A Semi-staged Opera in Three Acts 半舞台式三幕歌劇 香港歌劇院為藝發局「優秀藝團計劃」資助團體 Opera Hong Kong is financially supported by the HKADC’s “Eminent Arts Group Scheme” 13 & 14.8.2022 (Sat & Sun) 7:30pm Concert Hall, Hong Kong City Hall 香港大會堂音樂廳 Supported by 資助
Message from the Chairman 主席獻辭 藝學院深造碩士研究生張員港歌劇院青年演唱家發展及教育計劃」的成歌劇製作。我們很高興看到過往「賽馬會香香港歌劇院致力培養本地人才，讓他們參與入優美的美聲旋律中。作品把動人的浪漫故事和搞笑的喜劇情節融夸雷》卻帶著耐人尋味的智慧和歡樂。這部琪亞》，他在晚期創作的喜歌劇《唐．帕斯歌劇中，如《愛情靈藥》和《拉美莫爾的露緻的歌劇作品。在唐尼采蒂眾多廣受歡迎的再次向觀眾介紹另一部較少人認識但同樣精《卡普里特與蒙塔古家族》好評如潮，我們繼去年我們的第一部美聲歌劇—貝里尼的《唐．帕斯夸雷》。本人衷心歡迎大家蒞臨欣賞唐尼采蒂的鍾嘉欣、陳俊堯、顏嘉樂以及香港演 瀞 行和學生票贊助上海商業銀行、鋼琴贊助通利琴團、年度及學生票金嗓贊助億京慈善基金、集團、年度及學生票白金贊助德健金融集生票贊助呂趙錦屏女士、兩年白金贊助其士歌劇院發展贊助許晉義伉儷、年度翡翠及學一直以來的支持深表感謝。另外我要向香港遊局、香港藝術發展局及康樂及文化事務署在此我謹代表香港歌劇院，對文化體育及旅同參與演出。將與我們出色的本地演唱家黃日珩和林俊一演這部賞心悅目且高難度的歌劇作品。他們丹和蔣坤成，主 Marcus 及周素媚女士，致以衷心的感 香港歌劇院主席郭永聰請細心欣賞《唐．帕斯夸雷》的精彩演出。謝。 It is my great pleasure to welcome you to Donizetti’s Don Pasquale Riding on the success of Bellini’s I capuleti e i Montecchi, our first bel canto opera presented last year, we wanted to introduce another lesser known yet brilliant opera work to our audience. Among Donizetti’s best-known works such as L’elisir d’amore and Lucia di Lammermoor, his late opera buffa Don Pasquale has a sparkling wit and gaiety in its own right. The work combines touching romance and hilarious comedy with beautiful bel canto music. Opera Hong Kong strives to nurture local talents by engaging them in its productions. We are proud to see Candice Chung, Alexander Chen and Henry Ngan, graduates from the Jockey Club Opera Hong Kong Young Artist Development and Education Programme, and Anna Zhang and Jiang Kuncheng, Master’s degree students from The Hong Kong Academy for Performing Arts, taking up the leading roles in this delightful yet difficult opera. Together, they will perform with our accomplished local opera singers Apollo Wong and Albert OnLim.behalf of Opera Hong Kong, I would like to extend our deepest appreciation to the Culture, Sports and Tourism Bureau, the Hong Kong Arts Development Council and the Leisure and Cultural Services Department for their long-term support. I would also like to extend my heartfelt gratitude to Mr. & Mrs. Richard Hui, Opera Development Patron; Mrs. Lui Chiu Kam Ping, One-year Jade Sponsor & Student Ticket Fund; Chevalier Group, Two-year Platinum Sponsor; Dakin Financial Group, One-year Platinum Sponsor & Student Ticket Fund; Billion Charity Fund Ltd., One-year Gold Sponsor & Student Ticket Fund; Shanghai Commercial Bank Ltd., Silver Donor of Student Ticket Fund; Tom Lee Music, the Piano Sponsor and Marcus & Su-Mei Thompson. Please sit back, relax and enjoy this wonderful presentation of Don Pasquale.
Ronald OperaChairmanKwokHongKong
Welcome to Opera Hong Kong’s (OHK) semi-stage opera Donizetti’s Don Pasquale. Rossini, Bellini and Donizetti are the three proponents of the bel Canto era in early 19th century. Don Pasquale, one of the all-time favourite comic operas, set to music that’s funny, clever, yet jawdroppingly demanding—and yet it touches one’s deep souls that make it a great humane comedy in opera. Tonight’s performance features entirely the city’s brilliant young talent. Apollo Wong has appeared in over 20 OHK’s productions, taking up important roles such as Figaro in The Marriage of Figaro, Frere Laurent in Roméo et Juliette and Sarastro in The Magic Flute Albert Lim, a highly versatile artist in both opera and concert performances, has also collaborated with OHK for many years. He was the Chorus Master of OHK’s Abridged Versions of Operas by Mozart – Cosi fan tutte x The Magic Flute (2020), Die Fledermaus (2018) and Opera Carnival (2017). Candice Chung, Alexander Chen and Henry Ngan are graduates of the Jockey Club Opera Hong Kong Young Artist and Education Programme. They are widely recognised in the Annual Performances of the and also OHK’s own grand productions such as Madama Butterfly (2022), Carmen (2021) and The Marriage of Figaro (2020). These up-and-coming artists have garnered accolades from audience and critics, and begun to establish their credentials.
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Opera Hong Kong has committed to nurturing young talent since its inception by providing ample performance opportunities. Anna Zhang and Jiang Kuncheng are two very talented Master degree students of The Hong Kong Academy for Performing Arts. Tonight’s performance serves as one of the important platforms for them to enrich their experience and hone their performance skills. We have great pleasure to have Olsi Qinami, Principal Conductor and Music Director of London City Philharmonic, and the Conductor of Hounslow Symphony Orchestra, to be our conductor. He was praised having “an accomplished technique” when he studied in the Riccardo Muti Opera Academy and the Jarvi Conducting Academy. Last but not least, Professor Nancy Yuen, Head of Vocal Studies at HKAPA collaborates with us again to relive this wonderful opera. Please support our young artists and enjoy the show!
Message from the Artistic Director 藝術總監的話 歡迎蒞臨欣賞香港歌劇院半舞台式歌劇 唐 歌劇精要版藝術家，他亦在香港歌劇院製作的莫扎特經典年，是一位活躍於歌劇與音樂會，多才多藝的妥等重要角色。林俊同樣與香港歌劇院合作多與朱麗葉》的羅倫斯神父和《魔笛》的薩拉斯括出演《費加羅的婚禮》的費加羅、《羅密歐黃日珩曾參與二十多齣香港歌劇院的製作，包今晚的演出匯集了本地出色的年輕歌劇人才。大的人性化喜劇。要求。然而，作品觸動人心，使其成為一部偉風趣機智的劇情，卻有令人瞠目結舌的高技巧《唐．帕斯夸雷》是最受歡迎的喜歌劇之一，紀初美聲音樂時期作出巨大貢獻的作曲家。羅西尼、貝里尼和唐尼采蒂是三位於十九世尼采蒂的《唐．帕斯夸雷》。 :《女人皆如此 x 魔笛》（2020）、 《蝙蝠》（2018）和「歌劇百年盛宴」（2017） 院的大型製作如《蝴蝶夫人》（他們於計劃的週年演出，亦同時參演香港歌劇院青年演唱家發展及教育計劃」的畢業成員。鍾嘉欣、陳俊堯和顏嘉樂是「賽馬會香港歌劇中擔任合唱團團長。 2022）、《卡 門》（2021）和《費加羅的婚禮》（2020 才，提供眾多演出機會。張香港歌劇院自成立以來一直致力培育青年人界的聲譽。不少觀眾和樂評的讚賞和認同，累積了在歌劇漸為廣大觀眾認識。這些新秀藝術家已經獲得）等， 瀞 出。請支持我們的年輕歌唱家並欣賞今晚精彩的演歌劇貫注新的活力。任阮妙芬教授再次與我們合作，為這部精彩的技巧」。最後，很榮幸香港演藝學院聲樂系主指揮學院師事大師期間，被稱已掌握「精湛的為我們執棒，他在穆蒂意大利歌劇學院及約菲指揮兼音樂總監、豪士羅交響樂團指揮仟奈米我們很高興邀請到現任倫敦愛樂管弦樂團首席的重要平台。的演出將是一個豐富他們經驗和磨練表演技巧港演藝學院的兩位非常有才華的碩士生。今晚丹和蔣坤成是香莫華倫 , BBS, MH 香港歌劇院藝術總監
Warren Mok, BBS, MH Artistic Director Opera Hong Kong
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The recent development of the Greater Bay Area has created an environment for OHK to initiate more collaborations and bring the art of opera to a wider audience.
香港歌劇院成立於 2003 年，是本地首個專 業歌劇藝團。在世界知名的香港男高音莫 華倫帶領下，歌劇藝術在這個亞洲大都會 得以發揚光大。歌劇院多年來致力製作世 界級的歌劇節目，劇目已涵蓋所有主要歌 劇作品，曾合作過的歌劇院及音樂節包括 羅馬歌劇院、意大利陶爾米納歌劇藝術節、 德國艾褔特劇院、法國尼斯歌劇院、中國 國家大劇院及上海歌劇院。 2019 年，香港歌劇院榮獲香港藝術發展局 甄選為「優秀藝團計劃」中三個受資助藝 團之一，以表揚歌劇院多年在藝術推廣上 的努力。這項持續五年的資助讓香港歌劇 院有更大的發展。 香港歌劇院積極培養本地優秀年青的歌唱 家。歌劇院於 2015 年推出為期三年的「賽 馬會香港歌劇院青年演唱家發展及教育計 劃」非常成功，得到各界認同。香港賽馬 會慈善信託基金遂繼續全力贊助，推出新 一輪由 2019 年至 2022 年的三年培訓計劃， 向十二位本地青年演唱家提供密集訓練。 計劃經已在 2022 年 3 月完滿結束。 香港歌劇院亦定期為年青一代舉辦各項教 育及外展活動，包括學校歌劇巡演、夏令 營及大師班。灣仔音樂中心除籌辦兒童合 唱團的恆常班外，更提供由幼兒至成人不 同類型的課程，範圍廣闊。香港歌劇院於 2004 年及 2008 年成立香港歌劇院合唱團 及香港歌劇院兒童合唱團，為本地合唱界 注入新的動力。 近年大灣區發展亦營造了發展藝術的環境， 香港歌劇院將把握機遇與內地合作，向區 內推廣歌劇藝術。
Opera Hong Kong 香港歌劇院
Founded in 2003 Opera Hong Kong ( OHK) is Hong Kong’s first professional opera company. Over the years, the company has gone from strength to strength under the artistic direction of Warren Mok, the internationally acclaimed Hong Kong tenor. OHK has elevated opera in the Asia’s world city, with many world class productions covering all major works in the operatic canon and has collaborated with opera houses and festivals including Teatro dell’Opera di Roma, Taormina Opera Festival, Theater Erfurt, Opéra de Nice, National Centre for the Performing Arts and Shanghai Opera House.
