Portflolio CV 2023 compressed Serghei Onofrei

architectural portfolio + cv2023 onofrei serghei

_compressed

technical/ informatics programmes:

Curriculum Vitae

INSTITUTE course of study

INSTITUTE course of study

course of study

Serghei Onofrei

07/10/1998

Moldavia

Student/Architect

Cernusco s/N, Milan (MI), Italy +39 329 565 7365 serghei.onofrei@mail.polimi.it / onofreysergey@yandex.com

EDUCATION ‘Caravaggio’ Artistic High School ,Milan

Architecture and Environment (Milano) (Language Italian) (Thesis ‘Urban Planning - The City for People’ - about Saint Petersburg)

second semester in 2021 first semester in 2021 ---

PERSONAL INTERESTS

PERSONAL INFORMATIONS Name/ Surname place - date of birth Profession adress phone e-mail

TRAINING COURSES

- ArchiCAD - follow two courses at the university ‘PARAMETRIC DESIGN BIM ORIENTED THROUGH ARCHICAD’ - AutoCAD - have a certified course during school and other intervention during university.

Phylosophy and History; (school subjects; university classes;) Sculpture; Art and drawing;

OTHER INFORMATION

Open to professional work, Occasions for experience, for training working in very highly skilled professional environments.

currently:

Thesis work/ and Open to professional work

09/2013 year of qualification: 07/2018

Politecnico di Milano

Bachelor of Science Architectural Design (Milano Leonardo)(Language Italian) (Thesis ‘Architectural Education’ - about Ludwig Mies van der Rohe and IIT)

graduated:

Master of Science Architecture - Built Environment - Interiors (Milano Leonardo)(Language English)

currently: 09/2021 (04/2024) now

SKILLS AND COMPETENCES

level: native speaker advanced intermediate

languages

Russian Italian, Moldovan (Scholastic) English (2021 - TOEIC® Listening and Reading - 900/990)

technical/ informatics programmes:

Accuracy and care in carrying out both paper and digital projects and design sketches.

AutoCAD, SketchUp, InDesign, Illustrator, Architecture maquette; ArchiCAD, Rhinoceros, Photoshop, Lumion, Familiarity with Office and iWork packages.

drivers license

B (motor vehicles)

10/2018 09/2021

advanced/intermediate intermediate/ basic 2019

PROFILE

Excellent ability to adapt to various working environments gained during my various professional experiences. Ability to acquire technical and transversal skills in the various sectors.

role agency responsibility - period role agency responsibility - period

PROFESSIONAL WORK EXPERIENCE Internship Allegri Studio - Architettura & Ingegneria Architecture & Engineering Internship including surveys on both public and private structures (including checks on fire regulations) and design and editing on AutoCAD.

06/2017 - 07/2017

Internal Practice Activity (Internal Internship) Politecnico di Milano

Research “Soviet Modernism in Tashkent”, conducted by Professor Andrea Gritti, who studies the architectural and urban heritage created in the context of the transformations promoted during the period 70’- 80’. Cataloging and processing work of the complete material on the assigned building/buildings with redrawing and editing in ArchiCAD, Autocad and Word. And other necessary work in the Research “Formal Study of different cases” in Illustrator.

Autorizzo il trattamento dei miei dati personali ai sensi del Decreto Legislativo 196/2003 e del GDPR (Regolamento UE 2016/679) ai fini della ricerca e selezione del personale.

01/2022 - 11/2022

currently: Thesis work/open to work

Curriculum Vitae eng

60KM

INDEX UNI BCs

UNI Msc

Thesis

GEOGRAPHICAL CON

Vercelli is surrounded b of high-quality camping outdoor crusing destina

Craftmanship

1 MuFoCo (Museo di Fotografia Contemporanea)_ Milan - Laboratorio di Progettazione Architettonica 1 a.a. 2018-19 Prof. Biagi Marco Enzo; Bolognesi Cecilia Maria; Guido Davide.

6-13

2 Vigentina Tower_ Milan

- Laboratorio di Progettazione Architettonica 2 a.a. 2019-20 Prof. Belloni Francesca Claudia Maria; Belladelli Leonardo; Cuenca Asensio Estefania.

Short-Trip Destinatio

14-25

3 Culture Tower / Cultural Center_ Milan

- Laboratorio di Progettazione Architettonica 3 a.a. 2/2 2020 Arch. Prof. Donaire Garcia De Mora Jesús; Di Gennaro Maria Francesca.

INUJIMA’S MASTERPLAN

26-39

4 Ponte Romano _ Milan

- Laboratorio di Progettazione Finale a.a. 1/2 2021 Arch. Prof. Faroldi Emilio, Vettori Maria Pilar; Bucci Federico.

Camping Site

40-51 40-41 and 50-51

5 Ensemble of Towers_ Napoli

- Architectural Design Studio y.y. 1/2 2021 Arch. Prof. Giancarlo Floridi, Chiara Dezzi Bardeschi.

