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Bello Spring 2026 issue

Paradise KRYS

MARSHALL ISSN 2769-5077

#233

ISSN 2769-5069

PHOTOGRAPHY BY LARETTA HOUSTON

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ISSUE 233

Table of CONTENTS

all h sar

M s yr

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COVER LOOK

Full Look MEGAN RENEE @meganrenee.co Bracelets CRISTINA SABATINI @cristinasabatini CYBELE BERTIN @cybelebertin Ring MAM @mam

04 Letter From The Editor

58 Nich

05 BELLO Obsessions

64 Engel

06 Krys Marshall 25 Paris Berelc & Asher Angel | BELLO Spotlight 44 Amirah J | BELLO Young Hollwyood

68 Ian Asher 72 French Countryside: Permanence as a Way of Living 78 Off Duty Royal | BELLO Style

55 Your Friends And Neighbors 56 Olivia Munn | BELLO Archive

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LEtter From The Editor Bello

Digital Art by Stéphane Marquet

The Paradise Issue Dear Readers, There are moments in television when a series arrives that does more than entertain. It holds your attention in a different way. It builds, it shifts, and it rewards you for paying attention. Paradise is one of those rare shows. What sets it apart is its precision. Each episode feels complete, with no filler, no wasted space. Every chapter moves the story forward while delivering its own set of reveals, the kind that genuinely catch you off guard. Season two pushes that even further. What begins as a controlled, almost contained world expands into something far more unexpected. The finale in particular (spoiler alert) shifts the series into new territory, introducing a stronger sci-fi dimension, touching on ideas around AI and quantum physics that elevate the stakes without losing the emotional core. It does not feel like a departure. It feels like an evolution. When we photographed Krys for this issue, what stood out immediately was that same sense of range. She moves effortlessly between moods, between silhouettes, between energies. There is something distinctly modern in the way she carries herself, but also something timeless in how she connects to the camera. This issue reflects that idea of expansion. Of going beyond what is expected. Of allowing a story, or a person, to reveal new layers over time. Whether on screen or on the page, the most compelling narratives are the ones that keep evolving. Welcome to the Paradise issue. Sincerely,

Stéphane Marquet

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Curated by Stephane Marquet

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PERIGOLD Morris & Co. Owl & Willow Wallpaper $14.15 /sq. ft.

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PERIGOLD Eichholtz Novelle Swivel Barrel Chair $2795

CABANA Paris City Guide in collaboration with Ralph Lauren $45

THE WELL APPOINTED HOUSE Pink Primrose Porcelain Vase $325

WOLF & BADGER Pomegranate Earrings With Jade Accents $282

YSL Deroche Slingback Pumps in Satin Crepe $1250

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Krys MARSHALL With its Season 2 finale now aired, Paradise has carved out its place as a sharp, high-stakes socio-politicalsci-fi thriller, one that uses its post-collapse setting to examine control, hierarchy, and the systems people choose to preserve when everything else falls apart. At the center of it is Krys Marshall, whose performance brings both authority and tension to a character navigating the shifting lines between order and rebellion. As the series pushes its characters into increasingly complex territory, Marshall reflects on the evolution of her role, the dynamics of power inside the bunker, and the choices that define survival when accountability finally catches up.

KRYS MARSHALL @krysmarshall Photography LARETTA HOUSTON @larettahouston @exclusiveartists Styling + Creative Direction LISA SMITH CRAIG @lscstyling @wemergenetwork MakeUp STEPHANIE NAVARRO @beautiebystephanie using Danessa Myricks Beauty and ONE/SIZE Hair RANDY STODGHILL @hairjunkierandy @opusbeauty Conversation by ALEXANDRA TUIL @maisonpriveepr_la Styling Assistant ESSENCE T. CARSON @essencecarson Special Thanx KRISTIE HIGGINS & GARY MANTOOSH @initiativepr MAISON PRIVEE X BELLO MEDIA GROUP @maisonpriveepr_la @bellomediagroup

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“Becoming a mother completely shifted my perspective. I felt more creative, more driven, and more connected to my work.” Dress: Charles and Ron @charlesandron Ring: Cybele Bertin @cybelebertin

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Paradise presents a world where collapse doesn’t dismantle power, it preserves it. What was your first reaction to that idea when you read the script?

people the truth and allow them to make their own choices, all while still trying to stay grounded in what she believes is right.

When I first read the script, I really had no idea what the story was going to be. I knew it was a political thriller, but I was just as shocked as the audience when I got to the end of the first episode and realized we were living inside a bunker. I truly did not see that coming.