In 2019, OHK was selected by the Hong Kong Arts Development Council as one of the three recipients of the coveted “ Eminent Arts Group Scheme” . The Scheme’s consecutive 5 year funding has become a boost to further the company’s development.
OHK is committed to promoting the city’s brightest, young opera singers. In 2015, OHK launched the Jockey Club Opera Hong Kong Young Artist Development and Education Programme ( the Programme ) , a three year opera training programme designed to nurture ten young local artists. The success of the Programme led to its renewal by The Hong Kong Jockey Club Charities Trust for another three years from 2019 to 2022, providing intensive training to 12 local artists. The Programme has been completed successfully in March 2022.
OHK also places a strong emphasis on its education and community activities. Opera school tours, summer schools and master classes are held regularly to reach young audiences. The music centre in Wanchai provides a wide range of courses for early age children to adult in addition to Children Chorus classes. The OHK Chorus and the OHK Children Chorus were established in 2004 and 2008 respectively and are becoming recognised contributors on the local choral scene.
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The programme will last approximately 2.5 hours with one intermission. 演出時間長約 2 小時 30 分鐘包括一節中場休息 Performed in Italian with Chinese and English Surtitles. 意大利文演唱，中英文字幕 Music 作曲 Gaetano Donizetti 唐尼采蒂 Libretto 編劇及作詞 Giovanni Ruffini and Gaetano Donizetti 魯菲尼及唐尼采蒂 Act I 第一幕 Scene 1 to Scene 3 – Don Pasquale’s house 場景一至三 – 唐‧帕斯夸雷的住所 Scene 4 to Scene 5 – Norina’s house 場景四至五 – 諾麗娜的住所 Act II 第二幕 Don Pasquale’s house 唐‧帕斯夸雷的住所 Intermission of 20 minutes 中場休息 20 分鐘 Act III 第三幕 Scene 1 to Scene 5 – Room in Don Pasquale’s house 場景一至五 – 唐‧帕斯夸雷住所的房間 Scene 6 to Scene 7 – Don Pasquale’s garden 場景六至七 – 唐‧帕斯夸雷的花園 House Rules 場地規則 To avoid undue disturbance to the performers and other members of the audience, please switch off your mobile phones and any other sound and light emitting devices before the performance. We also forbid eating and drinking, as well as unauthorized photography, audio and video recordings in the auditorium. Thank you for your co operation. 為求令表演者及觀眾不致受到騷擾，請關掉手提電話、其他響鬧及發光裝置。同時請勿在場地飲食或擅自攝影、錄音或錄影。多謝合作。 Hong Kong Arts Development Council supports freedom of artistic expression. The views and opinions expressed in this project do not represent the stand of the Council. 香港藝術發展局支持藝術表達自由，本計劃內容並不反映本局意見。 The presenter reserves the right to change the programme and substitute artists. 主辦機構有權更改節目及更換表演者。 4
Producer 監製 Warren Mok 莫華倫 Conductor 指揮 Olsi Qinami 仟奈米 Director 導演 Nancy Yuen 阮妙芬 # Opera Hong Kong Orchestra 香港歌劇院樂團 ^ Orchestra Executive 樂團統籌 Anders Hui 許致雨 Opera Hong Kong Chorus 香港歌劇院合唱團 Chorus Director 合唱團總 Alex Tam 譚天樂 Assistant Rehearsal Conductor and Principal Répétiteur 助理排練指揮及首席練唱指導 Nina Yip 葉亦詩 Don Pasquale 唐．帕斯夸雷 Apollo Wong 黃日珩 Norina 諾麗娜 Candice Chung 鍾嘉欣 (13/8) Anna Zhang 張瀞丹 # (14/8) Dr Malatesta 馬拉特斯塔醫生 Albert Lim 林俊 (13/8) Alexander Chen 陳俊堯 (14/8) Ernesto 埃爾尼斯托 Henry Ngan 顏嘉樂 (13/8) Jiang Kuncheng 蔣坤成 # (14/8) A Notary 公證人 Patrick Chan 陳國堅 # By kind permission of the School of Music of The Hong Kong Academy for Performing Arts 承蒙香港演藝學院批准參與是次演出 ^ With the kind support of the Hong Kong Philharmonic Orchestra 承蒙香港管弦樂團支持 5
Scene 1 to Scene 3: Don Pasquale’s house
“There’ll be a new bride here tomorrow,” he tells Sofronia: “Ernesto’s moving back in with Norina.” “That hussy! It’s her or me!” she exclaims. Pasquale rubs his hands at the prospect of being rid of her. Malatesta informs Pasquale that this means he must actually let Ernesto marry Norina, or otherwise Sofronia won’t go. “OK, fine,” says Pasquale. Ernesto comes when called. Malatesta negotiates not just his marriage to Norina, but a stipend for 4000 scudi. “We can do the marriage right away, because the bride’s right here!” Malatesta tells Pasquale and unveils Sofronia as Norina. The real Sofronia’s still in the convent.
Synopsis 6
Scene 1 to Scene 5: Room in Don Pasquale’s house
Scene 6 to Scene 7: Don Pasquale’s Garden Ernesto, hidden, serenades Norina; they then sing of their love together. Pasquale and Malatesta arrive, but too late to catch the interloper, who slips away. Sofronia meanwhile plays the innocent wife and refuses to leave as Pasquale demands. Malatesta tells Pasquale to let him handle it.
Pasquale realizes he’s been beaten, and concedes with good humour. Norina reminds everyone that this is what comes to old men who try to marry younger women.
Just then Ernesto bursts back in: “Just in time: we need another witness!” says Pasquale. Ernesto is shocked to see Norina apparently married his uncle, but Malatesta urgently whispers to him to stay calm. His shock turns to delight when Sofronia immediately turns on Pasquale, telling to back off when he tries to embrace her, his new wife. She informs Pasquale that he is much too old to squire her around town but that Ernesto will instead do very nicely. Finally, she demands that he upgrade the house and servants at great expense. Malatesta sends the flabbergasted Pasquale off to bed. Act III
Malatesta intercepts Ernesto and tells him that the final step in their plan is ready to go. Pasquale, a shadow of his former self, sees Malatesta and tells him of the slap and, worse, the assignation described in the letter, and suggests calling the police. Malatesta convinces Pasquale that instead they go to the garden themselves and catch the lovers red-handed. Delighted at this opportunity for revenge, Pasquale excitedly concurs.
Don Pasquale’s physician, Dr Malatesta, arrives to announce that he’s found just the girl for the old man to marry: his own sister. Pasquale, overcome, joyfully announces that he’ll have not just one heir, but dozens. Once Malatesta leaves to fetch the mystery bride, Pasquale’s nephew, ward and erstwhile heir Ernesto arrives. “You didn’t want the girl I chose for you,” Pasquale tells him — “I love Norina”, Ernesto interjects but is ignored — “so get out! I’m getting married myself!” “You, married?” splutters Ernesto. “Wait, consult our mutual friend Malatesta first.” “I already have!” Pasquale counters. Ernesto, thinking himself betrayed by his best friend, sinks into despair.
Act I
Scene 4 to Scene 5: Norina’s house Norina, reading a romance novel, laughs at how naive it is. “I know all this already,” she says. A letter arrives, from Ernesto, with bad news. Malatesta arrives, laughs off the letter, and tells Norina of his plan to trick Don Pasquale ... and how she must play her part. Act II Don Pasquale’s house Ernesto, despairing, prepares to leave town forever. He steps out to pack and Malatesta arrives with Norina in tow, and introduces her to Pasquale as his sister Sofronia, fresh out of the convent. Pasquale, smitten by this innocent and inexperienced girl, wants to get married right away, and Malatesta produces a “notary”. The marriage contract is drawn up; Pasquale announces that his wife will be half-owner of all he possesses. As they are signing, the notary, to everyone’s annoyance, announces that there must be two witnesses, and Malatesta himself is just one.
Don Pasquale is reviewing the records of his new wife’s expenses with dismay. Sofronia enters, dressed for an evening at the theatre. Pasquale remonstrates with her, but she insists; Pasquale tells her if she goes out, she needn’t come back. She just laughs it off and as he tries to bar her way, she ends up slapping him. He threatens her with divorce, and although she feels some sympathy for the old man, she nonetheless departs. On her way out, she “accidentally” drops a note implying that Sofronia has planned to meet a lover in the garden that very night. Pasquale finds the letter and calls for Malatesta.
