IBC 2021 - Innovation and Technology

EMPOWERING CONTENT EVERYWHERE IBC 2021: Innovation and Technology brought to you by British Cinematographer magazine – Uniting cinematographers around the world

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IBC DIGITAL: 3-6 DECEMBER 2021

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IBC 2021

Welcome

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Publisher STUART WALTERS +44 (0) 121 200 7820 stuart.walters@ob-mc.co.uk Publisher SAM SKILLER +44 (0) 121 200 7820 sam@ob-mc.co.uk Editor ZOE MUTTER +44 (0) 7793 048 749 zoe@britishcinematographer.co.uk Design MARK LAMSDALE +44 (0) 121 200 7820 mark.lamsdale@ob-mc.co.uk Sales LIZZY SUTHERST +44 (0) 7498876760 lizzy@britishcinematographer.co.uk Editorial Assistant TOM WILLIAMS tom@britishcinematographer.co.uk Website PAUL LACEY +44 (0) 121 200 7820 paul@paullacey.digital

Subscribe to British Cinematographer Magazine today. You can receive the magazine posted to your home or office, or access anywhere with our digital subscription. To subscribe please visit www.britishcinematographer.co.uk/ subscribe For queries please contact Matt Hood on +44 (0) 121 200 7820 or email: matt.hood@ob-mc.co.uk

IBC 2021 This message is brought to by British Cinematographer - media partner to IBC 2021

Y

ou will now have seen the announcement regarding the cancellation of IBC 2021 as a live event. The move follows growing concerns about the escalating COVID-19 cases in The Netherlands and other European countries and the situation has now deteriorated further.

British Cinematographer is proud to be a media partner with IBC and as part of the partnership programme we produced a Guide to IBC 2021 for distribution to the IBC exhibitor and visitor community prior to the event. The most important element of the editorial coverage is the developments in innovation and technology as we profile manufacturers and their kit in our product round-up.

Clearly, we are all disappointed that IBC 2021 could not proceed but please accept this guide with our compliments. We feel the guide will be of great interest to all of the registered visitors to give them a flavour of what they would have seen. We are very grateful to the organisers of IBC 2021 for distributing the guide to their visitor and exhibitor community and hope it will motivate everyone to get on board for IBC 2022.

With the live show in Amsterdam no longer able to take place, IBC 2021 will now focus on bringing the content and technology community together via IBC Digital (https://show.ibc.org/usefulinfo/ibc-digital). Connect with exhibitors, network with industry peers, and book your meetings all in one place. You can also view exclusive content, including key notes, panel discussions, technical papers, a series of workflow tours, accelerator projects, and the IBC Awards ceremony.

Until next time, The British Cinematographer team *IBC is run by the industry for the industry. The IBC partners who own IBC are The IABM, IEEE Broadcast Technology Society, IET – The institute of Engineering and Technology, The Royal Television Society (RTS), SMPTE, and The SCTE.

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British Cinematographer is part of LAWS Publishing Ltd, Premier House, 13 St Pauls Square, Birmingham B3 1RB The publishers wish to emphasise that the opinions expressed in this publication are not representative of Laws Publishing Ltd but the responsibility of the individual contributors.

LAWS Publishing are proud to be corporate sponsors of Heart Research UK

We are committed to sustainable forest management and this publication is printed by Buxton Press who are certified to ISO14001:2015 Standards (Environmental Management System). Buxton prints only with 100% vegetable based inks and uses alcohol free printing solutions, eliminating volatile organic compounds as well as ozone damaging emissions.

IBC 2021 | 03

IBC 2021

Interview

IBC LOOKS TOWARDS A HYBRID FUTURE FOR EXHIBITION AND CONFERENCES

This year’s IBC had originally been intended as a return to Amsterdam’s RAI Centre in the run-up to Christmas but will once again be an online event.

In an interview given before this decision was taken, IBC chief executive Mike Crimp talked to Kevin Hilton about how the show’s digital platform will allow the conference programme to go ahead and enable people to still be involved.

Interview with Mike Crimp, Chief Executive, IBC Article by Kevin Hilton

04 | IBC 2021

T

he International Broadcasting Convention (IBC) has grown considerably from the first show in 1967. Since moving to Amsterdam in 1992 and later becoming an annual event it has developed to encompass technology and products beyond broadcast television and radio.

This is illustrated by Hall 12 (previously Hall 11) becoming dedicated to filmmaking equipment.

