvisation group founded in 2012 (Barcellona, Mirò Foundation, june; Milan, Palazzina Liberty, november) by W.Prati. Last pieces: “Lucenti Aita” for soprano, choir and orchestra (Teatro Massimo Bellini, Catania, 2018); “Four little blue tunes” for soprano, clarinet, doublebass and piano (Conservatorio of Milan, 2018); “3.1”, string quartet played by Penderecki String Quartet in Genoa (2019); “Canto, come se nulla fosse”, symphonic poem for violin and orchestra (Teatro Massimo Bellini, Catania 2020). Next work: “Mars asleep on Venus lap”, a commission by the Penderecki String Quartet.

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MORE (WRITINGS ABOUT THE AUTHOR, WRITINGS AS AUTHOR, DISCOGRAPHY, AND CATALOGUE OF WORKS):

CSM «Manuel Castillo»

Del 27 al 30 de marzo de 2023

(ENGLISH) Francesco Manenti took his Bachelor’s Degree in Composition with full marks and honors at “L. Marenzio” Conservatory in Brescia (IT), studying with Prof. Emanuela Ballio; in his graduation thesis he discussed the application of the Shannon-Weaver model of commu-nication to the score’s analysis. He is now attending his Master’s Degree studies with Prof. Mario Garuti at “G. Verdi” Conservatory in Milan (IT), improving his style in composition, and developing preservative augmentations for acoustic instruments. He studied electronic-music and analog synthesis, drums, and theorbo, respectively with Prof.s Enrico Cosimi, Franco Rossi, and Leopoldo Saracino. One of his main strengths in the composition’s process involves practicing and experimenting directly on the instrument, therefore after piano studies in his youth, he started learning strings, electric guitar and bass, in order to acquire all the knowledge he could about instruments’ dynamic and structure. He attended many Masterclasses with internationally well-known musicians such as: Marina Boselli, Laura Bersani, Cristina Zavalloni, Dom Famularo, Billy Cobham, Dennis Chambers, Benny Greb, Tom Griesgraber, and many more… He also went deeper into the performative side of music, working as a sound and light engineer in theaters and music halls for theatre and dance companies, but also progressive and metal artists and bands from all over the world. During his Bachelor’s Degree he worked for Prof. Maria Grazia Gazzola’s Chamber Music class, writing pieces for exams and degrees; he also wrote some pieces for solo mandolin and mandolins ensemble - both with and without electronics - for Prof. Dorina Frati’s Mandolin class. He wrote a lot for drums too, both for LPEB’s exams and degrees, for Franco Rossi’s Accademia di Musica Moderna. At the moment he is developing preservative augmentations for acoustic instruments, and producing a new music literature for this special configurations, working with some professional musicians such as: Marina Boselli, Laura Bersani, and Marco Ignoti. He also designs and produces his own eurorack modules for synthesizers, and electronic interfaces for acoustic instruments to communicate with modular systems. PERSONAL LINKS:

Website: francescomanentihq.com

Academia:

Youtube:

III ENCUENTRO INTERNACIONAL DE COMPOSITORES

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Francesco Manenti

III ENCUENTRO INTERNACIONAL DE COMPOSITORES

CSM «Manuel Castillo»

Del 27 al 30 de marzo de 2023

Cesare Saldicco

(ENGLISH) Cesare Saldicco is a composer, multimedia artist and filmmaker based in Milan. Research interests include the use of emergent dynamical and fractal systems in generative works and nonstandard synthesis, glitch/noise aesthetics and new forms of interaction and self-organized presentation. He has had commissions, awards and grants from the most significant international institutions such as Accademia Nazionale of Santa Cecilia in Rome, Acanthes, Centro Tempo

Reale, CECh – Comunidad Electroacùstica de Chile, Bourges International Festival of Electroacoustic Music and Sonic Art, CEMAT Federation, Musica Viva Portugal, EXPO2015, EmuFest, MUSLab, Mixtur Festival, AVAF - Athens Video Art Festival, Destellos prize and La Biennale di Venezia. His music is edited and published by ArsPublica, Philology, Da Vinci Publishing, Sconfinarte, RMN Classical and Stradivarius and has been widely performed in Italy, Austria, Australia, Argentina, Belgium, Brazil, Bulgaria, Canada, Chile, Croatia, Denmark, England, Finland, France, Germany, Greece, India, Japan, Malta, Mexico, Portugal, Russia, Spain, Sweden, Switzerland, U.S.A. and broadcasted by Italian National RadioRAI. Starting from 2019 he is curator of MA/IN Festival, an international festival for digit and multimedia arts. He is professor in electroacoustic music composition at Conservatorio Statale di Musica “Giuseppe Verdi” in Milan.