第一幕 第一至三場︰唐．帕斯夸雷的住所 唐．帕斯夸雷的醫生馬拉特斯塔來到，聲稱他已為唐．帕斯夸雷找到合適的人選嫁給他， 神秘的新娘的時候，帕斯夸雷的侄子、受顧人兼繼承人帕斯夸雷得知後如釋重負，並為自己將來不再只有一位繼承人而感到十分高興。當馬拉特斯塔醫生離開去接這位而新娘正是醫生的妹妹。埃爾尼斯托來了。帕斯夸雷對埃爾尼斯托說︰「你不想和我為你挑選的女孩結婚。」「我愛的人是諾麗娜。」埃爾尼斯托插話說道。然而帕斯夸雷無視他的話，並說︰「既然是這樣，你離開吧！我自己要結婚了！」「你要結婚 ? 陷入絕望。的朋友馬拉特斯塔醫生。」「我已經問過他了！」帕斯夸雷回答。埃爾尼斯托認為自己被他最好的朋友背叛了，」埃爾尼斯托怒吼，「等等，我們應先來諮詢我們 第四至五場︰諾麗娜的住所 在這個計劃的角色。的信帶來了壞消息。馬拉特斯塔醫生亦來了，對這封信一笑置之，並告訴諾麗娜他戲弄唐．帕斯夸雷的計劃和她諾麗娜正閱讀一本言情小說。「我已經知道這一切。」諾麗娜笑嘆著小說何其幼稚。此時，一封來自埃爾尼斯托 第二幕 唐．帕斯夸雷的住所 夸雷上床睡覺。托一同到鎮上。最後，她更要求帕斯夸雷不惜重金修飾房子和增加僕人。而馬拉特斯塔醫生則讓大吃一驚的帕斯驚訝變為會心微笑。「索夫羅尼婭」還跟帕斯夸雷說他的年紀太大，不能領她到鎮上，相反，她願意跟埃爾尼斯當埃爾尼斯托看到在帕斯夸雷想擁抱這位新婚妻子索夫羅尼婭時，她卻叫他後退的情景後，埃爾尼斯托的心情由人！」埃爾尼斯托看到諾麗娜竟然嫁給了自己的叔叔後非常驚訝，但馬拉特斯塔醫生急切地低聲要求他保持冷靜。就在這時，埃爾尼斯托趕了回來。帕斯夸雷看見埃爾尼斯托便跟他說︰「你來得真及時，我們需要多一位見證人都很苦惱。在他們簽處婚書的時候，公證人宣布必須有兩位見證人，馬拉特斯塔醫生是其中之一，但現在卻差一位，叫所有馬上結婚，於是馬拉特斯塔醫生請了一位「公證人」撰寫婚書。帕斯夸雷宣布他的妻子將持有他所有財產的一半。將這位假扮成剛出修道院的妹妹—「索夫羅尼婭」介紹給帕斯夸雷。帕斯夸雷被這個天真無邪的女孩迷住了，想絕望的埃爾尼斯托準備永遠離開小鎮。當他回去準備收拾行李的時候，馬拉特斯塔醫生帶著諾麗娜來到這裡，並 第三幕 第一至五場︰唐．帕斯夸雷住所的房間 這對戀人。便將自己的遭遇和信中的內容告訴他，並建議報警。馬拉特斯塔醫生說服帕斯夸雷讓他們自己去花園，當場抓住馬拉特斯塔醫生截住了埃爾尼斯托，告訴他計劃的最後一步已經準備就緒。可憐的帕斯夸雷見到馬拉特斯塔醫生，情人。家，但還是離開了。在她離開的路上，索夫羅尼婭「不小心」丟下了一張紙條暗示著她計劃當晚在花園裡會遇見雷試圖阻止她出門時，索夫羅尼婭最終扇了他一巴掌。之後，帕斯夸雷以離婚威脅她，儘管她有點同情這個老人抗議，並說如果她出門了，就不用回來了，然而索夫羅尼婭依然堅持己見，並對帕斯夸雷的話一笑置之。帕斯夸唐．帕斯夸雷正沮喪地查看新婚妻子的開支記錄。索夫羅尼婭來到，為當晚要到劇院而打扮。帕斯夸雷向她提出帕斯夸雷立刻召喚馬拉特斯塔醫生。帕斯夸雷很高興有這個複仇的機會，他便興奮地同意了。 第六至七場︰唐．帕斯夸雷的花園 埃爾尼斯托一接到召喚就來了。馬拉特斯塔醫生不僅為他與諾麗娜的婚姻談判，還爭取到夫羅尼婭，意味著他必須讓埃爾尼斯托娶諾麗娜，否則索夫羅尼婭不會走。有她便沒有我！」她驚呼。帕斯夸雷揉著雙手，一心想要擺脫她。馬拉特斯塔醫生告訴帕斯夸雷如果他想擺脫索「明天這裡會有一位新娘。」帕斯夸雷跟索夫羅尼婭說，「埃爾尼斯托要和諾麗娜搬回去一起住了。」「那個蕩婦！拉特斯塔醫生告訴帕斯夸雷讓他來處理。但來不及抓住溜走了的第三者。與此同時，索夫羅尼婭扮演著無辜的妻子，並拒絕按照帕斯夸雷的要求離開。馬埃爾尼斯托隱藏在庭院裹，向諾麗娜唱起情歌，然後他們一起頌唱他們的愛。帕斯夸雷和馬拉特斯塔醫生趕到，「好吧，好吧」帕斯夸雷說。 4000 斯庫迪的津貼。 「現在可以馬上結婚，因為新娘就在這裡！」 馬拉特斯塔醫生告訴帕斯夸雷索羅尼婭真正的身份，原來真正的索 夫羅尼婭還在修道院裡。帕斯夸雷意識到此事並以幽默的方式承認自己被打敗了。諾麗娜提醒大家，這就是試圖娶年輕女子的老男人的後果。 故事大綱 7
Marcus & Su-Mei CONGRATULATIONS!Thompson 8
Don Pasquale is the last, and in many ways the most sophisticated, of Gaetano Donizetti’s great trio of comic operas which includes L’elisir d’amore and La fille du régiment . The music is Donizetti at his best, with bel canto melodies in turn lyrical, bubbly, wry, melting, ironic and rhythmic; the opera contains showstopping arias for soprano and tenor, and one of the funniest and most challenging patter duets ever written.
The Don Pasquale of the title is a wealthy man of advanced years who decides to get married. Why? Is he in love? Not yet, anyway: he’s waiting for his friend Dr Malatesta to find him a bride. To sire a family? Possibly. But mostly to spite his nephew Ernesto whose current girlfriend is, Pasquale feels, entirely unsuitable for a family of this stature. Pasquale boots him from his house to make room for the new bride.
Donizetti’s Bel Canto Domestic Rom-Com 唐尼釆蒂的美聲浪漫喜劇 Peter Gordon 高博德 唐尼釆蒂的三大喜劇：《唐 情靈藥》和《軍中女郎》，其中《唐帕斯夸雷》、《愛 ・ 層次豐富的浪漫喜劇！風趣、嬉戲原素融合在美妙音樂中，更是一齣這齣美聲歌劇是唐尼釆蒂的最後力作，不僅將家：人總會老，頭腦總有糊塗的時候。是這樣做了。在這齣喜劇裡，唐尼釆蒂提醒大這樣對待老人家而覺得悔咎，但不管怎樣她還付這個老人家的手法卻是幾近殘忍。雖然她因夸雷愚蠢又貪婪，自作自受，但諾麗娜用來對是在於它潛藏的懊悔信息。固然，自大的帕斯經常找到各種變異版本），但該劇獨特之處卻主要原因是它的故事題材相當普及（互聯網上《唐於是馬拉特斯塔就再度獻計。對的難題剛好相反：如何能夠將惡妻逐出家門。尼斯托就馬上「心領神會」。現在帕斯夸雷面為一個立意要散盡帕斯夸雷家財的潑婦，埃爾表面看來千依百順的溫柔小女子，搖身一變成驚。然而，看到諾麗娜從一個受修道院教育，但這時埃爾尼斯托卻仍毫不知情，當然大為震的女友諾麗娜。當然這是為要戲弄帕斯夸雷，誰知馬拉特斯塔為他找來的，竟是埃爾尼斯托夸雷就將姪兒踢出家門，騰出空間迎娶嬌妻。朋友，認為她配不上他的顯赫家族，於是帕斯底，主要是他不喜歡侄兒埃爾尼斯托的現任女好友馬拉特斯塔醫生為他物色新娘子。歸根究他想成家立室？也許吧。無論如何，他正等待結婚，原因為何？難道他墮入愛河了？非也；主角富翁唐的。其中的一首二重唱更是史上最搞笑和難度最高多首女高音和男高音的詠嘆調令人拍案叫絕，而抒情、活潑、輕蔑、感人、諷刺和富節奏感；唐尼釆蒂的顛峰之作，美聲旋律多姿多采，時是他的最後亦是最精巧的作品。該劇的音樂是帕斯夸雷》帕斯夸雷年事已高，但突然決定帕斯夸雷》之所以廣受歡迎，歷久不衰， 9
The girl the Malatesta delivers is none other than Norina, Ernesto’s girlfriend. It’s all a trick of course, but no one has informed the shell-shocked Ernesto. He works it out as soon as Norina transforms from the apparently docile convent-schooled maiden into a bossy dragon lady who sets about spending all of Pasquale’s money. Pasquale now has the opposite problem: how to get rid of her. Malatesta once again offers to help. The enduring appeal of Don Pasquale is surely due in large part to the universality of the story (a variant of which appears with regularity on the Internet), but what sets Don Pasquale apart is its undercurrent of regret. Pasquale is vain, foolish and avaricious and deserves what’s coming to him, but Norina treats the elderly man with what approaches cruelty. She rues what she has to do ... but does it anyway. Amidst the comedy, Donizetti, perhaps realizing that we all get old sooner or later, pulls us up short. In this, the swansong of bel canto comic opera, Donizetti produced a layered romantic-comedy that is more than just fun, games and beautiful music.
A world renowned Chinese tenor from Hong Kong, Warren Mok has made frequent guest appearances in many leading opera houses throughout the world. His operatic repertoire exceeds 60 roles including Cavaradossi in Tosca , Calaf in Turandot, Rodolfo in La Bohème, Radamès in Aïda and many others. In recent years, Mok is very active in promoting opera and classical music in Hong Kong, Macao and the Mainland. He is currently the Artistic Director of Opera Hong Kong, Fujian Grand Theatre and Zhuhai Huafa Grand Theatre, and was also the Artistic Director of the Macao International Music Festival.
