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2026 Benefit: Dangerous Liaisons

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2026 BENEFIT DINNER

DANGEROUS LIAISONS

March 26, 2026 at 6 pm

City Club Of San Francisco

HONORING

CLIFFORD “KIP” CRANNA

CHAMPION OF NEW OPERA

HONORARY CHAIRS

JOHN ADAMS

DAVID GOCKLEY

SUSAN ANDERSON-NORBY

Dear Friends,

Welcome, and thank you for joining us this evening. It’s a pleasure to gather with this extraordinary circle of friends, collaborators, and champions of Opera Parallèle—and to raise a glass in celebration.

As Opera Parallèle matures into our late teenage years, I’m proud to say we’re still curious, still adventurous, and increasingly assured in our voice. As Executive Director, it’s a privilege to help steward the company at this moment, guided by a collaborative ethos that unites artists, partners, and communities in the making of opera that is bold, resonant, and meaningfully connected to the world around us.

Your generosity makes this work possible. Because of you, we are able to champion new voices, take creative risks, and offer experiences that invite reflection, discovery, and joy— especially in times when imagination and connection matter more than ever.

Tonight, we are delighted to honor Kip Cranna, a cherished supporter and collaborator whose dedication to contemporary opera has helped shape the field and inspire countless artists and audiences. Kip’s engagement, discernment, and generosity reflect the very best of this community and the values that sustain Opera Parallèle.

So, with martinis raised, let us toast to bold ideas, shared conviction, and the delightfully dangerous pleasure of experiencing art together. To Kip, to Opera Parallèle, and to the connections that keep us curious, courageous, and coming back for more.

With gratitude,

Photo by Better Rugged Photography

Field Greens Salad

Field greens, roasted golden & red beets, shaved Manchego cheese, candied pistachios, sliced orange & grapefruit, cherry tomatoes with balsamic vinegar

Entree

Petaluma Farms free-range chicken breast; whipped potatoes, roasted seasonal vegetables, almond romesco sauce & rosemary au jus

Vegan: Stuffed red pepper; wild rice pilaf, seasonal vegetables & pomodoro sauce

Dessert

Mixed fruit tart; raspberry coulis & mint

Fruit cup

Wines Sponsor

“Kip is one of the loveliest, most competent people I’ve ever met and worked with over a long career in opera. He is knowledgeable, humble, reliable, and ever pleasant to deal with. What an asset he has been to SFO!”
—DAVID GOCKLEY General Director Emeritus of San Francisco Opera
David Gockley, Kip Cranna, David Henry Hwang Bright Sheng/Drew Altizer

2026 BENEFIT DINNER

DANGEROUS LIAISONS

HONORARY CHAIRS

JOHN ADAMS

DAVID GOCKLEY

SUSAN ANDERSON-NORBY

March 26, 2026 | City Club Of San Francisco 155 Sansome Street

WELCOME

Michael Tate Emcee

DINNER

Lynn Luckow, Event Chair

Jee Young You, Development & Communications Chair

ARTISTIC DIRECTOR & HONOREE

REMARKS

Nicole Paiement, OP Founder & Artistic Director

Kip Cranna, Guest of Honor

Peggy Otum, Board Chair

FUND-A-VISION PERFORMANCES

Rhoslyn Jones

soprano

DESSERT

CLOSING REMARKS

Daniel Harvey, Executive Director

Kevin Korth pianist

ABOUT THE GUEST OF HONOR

Born and raised in Devils Lake, North Dakota, Clifford “Kip” Cranna's developed a passion for music at an early age, singing with his dad and brother while his mother played the piano. Inspired by his junior high music teacher, Kip enrolled at the University of North Dakota to study music, concentrating on choral conducting and musicology. He graduated summa cum laude in 1969 as his class salutatorian.

With the Vietnam War in full progress, he declined a proffered Fulbright scholarship for music study in Spain and attended Navy Officer Candidate School at Newport, Rhode Island, where his musical abilities earned him the position of Regimental Choirmaster. Kip was commissioned an ensign on October 23,1969, and sent to Southeast Asia. His service earned him the Vietnam Campaign Medal, the Vietnam Service Medal, and the Navy Achievement Medal. In 1971, he was transferred to shore duty in Naples, Italy, where he familiarized himself with the world of opera at the famed Teatro di San Carlo and learned Italian.

After his release from active duty in the fall of 1972, Kip entered graduate school in music at Stanford University, where he met classmate and colleague Bruce Lamott, who would be his life partner from that time forward. When it became legal to do so, they were married, on September 22, 2013.

Kip joined the staff of San Francisco Opera in 1979, where he would work for 40 years until his retirement in 2019. After completing his Ph.D. in 1981, Kip was given a new post as Assistant Musical Administrator, and was quickly promoted to Musical Administrator in 1982. In 2008, he was made Director of Musical Administration and awarded the San Francisco Opera Medal, the company’s highest honor, praised as a “benevolent force behind the scenes” and “a wise and kind artistic professional.”