Your character operates very close to power, but also close to its fractures. How do you approach playing someone who exists in that in-between space?

What I find so interesting about the show is that even though we’re dealing with nuclear fallout, environmental collapse, and these huge, world-ending stakes, at the end of the day, people are still people. There’s still infighting, jealousy, power struggles, and people trying to hold onto control or survive without it. I love that the story balances those big, bold ideas with the smaller, more intricate parts of human behavior. The bunker feels less like a refuge and more like a continuation of the same hierarchy that existed before the collapse. How did you interpret that environment as an actress? The dynamics we had on the surface are very much the same inside the bunker. I play the head of the Secret Service, so my role is to protect the president. That was my job before entering the bunker, and it remains my job afterward. At the beginning, we really see that structure and hierarchy clearly in place, but as the season progresses, especially once the president is killed, we begin to see that the people in power can’t necessarily be trusted. That’s when everything starts to shift. While there’s this massive external chaos happening with volcanoes and nuclear fallout, there’s also this internal pressure building, like a tea kettle about to boil over. The drama from the outside world really seeps into the inside of the bunker. There’s an undercurrent of rebellion in the show, a sense that some people are no longer willing to accept the system that was built. How does that tension shape your character’s journey? Robinson has always been someone who is aligned with truth and morality. She has a very strong internal compass, she really believes in doing what’s right. At the beginning, that means upholding the system, trusting that leadership has the best intentions, and maintaining order. But as that system starts to break down, her role changes. Her compass doesn’t shift, but the way she follows it does. As we move through the story, she becomes more of a renegade, even a vigilante in some ways. She’s willing to challenge the entire structure of this world in order to give

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It really comes down to relationships and navigating what you reveal versus what you keep to yourself. Whether it’s a professional relationship or something more personal, there’s always that balance between how you present yourself and what remains private. That dynamic becomes even more complex when you’re a woman in a position of power, especially in an environment that’s largely male-dominated. Robinson is juggling a lot. She’s balancing authority, vulnerability, and contradiction. As an actor, I always start with the script, what she says about herself, what others say about her, and build from there. She’s a woman who believes in structure and the rule of law, yet she’s also capable of dismantling that same system. She’s full of contradictions, and I think that’s what makes her feel real and human. The show suggests that the real danger is not the end of the world, but the moment people start demanding accountability. Do you see Paradise as a story about reckoning? Yes, absolutely. There’s this idea that the monster is something external, but really, it’s internal, it’s in us. The show explores what happens when power and greed go unchecked. You see characters who are capable of making extreme decisions, even justifying them in the name of protecting others. But at the same time, there’s always a cost to that behavior. As the story unfolds, especially toward the finale, we start to see the repercussions of those choices and what accountability really looks like. Paradise challenges the idea of a “fresh start.” Do you think the show believes it’s possible to rebuild a truly new world, or do we inevitably recreate the same systems? I actually think the show takes a very optimistic approach. Even after everything collapses, we see moments that highlight the goodness in people. There’s kindness, compassion, and a willingness to help others, even in the worst circumstances.Despite everything falling apart, there’s still this belief that humanity, at its core, leans toward doing the right thing.

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Looking at your journey so far, what moments or decisions have most defined you, not just as an actress, but as a woman shaping her own narrative? Becoming a mother was a huge turning point for me. For a long time, I was afraid that having children would negatively impact my career, especially in this industry. But when I had my son, it completely shifted my perspective. I felt more creative, more driven, and more connected to my work. It reminded me what truly matters: love, connection, and purpose. It grounded me in a way that allowed me to approach my work with more freedom and authenticity. Are there specific designers, eras, or cultural references that you find yourself constantly drawn to? I’m really drawn to structure and color in fashion. I love pieces that are beautifully tailored and perfectly constructed. I’ve worn designers like Dior and Oscar de la Renta, who are known for stunning gowns and precise tailoring. But I also love bold, vivid colors and emerging designers, especially local talent. One of my favorites is Harbison Studio, a Black designer from the South now based in LA. He creates the most vibrant, jewel-toned dresses and gowns that look incredible on dark skin. I’ve always loved fashion, and I’m so grateful to my stylist, Melissa Lynn, who constantly pushes me to experiment with interesting silhouettes, sheer fabrics, and structured pieces. As my body has changed, single, married, pregnant, postpartum, she helps me find ways to celebrate those changes rather than hide them. I’m eternally grateful for her creativity and guidance in shaping my style. You recently stepped into a new chapter of your life. Has motherhood influenced the way you see yourself, both personally and in how you move through your career? Completely. I feel more confident and more capable, both personally and professionally. In this industry, you’re often made to feel like you’re lucky just to be there, but becoming a mother gave me a stronger sense of self. I know who I am now and what I bring to the table. I’m excited to collaborate, but I also don’t rely on external validation in the same way. I’ve really taken ownership of my power.