2. WORKSHOP SPACE

I-Art House

52-57

6 The Outdoor School _ Vercelli

- Architecture of Interiors Design Studio y.y. 1/2 2022 Arch. Prof. Lorenzo Bini, Francesca Albani.

C-Art House

58-71 58-59 and 70-71

Nature House

7 State Museum Of History_ Tashkent

-Thematic Studio y.y. 2/2 2022 Arch. Prof. Ekaterina Golovatyuk, Silvia Bodei.

72-79

8 Pavilion San Fedele_ Milan

- MInDS 2023 Workshop 09 - 21 January y.y. 2023 Arch. Prof. Johannes Norlander.

1. SHELTER Life Garden

80-85

9 The Circle /Arvhive of Memory_ Milan

- MIAW 2023 Workshop 05 - 16 June y.y. 2023 Arch. Prof. Freiesleben Antje.

RIVER AND GREEN AR

The site is equipped with of natural landscape tha educational5 min. theme.

Stone quarry

86-89

10 Build Inujima_ Inujima Island

- IC Advanced Architectural Design Studio y.y. 1/2 2023 Arch.Prof. Elding Lars Jonas Hugo; Sejima Kazujo.

Other

Nakanotani Gazebo

Park

Camping G

90-97 3. LIBRARY

4

10 min.

Future Greenery

5

1

CONSOLIDAMENTO DEI SERVIZI PUBBLICI URBANI E DI QUARTIERE SULL'AREA DELL'EX OSPEDALE BASSI A MILANO

UNI BCs | MuFoCo

Consolidation of Urban and Neighborhood public services in the former Bassi Hospital area

MuFoCo

Laboratorio di Progettazione Architettonica 1 a.a. 2018-19 Prof. Biagi Marco Enzo; Bolognesi Cecilia Maria; Guido Davide.

Stud. Muraca Pasquale, Onofrei Serghei.

Viale Jenner, Milano, Italia

UNI BCs

Schwarzplan Museum of Contemporary Photography (Museo di Fotografia Contemporanea) The project works with two clients at the same time: Municipality 9 which was looking for proposals for a semi-disused area of the former Bassi Hospital, and the representation of the Museum of Contemporary Photography which was part of the initiative to hypothesize a transfer to the area project from Cinisello Balsamo.

The project includes both commissions, first, it went to redevelop and give use to existing buildings, maintained for their historical value; while to strengthen the system we worked on building the new one, also for the large surfaces required by the MuFoCo Museum.

The two systems work following different positions, everything new takes a different alignment, which comes from the morphological and historical analysis of the area. Working with the existing walkway, which takes on various functions including public space, outdoor exhibition area, and connection between buildings, further creates a barrier that closes the park from the rest of the city, giving a clear hierarchy of spaces.

which is the Museum of Contemporary Photography.

The dimensions of the building are closely linked to its positioning in the project area, the interior of the area remains closed while the exterior is left in autonomous function, creating a connection between the spaces which strongly influences the final shape.

The character of the building is given by the search to create versatile spaces and closed environments, for the large archive, permanent and temporary exhibitions, multifunctional spaces, and other commissioned accessory functions.

The result of a Tower partly closed in its vertical development in connection with large closed environments repeated in the number of levels, and on the other, the building is transparent throughout the serving area and with a high-tech character, for the lifts and emergency stairs placed outside

Politecnico di Milano Scuola di Architettura Urbanistica Ingegneria delle Costruzioni A.A. 2018/2019

Laboratorio di Progettazione Architettonica 1 proff. Marco Biagi, Cecilia Bolognesi (disegno) arch. Davide Guido, Alberto Soci

Studenti Onofrei Serghei, Muraca Pasquale

Assonometria, Fronte Scala 1:200

Tav.

N

The Tower was born from the idea of being sustainable in economic terms for the public client

Typical Plan, two-story display

7

0

Piano terra (reception) S1

UNI BCs | MuFoCo

S1

S1

S1

Primo piano (caffetteria) S1

Piano interrato (auditorium 150 posti) Piano interrato (auditorium 150 posti) S1

S1

Esposizione a due piani S1

S1

S1

S1

Piano terra (reception) Piano terra (reception) S1

S1

Esposizione a due piani S1

Underground Floor, Ground Floor

8

Typical Plan, two-story display

9

UNI BCs | MuFoCo

Section

10

Sezione S1

11

1

2

2

UNI BCs | Vigentina Tower

Residential building in Porta Vigentina Laboratorio di Progettazione Architettonica 2 a.a. 2019-20 Prof. Belloni Francesca Claudia Maria; Belladelli Leonardo; Cuenca Asensio Estefania.

Stud. Bertani Elisa, Onofrei Serghei, Trucios Espinoza Alessio Enrique, Vigani Sonia.

Corso di Porta Vigentina, Milano, Italia

Vigentina Tower UNI BCs

Schwarzplan The project is the result of a long analysis of the area and involves the construction of a residential building in Corso di Porta Vigentina in Milan.