Mok was awarded the Bronze Bauhinia Star by the Government of Hong Kong Special Administrative Region ( HKSAR ) and conferred an Honorary Doctorate by The Hong Kong Academy for Performing Arts in 2021, Honorary University Fellowship by Hong Kong Baptist University in 2019, Officer of the Order of the Star of Italy by the Government of Italy in 2018, Medal of Honour by the HKSAR Government in 2011, World Outstanding Chinese Award in 2010, and both Cavaliere dell’Ordine della Stella della Solidarietà Italiana ( Knight of the Star of Solidarity of Italy) by the Government of Italy and Chevalier dans I’Ordre des Arts et des Lettres ( Knight of the Order of Art and Letter) by the Government of France in 2008. In 2012, China’s Three Tenors Warren Mok, Dai Yuqiang and Wei Song toured the world to promote Chinese culture. In 2015, Mok was appointed as a member of Beijing Committee of Chinese People’s Political Consultative Conference, fostering the bridge and development between the two cities. He was also a former member of Zhuhai Committee of Chinese People’s Political Consultative Conference.
莫華倫是來自中國香港的世界知名男高音。他的演唱足跡遍及世界各大著名 歌劇院。他演唱的歌劇角色超過六十個，其中包括《托斯卡》的卡瓦拉多 西、《杜蘭朵》的卡拉夫、《波希米亞生涯》的魯道夫、《阿伊達》的拉達 梅斯等。莫氏在港澳及內地積極推廣歌劇與古典音樂，他現正擔任香港歌劇 院、福建大劇院及珠海華發大劇院的藝術總監，亦曾為澳門國際音樂節的藝 術總監。 莫氏於 2021 年分別獲香港特區政府頒授銅紫荊星章及香港演藝學院頒授榮譽 博士學位， 2019 年獲香港浸會大學頒授榮譽大學院士銜， 2018 年獲意大利 政府頒發「意大利之星軍官勳章」， 2011 年獲香港特區政府頒授榮譽勳章及 2010 年榮獲世界傑出華人獎。此外，莫氏於 2008 年獲意大利政府頒發「意大 利團結之星騎士勳章」及法國政府頒發「法國藝術騎士勳章」。 2012 年，莫 氏與戴玉強、魏松所組成的中國三大男高音展開世界巡迴演出，積極推動中 國文化走向世界。他自 2015 年起獲委任為北京市政協委員，促進兩地交流發 展。他也是前珠海市政協委員。 Producer and Artistic Director 監製及藝術總監 Warren Mok, BBS, MH 莫華倫 10
阮妙芬是倫敦皇家音樂學院的高材畢業生，首次與威爾斯國家歌劇團合演《蝴蝶夫人》一 舉成名後，又載譽與英國國家歌劇團、西澳洲歌劇團、昆士蘭歌劇院、新加坡歌劇團、紐 西蘭國際藝術節及皇家阿爾伯特音樂廳等分別於 1998 、 2000 及 2003 年重演這齣歌劇。她 曾飾演的角色包括薇奧列達、吉爾達、托斯卡、阿伊達、柳兒、蒂斯蒂夢娜、咪咪及宋慶 齡等，並曾為《女人皆如此》、《風流寡婦》、《音樂至上》、《卡門》及《費加羅的婚 禮》執導。阮氏自 2010年起出任香港演藝學院聲樂系系主任及 2015年新加坡歌劇團榮譽藝 術總監。她更於 2014年獲頒皇家音樂學院院士及 2018年香港演藝學院教授榮銜。 Nancy Yuen
旅居倫敦的指揮及鋼琴家仟奈米現任倫敦愛樂管弦樂團的首席指揮及音樂總監，也 是豪士羅交響樂團的指揮。他畢業於伯明翰音樂學院、阿爾巴尼亞藝術學院及巴黎 高等音樂師範學院，修讀樂團指揮，並分別於穆蒂意大利歌劇學院及約菲指揮學院 深造，師隨列卡度 穆蒂及帕佛 約菲，而後者更讚揚他的「造詣及天賦的親和力， 與樂團溝通流暢成效顯著。」他曾與各地樂團合作，包括阿爾巴尼亞國家歌劇院樂 團、北馬其頓國家歌劇院樂團、馬西歌劇院樂團、雅典管弦樂團、派爾努音樂節樂 團及格拉茨室內愛樂樂團等。 Conductor 指揮 11
A top graduate from London’s Royal Academy of Music, Nancy Yuen has made Cio-cio-san (Madama Butterfly) her signature role, winning great critical acclaim since her debut with the Welsh National Opera. Yuen has since repeated the role with English National Opera, West Australia Opera, Opera Queensland, Singapore Lyric Opera, New Zealand International Festival of Arts, and at the Royal Albert Hall in 1998, 2000 and 2003. Other operatic roles include Violetta, Gilda, Tosca, Aïda, Liù, Desdemona, Mimì and Soong Chingling. The operas she has directed include: Così fan tutte, The Merry Widow, Prima la Musica, Carmen and The Marriage of Figaro. Yuen has been the Head of Vocal Studies with The Hong Kong Academy for Performing Arts (HKAPA) since 2010 and Honorary Artistic Director of Singapore Lyric Opera since 2015. Yuen was elected Associate of the Royal Academy of Music in 2014 and was appointed as Professor by the HKAPA in 2018. 阮妙芬 Director 導演 Olsi Qinami 仟奈米 Olsi Qinami is a conductor and pianist based in London. A graduate in Orchestral Conducting from Royal Birmingham Conservatoire, Academy of Arts in Albania and École Normale de Musique de Paris, he is currently the Principal Conductor and Music Director of London City Philharmonic, and Conductor of Hounslow Symphony Orchestra. He mastered his technique with Riccardo Muti at Riccardo Muti Opera Academy and Paavo Järvi at Jarvi Conducting Academy, who praised him having ‘an accomplished technique, a natural rapport with the orchestra and knowing how to express his ideas and communicate effectively.’ He has collaborated with many orchestras including Orchestra of National Opera of Albania, Orchestra of National Opera of North Macedonia, Orchestre Opéra de Massy, Athens Philharmonic, Parnu Festival Orchestra, Kammerphilharmonie Graz and many others.
Soprano Candice Chung studied at Manhattan School of Music and Eastman School of Music. Her recent stage appearances include Pamina in The Magic Flute, the title role in Maria Stuarda in Hong Kong, Countess in The Marriage of Figaro in Italy, and Rosalinda in Die Fledermaus in the United States. She has also appeared on stage as Manon, Marschallin and Susanna. Most recently, she sang the original role of the Swallow in the musical The Happy Prince & The Other Wiseman in December 2018 and its re-run in March 2019. Chung earned her Bachelor of Music degree at Manhattan where she studied with Metropolitan Opera’s Mark Oswald and renowned American soprano Ashley Put-nam. At Eastman where she attained her Master of Music degree, she studied with American mezzo-soprano Katherine Ciesinski. Chung
女高音鍾嘉欣於香港土生土長，就讀並畢業於美國曼哈頓音樂學院及伊士曼音樂學 院。近期在舞台上參與的演出包括在香港飾演《魔笛》的柏美娜以及《瑪莉亞．史 都華特》的同名角色、在意大利飾演《費加羅的婚禮》的羅西娜伯爵夫人，以及在 美國飾演《蝙蝠》的羅莎琳達。其他曾經飾演的要角包括曼儂、元帥夫人、蘇珊娜 等。鍾氏於 2018 年十二月參演原創音樂劇《快樂王子與第四個智者》的首演，飾 演主角「燕子」，並於 2019 年三月載譽重演。鍾氏於曼哈頓音樂學院取得學士學 位，師承大都會歌劇院歌唱家馬克．奧士維以及著名美籍女高音艾殊莉．砵藍；於 伊士曼音樂學會受教於美籍女中音卡芙蓮．茲辛琪，並獲得碩士學位。 Candice
Anna Zhang 張瀞丹 Norina 諾麗娜 (14/8) Soprano Anna Jingdan Zhang is currently pursuing her master’s degree at The Hong Kong Academy for Performing Arts under the tutelage of Professor Nancy Yuen. She has attended masterclasses with world acclaimed singers including Sumi Jo, Barbara Bonney, Nelly Miricioiu, Warren Mok and Darryl Edwards. As one of the winners of RTHK Young Music Makers 2019, she recorded a series of TV productions and radio broadcasts for RTHK. In 2020, she recorded for The Sound of Art which was hosted by the Friends of Hong Kong Museum of Art. Recently she also appeared in RTHK Radio 4’s GBA Concert Hall. She was Nedda in Pagliacci, Ilia in Idomeneo and soprano soloist in Bach’s Mass in B minor with the Hong Kong Bach Choir and Orchestra. B 小調
鍾嘉欣 Norina 諾麗娜 (13/8)
彌撒曲，擔任女高音獨唱。
男低音及指揮黃日珩曾贏得美國棕櫚泉歌劇協會聲樂比賽冠軍及柏薩廸納歌劇協會獎學金。 2019 《波希米亞生涯》的柯林尼等。他多次獲邀參與的歌劇及音樂劇世界首演，包括《蕭紅》、《大色，包括《費加羅的婚禮》的費加羅、《羅密歐與朱麗葉》的羅倫斯神父、《魔笛》的薩拉斯妥、年在香港合唱指揮比賽中贏得冠軍及亞太青年合唱團大獎。黃氏曾於多部歌劇演出主要角同》、《鬼戀》、《野地之聲》及《愛麗絲夢遊仙境》 ; 之旅》演出中擔任獨唱。黃氏現為香港管弦樂團合唱團團長、學士合唱團及管弦樂團音樂總監。亦於香港城市當代舞蹈團的舒伯特《冬 Apollo Wong 黄日珩 Don Pasquale 唐 帕斯夸雷 12
Operatic bass and conductor Apollo Wong was the winner of Palm Springs Opera Guild Vocal competition and the Pasadena Opera Guild Vocal Scholarship. In 2019, he won first place at the Hong Kong Choral Conducting Competition and Asia Pacific Youth Choir Award. Wong has sung major roles in operas including Figaro (Le Nozze di Figaro), Frére Laurent (Roméo et Juliette), Sarastro (Die Zauberflöte), Colline (La Bohème) and world premiere operas and musicals including Heart of Coral, Datong, Ghost Love, WILD and Alice in Wonderland, among others. He was the soloist in Hong Kong City Contemporary Dance Company’s production of Schubert’s Winterreise . He is currently Chorus Master of Hong Kong Philharmonic Chorus and Music Director of The Learners Chorus and Orchestra.