After cancelling the scheduled 2020 show due to the COVID pandemic, IBC had been rescheduled so it could return to the RAI exhibition centre during December, rather than its traditional September slot. IBC 2021 was to have been a live, on-site exhibition with a

strong online component. Speaking before the Netherlands government imposed a partial lockdown in November due to rising infection rates, which ultimately led to the cancellation of this year’s event, IBC chief executive Mike Crimp said the virtual conference and product focus sessions held last year “went down quite well”, with the shift from a physical show being facilitated by the already established IBC365 publishing platform. “We were able to move on to it quite quickly and the market seemed OK with what we did,” he commented.

Crimp added that IBC has invested in its digital operations to create an online presence that can be expanded to host a hybrid event. “Everyone’s talking about hybrid and there are different views of it,” he said. “Our definition is that the IBC Digital platform runs interconnected with the physical show [when it is held]. [There will be] content on stages and that will be available on the digital platform.

People will be able to interact whether they are there or not.”

IBC Digital - which has been running after launching on 21 October - is based on the XPro virtual event platform, which uses AI to create personalised recommendations. It will enable conference participants and others to ‘beam’ into sessions and presentations. “We want to take the exhibition and the content programme out to the world and allow the world back in,” explains Crimp, “either beamed in because they’ve got a contribution or want to network.” >> www.britishcinematographer.co.uk

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IBC 2021

Interview

“OUR DEFINITION IS THAT THE IBC DIGITAL PLATFORM RUNS INTERCONNECTED WITH THE PHYSICAL SHOW [WHEN IT IS HELD]. [THERE WILL BE] CONTENT ON STAGES AND THAT WILL BE AVAILABLE ON THE DIGITAL PLATFORM. PEOPLE WILL BE ABLE TO INTERACT WHETHER THEY ARE THERE OR NOT.”

IBC’s chief executive Mike Crimp

IBC Digital will allow people to organise one-to-one or group meetings with participating companies before, during and after the dates originally given for the Convention (3-6 December). They will also be able to access exhibitor profiles, in addition to looking at the latest company news, download content and view details of the latest products.

The conference and content programme will still provide access to presentations from industry leaders, panel debates, technical paper presentations and technology masterclasses. Among the confirmed keynote speakers [at the time of going to press] are: Johannes Larcher, head of international at HBO Max; Vincent Tauzia, vice president of partnership, Netflix; Superna Kalle, president of international networks, Starz; and Bob Hesskamp, executive vice president, WarnerMedia.

Crimp sees the hybrid approach of a physical exhibition in tandem with an interactive online presence as the future of trade shows. “It needs to be part of it because there’s an opportunity for shows like IBC to extend their reach beyond those who can physically attend,” he explained. “We’ll be able to extend the life of IBC as well. The show has always seen itself as the centre of a community where everyone comes together

for five days. It would be great if we could provide the industry with knowledge and expertise beyond the five days. That’s why we originally launched IBC365. What happened in the last 18 months has accelerated some of the thinking and we would like to make it central to what we do in the future. It’s difficult to know but I don’t see hybrid going away immediately.”

The hope of Mike Crimp, the IBC organisation and the industry at large was that this year’s show would allow people to come together in one place, meet up and generally discuss the future of the broadcast technology sector. While that physical, personal aspect will have to wait for at least another year, IBC is still positioning itself as both a showcase for the latest developments and a forum to discuss how the industry will recover in the future.

“It’s going to be an interesting time for the industry and everyone wants to get back on track and address the issues [facing broadcasting],” Crimp concluded. “A couple of years before the pandemic there was a lot of focus on 4K and 8K but now I think that efficiency, particularly in relation to the cloud, is driving buying decisions. [And] IBC has always been a place where people come together and think creatively to solve problems.” n IBC Digital 2021 takes place from 3 to 6 December at: show.ibc.org/useful-info/ibc-digital.

IBC365 IBC365 is an online community platform providing business knowledge for the global media, entertainment & technology industry.

• Gain unique insight on the latest industry trends • Read opinion articles from key industry players • Access executive interviews from industry leaders • Explore in-depth IBC technical papers • Download topical sponsored whitepapers • Watch video content including IBC Conference keynotes

06 | IBC 2021

WWW.IBC.ORG www.britishcinematographer.co.uk

Exclusive new large-format lenses ARRI Rental proudly introduces two new large-format lens series: ALFA anamorphics, with a characterful and carefully detuned look, and Moviecam spherical lenses, which reinvigorate these classic but scarce vintage optics. Both series were developed in-house by our global lens design team, and are available from our rental facilities worldwide.