Inside are distributed: - a ground floor with an entrance, a housing unit relating to the caretaker, and an office unit; - a mezzanine located between the ground floor and the floors used as a residence, which can be accessed from the main staircase or even directly from the office unit on the ground floor; - 8 floors used as a residence with 2 or 3 residential units per floor, with a total of 20 residential units.

The project required creating a thoughtful assembly starting from a reference building, which in this case is that of Mario Asnago and Claudio Vender via Andrea Verga 4 in Milan.

The building follows the orientation by aligning itself with Corso di Porta Vigentina, which is a reference point for the urban development of the surrounding buildings, while the layout it adopts in the project area divides the space by recreating courtyards around it.

The project concerning the city To learn more about the project, it is necessary to understand the city, and its alignments and predict its future development while keeping the past in mind. We need to interpret the classic language of the city in a contemporary key, projecting the project toward the future.

The different heights of the two buildings present in the project attempt to dialogue with the place, in the lower part the height of the building integrates with the adjacent one, while the higher body has the intention of developing the project towards a new dialogue like new nearby buildings.

The difference in height in the project describes the building, representing a bridge between what existed and what will exist, making these two aspects coexist in a single project.

Project in harmony with the city, alignment, and measurement.

Space, relationships between built volumes, proportion.

Characteristic is the folding, the sculptural effect of a monolithic volume.

Design of the facade, with the window meeting and the rhythm/step that unifies and characterizes the building.

The Vigentina Tower is part of the cultural current of the Milanese school.

14

Master Plan

15

UNI BCs|Vigentina Tower

SEZIONE OVEST

1

UNI BCs|Vigentina Tower

SEZIONE OVEST

PROSPETTO SUD

SEZIONE OVEST

SEZIONE OVEST

PIANTA PIANO TERRA

PIANTA DA 1 A 5 SOLUZIONE 1

PIANTA PIANO TERRA

PIANTA DA 1 A 5 SOLUZIONE 1

LABORATORIO DI PROGETTAZIONE ARCHITETTONICA 2 Elisa Bertani, Serghei Onofrei, Alessio Enrique Trucios Espinoza, Sonia Vigani GRUPPO 12 LABORATORIO DI PROGETTAZIONE ARCHITETTONICA 2

Edificio residenziale in Porta Vigentina Edificio residenziale in Porta Vigentina

1:200 PROSPETTI, SEZIONE, PIANTE

0

5

10

2 19

UNI BCs|Vigentina Tower

SEZIONE NORD SEZIONE NORD

SEZIONE OVEST

PIANTA PT DA 1 A 5 SOLUZIONE 2

PIANTA DA 6 A 9

PIANTA PT DA 1 A 5 SOLUZIONE 2 PIANTA PIANO TERRA LABORATORIO DI PROGETTAZIONE ARCHITETTONICA 2 Elisa Bertani, Serghei Onofrei, Alessio Enrique Trucios Espinoza, Sonia Vigani

PIANTA DA DA 61 AA 95 SOLUZIONE 1 PIANTA Edificio residenziale in Porta Vigentina 1:100

0

5

10

20

Guaina impermeabile con bocchettone di raccordo delle acque (sp 10 mm) Massetto di pendenza 2% (sp 44.9 mm) copertina in Pietra con gocciolatoio (sp 37 mm)

Strato isolante in lana di roccia (sp 150 mm)

CHIUSURA VERT

+34 m

Barriera al vapore (sp 10 mm)

Solaio in laterocemento: (sp 300 mm) Getto di calcestruzzo Rete elettrosaldata Pignatta Travetto

s = Spessore dello strato; C = Conduttivit

Trasmittanza (W/m²K): 0.234 (Va Massa superficiale (Kg/m²):939 Resistenza termica (m²K/W):4.

Spessore totale (mm):540

+30.20 m

Il valore della trasmittan Comune di Milano Zona Climatica: E, Gradi Giorno

CHIUSURA VER T interna (°C): 20.0 T esterna (°C): -5.0 U interna (%): 52.0 U esterna (%): 38.7

10.8

10 2.2

30

1

Usando CLIMA La parete Climablock indica

5 18

31

+9.20 m 15 35

50

VERIF TERMI Provincia Gradi giorno

M 24

Parametri Edificio di riferimento D Ristrutturazioni e riqualificazioni e 26/6/2015* Valori limite per accedere alle det 26/01/2010)

CHIUSURA SU

* NB. Valori limiti fissati dall p

300

Descrizione della Struttur Tipo di struttura Spessore (s) Massa Superficiale (m) Trasmittanza Termica (U) Resistenza Termica (R)

Parametri Termici Dinamic Trasmittanza termica periodica (Yie)

Capacità termica areica interna (Ki)

Capacità termica areica esterna (Ke) Fattore di attenuazione (f) Sfasamento (φ) Ammettenza Termica interna (Yii)

Ammettenza Termica esterna (Yee) VERIF

Massa superficiale esclusi TERMI intonaci

Struttura di contenimento in CLS

+5.65 m Davanzale con gocciolatoio

15

Rivestimento in mattoni Petersen Kolumba (528x108x37 mm)