out, helicopters spinning, hundreds of background actors, probably around 400, and so many moving parts. It was chaotic in the best way. Everything felt so real, so alive, and the energy on set was incredible. On the complete opposite end, there was a very intimate scene with James Marsden. It was a closed set, just the two of us and the camera operator, and it felt incredibly raw and personal. It really felt like two people deeply connected, having a quiet, emotional moment. Was there a scene that turned out completely different from how you first imagined it when you read it on the page? Honestly, most of them. The writing is already so strong, but seeing it come to life adds another layer. There are moments that feel one way on the page, and then completely different on screen. Watching performances, like those from Shailene Woodley, can be incredibly moving in ways you don’t fully anticipate until you see it. Success is often a collective journey. What kinds of support or connections have played a key role in shaping your path? There are so many people I’m grateful for. My mom and my sister were the first to truly champion me. They believed in me at a time when there wasn’t much reason to. I was young, broke, living in New York, constantly facing rejection and questioning if I should even keep going. But they never stopped lifting me up. I feel the same way about my husband, who has always been incredibly supportive, especially during those moments when I didn’t get a role I really wanted and felt completely defeated. My manager, Paul Brown, has also been such a constant in my journey. We’ve worked together for years, and he’s the kind of person who will pick up the phone and advocate for me, show up to my premieres, celebrate the wins, and support me through everything in between. There are honestly too many people to name,but I truly believe in that idea: if you want to go far, you go together. Everything I have achieved and everything I will achieve is because of the strong, supportive community around me. Both seasons of Paradise are now streaming on Hulu.

Looking back at the two seasons we’ve seen so far, is there a moment on set, whether intense or unexpectedly funny, that has stayed with you? One of the most intense moments for me was in Season 1, during the White House escape scene. We were running

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Top & Pants Megan Renee @meganrenee.co Bracelets: Cristina Sabatini @cristinasabatini Cybele Bertin @cybelebertin Rings: Mam @mam

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Dress: Samuel Gärtner @samuelgaertner Earrings & Ring: Cybele Bertin @cybelebertin Bracelet: Randa Choueiri @randachoueiri

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Blazer/Dress: Eman Alajlan @emanalajlan Skirt: RVNG Couture @rvng.couture Jewelry: Cybele Bertin @cybelebertin Shoes: Francesca Bellavita @francescabellavita

Dress: Charles and Ron @charlesandron Ring: Cybele Bertin @cybelebertin

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Corset: Kristina K @kristinakofficial Pants: Atelier 7474 @atelier7474 Earrings: @wemergenetwork

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Top & Pants Megan Renee @meganrenee.co Bracelets: Cristina Sabatini @cristinasabatini Cybele Bertin @cybelebertin Rings: Mam @mam

Blazer/Dress: Eman Alajlan @emanalajlan Skirt: RVNG Couture @rvng.couture Jewelry: Cybele Bertin @cybelebertin Shoes: Francesca Bellavita @francescabellavita

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Bello Spotlight

PARIS BERELC ASHER ANGEL

PHOTOGRAPHY BY MATT DOHENY

ISSN 2769-5077

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Paris BERELC Asher ANGEL Kissing Is the Easy Part, But the Aftermath Is Where It Lands

