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APRIL 4, 2022 Monday Edition

Emerald Media

GROWING SUPPORT FOR THE

URBAN FARM Student voices come together to fight for the Urban Farm.

OPINION

SPORTS

A&C

NORMALIZE TONE INDICATORS ONLINE PG 3

TRACK AND FIELD MEET UNDER NEW LIGHTS AT HAYWARD PG 8

DUA LIPA CONCERT EXPERIENCE PG 9 M O N D AY, A P R I L 4 , 2 0 2 2

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OPINION

WE MUST NORMALIZE NOTATION TO

INDICATE TONE ONLINE

VOL. 123, ISSUE NO. 37

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ON THE COVER

The Urban Farm. (Will Geschke/ Emerald)

The use of tone indicators has been increasing on popular social media sites TikTok and Instagram, causing some to rejoice and others to question the different notations' meanings. BY EMMA J NELSON • TWITTER @EMMAJMXLEAN Have you ever seen an Instagram comment which was so out of place that you couldn’t tell if it was sarcastic or not? Or have you ever received a complimentary message from someone and been unable to tell if they were flirting with you? Do you commonly struggle to interpret a speaker’s tone online? Without being able to hear one’s words being spoken or witness their facial expression as they’re communicating, it can be difficult to understand the tone of a digital message. According to a study by Albert Mehrabian, professor emeritus of psychology at University of California, Los Angeles, only 7% of emotional communication is conveyed through words themselves. Tone of voice accounts for 38%, and the remaining 55% comes from body language and facial expressions, all of which are lost in a text message. To bridge this gap, people have begun to use notation online to indicate what their tone of voice may be. Tone indicators are abbreviated terms or characters following a slash mark at the end of a sentence to clarify how one intends for their statement to be read. For instance, one could write “How dare you? /j” to indicate they are joking in their accusation. While the notation could be helpful for anybody, they have been largely embraced by the online neurodivergent community, as some individuals with autism spectrum disorder or similar conditions may struggle to interpret tonal cues in conversation. After the past few years of miscommunication and turmoil online, we should all be making the effort to be as clear with the intent of our speech as possible, no matter how clunky one might think it looks. We’ve been attempting to get similar notation to catch on for centuries, but it’s never quite worked. For instance, the “percontation mark,” a reversed question mark, was created in 1575 to indicate a rhetorical question, and an inverted exclamation point was proposed to indicate irony in 1668. Neither of these notations caught on quite as well as tone indicators have, which is likely due to the fact that the modern tone indicators cover a wider array of emotions. Nowadays, it’s not unlikely to see /j or /s in the comment section of a TikTok or Instagram post. There are other methods to display one’s tone online, such as emojis. However, this tonal communication may be lost in translation due to how different communities utilize the same icons to different things. Alisa Freedman, professor of Japanese literature, cultural studies and gender, has devoted much of her research to the study of online language and the use of emojis to communicate information. “It’s so hard to read the tone online,” Freedman said. “Texting can really help a lot of communication; it can save us time. But it can also add a lot of misunderstandings.” Unlike tone indicators, which have distinct and concise definitions, emojis can foster interpretation-based confusion. Do you use the clown face emoji to convey that you’re joking or that you feel foolish? Does the hot face emoji describe how you feel in 80 degree weather or when you see an attractive person? There’s no need to fear such misinterpretations when tone indicators are employed. “You develop these in-group communication styles. You know when you send someone a text message, you’ve texted them so many times that you can write ‘/s’ and they’ll get it,” Freedman said. “They won’t think you’ve made a typo or think ‘What is this?’” The notation doesn’t draw away from your comment; it’s simply a clarifying addition to prevent unnecessary squabbles online. Whether you choose to use tone indicators in your online lingo or not, they are here to stay, so you may want to learn their meanings so you can keep up with the conversation. We’ve dealt with a lifetime of miscommunication online in the last two years alone. It’s time that we be clear with the intent behind our posts to actively avoid preventable digital disputes. Can you imagine never going through the stilted exchange of clarifying that you were being sarcastic with your response again? Is that not worth a few extra characters in your text? /rh

(Pradamas Gifarry/Unsplash)