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IBC 2021

Product round-up Aputure Nova P600c

There were some big names missing from the exhibitor list for this year’s IBC, but there were still many well-known filmmaking and cinema-related companies due to be at the RAI in Amsterdam before the event moved online. British Cinematographer has compiled a round-up of recent or new products from some of the key manufacturers and distributors.

A Atomos Ninja V+ Blackmagic DaVinci Resolve

08 | IBC 2021

JA Video has been prolific in recent months with several new product releases. The highest profile of these is the BRIDGE NDI 3G, a 1RU SDI to NewTek’s NDI video over IP protocol converter.

The gateway supports multi-channel 4K and HD workflows and is aimed at broadcast, production, and pro AV applications that need to move between different platforms, protocols, and connectivity types. Also new are firmware updates for the AJA OG-DANTE-12GAM and KUMO, plus T-TAP Pro compatibility with the Autodesk Flame system.

Broadcast and AV cable and infrastructure product specialist Argosy will use IBC as a showcase for its new a range of connectors and tooling from Simply45. These are designed for CAT 6, CAT 6A and CAT 7 installations, with the aim of making wiring simpler and cheaper.

Connecters for the Simply45 series are approved by HDBaseT, the global

standard for the transmission of ultra-highdefinition video and audio, Ethernet, controls, USB and up to 100W of power over a single, long-distance cable.

Aputure’s most recent product launches include the Nova P600c, Light Storm (LS) 1200d Pro, LS 600x Pro lighting fixtures.

The Nova P600c is the latest addition to the Nova family of LED panels, and offers 2,000K~10,000K CCT and soft light quality, plus a new suite of professional-level controls; LS 1200d Pro is claimed to be the brightest fixture in the Aputure and LS ranges, with a 1200W daylight COB chipset and an 83,100+ lux output at 3 meters using the Hyper Reflector (Narrow); and the LS 600x Pro has a bi-colour range of 2700K~6500K and features a native Hyper-Reflector, with the option of the F10 Fresnel modifier.

Astera, a specialist in wireless LEDs, last year launched the NYX Bulb, named after the female personification of night in Greek mythology, is a colour tuneable LED fixture the same size as a standard LED bulb. It features a CRMX receiver for wireless DMX connectivity, plus RF and Bluetooth modules for control on a smartphone or tablet using the Astera App. The PixelBrick is a multifunctional light source designed for concerts, events, and broadcast as well as filming. It is compact and light, IP65 rated and has 450 Lumens and 1200 Lux at two metres.

Atomos launched several products during 2020-21, most recently new monitors for the Ninja family product range. As well as the Ninja V+ and the Shinobi 7 on-camera recorders, there will be the NEON 17 and NEON 24 units plus the new AtomX CAST live switching and streaming device for the Ninja V.

B&H Photo Video Audio’s porfolio for the cinema and TV markets includes digital cameras such as the Canon EOS range, LED, tungsten, and HMI lighting and DZO cine lenses.

Blackmagic Design produces a range of digital cinema cameras, plus the DaVinci Resolve software package for video editing, audio editing and mixing, visual effects and colour management and grading.

The latest version of Resolve adds a processing engine that makes operations three times faster on Apple Mac models running with the M1 chip. It is now possible to playback, edit and grade 4K projects quicker, with the potential to work on 8K projects using an Apple M1 notebook.

Canon has been celebrating ten years of the Cinema EOS range by showcasing the EOS C500 Mark II, a full-frame camera launched in 2019 that features a CMOS sensor with a 15+ stop and a wide colour space, which the manufacturer sees as suited to HDR productions; plus the COS C70 and EOS R5. >> www.britishcinematographer.co.uk

IBC 2021

Product round-up

Cineo Lighting’s full range DZO Film is of luminaire systems include the a newcomer to the ReFlex R15 and LB800, both of cinematography which were updated earlier lens market. Its this year with the addition of debut range of C20S software. opticals

Earlier this year, comprises the Chimera introduced two Pictor Zoom Lightbanks and a Lantern professional for the Creamsource cine lens for Vortex8. The POP bank for Super 35 the Vortex8 fits directly on shooting, the to the fixture without Vespid Prime full needing a Speed Ring or frame series, and bracket. It features a full and LingLung for M4/3 half Chimera Cloth screen and cameras, plus the comes packed in a compact Octopus PL-RF/L/E messenger sack. The Medium mount adapter.