35

Tassello per fissaggio

50

SOLAIO INTE

Solaio in laterocemento: (sp 300 mm) Getto di calcestruzzo Rete elettrosaldata Pignatta Travetto

Intonaco interno (sp 10 mm)

Mensola di sostegno per la facciata

M 24

Parametri Edificio di riferimento D Ristrutturazioni e riqualificazioni e 26/6/2015* Valori limite per accedere alle det 26/01/2010)

* NB. Valori limiti fissati dall p

Struttura portante in CLS

Intercapedine (sp 20.2 mm)

Provincia Gradi giorno

Telaio e controtelaio

Descrizione della Struttur Tipo di struttura Spessore (s) Massa Superficiale (m) Trasmittanza Termica (U) Resistenza Termica (R)

Vetrocamera

Parametri Termici Dinamic Trasmittanza termica periodica (Yie)

Capacità termica areica interna (Ki)

Capacità termica areica esterna (Ke) Fattore di attenuazione (f) Sfasamento (φ) Ammettenza Termica interna (Yii) Ammettenza Termica esterna (Yee) Massa superficiale esclusi intonaci

Pannello con isolante in lana di roccia (sp 150 mm)

VERIF TERMI

Pavimento in parquet di rovere (sp 10mm) Massetto di allettamento (sp 40 mm)

Terreno Strato drenante di HDPE (sp 10 mm)

Massetto impianti con riscaldamento radiante a pavimento (sp 100 mm)

Profilo di sostegno

SOLAIO CON

+0.00 m

Serramento in alluminio

M 24

Parametri Edificio di riferimento D Ristrutturazioni e riqualificazioni e 26/6/2015* Valori limite per accedere alle det 26/01/2010)

Caldana in cls con rete elettrosaldata (sp 40 mm)

Griglia stradale Davanzale

Provincia Gradi giorno

* NB. Valori limiti fissati dall p

Descrizione della Struttur Tipo di struttura Spessore (s) Massa Superficiale (m) Trasmittanza Termica (U) Resistenza Termica (R)

Isolante in lana di roccia (sp 100 mm) Bocca di lupo

Architrave in laterizio

Parametri Termici Dinamic Trasmittanza termica periodica (Yie)

Intonaco interno (sp 10 mm)

Capacità termica areica interna (Ki)

Isolante in lana di roccia (sp 150.3 mm)

Capacità termica areica esterna (Ke) Fattore di attenuazione (f) Sfasamento (φ) Ammettenza Termica interna (Yii) Ammettenza Termica esterna (Yee)

Struttura portante in cls

Massa superficiale esclusi intonaci

Tubo di scarico delle acque

VERIF TERMI

Strato di Ghiaia e sabbia (sp 100mm) Provincia Gradi giorno

Guaina impermeabile (sp 5 mm) Strato drenante di HDPE (sp 10 mm)

Pavimento (sp 10mm)

Tubo di drenaggio Isolante in lana di roccia (sp 0.9mm) Barriera al vapore (sp 10mm) Tubo per esalazione del vespaio

Vespaio Aerato con igloo Cupolex H60 (h 300 mm)

SOLAIO CON

Fondazione a platea (h 1000 mm) CLS Magro di appoggio (50 mm)

M 24

Parametri Edificio di riferimento D Ristrutturazioni e riqualificazioni e 26/6/2015* Valori limite per accedere alle det 26/01/2010)

Soletta in CLS rete elettrosaldata (sp 0.8mm)

* NB. Valori limiti fissati dall p

- 3.50 m

Descrizione della Struttur Tipo di struttura Spessore (s) Massa Superficiale (m) Trasmittanza Termica (U) Resistenza Termica (R)

Parametri Termici Dinamic Trasmittanza termica periodica (Yie)

Capacità termica areica interna (Ki)

Capacità termica areica esterna (Ke) Fattore di attenuazione (f) Sfasamento (φ) Ammettenza Termica interna (Yii) Ammettenza Termica esterna (Yee) Massa superficiale esclusi intonaci

Section

22

Detail LABORATORIO DI PROGETTAZIONE ARCHITETTONICA 2 Elisa Bertani, Serghei Onofrei, Alessio Enrique Trucios Espinoza, Sonia Vigani GRUPPO 12

Edificio residenzile in Porta Vigentina

23

1

24

2

3

UNI BCs|Culture Tower

Hybrid building with public use, Cultural Center

Culture Tower

Laboratorio di Progettazione Architettonica 3 a.a. 2020-21 Arch.Prof. Donaire Garcia De Mora Jesús; Di Gennaro Maria Francesca.

Stud. Onofrei Serghei.

Viale Tunisia, Milano, Italia

UNI BCs

The project of a hybrid building, with the design theme «Dense Section».

It is built step by step, simultaneously developing themes such as: Urban Approach, the building in the city, and its vision and interpretation.

Program and Circulation, from the analysis of the city.

Structure/Construction, goes together with the idea of a functional program, and circulation, controlling Light and Scale.

And finally, the Skin (the idea of a Façade), which must be conceived, building it in connection with the structure.