Tone Indicators

Tone indicator Meaning

Example

joking

So basically I'm a superhero /j

sarcastic

You're so humble /s

/g or /gen

genuine

It was nice to see you today! /g

/srs

serious

You're the best /srs

/nsrs

not serious

You're the worst /nsrs

/pos or /pc positive connotation

I'm fine /pos

/neu

I'm fine /neu

neutral connotation

/neg or /nc negative connotation I'm fine /neg /rh or /rt

rhetorical

Are you crazy? /rh

metaphorically

You are the light of my life /m

/li

literally

I really don't like that /li

platonically said

You look gorgeous! /p

romantically said

You look gorgeous! /r

Emma J is an opinion columnist for the Daily Emerald. She is a first year student studying journalism and creative writing. She can form an opinion on anything, but most passionately discusses queer and women’s issues.

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COVER Urban Farm is offered as a class every term at the University of Oregon, allowing students to get hands-on experience with local food production. The University of Oregon's Urban Farm is a student and community led project that focuses on promoting sustainable food systems and community-based activism. (Will Geschke/Emerald)

ENSURING STUDENT INVOLVEMENT WITHIN THE URBAN FARM

Students look to pass an ASUO resolution ensuring student voices are heard in decision making surrounding the farm. BY GAVIN GAMEZ • TWITTER @GAV_GAMEZ Following the announcement of phase two of the Knight Campus — which could negatively affect the University of Oregon’s Urban Farm — ASUO Senator Madison Sanders and the Save the Urban Farm coalition look to pass a resolution within ASUO senate to ensure student voices are heard in future decision making surrounding the Urban Farm. According to its Instagram page, Save the Urban farm is “a cross-departmental coalition of UO students aimed at preventing Knight Campus development from harming the Urban Farm.” While the Knight Campus is expanding UO’s scientific research and training, some are concerned it will threaten the farm — a model for urban land use and the setting for a class that teaches students about food systems and the impact of food choices. Presented in October to the University of Oregon Campus Planning Committee, construction for phase two of the Knight Campus —which will add a second building to host research programs and facilities — is anticipated to start in 2023, according to UO’s website. Concerns growing at the Urban Farm “It’s difficult to understand what’s happening with the Urban Farm without actually being there,” Urban Farm Director Harper Keeler said. Keeler said schematic design for the building includes a 30 foot setback from the building during construction. “That disrupts pretty much the entire east edge of the Urban Farm to the extent we’re going to be cutting down dozens of trees,” Keeler said. The removal of the “back 40” area to make room for staging materials would be the most problematic, PA G E 6

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Keeler said. “This area has been under cultivation and development at the Urban Farm for about 30 years,” he said. Keeler said he worries losing that space would limit the amount of students the Urban Farm would be able to host. Keeler said almost 140 students registered for spring term, with open slots closing in a day and a half. “Registration starts on a Monday, and on Tuesday morning it’s gone,” he said. The process of construction Campus Planning and Facilities Manager Darin Dehle said the 30 foot work zone is required to install shoring — a temporary support structure — of the basement construction while making as little impact on areas beyond the 30 foot zone as possible. Dehle said an alternative to the setback would be to lay the excavation sloping digging into the ground at an angle which would be significantly more impactful to the Urban Farm. “The work zone will also be used through the duration of the project for lifts and other equipment necessary to install materials on the exterior facade of the building,” Dehle said. “We continue to consider approaches to minimize impact to some of the trees in the area.” Dehle said the phase two project has been discussed by the School of Design faculty and the Urban Farm since summer 2021. “We have developed a working relationship related to the project: engaging in initial discussions on matters of interest to the project and the Urban Farm that has the potential to develop future learning

opportunities and academic experiences,” he said. Additionally, Dehle said members from the phase two project attended the March 30 Town Hall setup by the College of Design to address concerns about the project. Student love for the Urban Farm Sanders said student actions to protect the Urban Farm started with a student-run panel organized by Save the Urban Farm aimed at hearing what students already knew about phase two of the Knight Campus, its relation to the Urban Farm and its future operations. “I saw that this group of students had a ton of energy and a lot of passion,” she said. Specifically, Sanders said the students had a love for the Urban Farm that extended outside the UO Landscape Architecture Department, which led to her idea to pass a resolution. “As students we want to say that we stand in opposition to a development of a Knight Campus that infringes on the Urban Farm’s ability to function in the way that it does in the future,” Sanders said. She said an infringement could range from the building actively encroaching onto the grounds of the Urban Farm to shade from the campus preventing growth at the farm. “We’re kind of using this umbrella term of like standing in opposition of any development that keeps the Urban Farm from functioning in any way,” she said. Sabina Hagen-Botbol, Kaleb Beavers and Grace Youngblood are some of the students that helped Sanders with the resolution.