Lightbank has a frame and classic Storage specialist Chimera pole construction and EditShare has been promoting its delivers even light from a 915x1219 hybrid, fully automated cloud content Cineo ReFlex R15 mm aperture. It has an internal baffle management systems this year. and full and half Chimera Cloth screens.

EditShare’s FLOW media management

Dedo Weigert Film’s new development is and EFS software-defined storage have been the dedolight/NEO series. This includes a revision designed for remote workflows in mixed editing of dedolight DLED7 lighthead as well as a new environments, bringing together Adobe Premiere electronic control box and power supply. There Pro, Avid Media Composer and Blackmagic will also be a presentation of the LightStream Design DaVinci Resolve in a single workflow. system and additions to the range, including EFSv’s proxy editing capabilities, announced in LightStream Lite and LightStream Tabletop.

2020, will be shown for the first time at IBC. This Asymmetric background and Asymmetric backoffers editing in the cloud, using block and object lighting packages for LightStream are to be storage and smart FLOW panel technology. demonstrated for various studio applications in

EUROLIGHT System will have its full both film and TV production. range of lighting related brands, including ARRI,

Creamsource, Cineo Lighting, DoPChoice, Litepanels, Manfrotto and Nanguang.

Exalux is a designer of LED fixtures, controllers, accessories, and power supplies.

FilmGear’s current products divide into the main lighting groups of LED (SpaceLight, High Power Panel, Soft Panel, Flexible Panel, Spot), Daylight (Par Faceted, Par, Fresnel, Box and Broad), Tungsten (Fresnel, Maxibrute, Open Face) and Fluorescent.

Fomex produces a full range of professional lighting products. This comprises the FLB, FL and FLM series of flexible LEDs, EX Panel Lights and sheet-like RollLite range.

Godox recently won a TIPA World Award for Best Portable Flash at PHOTOPIA Hamburg for the AD100Pro. This is a small, portable strobe that is able to deliver 1/8000 high speed sync, plus control of multiple flash set-ups through an optional 32-channel wireless transmitter. Other lighting fixtures in the Godox range include continuous LED lights in various formats.

IDX Technology manufactures and supplies of Lithium Ion battery/power systems, HD wireless video transmission technology, V-Mount hardware and the V-Plate adapter for the broadcast and professional video markets.

Among recent products are the A-DCFX9 V-Mount adapter for the Sony FX9, which converts the attached battery to work with the 19.5V supply as required by the camera, providing supplies power via the DC input; and the Imicro-98 and Imicro-150 micro batteries. >>

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IBC 2021

Product round-up

Leitz’s full lens range on show includes a selection of focal lengths in each product line.

These include the Elsie, Leitz Prime, Leitz Zoom, Thalia, M0.8 Summicron-C and Summilux-C.

LEMO is a designer and manufacturer of precision custom connection and cable products. Its Push-Pull connectors are used for a variety of applications, including medical, industrial control, test and measurement, audiovideo and telecommunications. Recent products including the Ethernet 1000 Base T1, Anglissimo adjustable right-angled connector, the S Series and Halo LED connector.

The Light Bridge’s range of lighting accessories include the C-Reflectors and CRLS diffusers, which comes in kits or as single products.

Lightstar Professional Lighting produces ranges of LEDs, HMI Fresnels, Parlights, tungsten fixtures, Spacelites, Luxpars, Tublites, Spacelites and Gorgeous Parlights.

Lupo is known for its Dayled (Dayled 650 PRO, 1000 PRO, 2000 PRO, 650 Dual Color PRO, 1000 Dual Color PRO and 2000 Dual Color PRO), Superpanel (Dual Color 30 Hard, Dual Color 30 Soft, Full Color 30 Hard, Full Color 30 Soft, Dual Color 60 Hard, Dual Color 60 Soft, Full Color 60 Hard, Full Color 60 Soft) and Movielight (300 PRO, 300 Dual Color PRO, 300 PRO Kit, 300 Dual Color Pro Kit) ranges.

Movicom Group/Robycam has been promoting the new Robycam Studio 4-point system for augmented reality in small/medium to large studios. Its other products include the R3 carbon fibre gyro-stabilised heads, which are

Leitz ELSIE on RED camera

being used in the Robycam system as well as AGITO dollies and railcams; and the Refcams/ Earcams, which are point of views cameras that are bodyworn by referees and umpires in a variety of sports, particularly field and ice hockey.

NANLITE is recognised for the Forza Series of LED spots, the PavoTube series, the MixPanel 60 and 160 with electronic diffusion and the halo range of ring lights.