An urban tower in all respects, develops in height concerning the existing context, with the design in relation to the neighboring buildings.

The program is the result of the analysis of the specific area in which it is located, in particular Viale Tunisia which cuts perpendicularly to Corso Buenos Aires, the main street of commerce and consumption in Milan. The public destination project is contrasted with a cultural function, to bridge the gap.

The main ideas from which side are expressed in the following quotations:

Progetto

«Architecture is the will of an epoch translated into space.

«Architecture depends on its time. It is the crystallization of its inner structure, the slow unfolding of its form»

by Mies Van der Rohe Urban planning after growth... situations of contraction...

«Without consuming land, recompose the urbanized area through volumetric redevelopment.»

«The regulation of urban metabolism...

by Arturo Lanzani In line with the urban planning ideas developed by Lanzani, and from great sources such as Milanese Modernism in height, and the authority of Professor Donaire, who imposed STRUCTURE as a theme most evoked during the course.

The Culture Tower creates unity between technique and culture.

26

Design Sketch

27

1:400

0

5

10

PROSPETTI

28

29

lenta veloce

PIAZZA CULTURA

PIANTA PIANO TERRA

etto

1:400

0

5

PROSPETTI

30

Façade

31

1:400

0

5

10

PROSPETTO

32

Plans

33

CULTURAL CENTER

SKYWALK GARDEN

RESTAURANT

CULTURE EDUCATION MEDIATHEQUE (RESEARCH EDUCATION) CO-WORKING

GALLERY

ARCHIVE DISPLAYS GALLERY EXHIBITIONS EXPOSITION COLLECTIONS DIREZIONE STAFF LEVEL OFFICES MULTIPURPOSE ROOM SPAZIO POLIFUNZIONALE KIDS AREA INSTALLATIONS LIBRARY LIBRACCIO LOBBY

ENTRANCE PIAZZA CULTURA AUDITORIUM THEATRE CINEMA

etto

35

36

2

Render

38

4

UNI BCs|Ponte Romano

Between the history and the future of Piscina Romano

Ponte Romano

Laboratorio di Progettazione Finale a.a. 2021 Prof. Faroldi Emilio; Vettori Maria Pilar; Bucci Federico.

Stud. Beatrice D’Amato, Onofrei Serghei, Margherita Camilla Guffanti, Giacomo Ontano.

Piscina Romano, Milano, Italia

UNI BCs

Schwarzplan PONTE ROMANO Between the history and the future of Piscina Romano “Piscina Romano” was constructed in 1929, the project was from the Eng. L. Secchi; the original design has been subjected to several changes, today the only elements that persist are the entrance building and the two little pavilions in the west part of the site.

The area has some critical elements such as the use of the open-air swimming pool which is exploitable only for three months per year and the general decline of the greenery and the structures.

The project’s purpose is to renovate the area keeping the historic memory, adding some new functions that can be useful to the neighborhood and the students of Politecnico, which is adjacent to the site.

The aim is reached with graftings that create a dialogue between the existences and the new volumes: the biggest building is placed in the center of the area and has a strong presence with its impressive steel structure, it defines two different areas that are separated concerning function but connected through the main grafting; both spaces are served by small slatted buildings with porches.

Finally, a smaller building is placed to complete the existing one on via Ampere, creating an entrance complex to the area. In the design of this edifice, an attempt has been made to reproduce the lines and proportions of the existing one, although detached through the use of totally different structures and materials.

Another important element that was taken into account when drafting the project is the existing greenery; trees and shrubs already present on the site were selected and implemented.

40

Plan

41

Render

50

2

5

Stazione Marittima Ensemble of Towers

UNI MSc|Ensemble of Towers

Architectural Design Studio y.y. 2021-22 Arch. Prof. Giancarlo Floridi, Chiara Dezzi Bardeschi.

Stud. Mariia Iukhtanova, Serghei Onofrei , Yankai Ren. Porto di Napoli, Naples, Italy

Ensemble of Towers UNI BCs

UNI MSc

Schwarzplan The main problem of the area is the complexity of connection all around the site area. There is a strong position about the situation of the waterfront in Napoli. There is an important article

by Matilda Cerao «The sea doesn’t touch Naples».

The sea is part of the landscape but there is no connection between the city and the sea. Now this area is used as a part of the port territory, as a storage for arrived goods. This is not a critical point. The main aim of the project was to solve the question «How we can change these elements and manage this private part of the city?» Now this waterfront area partly belongs to the authorities of the port, it is commercially used. We have an opportunity to reveal new ideas of the city.

We can start to create a new image of the city, a new possible expansion of the city. Void places of territory could be filled and managed.

towers and the existing building, with the heights able to relate to the scale of the context and give strength to this area. The objective is the relationship with the city.

These two buildings give shape to a public space, within its urban limits and characteristics.

The character of the buildings in this area refers to the materiality of the main objects of the city, such as the series of Castles, the shape, and the urban density and its concentration.