COVER

The University of Oregon's Urban Farm is a student and community led project that focuses on promoting sustainable food systems and community-based activism. (Will Geschke/Emerald) “Students across campus value the Urban Farm,” Hagen-Botbol said. “It's not just landscape.” Beavers said the Urban Farm and the Food Studies Program is one of the reasons he wanted to do his graduate work at UO. He said the Urban Farm is a great example of interdisciplinary scholarship. “You get people from every part of the university coming to the farm.” The Urban Farm being the main reason people come to UO is something Beavers said he has heard echoed from others. A push for student involvement When writing the resolution, Sanders said she wanted to be careful with the language to avoid asking for something unreasonable. “I don’t want to ask to stop the development of the Knight Campus if it infringes upon the Urban Farm,” she said. "It could be a battle we can’t win anyways.” In the scenario where student intervention can’t prevent anything, Sanders said the next step is to see how students can insert themselves in future conversations surrounding the Urban Farm. “Now it's navigating how exactly can we be most effective with the resolution,” she said. Another driving force behind this resolution and the Save the Urban Farm movement is the desire to make students aware of updates coming from the Knight Campus, Beavers said. “I think the communication has been an issue thus far, and there hasn’t been a lot of clear dates, deadlines and information coming to the student body,” Youngblood said. When it comes to making changes, Hagen-Botbol said students have more freedom and agency than faculty. “I think it’s really powerful that we can come together as students,” she said. She said being included in the conversation surrounding the Farm is really important. With knowledge of how the Farm functions, Hagen-Botbol said measures can be taken to offset the negative impact of the Knight Campus construction. “If we can be part of this conversation, we can really make sure that the Farm ends up on the other side of this whole process as strong as it possibly can,” she said. Hagen-Botbol said she is not totally against development of the Knight Campus. “There’s a lot

of positive things about the development and the building,” she said. Being in the Environmental Science Department for her undergraduate studies, she said she values the other sciences and the opportunities they give to students. March 30 town hall During the March 30 town hall meeting, faculty from the College of Design and the Landscape Architecture Department responded to students’ concerns about the Urban Farm. Dean of the College of Design Adrian Parr and Interim Director for the School of Architecture and Environment Kevin Van Den Wymelenberg attended the town hall. “There’s a lot of ideas that are being floated around at the moment,” Parr said. “My bottom line is: the student experience around farming has to stay.” Parr said decisions surrounding zoning and staging for phase two of the campus are not up to just her but are influenced by a multitude of voices. As to more discussion around the site selection for the phase two project, Parr said little work has been done. “There are other sites that other individuals and the faculty of Landscape Architecture also put up there, and so once again, this is a shared governance process,” she said. Parr said once there is more clarity on new potential staging sites, she is more than happy to share that information with students.

Urban Farm is offered as a class every term at the University of Oregon, allowing students to get hands-on experience with local food production. (Will Geschke/Emerald)

Looking to the future Sanders is planning on bringing the resolution about the Urban Farm to the ASUO senate meeting on April 6. Discussion around the resolution should start around 7:30 p.m. The meeting will be held in the Miller Room in the EMU. The link to the ASUO Senate agenda can be found on the “Branches” page of ASUO’s website. According to the Save the Urban Farm Instagram page, there will be a student forum about the Urban Farm on April 13, a Campus Planning Committee meeting discussing plans for the Urban Farm on April 29 and an Urban Farm community action event on May 6. More information can be found on the Save the Urban Farm Instagram page.