PARIS BERELC @theparisberelc ASHER ANGEL @asherangel Photography MATT DOHENY @dohenyphoto Styling LISA SMITH CRAIG @lscstyling MakeUp + Grooming CAROL PARK @1carolpark Hair JENNIFER at Kelly Zhang Agency @kellyzhangagency Photography Assistant ROMEO GANDON @romeogandon Special thanx to LAURA PUIG @lauraepuig at TUBI @tubi Photography Illustration STÉPHANE MARQUET @alekandsteph Production + Location MAISON PRIVÉE X BELLO MEDIA GROUP @rachelcocca Some films arrive with perfect timing. Others linger. Kissing Is the Easy Part has done both. Originally released as a Kissing Is the Easy Part exclusive on Tubi just ahead of Valentine’s Day, the romantic comedy quickly carved out its space among a new wave of digital-first love stories. Weeks later, the film continues to resonate, carried by its leads Asher Angel and Paris Berelc, whose on-screen dynamic lands with an ease that feels both familiar and refreshingly current. At its core, the story follows Sean, singularly focused on his future at MIT, and Flora, who is ready to dismantle the expectations placed on her by her academic family. What begins as a strategic arrangement evolves into something less predictable. The film understands that for this generation, love is rarely the plan. It is the disruption. Directed by Fawzia Mirza and adapted from the widely read Wattpad novel by Christine Duann, the project carries the DNA of digital storytelling into a more cinematic format without losing its immediacy. That transition is part of what makes the film feel relevant now. It reflects how audiences discover stories today, and how those stories evolve beyond their original platforms. The supporting cast, including Tom Keat, Hayley Festeryga, Roshahn Dhoré, Mark Ballantyne, Rosalie Turmel, and Jennifer Robertson, adds texture without pulling focus, allowing the central relationship to remain the film’s anchor. The tone moves easily between humor and sincerity, never overstaying either. What keeps the film in conversation now is not just its release moment, but its rewatch value. It sits comfortably within a streaming ecosystem where discovery happens in waves, not opening weekends. Audiences continue to find it, share it, and return to it. There is a simplicity to the premise that works in its favor. The title suggests one thing, but the film leans into another. Connection is rarely complicated at the start. It is everything that follows that requires negotiation, risk, and a willingness to step outside of the version of yourself you thought was already decided. Kissing Is the Easy Part understands that shift. And that is what gives it staying power. Now streaming for free on Tubi.

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Cover Looks: Asher: Shirt Tommazo @tommazo_official Shirt Louis Vuitton @louisvuitton Jeans Ksubi @ksubi Glasses Sojos @sojosvision Jewelry Arock @arock_official Paris: Bodysuit Mannatt Gupta @mannatt_gupta Skirt Raxxy @christopherraxxy_official Shoes Francesca Bellavitta @francescabellavita Earrings Cristina Sabatini @ cristinasabatini Handbag Qoffah @qoffah

Dress Acler @acler Bracelet Cristina Sabatini @cristinasabatini Earrings Adiba @adiba.official Boots Elizée @elizeeshoes

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Jacket Renaissance @renaissancebydg Shirt Bonia @bonia Pants Hiromi Asai @hiromi.asai Jewelry Arock @arock_official 31

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Asher: Jacket Renaissance @renaissancebydg Jeans Ksubi @ksubi Shirt Le Père @lepere Shoes Thursday Boots @thursdaysboots Jewelry Arock @arock_official Sunglasses James Oro @jamesoro Paris: Jacket Renaissance @renaissancebydg Jeans Significant Other @the.significant.other Necklace & Ring Cristina Sabatini @cristinasabatini Sunglasses James Oro @jamesoro Shoes Betsey Johnson @betseyjohnson

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PHOTOGRAPHY BY JEN ROSENSTEIN 41

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Young Hollywood

ISSN 2769-5077

AMIRAH J PHOTOGRAPHY BY KRISNOFF

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YOUNG HOLLYWOOD Bello

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Amirah J is already a familiar face to audiences, but in High Potential, she feels right at home. As Ava, she sits at the center of the show’s family dynamic, bringing a natural ease that makes those moments land without trying too hard. Working alongside Kaitlin Olson, she moves comfortably between humor and more grounded scenes, often in moments that feel spontaneous and real. It is that simplicity that gives her performance its impact. As the show continues to connect with viewers, Johnson is quietly becoming one of its most relatable presences. Here, she talks about filming Season 2, the energy on set, and the moments that stayed with her.

AMIRAH J @theamirahj Photography KRISNOFF @krisnoff Styling JOAQUIN ARISTIDES FLORES @aristidesfashion MakeUp NATALIE ROSE @natalie.rosebeauty Hair AMBER NICHOLLE @ambernichollehair Production Assistant ADRIANA ESCANDON @_adriana_esc_ PR RAMONA EKPE WOLF KASTELER PUBLIC RELATIONS @wolfkasteler

What was your favorite memory on set while filming Season 2 of High Potential? My favorite memory on set for Season 2 was filming a family scene at the end of episode 17. It was nice to have a scene all together, including the baby, and the moment was mostly improvised. We had a lot of fun, laughing and taking pictures. Those family scenes are my favorite and really the heart of the show.