Work on existing main building Magazzini Generali, keep it, find a compatible function and adapt it indoors, and make a few interventions the outside, where the blind façade is now located, look for a new entrance to the building in the lower band, and if necessary, place the stairs or other accessories useful for the functioning of the building.

The project in this particular context with its problems.

The positions of the buildings work in continuity with the existing form of the city, trying to create a new transition route and draw the seashore to the city.

Creating a Landmark, a new public space, and a square, which also creates the axis of the promenade.

In the composition, we work with two tall buildings, and systems, which allow anticipating the future development of this area, where one of the axes of the Port of Naples is progressively transformed into a city.

The composition consist of finding urban proportions to these

ENSEMBLE \ ACCOPPIAMENTI GIUDIZIOSI Design Studio - WS 2021 - Politecnico di Milano Prof. Giancarlo Floridi, Chiara Dezzi Bardeschi with Marta Bertani, Giuseppe Greppi, Gianmario Pandozzi G07 - Mariia Iukhtanova, Serghei Onofrei , Yankai Ren

52

Scheme

53

UNI MSc|Ensemble of Towers

54

Model 1:200

55

UNI MSc|Ensemble of Towers

56

Model 1:50

57

6

Camping Site

The Outdoor School

Architecture of Interiors Design Studio y.y. 2022 Arch. Prof. Lorenzo Bini, Francesca Albani.

Stud. Bin Liu, Jiaxiang Li, Kexin Qian, Serghei Onofrei Vercelli, Italy

UNI MSc|The Outdoor School

The Outdoor School UNI BCs

UNI MSc

RIVER AND GREEN AREA

The site is equipped with a series of natural landscape that creates educational theme.

SPACE FOR CLUSTERING

The open space on ground floor is historically an important space for activities that requires clustering in large amount of children

A WIDESPREAD SITE The whole site was widespread with all kinds of nature-based activities. The tower brings visual contact with river, and the staircases define the boundary of a playground.

Future Greenery Farmland The Outdoor School Here attitude is marked by the preservation of historical stratification. Correcting the decay visibly, since the only problems of the building are superficial. The condition of the structure is good and a project interacts and preserves it. Classrooms and other main spaces are boxes that are constructed through a secondary structural system in the original beam-column system. A semi-transparent facade that slightly touches the original concrete structure.

The resulting interventions are: protect the structure in reinforced concrete; replace railings with a new perimetral system; and demolish not original walls mainly on the whings, giving a historical character with transparency to ‘La Colonia Elioterapica Mari Pia di Savoia’ in Vercelli.

“A Landscaped Interior” Classroom

The Whole space, extending from interior to exterior, serves as the educational space of the outdoor school, only educational spaces are kept “indoor”.

“An Elevated and Translucent Cloud” Façade A semi-transparent facade that slightly touches the original concrete structure, bringing special light quality to the interior spaces of the two wings. And it performs the function of additional safety for children.

PENETRATIVE BOUNDARY The original structure is not, strictly speaking, closed. The light boundary brought more opportunity to contact with natural environment.

58

59

Render

70

2

7

Museum of Lenin

UNI MSc|Museum of History

Thematic Studio y.y. 2022-23 Prof. Arch. Silvia Bodei, Ekaterina Golovatyuk.

Students: Ziyu Liu, Xiang Li, Sichao Li, Serghei Onofrei.

Museum of Lenin, Tashkent, Uzbekistan

State Museum of History UNI BCs

UNI MSc

Schwarzplan From the Lenin Memorial to the Uzbekistan State Museum of History, the commemorative nature of the building persists over time regardless of its shift in program. On an urban scale, it remains an isolated monument in the heart of modern Tashkent, while the museum itinerary currently serves as a biased narrative of a glorified national history.

The intervention aims to get this monument involved in a continuous dynamism on both the urban level and its architectural program.

First, by freeing the lower levels, where public open spaces and cultural facilities are introduced, the connection between the museum building and its neighboring context is enhanced with both physical accessibility and multiple cultural activities.

Second, evaluated as an iconic and crucial image in the collective memory of Tashkent, the central staircase, the podium, and the floating box above are preserved as much as possible in terms of their presence in the urban landscape.

Third, the museum itinerary is re-organized based on insight into the history of Uzbekistan territory, which is characterized by a hyper-complex interrelationship among regimes, cultural and ethnic groups, and is realized in a non-linear narrative presenting the historical continuity and diversity over space and time, with artifacts and multiple media. Placing inside a box vessel, the interior of the exhibition is wrapped with changing fluidity/ rigidity over different sections regarding the period and location it presents, overlapping with the modern structure and space from the 1970s.

The direction of the museum itinerary is reversed in contrast with the commemorative sequence, seen in its current and previous programs. Instead of approaching the building from the central staircase and entering the ritual room from the podium, the visit begins on the last floor (connected to the underground foyer with an elevator), continues on the second floor, and ends by entering the public atrium.

New Intervention

72

73

UNI MSc|Museum of History

LEVEL 3 14. Exhibition

14.

LEVEL 2 14. Exhibition

14.