PERSONAL WEB:

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III ENCUENTRO INTERNACIONAL DE COMPOSITORES

CSM «Manuel Castillo»

Del 27 al 30 de marzo de 2023

SimonettaSargenti

(ENGLISH) Simonetta Sargenti lives in Milan. She studied at the Conservatorio G. Verdi violin, composition and electroacoustic music and at the Università Statale of Milan Philosophy and Musicolgy. Since 1980 she's performer and composer especially engaged in XX century’s music and interested at the applications of technology in musical and artistic domain. From 1990 to 1997 she worked in Milan with a composer's team for musical research and production. She realised with them, the sound direction of Stockhausen's works: Mikrophonie I, Solo with different instruments and Mantra She is composer for instruments, instruments and live electronics, magnetic tape and recently she realised some audio-visual installations and interactive compositions. Her compositions are performed in Italy and other European countries and often she plays her owns pieces for violin and live electronics. She is active as musicologist too. She has written articles and essays especially on 20st century music. Her most recent studies are on Nono's last works and Stockhausen's technique of “formula”: Technology and instrumental writing in Luigi Nono's latest work (Paris 2008, Kaunas, 2010), Application of the “formula” in Mantra of Karlheinz Stockhausen. (Rimini 2010, Kuerten 2011, published in 2013 in Journal of Literature and Art Studies), Dramaturgy of sound, mobile sound and digital garden as grounding concepts of multimedia works, (Berlin 2014), Interaction in a performance space: A changing landscape, an experience of audiovisual installation, (Lisbon 2013). She is professor of Music Analysis and History of Electroacoustic Music in the Conservatorio di Musica “G. Cantelli” of Novara, and she worked before in the Accademia Internazionale della

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III ENCUENTRO INTERNACIONAL DE COMPOSITORES

CSM «Manuel Castillo»

Del 27 al 30 de marzo de 2023

Musica of Milan, Istituto Musicale C. Monteverdi of Cremona, Conservatorio di Musica “S. Giacomantonio” of Cosenza, Conservatorio “G. Rossini”, Pesaro. She is invited annually in the University of Technology of Kaunas (Lithuania) for the Conference Music and technologies and she held Masterclasses on electroacoustic music at the Universidade Catholica Portuguesa of Porto (Portugal), Kaunas University of Technology (Lithuania), Conservatorio Superior de Musica de Malaga (Spain). She was invited to the first workshop on Stockhausen's music “The musical legacy of Karlheinz Stockhausen” in Kuerten, August 2011 where she presented a project on Mantra.

MORE:

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Academia.edu

III ENCUENTRO INTERNACIONAL DE COMPOSITORES

CSM «Manuel Castillo»

Del 27 al 30 de marzo de 2023

(ENGLISH) Daniela Terranova is an Italian composer working in the area of concert music, opera and extended sonic environments. Her recent work revolves around the sound substance conceived as ‘sonic dramaturgy’, strongly linked to an exploration of the matter the instruments are made of. She studied composition in Italy with Azio Corghi and attended academies and masterclasses throughout Europe. Among the most relevant, a postgraduate course in Composition with Beat Furrer at Universität für Musik und Darstellende Kunst in Graz and a postgraduate course in electroacoustic composition at the mdwUniversität für Musik und darstellende Kunst in Wien. Her work has won several national and international competitions, including: 'SIAE – Classici di Oggi' (a new commission project in partnership with Orchestra della Toscana); I prize at the international competition 'Gianni Bergamo Classic Music Award' (SwissLugano); Special Mention for the Italian Music: 'Premio SIAE' (International Composition Contest 'Valentino Bucchi Prize', Rome); the prize 'Nuova Musica alla Fenice' (Gran Teatro La Fenice, Venice); I prize at the International Composition Contest 'Vieri Tosatti' (Rome); the prize 'Monte dei Paschi di Siena' (Accademia Chigiana, Siena); the prize 'Franco Donatoni International Meeting for Young Composers' (Divertimento Ensemble, Milan); 'Kinderszenen Prize' (CIDIM, Rome); the prize ICOMS (Turin); the National Prize of Arts. Her music has been performed at many festivals and concert seasons: IRCAM's Concert Season; London Sinfonietta's Concert Season; Wiener Konzerthaus; Wien Modern Music Festival; Bludenzer tage zeitgemäßer musik, Bludenz; Open Music, Graz; Gare du Nord Basel; Ultraschall Berlin - Festival für Neue Musik; Biennale Musica 2019, Venice; Musikpodium, Zürich; Multiphonics Festival, Koln; Only Connect, Oslo; Foundaciòn BBVA, Madrid; Festival Mixtur and Festival Barcelona Modern; Teatros del Canal, Madrid; Teatro Central, Seville; Budapest Music Center; Time of Music Festival, Vitasaari ; Musikaliska Concert Hall, Stockholm; Italian Academy of the Columbia University, New York; Festival Vértice, Mexico City; Royal Welsh College of Music and