(Janice Kai Chen/Emerald) M O N D AY, A P R I L 4 , 2 0 2 2

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SPORTS

DUCKS SHINE UNDER NEW LIGHTS AT HAYWARD FIELD

Oregon athletes take pride in podiums as they enjoy the return of fans to the renovated stadium. BY ERIC BERNIKER Hayward Field reopened its newly fashioned iron gates to fans as Oregon hosted one of its first outdoor meets of the season on Friday. The $270 million renovations to the historic venue, including a 10 story tower and a museum, were built in preparation for the 2022 World Athletics Championships, which will take place in Eugene in July. “This is a year that's going to showcase the state of Oregon, the University of Oregon and Hayward Field like no other,” Oregon head coach Robert Johnson said. Kohana Natako had a strong outing, placing second in the javelin on a 47.65 meter throw. “I was mainly focusing on just piecing the stuff I’ve been working on together,” Natako said. Dominique Rotulo and heptathlete Colleen Uzoekwe went first and second in the women's long jump as Rotulo won the event, soaring 5.85 meters to

Uzoekwe’s 5.84. “It built my confidence,” Uzoewkwe said. “If I just keep pushing and doing the events and doing what I’ve been practicing, I’ll be good.” Freshman and Oregon native Harrison Canfield took third in his home debut, clearing 4.85 meters. Jonah Tacay set a meet record in the long jump at 7.21 meters, only to take second after being outdone by Jason Smith from Long Beach State with his 7.69 mark. Matthew Erickson heated up the track for the Ducks. Taking first place in the men's 1500 at a blistering 3:48.58 before freshman EJ Holland enjoyed his home opener, taking first place in the men's 5000 meter race and crossing the finish line in 14:27.05. “The atmosphere and charm of old Hayward is still here,” Holland said. “Going down the back straight,

even with a few hundred people you can hear it.” Luis Peralta and Aaron Bienenfield took second and third in the men’s 1500 invite, coming in at 3:46.97 and 3:48.36 respectively. Malia Pivec held a wire-to-wire lead in the women’s 3000 steeplechase, taking first with a time of 10.19.06. Daina Holmburg took second in the women's 1500, coming in at 4:26.42. To close out a dominant evening, Izzy Thornton Bolt cruised to a 4:16.56 second place finish in the invite women's 1500 behind non-collegiate winner Jenifer Randall. “We're in these races to win them,” Thornton Bolt said. “Didn’t quite pull that off but the field was quality so anything can happen.” Day two of the Hayward Premiere continues April 2 as many Ducks will make their home debuts in front of fans.

Runners compete in a distance race at Hayward Field. The University of Oregon hosted the first track and field meet of the season at Hayward Field on April 1, 2022. (Will Geschke/Emerald)

OREGON TRACK AND FIELD ENDS ITS FIRST HOME MEET WITH 7 FIRST PLACE FINISHES BY GABRIEL MARVIN The Oregon Ducks track and field team showed out on Saturday in their first meet at the newly renovated Hayward Field, taking home seven first place finishes. The Oregon mens’ 4x100 meter relay team took first place in their home debut with a strong 39.53 performance. Sophomore Micah Williams ran the second leg of the relay for the second meet in a row after leading all of last season. The 4x100 was his only event of the day after competing in the three at the Aztec Invitational in San Diego. “We're loaded,” Williams said. “We're ready. Our team is good and talented. So we'll be ready when it matters.” For the second meet in a row, the Ducks snagged first and second place in the women’s 4x100. Redshirt freshman Jadyn Mays celebrated her 20th birthday with the win and ran an impressive lead-off leg to give Iman Brown some breathing room. PA G E 8

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In the women’s discus throw, redshirt Freshman Jaida Ross broke the meet record in her first place throw that traveled 52.74 meters. Freshman Mine de Clerk finished in second with a throw of 50.81 meters. The pair took first and second in the shot put later on Saturday. This time de Clerk finished atop the field followed by Ross. De Clerk threw for 17.19 meters and Ross threw a personal best of 17.13 meters. This was the first throw of Ross’s career that went over 17 meters. “It was a big throw. Very happy that I broke 17,” Ross said. “It got kind of close at the last meet so I'm very happy that I got it this time.” Shaniya Hall, Ella Clayton and Jasmine Montgonery finished in that order and swept the women’s 200 meter podium. Hall took down the meet record when she crossed the finish line in 23.63 seconds. Hall, who wasn’t able to compete last year due foot injuries noted how hard it was for her last year.