Through his passionate service to music—whether as a dramaturg, lecturer, or historian—Kip has left an indelible mark on the performing arts in San Francisco and on opera in North America. As a proponent of contemporary opera, Kip has either led or participated in the commissioning and creation of more than thirty new works by the most influential composers of our time, including Dead Man Walking (Heggie/McNally, 2000), Doctor Atomic (Adams/Sellars, 2005), and Appomattox (Glass/Hampton, 2007).

With John Adams
With Lotfi Mansouri
With Lynn Luckow

KIP’S FRIENDSHIP GARDEN

OP DONORS:

KEITH & PRISCILLA GEESLIN, FRANKLIN "PITCH" & CATHERINE JOHNSON, FRED LEVIN & NANCY LIVINGSTON

MARCIAOPBOARD:LAZER, JANEHARTLEY, PATRICKMARKLE

MICHAELSUPERNUMERARIES:STRICKLAND, CHARLIELICHTMAN, MICHAELHARVEY, FRANKPRISCILLALORE, ZEPEDA SUSAN & DOUG ANDERSONNORBY

MICHAEL
DAVID GOCKLEY

SINGERS: CATHY COOK, PHIL SKINNER,SUSANNAHBOJANKNEŽEVIĆ, BILLER, KENNETH KELLOGG, AMINA EDRIS, EUGENEHADLEIGHBRANCOVEANU, ADAMS, RENÉE RAPIER

GREENAWALD

K.T.FRIENDS&MORE: NELSON, DINAKUNST& PARKERSHERRY

PATRICIA MOY

JON FINCK, JO GIESSLER, AILEEN TAT, DANBRODERSEN,ELIZABETHPAMELARIVARD,SEVILLA

NOTT

GOCKLEY

Kip’s friendship and support have helped Opera Parallèle to grow, thrive, and meet the future with joyous purpose. Below are just a few of the people we thank Kip for bringing to OP.