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Daniela Terranova

III ENCUENTRO INTERNACIONAL DE COMPOSITORES

CSM «Manuel Castillo»

Del 27 al 30 de marzo de 2023

Drama, Cardiff; Festival Styria Cantat VI, Graz-Helmut List Halle; Universität Mozarteum, Salzburg; International Week of New Music-SIMN, Bucharest; Son[UT]opìas project, Universidade de Santiago de Compostela; Tallin Chamber Music Festival; Fidelio Trio Season, Dublin; Festival Traiettorie, Parma; Festival Nuova Consonanza, Rome; Accademia Filarmonica di Bologna; Gran Teatro La Fenice; Auditorium Parco della Musica, Rome; Teatro Dal Verme, Milan; OPV (Orchestra di Padova e del Veneto) Concert Season, Padua; La Verdi Symphony Season, Milan; Divertimento Ensemble's Concert Season, Milan; festival 'Play it!', Florence; Festival Internazionale della Valle d'Itria; International Concerts Season of Orchestra della Svizzera Italiana; Festival of Cadiz.She graduated with honors in Classical Languages and Literature at the University of Trieste, and in 2015 completed her international PhD program in Audiovisual Studies at the University of Udine (in collaboration with Université Sorbonne Nouvelle – Paris 3), with a dissertation entitled 'Myth and Music in the Contemporary Musical Production for Theatre'. Her music is published by the editor Suvini Zerboni - Sugarmusic (Milan) and has been broadcast by several radios such as BBC Radio 3 (in the contemporary music programs ‘Hear and Now’ and 'The New Music Show'), Radio3 Suite, RSI, ORF, Rbb Kultur, Deutschlandfunk Kultur. She teaches Composition in Italian Conservatories.

https://www.danielaterranova.com/ https://soundcloud.com/daniela_terranova

PERSONAL LINKS:

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CSM «Manuel Castillo»

Del 27 al 30 de marzo de 2023

Roberta Vacca - pianista y compositora, profesora en el Conservatorio “A. Casella" en L'Aquila (Italia), donde también completó sus estudios musicales, así como en la la Academia Nacional de Santa Cecilia de Roma y la Academia Chigiana (Siena). Ganadora de numerosos premios y galardones nacionales e internacionales, ha sido compositora residente en la Mac Dowell Colony (EE.UU.), en la Fundación Bogliasco para las Letras y las Artes y en la Residencia de Artistas "Le Ville Matte", cuenta con varias obras en su haber (publicadas por Ars Publica, Crepúsculo, MEP, Sconfinarte, RAI Com), estrenadas en Italia y en el extranjero, recogidas en 5 monografías y varias colecciones de discos producidos por varios sellos fonográficos. El componente lúdico e idealista, unido a su pasión por el teatro, cuyos gestos impregnan también su producción instrumental, la llevan a estar abierta a numerosas y heterogéneas colaboraciones “en las que el proyecto compositivo se asienta sobre instalaciones formales siempre muy claras y sobre figuras prestadas de la tradición y transfigurado. El gesto teatral y la narratividad, la narración tanto en sentido teatral como en el musical, intrínseca a la elaboración de la corriente instrumental, son la verdadera necesidad expresiva de la compositora”. (Renzo Cresti, Musica Presente, 2020).