LEVEL 1 12. Bookshop 13. Multifunction hall 12.

13.

LEVEL 0 5.

Library

5.

8. Auditorium 9.

9. Workshop

8.

10. Foryer B 11. Office 11.

10.

LEVEL -1 1. Foyer A 2. Coffee 3. Kids area

4.

5.

3.

8.

6.

4. Education area A 5. Library 6. Archive 7. Education area B 8. Auditorium

2.

1.

7.

Scheme and Project Axonometry

75

UNI MSc|Museum of History

Render

76

Render

77

Render

78

2

8

Order

UNI MSc|Pavilion San Fedele MInDS (Milano International Design Studio) Workshop 2023 Arch. Prof. Johannes Norlander Stud. Serghei Onofrei Piazza San Fedele, Milan, Italy

09 - 21 January y.y. 2023

Pavilion San Fedele UNI BCs

UNI MSc

Order Forming a building / Language Program / Grid Sequences Proportions / Scale Structure / Mass References / Archetypes Representation Client: City of Milan Mission: The task is to design a new public building used for cultural events as well as promoting milanese businesses. The project site is located at the Piazza San Fedele.

Aim of the building: The building should have a general layout suitable for both commercial use and public events. Example of ac-tivities could be; popup store, gallery, bookshop, bar or brand events during fairs. It should also be used for re-presentations arranged by the city, dinner parties, press meetings or public exhibitions.

Expression: The building, despite its temporary use, should stand over time. It should appear as robust with a certain weight and dignity. It should adapt or refer to the con-text, history and profound buildings around the square, and at the same time stand for it self.

Building restrictions: Building plot according to plan Footprint approx. 150 sqm.

2 floors + basement Floor 1; General space; Floor 0; Area dedicated for reception General space; 1 main entran-

ce; Basement; Cloakroom + toilets Technical space Storage.

Communication: 1 elevator; 1 stairwell.

Regulation: Accessibility and fire regulation according to the city of Milan.

As a result: the designed pavilion is oriented towards the axis of the church, which is the main dominant feature, and the object is also shifted to the side, opening up and orienting people towards it. The character of the building was determined initially by the vision of this new object as independent, not requiring imitation in the context, but as a separate independent alien object. From the latter follows the choice of material, wood, which in the central alleys is present in coffered ceiling in the porticoes. The shape of the object comes from the Milanese archetypes and not directly from the exact surroundings.

80

Ground Plan

81

Section, Plans

83

UNI MSc|Pavilion San Fedele

Axonometry

84

Render

85

9

Archive of Memory - Museo Archivi della Triennale

The Circle UNI BCs

UNI MSc|The Circle

MIAW (Milano International Design Workshop) 2023 09 - 21 January y.y. 2023 Arch. Prof. Antje Freiesleben - Modersohn & Freiesleben Stud. Serghei Onofrei Triennale di Milano, Milan, Italy

UNI MSc

Schwarzplan The circle - over the site. As an MUSEO ARCHIVI DELLA TRIENNALE and its extensione.

The shape of the building stems from the archetypes of the surrounding area and in particular from the most important part of the Triennale building, the structure is characterized by rounded shapes at both ends, one huge exhibition part, the other a small inscription of a spiral staircase.

The circle is inscribed in the morphology of the area, and works for the benefit of the city using the unused area above the railway tracks, and also on the natural small part of the park with its elevation changes. Returning to the topic of the memory archive, the main level goes under a hypothetical area of 6000 square meters for the archive, and under the circulation structure that will serve for the distribution of subsequent levels of the structure with a predominantly residential function, everything will be strung together on the initially given structure. The latter works to support the city and preserve more land, through densification in New York style Dense Section. The solution of facades is open from a collection of various elements for their reuse.

The site: permanences and changes The building: construction and development The archive: materials and collections Interdisiplinary overview: iconographic apparatus

86

87

UNI MSc|The Circle

Model 1:300

88

Model 1:300

89

10

Build Inujima: architecture becomes environment

Build Inujima

UNI MSc|Build Inujima

IC Advanced Architectural Design Studio y.y. 2023 Arch.Prof. Elding Lars Jonas Hugo; Sejima Kazujo.

Stud. Giacomo Dell’Olio, Serghei Onofrei, Menji Huang, David Laureano Peralta Inga.

Inujima Island, Japone

UNI BCs

UNI MSc

INUJIMA’S MASTERPLAN

INUJIMA - CITTA STUDI COMPARISON

Seaside Inujima Gallery Inujima Ticket Center

2. WORKSHOP SPACE

I-Art House

5m EXISTING KITCHEN/ BATHROOM/ SHOWER ROOM

F-Art House

C-Art House A-Art House Nature House

Nakanotani Gazebo

INTERVENTIONS:

10 m

S-Art House

Former site of a stonecutter’s house

1. SHELTER Art Museum

1. SHELTER Life Garden

Stone quarry

2. WORKSHOP Park

5 min.

Camping Ground

3. LIBRARY

10 min.