RORKMUSICTEAM: LISADELAN, ALEXANDRA ARMANTRADING, KEVINKORTH, NICOLLEFOLAND

GETTY

STEVE&DIANEHEIMAN

CHORALYOUNGMUSICIANS CHRISTABELORCHESTRA:NUNOO, JAYMESKIRKSEY

FLICKA
GORDON
SUSAN GRAHAM
RUTH
SHERI

OP BOARD OF DIRECTORS 2025–26

Peggy Otum CHAIR

Jo Giessler VICE CHAIR

Lisa Lindelef SECRETARY

Jeff Mattlin TREASURER

Malekeh Amini

Larry Corash

Clifford “Kip“ Cranna

Marylene Delbourg-Delphis

Louise Fox

Jane Hartley

Terry Johnson

Marcia Lazer

Steven Lei

Simin Naaseh

John Roevekamp

Tony Shayne

Jee Young You

OP STAFF

Nicole Paiement FOUNDER & ARTISTIC DIRECTOR

Daniel Harvey EXECUTIVE DIRECTOR

Brian Staufenbiel CREATIVE DIRECTOR

Eman Isadiar DEVELOPMENT DIRECTOR

Calvin Eng FINANCE DIRECTOR

Phil Lowery DIRECTOR OF PRODUCTION

Pamela Sevilla MARKETING DIRECTOR

Jacques Desjardins ARTISTIC ADMINISTRATOR

Katrina Finder DEVELOPMENT MANAGER

Takiyah Franklin COMMUNITY & IDEA MANAGER

Brett Metzger FINANCE MANAGER

Jay Cruz MARKETING ASSOCIATE

Owen Klein

ARTISTIC & ADMINISTRATIVE ASSOCIATE/ASSISTANT TO THE FOUNDER & ARTISTIC DIRECTOR

Jon Finck PUBLICIST

Elizabeth Brodersen GRANT WRITER

Muskan Parashar BOARD ADMIN ASSISTANT

Michael Mohammed SCHOLAR IN RESIDENCE

Keisuke Nakagoshi RESIDENT PIANIST

ADVISORY COUNCIL

Joseph Chan

Steve Kesten

Alan Olejniczak

Robert Ripps

Lawrence Siegel, JD

HONORARY BOARD

Terence Blanchard

Ruth A. Felt

Philip Glass

Jake Heggie

John Holiday

Frederica von Stade

Scott Wiener

HONORARY CHAIRS

John Adams

David Gockley

Susan Anderson-Norby

EVENT CHAIR

Lynn Luckow

DEVELOPMENT & COMMUNICATIONS

CHAIR

Jee Young You

BENEFIT TASK FORCE

Malekeh Amini

Elizabeth Brodersen

Katrina Finder

Daniel Harvey

Eman Isadiar

Lynn Luckow

Nicole Paiement

Jee Young You

CELEBRATION SPONSORS

MOUNT DAVIDSON

Susan Anderson-Norby

Gordon Getty

Peggy Otum & Andrew Price

Diane B. Wilsey

MOUNT SUTRO

Lisa Lindelef

TWIN PEAKS

Donna Dubinsky & Len Shustek

Jerry Roth & Ray Jenks

Jee Young You & Paul Alsdorf

NOB HILL

David Bertoni

Michèle & Larry Corash

Louise Fox & Mats Andersson

Philip Goward & Theo Ueki

Pitch Johnson

John Klopacz

Bernice Lindstrom

Patrice Magginis & Eric Rice

Nicole Paiement & Brian Staufenbiel

Robert Ripps & Steven Spector

Jack & Betty Schafer

RUSSIAN HILL

Malekeh Amini

Helen Berggruen for the Five Arts Foundation

Alex Ingersoll & Martin Tannenbaum

Candace Zander Kahn

Daniel L. Rabinowitz & Ann F. Thomas

Melody Walsh

TELEGRAPH HILL

Sarah Billinghurst Solomon

Kip Cranna

Jo Giessler

Judy & Jeff Gough

Amy Graham & Jamie Lantz

Jane Hartley

Jeffrey Lyttle & David Murphy

Jeff Mattlin & Alexa Fitzpatrick

Simin Naaseh & Farhang Ostadan

Tim & Bonnie Rietz

Victor Rowley

IN-KIND SPONSORS

BEHIND THE OPERAS

Lotfi’s Mission

When Lotfi Mansouri became General Director of San Francisco Opera in 1988, he wanted to accomplish three things: an opera based on Dangerous Liaisons, an opera based on A Streetcar Named Desire, and an opera with a libretto by Terrence McNally. Kip helped him accomplish all three, even stopping by Conrad Susa’s home every morning on his way to work to pick up new pages for Dangerous Liaisons before FedExing copies all around the world. Dangerous Liaisons made its world premiere in 1994 and went on to air on PBS’ Great Performances. Dead Man Walking by composer Jake Heggie and librettist Terrence McNally premiered in 2000. It is widely considered the most performed contemporary opera of the 21st century.

Where’s the Love Story?

In 1991, Kip met Houston Grand Opera General Director David Gockley when he traveled to Houston for early meetings about Stewart Wallace and Michael Korie’s Harvey Milk. In his notes to SFO General Director Lotfi Mansouri, Kip wrote, “by the way, where’s the love story?” His feedback resulted in the tender duet between Harvey and his lover Scott, who convinces Harvey to cut his long hair to be more electable. This beautiful moment now ends Act I in Harvey Milk Reimagined, which was performed by OP in 2025—a partnership encouraged by David Gockley.

The Thrill of Discovery

Terry Pratchett famously wrote, “opera happens because a large number of things fail to go wrong.” When Kip went to see "Ensemble Parallèle’s" production of Lou Harrison’s Young Caesar in 2007, he became an immediate fan and champion of what would evolve into Opera Parallèle. Kip then introduced Nicole Paiement and Brian Staufenbiel to Bob Ellis, who would go on to be part of the company’s first Board of Directors, setting the foundation for one of OP's preeminent contemporary opera companies.

With Conrad Susa
Harvey Milk Reimagined (2025) / Cory Weaver
With Nicole Paiement

KIP’S SIGNATURE MARTINI

Put 3 ounces of gin into a shaker with ice cubes (Not shaved ice—it waters down the gin. We don't want that).

Add the equivalent of an eye-drop of vermouth. Maybe two. (Best to pour a small amount of vermouth into the bottle cap and dispense from there to avoid overdoing it.)

Hold the shaker in one hand and shake for 15 seconds (no longer) by twisting your wrist back and forth. Do NOT use both hands to pump the shaker up and down. You are NOT making a milkshake! Too much shaking gets the gin watery and it loses its flavor.

Pour into a well-chilled martini glass. Very important. Best to keep your martini glasses in the freezer or fill them with ice cubes before you begin step one.

Garnish with olives. I don't recommend the type that are stuffed with cheese, which dissolves into the gin and makes it cloudy.

Sip and enjoy!

WEST COAST PREMIERE A New Chamber Orchestra Version

May 29–31, 2026

Presidio Theatre, San Francisco

CONDUCTOR

Nicole Paiement

DIRECTOR

Brian Staufenbiel

FEATURING

Matthew Worth

Rhoslyn Jones

Naomi Steele

Deborah Nansteel

COMPOSER

Douglas J. Cuomo

LIBRETTIST

John Patrick Shanley

After his play and film

ABRIDGED LIBRETTO BY Kevin Newbury

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