There’s a Shameless reunion with Steve Howey joining High Potential. What was it like reconnecting with him? I was excited to see that he was cast as a regular on the show. We haven’t had any scenes together yet, but we’ve reunited off screen, which has been really fun. Are there any genres you’d love to explore in the future? I would love to do a sports drama. Boxing movies are some of my favorites. I love Southpaw and all of the Creed films.

Have any of your skills from gymnastics and cheerleading transferred over to acting? Would you ever want to try stunt work? Cheerleading is definitely a team sport, and it takes an entire team of people to film each episode of the show. Everyone has to work together to create something special for the audience. Stunt work isn’t something I’ve ever been interested in, but the way those scenes come together is very cool.

Do you share any similarities with your character’s personal style? Ava and I dress very differently, and that’s what makes it so fun. It feels like playing dress-up every episode with all the different outfits and jewelry she wears.

Your on-screen mother, Kaitlin Olson, has had a long career in television. Has she given you any advice for navigating that world? Does she crack jokes between takes? Kaitlin hasn’t given me any direct advice, but I learn so much just by acting opposite her. Sometimes she’ll change her lines while we’re filming, which is hilarious because you never know what she’s going to say.

What has been your favorite awards season look so far? My mom and I love watching the red carpet before every awards show. My favorite look recently was Chase Infiniti at the Actors Awards. I thought she looked stunning.

Did you expect High Potential to become such a massive success while filming? I didn’t know if it would be as successful as it is. While filming, we all hoped people would connect with it, but actually seeing the response has been a dream come true. I’m very grateful for the show’s success and love that everyone can find a character they relate to.

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Inside the Fracture: Your Friends & Neighbors Returns With Season 2 Season two of Your Friends & Neighbors arrives April 3 on Apple TV+ with a premise that no longer needs to introduce itself. The framework remains direct: a man falls from privilege and begins stealing from the people around him. What shifts this season is not the concept, but the consequences. Jon Hamm returns as Andrew “Coop” Cooper, still navigating the aftermath of his professional and personal collapse. What began as a controlled descent now expands into something harder to contain. The stakes move beyond survival and into exposure, where the secrets behind Westmont Village begin to surface in ways that disrupt the structure of the community itself. The series continues to operate between satire and tension. Wealth is not just a backdrop, it is the system under pressure. Season two leans further into that idea, examining how quickly stability fractures when image and reality stop aligning. A key shift comes with the arrival of a new neighbor, played by James Marsden, whose presence unsettles the existing dynamics. His role introduces a different kind of disruption, one that challenges the balance of power within the neighborhood rather than simply exposing it. Alongside Hamm, the returning cast, including Olivia Munn and Amanda Peet, continues to anchor the series in a restrained register. Munn’s Samantha operates in that space between control and instability, a dynamic that becomes more visible this season. The tone remains consistent with what made the first season resonate: controlled, observant, and unwilling to overstate its commentary. The writing avoids spectacle, allowing tension to build through proximity, relationships, and the quiet exposure of what sits behind carefully maintained lives. Season two does not expand outward as much as it tightens inward. The world is already established. What changes is how fragile it proves to be.

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Revisiting the BELLO archive brings Olivia Munn back at a moment that sits differently now. At the time, the trajectory wasn’t fixed. Film, television, and studio roles moved in parallel, without a clear push toward one direction over another. In recent interviews, she has been more direct about that period, including stepping back from acting and questioning what kind of work made sense to return to. Your Friends & Neighbors became part of that shift. Not just another role, but one she chose to step into after time away, with a clearer sense of what she wanted to take on. The series, now on Apple TV+, places her in a world built on control, image, and underlying instability. It is a space that leaves room for restraint, which aligns with how she approaches the role. In parallel, she has spoken openly about filming while navigating her health, including the physical reality of returning to screen after surgery. Seen alongside her current work, the image connects without needing to be reframed.

Olivia Munn Photography Aleksandar Tomovic Creative Direction Stéphane Marquet Styling Warren Alfie Baker Makeup Shane Paish Hair Christian Marc Nails Emi Kudo 57

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Model NICHOLAS AHMET @nick_ahmet photographed and Syled by STEVE LIMONES @stevelimonesphotography Nick Ahmet is steadily finding his place between modeling and acting, bringing a natural ease in front of the camera. There is something direct about the way he carries himself, confident without trying too hard, with a presence that reads immediately. Off set, you will likely find him by the beach, but his work stays grounded in something real. Recently, he stepped onto the runway during fashion week, adding another layer to his growing presence in the industry. It is a natural extension of his world, whether in front of a lens or creating his own content, he leans into simplicity and instinct rather than overthinking it. As his path continues to unfold, it is this balance, relaxed yet intentional, that makes him one to watch.