女高音張瀞丹師從著名歌唱家阮妙芬教授，目前正在香港演藝學院深造碩士學 位。她曾參與世界頂尖歌唱家的大師班深造，包括曹秀美、邦尼、米里喬尤、莫 華倫及愛德華茲。 作為香港電台樂壇新秀 2019的獲獎者之一，她錄製了一系列電 視和廣播節目，並獲邀參與香港藝術博物館之友舉辦的《藝術之聲》及香港電台 第四台《大灣區音樂廳》的音樂會錄製。近期張氏曾演唱《丑角》的妮達及《伊 多美尼歐》的伊莉亞。她也與香港巴赫合唱團及管弦樂團合作演出巴赫的
Albert Lim is one of the most active baritones in Hong Kong. Lim is trained at The Hong Kong Academy for Performing Arts, from which he received the Advanced Diploma and Bachelor of Music degree. Lim was admitted to the Royal College of Music in London, graduated with distinction from the Postgraduate Diploma programme in vocal studies.
With his remarkable stage presence and fine lyrical singing, Lim has appeared frequently in opera and concert performances presented by Opera Hong Kong, Musica Viva, Hong Kong Sinfonietta, Hong Kong Philharmonic Orchestra, Hong Kong Ballet, The Chinese University of Hong Kong Chorus, the Learners’ Chorus, the Hong Kong Bach Choir, and the Hong Kong Oratorio Society. A highly versatile singer, Lim is equally at home in the pop music scene and shared the stage with pop singers Hacken Lee and Jeff Zhang. Lim is currently faculty member of The Hong Kong Academy for Performing Arts and The Chinese University of Hong Kong. He is also the choral conductor of the Hong Kong Children Choir.
林俊是香港最活躍的男中音歌唱家之一。早年於香港演藝學院獲高等文憑及音樂學士 學位，後負笈英國倫敦皇家音樂學院（ RCM）主修聲樂，並以優異成績獲頒深造文憑。 林氏多次參演歌劇製作及音樂會，曾合作的團體有：香港歌劇院、非凡美樂、香港小 交響樂團、香港管弦樂團、香港芭蕾舞團、上海交響樂團、香港中文大學合唱團、學 士合唱團、香港巴赫合唱團及香港聖樂團。除了古典音樂外，林氏亦活躍於流行音樂 界，並曾與李克勤及張信哲同台演出。林氏亦任教於香港演藝學院及香港中文大學， 及擔任香港兒童合唱團合唱指揮。 Dr Malatesta 馬拉特斯塔醫生 (13/8) 13
男中音陳俊堯曾與多個本地及美國歌劇團體演出。演出角色包括《波希米亞生 涯》的舒奧納、《費加羅的婚禮》的費加羅及巴托羅醫生等。除了歌劇演出外， 他亦在 Ponte Singers 舉辦的沃恩威廉斯《海洋交響曲》演出中擔任男中音獨唱。 陳氏最近在 Die Konzertisten 巴赫清唱劇 BWV 39 及 BWV 99 中擔任男低音獨唱。陳 氏為香港演藝學院聲樂系碩士畢業生及紐約曼克頓音樂學院聲樂系學士畢業生， 分別師隨女高音阮妙芬教授及男中音
Baritone Alexander Chen has performed with numerous opera companies in Hong Kong and the United States. His roles include Schaunard in La Bohème, Figaro and Dr. Bartolo in The Marriage of Figaro. Apart from operatic performances, Chen appeared in Vaughan William’s A Sea Symphony with Ponte Singers as the baritone soloist. He has recently appeared as bass soloist in Bach’s Cantata BWV 39 and BWV 99 in the “Bach Pilgrimage Series: Cantatas for Trinitytide” presented by Die Konzertisten. As a recipient of various scholarships, Chen completed his Bachelor of Music in Voice at the Manhattan School of Music in New York, under the tutelage of baritone Maitland Peters. He also obtained a Master of Music degree in Voice at The Hong Kong Academy for Performing Arts, under the tutelage of soprano Professor Nancy Yuen. Maitland Peters，並獲多個團體頒發獎學金。
Dr Malatesta 馬拉特斯塔醫生 (14/8) Alexander Chen 陳俊堯 Albert Lim 林俊
Jiang Kuncheng 蔣坤成 Ernesto (14/8) Henry Ngan 顏嘉樂
After receiving his Bachelor of Science Degree from the University of Hong Kong, Patrick Chan started pursuing the B.A.(Hons) Degree in Music at Hong Kong Baptist University (HKBU) in 1995. He majored in vocal performance under the supervision of Jimmy Chan and graduated in 1998. In 2000, he graduated with a Master’s Degree in Music Education from HKBU. Patrick Chan has performed as bass soloist in various choral works, including Handel’s Judas Maccabaeus, Faure’s Requiem. Bach’s Christmas Oratorio, Mass in B minor and St. John’s Passion. He also performed in various productions of Opera Hong Kong. He was Yakuside in Puccini’s Madama Butterfly and Maestro Spinelloccio in Gianni Schicchi
Henry Ngan graduated from The Hong Kong Academy for Performing Arts, and obtained his Master of Music degree at Royal Northern College of Music and Master of Arts degree in Wales International Academy of Voice, studied with Dennis O’Neill CBE. He is the recipient of Muses Foundation for Culture & Education, RNCM Scholarship, Sir Robert Black Trust Fund, Hong Kong Welsh Male Voice Choir Scholarship, Hong Kong Children’s Choir Scholarship and Michael Rippon Memorial Scholarship. A Dunraven Welsh Young Singer of the Year, Overall Champion in Hong Kong Youth Singing Festival, Ngan frequently won in Hong Kong Schools Music Festival. Performing across the UK, Europe, Russia and Hong Kong, his operatic roles included Don José and Remendado in Carmen, Tamino and Monostatos in Die Zauberflöte, Rinuccio in Gianni Schicchi, Goro in Madama Butterfly, Spoletta in Tosca and many more.
埃爾尼斯托
Chinese lyric tenor Jiang Kuncheng received his Bachelor of Music from Shanghai Conservatory of Music, and Master of Music from The Hong Kong Academy for Performing Arts (HKAPA) under the tutelage of renowned soprano Professor Nancy Yuen and award-winning répétiteur Hsu Wei-En. His former teachers include Professor Wu Bo and Professor Wang Kewei. He has sung in masterclasses given by Warren Mok, Shi Yijie, Peter Schmelzer and Leonardo Catalanotto. Recently he has appeared as Canio in Pagliacci at the HKAPA, and today's performance marks his debut with Opera Hong Kong.
顏嘉樂畢業於香港演藝學院，並修畢英國皇家北方音樂學院碩士及威爾斯國際聲樂學 院碩士的課程，師隨丹尼斯．奧尼爾。顏氏曾獲美思堂文教基金、皇家音樂學院獎學金、 柏立基爵士信托基金、威爾斯男聲合唱團獎學金、香港兒童合唱團獎學金及聶明康紀 念獎學金等。顏氏曾獲選威爾斯年度青年歌唱家之一、香港青年歌唱節總冠軍，並於 校際音樂節多次奪冠。顏氏演出遍及英國、歐洲、俄羅斯及香港。歌劇角色包括《卡門》 的唐荷西及雷門達多、《魔笛》的塔米諾及莫諾斯塔托、《賈尼．斯基基》的雷諾喬、 《蝴蝶夫人》的五郎、《托斯卡》的史波雷塔等。 Ernesto 埃爾尼斯托 (13/8) A Notary 公證人 Patrick Chan 陳國堅 14
抒情男高音蔣坤成於上海音樂學院完成音樂學士學位，並在香港演藝學院獲得碩 士研究生學位。師從著名女高音兼香港演藝學院聲樂系主任阮妙芬教授及屢獲殊 榮的藝術指導徐惟恩教授。他亦曾師從吳波教授、王凱蔚教授，並參與莫華倫、 石倚潔、施梅爾策 , 卡塔拉諾多等大師班演唱。近期演出包括香港演藝學院《丑 角》的卡尼奧，而今天的演出則標誌著他與香港歌劇院的首度合作。
陳國堅繼完成香港大學理科學士課程後，於 1995 年開始修讀香港浸會大學音樂學 士課程，師從陳晃尚老師主修聲樂，並於 1998 年畢業。隨後，於 2000 年完成其音 樂碩士課程。 陳氏曾於不同的合唱作品中擔任男低音獨唱，當中包括：韓德爾神 劇《猶大‧瑪加伯》、佛瑞《安魂曲》、巴赫《聖誕神曲》、《 B 小調彌撒曲》 及《聖約翰受難曲》等。陳氏亦曾參與多套香港歌劇院的製作，飾演角色包括浦 契尼《蝴蝶夫人》的雅庫桑及《賈尼 ‧ 斯基基》的斯皮內洛茲奧。
葉亦詩畢業於美國印地安納大學音樂學院，獲得鋼琴演奏學士和碩士學位。 她曾為超過一百五十齣歌劇、輕歌劇和音樂劇製作作綵排伴奏和指導，合 作過的團體包括印地安納大學歌劇院、芝加哥輕歌劇工作坊、芝加哥歌劇 院、彭美露歌劇團、加州太平洋歌劇院、洛杉磯歌劇院、非凡美樂及香港 歌劇院。曾合作的音樂節包括香港藝術節、北京音樂節及意大利羅馬歌劇 節。她也曾為芝加哥狄保羅大學、香港演藝學院及加州洛杉磯大學聲樂系 的學生作聲樂指導和伴奏。葉氏由
導。 Assistant Rehearsal Conductor & Principal Répétiteur 助理排練指揮及首席練唱指導 Nina Yip 葉亦詩
譚天樂生於香港，畢業於倫敦皇家音樂學院歌劇課程及香港演藝學院，身兼男 高音、合唱指揮及作曲家，現為香港歌劇院合唱總監、艾莉亞音樂學院院長、 香港演藝學院合唱指揮及聲樂導師、香港兒童合唱團指揮及香港電台第四台節 目主持。譚氏曾在世界各地不少製作中擔任要角，當中超過三十個歌劇角色， 十九歲即演出浦契尼《賈尼．斯基基》中的雷諾喬一角，大獲好評；其他角色 亦包括亞馬維瓦伯爵《塞維爾理髮師》、費蘭度《女人皆如此》、尼莫連奴《愛 情靈藥》、東尼奧《軍團的女兒》等。最近更獲香港音樂及舞蹈界聯會頒發 「傑 出音樂家大獎」，及英國皇家音樂學院頒發 ARAM 榮銜，以表揚譚氏在音樂領 域上的貢獻。 Chorus Director 合唱團總監 ©KennethTjon 15
Nina Yip received her Bachelor and Master of Music degrees in piano performance from Indiana University School of Music. She has been rehearsal pianist and coach for over 150 opera, operetta, and musical productions with companies such as Indiana University Opera Theater, Light Opera Works (Chicago), Lyric Opera of Chicago, Pamiro Opera (Wisconsin), Opera Pacific (California), Los Angeles Opera, Musica Viva (Hong Kong) and Opera Hong Kong; and music festivals including the Hong Kong Arts Festival, Beijing Music Festival and Opera Festival di Roma (Italy). She also worked as voice coach for students at Depaul University of Chicago, The Hong Kong Academy for Performing Arts and University of California Los Angeles. She has been the Principal Répétiteur of Opera Hong Kong since 2004. 2004 年起擔任香港歌劇院首席練唱指 Alex Tam 譚天樂 Born in Hong Kong, opera singer, choral conductor and composer, Alex Tam graduated from the Royal Academy of Music in London, and The Hong Kong Academy for Performing Arts. Tam has recently received the “Outstanding Musician Awards” from the Hong Kong Music and Dance Association; also the ARAM award from the Royal Academy of Music for his significant contribution to the music profession. Tam is currently Chorus Director of Opera Hong Kong, founder of Aria Academy of Music, voice teacher and Choir Conductor of the HKAPA, also radio presenter on RTHK Radio 4. Tam has taken leading roles in productions worldwide and performed over 30 operatic roles, including Rinuccio in Puccini’s Gianni Schcchi at the age of 19. This success was followed by his performance of other lead characters such as, Almaviva in The Barber of Seville, Ferrando in Così fan tutte, Nemorino in L’elisir d’amore, Tonio in La fille du régiment and many others.