“Last year, I literally thought I was done,” Hall said. “I was ready to give up, but I knew I still had a long way to go.” Montgomery got her second win of the day when she crossed the line in 11.52 seconds in the women’s 100 meter dash. Izzy Thornton-Bot ran in the 800 meters, though she said post-race that she’ll primarily focus on the 1500 meters this season. Nonetheless, Thornton-Bot finished in first with a time of 2:04.98. She finished a hair ahead of Portland’s Laura Pellicoro, who made up vital ground in the final 50 meters. “I did feel her coming up, and I knew that I really had to get a wriggle on. But, I finished with everything I had, and I would have done that regardless of if she was there or not,” Thornton-Bot said. The Ducks look to continue their speedy start to the 2022 outdoor season on April 13, at the Mt. Sac Relays in Walnut, California.

A&C

MY NIGHT WITH MISS LIPA BY MALENA SAADEH

Dua Lipa performs at the Moda Center on her “Future Nostalgia” world tour.

Dua Lipa’s "Future Nostalgia" tour was in support of her second studio album of the same name. "Future Nostalgia" was released March 27, 2020, by Warner Records. Dua Lipa brings the "Future Nostalgia" Tour to Portland, Oregon’s Moda Center on Tuesday March 29, 2022. (Ian Enger/Emerald)

I’m drinking a $12 beer at the Moda Center while a sea of teens and their virtuous mamas scatter below me. Miss shawty of the moment herself, Dua Lipa, is set to go on in 15 minutes, and as I sip a brew that costs what I make hourly, I realize that I’m living out one of those movie moments when the record scratches and a voiceover says “you're probably wondering how I got here.” The sequined outfits in the stadium are overwhelming, and the perfume from my section smells like a flower bomb exploded. There are $95 baby pink Dua Lipa sweatpants at the merch booth, and they are flying off the shelves faster than toilet paper in 2020. Before Miss Lipa even took the stage, the whole operation screamed pop through and through. When she did come out, the crowd let out this shrill roar for her that lasted for at least a minute. The show opened with this 80s power pop video intro where Miss Lipa introduced each of her dancers by name. She earned some brownie points with that one; that was pretty thoughtful right off the bat. She took the stage wearing a skin tight yellow jumpsuit, and if i’m honest, the first thing I remember thinking was “damn, that woman has smooth armpits.” Let this bring me to my point. Miss Lipa is one of the most objectively attractive people of this generation — any dimwit can admit to drooling over this bangin 26 year-old — but in addition to her looks, it's her presence that makes her special. The sex appeal and charisma in literally every single thing she did on stage left the crowd’s mouth hanging open. That's why when she was singing songs like

“New Rules,” I turned to our photographer and said “Why are so many of these songs about men being absolute dogs to Miss Lipa? Where could you find the audacity to dog Miss Queen Lipa?” And the outfit changes? Superb. There were about seven different outfits in the whole show with each one out-doing the previous. I really don’t know how anyone can put on a cheeky glitter jumpsuit in 3 seconds flat while still keeping their hair perfect. Is she a witch? One thing I admit bothered me a bit was all the gimmicks. She has a great voice, and the motifs seemed to take away from that a bit, but I guess for a short-attention-spanned audience demographic, it's completely excusable. And that's what an arena show is all about anyway, I suppose. I didn’t quite get it when there were two roller skaters spinning around her on stage while she belted “Cool,” and the giant inflatable lobster that humped the stage while she performed “We’re Good” pulled me away from the song. But the stunts finally clicked for me during “Levitating.” Miss Lipa sported a lush black catsuit as she hopped into an elevated half-cage. A solar system was projected behind her while inflatable planets and stars lowered from the ceiling. As she started to sing, she flew over the crowd and made the whole levitating thing undeniably literal. For lack of a better phrase, it was tight as hell. So did the Emerald team have the night of our lives at Miss Lipa’s Portland show? I don’t know. Why don’t you ask our $15 Dua Lipa tube socks?

The "Future Nostalgia" tour embarked across the United States and Canada, starting on Feb. 9 in Miami, Fl., and finished in Vancouver, BC., on April 1. Dua Lipa brings the "Future Nostalgia" Tour to Portland, Oregon’s Moda Center on Tuesday March 29, 2022. (Ian Enger/Emerald)

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