EXISTING ART HOUSE PROJECTS EXISTING KITCHEN/BATHROOM/SHOWER ROOM EDUCATION CORRIDOR INTERVENTIONS

Inujima is a small island in a quiet inland sea called Seto Naikai. You can walk around the entire island in about 1 to 2 hours.

Based on analysis, a proposal for a project that establishes a clear relationship between the artificial and the natural landscape, between architecture and environment. The island as a whole is a place where architecture ultimately becomes the environment.

LIBRARY The3. island would change through that project. Three buildings proposed to establish a relationship between inhabitants and visitors, nature and man-made construction, art and local life through the right program. The project triggered a transformation of the island attracting jung people. The project determines WATER BODIES a new environment for the island creating a new fulcrum of PROPOSED NEW PATHS places and ways that allow to use of the entire island area.

EXISTING PATHS INCLUDED IN THE NEW CORRIDOR The proposal is developed in a free yet respectful and sensitive way, a Shelter which is also an adaptation of the hotel, a Workshop which is an observatory, and a Library as a leisure place.

The Shelter is inscribed on the main height and as a continua-

Inujima’s Masterplan

90

tion of the mountain landscape.

The workshop is divided into branches that are oriented towards the main directions of morphology and views of the island.

In the end, the Library is interested in interpreting the dynamism of the surrounding natural landscape, with shifts in form creating a silhouette.

Model 1:1000

91

UNI MSc|Build Inujima

1 Observatory 2 Bathroom 3 Bedroom 4 Platform

2

3

1 4

3

4

3

Shelter 3

92

Workshop

93

UNI MSc|Build Inujima

07. ROOFTOP FLOOR 23.40

Shelter

06. FLOOR 6 20.20

05. FLOOR 5 17.00

04. FLOOR 4 13.80

03. FLOOR 3 10.60

Workshop

02. FLOOR 2 7.40

01. FLOOR 1 4.20

SECTION esc 1:50

00. GROUND FLOOR 0.00

Library

94

Library

95

Presentation

96

Bachelor Thesis 22.09.2021 Stud. Simone Nidoli, Serghei Onofrei.

Prof.ssa Maria Pilar Vettori.

Thesis work UNI BCs

UNI Msc

Thesis

Craftmanship

This Thesis aims to analyze and deepen one of the most complex and fascinating topics (for us) in the field of architecture: ARCHITECTURAL EDUCATION. To understand this theme, we focused on Mies Van der Rohe’s teaching method during his years as director of the Department of Architecture at IIT. Starting with a brief, but dutiful, description of the German architect’s life and his work, we then focused on the methodology that Mies used during his years in America.

Through quotes, we analyzed Mies’ approach to teaching, his way of relating to students and teachers, his ideas on architectural practice, and also his “fears” in teaching ... We wanted to introduce a different Mies, a “hidden” Mies.

In conclusion, we took the risk to make a subjective and possible actualization of his methodological thinking, concluding that the method is the basis for autonomy in knowledge, specifically that architectural education is at the center of teaching.

Questa Tesi si pone come obbiettivo quella di analizzare e approfondire uno degli argomenti (per noi) più complessi e affascinanti nel campo dell’architettura: l’EDUCAZIONE ARCHITETTONICA. Per comprenderne il tema ci siamo focalizzati sul metodo di insegnamento di Mies Van der Rohe durante i suoi anni come direttore del Dipartimento di Architettura all’IIT. Partendo da una breve, ma doverosa, descrizione della vita dell’architetto tedesco e del suo lavoro, ci siamo successivamente concentrati sulla metodologia che Mies utilizzò durante i suoi anni in America.

Attraverso citazioni, abbiamo analizzato l’approccio di Mies alla didattica, il suo modo di relazionarsi con gli studenti e docenti, le sue idee sulla pratica architettonica e anche le sue “paure” nell’insegnamento... Abbiamo voluto far conoscere un Mies diverso, un Mies “nascosto”.

In conclusione, ci siamo arrischiati in una soggettiva e possibile attualizzazione del suo pensiero metodologico, arrivando alla conclusione che il metodo è la base per l’autonomia nella conoscenza, nello specifico che l’educazione architettonica è al centro dell’insegnamento.

1

Physical models

Craftmanship|Models

Models UNI BCs

UNI Msc

Rem Koolhaas, Villa dall’Ava

Thesis

Craftmanship

made in 2017

100

Omar Gandhi Architect + Design Base 8, Rabbit Snare Gorge

made in 2017

101

Craftmanship|Models

Hans Kollhoff Ministry of the Interior and Ministry of Justice

made in 2021

102

Rem Koolhaas - OMA, De Rotterdam

made in 2023

103

Craftmanship|Models

Omar Gandhi Architect + Design Base 8, Rabbit Snare Gorge/ Tadao Ando, Casa 4x4/ Moisej Ginzburg, Casa del Narkomfin/ Vittoriano Vigano, Mollificio Bresciano/

made in 2017 made in 2018 made in 2018 made in 2020

105

contatti grazie per la visione, onofreysergey@yandex.com +39 329 565 7365 Milan, Italy 1