Production Manager 製作監督 Gloria Ngai 魏婉意 Stage Manager 舞台監督 Yellow Wong 黃可童 Deputy Stage Manager 執行舞台監督 Yatho Jonathan Lee 李恩浩 Assistant Stage Manager 助理舞台監督 Lau Cheuk Kit 劉倬傑 Lighting Designer 燈光設計 Rachel Ip 葉俊霖 Wardrobe Supervisor 服裝主管 Lam Hiu Yin 林曉燕 Wardrobe Mistress 服裝統籌 Lam Ching Yan Yanki 林靖茵 Lai Chui Yi 劉翠兒 Makeup 化妝 Betty Wan 温 筱敏 Faye Chow 周慧瑜 Surtitle Operator 字幕操作員 Myron Wan 尹子軒 Survey on DonPasquale 《唐‧帕斯夸雷》問卷調查 Thank you for coming and we hope you have enjoyed Don Pasquale. Please scan the QR code and complete the e-survey form. We appreciate your valuable comments. 謝謝您蒞臨欣賞《唐‧帕斯夸雷》，希望您喜歡今天的演出。您只需掃描二維碼即可進入電子問卷調查。感謝您寶貴的意見！ Stephane Lun 倫世豪 Cynthia Chan 陳頌恩 Derek Wu 胡贊邦 Oscar Go 吳東婉 Niki Lau 劉雅如 Dory Lui 呂佩盈 Production Team 製作人員 Project Management 項目統籌 16
As an ardent corporate patron of art in Hong Kong, K. Wah International Holdings Limited has been supporting Opera Hong Kong since 2013.
In sincere appreciation of THANK
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YOU
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許致雨自 2010 年起加入香港管弦樂團，現任香港管弦樂團的樂團第二副首席。 2018 四重奏演出獲得圓滿成功。許氏曾獲艾森巴赫委任為席勒斯威格海四重奏合作八重奏演出獲得廣泛好評，並於上海樂隊學院開展大師班課程以及年曾代表港樂四重奏於北京國際音樂節與奧登薩默合作五重奏演出以及與上 ・ 管弦樂團的樂團副首席，與鋼琴家郎朗一起在北美進行為期一個月的霍爾斯坦節慶 23 任重奏及室內樂課程客席教授。少數的小提琴教員之一。現於香港浸會大學擔任客席教授，並於香港科技大學擔出。許氏也是一位富熱誠的音樂教育家，最初在讀書時期被任命為印第安納大學場巡迴演香港歌劇院樂團由本地近六十位優秀樂手組成，他們經驗豐富，本身多是獨奏家，堪稱樂壇精英。宏觀世界各地主要歌劇院皆有專屬樂隊，而歌劇藝術近年在本港有長足的發展，實需要有專門的歌劇院樂團來配合。香港歌劇院樂團的成立標誌本地歌劇發展一個里程碑，推動歌劇藝術更上一層樓。
Currently the Second Associate Concertmaster of the Hong Kong Philharmonic Orchestra, Anders Hui has first joined the orchestra since 2010. In 2018, he toured with the Hong Kong Philharmonic Quartet to Shanghai and Beijing, highlighting a highly acclaimed performance in the Beijing Music Festival collaborating with Andreas Ottensamer and the Shanghai Quartet, as well as giving Masterclasses in the Shanghai Orchestra Academy. He was invited by Christoph Eschenbach to be the Assistant Concertmaster for the Schleswig Holstein Music Festival Orchestra, performing with soloist Lang Lang in a month-long 23-concert tour across North America. Hui is currently an adjunct faculty member at Hong Kong Baptist University and Hong Kong University of Science and Technology.
The Opera Hong Kong Orchestra is composed of nearly 60 outstanding experienced musicians, most of whom are soloists. All world’s major opera houses have their own orchestras. In view of the significant increase of opera audience and the various programmes developed by Opera Hong Kong in recent years, the company decided to establish its own orchestra to further that growth. Opera Hong Kong Orchestra marks a major milestone in the development of operatic art in Hong Kong. Hong Kong Orchestra
Opera
香港歌劇院樂團
Anders Hui 許致雨 Orchestra Executive 樂團統籌
First Violins 第一小提琴 Hui Anders 許致雨 * Zhang Xi 張 希 * Ba Wenjing 把文晶 WeiI Ningyi 魏寧一 Zheng Yang 鄭陽 Wong Sin I Nina 王倩兒 Li Chun Lam James 李俊霖 Yang Qian 陽 芊 Chan Kurt 陳子康 Ng Tze Hin Kelvin 吳子軒 Second Violins 第二小提琴 Zhao Yingna 趙瀅娜 * Rafferty Katrina 華嘉蓮 * Wilson Miyaka Suzuki 韋鈴木美矢香 * Yeung Andy Sin Hang 楊善衡 Li JunJun Cecilia 李珺君 Yeung Nga Yin 楊雅然 Yu See Wai 俞思瑋 Leung Jacky 梁浩琪 Ng Chi Yiu 吳智耀 Violas 中提琴 Wilson Kaori 熊谷佳織 * Heath Ethan 洪依凡 * Li Ming 黎 明 * Yung Pok Yin 容博賢 Cheng Man Ho 鄭民浩 Fong Hei Tung Ingrid 方希桐 Chan Wai Kei Vikki 陳慧琦 Cellos 大提琴 Chen Yichun 陳怡君 * Chor Kai Hei 左啟希 Pun Chak Yin 潘澤然 Ke Cynthia 柯雨萌 Fong Ho Man Jonathan 方浩文 Double Basses 低音大提琴 Jiang Xinlai 姜馨來 * Ng Chin To Kelvin 吳展滔 Cheung Ashlyn Chung Yan 張頌恩 Flutes 長笛 Sterling Megan 史德琳 * Leung Hoi Kei Chloe 梁凱淇 Oboes 雙簧管 Wilson Michael 韋爾遜 * Chan Nim Yee Carol 陳念怡 Clarinets 單簧管 Lau Wai 劉 蔚 * Ho Chun Yip 何晉業 Bassoons 巴松管 Chan Toby 陳劭桐 Lee Vance 李浩山 Horns 圓號 Chiu Chin Pong Harry 趙展邦 Cheung Sun Ming Sunny 張新名 Kirtley Joe 裘德禮 Chan Kar Man Cheryl 陳珈文 Trumpets 小號 Fung Ka Hing 馮嘉興 Lam Wai Hang Oscar 林韋行 Trombones 長號 Goldsmith Christian 高基信 * Lo John 盧國軒 Tong Ivan 唐正科 Timpani 定音鼓 Vong Wai Man 王偉文 Percussion 敲擊樂器 Cheng Emily 鄭美君 Lo Tsin Man 勞善雯 Harp 豎琴 Tse Yany 謝欣燕 Guitar 結他 Collins Chris 克里斯高嶺 21
The Opera Hong Kong Chorus was established in 2004. The Chorus was directed and developed by Mr. Jimmy Chan who established it as one of the leading choirs in Hong Kong. Mr. Chan retired from the position of Chorus Director in 2013 and was succeeded by Mr. Alex Tam who is well known locally for his operatic performing skills as well as being an accomplished choirmaster. The Chorus has attained new heights of artistic excellence. Unlike their full-time counterparts in professional choruses in other major world cities, members of the Opera Hong Kong Chorus are all part-time singers from all walks of life. Whilst there are currently more than 60 active members, the Chorus’s size and composition varies according to requirement of each production. This pool of gifted singers includes current music students, highly qualified graduates, music teachers and experienced performers, all of whom have been selected by competitive public auditions. Since making its debut in December 2004 in La Traviata, the Chorus has participated in over 15 fully staged operas including the Opera Hong Kong productions of The Magic Flute in The National Centre for the Performing Arts of China in 2009 and the world premiere of Dr. Sun Yat-Sen in Hong Kong in 2011. In addition to major productions, the Chorus gives public recitals of works such as Verdi’s Requiem and Operatic Excerpts, including choral and solo performances, with the aim of promoting opera and highquality choral music in Hong Kong.