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Éngel Chase

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ÉNGEL CHASE @engelwyattchase photographed by Aleksandar Tomovic @alekandsteph Styling MAISON PRIVÉE @maisonpriveepr_la

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Louisi ana So ul, L.A .

Heart

Raised in Louisiana and now based in Los Angeles, Éngel Chase moves between two worlds that continue to shape his work without ever canceling each other out. The contrast is part of the foundation. “I’ve definitely become such an L.A. boy,” he says, before anchoring himself in what still defines him. “Down in Louisiana we’re very hospitable and believe in kindness above all else.” That sensibility carries through everything he does, whether in acting, music, or fashion. Chase speaks about identity with a directness that feels intentional. “I’m trailer trash, but nice, classy trailer trash turned city boy,” he says, framing a personal narrative that feeds into his creative output. Louisiana remains present in subtle ways, through references, tone, and memory, while Los Angeles offers the freedom to expand and refine his expression. The balance is not calculated. It is instinctive. Creativity entered early and never left. “When I was four years old,” he says, recalling the first moment it became essential. Drawing, singing, performing for family members, it quickly became more than a pastime. “I always needed to be creating something because if I wasn’t, I wasn’t happy.” That need deepened in response to his environment. “I didn’t have the best childhood, but when I was drawing, acting out scenes with my toys, or performing for my siblings, nobody would touch me or reprimand me. It was a place of freedom.” That early instinct continues to define how Chase approaches his career, though rarely within a single discipline. Instead, he moves across mediums, allowing each to serve a different purpose. “I think it’s both,” he says when asked whether his work builds one continuous story or multiple identities. “I’m passionate about so many things that I can’t choose just one.” Music becomes an outlet for something darker and more chaotic, while acting offers distance and transformation. Visual work brings a different kind of stillness. “When I’m drawing, sewing, or styling, I’m serene and in a state of flow.” His perspective on visual storytelling reflects both awareness and restraint. He acknowledges the current landscape, where repetition and image-driven 67

perfection dominate, but resists leaning into it. “Visual storytelling is an incredible art form,” he says. “It allows us to practice empathy, to step into other people’s shoes.” What holds his attention are not polished narratives, but imperfect ones. “True performances are imperfect, and those are the ones I’m drawn to.” Los Angeles has played a defining role in that evolution, though not without friction. “It’s given me some trauma I never expected,” he says, laughing, before shifting to what the experience ultimately revealed. “It’s also given me hope and a kind of magic within myself that I didn’t know I had.” The transition from Louisiana was marked by isolation, but also persistence. What remains protected is a memory of who he was before that shift. “That small-town naïveté… I remember that boy fondly. He was full of excitement and had an overall ‘happy to be here’ attitude.” In his process, emotion comes first. “Because I’m an empath, it usually starts with emotion, what a character is feeling,” he explains. From there, imagination builds outward, shaping the work until it aligns with what he sees internally. It is a method that demands precision. “I’ll start over again and again until it translates the way I want.” Chase recognizes the perfectionism in that approach, even as he questions it. “I think that says I’m a perfectionist as an artist, which isn’t a trait I’m proud of.” Across every medium, the throughline remains consistent. Chase is not chasing a singular image or identity. He is building from experience, allowing past and present to coexist, and translating both into work that feels lived-in rather than constructed. 2026

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IAN ASHER Bello

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issue #233

Ian Asher’s rise has been fast, but not accidental. What started as a remix that caught fire online quickly translated into something more tangible: packed festival stages, constant touring, and a growing global audience that already knows every drop before it hits. There is a directness to the way he approaches music, instinct over calculation, energy over formula. As his latest release Desire continues to build momentum, Asher reflects on the moment everything shifted, life on the road, and the creative instinct that keeps it all moving.

IAN ASHER @ianasher Photography STEVE LIMONES @stevelimonesphotography Styling AMBIKA “B” SANJANA @styledbyambika Grooming NADIA HOECKLIN @nadiahoecklin Photography Assistant NICK AHMET @nick_ahmet

Your remix of “Makeba” basically took over the internet. What was your first reaction when you realized the track was going viral everywhere?

You’ve already collaborated with a range of artists. Who would be at the top of your list next? Calvin Harris. I grew up listening to his music, so many records that really shaped what I do. Even just being in the studio with him and understanding how he approaches things would mean a lot.