OTONOHM manufactures portable lithium battery systems that are designed to

deliver a fast charge with a 30 percent longer service life and 20 reduction in CO2 emissions.

Pipe Lighting’s main product is the largescale but lightweight (2kg) 800W lamp head.

This is IP67 rated for full waterproofing, with the manufacturer’s claim that it can be used underwater. The versatile kit contains bicolour LEDs, which work at up to 4400 lumens brightness with a colour range of 2650-5700K.

Savage Universal manufactures a range of products for photography and videography, >>

We are incredibly excited to announce our latest addition to the British Cinematographer portfolio – the British Cinematographer Player.

The VOD (Video on Demand) platform will run in parallel to the main website and complement it, with a focus on highlighting the industry’s best motion content.

British Cinematographer’s video on demand player offers inspiration and insight for cinematographers and the wider filmmaking community.

Curating some of the latest and greatest videos along with original content, the player is dedicated to celebrating a visual craft in all its splendour.

Explore the work of others, learn new techniques, watch interviews and debates, and showcase your own creations by simply uploading a video onto our Showcase playlist, which works alongside our other free playlists such as Behind the Scenes, Interviews, and Training and Skills.

www.britishcinematographer.co.uk/player 12 | IBC 2021

www.britishcinematographer.co.uk

IBC 2021

Product round-up including LED lights and a new range of grip equipment, which includes stands. Among its lighting fixtures are ring lights, RGB panels, light panels, and the Star Light.

Spirit Lab will give a first IBC showing the 70-300mm T3.2 zoom lens. Launched last year, this optical is full frame with zero distortion, minimised breathing effect and good parfocality.

Shenzhen ST Video-Film Technology produces a wide range of products for filmmaking, including Jimmy Jib and Andy Jib camera cranes, crane accessories, wireless transmission systems, tripod and heads, LED screens, batteries, and a night vision camera.

Thales (Angenieux) starting introduced its full range of Optimo Prime lenses last year, with the latest appearing this spring. These were designed for professional full frame cinematography. It also complements Angenieux’s Optimo Ultra 12x zooms. The Optimo Prime Silver Set series comprises six lenses, including the 21mm, 28mm, 40mm, 50mm, 75mm and 135mm focal lengths. The following six focal lengths, 18mm, 24mm, 32mm, 60mm,100mm and 200mm.

True Lens Services is well known for its work in repairing and rehousing lenses. It also develops lens ranges, with the most recent being the Vega series. These were developed in response to the growing demand for lenses to operate with larger full frame digital camera formats. The set consists of ten lenses, including 20mm, 24mm, 28mm, 35mm, 50mm,

58mm, 85mm, 105mm, 135mm and 200mm focal lengths, ranging from T1.5 to T2.

Netherlands-based distributor Vocas will be at its local show with a selection of products in the cine, video, lighting, and lens sectors. Among the latest additions to its portfolio are the Blackmagic Design Pocker 6K Pro, RED Digital Cinema Komodo 6k and V-Raptor, Sony Cinema Line FX6 and the Blackmagic HyperDeck Studio HD Plus.

Camera control systems specialist Telemetrics’ technology featured at this year’s Tokyo Olympics and will be featured at IBC. Among the company’s products are the RCCP-2A-STS controller, PT-RT-2 pan tilt head, Televator (EP8) elevation column and Teleglide (TG-4) track and trolley system.

Tokina Cinema is known for its Vista series of ultra-fast, large format Primes, the full range of zooms and the 100mm Marco, a 1:1 optical built for costAstera PixelBrick effective shooting.

Camera movement specialist XD Motion’s product ranges include the ARCAM motion control robotic camera system, pan-tilt-zoom remote control, augmented reality 3D engine, X fly 3D cablecam, and tethered drone.

Lens manufacturer Xeen CF compact and flexible cine Prime lens series comprises five focal lengths (16mm T2.6, 24mm T1.5, 35mm T1.5, 50mm T1.5 and 85mm T1.5) that are compatible with PL, Canon EF, and Sony E mounts.

Zanus designs mechatronic devices for specific purposes, which include camera systems.

Z CAM was launched in 2015 with the Z CAM E1, at the time claimed to be the world’s smallest 4K, MFT interchangeable lens mount camera. It went on to produce a VR (virtual reality) camera, the Z CAM S1, followed by the Z CAM E2 low cost, 4K 160fps, 10-bit colour cinema camera, the Z CAM E2C, E2-S6 (Super 35mm 6K), E2-F6 (Full Frame 6K), and E2-F8 (Full Frame 8K) models. n

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