香港歌劇院合唱團於 2004 合唱團已成為香港優秀的合唱團。陳晃相先生的率領及推動之下，香港歌劇院年創立，在指揮家 2013 表演者，至今已約各行各業，有音樂學生、老師及經驗豐富的港歌劇院合唱團由兼職成員組成。他們來自有別於世界各地主要城市的全職合唱團，香合唱團向更高的藝術水平邁進。及屢任合唱團團長的譚天樂先生接任，帶領陳先生卸任合唱團總監一職，由歌劇演唱家年， 60 香港歌劇院合唱團自從因應製作規模而調整。全都通過嚴格的公開篩選。每次演出人數會名活躍團員的合唱團， 2004 《茶花女》首演以後，已參與超過年於大型歌劇 15 部歌劇 演出，包括於 2009 演、由香港歌劇院製作的《魔笛》，以及於年在中國國家大劇院上 2011 與優秀的合唱音樂推廣至普羅大眾。及歌劇選段的合唱及獨唱演出，把歌劇藝術唱團亦參與音樂會如威爾第的《安魂彌撒曲》的《中山．逸仙》。除了大型歌劇以外，合年香港首演、由香港歌劇院委約及製作
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Chorus Director 合唱團總監 Alex Tam 譚天樂 Rehearsal Pianist 排練伴奏 Ronald Cheung 張頌欣 Assistant Chorus Master 助理合唱指導 Chik Tsz Kwan, Candy 戚芷君 * Part leader 聲部長 # Chorus working committee 合唱團工作小組 ^ Onstage actor 演員 Soprano 女高音 Cheung Kit Shan, Veronica 張潔珊 Leung Po Pui, Noel 梁寶培 Li, Jess 李芷蔚 Man Che On, Angel 文賜安 Ng Yen Yen 吳彥彥 Tsang, Polly 曾麗佩 ^ Tse, Nelly 謝瑞明 Wong Hoi Ki, Kate 黃凱琪 #^ Wong Wai Wah, Pancy 黃偉樺 ^ Young, Carrie 楊嘉儀 ^ Alto 女低音 Au Hoi Ki, Candy 區凱淇 Chan, Carla 陳雅儀 ^ Choy, Juliet 蔡雯璐 Ho Ngai Zie, Elsie 何毅詩 Ho Yuen Man, Flavia 何婉雯 ^ Leung Shuk Han, Rita 梁淑嫻 Leung Wing Sze, Susanna 梁頴思 Ng King Tung, Klare 吳璟彤 ^ Wong Ka Yi, Catherine 黄嘉怡 Yip Ching Yee, Mabel 葉靜儀 ^ Tenor 男高音 Butt Hiu Tung 畢曉東 Chan Chun Wa, Simon 陳駿華^ Ho Chun Yin, John 何俊諺 ^ Hung Sze Hang, Edison 洪思行 *^ Kong Chi Kwan, Clement 江志群 Lo Tat Chi, Arthur 盧達智 #^ Ngai Chun Hung, Angus 魏俊雄 Poon Ian Hay, Isaac 潘彥希 Tse Man Hon, Simon 謝文瀚 Wong Chi Lok 黃志樂 Bass 男低音 Chan Hing Sang, Hamsun 陳慶生^ Chan Kwok Kin, Patrick 陳國堅 * Chung Ying Yin, Desmond 鍾英賢^ Kwan Cheuk Shing, Aaron 關卓城 Lee Ka Hing, Rodney 李嘉興 Leung Chi Foon 梁池歡^ Li Yat Sing 李日昇 Sing Yiu Wah 成耀華 Sze, Alfred 施子仁 Tsang Kwong Chiu, Charles 曾廣釗 #^ Wong, Truman 黃啟迪 23
Acknowledgement 鳴謝 Opera Hong Kong would like to express its deepest appreciation to its sponsors and supporters for their generous sponsorship and support which have made Don Pasquale possible. 香港歌劇院衷心感謝下列機構及人士的贊助及支持，使《唐 帕斯夸雷》得以順利演出。 PRESENTER 主辦機構 Supported by 贊助 Two Year Platinum Sponsor 兩年白金贊助 Piano Sponsor 鋼琴贊助 One Year Jade Sponsor & Student Ticket Fund 年度翡翠及學生票贊助 Silver Donor of Student Ticket Fund 學生票贊助 One-Year Platinum Sponsor & Student Ticket Fund 年度及學生票白金贊助 Opera Development Patron of Opera Hong Kong 香港歌劇院發展贊助 Mr. & Mrs. Richard Hui 許晉義伉儷 Lui Chiu Kam Ping 呂趙錦屏女士 One Year Gold Sponsor & Student Ticket Fund 年度及學生票金嗓贊助 24
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FOUNDING CHAIRMAN 創院主席 Dr Moses Cheng, GBM, GBS, OBE, JP 鄭慕智博士 BOARD OF DIRECTORS 董事局成員 Chairman 主席 Mr Ronald Kwok 郭永聰先生 Honorary Treasurer 榮譽司庫 Mrs Teresa Lin 林劉淑英女士 Honorary Secretary 榮譽秘書 Mr Gordon Jones, BBS 鍾悟思先生 Honorary Legal Advisor 榮譽法律顧問 P. C. Woo & Co. 胡百全律師事務所 Honorary Auditor 榮譽核數師 Patrick Wong C. P. A. Ltd 黃龍德會計師事務所 Directors 董事 Ms Vena Cheng 鄭慧恩女士 Ms Chung Yan Yan 鍾恩恩女士 Mr Philip Eisenbeiss 艾飛立先生 Mr Francis Liu 廖漢波先生 Ms Olivia Lo, Chevalier de I’Ordre national du Mérite 盧大川女士 Mrs Mabel M. Lui, JP 呂馮美儀女士 Ms Paddy Lui, BBS, JP 呂慧瑜女士 Mr Tony Mok 莫華彤先生 Ms Tsang Wing Hin, Emily 曾詠軒女士 Mr Yeung Tien Yuen, Christopher 楊天源先生 EXECUTIVE / FINANCE COMMITTEE 行政及財務委員會 Chairman 主席 Mr Ronald Kwok 郭永聰先生 Members 會員 Ms Vena Cheng 鄭慧恩女士 Mr Gordon Jones, BBS 鍾悟思先生 Mrs Teresa Lin 林劉淑英女士 Mr Francis Liu 廖漢波先生 Mrs Mabel M. Lui, JP 呂馮美儀女士 ARTISTIC COMMITTEE 藝術委員會 Chairman 主席 Mr Gordon Jones, BBS 鍾悟思先生 Members 會員 Mr Philip Eisenbeiss 艾飛立先生 Mr Ronald Kwok 郭永聰先生 Ms Olivia Lo, Chevalier de I’Ordre national du Mérite 盧大川女士 Mr Yeung Tien Yuen, Christopher 楊天源先生 Co-opted Members 增選會員 Ms Sheryl Lee 李明哲小姐 Mr Vivian Lines Mr Vivian Lines Mrs Helen Lin Sun 孫林宣雅女士 Mr Alex Tam 譚天樂先生 Ms Nancy Yuen 阮妙芬女士 EDUCATION & OUTREACH COMMITTEE 教育及外展委員會 Chairman 主席 Mr Francis Liu 廖漢波先生 Co-opted Members 增選會員 Ms Jean Lau 劉祉延女士 Miss Felicity Yeung 楊婉華小姐 DEVELOPMENT COMMITTEE 拓展委員會 Chairman 主席 Mrs Mabel M. Lui, JP 呂馮美儀女士 Members 會員 Ms Chung Yan Yan 鍾恩恩女士 Mr Ronald Kwok 郭永聰先生 Ms Olivia Lo, Chevalier de I’Ordre national du Mérite 盧大川女士 Ms Tsang Wing Hin, Emily 曾詠軒女士 Mr Yeung Tien Yuen, Christopher 楊天源先生 Co-opted Members 增選會員 Ms Cheung Hing Ling 張馨玲女士 Mrs Lisa Yeung 楊陳麗霞女士 PR & AUDIENCE BUILDING COMMITTEE 公共關係及觀眾拓展委員會 Chairman 主席 Ms Vena Cheng 鄭慧恩女士 Members 會員 Mr Philip Eisenbeiss 艾飛立先生 Mr Gordon Jones, BBS 鍾悟思先生 Mr Ronald Kwok 郭永聰先生 Ms Olivia Lo, Chevalier de I’Ordre national du Mérite 盧大川女士 Co-opted Members 增選會員 Ms Sheryl Lee 李明哲小姐 Mr Vivian Lines Mr Vivian Lines Mrs Helen Lin Sun 孫林宣雅女士 ARTISTIC DIRECTOR 藝術總監 Dr Warren Mok, BBS, MH 莫華倫博士 HONORARY ADVISORS 榮譽顧問 Mr Fok Tsun Ting, Timothy, GBS, SBS, JP 霍震霆先生 Mrs Alice King 金董建平女士 Mr Peter Thompson, OBE, ILD, JP Mr Peter Thompson, OBE, ILD, JP Sir Gordon Wu, GBS, KCMG, FICE 胡應湘爵士 ARTISTIC ADVISORS 藝術顧問 Mr Henry Akina Mr Henry Akina Mr Chen Xie Yang 陳燮陽先生 Mr Raymond Fu 符潤光先生 Ms Ella Kiang 江樺女士 Dr Joanna C Lee 李正欣博士 Mr Liu Shih Kun 劉詩昆先生 Mr Tyrone Paterson Mr Tyrone Paterson Mr Lorne Richstone Mr Lorne Richstone Mr Sergio Segalini Mr Sergio Segalini Mr Tan Dun 譚盾先生 Mr Samuel Wong 黃大德先生 Ms Yao Jue 姚珏女士 Ms Yip Wing Sie 葉詠詩女士 Mr Zhang Guo Yong 張國勇先生 26
Mr Roger S. W. Lui 雷永業先生 Ms Sonia Lui 呂元珠女士
Dr John Luk 陸宏廣博士 Mrs Emma Lummis Mrs Emma Lummis