When people started making their own videos with the Makeba sound, I knew it was going to be a big moment. It felt surreal. That was a turning point for me. Right after it took off, I started touring heavily, and since then I’ve been on the road almost every weekend. It all happened very fast.

Social media played a big role in your rise. How do you stay creative and authentic in that space?

You went from viral DJ to playing major festivals around the world pretty quickly. What has been the most surreal moment of this journey so far?

It always comes back to the music. I don’t really build a persona. Most of what I share is what I’m working on in real time. If I’m not genuinely excited about something, I don’t post it.

Playing Storm Festival in Guangzhou in front of over 30,000 people stands out. I didn’t even know people there knew my music. Moments like that hit differently. I’ve played hundreds of shows across different cities, and each one still feels special.

We photographed you for BELLO with a strong fashion angle. How would you describe your personal style? For me it’s all connected. The music, the energy, how I show up. I don’t overthink it. I just go with what feels right and what feels like me.

Your new track “Desire” carries a strong festival energy. What was the mindset going into it?

When you’re not touring or producing, what does a day off look like?

Gryffin’s remix of “Desire” was one of those tracks I listened to when I was younger, imagining being part of this world. That connection, combined with how unique Olly Alexander’s vocals are, made working on it exciting. I didn’t go in with a fixed plan. I just followed what felt right in the moment.

It still usually involves music. I’ve been into it since I was a kid. But it’s more about discovering new sounds, going through playlists, and just listening without pressure.

When you’re preparing for a big show, what does your pre-set ritual look like?

What’s one song you never get tired of playing in your sets?

I’ll build a playlist with a couple hundred songs, know how I want to start and end, and everything in between happens in the moment. It’s really about getting into the right headspace. The adrenaline when you step on stage is hard to compare to anything else.

Any version of Lana Del Rey’s “Summertime Sadness.” That always works.

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Vest and Pants - Tell The Truth @tellthetruth.shop Sweater RENAISSANCE @renaissancebydg Jewelry AROCK @arock_official

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The French Countryside: Permanence as a Way of Living

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There is a quiet authority to the French countryside. It does not try to impress, yet it leaves a lasting impression. The beauty is not staged. It is lived in, layered over time, and shaped by a culture that values continuity over reinvention. At its core, the French countryside lifestyle operates as a form of lived continuity. It is not simply aesthetic, it is structural. Homes, landscapes, and daily rituals function within a temporal framework that resists acceleration. In contrast to contemporary urban environments defined by speed, disruption, and constant renewal, the countryside preserves a slower, cyclical rhythm. This is not nostalgia. It is a system. From an architectural standpoint, permanence is embedded in material choices. Limestone, terracotta, aged wood, lime wash. These are not decorative decisions. They are adaptive responses to climate, geography, and time. Over decades, these materials do not degrade in the conventional sense. They evolve. Patina becomes a form of value. The visual identity of a place is therefore inseparable from its duration. This creates what could be described as a temporal continuity effect. Spaces appear as though they have always existed in their current state, even though they are constantly shifting in subtle ways. Shutters fade, stone softens, gardens expand and retract with the seasons. Nothing is static, yet everything feels stable. This paradox is central to the emotional impact of the French countryside.

Privacy plays a crucial role within this framework. The spatial organization of many countryside properties favors inward-facing life. Gardens enclosed by stone walls, terraces shielded by trees, pools hidden from view. This is not about isolation. It is about control over one’s environment. A deliberate separation from external noise. What makes the French countryside particularly resonant today is precisely what you pointed to: its resistance to time as we currently experience it. In a world defined by rapid cycles, digital immediacy, and cultural volatility, these spaces offer the illusion, or perhaps the reality, of permanence. They feel untouched by urgency. This perception creates perspective. When everything around you suggests continuity, your own experience of time shifts. Urgency softens. Decisions are less reactive. Life is measured less by speed and more by depth. The environment does not demand attention. It allows for it. The aesthetic often associated with the French countryside is therefore secondary. Iron chairs, linen fabrics, terracotta pots, they are not the origin of the appeal. They are the visible outcomes of a deeper system rooted in duration, locality, and restraint. Ultimately, what makes this lifestyle iconic is not how it looks, but how it situates you. It offers a rare alignment between environment and time. A sense that things have always been there, and will continue to be. Not in a static way, but in a continuous one. And in a present defined by constant change, that continuity is not just attractive. It is necessary.