MEMBERS 會員 Mr But Mau Sum * 畢茂森先生 * D Chan Ka Hor, Johnny * 陳嘉何醫生 * Ms Chan Kit Wah, Eva * 陳潔華女士 * Mrs Mimi Chan 陳葉蘇虹女士 Mr Robert Chan 陳子亮先生 Dr Chang So Min, John * 張叔銘醫生 * Dr Margaret Chia 賈士秋醫生 Mrs Mary Chen 陳王靈誼女士 Dr Edgar Cheng 鄭維健博士 Miss Jessica Cheng 程珍小姐 Mrs Mariana Cheng, BBS, JP * 鄭曹志安女士 * Dr Moses Cheng, GBM, GBS, OBE, JP * 鄭慕智博士 * Ms Vena Cheng 鄭慧恩女士 Mrs Cheong So Ka Wai, Patsy * 張蘇嘉惠女士 * Ms Cheung Hing Ling 張馨玲女士 Dr Cheung Kit Ying, Andy * 張潔影醫生 * Dr Tony Cheung 張振雄博士 Prof Alice Chiu, BBS, JP * 趙曾學韞教授 * Ms Chiu Wen Ling * 邱文伶女士 * Mrs Janice Choi, BBS, MH * 蔡關穎琴女士 * Dr Choi Koon Shum, Jonathan, GBS, BBS, JP * 蔡冠深博士 * Miss Jolene Chow 周瑋雯小姐 Mr Anthony W. K. Chow, SBS, JP 周永健先生 Ms Michelle Chow 周恩惠女士 Mrs Joy Chung 鍾瑞華女士 Mr & Mrs Chung Po Yang * 鍾普洋伉儷 * Miss Chung Wai Mun * 鍾蔚文小姐 * Ms Chung Yan Yan 鍾恩恩女士 Mr Philip Eisenbeiss 艾飛立先生 Dr David Fang, SBS, JP * 方津生醫生 * Ms Janie Fong 方文靜女士 Dr Fung Carl Pui * 馮培邦醫生 * Mr Fung Hing Cheung, Kenneth * 馮慶鏘先生 * Mr Fung Hing Wang, SBS, JP 馮興宏先生 Dr Patrick Fung, JP 馮鈺斌博士 Mr Chester Hoang 黃智成先生 Mrs Rachel Hui 許申屠麗華女士 Dr Goh King Man, Victor * 吳敬文醫生 * Mr Goh Soon Khian, David 吳順強先生 Dr Aron Harilela 夏雅朗博士 Ms Rumiko Hasegawa 長谷川留美子女士 Ms Ho Chiu King, Pansy Catilina * 何超瓊女士 * Mr Edward S. T. Ho, OBE, SBS, JP 何承天先生 Ms Ho Wai Yu 何慧瑜女士 Ms Hu Xiao Bing, Shirley 胡小冰女士 Mr Huo Wai Chiu, Rex * 霍偉釗先生 * Mr Gordon Jones, BBS 鍾悟思先生 Dr Kan Fook Yee, GBS, SBS * 簡福飴博士 * Mrs Alice King * 金董建平女士 * Mr David Kung 龔鈁先生 Ms Angelina Agnes Kwan * 關蕙女士 * Ms Kwan Man San, Lucy 關文珊女士 Mr Ronald Kwok 郭永聰先生 Ms Kwon Young Ah, Marie 權英雅女士 Mr Joseph Lai * 黎明先生 * Mr Lai Yim Shik, Daniel 黎炎錫先生 Mrs Ivy Lau * 劉麥念慈女士 * Ms Lee Choi Chun, Joyce * 李彩珍女士 * Ms Loretta Lee 李碧慶女士 Mr Cecil Leong * 梁紹禎先生 * Ms Catherine Leung 梁嘉彰女士 Mr Leung Chi Tien, Steve 梁志天先生 Dr Leung Chung Chuen, Roland 梁宗存醫生 Mrs Teresa Lin 林劉淑英女士 Mr Vivian Lines Mr Vivian Lines Mr Francis Liu 廖漢波先生 Dr Lo Kwong Yin, Richard * 羅光彥醫生 * Ms Olivia Lo, Chevalier de I’Ordre national du Mérite 盧大川女士 Mr James Louey 雷兆光先生 Dr Lui Che Woo, GBM, MBE, JP * 呂志和博士 * Mrs Lui Chiu Kam Ping * 呂趙錦屏女士 * Mrs Mabel M. Lui, JP 呂馮美儀女士 Ms Paddy Lui, BBS, JP * 呂慧瑜女士 *
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莫樹聯先生 Mrs
廖樂柏先生 Ms
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* 莫華彤先生 * Dr
* 莫慶義醫生 * Mr
Koo Mei Chee * 莫古美慈女士 * Mr
Dr Michael Ma * 馬健基醫生 Dr Ma Ching Wan, Ronald * 馬青雲醫生 Mok Hing Yee Johnny Mok Mok Tony Mok Warren Mok, Robert Nield Doreen
Pao 包陪慧女士 Mr Douglas Pon 盤德先生 Ms Teresa Pong 龐裳女士 Ms Vanessa Poon Ms Vanessa Poon Mr Laurence Scofield 史葛．羅蘭士先生 Mr Ralph Raymond Shea 佘頌平先生 Mr Shum Kai Kee, Robert 岑啟基先生 Ms Edith Shih * 施熙德女士 * Ms Teresa Tam Ms Teresa Tam Mr Stephen Tan * 陳智文先生 * Mr Tang Chung Ping, Joseph * 鄧頌平先生 * Mr Peter Thompson, OBE, ILD, JP * Mr Peter Thompson, OBE, ILD, JP * Mrs Su-Mei Thompson 周素媚女士 Dr Ting Hok Shou, Dennis, OBE, JP * 丁鶴壽博士 * Mrs Angie Ho Ting 丁何穎雯女士 Mrs Lynette Tiong 張何麗梅女士 Dr Tong Pak Chuen, Patrick * 唐柏泉醫生 * Mrs Tong Wang Pei Chi, Peggy 童王佩琪女士 Ms Tsang Wing Hin, Emily * 曾詠軒女士 * Ms Tsang Wing May, Corina 曾詠美女士 Dr Tsao Yen Chow * 曹延州醫生 * Ms Tammy Wan * 溫德美女士 * Ms Beatrice Wen 聞張麗儀女士 Mr KL Wong 黃桂林先生 Dr Kennedy Wong, BBS, JP 黃英豪博士 Prof Wong Leung Kit Wah, Annie 王梁潔華教授 Mrs Wong Ng Mei Ha 王吳美霞女士 Mr David Yam 任懿君先生 Dr Yang Kai 楊凱博士 Dr Yang Hsueh Chi, Serena * 楊雪姬博士 * Mrs Anna Yeung 楊劉詠霜女士 Dr Anthony Yeung 楊俊偉博士 Ms Yeung Bik Yiu, Belinda 楊碧瑤女士 Miss Felicity Yeung 楊婉華小姐 Mrs Lisa Yeung 楊陳麗霞女士 Mr Patrick Yeung * 楊偉添先生 * Mr Yeung Tien Yuen, Christopher 楊天源先生 Mrs Selina Yu 余胡家寶女士 Dr Yu Hon Chiu 余漢超醫生 *Founding Member * 創院成員 SUPPORTERS 支持者 Mr Nick Burns Mr Nick Burns Mrs Viola Chan 陳胡家鳳女士 Mrs Ina Chou 周嚴雲震女士 Mr Serge Dumont 杜孟先生 Ms Louise Hannam Ms Louise Hannam Mr Helmut Hennig 海寧先生 Mrs Rosy Yih Hui 許葉靜儀女士 Mr Stefan & Mrs Caroline Kracht Mr Stefan & Mrs Caroline Kracht Mr King Vee Ming, William 金維明先生 Mr Lee Wai Yip, Simon 李偉業先生 Ms Peggy Liu Ms Peggy Liu Mr Vincent Qian 錢文超先生 Mr Anthony Rogers Mr Anthony Rogers Mrs Helen Lin Sun 孫林宣雅女士 Mr Dieter Turowski Mr Dieter Turowski Mr Wong Yat Hung, Edward 王日雄先生 Ms Yau Yuk Sum 丘玉芯女士 MANAGEMENT 行政人員 Deputy General Manager 副總經理 Stephane Lun 倫世豪 Senior Manager (Development) 高級經理(拓展) Cynthia Chan 陳頌恩 Manager (Corporate Affairs) 經理(企業事務) Derek Wu 胡贊邦 Manager (Accounting/HR) 經理(會計及人事) Oscar Go 吳東婉 Assistant Manager (Education and Outreach) 副經理(教育及外展) Elin Cheung 張苡璉 Officer (Marketing and Event Management) 主任 (市場策劃推廣) Dory Lui 呂佩盈 Officer 主任 Niki Lau 劉雅如 27
BBS, MH * 莫華倫博士 * Mr
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22-2312-15JAN2023OCT2022 Opera 歌劇 La Traviata 《茶花女》 Opera Hong Kong Children Chorus Annual Concert 2022 香港歌劇院兒童合唱團週年音樂會 The Gondoliers 《巴拉利亞之王》 Opera 歌劇 La Bohème 《波希米亞生涯》 OCT5-92022 30
26-2711-15OCT2023OCT2023AUG2023 Opera 歌劇 Il Trovatore 《遊唱詩人》 Semi-staged Opera 半舞台式歌劇 Opera Highlights 歌劇選段 Opera 歌劇 Tosca《托斯卡》 Opera Hong Kong Children Chorus Annual Concert 2023 香港歌劇院兒童合唱團週年音樂會 11-14MAY2023 Opera Hong Kong 20th Anniversary Gala Concert 香港歌劇院成立20週年音樂會APR22023 31