In a contemporary context marked by what many theorists define as perceptual overload, a saturation of images, information, and stimuli, this stability becomes psychologically significant. The countryside offers a counter-environment. A space where visual and sensory input is reduced, where repetition replaces novelty, and where time is experienced as duration rather than fragmentation. The daily rituals reinforce this structure. Meals are not optimized for efficiency, they are anchored in repetition and presence. The same table, the same view, the same gestures repeated over years. This repetition is not monotonous. It is grounding. It creates a framework through which individuals can situate themselves within time rather than constantly reacting to it. There is also a strong territorial logic. Each region maintains a distinct identity shaped by climate, agriculture, and historical development. Provence is defined by dryness, light, and mineral tones. Dordogne by density, shade, and earth. These are not interchangeable aesthetics. They are localized systems where architecture, vegetation, and lifestyle co-evolve. The result is coherence.

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Savon de Marseille

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Savon de Marseille: Why It Still Matters Savon de Marseille is one of the rare products that has survived centuries without needing reinvention. Its origins date back to the Middle Ages in the South of France, where soap makers used local olive oil, ash, and salt to produce a hard, effective soap for both personal and household use. In 1688, under Louis XIV, production was formalized. Only soaps made with pure vegetable oils could carry the name, setting an early standard for quality and transparency. That foundation still defines what authentic Marseille soap represents today: simple composition, durability, and reliability. What keeps it relevant is not nostalgia. It is performance and consistency. In a market full of over-formulated products, Savon de Marseille remains direct. It works, and it does not try to be anything else. Panier des Sens Liquid Marseille Soap – Neroli This is a modern adaptation of the classic Marseille soap, designed for everyday use without losing its core identity. The formula is plant-based and gentle. It cleans effectively without drying the skin, even with frequent use. The texture is light, rinses quickly, and leaves no residue, which makes it practical for both kitchen and bathroom use. The neroli scent is well executed. It is clean, slightly floral, and controlled. Not sweet, not overpowering. It stays subtle, which is exactly what you want from a hand soap used multiple times a day. Packaging is simple and functional. The recycled plastic bottle is in line with the product’s positioning, and it fits easily into most spaces without feeling decorative or forced.

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OFF DUTY ROYALTY

Photography Fynn Badgley @fynn_badgley Model Kiki Thon @kiki.thon Dulce Models @dulcedomodels Lead Stylist/Creative Director Basil Waris @basilwaris Styling Harshleen Chadha @_harshleen.chadha_ Mariana Maradiaga @styledfrom_mars Emma Benedict @benedict_emma Powered by Toronto Fashion Academy @torontofashionacademy Makeup Artist Taisha Ramirez @silver_borderline__ Fashion Designers Adam X @adamxatelier YLYNX @_ylynx_

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issue #233

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issue #233

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issue #233

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PUBLISHER @BELLOmediaGroup 8285 Sunset Blvd. Suite #14 / West Hollywood, CA 90046 IMAGE NATION STUDIO L.L.C. California, USA editorial@bellomag.com BELLO | VULKAN | TILTED ADVERTISING Collaborations | Advertorials advertising@bellomag.com ALEKSANDAR TOMOVIC (editor in chief) alek@bellomag.com STEPHANE MARQUET (creative director + layout) steph@bellomag.com ED SOLORZANO (Entertainment Editor) ed@bellomag.com ALEXANDRA TUIL (contributing editor) alexandra@bellomag.com PRINT ON DEMAND (available around the world) Order here: www.bellomag.com/print SUBMISSIONS www.kavyar.com/bello-magazine WEBSITE www.bellomag.com + Digitaly Distributed On Press Reader (app) CONTENT DISCLAIMER We would like to take a moment to emphasize that the content presented in this magazine does not necessarily reflect the opinions or viewpoints of the editorial team or the publication as a whole. Our aim is to provide a platform for diverse perspectives and voices, recognizing that opinions may vary widely on the topics covered. Furthermore, while we strive to ensure the accuracy and reliability of the information presented, we cannot guarantee that all content is entirely free from errors or inaccuracies. We encourage our readers to critically engage with the material and to verify information independently when necessary. Thank you for your continued support and understanding . Copyrights 2025 - All Rights Reserved BELLO Media Group / Image Nation Studio L.L.C. Submited Content Disclamer: We can not take responsability for any content that was provided to us and will honor "notice-and-takedown" request if there is an error, or copyrights issue (on our digital plaforms).

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Bello Spring 2026 issue

Paradise KRYS

MARSHALL

PHOTOGRAPHY BY LARETTA HOUSTON

ISSN 2769-5077

#233

ISSN 2769-5069

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